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dailyadventureprompts · 10 months

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Homebrew Mechanic: Bumpercar Combat

I'm going to keep most of my reasoning behind developing this system below the cut but I think we can all agree that D&D's combat can be painfully static. I love fight scenes but after going down a combined stage combat/ videogame boss design rabbit hole I've realized that one of the primary elements is missing from D&D's combat system, namely: Movement

From a mechanical perspective, D&D combat needs movement to break up the monotony of non-spellcater characters throwing punches at eachother until one of them drops, to introduce increased risk and randomness without damage-spike abilities.

From a narrative perspective, D&D combat needs movement to introduce tension and to help put character into day to day fighting beyond just flavor text. Likewise, fights that give different opportunities for movement will feel different from one another, making them stand out in the party's mind.

So without further ado I present my fun new system, which will have your party and their enemies bouncing around the battlefield like a demolition derby:

Press the attack: If you attack a creature and your initial attack roll is higher than their constitution score, you can force them to shift 5 ft into any of the tree squares opposite from your position. You then move to occupy the space they did.

Back to a Wall: Walls and other substantial barriers grant attackers the benefits of flanking as if they were a threatening creature.

Give Ground: If you are attacked in melee and the initial roll is lower than your dexterity score you may shift into any adjacent square, forcing the opponent to move into the space you previously occupied. If you are attacked at a range, you may still shift, but the attacker loses any cover bonuses they might have till the start of their next turn rather than moving.

Tripping Hazard: If you force an opponent into a square that could be considered rough terrain ( such as if it was occupied by a chair, or down a slippery slope) the target drops prone.

First things first I want to say that this system is largely inspired by the dynamic combat movement rules by raventear productions, which I found over on reddit. It's a great system but the more I thought about it the more I realized that introducing extra rolls into combat was adding extra bloat to combat, and so I needed to retool the system to ensure that the party weren't having to roll any more dice than they normally would. My goal with homebrew is always to add more options, not bloat.

Also, go check out@jillbearup over on youtube, her series breaking down cinematic fights was one of the main drivers behind wanting to find a homebrew system like this in the first place.

Finally, long hours spent watching @ohnoitstbskyen 's in depth bloodborne playthough got me thinking about the design of fights, and the right combination of enemies and environment can truly elevate the player(s) experience. I'm also working on my own bloodborne game which gave me a reason to finalize this system.

Now lets get on to why I wanted to build this system in the first place: D&D combat is at risk of being painfully slow and boring, as it's aged the depths to which it can be slow and/or boring have only increased. While part of that is up to the skill of players at the table, I largely chalk it up to the fact that the base system of combat isn't much changed from the days of old tabletop wargaming....characters and monsters control like army units, clashing up against one another till one side drops or some spellcaster drops an AoE ( artillery). That rigidity is fine when one person is controling a whole army of units, but I think every melee character has been in a position where they're slugging away with the same old attack while the wizards get to do cool shit.

The system sort of worked back In the early days when characters and monsters could only take a couple of hits before dropping, but as the editions progressed and everything got more complex what might have first been a quick life or death clash turned into a slugfest. Attacks of opportunity and rigid flanking rules specifically encouraged this slowdown, and 4th edition, the only attempt outside of the battemaster to really play with positioning crashed and burned mainly due to WotC's incompetence.

So how do I use this?

If you're having trouble thinking of why this system might be fun to implement, here's a few ideas:

It makes groupfights more dangerous, encouraging tactical thinking. Getting advantage reliably is the deciding factor in most d&d combats, with the tide turning in favour of whichever side has the most bodies. If combatants are shifting around with every missed hit then that advantage is more up for grabs

It puts increased focus on hazards and terrain features. Ledges, pits, pillars, walls, furniture, dungeon-clutter. Make no mistake that if you use this system and then design your combat arenas with some kind of terrain feature, it's GOING to be used. Where previously players and enemies alike had to chose between engaging with the arena for a potential benefit or doing raw damage reliably, here they'll be able to do both.

It gives non burst-damage melee characters a new way to play. Rolling a barbarian or fighter is supposed to come with a scene of empowerment which can be undercut one folks realize their super-strong orc berserker is being outclassed for damage by the shifty guy with the knife. Telling that player "Yeah, that person gets to roll more dice, but you get to bounce badguys off the walls like pinballs" is more than a consolation, it's what they signed up to do in the first place.

