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sapphic-agent · 9 months

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Let's Talk About the Bakugou Problem

I've been enjoying the Bakugou slander here on Tumblr, but I haven't come across anyone that gets to the root of the problem with Bakugou's character yet. I think it goes further than him having anger issues, being annoying, or even how violent and abusive he is. Why I think Bakugou is a bad character is due to the effect he has on the plot, world-building, and the rest of the characters. There's a lot of layers here, so I'd like to take the time to talk as in-detail as I can while typing on mobile.

*Note: I'll be following the anime as it's easier for me to follow and pick specific examples. Manga readers if you have anything to add I'd love to hear it, even if it's against what I've listed here*

*Note: Bakugou fans you're more than welcome to read, though I warn you might not like what you see. I tried to keep this as constructive as I could without letting my own biases seep in (whether I succeeded is up for debate) so that everyone could read it whether you like Bakugou or not. I'm fine with criticism towards my points, I only ask that you remain respectful. I won't engage with anyone who disrespects me or other users*

1. Consequences

This is a big one among Bakugou critics, so I think it's a pretty good place to start. Bakugou has almost never faced actual consequences to his actions (there's a difference between something bad that happens to happen to him and the world around him not accepting his behavior). There are two instances that I can think of that there was a direct ramification to something Bakugou has done. The first was during the Deku vs Kacchan fight where Bakugou does get suspended for four days while Izuku gets suspended for three days. The other is when he and Todoroki fail the provisional licensing exam. However, there's a problem with these two instances I mentioned.

With the D vs K fight, Bakugou was the one who goaded Izuku out of the dorms and instigated a fight. Izuku was trying to get him to go back to the dorms so they could settle their "issue" under adult supervision. He was trying to do the responsible thing. For Izuku to only receive a day less of punishment seems unfair. Though, you could make the case that he should have ignored Bakugou, it's still very clear that one was way more at fault than the other and there was barely a difference in their punishment.

The provisional licensing exam actually did well with failing Bakugou. It was almost a great lesson; that he can't say and do whatever he wants and expect the world to roll over for him. Unfortunately, it's undermined by Todoroki failing as well. Yes, Todoroki failed because of Inasa. But a) Inasa attacked him first which should have resulted in disqualification (what was Todoroki supposed to do, not fight back when he was being assaulted?) and b) Inasa's entire character seems shoehorned into the story. He doesn't really add anything to Todoroki's character as most of his problems with Todoroki were already resolved back in season 2. He also contributes nothing to the overall story. Shindou, for example, has a hand in testing 1A and forces them to work together congruently. Inasa seems like he was put in the story simply to make Todoroki fail. Why does Todoroki have to fail? Because Bakugou does.

It seems like Horikoshi always softens the blow for Bakugou in a way, if he's dealt any blow at all. By not allowing Bakugou to face consequences on his own, he might as well not be facing them at all.

Why are consequences so important? Because Bakugou's privilege is a problem.

I don't think I've seen anyone address this. The root of Bakugou's behavior comes from the fact that he was allowed to do all those terrible things because the world around him was tolerant of it. Teachers turned a blind eyes when he bullied Izuku because he had a great quirk and Izuku was quirkless. He's allowed to do and say whatever he wants because he has a great quirk. While people seem to be harder on Izuku because of either having no quirk or not being able to fully control his quirk. This is a huge part of the story that was set up in the beginning, but was almost never addressed despite being persistent throughout. And it's the most present with Aizawa.

Bakugou attempts to attack a fellow student the first day of class? Simply restrained, no repercussions. Bakugou uses excessive force against a classmate despite his teacher telling him to stop? Nothing more than a few not-so-nice words. Bakugou assaults his partner and refuses to cooperate? No words at all.

Now look at Izuku. Doesn't have full control of his quirk? His teacher attempts to humiliate and expel him in front of his classmates on the first day of class. Saves a classmate in an admittedly risky rescue mission? Said teacher proclaims he lost his trust and labels him a problem child (despite the orchestrator of said mission- Kirishima- being in the same room and not getting spoken to at all).

(I don't know if Aizawa's projecting, but pandering to the kid with the strong quirk while simultaneously disliking All Might isn't a great look.)

Even before UA, Bakugou is praised by the heroes for his strong quirk against the sludge villain despite the fact that his quirk made everything worse while Izuku is scolded even though they were the ones who did nothing while he did what he could to save someone.

"All men aren't created equal." That's one of Izuku's very first lines and a central point of the story. It's something you expect it to address multiple times, especially in regards to Izuku and Bakugou. But Bakugou being spared from consequences every single time he does something terrible means that the statement is validated, but the problem still persists and is never rectified or solved. Even if you think Bakugou "changed," that doesn't make his privilege go away.

2. Plot Compensation

The story goes out of its way to make Bakugou seem like a better person than he is.

My first example is the Sports Festival, specifically his fight with Uraraka. In this fight, Bakugou is met with booing from the audience for not going easy on her. And right off the bat, this is weird. Because not only have we never seen this attitude toward women heroes before or after this, the show is trying to tell us something when Aizawa tears the crowd down. Almost as if saying, "The crowd is dumb and wrong and if you think like the crowd, you're dumb and wrong." Aizawa claims that Bakugou is treating Uraraka like a real opponent by not going easy on her.

...is he though?

Because we never see Bakugou stand still in a fight like he does with her. Bakugou's fighting style relies a lot on mobility. During his fight with Tokoyami, who he knew he had an advantage over because of the light from his quirk, he isn't standing still. During his fight with Todoroki he isn't standing still. He only does this with Uraraka. Because this isn't Bakugou showing respect, it's him still looking down on her. He doesn't see her as a serious opponent, just an obstacle in his way.

And I know this sounds like a bold claim. But if you recall, Bakugou immediately confronts Izuku after the fight and accuses him of giving Uraraka the idea she used during their match. He assumes it was a ploy from Izuku, implying that he didn't think Uraraka capable of coming up with a plan with the potential to work against him. This isn't respect for an opponent.

(Note: the only thing in Bakugou's favor is it's probably not because she's a girl. He just naturally looks down on everyone who doesn't immediately stand out to him with a show of power like Todoroki)

Then we have the revered scene with the League or Villains.

This scene is praised because it "subverts expectations." That the violent, angry kid doesn't want to be a villain. He wants to be a noble hero. Aizawa- again- silences claims against Bakugou, citing that he wants to win and he knows he can't do that if he's a villain.

My thing is, however, the League targeting him in the first place. Why would they do this? Bakugou clearly has a heroic quirk. He scored first on the entrance exam. If they did any research at all beforehand, they would know that Bakugou was at the top of his class before UA and is in the top five currently. And they'd know he has wealthy parents.

(You would think Dabi especially would draw parallels to Endeavor and would be aware that Bakugou's ambition and heroic quirk don't make him similar to the League who have been discriminated against, shunned, and abused for most of their lives. Even with his behavior at the Sports Festival, Endeavor isn't the noble and kind type like All Might and most other heroes. So I'm not sure why Bakugou's behavior immediately screamed villain potential)

Nothing about him suggests he's had a hard life like most of the League. Nothing about him suggests he'd want to leave his comfortable life and secured future to become a villain.

This scene sets up Bakugou's redemption, right? It leads us to the Deku vs Kacchan fight and All Might's advice is what makes him take on his "save to win" mentality.

But not only does this seem like a convenient plot device, it decidedly ignores the uglier part of Bakugou's decision.

Bakugou rejected the LOV because he saw them as losers. But what if they hadn't been losers? What if they had been doing as well as they were at the end of season 5? Merging and becoming the MLA front, organized teams, wealthy, successfully recruiting members right under the heroes' noses.

Maybe Bakugou wouldn't have outright joined them. But at this point before shifting his perspective, his answer might have been very different.

But the story goes out of its way to hammer in Bakugou's scarce good traits to take your focus away from his overwhelming bad ones.

3. Bakugou's Character Shift "Development"

The way Horikoshi wrote Bakugou in the beginning is very different to how he is portrayed later in the show. No, I don't mean his development. I mean the major shift in his character between seasons 1/2 and season 3/4.

Bakugou in the beginning of the show is cruel, meanspirited, and violent. And he's still all of those things throughout the show. The one difference is that it's played for laughs in later seasons.

Bakugou's actions and words in seasons 1 and 2 are portrayed a lot more serious than in later seasons. He's an antagonistic force, one that Izuku has to strive to overcome not just to be a good hero, but for himself as Bakugou has been one of the most prominent obstacles in his strive to become a hero.

Look at his behavior during the battle trials. It's something serious, something that has even All Might worried. Bakugou knew he could have very well killed Midoriya and didn't care. It's brutal and almost hard to watch because at this point in the show Midoriya is weak and tiny (visually, we know he's never really been weak) compared to Bakugou and can really only outsmart him to win.

We never see Bakugou display anything close to this level of violence in later seasons. Not in the Sports Festival or 1A vs 1B or D vs K or the licensing exam or even against literal villains. Season 1 went out of its way to show Bakugou's cruel behavior even using it as something Izuku has to learn how to overcome even if he has to risk everything.

By season 3, the perspective has changed. Bakugou name calling people, belittling people, yelling, and his acts of violence are now exaggerated for comedy. None of his actions are taken as seriously as they were before, despite some being almost or just as bad.

(It's worth mentioning that this was also around the time Bakugou began to get popular among fans)

A great example of this is in season 5 when he throws his headpiece at Izuku and makes him bleed. His casual act of his aggression towards his lifelong victim is present to make the audience laugh, despite the fact that Izuku was bleeding and the 1A boys are (rightfully) horrified.

(I'd like to add that there was no real reason to do this. Nothing he was saying would have exposed OFA and even if it had, he was done talking by the time Bakugou threw it)

If Bakugou had really changed at this point, this would have never happened in the first place. I can't call this changing or development, I call this his actions shifting into comedic relief and away from the serious connotations they previously held. By taking that away, it allows Bakugou to continue to do the same things he has all his life while under the guise of development. It undermines what's supposed to be his redemption arc.

4. Other Characters

Bakugou isn't the only one who gets a character shift. It's approximately the moment that Bakugou begins to get more attention that the other characters lose the substance they had at the beginning of the show.

The ones hit most notably by this are obviously Uraraka and Iida. They were Izuku's first friends, his original trio. More than that, they are set up as interesting characters with their own arcs and paths for becoming great heroes.

Even though I did have my complaints about her fight with Bakugou in the Sports Festival, it does turn Uraraka onto improving past her goal of becoming a rescue hero. She wants to become better in other aspects of being a hero so that she can succeed and keep up with her stronger classmates. She proved herself capable of this during her fight with Bakugou and it was the catalyst of her character development.

Iida was not only resolving himself with caring for Midoriya as a friend as well as being his rival and wanting to surpass him. There's also this darker side to him that no one expects from goody two shoes, straight-laced Iida that had so much potential for exploration.

Both of them are tossed to the side in favor of Bakugou. I would even go as far as to say that after season 2, they're almost irrelevant until season 6 and even then they're limited (before season 6 Uraraka's only character trait is that she ignores he feelings for Midoriya to become a better hero, which came out of nowhere and does nothing for her character). And they barley ever get moments with Izuku during time despite being his first friends.

Todoroki is a similar yet very different case. At the beginning of the show, he was intense and has strong feelings. (An interesting parallel is that if Iida was his friend becoming his rival, Todoroki was his rival becoming his friend and both relationships speak to Izuku as a character) Even if he didn't express them, we as the audience knew they were there. But as times passes he becomes flat and dull. Even though he's supposed to be part of the new trio, he's barley present (the dynamic between the three of them is uninteresting all around as it's basically Bakugou yelling at Izuku with Todoroki in the background. They never have any deep or heartfelt moments nor do they have good chemistry) and barely gets any one-on-one interaction with Izuku despite them being very good friends.

(I can't blame this all on Bakugou as the show also shifts from focusing to Todoroki to focusing on his own abuser which is part of the issue with his lack of character, but Bakugou's character does contribute to this problem of making the abusers more sympathetic than the victims)

Most if not the rest of 1A fade into the background after this, save for a few who have notable moments sprinkled in throughout the show. You can take this as a Bakugou prevalence problem, or it can be seen as Horikoshi just not knowing how to balance characters.

However, the character that suffers the most because of this is Izuku himself.

I don't think it's a bad thing that Izuku admires or looks up to Bakugou. I don't think it's a problem that he doesn't see anything wrong with Bakugou's behavior against him. Izuku grew up in an environment where that was normalized. That he's worthless because of his lack of quirk and Bakugou deserves to be on top because of his great quirk. Of course he internalized that, even though he knows that a quirk doesn't determine someone's worth. He was never given the tools or the means to beat that mindset.

What I despise is the fact that everyone around him enables it.

As I stated above, Aizawa is definitely the worst when it comes to this. Not only shoving Bakugou and Izuku together and making it Izuku's job to get Bakugou to cooperate, but hardly if ever condemning Bakugou when he lashes out against Izuku. Even without their history, what Bakugou does is wrong and should be treated as such.

Unfortunately and even though I love All Might, he's also guilty of this. It's true that he might not know the full extent of their toxic relationship, but All Might sees Bakugou instigate a fight with Izuku and decides it's okay to tell Bakugou about One For All. Bakugou did nothing to earn this honor: he hasn't shown Izuku support and hasn't been a reliable ally he could depend on. But even disregarding that, Bakugou had just been captured by villains who work for All For One. He was the last person on Earth who should have been entrusted with this secret.

The adults in Izuku's life enable and reward Bakugou's bad behavior and urge them into forming a relationship and partnership that frankly shouldn't exist (and only does to make Bakugou a better person and hero, it does nothing for Izuku). It's to the point where almost Izuku's entire character revolves around his relationship with Bakugou and how he improves because of it and how he helps Bakugou improve. And he further projects this when he "subtly" implies that Todoroki should forgive Endeavor, which feels like a justification towards the audience of his own feelings towards Bakugou.

5. Accountability

I mentioned consequences as my first point. But what many who want this miss, it goes hand-in-hand with accountability.

Unlike consequences, Bakugou more or less does take accountability in the form of his apology. But the apology was lackluster for a couple of reasons. The main thing is that it feels like a list of excuses rather than simply owning up to the fact that he was shitty and there's really no good reason for it. But simply explaining why you hurt the person you hurt isn't giving them the apology they deserve. It's making it about you.

Another thing, though, is that the apology is very scarce. It skips over the worst of Bakugou's actions. Nothing he said was anything 1A didn't already know. They don't know about the s*icide baiting which is one of the worst things he's done to Izuku (and that's only what we saw, who knows what Bakugou's been saying for years?). It also ignores everything he did in UA, which was a very big part of the problem. He treated Izuku poorly months prior to the apology and that shouldn't be ignored.

As far as accountability goes this apology isn't that great. But it's something. No, what's worse is that the other characters don't hold Bakugou accountable.

The other characters more often than not turn a blind eye to Bakugou's behavior. We've already covered Aizawa, but the rest of 1A is guilty of this too. No one says anything about the Battle Trials. Hardly anyone condemns Bakugou when he attacks or insults Izuku. Sometimes they'll chime in like Uraraka or Kirishima, but other than that no one outright tells him off. This is out of character for Iida in particular because he's such a stickler about rules and courtesy for others (he literally told off a six year old when he punched Izuku and tried to stop Mineta from perving on the girls, why wouldn't he do the same when it comes to Bakugou?). It's almost like the characters are blind to Bakugou's behavior.

What's weirder is that Mina and Kirishima- who were both stated to hate bullying- are friends with him. Why would the show go out of its way to tell us this only to saddle them into the "BakuSquad?" It doesn't make sense.

It's hypocritical that everyone in 1A is so tolerant of Bakugou but get annoyed with others; like Monoma for example. Or even Mineta because as much as I dislike him he's constantly being called out by 1A. It means that they know certain behavior is wrong and/or shouldn't be entertained, so we know they aren't completely unaware. But the fact that they largely ignore Bakugou's behavior and condemn Monoma's is so weird. You can't excuse one and not the other.

Conclusion

There's certainly more than this to my dislike of Bakugou. But I think I've mostly covered his negative impact on the story. Doing a deep dive into his awful personality is something I wouldn't wish on anyway. Many others have done that anyway, so I'm content to leave it out. But I hope you liked my little breakdown!

#anti bakugo katsuki #anti bakugou #anti aizawa shota #bnha critical #bhna criticism #bhna #mha #mha critical #criticism

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morganitering · 4 months

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Because I'm the Weakest II: The Women Who Never Won

Pairings/character dynamics: Satosugu, Shoko and reader, Nanami and reader, implied shoko x utahime

Contains and warnings: DARK FIC/DEAD DOVE fem!reader, Suicidal ideation, rape aftermath, referenced rape (not written out in this chap), depression, alcohol abuse, misogyny & sexism, internalized sexism, sexual harassment on minors done by minors, victim blaming (thoughts), self harm, angst, hurt & comfort, I call noncon with the official word for it

Word count: ~9,6k

Summary: There's certain desperation when you try to keep your head above water. You were drowning and all you wanted to do was to forget, the weight on your shoulders unbearable. Despite the cards you were dealt with you found yourself among allies as the web of untold memories started to unfold.

A/N: Hey! Yall waited long for this, sorry about that. I have no idea how to tag this but I'll just do it somehow, bc this is a tricky chapter. Here yall get to dive deeper in the stuff that has gone down before the events that took place in 1st chap and get a hug from Shoko. This is hopefully the last installment of this. Read the tags carefully as always and make informed decisions based on that and take care of yourself. Shit can get heavy, but I'm trying to do this in good taste.

Read on ao3 part I

Shoko Ieiri had worked a long time with people who suffered. She had seen it all, limbs cut off, even the toughest of sorcerers reduced to crying messes as they practically had their innards falling to the floor. There’s something utterly horrifying watching a patient, no – a friend scream in pain when even her skills were not enough. Funerals came and went, the white sheet thrown over the deceased on the operation table in the same routine way she’d change her linens. Nothing really shocked her.

That’s what she liked to think.

Your visits have been more frequent. It started with bruises and sprained ankles. Then it was broken bones that soon turned to puncture wounds, your clothes sticky with deep red and dirt. When she asked about it, you laughed it off saying it’s nothing, just a silly little mishap, “I was too reckless in the heat of the moment.” But your eyes were empty, your words hollow like a dead tree. Of course Shoko did her job, without asking too much. You’re an adult and you’ll speak about it if you want to, right? Her job was to keep you alive. Your job was to exorcise curses.

Shoko and you had been close too, hanging out with the two men, but at some point in high school she had withdrawn from the group. Gojo and Geto had tried to keep in touch with her in adulthood, inviting her as well to spend time together as the four of them, but she had always declined, smoothly changing their relationship to acquaintances at best. She heard enough of the despicable men from you. The only times she was in direct contact with Gojo and Geto was work related and god how she hoped that it would stay that way. She’ll play that pretend game almost happily.

Shoko closed the office door the day turning to evening, sundown coloring the city in hues of orange and yellow. She held onto her little black purse, thankfully it was friday. A man stood on the long corridor, standing upright as if he did not belong here. He looked indifferent, almost bored.

“Nanami.”

“Ieiri.”

They greeted each other with a curt nod.

“So what brings you here? You seem healthy enough,” Shoko asked as they walked to the open parking lot, only a few cars in sight. The warm summer sun caressed her cheeks, wind making her long hair flow in waves.

“I think she’s going through something,” Nanami stated as a matter of fact talking about you. He and you had gone on missions together, but something about you wasn’t right. He had seen the way you clutch your weapon, throw yourself at the enemy recklessly almost as if you had a death wish. It’s like you waited for your end.

“No shit.” Shoko chuckled amused. It was as clear as a day if you just had eyes on yourself. “Why do you care?”

“I’ve seen enough people spiral to know where it leads. You’re a healer, can’t you help?” His voice was thoughtful, not betraying a hint of emotions.

“I can’t help a person who doesn’t want it,” Shoko said. “But I’ll try to figure something out.”

“And that is enough. Thank you.”

***

You hated meetings and rarely took part in them if you could avoid them. You had not met Gojo or Geto after the unfortunate night. If there were some work related things where there was a possibility to meet either of the men, you requested to be part of them remotely or that someone would just forward the key points. But after doing this for a few months Yaga had sent you a passive-aggressive email writing that it is absolutely mandatory for you to show yourself at least once in a while. You didn’t bother to answer him with anything other than a polite see you there.

Honestly you were tired. Your whole body ached in overexertion. Sleep escaped from you, ran a marathon around the block never stopping at your house, and every time you seemed to catch a break, hazy images you rather forbid being real filled your vision. Your eyebags told a story of exhaustion, your body shrinking in every possible way away. You went to see a doctor, not Shoko, just some normal practitioner from the private sector that you ended up paying yourself sick for.

