Tumgik
#best movie
zaireetoo-draws · 28 days
Text
Tumblr media
Best movie
94 notes · View notes
kennythetrampvamp · 6 months
Text
194 notes · View notes
sdrose93 · 19 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media
This man's smile I swear 🥰
111 notes · View notes
fullmovifree · 4 months
Text
Watch Movie : The Hunger Games: The Ballad of Songbirds & Snakes
youtube
Watch Full Movie Now : http://tinyurl.com/yk862pvh
112 notes · View notes
Text
39 notes · View notes
okayigetitifuckedup · 2 months
Text
Just got home from watching Lisa Frankenstein and I hope yall are ready for me to be a fucking problem
20 notes · View notes
kaitcake1289 · 2 years
Text
Tumblr media Tumblr media Tumblr media
Everything Everywhere All at Once (2022)
785 notes · View notes
heterochromicnachos · 9 months
Text
Oh my fucking god, mutant mayhem.
It was so fucking amazing.
Reasons, here we go
-Donnie gets to do a lot of shit in this movie, unlike almost every other one there is. (Rise gets to be an exception, rise is awesome.)
-the amount of pop culture references
-the teens actually being teens
- ✨found family✨
-splinter trying his hardest to be a good dad and supporting his kids despite his hatred for humans
-Leo and April aren’t cringe and uncomfortable like with 2012 apriltello
-Raph isn’t a massive dick and just wants to fight things.
-Mikey being adorable
-they all love eachother despite being the only people they really knew for years.
-the boys trying their best to comfort Donnie during the TCRI scene, despite not knowing the words to the song.
-the humans being bros in the final act of the movie :)
45 notes · View notes
americassoldierboy · 2 months
Text
Tumblr media
This movie deserves a remake so everyone can appreciate it and get it an Oscar!
14 notes · View notes
dreamer-but-realist · 4 months
Text
Tumblr media
17 notes · View notes
cindergothin · 3 months
Text
Tumblr media Tumblr media Tumblr media
11 notes · View notes
naoko-world · 5 months
Text
Happy 2nd anniversary Encanto!
Tumblr media
And after 2 years I'm still as much ready to say how Encanto is a masterpiece of Disney and still one of my favorites movies of all times!
I love you Encanto!
15 notes · View notes
buthigor · 8 months
Text
Tumblr media
Inventing the Abbotts
34 notes · View notes
streetqueenofmars · 1 year
Text
Thinking about the best movie that came out this year and this image came to me.
Tumblr media
133 notes · View notes
pochiperpe90 · 1 year
Text
THE 8 MOUNTAINS OF BORGHI AND MARINELLI
Tumblr media
THE TWO ACTORS, FRIENDS IN FICTION AND IN LIFE, TELL US THE INCREDIBLE HUMAN JOURNEY, LIVED AT THE SIDE OF THE WRITER PAOLO COGNETTI AND THE DIRECTORS OF ALABAMA MONROE, ACCOMPLISHED TO FILM THE THRILLING MOVIE BASED ON THE NOVEL, WINNER OF THE “PREMIO STREGA”. WHICH ARRIVES IN THEATERS AT CHRISTMAS,  AFTER THE AWARD WON AT CANNES
Two friends and many paths to travel together. Indeed, three. Alessandro Borghi, Luca Marinelli and Paolo Cognetti, author of the novel “The eight mountains”, winner of the Strega Prize in 2017. A love song for high altitudes, forests, streams and the great outdoors, tells the story of the friendship between Pietro and Bruno, who met in the mountains as boys and again as adults, identical and very different, to build a small hut together, building it on the ruins of a hut that Pietro's father left him in inheritance. That project will renew their relationship while giving direction to the future. Cognetti's novel has now become a film directed by Felix van Groeningen and Charlotte Vandermeersch, the directors of the moving Alabama Monroe. After winning the Prize of Jury at the last Cannes Film Festival, now it arrives in theaters on December 22nd thanks to Vision Distribution, just in time for the Christmas holidays. In the movie. Pietro and Bruno are precisely them, Borghi and Marinelli, great friends even in life, who met on the set seven years after the film that brought them together, “Non essere cattivo”. And here they spent a lot of time with Cognetti himself, during the long months of preparation for the shooting that they themselves tell us about. 
What relationship did you have with mountains before this movie? 
Alessandro Borghi: I had started an approach to the mountains three years ago: I was bored, in the summer, ending up in the crowd, by the sea, so I tried to change. And I fell in love, I found a right way for me to enjoy the mountain, almost meditative. But also the fact that in the mountains you can do a lot of sports, it amuses me. Let's say that, through the film, I closed a cycle to start another. I exhausted my "tourist love" and started a different path, favored by the people we worked with. I learned how to milk cows, to graze, to make cheese, to experience the mountain pastures... Now I see it from another point of view, even more "earthly". And so now I can consider my love "complete and official".