It adds drama to the fight. There's only so many ways a dm can describe enemies taking non-lethal sword hits that only take up a portion of their hp, and they're liable to run out of those long before the campaign is through. Part of what sells the importance of those hits and keeps players engaged between the first and the last is the feeling that they've had SOME kind of effect. Moving folks around is a middle ground between doing nothing and dropping a foe, changing the battlefield in a myriad of small ways that can build up to something meaningful.

Art

#homebrew mechanic #d&d mechanics #combat #bumpercar combat #bad moon campaign #d&d

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bigfatbimbo · 2 months

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Hello, my dear! Love that you/others enjoyed my thought and rambles! Speaking of emojis, because I'm a bastard, can I be 🍆 anon??? If that's taken, I could also go for 💦 anon?? Also, forgive me for any spelling errors, wrote this at 2 am

* ----------- * ----------- *

Vee's Dom 2: Even More Rambling (because these idiots won't leave me alone)

- If their dom ever become famous, which is likely, and the fans create edits of them, the Vees would absolutely save those vids and watch them over and over again (Imagine walking in on them watching edits of you LMAO, or even you coming over to where they're sitting cause the sound keeps looping and it's obvious that they're watching the same video straight)

- Let's talk about the clothing situation here

* With Vox's freaky ass wanting to keep you close always, it's probably led him to steal your underwear, and might even wear it, but you'll never know. I can also see Val doing the same thing but being hella more shameless, enough to even show YOU that he's wearing them and if you want them back, you better take it off of him

* Velvette probably has taken more comfier clothes, things you would wear for staying in, like old shirts, band tees, or shirts that are well loved

* Valentino has tried, and failed, to return some of the clothes he took. It's kinda hard to take those clothes back considering they look more like rags with how many holes and substances covering it.

- With a built dom

* Velvette will "off-handedly" mention about creating clothes that cater to more muscle-y/bigger builds, and will insist that she needs you to model/do photoshoots for her (she's definitely not using this opportunity just to have more photos of you flexing in HD)

* Vox will 100% build you a personal gym in the tower, but said gym will be covered in cameras/cctvs, all pointed in different directions

* Val would ask you to train his actors, and he will watch supervise said sessions, just to make sure the actors do right (which is totally not a reason for him to watch you flex on his workers)

* Obsessed with pinning Vox to the bed, I bet he'd find it so fucking hot that everytime he tries to close his legs, we just pry them open.

- i know I've talked about punishments, but what about rewards??

* Letting Vox cum as much as he wants (though by the end of it, Vox might start to wonder if it's more of a punishment instead of a reward)

* Willingly let Velvette mess around with some of your clothes/putting you in different fashion designs/putting makeup on your face

* Dare I say even let Valentino call SOME shots during sex, again, SOME shots (do remind him that even if he tops you, he's still your bitch)

- Also rotting in my brain regarding these whores:

* what if you were more powerful in terms of magic/connections/influence/money? (I just know my problems would simply ✨ disappear ✨ if I had a muscle mommy/daddy)

* what if they met you via social media and they immediately hivemind that "yes, this is my dom, right here" ? Like let's say you're an entertainer/dancer right, and one of your viral vids had been a dance to don't go insane (it's the belt dance, boo if you're curious)

* Being in the limelight also means being in the subjective eyes of everyone, and I know for a fact that the Vees have a lot of haters/threats, but what if you protect them from it (bodyguard scenario????)

* ----------- * ----------- *

I forgot to say this during my last ramble, but, If I may, I would love to absolutely read one of your takes regarding my sub!val ideas, but only if you want to/feel for it.

Btw, on a totally unrelated sidenote, I know the blog is primarily hazbin hotel, but I gotta ask, how we feeling about Arcane Sevika?? Cause I am feeling a lot (missing my muscle mommy as fuck bro)

Anywaaays, have a good day!

xoxoxoxo ❤️

This has been in my drafts for almost ALL WEEK and i’m finally coherent enough to give my thoughts!

Can I just say how much I love the Vees with a well built reader. Like I have no real character study-ish explanation for why in my brain i’m like “they’d be obsessed with that.” But I know for a fact it’s absolutely true.

I’m going to focus on your little side notes at the bottom though. So if they met you through social media I feel like you would definitely start off knowing Velvette first. But even before they start talking to you they would absolutely stalk your page and send fucking edits or something back and forth.

But the Vees with a very powerful reader is very interesting to me. Because like while yes, they’d love to be totally on top of hell, but it’s very convenient for them, and hot and hot and hot, to have your support. Because like super powerful big scary respected dom privilege mixed with their constant self entitlement and attitude? And if anyone says anything about it you fucking destroy their status, business, or hell, even them simply because you can. “Do you think you’ll kill for me one day?” “Yes, of course I will, my love” TYPE BEAT AHHH.