The doctor gave you pills to help you with sleep. He asked you if you were stressed or going through some sorts of crisis. You answered with a diligent no and explained that you’ve always had issues with sleep, but you were otherwise okay. He looked at you, raising his eyebrow in suspicion, the glasses on his head hung on his nose by a thread. He decided to believe you as he wrote the prescription, but insisted you took home pamphlets about depression and crisis hotlines.

You tried the pills. You did fall asleep, but only after a panic attack wrecked through your body as the effect of the medication forced you into a deep slumber. The pills made you feel your pulse in your whole body. “It’s a quite strong product, previously used to treat psychosis, but nowadays it’s for patients with severe insomnia. Take it one hour before sleep. The effect might be really sudden.”

When you woke up you decided to throw them away. It’s better to not to sleep if it meant that you’d go free from the horrors of the night you had experienced.

The huge meeting table sprawled out horizontally and was able to sit around fifteen people in it. It had several small electric outlets for computers and tablets. Light poured in from the big windows, the blinds only halfway done. You stared at the weird scribbling on the white board that Principal Yaga was wiping furiously, muttering things about how students shouldn’t be let in this room under any circumstance since they can’t differentiate which markers are okay to use on it.

You exchanged pleasantries with him. The room was devoid of people since you were too early. You swung your leather bag on the back of the upholstered office chair and sat yourself down.

Shoko walked in and her face lit up a little bit when she saw you sitting there. It was subtle, you thought that you were maybe the only one who could differentiate that expression from her. She sat next to you, a faint hint of neroli wrapping you to its calming aroma.

Next came Meimei and then Utahime who came running to you two giving a happy hug to Shoko. They were so cute together, you thought to yourself as you fidgeted with your slightly too big shoes, constantly removing them and pushing them back to your feet. People don’t usually like small talk, but nonetheless the group chatted with each other. They had to, because it’s polite and you were coworkers. You thought that small talk was easy. The script of it was burnt to your brains for the rest of your life. You get to keep people at an arm's length and keep up appearances, so what’s there not to like?

A familiar blonde man stood in the doorway. You checked your phone for the time. Only five minutes before the official start. Yuki also appeared after Nanami.

“Hello,” he said and nodded at you as he sat himself next to you. Your whole body stiffened around him. It was hard to look him in the eyes and even harder to work missions with.

It was ten minutes past the official time when the meeting was supposed to start.

“Sorry we are late.” Two men marched in the room with confident strides and took their place in front of you facing you, that was sitting in between Nanami and Shoko, Utahime next to the doctor. Suguru sat down next to Yuki leaving a space for Satoru who had Meimei next to him.

Hearing Suguru’s voice made your skin crawl.

“It’s fine,” Yaga said and looked over his shoulder to look at the white screen he had pulled down earlier with only a blue screen reflecting on the fabric. “I can’t seem to get this work anyway,” he mumbled.

“Do you need help?” Suguru walked over to the man struggling over his laptop. “Have you checked the HDMI-cable?”

“Of course I have, I just don’t understand why it won't work. We have Ijichi remote today,” he muttered partially to himself.

“Let me.”

You sat fidgeting on your chair focusing on everything else than the two men and their presence that suffocated you. If you were a candle they’d be snuffing you out but not properly, no, that would be too kind. They’d always let enough air in so that you’d never be completely put out.

“Hello to you girls.. and Nanami,” Satoru flashed a playful grin at the four of you. Your head jerked involuntarily to look at the man. Thank god he has a habit of covering his eyes, but somehow that made him even worse.

“Hello. How are you?” Nanami nodded politely.

“I’m well. Hopefully the work isn’t stressing you out too much.” Satoru’s smile widened.

“Speaking of work, I’ve heard that you and her have started doing missions together,” Satoru nudged his head towards you as he spoke directly to Nanami. “I actually green lighted the idea of sorcerers working more together. It’s good to practice teamwork and I put in good words for the two of you, since you compliment each other with the techniques you have. ” Satoru moved his head to look your way as he drew out his words in a way that you’d be sure to catch the dual meaning.

The wall flashed a few times showing the computer screen and it’s default wallpaper for only a moment and after that went back to blue.

“An idea that I actually can get behind,” Nanami said agreeably.

Your eye twitched.

“Really? That was your doing?” You barely hid the anger of your voice. One more push and you’d pour your life savings on an amoral hitman, not that you’d believe that anyone could finish him off. It was a thought just for you so you could at least think about being mean in your own petty way.

“Not a fan of working in groups of two? How about in groups of three?”

“You fucking piece of-”

“Okay I think it’s working now,” Yaga put his hands together straightening himself properly. Suguru walked over to Satoru, slightly shaking his head before he sat down. You heard Utahime’s quiet “okayy..” whispered in the awkward silence.

“Unfortunately principal Gakuganji wasn’t able to make it today, he’s sick or something.”

You heard Gojo scoff audibly.

“Try to respect him.” Yaga shot a glare in the young teacher’s way.

“Ijichi and Nitta have gathered data about the hotspots of cursed activity,” he continued and opened up the window to teams only to be greeted by a tired looking black haired man in a suit. The background behind him was red, it looked like some type of wallpaper and small paintings covered the walls. You reckoned it was a hotel room. Or a motel, you really could not tell.

“Ijichi, do you hear me? Would you like to take over?” Yaga’s voice boomed louder as if he wasn’t already near his computer.

The grainy picture of the tired man smiling uncomfortably stayed still a little too long to be taken as a real time reaction to Yaga’s question.

“I hear you. Sorry, the connection here is a bit bad.” Ijichi’s voice echoed in the office room. The picture of a slideshow appeared on the wall, making Ijichi’s face smaller.

The map of Tokyo loomed on the wall as everyone stared at it intensely, more or less dozing off. Some parts of it had big red circles on them and Ijichi explained the way these places were having exceptionally heavy activity. He reckoned that partially the rise in activity tied to the sorcerers working more missions together leaving less people available. Ijichi also showed statistics comparing the effectiveness of sorcerers based in Tokyo and Kyoto.

You were about to lose your mind, your body still pumping adrenaline after the conversation with Gojo. Everyone else seemed to be bored, oblivious to your struggle. Satoru had yawned at least three times in the last ten minutes, Shoko and Utahime were both interested in their nails. Even Suguru looked tired and he was pretty good at hiding his thoughts. The only ones who did not look outwardly dead inside were Yaga and Nanami.

“Thank you Ijichi for your hard work,” Yaga said and Ijichi nodded smiling. The pop up of the slideshow vanished from the screen leaving Ijichi’s face in a huge resolution looming onto the wall.

“We are going to take in account the effects of pairing up sorcerers. I’m not entirely in charge of how long this trial will take,” Yaga said. “Ieiri has this trial affected the health care aspect in any way?”

Shoko cleared her throat tapping open the ipad in front of her, her nails making a satisfying click click sound.

“The injuries have lessened,” she started. That’s good, you thought. “But the severity has increased,” she said with a serious face.

“Why is that?” Principal scrunched his eyebrows together.

“In my professional opinion it is due to people being more brazen when having a partner. This can be seen especially in lower grade sorcerers, who are prone to believing that they are invincible when someone backs them up.” Everyone had turned to look at the doctor who played with her hair idly as she spoke.

“And the second grade and up?”

“It happens less. But there are some, even first grade sorcerers, who are accident prone,” Shoko said and quickly looked at you, not long enough for others to pick up on that she was speaking about you.

Gojo’s phone rang in the middle of the conference. He left the room with an apology and never came back. Relief and anger ignited in you playing tug of war in your heart as your eyes followed him bitterly.

“I think this is all. I’ll send everyone the upcoming jobs, but if no one has anything to say, I think we can conclude this meeting here,” Yaga said, the choir of thank yous and goodbyes filling the room.

You stretched yourself, happy to be on your feet again.

“Hey, can we talk?” Nanami tried to get your attention.

You stood in the room that was quickly emptying out of people. Shoko awkwardly hung around in a small distance from you and Nanami, trying to pretend that she wasn’t listening to your conversation.

“I don’t entirely understand the conversation between you and Gojo, but if I have somehow disrespected you I offer my deepest apologies.” Nanami’s voice was soft. Your heart ached as you realized how bad your words must have appeared to him.

“I’m so sorry. It’s not about you. You’ve done nothing..” You trailed off as you saw the tall curse eating man walk outside with a sly smile on his lips.

“That’s a relief but if I may be so blunt, I have a hunch that there is something bothering you,” Nanami said.

You looked at him and chewed your lower lip nervously. This was all their fault. If they had not done what they did, you would not be in this position. The least they could have done is to keep the names of people you know out of their mouths.

“I’m sorry to leave you hanging like this, but can we finish this conversation later?” You hurried past him, only hearing Nanami mumble the word ‘sure’ like a kicked puppy and you said goodbye to Shoko agreeing on staying in touch with her.

The corridor was almost empty as you walked through the school building frantically searching for that bastard of a man. Your footsteps echoed on the wood as you arrived at a not so well known exit of the building. Geto stood in front of the dual doors, half heartedly pushing it open as he furiously wrote something on his phone.

You yelled out his name, but he did not bother to react to you. You closed in on the man that was still standing back towards you. Anger surged in you as adrenaline made you braver than what you normally would be. You were supposed to just grab the ends of his hair that were sprawled across his back, but in the heat of the moment your impulse control had another lapse as you kept on raising your hand. A fist closed around the bun that had been carefully crafted on his scalp and you dug your fingers around the hair tie and then yanked, hard.

“What the hell are you doing?!” He turned around stepping out of the doorway letting it close properly with a thump and he closed the distance between you for good. His eyes shot daggers at you.

“You did not pay attention to me.” You shook your hand out of the spare strands that were stuck on your palm and offered the small hair tie back to him.

“Well you got it now,” he hissed. “You can keep that as a souvenir. I don’t want anything that a filthy bitch like you has touched,” he said, the calm composure nowhere in sight.

A filthy bitch? Really? Then maybe you should break up with Satoru if this is your deal breaker.. That’s what you wanted to say, but you held back your tongue.

Geto took a deep breath, calming himself down, slipping on the mask that you were more used to seeing. He put his phone back in his pocket.

“What do you want?”

“You told me,” you started, tears threatening to flow over. “You told me that I can just leave and do whatever I want. Why do you keep tormenting me? Why do you let Gojo do what he does?” Your voice broke as you started crying openly. You hated it, it made you weak. No. You were weak.

“Firstly, I’m not his guardian. He can do what he wants.” He sounded like a smartass.

“Second of all, never. And I repeat. Never, lay a hand on me ever again, especially on my hair.” You rolled your eyes.

Of course it was the hair that ticked him off completely. It was his crown, the only thing he had ever been able to take care of besides Satoru. Suguru loved to flaunt himself as the calm one, the kind one, but the exterior had always had some cracks in it. No amount of paint was able to hide the rotten wall behind it.

“I can forgive your outburst at Satoru’s, but now that you’re in your right mind, you won’t get second chances.”

“I don’t want ‘second chances’. I want you to leave me the fuck alone so I can do my job,” you yelled at him.

“Lower your voice. Or do you want to air out all the dirty laundry for everyone?” Geto hushed you.

“It’s not my ‘laundry’, it’s fucking yours!” You roared and tears fell down your cheeks blurring your vision. Your face felt hot as it got wrapped in the wrath of your words.

Geto did not answer you, instead he chose to stare you down, not moving at all as if he was a statue. He looked like a child throwing a tantrum when things did not go his way, his face contorting to a sneer that could challenge any rich spoiled brat. You panted and wiped your face with the rough backside of your palm.

“Move.”

“Ladies first,” he snickered childishly and kicked open the heavy door with his foot as he stepped slightly to the side. God this man hangs out too much with Gojo.

As you left the school grounds barely holding your breakdown away, there was one figure in the corridors hugging the wall near the exit, clutching onto her purse.

***

SHOKO’S MEMORIES, 2006

“Truth or dare?” Satoru asked, popping the pink bubblegum in the air, sucking the sticky material back in his mouth to chew on loudly.

“Truth,” Shoko said, placing another cigarette in her mouth. She smoked especially heavily when she was drinking.

Satoru had managed to bring a whole six pack of beer to the picnic whereas Suguru had found a travel size vodka bottle from his parents. Shoko had brought a package of different berries and salty crackers with her.

“If you could have any technique in the world, which one would you have?” Satoru asked. He looked at the clear blue sky and the way the summer breeze pushed on the white clouds.

Shoko played with the corner of the blanket as she thought deeply about his question. She stared at the shoes she had placed on the grass and the manicure on her toes that Utahime had insisted on putting on her.

“I think I’d keep this one,” she smiled wistfully.

“Really? You wouldn’t want my powers?” Satoru looked at her tilting his head to the side. He spat out the chewing gum and placed it on the plastic lid that belonged to the packaging of berries. He did not like it when things ran out of flavor, always searching for something more.

“No. I don’t envy you at all. I just want a happy life and that’s all” Shoko answered his gaze, with a gentle smile. “Besides, I like the way I am and I suppose I can help people like this,” she added.

Satoru hummed. He was clearly dissatisfied with the answer.

He did not exactly know why.

“Satoru, that's sad. You should ask something fun,” Suguru pointed out and took a sip from the beer can.

The three of them sat on a grassy hill that had a pretty decent view of the city and the park below it. Shoko leaned against the huge tree behind her back. The cicadas were performing their own concert with the hum of motorways working as their orchestra.

“You figure out better questions then,” Satoru pouted, but wasn’t actually hurt.

“Isn’t it my turn to ask though?”

Shoko looked in the distance watching closely how a woman jogged with her shiba inu, her ponytail swishing in the same rhythm as the chord of her headphones. Both men nodded slightly out of sync.

“Satoru truth or dare?”

“Truth.”

“Who’s the hottest person you know?” Her eyes twinkled teasingly.

“Waka Inoue of course. She’s sexy as hell!” Satoru slapped his hand on his heart as if he was saluting.

“Really? You still have a crush on her?” Suguru questioned. It was his turn to pout. “Am I not enough?”

“Baby you’re plenty, but you can’t replace a huge rack,” Satoru’s voice was steady as if he was talking about the most important thing in the whole world.

“I can’t argue with that.” Suguru sighed defeatedly, his shoulders slumping down dramatically.

“Ugh. I shouldn’t have asked that. Both of you are so weird and gross about women,” Shoko grimaced regretting her decisions and lifted the cigarette to her mouth as if to cover the bad taste of Satoru’s words.

The man in sunglasses ignored the criticizing words. “Suguru. Truth or dare?”

“Dare.”

“I dare you to share this,” Satoru lifted up a huge strawberry. “Like in Lady and the Tramp with Shoko,” he referred to the scene where the two dogs shared a spaghetti meal, eventually kissing.

“That’s too small!” Shoko protested immediately, shaking her head. The idea of doing that with Suguru made her feel iffy.

“I’m game if she is,” Suguru said and offered his palm to Satoru who plopped the berry in his hands.

Shoko had a nervous giggle come out of her.

“C’mon, it’s just a game. You can always let go after like one bite. This is truth or dare afterall,” Satoru coaxed.

“Fine. But I won’t kiss you, not even a peck.” Shoko established her own rule and rolled her eyes. She put out the cigarette on the grass and left the butt there.

“We’ll see about that,” Suguru laughed and picked at the stem that got thrown over next to the chewed up gum.

He awkwardly came closer to the young female student and placed the bigger end between his lips. He looked silly, the red end peeking out of his mouth. Suguru attempted at mouthing the words ‘come closer’, but neither Satoru or Shoko understood his words but the context clue carried the point to Shoko.

She got on her knees sitting on top of her legs and straightened herself out. Suguru was way taller than her, even when he sat. Her face approached Suguru’s who had a pink tint on his cheeks from the alcohol he had drank.

She opened her mouth and barely bit down on the smaller end, her tongue touching the bumpy texture of the strawberry.

“Ready. Set. Go!” Satoru exclaimed, motioning finger guns happily. His gaze was completely glued on his two friends.

Suguru closed his eyes and he started to carefully nibble, closing dangerously on Shoko’s lips. She bit quickly, not really tasting anything and began to pull away in hopes of Suguru calling it quits too.

Unfortunately she wasn’t fast enough. The last bits of strawberry fell down on Shoko’s lap when Suguru pressed his lips against hers, a faint red trail dripping on her chin. She didn’t move and her eyes widened in shock. Shoko didn’t know what to do so she just held her hands on her lap.

Suguru pet gently behind the girl’s head kissing her motionless lips. His hand trailed down to her neck and all the way to her shoulder. Shoko felt the sweet taste in her mouth mixing with the alcohol, stranger’s saliva and nicotine as Suguru dragged his hand to the mound of her breast. The warmth emanating from his palm was enough to bring her back to reality and Shoko pushed the bigger guy off of her.

“Why did you do that?” she snapped and crossed her arms.

“Oh don’t get angry now. Have a drink and chill out.” Satoru sighed. He shuffled awkwardly and placed the almost empty tote bag on his lap and grabbed a new beer can from there. Shoko narrowed her eyes in suspicion, but did not want to make room for any weird thoughts that would imply even weirder things. “It’s just a joke.”

“This is not the first time you take jokes too far.”

Shoko looked away from the two boys, disappointment turning into an ache in her heart and wiped her chin clean from the strawberry. She slipped on the ballerinas laying on the ground.

“Seriously? You’re leaving because of this?” Suguru tilted his head, his voice defensive.

Shoko threw her cigarettes and lighter in her own purse checking the blanket for other stuff she had.

“Yeah, I am. I’m not having fun anymore.” Her voice was cold as she was attempting to hide the nervous tremble in her body and almost jumped up throwing the bag on her shoulder. She turned around, once again crossing her hands against her chest as if to protect herself and started walking.

“Hey! Don’t you want your blanket with you?” Satoru yelled after her. The two guys sat on the quilt completely bamboozled.

“Keep it! I don’t need it!”

She didn’t eat strawberries for the rest of the summer.

***

“Hey you really should sing this one!” Shoko laughed as she scrolled through the song list.

“Whaat? No that’s not even funny,” you laughed and slapped her arm gently.

“Is it really not? Or are you just a bore?” Shoko taunted getting ready to put the song on.

“Can we sing something from this?” You pointed at the category called 2000’s hits.

“I’ll pick something at random and you’re just going to deal with it,” Shoko laughed clearly tipsy too after the multiple drinks you both had drank.

The disco ball was spinning around the small room painting the walls in hues of blue, red and green. Nanami sat on the couch nursing his whiskey as he stared off into space. The upbeat music filled the room, bass shaking the ground underneath your feet.

It was the first time going out after the events at Gojo’s house. Shoko had basically begged you to come with her to get shit faced complaining that she really needed someone to rant with. You told her that Utahime was right there and would probably love to listen to her, but she claimed that the woman from Kyoto had other plans for the weekend.

After arriving at the karaoke bar you had been taken back after seeing the stoic blonde man at the venue. You weighed the option of immediately leaving in your head, but your conscience did not allow you to do so, after leaving him so rudely hanging in the meeting. When the three of you had gotten your own private room you decided to immediately order shots and drinks with the only goal of getting absolutely black out drunk tonight despite having Nanami there.

It was honestly rare to see him after work as he had preferred to keep his distance. He was wearing the same clothing he always wore, dress shirt ironed, necktie perfectly hanging against his chest as if he was on the clock. You wouldn’t have been surprised if he were to whip out a cursed tool onto the bar table.

You clutched onto the microphone singing unevenly as you danced to the beat, half of the syllables disappearing to you being out of breath. Shoko cackled, almost folding over as she kept slapping her thigh eyes watering. She had drunk a few drinks less than you and she had been exceptionally happy even before drinking. Truthfully Shoko was quite a heavy drinker and she definitely should not have been as wasted as what she appeared to be.

Nanami stared at the both of you, raising the whiskey glass to his lips after checking his wrist watch.

“Come here! Sing with us!” You yelled to the mic only getting a slightly alarmed expression out of him as he shook his head.

“I think I’m okay with watching you two perform,” he said.

You pouted but kept on singing, your concentration skills nonexistent. You did not notice the way Shoko glared at him, nudging her head towards you as she pointed the microphone in her hand towards him.

Nanami cleared his throat under the threatening gaze and clumsily got up.

“Oh my god! Nanamiii!” You screamed the noise so high pitched that even the speakers were unable to handle it and you could see how Nanami cringed at the sound.

Shoko squinted her eyes and mouthed the word sing to Nanami. Shoko was not going to deal with you alone.

The combination of the pop song and Nanami’s voice made you giggle as you hurrayed him happily. He was not a bad singer by any means, but his voice did not fit the song choice. You wondered to yourself, why had you not gotten shitfaced earlier when you had all the good reasons to.

Shoko decided to take a small break sitting on the spot where Nanami had been earlier and inspected the brown liquid swishing in the glass. She stole a sip from it when Nanami wasn’t watching, not really caring about the fact that it wasn’t her drink.