Luca Marinelli: I can also say that I'm officially in love with the mountain. But in a more similar way to Pietro, who already had an imprint, because part of my family comes from a small mountain village. But it’s a small village that is 900 meters above sea level. That kind of mountain I loved and knew, but it's very different from what we did for the film. We lived it completely, we went from 1500 meters to 3500... And we shot up to 4000 meters, for the scenes with the glacier. We walked a lot with Paolo (Cognetti, ed.), he was our first "mountain instructor", then we found others, mostly his friends.
What contribution did he make to the film? 
AB: Paolo was with us all the time, always on tiptoe and with great sensitivity. He was very good at not making us feel responsible for having to 'give back’ something that he had put in the book. He could have said “look, when I wrote this I was thinking about this”, and he never did. We rather asked in some moments. From a practical point of view, instead, he tried to kill me... (laughs, ed.). He took me on crazy walks. Every time he told me "It’s an hour's walk, nothing much…” then it became six hours and you reached 3500 meters. But through his way of experiencing the mountains I discovered a different approach: he is a great teacher of "lonely mountain". Someone who says: “Now you're happy that I'm here with you, but think if you do it alone”. And then he's a special human being, someone who is very careful about the words he uses and who uses them uncommonly.
LM: Yes, we spent months with him. I asked Felix and Charlotte if it would be possible to meet and have some time to prepare before shooting, it's a phase of the work that I really enjoy. For “Non essere cattivo” think that I had moved to Ostia. At first I was afraid to annoy him, then he became our teacher and eventually we became friends.
How complicated was to shoot following the rhythms of the mountain?
AB: The mountain commands, so from a production point of view it was a huge operation. And it was the longest film I've made to shoot, five months. We started in May and finished in December, with breaks in between, and in the meantime Luca also went to Nepal, with a reduced crew and in the midst of the pandemic. The hardest part was the winter one. Unfortunately, with the climatic situation we live in, things never "returned": when we needed the snow, it wasn't there, when we didn't need it, there was... The summer part, on the other hand, was more regular. It makes me laugh that we went to the set by all imaginable transports, with the snowmobile, with the van, with the motorcycle, with the helicopter, on foot... Depending on how the situation was when we woke up, we had to change. One evening we almost got stuck on the set because a heavy snow came and we couldn't go back. 
And how did it go in Nepal?
LM: Nepal was crazy. A great gift. We reached the places that can be seen on foot. We stayed in Katmandu for a week and then for two weeks we walked in the mountains: from Katmandu we reached 4300 meters, in a village where we found fields cultivated with yak-pulled plows, something I really didn’t expect at that height. At 4000 meters we have glaciers. There were days in which we just walked, even ten hours, to get to the next stage, where we then had to acclimatise, because in any case the body has to get used to it. I remember times when I felt the altitude a lot, it's powerful. We have to go back there together (he tells Alessandro Borghi, ed), it's the next thing we do together.
Tumblr media
What kind of directors are Felix van Groeningen and Charlotte Vandermeersch?
AB: When I saw Alabama Monroe, it seemed unbelievable that I was going to make a film with them. I find it extraordinary. I was curious to see if their approach would be similar, just in terms of language. But the incredible thing is that if you see their films they all seem to be made by a different director. Metrics, narration, use of the machine…The choice of format, 4:3, is incredible. Their idea was not to show as much as a larger format would allow, so the audience would have to imagine the rest of the frame. I find them two immensely talented directors and two very special human beings, at this point I could not imagine this film made by someone else.
LM: They fell deeply in love with this story. They had great courage to say "We want to tell this story and we want to tell it where it was written”, and then come here, learn Italian very well in a few months... I spoke Italian with them on the set because I knew they understood it very well. 
Can you give me a special memory of this very particular experience? 
AB: Obviously I have many incredible memories, but not to tell you one too obvious, here, I thought of these lunches, which were the classic lunches with baskets that are made on the set, on white plastic tables. At one point, the first few days, I took a picture of what Luca and I saw: baskets, plastic tables and... the infinite in front of us. The feeling of being very small. And the one that there would still be so much to do, so much time to live that situation. It gave me great joy. Usually when you get to the end of the shoot you feel that a path has run out, it didn't happen to me here: I would have shot for another nine months.
LM: A memory, linked to our friendship, was when I first saw Alessandro sitting at the makeup, and I was there too. I thought 'Wow…what is this? A hallucination?”. Working together again was very nice. In addition to all this, I remember a moment in Nepal when Pietro looks around him. They had asked me to show the happiness of the character. So I thought about all the way to get to that scene in Nepal and I got really excited. That image, those mountains, the bird that flew over us, I will never forget it. “Look how far we've come, all together”, I thought.
Cr: Best Movie
Like always, sorry for my English
122 notes · View notes
myfaenwy · 1 year
Text
the absolutely unhinged slutty behavior of dunstan thorn and una at the beginning of stardust followed immediately by dunstan being a sweet daddy is what makes ben barnes so attractive.
114 notes · View notes