And that leads us to the bodyguard idea because jesus christ. Like this is literally such a mix of the well built buff reader and powerful one I just talked about. Also they would argue for your attention 1000% worse in this case.

ALSO CAN I JUST SAY, YOUR SUCH A BASTARD FOR LITERALLY BEING 🍆 ANON. you’re literally DICK ANON. are you proud 🤨🤨

#hazbin hotel x reader #the vees x reader #sub vees #dom reader #hazbin hotel smut

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drconstellation · 6 months

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The Assistant Book Seller

Edit 1 Dec 2023 - added missing information on the "ribbon pattern."

Edit: 3 Dec 2023 - correct information about middle pattern from creator

GABRIEL: Greetings! I'm Jim! It's short for James, but I don't need to keep telling everyone that. I'm an assistant book seller.

I'm sorry. Before I do anything else, I need to apologize for something I need to write further in. I didn't plan to write it, I just kind of bumped into it and, well, I can't ignore it. So...sorry. It's said. Forgive me for what needs to be done.

Although he arrived with nothing but a cardboard box and Rodney the Stunt Fly, Aziraphale made sure Jim was clothed in appropriate raiment while under his protection. We'll forgive him that he took a step back about, oh, fifty years or so to the 1970's, as Jim's overall look is a nod to the famous old sitcom "Open All Hours." So if he looks a little bit out of place, or, a little bit familiar, even, that's why.

While we are used to seeing angels in overcoats, it's Jim's vest that is the particular feature here. But I will take a moment to comment on the overcoat - not just the colour but its lapels. Aziraphale has obviously given him a colour with an earthly connection and one that indicate that he has bought Jim under his protection, but the lapels look quite neutral, with one up and one down. (Muriel is the same in their Inspector uniform, btw) This is the first indication they are between two things at the moment.

Onto the vest.

There is so, so much work and thought put into this vest! It was a one-off commission for the show, and the creator, Sandy Higgins, has said she is not allowed to give away the final design pattern. I have tried to contact her, and I'm waiting for a reply, so in the mean time I thought I would ask my keen knitter of a sister-in-law about one of the patterns I'm not sure about. "Well, that's Fair Isle knitting," she said, but she knew nothing about the individual line pattern I was interested in. Hmm, I kind of know that already, its in the notes that are guiding me for this meta, but hey, why not do a broader search and see what comes up?

So once I got back home I did. "Fair Isle knitting patterns" hmm...Wikipedia page for starters...what on *earth* is that at the bottom of the page...? YOU ARE. FRIKKING. KIDDING ME!!!!!!!

"See also: Gumbys"

oh ffs

I am so sorry that needs must make me mention Monty Python yet again, but here we are. And we must mention them, because this link is just too...unbelievably, deliciously good.

If you aren't familiar with the Monty Python catalogue, and don't recognize the mention of Gumbys, they were a set of characters that dressed and spoke in a certain way but the main points to take away were they wore woolen vests in the Fair Isle knitted style and their catch-phrase was - wait for it - "My brain hurts!"

I think we've heard that somewhere before?

CROWLEY: When you first arrived, you said you were here because they were planning to do 'Something Terrible' to you. So you remembered it then. Remember it now. GABRIEL: It hurts to remember. My head isn't built for that.

Right. Now we've got that out of the way...back to the serious stuff.

The colours used in the vest are not your typical angel colours. There is a base of angelic off-white and there are some bits of purple for his royalty around the shoulder area - sometimes you need to look carefully for it. Otherwise it is dominated by vintage shades of red and green. Well. Who's an agent of change driven by love, then?

The horizontal stripe pattern is partly to remind us of the classic biblical robes with stripes that ran along them, much like the style of Crowley's black and red robe in the Job minisode, but is also part of the traditional Fair Isles pattern work. And each row only has two colours, but up around the shoulder area we do see purple start to sneak in as a third colour.

On to the incorporated symbols! I'm going to go from bottom to top.

On the lowest two we feature Crowley and Aziraphale. We have Crowley's demon satyr tail from the Good Omens logo on the lowest stripe - the double-headed arrow.

The next stripe is Aziraphale, with a variation of the classic OXO pattern ("hugs and kisses.") The X is meant to represent his angel wings, and the O is modified to mimic the "o" with a halo in the Good Omens logo. I've highlighted all three in the image on the right.

The third row up is a Sumerian Star pattern that represents one of the flowers associated with Gabriel, the lily. They are supposed to represent the purity of Mary, mother of Jesus, as he had one in his hand when he visited her during the Annunciation.