You grabbed your drink from the table and drank from it and you kept on singing happily, almost jumping around. Nanami looked at you with a terrified expression when you moved side to side with the drink spilling on your hand, but you did not notice the wetness of it.

“Hey, put that down before you drop the glass,” Nanami said and gently tried to take the glass from you.

“No, I want to keep this,” a pout formed on your face but you still did what he told and turned around swiftly to place the drink on the counter. Your vision was blurry, the lights slightly too bright and you lost your balance tipping over the glass that was already safely on the table. You felt yourself starting to fall but a strong arm snaked around your waist to stabilize you.

The world felt like it was stopping when the arm around you changed into a tight rope that pressed around your ribcage. The karaoke room changed inch by inch to a vast room with a wall made of windows with a night view of the streets of Tokyo. The shattered drink turned into a broken light bulb on the floor. You felt a hot breath on your skin, but your body had gotten cold. It was as if you had been dunked into ice water, all the earlier excitement completely vanished. The disco ball spun around casting blue lights on the white haired man’s face that ogled you like a piece of meat. The imagery was so vivid and real in your mind that you reacted on instinct, elbowing the man behind you.

The rope vanished around you as the windows melted to the concrete floor, the shadows of city lights turned back to the tacky illumination of the disco ball. You felt the remnants of cursed energy fizzing out like a soda can as your eyes landed on Nanami, who was slightly hunched over holding onto his side the pain making him grimace. You had no idea how much force you had actually used, but probably quite a lot judging by the way Nanami was reacting.

Shoko stood there completely still, eyes filled to the brim with worry and confusion. Her lips were ajar and she gulped down wanting to say something, but she did not know what.

“My apologies. I didn't mean to touch you inappropriately,” Nanami managed to say. The music track played in the background, but it felt empty without a drunken voice guiding it. He was lucky to have good reflexes, instinctually protecting himself from the blow, otherwise Shoko would have had a patient off the clock.

“Uh,” Your mouth gaped at him hopelessly. He had done nothing wrong.

“I’ll go for a cigarette,” you blurted out and left the room hurriedly. The long hallway stretched in front of your eyes as you looked at the numbers on karaoke booths, only muted colors flashing through the slightly translucent doors. You leaned on the wall as you dragged your feet forward arriving at the front desk that thanked you for your time, but you did not pay attention to them and turned to your left to stare at the steep stairway.

The steps were made out of wood with a black paint that had started to chip away and the walls were pure red, too bright and intense for your eyes. You focused on the door in front of you and barely saw the red walls around it as they got covered by a dark cloud, your way of seeing more animalistic than human.The only thing in your mind was the need to get some fresh air as emotions threw you around like a shipwreck at the sea.

You pushed the door open and walked over to a bicycle stand choosing an empty spot where you plopped yourself on. You rocked yourself back and forth as you cried and gripped onto your skin painfully hoping that at least the physical sensation would put an end to your suffering. You started to be more aware of the familiar banging against your skull.

The door of the karaoke bar opened as Shoko walked outside, her face now serious, resembling more the woman she was at work than the friend giggling at drunk people's jokes.

“Hey. You forgot this inside.” She handed you your bag.

You wanted to answer something but you could not as the words got stuck to your throat. Your world flashed back and forth between sensations that you weren’t supposed to feel in this moment. The guilt and sadness ate you alive, nipping away from your vitals the more you tried to push them down.

Shoko placed a cigarette between her lips and lit it up and offered it to you. You took it gladly off her hands inhaling the sweet smoke, but you almost ended up suffocating on it as your nose was too stuffed to handle it. Even the menthol taste was unable to help you with this issue. Shoko opened the green box once more to get herself a smoke as well.

She took a drag out of it and watched your shuddering figure.

“I saw you in the hallway with Geto. Something happened at Gojo’s right?”

You lifted your head up mascara running on your cheeks. Had you not been in such a bad state her words would have shocked you.

“I can’t help you if you don’t want my help.” Shoko crouched down to your level. You stared at her face as she left out a puff of smoke that trailed around her face, the dark eye bags now more visible than ever.

You choked on your tears once more, now openly wailing on the pavement your fingers digging into the soft flesh of your arm. You dragged your nails across yourself leaving pink trails behind it, the soft tingle covering the areas you had just clawed at.

“I can’t do this anymore,” you cried, your words hard to decipher as your breath hitched. “I can’t keep on doing this. It’s all my fault. I’m so stupid,” you screamed snot falling onto your shirt.

“So fucking stupid!” You impulsively pressed the cigarette butt against your thigh melting the cloth away the stinging pain shocking you as your skin shed its layers against the fire.

You had no shame in your breakdown, frankly you did not even recognize the others that looked in your way speaking with hushed voices around you, as they tightened the grip on their partners hands. “That girl really needs to lay off the drinks,” someone had said loudly. Shoko had wanted to immediately pounce, but she held herself together. She knew that you needed her more.

“Don’t hurt yourself, when you want to hurt someone else,” her voice was just a whisper. “Can I touch you?” She asked not wanting to trigger you further. You nodded.

Shoko pulled you into a tight hug and you buried your face on her chest, holding onto her like it was the last thing keeping you afloat. You seeked comfort in her presence.

“I want to die.” You gripped onto her tighter. “I’m so weak.”

Shoko stroked your hair, her own eyes watering as she listened to you wordlessly. She felt your pain almost just as viscerally as you were experiencing them now.

“No matter… no matter what I do. I can’t escape them. I just want to be gone. I want to-”

Shoko shushed you and slipped her free hand into her pocket, digging out her phone. Almost ten minutes had gone by. She awkwardly opened her chat with Nanami trying to inform the man who was probably still sitting in their booth waiting for the two of you to come back.

A male voice disturbed the two of you. “Is everything okay?”

Shoko pressed her hand on your shoulder pushing herself up from the ground, she whispered to you to stay put, not that you really were in any condition to go anywhere.

“Good that you’re here. I was just about to text you. Can you get us a taxi?”

“Of course,” he said and opened the app punching in your address that Shoko forwarded to him. He looked so much older and out of place in the busy street.

This was the kind hearted and lovely Nanami that had forgiven you immediately, after you had punched him in the gut because you were fucked up in the head. The kind hearted and lovely Nanami that you couldn’t look in the eyes, because of a certain man whose name you felt like acid on the tip of your tongue. The thoughts in your head brought fresh tears to your eyes. You dangerously sailed in the deep waters of suicidal ideation, your tired hands opening the forbidden door.

“It’s going to arrive in five minutes,” Nanami hummed.

“I think you should go. I’ll handle this,” Shoko said, her voice full of pity. “I’ll keep you posted.”

Nanami nodded in agreement.

“For what it’s worth, take care of yourself too.” Nanami’s words were carefully chosen, anticipating that you weren’t the only one who needed a hug.

***

SHOKO’S MEMORIES, YEAR 2006

The beach was filled with people who enjoyed the way the sun spoiled them with its warmth. Shoko was sitting on a towel next to Mei Mei who applied generous amounts of sunscreen on her hand. They sat underneath a parasol that had been propped in the sand, covering them both from the direct sun. The brown haired girl watched as Utahime excitedly threw herself to the water. She had given up on trying to get Shoko and Mei Mei in the water as well.

“Mei Mei, don’t you have a lot of experience with boys?” Shoko almost whispered and hugged her legs. Her beach shawl swayed when the breeze decided to start playing with the huge piece of cloth.

“Are you trying to imply something?” Her voice was low and melodic but not at all accusatory.

“No, nothing like that. I just wanted to ask you something.” Shoko shook her head flustered. “Is it normal for a guy to kiss a girl without asking?”

Mei Mei burst into laughter. This was the question Shoko was getting all worked up for?

“Shoko,” Mei Mei’s eyes glimmered softly when she said the younger girl’s name with gentleness that reminded her of a mother tugging a child into bed. “I did not take you for being this innocent,” she teased.

“I’m not innocent,” the brown haired girl huffed with the unexpected blush decorating her cheeks.

“Did someone do that to you?” Mei Mei tilted her head curiously and offered the sunscreen bottle to Shoko who happily took it to her hands.

“If I tell you, will you promise that you won’t tell anyone?”

“If I’m honest, I don’t think I care enough to tattle. You got me curious now. Tell me,” she hummed as a smile curled on her lips.

“Well uh.. Suguru kind of kissed me when we were playing truth or dare with Satoru,” Shoko explained . She ran her hand between the warm sand, the grainy texture giving her something else to think about. “It was a stupid dare on Satoru’s part. Dunno why I accepted it.”

Shoko added that she did not want to kiss him under any circumstances but the boy had managed to go over her boundary with ease.

“That’s it?” Mei Mei asked, raising her eyebrow. She was almost bewildered at how tame the story was.

“Yeah.”

The blue haired woman scoffed.

“Guys think that girls like it when they take control and in a certain sense they are right. Maybe they got their eyes on you? Although, I did think that Suguru and Satoru were..” Mei Mei’s voice trailed off as she thought. “It doesn’t matter.” She concluded.

“If I were you. I’d go along with it.” Mei Mei suggested.

“No way. I don’t like them like that. Besides that’s not what I asked for your opinion on.”

“And?” Mei Mei turned her gaze on Shoko, her eyes hardening as she intensely stared at the younger girl. “Those two men are our generation’s strongest and you’re going to complain that one of them gave you a little kiss?”

Mei Mei’s melodic voice dropped lower as she showed her true feelings of distaste towards Shoko’s views.

“If I were you,” she started again, her voice tough and bitter. “I’d be securing my spot by their side and not planning to bring forth meaningless accusations over a game of truth or dare.”

Shoko was at loss with the things that were being said to her. Now that she thought about it, maybe it wasn’t the best idea to speak with Mei Mei.

“I did not say I was going to tell anyone,” her voice was squeaky like a little girl’s.

“But you thought about that right?” Shoko did not deny nor confirm the accusation.

Mei Mei’s face softened. “Shoko, you’re a smart girl. You should know better than to get shaken by two boys, especially when you so eagerly lead them on.“

“..I don’t lead them on.”

“Then stop meeting them in your spare time. If you do that, guys will think that you’re willing. You’re not a kid anymore, they do notice that you’re a woman now.”

She stayed quiet, Mei Mei’s words burning on her skin worse than the summer heat. She did not want guys thinking about her that way. She simply wanted to be their friend and the idea of boys and girls being unable to do that because of bodily differences made Shoko shudder.

“You want to help your friends, right?” Mei Mei asked when Utahime got out of the water.

Shoko nodded.

“Then become a doctor. That’s the best you can do to others with the technique you have.” Her words were probably meant to be comforting, but they made Shoko’s heart sink to the bottom of the ocean.

“Shookoo!” Utahime ran towards the two girls sitting on the beach towels.

“Are you willing to swim now?” Sand and water droplets clung onto her radiant skin that the younger girl admired silently. Shoko felt her heart skip a few times in her chest when Utahime offered her hand to her.

“Sure.” The shy smile stretched on Shoko’s lips.

“I’ll stay here. But you guys have fun.” Mei Mei announced as she opened the book next to her the pages slightly crumpled up.

Shoko did not really register Mei Mei’s voice anymore. She grabbed Utahime’s hand and the world slowly faded away around them.

****

Shoko went through the bathroom nimbly avoiding piles of clothing or takeout bags as she looked through your bathroom cupboard. She found a bag of half used cotton pads and a micelar water from the mess.

The taxi drive had felt like eternity. Your tears had dried before settling in the car and numbness had taken over. Shoko helped you to your bed and said that she’d come back soon, closing the door behind her giving you some space to change into something more comfortable.

The door opened. Shoko looked at you and sat on the bed. You were using a pillow as a support for your back. The night lamp’s warm color casted shadows around your puffy face. The woman shook the bottle in her hand and poured liquid on the white cotton pad and tilted your face towards hers.

She pressed the pad on your eyelid carefully letting the mixture soak through the heaps of makeup on your face. You sniffled sadly before speaking.

“I can do this on my own too.”

“I want to do this,” her voice was soft as she spoke the makeup remover leaving your skin slightly cold. You simply nodded and admired the way her hair framed her face.

“You know I’ve had my own bad experiences too,” Shoko said, her face turning to a slight frown. Her mind was sailing in memories that she had given up on trying to understand.

You were at a loss of words. You wanted to pry, but it felt invasive.

“With them? Really?” You heard yourself asking as you danced on the line of impropriety.

“Yeah,” Shoko hummed, “but we shouldn’t have this conversation yet. Maybe in the morning, but not now,” she tried to make her voice sound brighter, feel brighter as if it would fix everything.

“Okay,” you said. Maybe she’s right about this. Shoko discarded the dirty cotton pad, simply placing it on the bedside table. It was at its limits the whole thing turned into the color of your foundation with the small black streaks of your mascara on it, or what was left from it.

She held onto your face gently for a moment too long even after she was done. You opened your eyes to really look at her. She looked so sad and.. young? Yes young was the right word. She looked like a woman robbed out of something sacred. She had been so happy, so easy to excite in her youth, but now all she seemed to carry was baggage.

Your drunken mind wanted to close the distance, but something held you back. Maybe it was all the answers that were still being withheld by her, maybe it was the understanding that it’s not the right time yet.

“Can you stay the night?” you whispered. Shoko breathed in and opened her mouth to say something, but you were faster. “Please? Th-there’s some clothes you can borrow in my closet.”

She stayed quiet and you waited patiently.

“I’ll stay.”

You smiled weakly at her and muttered a gentle thank you. She shuffled up from the bed and walked over the closet you had pointed for her. You turned your back to her when you heard the rustling of clothing that she ended up piling up neatly on one of the spare chairs in your bedroom.

You fluffed up the pillow next to you and lifted up the blanket when she climbed in. You turned your back to her as you lay down on your side. Your hand searched the light switch and then the room was pitch black.

Shoko awkwardly came closer to you till your back was against hers and she played with your hair idly in the silence. The touch was friendly, your body slumping in relaxation almost immediately. It was nice to have someone there. You had gotten so used to being afraid of the nights.

“Good night,” she said, her voice hoarse.

“Night.”

***

You woke up alone with no trace of the woman in your room. She had gotten up earlier than you and dressed up back to the clothes she had in the bar. You hugged your plush blanket, almost burying your whole face underneath it, not ready to face the day.

Your head hurt and you felt nauseous. How is Shoko even able to do things? You wondered to yourself.

The faint knock on the bedroom door disrupted your thoughts as the door opened slightly.

“I made a sandwich for you and found some painkillers, if you want any,” she said and you heard her steps further away again.

You groaned and threw the blanket away from your body, the cold greeting you roughly.

Your kitchen had gotten miraculously cleaner, the multiple empty beer cans piled in a bag and the dishwasher hummed quietly. You stared at the brown table in front of you that had two sandwiches and glasses of water on it, hunger long gone from your body.

“You really should drink less.” Shoko picked up another empty can from the counter just to place it in the bag.

“Like you’re the one to talk.” You sat on the chair with its legs squeaking against the floor with your rough treatment.

You grabbed the pill bottle and rattled out two tablets that you threw in your mouth and drank barely enough water to chase them down.

“What do you remember?” Shoko asked and sat in front of you. She wasn’t feeling very hungry either.

“I remember punching Nanami and the talk we had before we fell asleep,” you mumbled, playing with the edges of the slightly crusty lettuce between your sandwich. You had meant to use it on a salad a few days ago, but you were too tired to cook for yourself. Even the simple things were hard. “What did I tell you?”

“Nothing. You were just crying.”

Oh. So it was like that.

“They assaulted me.” Your face was stern, emotions hidden behind a wall. The words felt weird. It was the first time you had actually said it out loud.

Shoko’s face widened from shock.

“They what?”

“Don’t make me repeat it,” you hissed.

“Sorry, I won’t.”

The silence felt unbearable and you stuffed your face full of bread just to do something.

“They did something similar when we were still in school.” Shoko ripped the hangnail painfully from her skin and pressed on the miniscule wound with one of her fingers.

You chewed the sandwich aggressively without tasting anything, the texture turning to mush in your mouth.

“Why didn’t you warn me?” Your words were way more accusatory than what you wanted.

Shoko turned her head to the side looking hurt by your sudden outburst. Her eyebrows scrunched together in pain as she looked for the perfect words, but there were none.

“You admired them. I didn’t want to take that away from you, and when I realized that I probably should have said..”

“Bullshit, Shoko. It’s been ten years. I deserved to know, you could have-”

“Stop blaming me for their shit!” she yelled. Shoko never yells.

You fell quiet. You reined in your anger, its hands still attempting to reach out to anything it could latch on. She was right. It’s not her burden to bear, but you still couldn’t help but feel powerless, when there could have theoretically been someone who could have told you to not go there.

“Sorry,” you simply said just to drop the topic. Shoko sighed defeatedly and pushed her head briefly against her hands. She understood the anger, she really did.

“They drugged me and then raped me together. I don’t remember a lot from it. I fought back – well attempted to,” your voice shook as you spoke.

The brown haired woman simply looked at you with silent empathy.

“Did you at least get one good punch in?”

Your lips curled into a downhearted smile. The memory of your feeble fight playing in your mind, the weakness and despair of it all, a futile attempt of a prey to preserve their life just one moment longer.

“Not a single one,” you laughed hollowly as one tear rolled on your cheek and your lips trembled. “But I did rip some hair out of Geto at the school,” you tried to brighten your voice and be brave.

Shoko’s eyes watered and she answered your smile with her own.

“Good.”

The almost happy expression faded from your face. Everything hurt, never had you ever thought to be in a situation like this where you were exchanging devastation with your friend like gifts on christmas.

“Why did you stay? Even Nanami left for a while, you could have done the same.” Your question was gentler this time.

Shoko pondered for a minute, not sure of her answer either.

“Because this is the only way I could help. I had you and Utahime and I didn’t want to leave you two behind. Besides what else was I supposed to do? I’ve been given a technique that can save many if I choose right. Had I left a lot more could have died because I wasn’t here — all because of what two men did,” she tried to put her thoughts together.

“There’s a reason why Utahime doesn’t like Gojo,” Shoko blurted out and played with her hair.

You took a careful sip of water as if you were trying to carefully dissect the different flavors of Shoko’s words.

“What do you mean? Did they do something to her as well?”

“No. I just mean that women know, you know? I think it’s in our blood to recognize danger. That’s one of the reasons she despises him. But this is just my thought, not an universal truth,” Shoko wondered out loud.

She breathed in once again as if the words she was about to speak were too painful.

“I think sometimes us women have to carry the atrocities of men. There’s no rhyme or reason why they do certain things. At least that’s what I’ve been telling myself. I never went through what you did, but I can’t say that I’m surprised,” she mused. “I’m sorry though. What you went through. It’s not right.”

Her brown eyes stared at you expectantly. You chewed on your lip nervously and tapped the empty plate with your nail, the small tinkle sound working as a metronome.

“No, it’s not,” you huffed. But it feels like it’s my fault. If I had not gone there, if I had not idolized them – loved them even. This wouldn’t have ended this way. It was easier to leave those words in your head.

“So what now?” You looked at Shoko, your eyes pleading, asking for answers, guidance, anything she would be able to provide to you. You knew there was nothing clear cut Shoko could say, but god how you wished that someone would know what to do.

Shoko shook her head in defeat as if telling you that she wasn’t able to point you on the right track like that.

“Whatever you want. You can stay or go, but you don’t have to carry it alone,” Shoko said, her face gentle. You could still draw out the remnants of the young girl from the year two thousand and six on her features. The lines were almost faded but they were still there.

You found kinship in her even if neither of you had shared the full story of what had happened. You weren’t there yet and you weren’t ready. Instead the two of you skirted around words unspoken finding solace of at least having someone who could understand. It was up to the both of you what to make out of the confessions of the past.

#tw: noncon #shoko ieiri x reader #ieiri shoko x reader #yandere gojo satoru #yandere geto suguru

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sixstepsaway · 6 months

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I do not think that Ed is supposed to be abusive? i'm pretty sure we are meant to understand that he's acting this way because he's scared and threatened? The headbutting was rude but one isolated incident of headbutting in an extreme situation (waking up from a coma caused by a suicide attempt! his brain was all fucked up!) does not equal abuse. Where are you getting all this? Also I thought we were supposed to tag things with "[character] critical" around here.

Anon, I want you to understand that I say this as someone who has always loved Ed, and as someone who is approaching your message with the belief you are being completely genuine: Ed not being deliberately penned as abusive is almost the entire problem.

We literally see this cycle happening on screen in the first two episodes. After an outburst of violence where he destroys some innocent sod's wedding (2), he asks after the crew and checks they had enough cake (3), and says they're welcome to rhino horn, he's snappy but there's no violence (4) and things seem fine, up until when Izzy comes in later and says the crew don't want to part with their treasure. Ed starts to get angry (1) and Izzy desperately tries to convey that they love him and want him to be okay, and that he's just concerned for him and the crew, but he misspeaks, he says something Ed doesn't like, so Ed storms upstairs and starts pointing guns at people (2) until Izzy deliberately triggers him into shooting him not the rest of the crew.

Ed tells them to handle Izzy, goes to bed. When Frenchie encounters him the next day, he's bright, he's cheerful, it's like nothing ever happened (3) except that Frenchie knows it did. Frenchie is terrified because he knows what's coming, but Ed is calm (4) and things are just fine, because Frenchie is agreeing with him and telling him what he wants to hear. Ed catches him later and starts getting cold and angry, scaring him (1). Frenchie knows what's coming, and he's terrified.

Luckily for Frenchie, Ed takes his anger out on Izzy again (2) by taking a gun down there, but arguably you can say he takes it out on all of them by trying to sink the ship.

If Ed was just being a scary motherfucker, that would be one thing, but the show was very deliberately showing the power imbalance. If Ed had wanted to kill Frenchie right then and there, who would have stopped him? Who could have?

The show wrote and showed a cycle of abuse and that is okay, what isn't great is that they then went "¯\_(ツ)_/¯ meh!" and pretended like that cycle never happened or would only apply to Izzy, the latter of which is visibly and patently not true anyway because it gets applied to the whole crew multiple times.

I would have no issue with this, or with where the show took Ed, if the show actually took the time to get him there, but all they really did was teleport him from point A (abusing everyone around him) to point J (already redeemed, done the work, much better now) in the time it took him to catch a bloody fish

And the point of the headbutt is him saying, "I wanted it to hurt!" is fine in isolation but not super great when held up against the cycle I've just been talking about, or against Stede flinching from his violence.

And as for "edward teach critical" or whatever, I saw ofmd critical so I used that, I did not know the other tag existed. I haven't been on Tumblr much and the culture changes. Plus, I was criticizing OFMD as a whole, not just Ed, who I feel was treated horribly in s2.

#ofmd #ofmd critical #edward teach #edward teach critical

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creepzkilla · 11 months

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Jahaiahaiahajajs I'm so glad your back!!!

I have an idea for you >:)=

Can I request some of your darkest headcannons for the Proxies? Like what are their toxic traits, it can sfw or nsfw or anything but the request is basically how dark and evil can they be?

I hope this makes sense and you don't have to do it, it's only of you're comfortable!

↳˳⸙;; ❝ HOW DARK ARE THE PROXIES? HC'S! ᵕ̈ ೫˚∗:

★Tumblr relies on reposting, please repost my work.★

tw. warning— mentions of self harm, mentions of aggressive actions, mentions of verbal abuse, mentions of physical abuse, mentions of sexual ordeals

[A/N]— theme change?!??? pls let me know if u guys wanna be tagged in the next post! also i wanted to do the pastas as realistic as possible… should i make a post on how the proxies + others met their lover😴 or just my general hc’s?

THE QUESTION ITSELF IS FUNNY—

the proxies are slashers— murderers. psychopathic, deranged men that are hardly short of completely and utterly insane. their sanity-if they have any- is practically none besides possibly a sliver of humanity. if anything, they aren’t even men— they were resurrected from the pits of hell itself and placed on this god forban world. the atrocities that these men have commited rightly earns them the title of not men— but demons. their sinful actions could never be erased, not even if they bathed in the waters of Babylon. the screams, cries, the sobs of their victims as they carry out their orders doing god knows what to them, will forever be ingraved into their very being. not even god can save them from their damnation— if anything god is laughing.

SANITY IS NOT SOMETHING OF LUXURY FOR THE PROXIES—

it’s something that fought for. everyday, it’s a constant battle for control—the continuous thirst to satisfy the need to kill. not to mention the the operators hold on their minds, making them carry out heinous missions consisting of nothing but death and blood. their minds are plagued with nightmares of what they have done, on repeat like a broken record, replying over and over. yet, behind the insanity, the malice, the control over their minds, they have regained just a sliver of sanity. it’s not like they want to kill—but they have to. for the operator… for this urge. little by little, they begin to feel like an actual human being. but it’s not like you know anything.

TOBY ERIN ROGERS—

is the most far gone. since the operator took over his mind at such a young age without much resistance , he has the pleasure of sculpting toby’s mind into the perfect cast. despite the most—insane, he’s the one that hangs onto his sanity the strongest. almost like he’s able to flip it on and off like a switch. yet, the line between sanity and insanity draws very thin, so he can’t help it when… it slips sometimes.

Self-Destructive Tendencies: Toby's self-destructive tendencies, which are often associated with his character, could negatively impact the relationship. This is either emotional or physically. He may engage in self-harm or reckless behaviors, disregarding the well-being of you and causing them emotional distress and constant worry.

Emotional Instability: Toby's own emotional instability could create an unpredictable and volatile environment within the relationship. His mood swings, anger outbursts, and tendency to lash out verbally or physically could cause you to constantly walk on eggshells.

Explosive Anger: Toby may have anger management issues that result in explosive outbursts. He might have difficulty controlling his temper, leading to verbal or even physical aggression toward his partner. This behavior creates an environment of fear and intimidation.

Jealousy and Insecurity: Toby might struggle with feelings of jealousy and insecurity, leading him to exhibit possessive behavior. This could manifest in him constantly questioning your actions or relationships with others, even if there is no real cause for concern.

Over-Dependency: Toby may have a tendency to become overly dependent on you, relying on you for emotional stability and validation. This can lead to an unhealthy dynamic where he becomes possessive or overly clingy, causing his partner to feel suffocated or trapped.

HOW FAR WOULD TOBY GO—

well, he certainly wouldn’t go far enough to hurt you, no, never. he is specifically always careful not to harm you, especially during sex. but that wouldn’t mean that he would hurt you emotionally or mentally. his favorite punishment is ignoring you. he’d shun you for days on end in your shared apartment, just to teach you a lesson which is very rare. physically, he treats you like a delicate glass doll that could break at any moment. during sex, it’s almost like he’s afraid to touch you. he doesn’t want to corrupt you like the way he is… he wants to preserve your innocence, and your being, and because of that, he would do anything to protect you. anyone who would ever do you wrong would soon come under his hatchet in the most painful way imaginable.

Dark and Evil level: 6/10, Moderate, just "protective"

TIMOTHY WRIGHT(MASKY)—

is in a constant fight for control, more so than the other proxies. In Marble Hornets, it is referenced that he may have Dissociative Identity Disorder (DID). because of this, he comes into the separate entity known as Masky during blackouts. the operator has stalked timothy ever since he was a child and anyone else he came in contact with. the operator is setting his sights on timothy so young he can influence him just enough to do his bidding. of course, timothy hates the operator and works against him, but after so long, after all the pain and blood, he’s just too tired to fight back anymore. Masky, hates this. he hates that timothy gives up too quickly. during missions, a blackout is typically triggered, giving Masky complete control. and so soon enough Masky became tired as well. and then killing became second nature.

Controlling Behavior: Tim, overwhelmed by his own insecurities and paranoia, becomes possessive and controlling in his relationship. He constantly questions and monitors your actions, isolates them from friends and family, and exhibits manipulative behavior to maintain control.

Emotional Withdrawal: Tim, due to his secretive and guarded nature, may struggle with opening up emotionally to his significant other, that being you. He might withdraw from sharing his thoughts and feelings, leaving you feeling neglected or shut out.

Jealousy and Possessiveness: Tim's loyalty and protectiveness towards his friends, particularly towards Jay, might manifest as excessive jealousy and possessiveness in a romantic relationship. He may feel threatened by your interactions with others and attempt to control or isolate you.

Neglecting Emotional Support: Tim's own emotional struggles consume him, leaving little room for providing adequate emotional support to his partner, you. He may dismiss your concerns, minimize your feelings, or fail to offer the empathy and understanding you need, leaving you feeling unheard and invalidated.

Anger Issues: Tim/Masky occasionally displays violent and unpredictable behavior, driven by his internal struggles and external pressures. In a relationship, this volatility could lead to outbursts of anger, creating an unstable and potentially harmful environment for you

TIMOTHY AND MASKY WOULD NEVER HURT YOU—

not without reason. mentally or emotionally, timothy understands human emotions, despite not having any himself. yet, when he’s around you, everything changes. suddenly, he can feel again, suddenly, he has the strength to fight back. you are everything to him. the only good in this hell-bent world. he needs you, and he can’t let you leave him. so you can’t blame him when he starts chewing nicotine gum, “claiming to quit cigs.” you can’t blame him when he stops taking his gum out when he kisses you, “he forgets to.” you can’t blame him when suddenly all you want to do is kiss him. but it's not enough, no, no, no. he needs to make sure that your, 're addicted to him, completely and utterly infatuated with him. so, you can't blame him when he starts wearing nicotine patches, "the gum just wasn't working." you can't blame him when he starts placing the patches on you when you're sleeping next to him. you cant blame him when you practically breakdown when he leaves you, only for a few hours. you cant blame him when you feel a pinch on you arm during sex, when he stuck the nicotine patch into your arm without you seeing, saying that "oh darling its nothing." you can't blame him when you've become addicted to his presence and cock. no you don't understand, you really just can't blame him, he wants to keep you safe, really, he promises.

Dark and Evil level: 8.5/10, Very high, obsessive and insane.

BRIAN THOMAS (HOODY)—

has the most grip on reality. like tim, he has blackouts to which he comes into the separate being known as “Hoody”. also like Tim, he hates the operator. at first, he resisted, refusing to carry out those abominations; its heinous fantasies of mass destruction. except he was more willing than his counterpart, timothy. brian is calculating, he's a smart guy, he understood what would happen to him if he disobeyed the operator. the most excruciating torture that anyone has ever gone through. proxy brainwashing is no joke. he's not stupid, so that's why he's played the long game. do the operator's bidding until he's able to conjure a plan, it'll only be for a few, just until he can figure out how to get out of this hell space. soon "a few" turned into months. soon "months" turned into years. then suddenly he stopped keeping track. and then, he started to enjoy it.

Isolation and Control: Brian might isolate you from your friends and family, attempting to control who you interact with and where you go. By limiting your support networks, Brian exerts more control over their life, making it challenging for you to maintain independence and make your own decisions.

Difficulty Opening Up: Brian/Hoody's burden of guilt and emotional turmoil might make it challenging for him to open up and share his vulnerabilities. This could create a one-sided dynamic in the relationship, with you having to provide emotional support without receiving reciprocation, potentially leading to resentment and emotional imbalance.

Manipulative: brian plays on the emotions and insecurities of those around him, manipulating their feelings to further his own agenda. he understands their weaknesses and uses psychological tactics to subtly influence their actions, pushing them towards his desired outcomes.

Apathetic: Brian's apathy also masks underlying insecurities and vulnerabilities. By presenting himself as emotionally detached, he avoids exposing his true feelings and weaknesses to others. .

Emotional Unavailability: Brian/Hoody's reserved and stoic nature could make it difficult for him to express his emotions or be emotionally available in a relationship. He might struggle to communicate his feelings or provide the necessary emotional support to you, leading to a sense of distance and detachment.

BRIAN AND HOODIE ARE NEVER GONNA LET YOU GO--

you are the one thing that is keeping him sane. so don't even think about leaving him. you wouldn't get the chance anyways. your everything that he's ever wanted, there is not a chance in hell that he's gonna have you slip through his fingers. he can be mean sometimes, but he doesn't mean it, it just slips out! typically when he gets back from "work", he's aggravated, its like he's a different person. he's cold, calculating, a robot practically; so you cant blame him when he needs something to release his sexual frustration. he just loves pleasing himself inside of you, he loves the way your body reacts to his corruption. now since your body is "bound" to him, he still needs to take extra precautions to keep you from leaving... specifically, brian will pit you aganist your friends and anyone close. pointing out how your friend's remark was passive-aggressive, pointing out details on how your friends "don't care about you, how they will never care about you, how he is the only person that will ever truly care about you. of course, he leaves you at least one friend, maybe two if he's feeling generous, he doesn't want you to go insane after all.

Dark and Evil level: 7/10, Getting up there, crazy ex bf vibes

Toxic traits that all proxies/creepypasta have in my opinion:

Stalking

Manipulative

Gaslighting

Apathetic

Mean :(

Sexually all pastas have a corruption kink-- some more than others

DEEP DOWN THE PROXIES ARE STILL HUMAN--

after everything they've been through, after everything they have seen, they're just scared kids. their lives were stripped away from them at such a young age, their lives were just beginning--now its like they don't even live at all. they never wanted to do this, they never wanted to kill, they never wanted to serve an eldritch demon of mass power, they just wanted to grow up. be a kid, go to college, and have a life. maybe in a different universe, a different timeline, maybe just maybe, everything is the way it should be. maybe they arent as fucked up as they should be.

🏷️— @spookyravioli

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buggachat · 1 year

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I'm so curious to hear your thoughts. do you think Gabriel will ACTUALLY die? Or Nathalie? or will they both get healed??? Will Emilie actually get revived? The latter was always something I thought the show would do, but I also feel like this show is hard to predict sometimes. If Emilie does come back, I can't imagine she'd be too thrilled when she learns what Gabe's been up to that the two of them would go back to being a happy loving couple. #eminath2022

honestly it's SO HARD to predict how this series could possibly end. Adrien's story is so clearly set up as a tragedy, completely doomed by the narrative, and there's sufficient foreshadowing that he could possibly die/be sacrificed.... but I also believe that IF that happens he'd be revived and will ultimately receive a happy ending, because he's a main/beloved character of a children's show (also future-chat noir was alive in timetagger). So how will Adrien get a happy ending? Who will parent this child? UHHHHH

Personally, I really hope they don't revive Emilie, even if that's maybe the most obvious way for Adrien to have a happy ending. I think it'd maybe be a little questionable for kids who watch the show and relate to Adrien's struggles of losing a parent, and also I think that it'd kind of... prove Gabriel right? I think Gabriel would happily sacrifice ANYTHING, including his own life, to save Emilie, and I think him essentially doing that, sacrificing EVERYTHING to revive Emilie, and then everyone in the show being better off for it and it being the "happy ending" would kind of mess with the themes. Gabriel isn't supposed to be right. He's supposed to be wrong, he's supposed to be deluded that Emilie can be saved, he's supposed to be wrong in refusing to mourn her properly and move on, and with those themes in mind I don't think it'd make sense for her to be brought back. Maybe temporarily, but not permanently, y'know?

As for the fate of Gabriel and Nathalie.... I DON'T KNOW.... I DON'T KNOW!!! I feel like I almost want to say that Gabriel will just flat out die, but can they do that??? It's a kids show??? WOULD they kill Gabriel??? I don't know!! I DON'T KNOW.... but also there's something so poetically beautiful about Gabriel being the cause of his own demise, y'know? He did this to himself. This is his punishment. Ladybug and Chat Noir don't even have to decide his fate, he decided it himself, and I love that. And even if they find a way to heal the cataclysm, would it heal his mind after being driven mad by all the miraculouses? I...... I don't know that they can do that. How weird would it be, if the series ended with Gabriel suddenly healthy in body and mind again? And then what? He goes back to raising Adrien like nothing happened? It's almost easier to picture him flat out dying, or going to prison with an implied shortened lifespan or something. Gabriel should not continue to have custody of Adrien after all is said and done.

Nathalie would make more sense to survive, I suppose, because even if her fate has been sealed for longer and more solidly, she's a more redeemable character. In fact, I'd say Passion implies that she's very redeemable now, and is even actively trying to step in and be a mother-figure to Adrien now, which makes her a solid contender for being Adrien's post-plot guardian... but it still doesn't feel quite right, because just like Gabriel, Nathalie did this to herself, and her illness is her poetic punishment for her crimes, and we have no reason to believe that her illness can be cured, and we know it's fatal because of Emilie. That, and even if she regrets it now, she still aided and abetted Adrien's abusive father.... so........ I................... .....?

I'm really at a loss here, because I can't predict at all where this could all possibly go. If not Emilie, Gabriel, or Nathalie, who will take care of Adrien?

I know a lot of people use Gorilla for this role, and I don't blame them because there's really no other option, but I've never bought it. Gorilla is.... essentially just.... Some Vaguely Decent Man™ who works for Gabriel, and I really don't get anything from him or from his relationship with Adrien beyond that. Like yes, he's nice to Adrien in a way that probably any Vaguely Decent Man™ would be, and Adrien likes him fine in the same way that Adrien likes everyone, but that's... kind of it? Fanon takes Gorilla and Adrien's relationship and runs with it, and that's fun and all, but in canon there's virtually nothing there, and I'm sure that if Gorilla adopting him was the intended ending, they'd be developing their relationship more than the nothing that we've gotten.

All that really leaves is Amelie, his aunt, who lives in a different country? That seems the most logical, but also would have a huge affect on future seasons of the show if Adrien left the country. Maybe there's some interesting plot stuff they could do with that, and with Adrien and Félix living together, but it almost feels too AUish for me to comfortably predict that it would happen in canon.

sorry this turned into a long ramble where my conclusion is basically a big "I don't know". But anyway, I'm actually really excited to see where this all ends up! I love how unpredictable this show can be.

My only semi-Serious prediction is: I can just picture an episode where Gabriel actually wins, where he recreates his world, and maybe Adrien isn't in it, like Adrien was the one transferred to the casket in the basement (or maybe Adrien was the one who made the wish, and willingly chose to sacrifice himself, because of Adrien's established sacrificial tendencies? idk), and Emilie denounces Gabriel and walks out on him and Gabriel realizes that everything that he's done has been for nothing, that his dream was never real and never could be, and then they somehow undo that timeline and bring everything back into the regular timeline. Idk how any of that would happen, but I'd like it so :)

("It's just bad writing" No Fun Allowed responders DNI)

#ml spoilers #miraculous ladybug spoilers #ml s5 spoilers #passion spoilers

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azaracyy · 3 months

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to the next stage of our adventure! digimon survive week 2024 day 7: post-game / future personal thoughts under the cut - less about the artwork and more about shuuji and lopmon themselves. a long rambling containing major spoilers and heavy topics. will cause whiplash. proceed with caution.

other than the fact this may be boring and long-winded, cw and tw: there will be mentions of self-harm and suicide. if these topics make you uncomfortable, please step back. if you're sure, then alright. i'm aware this is a weird place to ramble about shuuji and lopmon considering the notorious highlight of their story would match the themes of day 5 (villains) and day 6 (dark & loss) better. unfortunately (ironically?) i never planned to feature them for those days, so... pretty sure i'm not the only one feeling this, but when i discovered that a good part of the fandom seems to loathe shuuji with utmost passion, even after they claimed to have completed the game, i was confused. the way his death happened and (understanding) the cause made me uncomfortable for a while, but never drove me to the point of hate... once i recovered from the initial shock, what i felt towards him was more pity, then respect (on truthful route). i feel shuuji should have been one of the most appreciated characters in survive. yet it was the opposite that happened. (between you and me though, knowing there was this discourse with the fact digimon survive is a visual novel, i'm not that surprised it turned out this way...) from my point of view, lopmon evolving into wendimon then killing shuuji symbolizes suicide, the act of taking one's own life. it was the climax of shuuji's mental breakdown, leading him to basically self-destruct, causing damage to everyone around him and ultimately himself. lopmon evolved, just like he hoped. but failed to do it like other kemonogami partners (maintaining control of themselves and fending off enemies). the next and final outcome was death, through his own partner actually eating him alive too. it reminds me how when someone thought they have prepared well for something important yet it failed spectacularly, the devastation and frustration would eat them in the same way from inside. and they probably would for one second think, "i'm better off dead". the more i pondered about it, the more it hit home, so of course, the last thing i could do is hate him, when his struggles sound similar to my own - having to rely on consistent achievements to prove your value, to feel you are worth living and not a waste of resources. the part where shuuji went all abusive on lopmon felt like the equivalent of pushing yourself to the extreme to reach your goal, to the point of neglecting your own needs. it's like a student so absorbed in their study, sacrificing food and sleep, until their body eventually snaps and shuts down for good (...this in fact happened to one of the students at my previous workplace. she was in her last year of high school. life was just about to truly start for her when her classmate informed us of her sudden death). even in truthful route where shuuji and lopmon survive that point, things aren't immediately nice and easy for him. you can see that he still has self-doubts, and what i think is impostor's syndrome. he could be making a great contribution to the team and still put himself down for having done "nothing". i have found it interesting that artists and writers tend to be especially fond of shuuji. so perhaps it's not just the matter of one's upbringing - whether you were raised in a harsh, competitive environment and/or with family with (unreasonably) high standards so you can relate more easily to him - but also whether one can see just what every struggle shuuji and lopmon went through symbolizes shuuji's mental state. out of all survive characters, i think shuuji and lopmon pulled off this thing called "surviving" the hardest, no joke. which is why i almost always gravitate to drawing them happy because that's what they deserve :') after all this, what i also would like to say is, it's okay if a character makes you uncomfortable. it's okay if you hate a character. but never, ever bring down the character to people who like them or even consider them their favorite or comfort character. if you must, do it in your own space and only with like-minded people.