The row above that is what I believe to be a Byzantium pattern, and is included to show "an Angel's ability to be timeless."

The next three rows are still under a bit of a question mark as I write this. I plan to come back and edit it in if I find the answer.

The bottom of the three is the Duke of Buccleuch pattern, "to celebrate the long and necessary contribution that the cottage industry of hand knitted items."

The middle one - ? (perhaps you, the reader, know? It looks like a spiralling ribbon if I stand back, but that isn't sparking any connections, either.)

Edit: @noneorother tells me in a reblog (below) that this pattern represents the shoelace from the magic incantation Aziraphale uses "Banana Fish Gorilla Shoelace." So it is ribbon-like! This then points to the Second Coming, as it the shoelace references the end of the book, and the last paragraph of the book references Yeats poem "The Second Coming" as well as the novel 1984. To me it is then also telling us there is a cycle occurring, or a cycle that needs to be renewed. This fits in with some other clues other meta-writers have been picking up.

Edit 2: Turns out none of that was correct - I heard back from the creator herself and it's actually the double-ended satyr tail pattern again! It just seems to make a bit of an illusion of a ribbon or shoelace.

The pattern below is a modified OXO pattern.

The top one looks like two rams horns facing each other. A hollowed out rams horn can be used as a trumpet, and is known as a shofar in Jewish religion. Gabriel was traditionally known to carry a trumpet.

The ancient meander pattern would be recognized by most people, included as another classic timeless pattern found all over the world. For some it symbolizes eternity and endless flow.

The wheels here appear to be Michael's ophanim wheels, that would have eyes around the rims.

The hourglass is to remind us that time is running out. Memento mori - "Remember that you die." It is a major theme in both series.

Right up high, just before we lose the rest of the vest inside the overcoat, we get a glimpse of a large diamond-shaped icon. I wonder if this is another stylized set of angel wings, like we saw in the Job minisode on Aziraphale's golden collar.

To finish off the outfit, he is wearing dark gray trousers with sneakers! I'm sure that's so he could keep sneaking up on Aziraphale in the shop, haha. His shirt seems a little too large for him and the tie is knotted too high and is not settled along his centerline. It's all at odds with his previous neat and sharp appearance as Supreme Archangel Gabriel.

I'd like to say a big thank you to @aduckwithears for helping me with information on the vest and finding the creator's other social media sites. You can see their two posts about it here and here.

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tinycheesecakedetective · 3 months

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...I'm baaaack.

I mean, I made one post about Swap!PV and then got distracted for months, so I wouldn't really call this a comeback. The moment I did come back though, apparently a bunch of lore just fell from the sky! Beast Yeast is upon us and all of a sudden I remember making an alt. version of this goober.

Turns out there were a few things I wasn't satisfied with in the first one, so here I am with my Swap!Vanilla 2.0 human edition! Even after all this time I still don't have a name for him. There's more white in his design, he has four horns instead of two and they form a crown on his head(that might be a bit hard to see), he also has a halo, his staff changed drastically, and he lost his soul gem. Instead he has two new smaller gems on his "ribcage".

This time around I tried to invoke more death themes, hence the ribcage, more wrappings, the halo, and the burn marks from, y'know, being re-baked and essentially reborn. The halo also makes for a nice double meaning, showing his somewhat good intentions behind the violence and spreading chaos gig.

Speaking of intentions, I maybe or maybe not have mentioned the only swaps happening in this proposed AU are between PV and WL and [possibly] Black Raisin and Red Velvet. I say maybe because if I checked, all the writing would disappear and I would have to start over again. However, I have wondered if those two swapped, how would PV handled the kingdoms? Would it be the same as DE or would the fates of each kingdom end up being swapped as well? It's something I definitely need to think on and develop.

Anyways, ramble break, here's a few doodles I did for Swap!PV!

Yeah, I had a lot of fun doing this. SO! A few changes not mentioned prior. Eyes! There are more eyes, especially on his coat. I took a bit of inspiration from a certain blue jester and his realm of nightmares. It also plays nicely with the whole "truth revealed" theme. Why not give the holder of the light of truth a bunch of opened eyes to represent his awakening? Also they looked good and his cape-coat was too plain without it.

Fun Head Canons: He's always floating, even when he's relaxing his feet never touch the floor. This PV still has a lily garden, it's just hidden away because while he still misses WL despite everything, he refuses to show weakness in front of others. His coat can take the shape of angel wings when angry and multiple eyes can appear when furious or in distress. Speaking of eyes, the ones on his coat glow. Those gems on him are pieces of moonstone that got corrupted after saving him.