#digimon #digimon survive #shuuji kayama #lopmon #survive week #survive week 2024 #obligatory shuuji-focused post where i make myself go a bit ✨ extra ✨#sorry for the long rambling tho i just thought i never had the chance to put this in words and this time i really want to do it #thanks for being patient with me :')#so i didnt manage to post for all days after all but i still have the ideas and sketches #if i ever finish them i will post and tag #if we have another survive week next year i hope i can actually prepare early so i could just schedule posts like a boss #then enjoy every submission without having to worry about finishing my next one #back to commissions starting tomorrow o7 updated my vgen listings recently so feel free to look around if you'd like #let's keep surviving y'alls #png

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angelltheninth · 1 year

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Ok, so I have been so hyper fixated on trigun this year, and while I’m not seeing Trigun on your character list, but I saw you answered an ask for it, and I’m not 100% sure what your hard limits are for dark and dark adjacent content, and like trauma related headcanons/character reactions (or if this even technically counts as dark content?) so I’m gonna chance it and throw in a request for Vash and Wolfwood reacting to either finding out and/or running into the reader’s abusive ex, and just idk, how understanding they would try to be about things like trying to avoid startling them, giving the reader some time to ease into sexual and emotional intimacy, etc. and if they would get particularly protective, or even (probably more in Wolfwood’s case) vengeful about it, about it if they did run into said ex.

(if you don’t feel comfortable doing it 100% fine, I get it, and either way I appreciate all the writing you do! Also you’ve lowkey got me considering checking out some new shows, and manga like Bluelock, and you’ve got me thinking about RWBY for the first time in a while ngl)

I'm okay with mentioning darker topics but I don't go too into detail with them.

Pairing: Vash the Stampede, Nicholas D. Wolfwood x Fem!Reader

Tags: angst, fluff, hurt/comfort, abusive ex, protectiveness, kissing, intimacy issues

A/N: Blue Lock is fucking crazy, crazy fun. And RWBY has gotten pretty dark and depressing lmao.

VASH

He's a very touchy, happy guy so he was a little surprised when you recoiled from his touch

Not a violent or even confrontational guy by any means, he'd much rather talk things out then have to point his gun at someone but... if you're scared of something, or someone he gets serious

Very slow when he approaches you from behind and always announces himself beforehand

Forehead kisses, he can never give you enough of them when he sees you feeling stressed

Not much of a cook, he can make food but its nothing fancy as far as comfort food goes

When you're shaking he places his red coat over you and bundles you up in it all warm and cozy, wrapped in his scent

Tries to remove you and himself from your ex after he finds out the story behind it, no reason you should be around them for a moment longer, they don't deserve to even look at you

If they keep bothering you he will walk up to them with a calm smile on his face

He doesn't look nearly as scary when he's smiling so they wouldn't expect him pull his gun out and press it against the side of their chin

Seeing your ex sweeting bullets while Vash smiles at you and wraps his arm around you makes your heart flutter and your eyes water

NICHOLAS

He waits for you to touch him rather then him touching you, as much as he wants to he knows what its like to have bounderies crossed

Knows he's a little scary, with that almost permeant scowl he has on his face

Its good for business but not so good when he's trying to make friends, or more in your case

He's not the kind of guy to ask many questions when he sees that someone is making you uncomfortable, or even scared

Good at reading body language, he doesn't have to ask you if there's anything wrong, he can see it by your stiff posture, your hands bunched up across your chest, flinching when the other person leans in or raises their hand

On his watch no one, no matter who they are or were to you, get to reduce you to such a state of fear and get away with it without bruises

His hands will end up bloody and bruises by the time he's done beating up your ex in the back of the bar, where they can moan in pain all they want

You feel bad about Nicholas so you to wash and bandage his hands

He won't tell you not to, he knows how much you worry about him and how much you like helping him out

But once you are done he will slowly and gently wrap his arms around your shoulders and pulls you against his body, he might be a Punisher to others but you never need to be afraid of him, to you he will be your protector

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jasntodds · 19 days

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Petrichor [19]

Pairing: Jason Todd x Fem!Powered!Reader (little bit of fwb)

Words: 12,542

Chapter Warnings: Swearing, angst, blood, mention of abuse, mention of manipulation, mentions of death, mentions of canon characters deaths, mentions of drug use

Summary: ❝Pylades: I’ll take care of you. Orestes: It’s rotten work. Pylades: Not to me. Not if it’s you.❞

Gotham is home, not just for Jason but for you, too. And now that you’re both finally back home, together, you’re ready to see where this next chapter brings the two of you. He’s your best friend and you’re his. And you both might want a little something more with being back home, the place you both feel most comfortable. Surely, nothing could possibly go wrong now.

A/N: We're almost done with season 3 and I am so excited!! You're all gonna hate me later lmao (again happy ending, promise) I have so many plans lol You can add yourself to the tag list below, ask me to be tagged, or you can follow my library blog @jasntoddslibrary and turn on notifications if you prefer that!! I love feedback, I swear it keeps me posting on a weekly basis 😭

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You, Gar, and Rachel are sitting around the Lazurus Pit. Rachel has just finished giving Gar a pep talk about how she's able to do what she does out of love. Gar has been feeling a little bit like a letdown, unable to transform into different animals on command like he can as a tiger. The only times it's happened is when he's terrified, as if there's a block of fear in his head keeping him from transforming into anything else. You stay silent. You don't think Rachel is wrong. Gar could definitely change into other animals beyond being scared and maybe the answer is the love he has for all of the Titans and the love everyone has for him because everyone believes him. But, you're still stuck in your head wondering if that's always enough.

Right now, love doesn't seem like the thing that heals all wounds and makes everything better. It wasn't enough to keep Jason safe. It wasn't enough to keep him out of Crane's grasp. It wasn't enough to get Bruce to kill the Joker before he had his chance. It wasn't enough to bring Jason home. It wasn't enough for Rachel to bring Donna back. It wasn't enough for Sam to bring Jason back. It wasn't enough to keep the Titans at the tower. There have been so many things, especially lately, where it's just not been enough. Sometimes it's not enough so instead of being pessimistic about it, you stay quiet, looking at the pit and hoping it spits Dick out.

"You're quiet." Gar states, moving his attention to you.

"Oh, yeah." You shake your head, glancing back at him. "Just...waiting." You look back at Rachel. There's no guarantee this is going to work. You need another plan if it doesn't. You need another plan if it takes too long. "Do you think you could find the other Titans? Like...at some point tonight?"

"Yeah." Rachel nods her head. "I can feel their energy, too." Rachel's voice is soft.

"Well, that's good at least. Kory will know what to do." You let out a sigh, moving your stare back to the Pit.

"You don't think this is gonna work, do you?" Rachel asks.

"I don't know." You shrug. "I'm just trying to think ahead in case it doesn't or in case it takes a while. I mean, for all we know it takes a few days." You state just as the put starts bubbling. "Or...a few hours." You mutter as the three of you get to your feet, looking into the pit just as Dick's fist punches through the surface and he emerges from the thick and glowing liquid.

Dick starts to swim to the edge while you and Gar quickly meet him there to help pull him out. You both grab his arms, pulling at him until he's out of the pit and leaning back on his hands. He coughs up water just as Rachel kneels down beside him, you and Gar getting back to your feet. You and Gar exchange a look of disbelief as hope has the courage to start to fill your chests.

"Dick?" Rachel asks.

Dick manages to look at her, furrowing his brows in confusion before he falls back onto his back and passes out. Rachel looks back to Gar and you, as if one of you will know what just happened.

"What do we do?" Rachel asks.

"Is he breathing?" Gar asks with hesitance.

The three of you see Dick's chest rising and falling. This whole thing has been weird and it almost seemed like he drowned. Is there supposed to be more to do this? Or is he supposed to just...sleep off the effects and then he's just alive again? The three of you are completely confused by the entire situation.

"Yes." Rachel states.

"I guess we wait some more?" You question. "He's breathing so that's better than the alternative." You shrug your shoulders, wishing you would have pressed Jason to get some answers from Crane about him coming back.

But then Dick snaps back out of it, gasping himself awake as he shoots up. You and Gar both jump back slightly at the sudden movement and sound as if Dick is jumpscare in a bad horror movie.

"Rachel?" Dick gasps for breath, looking more confused than ever. "Gar?" Dick rushes, getting onto one knee. "Y/n?" Dick questions looking to you.

The last thing he remembers to be real is you and Jason kneeling above him, looking lost and panicked. Then there was everything in the pit which only leaves him with far more questions than answers, none of which he has time to get answers to right now. The Pit told him everything he needs to know to take down Crane. That's all that can matter right now if you're all going to save Gotham. He can deal with the rest later.

"It's okay now. You're safe." Rachel assures him. "Let us help you."

"Are you...alright?" Gar asks with worry.

"Yeah, dude. You like...died." You state with the scrunch of your nose, earning a light nudge from Gar.

"What...what happened down there?" Gar asks.

Dick breathes heavily, catching his breath and then completely avoids the question. "Crane can be stopped." Dick states, running a hand through his hair. "There's still time." Dick rushes, getting to his feet.

Dick starts to walk towards the exit as Rachel gets to her feet. He cannot possibly be serious. He just died and drowned and now he's just...going to stop Crane. Suddenly he has all the answers and he's going to go off on his own? He can barely even catch his breath.

"Wait. Dick, man, you need to rest." Gar rushes after him, the three of you right on Dick's heels.

Dick turns around, barely facing the three of them. "Anton and First Street. There's an abandoned control room. Find Conner. Make sure he's okay. Unite the Titans." Dick states in a hurry. "Y/n, with me, let's go." Dick rushes before he turns on his heels and starts darting down the hallway.

"Unite the Titans where?" Rachel calls after him.

"Take them to Donna." Dick states, not slowing down or stopping as he makes his way down the tunnel.

The three of you look between each other in confusion, trying to grasp any sort of explanation to no avail. Donna is supposed to be dead, according to Rachel. And he was in a Pit?

Dick calls your name from down the hall, his voice echoing over the bricks.

You shrug at the two of them. "Uh...alright. Good luck with that, I guess? I'll make sure he's not fucking insane." You state quickly, spinning on your heels before you jog down the hall to catch up to Dick.

You catch up to Dick who is walking a steady and quick pace, his head clearly thinking a hundred steps ahead. You eye him as you match his pace, walking right beside him. He just died? And then came back to life? There is no way in hell this man is just...fine with that. Of course, there are a lot of other things you all need to focus on, especially with him somehow knowing Crane can be stopped. There are more pressing matters than Dick's mental state at this exact point in time but that doesn't bring you any type of ease.

No one should die and then just be fine.

Jason sure as shit isn't. So, Dick can't be either.

Sam follows Dick out of the building, keeping up with him.

"We're going to meet Jason." Dick states flatly once the two of you exit the building.

"We're gonna what now?" You question, shaking your head. "And how do you expect we even find him?"

"He'll be here." Dick states, a confidence that should be reassuring consumes his voice.

How is he so sure about everything all of a sudden? The Lazarus Pit brings people back, and heals them, but...it can't possibly predict the future right? But, Dick also just said Donna is alive which means...if that's actually true the pit brings more than life back to someone. It brings some sort of clarity for things they otherwise shouldn't know. But if he's wrong that just means it's made him crazy which also means the pit did have some sort of lasting effect on Jason, too. This can't be good.

"How do you even know that?" You question, trying to figure out what is actually going on. If anything, he needs to slow down.

"He'll always go back to where it happened." Dick states.

What?

Your face scrunches in both annoyance and more confusion. You did this round-and-round question game with Jason, you're not doing it with Dick. He wants you to go and find Jason so damn bad, he can give you some clarity, too.

"What the shit with Donna being alive? How the fuck do you even know that?" You almost demand instead of asking.

"I just do." Dick says simply.

"That's not reassuring whatsoever." You mutter with more annoyance.

Dick glances down to you, seeing you grow frustrated. "The pit..." Dick says.

"Yeah, no I figured that out but you're not exactly giving out details here." You roll your eyes before you grab his arm to bring him to a stop. "Dude, seriously, are you okay?"

"I'm fine. Come on, we can't waste—" Dick starts as he continues walking.

"No, fuck that shit!" You yell, keeping up with him again. "You know, you batboys do that shit all the time. You guys say you're fine when you're not. You literally just fucking died, Dick. You can't just be fine after that. And you know if the three of you would just fucking talk about how not fine all of you are, we probably wouldn't be in this mess to begin with, right? Like that's your guys' entire fucking problem. I hate talking about my shit, too but I'm learning the more I admit how not fine I am the easier it is and I tend to feel a little bit better about it. The three of you are just fucking annoying about it and if you really think that's not your problem, you're being willfully ignorant and we both know that's not a very Nightwing thing to be." You finish with a scoff and the shake of your head.

And maybe a large part of your frustration is that neither of them seem to think they matter. They are sacrifices. Jason always thinks the world is simply better off without him and Dick thinks he's expendable. He can be the sacrifice for the greater good. It's why he's reckless and why he goes off on his own. Jason does the exact same thing. It's fine to them if they die. But, they leave these people in the wake of their deaths with paralyzing grief. This time it wasn't permanent for either of them but what happens when it is? It shouldn't be because they were reckless and decided to sacrifice themselves because they matter to people. The people who love them and they should be considered in all of this.

Dick glances down to you as you keep your eyes straight, jaw clenched tight. Dying is traumatic but you're right. They don't talk about it. Bruce never talked about anything so Dick wouldn't talk about anything and Jason never talked about anything. Batman and Robin could never be scared and they weren't allowed to let their emotions get in the way. Emotions cause blurriness and distractions. On the field, those things get you killed. But, he's not Robin. He's not with Batman. He just died as Nightwing.

"It was a lot." Dick manages to state.

"Yeah..." You say quietly.

"You almost died. I think you know." Dick says, still partially avoiding the question.

"Yeah, it was really scary and traumatizing." You state flatly because even though you were close, you did not die. He saved you. And Jason saved you. Close doesn't count here.

"Yeah." Dick keeps his word short. "I had to face some...challenges." Dick confesses, feeling the very core of his bones ache with guilt over the brutal beating of Jason even though it wasn't real in the pit. "It's hard to explain. It was a test or something." You look at him, seeing the look of distance and remorse dissolve over his face and you don't need to ask what kind of tests. "I understand Jason a little more now, him as Red Hood." Dick lets out a breath. "But I can't focus on what happened if we're going to stop Crane. "

You nod softly. "Right, yeah, got it." You let out a breath. "Your ability to compartmentalize is really something else but you should really deal with it after instead pushing it off." You say quietly, earning a glance from Dick. "Something else will always come up, you're Nightwing. You're a Titan. I'm just saying, look where we stand today like maybe it would have been different if things weren't always compartmentalized. Maybe you need to feel it sometimes."

The words almost catch you off guard. You've been running from your own pain for so long that you think that's your biggest issue. You run and it hurts you and the people that care about you. It's easier to not feel any of it but it makes being a person harder. There is blood on your hands and a part of you wonders if you had just let yourself grieve, maybe there wouldn't be. Maybe most of what happened between you and Jason after wouldn't have happened because you would have grieved. You would have felt all of it. Maybe had you stuck around after your mom died, let yourself just feel it, you wouldn't have ended up with Jerry. Maybe allowing the pain to bleed a little is how people heal from it. Let it scab over and let it mend itself over time with care and attention.

"Are you okay?" Dick asks. "You were there. You found Jason, you were there with Tim. This is a lot for you, too."

"Yeah..." You let out a sigh. "Like...I-I-I don't know. You're like this weird...weird brother I-I never really wanted or asked for and then you died. And that's just...I don't know. I fuck with you but I respect you and ya know?" You look up with honest eyes. "Kind of would suck a lot if you died permanently. You're like good at this and you're important to the Titans." You roll your shoulder, pulling in a heavy breath. "And to me." You mutter so quietly Dick nearly misses it.

"Thank you." Dick says. "I think that's the nicest thing you've ever said to me." There's the smallest touch of sarcasm in his voice.

You manage to crack a smile. "Eh, don't get used to it, Dickolas. It's cause you died. Gotta be nice to you for at least an hour." Dick shakes his head but you see the subtle hint of a smile on his face. "Why are we going to find Jason anyway?"

"He'll know how to take out Crane and we need him on the inside. He wouldn't tell Crane he's against him, would he?" Dick asks.

"Doubt it." You scoff. "Jason is smart, methodical. He still wants Crane dead for what he did to me so he's not gonna let Crane think they're on different sides just so he can have the upper hand."

"Good. We find Jason and bring him with us. I have a plan." Dick states with urgency but offers no further explanation.

"Yeah...okay. So, uh, where do I come in? The mediator, still?" You almost laugh at the idea.

"No. You said Jason wanted to talk, let's talk. You're here because I need you with Jason."

While the idea of them talking is definitely enticing, you aren't completely convinced. Jason didn't pull the trigger this time but it is his fault Dick died. And given how Jason has been about Bruce who wasn't even in Gotham when Jason was killed, you can't help but feel a bit uneasy with Dick wanting to find Jason so soon after surviving the Pit.

"And how do we know you're not gonna kill Jason? I mean, don't get me wrong, I don't want you to kill him and I'd fight like hell to make sure you don't. But...he did kind of just get you killed so you can see why I'm a little confused about you're kind of change of heart, I guess." You explain, eyeing him from the corner of your eye.

"You'll just have to trust me. I never wanted him dead. He was just giving us no choice." There's something almost sad that trickles into his voice while his expression gives nothing away.

"There's always a choice, Dick." You say quietly. "You can't say there isn't a choice when you yelled at me for killing and you're mad at Jason for killing. And you preached about how we can't be judge, jury, and executioner. There is a choice."

"Jason was going to kill all of us." Dick defends his stance, not acknowledging the hypocrisy of it all.

"So? And the ones we want dead will keep trying to kill other people. Or worse. Just because we, specifically, aren't their targets doesn't mean they get a pass. The innocent people that are their targets deserve the same amount of care and protection that we offer each other." You pull in a breath, feeling Dick move his stare to you. "We clearly didn't have to kill him, is my point."

This is the most Dick has gotten out about your motive. It's more than it being about the kids left behind. It's the bigger picture. That there is a choice and sometimes it's a bad choice and a hard choice but one that means, in your head, protecting the greater good in the same way Dick wants to protect the Titans. It doesn't mean he agrees with you, but he does see your point of view for once.

"Do you disagree with going after Jason?"

"No." You answer plainly. "I'm just incredibly loyal to him. If it were anyone else, they'd be dead. And I understand that's a bit hypocritical given what I just said. That's why circumstances and background are important when making the decision to kill someone." You shake your head. "I know him. I know him being a cold-blooded killer isn't him. Background matters."

"You're right it does. I do not want him dead." Dick offers a sincere nod towards you before it falls silent between you.

You finally reach the spot from last night where Dick was killed. Dick finds the Red Hood helmet, picks it up and takes it along with him. There's a puddle of blood still on the pavement that makes your stomach twist. It's as if blood stains everything it touches.

You're still unconvinced Jason will be here like Dick says. He's not psychic all of a sudden. But, you stay with him anyway, hoping you run into Jason and of course, you do. Somehow, Dick is right about this. Jason is yelling that Red Hood is back as he fires a gun into the air.

"Jason...it's okay." Dick calls, getting Jason's attention as he spins around quickly. His face is still covered in blood and cuts from the fight the night before. His eyes nearly bug out of his head, this can't be right. "It's me."

He knows the three of you took Dick to the Pit but there is a part of him that still can't believe it worked. Watching the life literally leave someone's body only for them to be alive the following day, that's more than unsettling. It feels wrong. It's the same wrong feeling Jason gets any time he gets a moment of silence and can hear his own heartbeat in his ears. Wrong. Wrong. Wrong.

But he is relieved to see Dick walking and alive. The feeling of it being wrong, is just the echo in his own bones. Dick should be the one alive. If the Pit were to work on anyone and offer someone a second chance, it should be Dick.

"It worked?" Jason questions, almost losing the breath from his lungs with the words. His eyes land on you as if you're the only one who can confirm if this is real or not.

You nod once. "Yeah, it did."

"You knew?" Dick asks.

Jason nods. "Rachel said that's where Gar was taking you." Jason explains as his eyes start to grow glassy, the guilt thundering through his bones once more.

"We don't have much time. I need your help." Dick cuts the conversation short, knowing they can't discuss this now but he's getting the idea maybe Jason did just want to talk. He looks hurt and relieved to see him and you.

You, on the other hand, are still uneasy. Dick isn't giving you any indication that this is going to go sideways but you feel yourself grip a knife from your belt anyway. This can't go sideways again. You all working on different teams has not helped fight Crane but working together should. Crane, at the very least, won't see it coming. You just don't want to see anyone else close to you die again.

"You want me to help you?" Jason asks, stretching his arms out at his sides in disbelief. He can't help. Not after what he's become. "I'm a fucking murderer."

"You know how Crane is operating. You know how he thinks." Dick starts. "He needs to be stopped or a lot more people are gonna die." Dick pauses for just a second. "You want redemption?" Dick asks as Jason hangs his head. "Do you?" Dick asks more firmly this time. "This is the first step."

Of course he wants redemption for the harm he's caused but his methods now do not align with Dick's. He's almost gotten them killed and he did kill Hank. He betrayed them. How is he supposed to go back now and help? After everything? After what he's become? It sounds hopeless and he almost lets his pity get the best of him until his eyes meet yours.

"We need your help, Jay." You plead with him.

Jason shakes his head. "You can't stop him." Jason answers with defeat rather than snark. He genuinely believes Gotham is lost to Crane. "He's got everything. The police, the Batcave. He's gonna take the whole fucking city down!"

"How?" Dick asks more in a way that sounds like a demand.

"You think I know?" Jason scoffs. "He doesn't tell me shit."

"Jay? You have to know something. You've been with him this entire time and you wanted to talk to Dick last night. You know something." You urge, practically begging him to just say something.

He told you once that he remembers everything. Crane slipped somewhere and all Jason has to do is remember. Think of whatever the hell Crane said that might be a clue.

Jason hangs his head as tears start to come to his eyes. "It was all crazy shit." Jason pauses for a second. "Like waves of anger and fear. The bright and darkened lands of the Earth. Something about an attack you and Bruce stopped a long time ago." Jason states, looking at Dick with confusion knowing Bruce never told him.

"Years ago, Crane sent a poem to Jim Gordon with clues about an attack on Gotham. A chain of explosives to release his fear toxin. We stopped him before he had the chance to set it off. Bruce took Crane's weapons and put them in the Gotham Armory to study them."

"And Crane's in the Batcave." Jason finishes. "So, he knows where those weapons are."

"And so do we now." Dick states as he extends Jason's helmet out to him. "We need to go."

Jason puts the pistol back in the holster on his leg. "So, I'm a Titan again?" Jason asks.

"No, you'll never be a Titan again." Dick states before he closes the distance between them, offering his helmet. "But, you can help us save Gotham."

Jason eyes the helmet as the feeling of being lost hits him like a ton of bricks. He never really fit in being a Titan anyway but...something about the confirmation that even if he were to change back to who he was before, it's over, really hits him. It's something he can't come back from. That part of his life, Robin, is gone. It's lost to the darkness. The Joker took it from him. Crane took it from him. The one thing he thought made him who he is, is shattered with so many of his hopes. It's lost and gone and Jason can't help but feel alone and lost now.

But, feeling that way got him here in the first place so he takes the helmet from Dick.

"How do I know you're not going to kill me?" Jason asks.

"Because now I know what it's like to die." Dick answers harshly.

Jason's eyes glance to you and then back to the helmet in his hands. It's more guilt. It's always guilt that comes back like the bladed boomerang. Jason knows firsthand what it's like to die, too and that didn't stop him. That was never a reason for him to stop. It doesn't matter that he was drugged and manipulated because, to Jason, Dick's reason should have been enough. It doesn't matter that the drug removed his guilt and his fear and the feeling of being haunted and stalked by something dark and twisted. He should have known better and he put death on Hank anyway. He lead Dick to getting killed.

He should have known better than to go after the people who actually cared about him. He knows what it's like to die and Dick does, too. To Jason, that should give Dick enough reason to kill him and yet...he doesn't and he seems sincere.

"Fine." Jason agrees reluctantly. "How can I help?" Jason asks letting out a steady breath as he nods his head.

"Come on. I've got a car around the block. We're going to break into the vault." Dick says casually as he starts walking past Jason.

Jason looks at you before you roll your eyes, trailing after Dick, Jason falling in line with you. The two of you follow Dick to the car he, for some reason, just has. You and Jason can only assume it's from last night. He had to get to Jason some way. Jason takes the passenger seat while you sit in the back, sitting right in the middle. Dick starts the drive while Jason is stuck in the car with his brother. This is not the ideal situation.

"Do you want to explain any of this?" Dick asks after a few minutes of silence. "How we got here?"

"Not really." Jason quips back with frustration looking out the window. He's not even entirely sure where to start. It all feels like this started so long ago and maybe in a way it did. Maybe it started that day he stole the hubcaps. Maybe he should have listened to Dick and you about Bruce. "After fucking everything, I just can't believe Bruce couldn't fucking kill the Joker." Jason lets out a scoff. "He fucking beat me to death with a fucking crowbar and Bruce just...fucks off somewhere." Jason scoffs again, barely able to hide the crack in his voice.

The car falls dead silent as Dick glances in the rearview mirror at you before you lean forward in between the boys. You and Dick are on the verge of exploding. This really cannot be Jason's entire motive. How the hell doesn't he know? You look at Jason who's giving you a confused and annoyed expression. You look back to Dick who is clearly trying to figure out how he's supposed to burst this bubble without it leading to another fistfight.

"I got it." You state before looking to Jason. "Who exactly do you think killed the Joker?" You blink at him with your brows raised, really hoping Jason's motive is not entirely linked to this little bit of information.

Jason eyes you, looking to the side and then back at you. The look you're giving him with Dick glancing at him has him feeling like Crane may have lied to him about that, too. But, Bruce wouldn't throw his morals away, right? Not for someone like Jason. Not for Jason. Bruce didn't kill the Joker.

"Uh...Crane said it was one of the prisoners who dressed like the Bat?" Jason lets out a scoff, playing it off in hopes this conversation is not going where he thinks it's going.

You look back at Dick who looks like he might have an aneurysm. Jason has been deadset on his new form of justice which you agree with but...if he thinks Bruce didn't kill the Joker for him, maybe that's his motive. You always felt his hatred towards Dick was just some weird rivalry amplified by Crane but if Jason thought no one avenged him...maybe that's it. You almost cringe at the idea of having to burst his bubble.

"You hear it, right?" You ask Jason as you look back at him. "Like..." You pause, scrunching your nose. "Crane, inmate dressing as the Bat."

There is no fucking way Bruce actually killed someone, the Joker, for Jason.

"Did....did Bruce actually do it?" Jason huffs as if he expects you and Dick to be messing with him as some sort of cruel payback or even to get him back on the "good" side.

"Walked into my room with a bloody crowbar." Dick states.

He cannot believe of all lies for Jason to believe from Crane, he had to believe that one. Crane is a manipulative asshole who's had Jason drugged and under his thumb ever since coming back, but how does Jason actually believe this? Even though Bruce has always been completely against murder in any instance, Jason should have known it was a lie. All of Gotham knows it was actually Batman.

"He actually did it?" Jason asks but this time, there's a sense of shock and remorse in his voice.

Every single part of him should feel relieved that Bruce would do this for him. Bruce Wayne, Batman, the same guy who has preached about not being judge, jury, and executioner, killed someone for him. Bruce killed The Joker for beating Jason to death and Jason should feel relieved and thankful but instead, he just feels guilty. Maybe wanting Bruce to avenge his death was never the thing he really wanted.

"Yeah, Jay." You nod your head, your voice quiet and sad. "Fuck Bruce, but I told you he loved you."

"Fuck." Jason lets out a groan, resting his head back on the headrest. "I really fucking thought he wouldn't do it."

Jason always thought Bruce would never break that moral code. He said it would be too easy to keep going. It's always just that one and then there would be another who's just as bad. The lines would start to blur and he wouldn't be able to stop. But, Jason did think if he ever were going to break it, it would have been for Dick, not Jason. He had no idea he actually meant that much to Bruce and now Bruce up and leaving Gotham without a trace makes sense. It wasn't that Crane drove him away or some sort of hideaway until things cooled down after losing his son. It was the grief of it all. The blame Bruce has to feel, knowing he led Jason into the road of Robin.

"Was that your only motivation for this?" Dick questions, almost not wanting to know the answer.

"Of course not." Jason sneers. "But...it didn't help." Jason grits his teeth. "I don't fucking know." Jason crosses his arms, not more aggravated over the whole thing than ever.

Crane took everything from him. And Jason trusted him.

"It's okay if you're mad at him for not saving you and thinking he didn't avenge your death." You state softly. "But now you know."

"I'm not though." Jason states as he nearly cuts you off, catching you both off guard. "I'm not fucking mad at him for not saving me." Jason's voice trails off. "I...fuck it. Forget it, alright? Crane lied to me about that, too and here we are." Jason lets out a scoff as he shakes his head before turning to look out his window.

Dick always felt like Jason was the type to hold a grudge, get unreasonable mad about things beyond his control. But, in the time since the tower, he got to know him better, finding out that wasn't entirely true. Jason's statement just now proves that. It was never about Bruce not saving him or even avenging him. It was him being alone. Thrown to the side the second things started to get messy. It was always about him feeling abandoned and less than, not good enough.

And you can see that, too.

You look to Dick and for once, Dick looks worried. "Don't worry," You start, earning a look from Jason. "I'll kill Crane for you." You offer him a soft smile that almost makes Jason laugh.

"Really?" Dick questions with annoyance.

"Don't pretend like you don't want him dead." You chortle.

"Yeah, right." Jason scoffs. "He's too good for it." Jason nearly chortles with you just to mock Dick.

"Hey!" Dick challenges. "Crane is bad, he just needs to remain locked away."

"No, you want him dead." You nod your head. "He killed your brother, drove your adoptive dad away, almost killed me, killed Hank, has been actively trying to get you killed for two weeks, and turned all of Gotham against the Titans. You want him dead. I can tell."

"You got a fucking sixth sense for right now?" Jason quips, this time actually letting a laugh slip from the bottom of his lungs.

"No." You chortle. "Dick isn't as stern when he talks about not killing Crane. He always has this look about killing being wrong and he always says the same thing, he doesn't do either with Crane."

"He's just a bad person." Dick defends himself, not even wanting to humor your theory behind this.

"No shit, man." Jason huffs. "I fucking died and he probably set the whole thing up."

"So did I." Dick states back.

"Gar died, you both died, Donna died and all of you came back. We all just taking turns? Where should I stand in line?" You quip with the intention of not letting them even start an argument.

"Not funny." Jason and Dick say at the same time, making themselves grimace.

You burst into a fit of laughter. "I told you, Jay. You two--"

"Shut the fuck up." Jason hits his head on the back of the headrest, closing his eyes. The last thing he wants to hear is that him and Dick even have one similarity but his voice isn't harsh and there might even the smallest hint of a smirk on his lips.

You lean back in your seat with the shake of your head and a gentle smile. This is going to eat at him for a while but you hope Bruce will come back. Maybe after you take out Crane, Dick will be able to find him and him and Jason can go get him. Maybe Jason getting to see Bruce after all of this will ease some of his guilt. You've had talks about it. You know him being fooled into thinking Bruce didn't avenge him isn't his entire motive. Jason always felt like Bruce could do more and this is doing more. It doesn't make it easy for him or make him feel better, but you know there's always more to Jason's motives than something surface-level.

Once you get to the armory, the three of you enter with ease. There are no guards this time. There's no one even here, just the three of you which allows you to walk right up to the vault. The entire city is in a bit of chaos, using up any force that might have been here. It's not ideal for everyone else, but it is definitely beneficial to you, Jason, and Dick right about now.

You reach the vault door where Jason takes the lead, lining the door with a sort of liquid that then ignites and breaks the seals of the door, fire almost engulfing the door until it hits the floor. Jason is the first one to step inside, his gun pointed forward with a flashlight on top. You follow right behind him with your own flashlight and then Dick.

"Let's go." Dick says once he gets in front of you and Jason, leading the way to case you need.

Dick opens the case only for nothing to be inside besides a book called Collected Poems by Will Auden.

"I don't get it. There's supposed to be like two hundred ampules." Jason states with frustration. "What the fuck is that?"

Dick reaches forward and grabs the book. "Bright and darkened lands of the Earth." Dick states, looking at the book.

You and Jason look between each other and then back to Dick. Of all things for Dick to understand, a random book of poems is the thing he understands. Of course, he does.

"What are you talking about?" Jason asks.

"Crane's poem." Dick states as he opens the book, flipping to somewhere in the middle. "His war on Gotham."

Jason snatches the book back, you looking over his arm to see the page Dick opened.

"Fuck." Jason groans.

Crane's already beat you here. It has to be some sort of gloat thing he's doing, like he's already two steps ahead of you. He's been two steps ahead this whole time and his war on Gotham is now in full swing. What are you all supposed to do if you can't locate the bombs and disable them? What if Crane is already out there ready to blow up the city?

"What are we supposed to do now?" You ask, looking up to Dick.

Dick pauses for a second, looking to the empty case and then back to you and Jason. "Let's go. I have an idea." Dick says quickly before he turns and heads towards the exit.

The three of you head back to the car, taking back your seats as Dick immediately starts driving. You're watching him and you're fascinated by how quickly Dick can change directions. Not a single part of you is surprised but you are fascinated by it. He was trained by Batman. To be out there, as a vigilante, you have to know how to pivot immediately. Dick is really good at it. So, is Jason. It's something the two of them have in common. The ability to adapt to anything and everything, even when everything is covered in bloody chaos.

"One poem, multiple bombs." Dick starts. "Clues to where the bombs are are placed in the poems."

"What's the plan?" Jason asks, his stare on Dick hoping Dick does actually have some sort of backup plan.

"Find some supers and stop the bombs from going off." Dick says it almost casually as if it's something so simple and easy.

"Titans?" Jason scoffs. "What are they gonna do when they see me?"

Jason knows there is no way the Titans are going to welcome him back with open arms and trust him just because Dick and you say he's safe now. Gar might but Kory, Conner, and Rachel won't. He's been actively targeting them and he killed Hank. They're not just going to forget that and move on like nothing happened. They'll likely try and kill him the second they see him at this point. He got Dick killed.

"They're not." Dick states, revving the engine before pulling over at a curb.

"What's going on?" Jason asks once the car is stopped.

"Get out." Dick states.

"Out?" Jason asks, hurt covering his voice.

"I can't bring you back to the Titans. It'll cause a war." Dick explains. "But I do need you."

"So, I'm your dirty little secret?" Jason quips.

"You want to help us, this is the way it's gonna be. I can only fight one war at a time."

You remain silent, not daring to get in the middle of the two of them. It's the smart decision because there's no way everyone will trust him. Everyone will start fighting and arguing and nothing will get done. Crane will win just because there's a fight between the Titans, which is probably what he wants anyway. It might hurt Jason, but it is the only way this can even work.

"When do you need me?" Jason agrees with a bit of reluctance in his voice.

"If you don't hear from me before, meet me back here in three hours. Got it?" Dick asks.

"Yeah." Jason says quietly.

"You, too." Dick looks back at you.

"Why do I have to get out?" You let out a scoff as Jason quickly looks back at you, wondering what you did this time to piss off the rest of the Titans.

"Safety, precautions, you two work well together." Dick states. "Three hours."

"Got it." You nod your head once before you exit the vehicle with Jason.

Once your doors are shut, Dick drives off. You look over to him and Jason dodges your stare, looking to the side. It's the shame that's eating at him. Falling for all of Crane's lies, getting Dick killed, having to be kept a secret. He was once a Titan and now they can't know he's even helping. Instead, Dick has you here because you work well together, sure, but also to make sure Jason doesn't back out of it. He's not even mad because he'd do the same thing but it hurts and he feels so painfully guilty for everything. He's destroyed everything.

"Come on." Jason jerks his head to the right. "Safe house is close." Jason starts walking, helmet in hand while Sam follows him.

The silence between you builds like a sturdy brick wall. It's in the silence that you have time to process everything. It's always the silence that acts as a marinade for all things fueled with anger and misery. Dick might be alive and Jason might be alive but Jason is the reason Dick died in the first place. He could have stopped. For two seconds, Jason could have called a truce and he didn't and Dick died for it. There never would have been a crowd. The kid with the gun wouldn't have been there and Dick wouldn't have gotten shot. Jason didn't pull the trigger, but he didn't have to. Dick stood there and told Jason the reason Dick won't kill him is because he knows what it's like to die. Well, so does Jason so why the fuck didn't Jason take that into consideration?

You know it was the drug but it bites and gnaws at you anyway because watching everyone you care about die is hacking away at you.

"You alright?" Jason finally asks. You being completely silent never sits quite well with him. There is nothing that sounds more deadly than your silence in moments like these.

"I don't know, Jay. I just watched Dick die and come back to life. What the fuck do you think?" You snap without processing your thought.

"The fuck you mad at me for now?" Jason snaps back. "I didn't pull the fucking trigger. I went there to talk." Jason barks, really not wanting to be reprimanded at the moment. He knows.

"You know what? You might as well have, Jason." You snap, your steps becoming harder against the pavement. "You could have stopped at any point and told him you just wanted to talk and explain it but you didn't. Not one part of you decided to do that. And for the life of me, I can't figure out why. So, Dick was killed because of that. You didn't do it. But that kid thinks he did the right thing to protect you. Dick wasn't even the enemy. So, that's shit." You let your own anger get the best of you, not even to tear him a part for it but just because you need to yell about it.

"It's not my fucking fault." Jason groans. "I didn't ask anyone to do that." Jason defends himself, knowing he's wrong.

"You don't have to!" You finally yell. "People will follow you like a damn cult because you command attention when you walk into a room. You are charismatic and enthralling. They have always been some of your best qualities but in this instance, it wasn't good. They believe in you, Jay." You look back over to him as Jason hangs his head, watching his feet hit the wet pavement. "But, Crane turned the city against the Titans, to follow you." You look forward as you shake your head. "I know I told you to work with him, but it didn't have to get to you and Dick fighting and him dying. It never had to end that way. You could turn them back to the right side." Your voice goes quiet with your last sentence earning you a glance from Jason.

"I didn't think he'd listen, alright? He was the one that set up the flash bang and came in ready for a fight. I didn't think it was any use and I didn't know those fucking people would be there. I..." Jason swallows his own words, not wanting to get into it.

You being willing to die for him is one thing. He hates it. He'd never let you if he could help it, especially having experienced what it's like to die. He would never. But, you love him. You have seen him at his good and bad. You've seen everything in between. Jason has fully exposed all of himself to you in every way anyone possibly could. And you would die for him. You would kill for him. No questions asked because you know Jason Todd better than he knows himself half the time. But these random people? They don't know him. Why the fuck would they kill someone for him? Why would they do that?

"I'm sorry, alright?" Jason's voice comes back down. "I know. I could have fucking done something and I didn't." Jason's saw clenches. "I'm fucking trying." His words are firm but there's a hopelessness in them.

"I know." You say quietly.

"I have a lot to make up for and I don't know if I'm gonna be able to do but I promise, I'm trying. I just...fucked it up." Jason's breath leaves his lips, the fog coming out in a haunting blow.

"I know...I just..." You shake your head. "I'm just really worried about all of you, all the time. You, Gar, Dick. You guys are the closest people to me besides Molly and I just...you're very important to me and this could be something so good and it was." You suck in a breath, the cold air starting to dry out your throat. "And I think we all deserve it. The Titans."

"Yeah..." Jason's shoulders slouch forward. "You do." Jason says quietly, keeping his stare ahead him even as you look over to him.

You've always deserved better than anything Gotham has given you. All this city has done is take everything you care about. And you only even started killing because of him. Even when Jason knows there's more to it, that was your breaking point. You're not shunned from being a Titan and maybe that'd be better for you.

"If you want to be a Titan after all of this, you should." Jason states in his way where he tries to sound really casual to hide his real feelings.

You snap your attention back to him. "Why would I do that?" You nearly scoffs at the very idea, especially coming from him.

"You're good at it and you like it. They like you and you fit in." Jason answers with ease, as if it were something he'd thought about more than a few times. "Why trap yourself here if you don't have to?"

It's as if the air is being pulled from your lungs by rusty hooks. How could he say that? He's here. Home is here. Molly is here. It's not a trap being in Gotham. Coming back, coming home, was a choice you made all on your own and not a single ounce of you even regrets it. You can't regret it. You got to reunite with Molly and while it has been agonizing lately, you had some of your best and favorite moments with Jason here. You got to make a different life again. It felt like home again. Here. Not in San Francisco. Why would he tell you to be a Titan?

"You want me to be a Titan?" You ask, doing your best to hide the hurt in your voice.

"Not up to me." Jason shrugs his shoulders casually, still keeping his stare away from you.

"That's not what I asked." You bite back, keeping your stare on him.

Jason looks back over to you as you reach the building. Jason opens the door for you, leading you in first before he shuts and locks the door behind you. You stand directly in front of him so he can't move once the door is shut. He doesn't get to avoid this conversation when he's the one that brought it up. If he wants you to leave, then he can tell you and then deal with the fact you will not.