As for the story behind him, I had to make a few adjustments. For one, DE and WL are two halves of the same whole, and the only reason either of them exists is thanks to precautions taken by Elder Faerie. Which means Pure Vanilla somehow has to get the stuff from Lily, who came to Beast Yeast without saying much of anything to anyone beforehand. Secondly, it means the Pure Vanilla Kingdom can't be the last kingdom explored. Pre Beast Yeast, the order in which the kingdoms would be explored would change, where White Lily's area would be explored first instead and the Vanilla Kingdom would be last. I'll address the second issue on a different post related to White Lily, but first things first. Fair warning, I wrote quite a bit.

~~~

After forming the seal, White Lily falls ill due to the immense amount of power used. She's not used to using so much of her soul gem, much less creating a seal to lock away ancient evils. Seeing her faltering state, Elder Faerie takes her away to his palace to help her recover. During her time in the palace, White Lily becomes distressed because not only does she feel like she's being a burden, but she won't be able to continue her research on how cookies were made. That was the whole point of coming here, after all. She left her friends and home behind to find the truth and ended up sick and bed ridden instead. The least she could do to redeem herself was to find the truth.

Racked with guilt and regret, she asks Elder Faerie for two favors; she wishes to know the secret behind cookies' creation, and she requests a pen and paper to write with. Before long, White Lily gains a messenger(Silverbell) who gives her books from the library to read, and a way to reach the one other person she understands. Someone who should've known where she was most of all. Pure Vanilla Cookie.

From there the two keep exchanging letters as White Lily brushes up on fae and beast lore. But eventually White Lily would learn about the Night of the Witches in a similar enough way to canon, i.e. finding the book about it. While she's recovered enough, she's still not well enough to go, and Elder Faerie isn't risking her well being and safety for a banquet. She's devastated that her questions may never be answered. If only she could go, if only there was some way to witness it while being in the Fairy Kingdom. And then... she realizes something. Perhaps there is a way for her to know after all...

White Lily, in the discomfort of her hospital bed, writes a letter to Pure Vanilla and asks him to go to the Witch's Banquet in her place. She knows that this is a huge ask, and he has every reason to refuse the favor, but it would mean the world to her if he did. Elder Faerie hears about this and is rightfully worried, telling her about the dangers, and any cookie that goes doesn't come back the same, if at all. He sends his own letter to Pure Vanilla to warn him of the dangers that lie ahead. A few more letters come in from WL apologizing for her request, saying it was out of line and inappropriate. "What a selfish request," she thinks, "after leaving him in the dark for so long, I have the nerve to ask him for anything at all?"

However, despite everything, he eventually decides to go. He knows that this means everything to her, and a part of Pure Vanilla secretly wondered about it as well. White Lily searched heaven and earth to find the truth so she could help others. Why would he keep avoiding it for so long? If he knew the truth as well, perhaps he could use these secrets to help the people of Earthbread alongside her. Maybe now he would finally understand White Lily more.

He wrote a letter addressed to both WL and EF about his final decision. White Lily is surprised at his decision, and is eternally grateful, while Elder Faerie is more resigned and concerned, knowing that he won't be able to change his mind but still wanting to help. He asks her to help write her next letter, and the two send a package to Pure Vanilla. Inside was another letter with the faint smell of lilies, as well as a map to the location of the banquet and a moonstone from Elder Faerie as a show of goodwill and for protection. He in turn sends what would become his final letter to her, unbeknownst to the two reading. He expresses his gratefulness to both WL and EF and declares his determination to find answers both for her and for the sake of everyone, stating, "Let me be your hope when you have none, and you my guiding light in shadows..."

Pure Vanilla proceeds to head to the Witch's Banquet, discovers the bitter truth, and in his attempts to save the other cookies falls into the ultimate dough. The fleeting scent of lilies is the last thing he grasps in his final moments, and the faint glow of a moonstone ensures his survival. His soul gem shatters under the weight of the truth and is scattered across the world, longing to be made whole once again.

~~~

Well! I think I have said everything I can say about him for now. I'm sure I can come up with more things later, but if you read this far, thanks for reading! I did not know I was going to say this much, so yeah. Next post is for White Lily specifically, I hope. I'm also taking suggestions for ideas about the other kingdoms and ways this could go, so if you have anything to suggest, let me know. Y'all have a good evening!