"Answer me." You demand.

Jason looks to the right before looking back at you. He always thought you would anyway. After everything, it only makes sense to him for you to leave. You said San Francisco caused you so much pain that you didn't want to be there anymore. But, Gotham has caused you so much pain, you're not even the same person you were a month ago. He doesn't want you to leave but he wants you to be happy and he worries that just won't be here. Not with the track record.

"I always thought you would." Jason shrugs as his voice almost trails off.

"Because?" You search as your brows furrow. "What? I'd get bored of you? Tired of you?" Your eyes scan his face, knowing all of his insecurities. He can't hide from you like he can with everyone else.

Jason looks to the ground and back to you with the shrug of his shoulders. "No." Jason answers. "You didn't come back for me. Thought you'd figure it out and just...go back."

You narrow your eyes. "That's not the full reason." You say softly. "Tell me."

Jason shifts his weight, favoring his bad leg as it starts to ache. He shakes his head with defeat. "Just want you to be happy." Jason says honestly. "This place is fucking shit and you know it. And you hate Bruce but you don't wanna give this up. Bruce doesn't like other vigilantes in the city and..." Jason's heart breaks as he watches your expression fall. "Yeah, I thought you'd leave." Jason nods his head.

"Jay, I told--"

"Because I died." Jason cuts you off with a scoff. "That day on the roof, I fucking destroyed you. I died and it completely destroyed you. When you found out about the drug and Crane, then everything else, I thought you'd fucking leave."

"Yeah," You nod quickly as your eyes turn glassy. "It did destroy me. The whole damn thing hurt but that doesn't mean I want to leave. It doesn't mean I want to be a Titan." Your voice is almost pleading with him to not push without you ever saying it. "This is my home and Molly is here and my mom is buried here and you are here. I don't care if we're not together, you're here. The city is a shitshow so it needs us. It needs us and Batman to help."

"Are you sure?" Jason questions. "I mean, look at this place. I just want you to be happy. I don't fucking know."

You let out a sigh. "You didn't answer the question." You state as Jason opens his mouth. "I asked if you wanted me to. You just said you always thought I'd leave."

Jason shakes his head. "Of course not." Jason lets out a scoff, not even trying to lie or dodge it anymore.

"Good cause I'm not leaving, Jay." You nod your head. "I was always happiest here with you." Your words are barely above a whisper as you look to the floor. "So," You pull in a breath. "You don't have that to worry about. I was gonna stay anyway, no plans to leave again. Tired of running." Your voice turns airy, almost hopeful with your last sentence.

"I don't get you." Jason lets out a laugh that's filled with relief.

"Yeah, you do." You laugh softly. "You're the only one whoever did." You shrug your shoulders, moving past him to the stairs. "You know, you and Dick could probably bond over your whole dying experience now. Probably bring you closer." You offer with sarcasm earning a groan and then a laugh as Jason walks over to you.

"Oh, yeah? We sit down for a family dinner at the manor and tell Bruce all about it? Like a fucking field trip?" Jason quips right back as the two of you make your way upstairs.

"Yeah!" You laugh. "Hear me out, it might freak Bruce out which would be funny."

Jason shakes his head with a soft chuckle. "Us getting along? Yeah, that'll freak Bruce out."

You nudge him lightly. "That'll freak everyone out, actually."

The two of you go upstairs into Jason's makeshift bedroom. You head over to the window to look at the people down below. Everyone is fending for themselves and there are still fires in the streets. There aren't any cars this time. There are always cars.

You lean against the wall and slide down, keeping your head turned towards the window as Jason keeps his distance, watching you closely as he traps himself in his own head again. While you have been on Jason's side, you've also actively been trying to make sure the Titans are at a distance and safe from Jason. You can say you've always been on Jason's side this whole time and maybe that's true, but you also were entirely in the middle. It was never Titans or Jason for you. You were always determined to cut the wire. It was always going to be all of them even if it killed you.

Jason remembers you willing to die for him, how terrifying that was. No one in his entire life was ever willing to do that. Maybe Bruce would have but it's something Jason isn't sure of. He was sure of you. Deathstroke proved that and you confirmed it that night. You would die for him because you love him and Jason always thought that was absurd, even if he'd die for you, too. Dying for you seemed to be the easiest thing he would do if it came to it. But you dying for him? Insane. It had to be insanity but these past two weeks have taught him something else entirely.

You would just die for anyone you loved if that's what it took.

There is not a doubt in Jason's mind that you would put your life in danger for Gar. Of course, you would. He's Gar. Everyone would probably do it. There's Molly and Jason actually feels bad for anyone who would even think of coming after her. You'd die for Tim because of course you would. You care about him and Tim is determined and smart. Krypto is no question. You loved Donna and thought she was the coolest Titan, that's easy. You thought Kory was one of the coolest and most badass people you'd ever met while also being immensely kind. You told Jason once that the Titans need her. So, you'd die for her, too. Jason isn't entirely sure of the big reason you'd save Conner or Dawn or Hank but he knows you would. And then there's Dick. You'd save Dick because he's the leader. Because he saved your life. Because you look up to him. Because he's important to everyone.

It's not that you would die for Jason. It's that you would die for anyone you love if it ever came to it. Jason would be lying if he said he doesn't admire that. Though, he wonders if that's what will be your last straw or if you'll understand one day that you shouldn't have to die for the people you care about. Jason swore he'd die for you. That part was easy but the more time that passes, the more he's realizing he wants to live for you. Living is harder. He hopes you learn that, too. You deserve to want to live for someone and for yourself.

"What's with the symbol?" You snap Jason from his thoughts.

"What?" Jason questions, almost doing a double take.

"The rip off bat symbol. Your idea or Crane's?" You ask bluntly as your eyes dart between his and the red symbol on his chest.

Jason looks down to his chest where the red symbol stares up at him. "Mine." Jason chuckles softly, a devilish grin pushing itself onto his lips. "Why?" He asks and he walks over to the other side of the window from you, sliding down the wall and matching your position.

You let out a soft laugh as you shrug. "Funny that's what you would pick given you thought he didn't kill the Joker for you." You pull in a breath. "Why?"

Jason shrugs. "Fuck Bruce." Jason answers easily as if the answer were so simple anyone could have figured it out, as if he isn't neglecting the entire explanation.

The bat symbol represents Bruce's way of thinking. Inciting fear into the hearts of everyone so they don't do bad things. It works, sometimes. But, it doesn't work enough. The bat symbol represents a certain moral compass where even under the worst of circumstances, killing is still wrong. It represents Bruce. Jason wanted something to almost mock him, a fuck you and watch this to Bruce. Fear doesn't always work. It's not the best way. For Jason, he needed something to spite Bruce, prove his methods will be better because there should never be another Jason. Or Dick. Or any of them. No one should have to suffer the way all of them have. It was to represent everything Bruce refused to do for the greater good.

But Bruce did kill The Joker so Jason feels lost.

But then you offer this warm smile, one that says you understand every single thought in his mind without him ever having to explain.

"Yeah..." You sigh softly. "Fuck Bruce." You laugh softly. "I like it, by the way. Bruce only killed him for you. He never would have under any other circumstances." You pause before you tilt your head to the left quickly, raise your brows. "Well, he might have for Dick, too. But, it would have to be one of you. So...good for you, Jay." You nod your head softly.

"Don't think it's fucked?" Jason chortles.

"Oh, no it definitely is." You nod quickly. "I mean, just when I think I've got some daddy issues, I meet you and Dick. It's definitely fucked. But, like it anyway." You smile but Jason doesn't quite match it. There's a sadness washing itself over his face. "I think Gotham will like it, too." You say quietly.

"Yeah? Why?" Jason repositions, pulling his right leg to his chest. "Because I'm charismatic and enthralling?" A touch of a grin finds itself on his lips.

"Fuck you, no." You laugh softly. "They're brainwashed but...I think it took one video because you've already been out there controlling the drug trade, looking to get into guns. You've taken out some really terrible people and are trying to get this shit under control. They already liked you."

"I also helped get a drug onto the streets and contributed to everything with Crane." Jason points out.

"Yeah, but you've been distancing yourself and you also tried to save Nightwing. I mean, you tried to kill him, too but you just tried to save him and they'll remember that. They'll figure out Crane brainwashed them and see you were also brainwashed."

"I guess we'll see." Jason lets out a scoff. "But, thanks." Jason offers you a nod.

"Just being honest." You pull in a breath as you move your stare back to the window. "You gonna keep Red Hooding after this is over then?" You look back at him with hopeful eyes.

Jason shrugs. "Yeah, maybe." Jason nods his head softly. "Especially with Bruce fucking MIA." Jason gives you a soft smile. "You gonna keep this shit up?"

"Absolutely." You nod with confidence. "You're right, I do like it. The vigilantism, I mean." Your smile turns kind and loving. "You're a good Red Hood. You're gonna help a lot of people, Jay." Your smile is warm and honest, filling Jason's entire chest with hope.

"So are you." Jason matches the smile before the two of you look to the window, falling into a comfortable silence.

You get a text from Dick, apparently, the towers are back and running which is a relief but according to his text, Crane released some of his smoke downtown. He leaves the text with a warning for you and Jason to stay where you are until the smoke dies down or until he says otherwise. So, the two of you seem to be stuck here for the night.

You're safe here, entirely. You don't have to worry about the smoke or anyone coming to kill you. You're safe from it all for the first time in weeks and it's as if, weirdly as it is, you both can breathe freely. It doesn't feel like your very breath can shatter the illusion of peace. You both are allowed to breathe freely and openly.

You let your mind wander anywhere but to the disaster outside. The more you're in these situations, the more you're learning to compartmentalize it. There is no choice in this. It has to be done otherwise it'll eat you. You wonder how Dick is able to do it so well. Surely that's how he's so good at being Nightwing. He isn't heartless, he just shelves what he needs to until after a mission. It's something you need to be better at and so you sit here tonight and try to do it. You focus on anything but the disaster.

And then there's Jason who finds his mind going to your previous conversation a few minutes ago. You think he can be a hero again. He can use Red Hood for good, do it his own way. He lifts his head, looking over at you and how peaceful you look. You really do trust him. You really do just believe in him, after everything, there's something in you that believes in him even when you absolutely should not.

Jason keeps his eyes on you, wondering if you're right. He hopes you are. Jason just wants to help. That's what he wants to do. That's all he's wanted to do. That was supposed to be the plan before Crane showed his true motive. Jason wants to help the innocent people Bruce overlooks. Sex workers, sexual assault victims, domestic violence survivors, children who are put in all of these situations. A lot of them never make it onto Bruce's radar. He's busy dealing with everything else and a lot more of it happens in places like Crime Alley, somewhere Bruce doesn't go unless it's the anniversary of his parents' death. Someone needs to keep them safe, too. He wants to control the crime because he does believe that's the right way. No one can stop crime. That's impossible. But, Jason thinks he can control it. It's worth a shot. Someone needs to try. That's what he wants to do.

Maybe he can do it.

"I can feel you staring at me, Jay." You state as you look back over at him.

"Sorry." Jason mutters, feeling heat rush over his cheeks as he looks back outside.

"What's going inside that head of yours?" You ask.

Jason looks back to you, letting a beat pass before he settles on what to say. "Thanks for believing in me and being here." Jason pulls in a breath.

"Always." You say softly before it goes quiet again.

Time ticks by and it's you that ends up glancing towards Jason. He's holding his bad leg to his chest, seeming to be absentmindedly massaging the muscle of his thigh with his thumbs as he keeps his stare out the window. The white streak reflects off the lights from the window and the bruises are bright red from Dick's fists and enimga sticks. But, he doesn't look stressed this time. He looks content for once. And you always think there's hope for him but his position confirms it.

Which, lets your mind wander back to how you and him were. It wanders back to the night outside Excellent Gotham. It was the right thing to do. There is good, there is bad, and there is all of this grey in between. Something might be the right thing to do, for the greater good, to save someone, but that doesn't always make it fair or just or painless. It was the right thing to do, to save Jason. But, you wonder in the silence of the night, what happens after then. The bell has been rung and you're dealing with it but it doesn't feel good. Being around him feels like you're trying to breathe through water. You don't want to give up on you and him. You're gonna take out Crane, the Titans are going to leave, Bruce will probably come back, and it'll start to fall back into a new normal. And you want to know what kind of new normal that's going to be.

You want the new normal to still be you and him.

But you don't even want to ask about it. You hurt him and it just doesn't feel right to ask even if it'll gnaw at you until you do.

"I can feel you staring." Jason quips, looking at you, saying it on purpose.

You roll your eyes but the smile never reaches your eyes before it falls. "Yeah, yeah, yeah." You mock him, waving a hand haphazardly at him before you get to your feet and stretch before you lean your back against the wall. You look back at Jason and you can tell by the raise of his brows and his wide eyes, he's expecting you to elaborate. You let out a defeated sigh. "Hey, Jay?"

"Yes?" Jason answers expectantly.

"Where do we stand?" You ask bluntly. "I mean....you and me." You nod once. "After all of this and everything. I'll follow your lead." You nod a few times. "Ball's in your court this time."

As much as you would like to go to the roof and scream your lungs out about how much you want to be with him and how much you love him, you know you can't. None of that is fair to him. Jason Todd was murdered and then came back from the dead. He was used and abused and manipulated. He's not fine and he should be able to learn how to live now, rediscover who he is after all of this if he needs to. You telling him you want to go right back to where you were before he died, sounds cruel. It's as if you won't give him a choice, like you expect him to just be normal and you don't. So, you ask him and you let it be his decision because it should be. It was you that ended things anyway and it was you that betrayed him, more than he betrayed you is the way you see it.

Jason feels his heart in his throat. He hates this but he knows there is no other choice. He swears this one fucking time, he is not doing it to push. He is doing it for himself and for you. He owes you more. He owes you more than he has ever given you. He owes himself more.

You have said it over and over that Jason is loved and he is not alone, at the very least, he has you and he is loved by you. There is not a single day that he is not eternally grateful for you. But, that's not enough. It's not enough because, after everything, Jason still feels like he is not enough. He watches the chaos he has brought on all of these people who he cares about and who care about him. Someone who is enough, doesn't do that. And he died. The trauma of that isn't going to go away because you love him and he loves you. He desperately wishes it were so simple, but it's not.

Jason swore he would never hurt you but he thinks about that night outside of Excellent Gotham and how it looked like it was ripping you to shreds to end things and to give up on him, even if you never meant it. You didn't deserve it. He needs to figure himself out and sort out some of this pain in his chest before it metastasizes more. He needs to just exist for a second and work on who he is after coming back. He owes it to himself and then he owes it to you. It's not fair to continue something if he isn't sure he'll be okay in the end of this. That's not fair to either of you.

So, as much as it physically pains him, he knows where you stand.

"Uh..." Jason pulls in a breath and you know. Jason doesn't stutter often. "I really fucking hurt you." Jason nods his head.

"I hurt you..." You hang your head in shame before looking back to him.

"Yeah, deserved it though." Jason lets out a scoff before he shakes his head. "Look," Jason starts as he pushes himself off the wall and walks over to you, standing in front of you. "I don't want to ever hurt you again." Jason states and you know there is a but coming. This is not going to end the way you dreamed it would. "So, I think-think we need to sort our shit out."

You hang your head, feeling the lump in your throat. It was as if the night you ended things, it wasn't quite real. He was high and you were mad. Then you rescued him and it's been kind of weird ever since. It didn't feel quite like you broke up but it didn't feel like you were together. It has felt like this weird state of in-between where you're tripping over each other trying to find the right footing. And now, it seems you've found it in an unknown territory. It's scary.

It's scary because after being rescued, Jason is one of the only things you know. And you know that it's going to be good for you to find yourself without him, find out who you are outside of Jason and the Titans. It's for the best and you know. But, you also know Jason and Jason Todd has always loved to avoid things that are good for him. Good to him. What if he avoids this forever and this is really it?

"I'm sorry." Jason says quietly.

"It's okay." You nod up at him. "You're, uh, you're right. You died."

As much as you saw it coming, you feel blindsided. You are not together. He is not breaking up with you because you did it first. But, it feels that way anyway. He is right. You need time and space to heal and deal with everything that's happened. Maybe you could do that together but maybe you need to figure out who you are now. You are not the same people you were before he died. Jason Todd died that day and so did you. You need to just exist without each other even if it is the most painful thing either of you will ever do.

Jason nods. "Yeah," He scoffs. "It's not fucking fair to you or me if we jump into this shit again."

You nod softly. "Yeah...you're right." You push off the wall, closing the distance between you. "For what it's worth, I'm still sorry for everything that's happened to you, Jay." You sniffle softly.

"Thanks. I'm sorry for everything that's happened to you, too." Jason lets out a soft sigh, looking to the floor before he looks back to you. He will find his way back to you because you're everything he's ever wanted and he wants to deserve you one day. "Friends?" He asks, sticking out his hand with the quick raise of his brows.

"For now." You take his hand in yours. "We'll find our way back." You say softly but with certainty.

"Hope so." Jason quips right back with a cheeky grin. "I'll miss you being up my ass all the time."

You roll your eyes as a smile starts to fade over your lips. "Shut the fuck up." You groan, making Jason chuckle softly. "You're my favorite person, ya know?"

"And you're mine." Jason says simply, without hesitance.

The room falls silent, the two of you still holding each other's hand right in the middle of you. It's as if you aren't sure how to backtrack. How do you go back to being friends? You were never meant to be friends. There was always something more there. Something strong and tender, throbbing and beating like a desperate heart pumping blood through an open artery. You have stained each other with every scar and crumb of yours. How do you take it back? How do you cleanse yourselves and try again? Can you even do it?

Jason's grip on your hand tightens and he doesn't want to leave it like that. As friends. The very idea is bitter and stale. He knows it's for the best. For the first time in his life, he is doing something to better himself and protect you. It's not just self-destruction this time. He wants to be better for himself. He never wants to get here again. And to do that, he needs to do it on his own. Jason won't risk dragging you down with him again as he drowns himself. He's not sure if he'll come out the other end alive this time, but he's willing to try for himself. And then for you. But, that doesn't make this whole thing easier. He still loves you. He still wants you.

You feel it, too. You know he wants to reach forward, pull you into him just for old times sake. You're going to defeat Crane tonight, one way or another, and then you'll go your separate ways for a little bit...as friends. But you think about the last time you had a proper kiss, before you knew you'd end up here. He was alive again. It was a kiss of relief. That's not how you want it to end. You fully believe you will come together again but what if you don't?

The idea makes your stomach twist into knots. And you know Jason isn't going to act on it, out of respect for you. It's the way his hand squeezes yours, the way he won't let go and how he has that dark but kind look in his eyes. The way he is intentionally holding his stance just enough away as if he'll walk into a bear trap with one step forward. He'll never act on it out of respect for your space so when Jason finally starts to move away, you pull him back.

Jason eyes you and then the very corner of your mouth twitches up as you squeeze his hand, pulling him just a little closer to you. You move your eyes up with the raise of your brows before looking back to him and then you shrug effortlessly.

Jason shakes his head. "Fuck it." Jason lets out in a single breath before dropping your hand and cupping your face, slamming his lips against yours.

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#jason todd x reader #jason todd x you #red hood x reader #red hood x you #jason todd fanfic #jason todd fanfiction #titans fanfic #titans fanfiction #dc fanfic #dc fanfiction #petrichor

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artist-issues · 15 days

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My curiosity keeps knocking, so I've gotta pull the thread. Why would you erase Joker from existence if you could?

I'll break it down:

1. The Joker has no point.

There is not one consistent message in The Joker. It's not trying to "say" anything at all, because it commits to nothing. Instead, it almost says several things. It almost comments on the haves versus the have-nots. It almost comments on mental illness. It almost comments on society's treatment of those with mental illnesses. It almost comments on the government's spending. It almost comments on violence and comedy. But everything it tries to comment on feels like a sentence that gets cut off at the halfway point; after telling you the bad news and promising good news, it fails to deliver.

I'll tell you how it does this. Arthur Fleck is introduced as mentally ill. (As in, there was a developmental problem with his brain chemistry that causes him to miss social cues and laugh nervously.) This means that when he is mistreated by background characters for "being different," the audience should start to feel sorry for him and consider how a mentally ill person should be treated. But wait. He's not actually mentally ill because of a diagnosable problem with his brain chemistry—he claims he feels clearer and better when he's off his meds. Add that to the revelation that he wasn't born with a brain-chemistry issue. He was abused by his mom's ex. So, maybe he's not actually "crazy." Maybe, he's seeing the world as it really is? After all, it's been dark and terrible for him since he was a child. Or no, because what about that laughing tick, that's not normal, right? And he's hallucinating a life with a girl he's attracted to, and believes it enough to walk into her apartment like that's normal. So is he crazy, or just the only one responding correctly to a world as dark as he is?

The movie won't tell you. It starts a sentence, then cuts off before any thought or truth statement can be completed.