#crk au #crk art #cookie run kingdom #pure vanilla cookie #white lily cookie #elder faerie cookie #cookie run fanart #pure vanilla crk #cookie run au #why did i make this so damn long #fadinglettersau

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journals-of-the-guardian-project · 9 months

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LORE POST #1

Redesign of my Chat Noir redesign to go together with my rewrite which I will talk a lot about under the cut. I'm pretty set on this design too and will link it at the beginning of the fic when I get ten chapters completed and ready to post :3

What is different from canon, why I am changing some things, etc. Feel free to just read my thoughts around the design if you want to read my fic without any guidelines of what I'm planning so far for him

BUT I won't spoil anything major dw

The design:

I've changed chat noir's design so it would blend in more at night. The preferred the sleek black tones over the glow in the dark green I gave him before. I take a whole lot of inspiration from the PV of miraculous ladybug in these designs so of course his hair is still floofy.

When initially designing Chat noir, the tips of his hair are darker since I really liked that trait some other redesigns gave him so I included it without making his whole head of hair black.

I got the idea to base his design off of rust and RAN with it! He still has some greens in his design but they've shifted closer to yellow green and gold for the color scheme!

I've liked the idea about the clothes in the hero designs looking more cloth like too so I've incorporated that into the design with pockets and a zipper cause I can. Since Adrien has been thinking about being a superhero for a while, his design is more thought out were it could be.

EDIT: Forgot to mention!! Ladybelle has a lil more black in her design and now chat has a little more red! :3 matching

I saw some concept art of Chat Noir with a hat at one point and I loved it so much I wanted to keep it in to a certain extent, SO Marichat moment all the way. I decided to add the bells back into his design (I missed them) and took inspiration from @/callimara's Chat Noir design.

Chat noir will still be very cat like in this and I thought it'd be funky if his feat were like a cat's

Overall it isn't much of a design change for some aspects but I really like how it turned out!

K story stuff now:

I want to get ten chapters done before I post chapters again on the first fic since I don't think I did the best job introducing what I've changed. This isn't talking about adrien agreste's life this is more his role as Chat Noir. I'll get to adrien when I get his redesign sheet finished

(any part of this section might be edited in the future but this is basically part of my ideas)

Honestly a whole lot of the fic(s) is(are)

Fault of canon? -> Solution

I've been developing for two years now and I just gotta write it out... Entirely hinging on my execution sigh

Chat noir's powers are now on a more equal footing with Ladybug's (Ladybelle now) and I'll get more indepth when I post Ladybug's redesign and stuff but basically

The miracle box is a mix mash of several miraculous's from other boxes due to an event Guardian Marianne caused. Supposedly, she unleashed the Rabbit kwami of time on the guardians in an act of defiance. Resulting in rips in time eating away the members present for such an event, burning to death in fire. Marianne managed to run away with the miraculous's she could obtain and do her best to live her life knowing what she's done.

The Ladybug and Cat miraculous are a duo pair. Strongest when used in a partnership. Many are tempted to use both at the same time for what the powers merge to become but this isn't the strongest path.

Tikki and Plagg are soulmates you could say. They aren't really romantic but they are bonded for life. Never one without the other.

They are the only miraculous pairing in the new mixmash of the guardian box. Eventually Marianne gives the responsibility to Master Fu, her lover, before the rabbit comes after her as well.

I'll talk more about the changes I've made to Tikki's character in Ladybelle's post but as a part of the Miraculous cure, something all pairing miraculous's have to purify evils and darkness, it requires both parties to be present. Usually some form of touch or communication initiates the Miraculous cure

"Pound it!"

Chat noir can use his power alone to defeat evils but it's like cauterizing a wound. He doesn't figure this out for a bit.

I'll talk more about the miraculous cure in Ladybelle's post

This is still a part of the story I'm working on but:

the miraculous of destruction gets more powerful the longer the user wields it. With techniques and familiarity, Chat noir will be able to make black pockets of nothing just from a touch. Yes I'm including this from the concept art. Though he'll only get this later down the road

Chat noir is still a form of escapism to Adrien and part of his character arc is realizing he can't rely on it like that. A large part of adrien's character I'll talk about in adrien's post ties into Chat Noir too

I'm still figuring out some plot points for him so this is where I'll end this off. But I will say I'm planning on Chat Noir getting more time with the kwamis and more of a role in the Guardian arc and guardian stuff in general

#guardian marianne au #jotg au #journals of the guardian #chat noir redesign #miraculous ladybug rewrite #miraculous ladybug #chat noir #marichat #ladynoir #MDN art tag #my art #adrien agreste

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reasonsmandy · 3 months

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You matter to me

Eddie Roundtree x Fem!Reader

✧.* requested by @itzajeanspears — Hi!!! Love your writing so much!! Not sure if you’re still doing requests lol, butttt I have a really specific one so if you’d be able to do this I’d like actually die omg. Okay so I’m a fashion student from LA and I was thinking, the reader is like basically siblings with billy and Graham, (her dad and their mom started dating when they were kids so they were practically raised together) but she’s closest with Eddie in particular. They’re best friends. They’ve basically been attached at the hip since they were kids. They’re both secretly harboring feelings for each other and everyone knows it but themselves. She’s been there for them since the band started, like Camilla, making them outfits for gigs and stuff. and Eddie even takes her to prom when her date ends up being a jerk to her. Butttt the reader ends up moving to LA to go to fashion school (maybe eventually she can be their costume designer for the aurora tour 🙏) and Eddie slowly stops talking to her god knows why. Fast forward- The band moves out to LA and they stay with her until they’re stable enough to be out on their own. The tension is super high between her and Eddie and EVERYONE notices. Super Angsty. Ends in fluff and love confessions 🫶 maybe angry billy lol. AGAIN THANK YOU!!! I know that was super complicated. YOUR WRITING AND EDITS ARE AMAZINGGGG !!

✧.* you're reading part two, here's the part one — A letter?

✧.* summary — Eddie was waiting for your response, and when it never came... A wall was built between you.

✧.* warnings — none.

✧.* word count — 3.5k

✧.* 🎸 — Eddie's masterlist

✧.* mandy's notes — I know it took me forever!!! I'm so sorry, please enjoy! And let me know your thoughts about it :)

I have no idea how to start this, my head has been a mess since our last conversation. I'm sorry for the way I left, I should've been more polite involving all we've been through in the last couple of months. I confess that I don't understand why you thought I couldn't support you in this situation, I've seen you dreaming about this day since I was ten years old, where we chatted about school and unattainable plans for the future… Seeing you achieve everything you dreamed of is like being hit by a ray of sunshine, I am deeply proud of you.

I wish you all the best on this new journey in your life, you are great and your talent is not left behind! Know that you wouldn't be there if it weren't for all your extraordinary talent. There is something in everything you do that exudes originality and no one can take that away or dispute it from you.

I decided to respect your choice and not go to see you on the day of your departure, I confess that this is demanding a lot from me, but I do everything to see you well. I hope you have a great trip and a great life there too.

I don't want to lie to you, I really hope you write me back, I have a huge hope that you'll give me another chance and we can work things out... I'll understand if you don't want that, I just want you to keep in mind that I love you. Fly towards your dream, and when you miss home, maybe my words will warm your heart.

Yours, Eddie Roundtree.

The bassist seals the letter with trembling fingers, he knew you would leave tomorrow and he still had his doubts about what he was going to do.He wanted to come see you before the match, kiss you gently, hug you as if you were going to escape at any moment... But he couldn't, if that was your choice he would respect that.

He knocks on the Dunne house three times, his hands trembling as he waited impatiently with the letter in hand.

"Eddie? What are you doing here so early my dear?" Mrs Dunne's sweet voice asks, she was quiet, probably because she was the only one awake in the house.

"I— I came to give this to Y/N." He extends the paper to her, confused, the older girl takes the object.

"Do you want to come in?" She asks, opening the door for him.

"No no, thank you." He seemed nervous, afraid that you would show up at any moment. "I really just came to leave this"

The madness was crazy the morning you were going to leave, you waited in secret for Eddie, a hope that he would appear was growing in you even though you wanted to kill it. Everyone else had made a point of saying goodbye, even Warren had stopped by to leave you some chocolate for the flight, but nothing from your boyfriend.

That's what you were, right? After all, there was no ending, not formally in so many words... Anxiety made you fear that when he left that had been your final point.

You open your arms to hug your considerate mother, Mrs. Dunne had been very present to you since she came into your life and saying goodbye was harder than you thought.

"I'll miss you so much." Her choked voice says, and you hold her closer.

"Oh honey, I'll miss you too." She answers, still holding you. "Anytime you need us, you just have to call. You have a family here."

At this point you were already in tears, and you let the hug go to wipe them away.

"Look." She starts to say, opening her bag to hand you something. "Eddie asked me to give you this."

Your eyes widen, you take the letter in your hands and leave for your new life.

…

You open the drawer of the nightstand next to your bed and return the letter to the place it always rests still not being able to open it, a sigh leaves you as you relive the night you had just had. Now that you were in the same city everything was more vivid, it was like living your teenage years again and it was frustrating. Of course you missed your friends and your brothers, but feeling Eddie's look at the back of your head was a huge distraction that kept increasing many questions in the same.