The movie also sets itself up as if those who have should be taking responsibility for society's "have-nots." Or it starts to. Mr. Wayne is introduced as directly responsible for the hardship Mrs. Fleck has fallen into. He is Arthur's father, and should be caring for him. But instead, he beats up and ignores the guy most entitled to, and in need of, his help. Just like the way he ignores the poor people in his city, right? But wait. No. Maybe none of that is true. Maybe Mr. Wayne is entirely innocent of abandoning Arthur and his mother—this was all the delusion of a selfish drug-addicted woman, and the rumors she's spreading ultimately lead to the assassination, not only of Mr. Wayne's good character, but of his actual life. And his wife's. So is the character who has power and influence and badmouths the poor a portrayed in a negative light, or a positive light? Is this character a selfish rich person who cares nothing for those less fortunate than himself, or is he just one more guy who could've been good if others' cruelty (Mrs. Fleck's lies) hadn't pushed him "past the breaking point?" Does that justify his cruelty, if it's true?

Both. Neither. Nothing at all. The movie won't tell you.

So you can pick whatever ending you want. But. No you can't. You can't even do that. Because guess what? It's all in Arthur Fleck, inmate of Arkham Asylum's, crazy head. Maybe none of it was real.

2. The Joker is therefore only successful as a piece of entertainment.

Everyone could've guessed that as soon as they saw it was a movie about the Joker. Nobody needed this movie in any sense. We already know more than one origin story for the Joker, as a character. We've already done-to-death every interpretation of his craziness. Everybody knows who he is and what he's like. So obviously, this was just going to be entertaining.

That's bad enough. Stories are supposed to remind you of goodness, beauty, and truth. Why? I'm not going to dissect it because everyone can read the pinned post on my blog. But because: the world's dark enough already, and it's easy to lose your sense of goodness, beauty, and truth. A story, even if it's a tragedy, even if it has no "happy ending," can still take you out of your present state of mind, sit you down in a fresh state of mind, and remind you of truth. Being "entertaining" is just one of the tools that the story uses to take you there. Or it's supposed to be.

When you take the point, the truth, the message, the "theme," out of a story, then it's just the Romans distracting the populace with coliseum spectacle so they forget that they're losing money and wasting their lives. Woohoo. "Fun. Entertainment."

You can disagree with me about that if you want. You can believe, like many I know, "it's fine to just turn off your brain and be entertained! Not everything has to mean something! I bet you're fun at parties!" Okay, cool, so you like being entertained, and The Joker entertained you.

The problem is, what were you being entertained by?

Because:

3. The Joker increases an appetite for evil in the audience.

I don't care. I said it. It's painfully obvious.

First of all, you came here to what? Watch the bad guy lose and the good guy win? No. This movie's got no Batman. You came to glut yourself on two hours of the bad guy with no pesky good guy to share his spotlight.

Is that too harsh? Maybe you just came in expecting the Joker to be about how a good man goes bad. Okay. Uplifting. But sure, maybe a cautionary tale could be useful.

But that's not what you get with the Joker. We already established: there's no lesson, no point, to this movie besides entertainment.

And I don't just mean "aw booo, there was way too much icky blood and scary suspenseful music. Oh no, a movie about a villain had villainy in it!!"

Nope.

I mean, tell me why Arthur Fleck only has moments of peace and transcendence after he murders someone? Why's the sunlight warming him up, like a benevolent gift from the heavens, in the shot after he smothers his mother with a pillow? Why are those somber strings playing out a ditty he can "be himself" and dance to after he shoots three young men? Why is he only experiencing clarity after he kills?

Why are the most "interesting" parts of Joaquin Phoenix's portrayal the parts where the character is killing, stealing, or thinking about killing?

Why is so much effort put into telling the story as if Arthur Fleck is sympathetic, no matter which way you look at it? He only kills mean people. Except his mother. Oh but she was kind of mean, too. Never mind that whatever caused her to ignore, lie, and abuse her son was also played off, in the movie, like a mental illness. The very thing we're meant to feel sorry for Arthur about.

The movie won't tell you who's right or wrong. But it makes you see everything through Arthur's eyes, with nobody to stop him or correct him or offer a differing point of view—and that alone is dangerous. Your mirror neurons are going to make you sympathize with that main character, regardless of how heinous his actions are, when the storytellers are so careful to offer you all these reasons why his actions were "justified."

The Joker was invented to have a Batman. Introduce a villain—even a sympathetic villain—but you have to also introduce the opposite of that villain. It can be one line of dialogue; it doesn't have to be a hero. But you have to say something about the evil when it is represented. Instead of inviting everyone to feel for the villain...then leaving them feeling vaguely satisfied when he commits atrocities. They can't help it. It's the first time he's looked at peace, or in control of anything. That's how the movie is made.

So you're entertained by looking for a statement that isn't there—or by watching one man brutally slay five people, one of whom is his mother, because you were just so excited to see some blood, to see a man snap. Panem et circuses. At its finest. And you paid for it. Smart. Cultured, of you.

I'd wipe that movie out of existence and force the writers and directors to stare at a wall while sad violin music plays in the background for exactly how many days it took them to make that movie, if I could.

#Asked #answered #the joker #Joaquin phoenix #joaquin pheonix joker #arthur fleck #joker 2019 #discourse #Movie #movies #storytelling #The joker fans #joker love #dc joker #not you avoicefromthecorner #Just anyone who thinks this was a good movie in any sense at all.

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genderflu1dwh0r · 9 months

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Are you stupid?

You can be racist and have POC friends, Jason is way worse than Billy any day. Jason isn't the one being abused by his father everyday, he isn't poor, he didn't get taken from his home and live with a step sibling that he didn't know that well.

Jason is a horrible person and got his friend to tackle Erica, then he held a gun at Lucas. You can't tell me that that isn't racist, you can't tell me that's worse than what Billy ever did. Jason said "I thought you were one of the good ones". That. Is. Racist.

Billy got his bad traits from his father. Billy got beat by his father. Billy was crying into the phone for his mom to come home. Billy had no support system. Steve was the only person that Billy bullied and tormented, and in my opinion, Steve is a worse character than Billy.

Steve threw slurs, while Billy got slurs thrown at him by his own father. Just because you don't care about abuse victims, doesn't mean you have to spread your hate.

I think that Billy just wanted Lucas to stop hanging around because if Neil found out, Billy would be the one getting beat. Neil would probably hurt Lucas way more than Billy could have ever done. Billy was protecting Max and himself, he was scared that Neil would find out. He did care and love Max, he just showed it in some confusing ways.

Also, the Duffer brothers are racist, they wanted Dacre to say the N word. Dacre protested and it ended up not happening. Billy saying the N word isn't canon, cause it didn't happen in the show. Stop always going to that excuse for him being a bad person. He never said any slur.

People say "if the actor wasn't hot, then people wouldn't have liked him" and I disagree. His character is very interesting. He has a backstory, he has trauma, he has an actual interesting plot unlike any other character. Dacre is also a very amazing actor, he was able to make Billy even more interesting.

Dacre has said that his art imitates his life. He put his own life into the character, he didn't have a great relationship with his dad, he has said this.

Max is a horrible person too, she drugged Billy with something that she didn't know was in, almost hit him with Steve's bat, screamed at him before leaving and stealing his car. Billy could have died on the floor, he was drugged and had no car. Tell me that that isn't abuse. Just because Billy grabbed her wrist ONE time, doesn't mean it's abuse.

Siblings fight all the time, it's just what happens. Especially how their family dynamics was. I and many others have fights with our siblings. You get over it in like a day. That doesn't make Billy a bad person. He did some really shitty things, yes. But that doesn't excuse all the hate he gets. He's a complex character, no other character is like him.

That's why he's my baby boy. I relate to him, I'm an abuse victim, I love knowing that I have a character to relate to. Stop blaming abuse victims on how they grew up, they can change. He could have changed if he didn't die. He could have, but nobody let him.

Nobody tried to help him. He didn't have a support system. The people who compare Jonathan to Billy are wild, cause Jonathan did have a support system, his mother did so much. Billy had nobody. His father beat him, hi stepmother did NOTHING to stop Neil, she just watched. She was clearly abused too, but she's the adult, she has to be there for Billy. She has to get Max away from all of this, which in season 4, she did. But she turned into an even worse mom.

Right here. He was trying to get help, he was trying to get the MF to get out. He wanted someone to help him. He kept fighting, and that's how he saved everyone on the day he died. He knew he was going to die, he was sobbing.

Try to think before talking bad against Billy.

Why do people say Vecna/Henry/Jason/Troy/James/Angela are better than Billy?

Vecna/Henry literally tried to kill children and the whole world. Billy wanted to have some fun and games, he would never go to prison for killing a child. He was never going to hit Mike, Lucas, Dustin, or Will.

Troy/James made Mike jump off of a fucking cliff while wanting to take Dustins teeth out. Tell me that isn't fucked. MIKE WOULD HAVE DIED IF EL WASN'T THERE!!

Jason held a fucking gun to Lucas's head and got Erica hurt. He sent a witch-hunt over Eddie and that ended up killing that poor boy. Literally, he was poor and Jason is a rich christian white boy. Tell me that isn't classist. Jason also did this to get information out of a kid.

Angela deserved the roller skate to the face for what she did to El. I would have done the same thing, El never deserved any of what she went through there.

Anyone going to object? Cause you can't, my points are spot on. Why aren't we gonna get mad at Jamie Campbell Bower over saying he relates to Vecna/Henry? If Dacre is bad for doing so, why can't we shame Jamie for the same thing?

I would count the MF taking over Billy like that as a reference of sexual assault. His body gets taken away from him, he is crying for help, he is scared and tried to tell someone. I've talked to SA survivors and they agree.

Anyway, I am pissed at Billy antis and I am just so done with them.

#stranger things #billy hargrove #st billy #stranger things billy #dacre montgomery #neil hargrove #max mayfield #steve harrington #jason carver

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multi-fandomfuckboy · 2 years

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Stranger Than Fiction

Part 1: Welcome to Hawkins

(Slowburn) Billy Hargrove x Reader

...Part 2, ...(Masterlist)

A/N: I would like to say that I have recently tested positive to Covid and will be out of work until the 17th of July. This sucks, kind of, because I love my job. But, it also means that 98% of my time will not be dedicated to this fic… It has kind of spiralled out of control and I have written so much already. I hope you guys like this and although the main character's eventual pairing will be with Billy Hargorve, this is a SLOW burn, it is going to take a while because the reader knows how valuable they are and would never settle for the abusive asshole Billy is when he is first introduced. We are here for the DEVELOPMENT. No matter what, I enjoyed writing this. I hope you enjoy reading it. Word Count: 2,472 Warnings: mentions of death, trauma, guilt

Billy Hargrove was an asshole. There was no way around it. He was rude, crude, drank like a fish, and smoked like a chimney. He had his mothers eyes and his fathers temper.

In a seemingly random series of events you found your fate tangling with his. It’s hard for you to say exactly when this convergence began. But, it was most likely around the time your world turned upside down.

When Will Byers disappeared in November of 1983, you were one of the first people questioned. You were 17 at the time but you had been babysitting in Hawkins since you were 14. It was just your mom and you for as long as you could remember. Your mom was a nurse at Hawkins General Hospital and worked the night shift. She always made sure you had enough but that didn't stop you from helping with the bills where you could.

You regularly worked for the Wheelers, and even got paid extra on campaign nights. Normally it wasn’t a bad deal. Mike, Dustin, Will, and Lucas were always well behaved. All you really had to do was watch them, feed them, put them to bed, and make sure they didn't die. Sounds simple, right? Unfortunately, Hawkins was cursed.

Will didn't make it home that night and your life would forever be altered by the madness that ensued.

You had been wracked with guilt when you heard one of your kids had gone missing. Nancy tried to reassure you that there was nothing you could have done. You had been watching them all day and when you had left that night, they were still playing D and D. There had been plenty of people in the house, including Nancy. She even tried to invite you to come along with her and Barb to Steve’s party. She said it would help get your mind off things and just relax, like the three of you always did. You almost accepted. Almost.

You would never fully forgive yourself for turning them down. Even when Barb had called you that night, begging you to come so she wouldn’t have to be the fifth wheel. You refused, giving her some half baked excuse about having a headache.

That would be the last conversation you had with her.

You planned to apologise to both of them the next day, after school. You would make it up to them. Rent a sappy romantic movie, eat popcorn, and they could tell you all about the party. Those hopes would soon die when Nancy explained what had happened at the party and how she hadn't seen Barb since the night before. The two of you went over to the Harrington’s place, looking for any sign of your lost friend. That afternoon in the woods would be your first brush with the paranormal.

Going to the police got you nowhere. The guilt ate at your insides until you were desperate for answers. So, when Johnathan Byers told you about monsters coming out of walls, you believed him.

That night in the woods, when Nancy disappeared, it nearly broke you. How was it possible for you to lose so many people. It just wasn't fair. You cried when Johnathan pulled her from the hole in the tree. Your relief would be short lived. When Nancy described the other side it turned your insides. Just imagining Barb trapped in a place like that… you would have done anything to rescue her.

You had never had many friends but Nancy and Barb were the best friends a girl could ask for. The three of you had become instant friends when you first met as children. They were a year behind you in school but were so smart and always helped you to understand the subjects you were weaker in. They were the only reason you were passing pre-calculus and that you had any socialisation outside of babysitting. Whatever that thing was, you were going to find a way to beat it and rescue Barb.

You, Nancy, and Johnathan made plans to lure in the monster and kill it. There was a slight snag in the plan when Nancy saw what Tommy H. had written on the theatre board and Johnathan ended up in handcuffs. Luckily, Jim Hopper was the closest thing you had to a dad. Well, more like a drunk uncle. You were thankful he believed all of you when you explained what was happening. Having Hopper in your corner mady you feel a million times better. Unfortunately, the feeling was not mutual. Hopper made it very clear how he felt about you being involved in all this. If you weren’t as stubborn as him, he would have made you go home.

When he saw how determined you were to save Barb he couldn't help but smile, pulling you into a tight hug. He grumbled that it was no use, that you were just like your old man. It always made you weirdly happy and sad at the same time when he said things like that. You couldn’t remember much about your dad, he had died before you got the chance to really know him. You knew that He and Hopper had served together in the Army. But, Hopper didn't like to talk about it much.

When you were all on the same page, you managed to contact Mike on the radio after you remembered it was how the little group liked to communicate. Seeing the kids all together again made you happy they were safe but you couldn't help but feel the void left by Will. You knew Nancy felt it too. There was something unspoken between the two of you. Like you couldn’t look each other in the eye without thinking of Barb. It made your heart ache.

When the time came for El to find Barb and Will, you could barely breathe. Then you heard the young girl murmur a single word.

“Gone.”

Gone. Barb was gone, and it was all your fault. It felt like someone had scooped out your insides. All you could think about was Barb and how you should have been there for her. But now it was too late, she was gone forever. You didn’t realise you were crying until Hopper pulled you into his arms.

“It wasn’t your fault, kid.” he had said, squeezing you tightly. His words fell on deaf ears. You felt numb, like the world wasn’t really there. You watched him leave with Joyce, on the way to rescue Will…

You sat alone in the empty halls of the Middle School, drowning in your own thoughts, until you felt Nancy sit next to you. She didn’t look at you, only taking your hand and stating, in an eerily calm voice, “We’re going to kill it.”

Then the numbness inside of you gave way to a new feeling. It was a hot feeling that spread through you, burning. Vengeance.

You, Nancy, and Johnathan gather your supplies, set the trap, and slit your palms. Then, you waited. There were a thousand things you thought could happen that night. But, Steve Harrington showing up was the last among them. And it only went south from there.

After the first attack you were shaken. You would have run out of the house with Steve if it weren’t for the thought of Barb alone. That thing was the reason you felt this way. It was the reason your friend was gone. You were going to kill it, or die trying. You gripped your father’s colt .45 and stood with your back against Nancy and Johnathan.

It all happened so fast. The gun in your hand jerked as you fired round after round into the monster. You turned around and for a split second, your eyes locked on Nancy’s. You saw the fear there an instant before sharp claws raked through the flesh of your back. You felt the warmth of your own blood gushing down your back, then the pain. That’s the last thing you remember about that night.

You don't remember Steve coming back, saving you with the spiked bat, Jonathan setting the thing on fire, or when all three of them hauled your limp body into the back of Steve’s car.

You wouldn’t be there for the reunion with Will or for the celebration of his return. You would miss Christmas and New Years. You wouldn't regain consciousness until the second week of January, 1984. Sometimes you would get flashes, little pieces of that time. Nancy’s voice, someone squeezing your hand, the beeping of monitors. But mostly it was your mom crying.

When you woke up you were alone. It felt like your mouth was made of sandpaper and when you opened it to speak, nothing came out. It took you a moment to realise you were in a hospital and when you moved to sit up, pain shot down your spine. Every bone in your body was aching and each movement sent new waves of pain along your back. Before you had another second to think, you heard a gasp from the doorway. Your mother dropped the coffee she had been carrying in her rush to your side. Her eyes were filled with fresh tears and she was rambling a million miles a minute. Asking you questions, looking you over, making sure you were actually awake. You were happy to see her but little did you know that this would be the norm for the coming months.

You were never alone. There were always nurses, or doctors, or men in suits. Everyone had questions. How were you feeling? Where was the pain? What do you remember? After a week it got old and after a month it was downright maddening.

As far as anyone knew, you had fallen victim to a bear attack. It would have been simple, if it was only the flayed flesh of your flanks that needed to heal. Unfortunately, the infection that set in made things complicated. The government sent specialists to look after you and keep things under wraps. They kept you in a facility, only allowing certain people to care for you.

The fevers were hard to shake, they were treating you with so many different drugs you lost track. When your fever broke, you always started to feel better, but somehow it always came back.

They concluded that it was most likely some type of virus that had been transmitted to you via the creature's claws. There was only so much they could do. As the weeks went on, the time between flare ups grew longer. When you were finally well enough to have visitors, all interactions were closely monitored.

Your most frequent visitors were your mom, Hopper, Nancy and Steve. Jonathan stopped by sometimes, but not often.

When school started again you were still unable to sit up on your own. Nancy and Steve undertook the task of keeping you up to date on your school work. With not much else to focus on, besides your pain, you had a lot of time to study. Your grades weren’t half bad, all things considered.

When you weren't doing catchup work for school or visiting or being poked and prodded by doctors, you wrote. It had always been a passion of yours and more recently it had become a means of escape. Being trapped in that sterilised linoleum prison was driving you mad. So when you felt the walls closing in around you, the only way out was with a pen and paper.

Before everything, you would write about fantasy worlds and romantic adventures. Stories where the heroes triumphed and love conquered all. But now, you couldn’t seem to conjure up those scenarios. The tales that came to life on your page now were darker. There were no good guys or love stories, there were only tales of fear and those things that haunt us when we are alone at night. Stories about the horrors hiding in the shadows all around us.

No one read these stories but you.

After 6 months of treatments, recovery, and rehab, you were finally discharged. Going home somehow made you feel even stranger. Things were the same but somehow profoundly different. Your mom had taken a couple shifts off work to look after you when you got home. You were thankful for her but there was no hiding the amount of stress she had been under while you were in the hospital. She had always had circles under her eyes but in the past few months they seemed to grow darker.

You tried to go back to the way things were. You hung out with Steve and Nancy, listened to them talk about their lives and plans for the future. You were happy for them, it seemed like they had really grown. But for some reason, it left a sour taste in your mouth. You felt like all they wanted to talk about was the future but all you could think about was the past. You eventually stopped going with them, always giving excuses about headaches. And eventually, they stopped asking.

You found yourself alone a lot. Not that you minded. After having 8 months of constant supervision, you could use some alone time. The walls in your home started to remind you too much of being stuck in the hospital. So, you liked to be outside. You would go for long walks almost every day. It felt good to be outside. Freeing.

You would leave your house early in the morning, after your mom got back from her shift. You would take a small bag, packed with a water bottle, a book, and your journal. You would pick a new direction every day, always finding new places you haven't walked yet. When you got tired you would find a quiet place to sit and read or write or just think.

You thought about Barb often. You tried to think about all the good times you had together. How she always managed to explain things so you could understand. All the sleepovers the two of you had. She was so smart and kind. You missed being able to call her just to talk. You avoided thinking about how her last moments must have felt. How alone and scared she must have been. Each time your thoughts turned to it you could feel yourself recoil. It felt like touching a hot stove.

Sometimes you couldn't help it. You would think about that last conversation you had with her. How you had been so selfish and dismissive of her. Then you would cry as you walked.

That's the way things went for a while. Then, one day in the middle of July things changed. You would never forget the first time you met Billy Hargrove.

A/N: Hope you guys like it so far! This was just a little background before the actual story starts. Let me know what you guys think!

... Part 2, ...(Masterlist)

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