Eddie let the air out of his lungs as his body collapsed onto the bed he had fought for hours with Warren for, He lights a cigarette while staring at the ceiling and gradually sees the smoke draw your face, He hated how all the feelings he had put so much effort into hiding returned like the tide flooding over him, it was frustrating how you could make his heart race in a way no drug could ever manege to.

He knew that maybe all he had to do was just get over it, and that's all he was trying to do since you left Pittsburgh and him. Eddie was never the kind to get attached to relationships easily, he was used to having one night stands or just casual dating, so when his heart was captured by your gaze and the funny feeling of falling in love... He didn't know what to do.

The cigarette had come to an end and sleep had not even threatened to arrive, Roundtree sits on the bed regretting it before even finishing what he planned to do. He might not have talked to you during the party, but he was a good listener, something he didn't know if it was a blessing or curse until then.

He puts his leather jacket over the blouse he had worn to the party he attended hours ago, also grabbing some cigarettes before going down the stairs of the new house towards the keys to Rojas' van. He considers going to the drummer's room to tell him that he had borrowed the vehicle, but settles for writing a note in letters large enough for him to notice while he looks for it.

He let in his breath once again, shaking his head as he starts the van and heads towards what haunts his mind.

...

The three rings on the door make you lazily get out of bed, your arms go to the blouse thrown on the table before answering.

"Eddie?" You say between shock and yawn, your hands fix your hair automatically.

He avoids your gaze, looking directly at the ground as if he is very anxious. You wait for an answer, but nothing comes out of his mouth, you take a step forward taking his hand and leading him inside.

"Is everything okay?" You ask, after you both sit at the table in your living room.

"I don't know." He lets it out, wondering if he should actually do what he had planned. "I wanted to talk to you about everything."

"In the middle of the night?" You let out a weak laugh, trying to lighten the mood.

"I couldn't sleep, sorry I woke you up." He looked embarrassed, but it was as if being there was more comfortable than anything he had been doing before knocking on the door.

"We can talk, no problem.”

"With us moving here I imagine we'll see each other more often than we have over the years." He looks you in the eyes, the red of the cigarette in them. "And I don't want there to be a fight between us, I don't want there to be things that aren't clear."

You let the air out, trying to look as if you were mature for this situation. "What do you mean by that?"

"Even with our history, is everything ok between us?" He wanted to tell you that the answer was no, that he hadn't forgotten you, but it stayed in his throat just like the growing knot.

"For me yes, but for you I'm not sure." You are honest, letting the frustration go with your words. "You were the one who ignored me the whole party, I felt seventeen again."

"You don't need to be sarcastic." He says rolling his eyes.

"Since when do you call the truth sarcasm?" He arches his eyebrows at your response, you click your tongue against the roof of your mouth. "What I meant is that I'm over it, I just don't know if you are."

"You know what..." He gets up, adjusting his jacket on himself. "I think we've cleared that up, let's just be polite to each other and that's it. I see you around."

"You're kidding right?" A mocking laugh is let out by you, disbelief shines through. "Is that what you consider resolution?”

"I'll see you around." He says, you get ready to close the door. "Let's just keep things between us, like before."

Your eyes roll back and you slam the door shut, anger and confusion rising in your chest. How can he just show up in the middle of the night to turn your life around like that? You only feel the tears when they fall on your arm, was it frustration? You preferred to believe so, but seeing him treat you with so much indifference was painful.

Still angry, you go to the nightstands and open the drawer to take the letter in hand. Your vision blurred with emotions growing, you tear it apart and as soon as the first cut is made the rest are just a trigger for the pieces on the floor. You cry, regretting it and at the same time wanting to disappear... It hadn't even been twenty four hours since he had returned to your life and everything was chaos.

You collect the pieces and place them inside the box you found, trying your best not to glue the pieces together to read something that could be your answer.

...

You had done a good job of trying to forget about Eddie Roundtree, you had gone out with a few people and avoided running into him as much as possible when you met the band. But that became impossible when his brother went to rehab and his niece was born.

You moved into their house to help with the baby, Camila had never been so vulnerable and you couldn't feel more angry at Billy than in those first few months. Of course, you knew he wasn't one hundred percent to blame, addiction wasn't easy and it made you very sad to know he was like this.

Your move wasn't complete, you slept there some nights and other nights you went back to your house or studio to create some pieces of clothing. It was hard to face Eddie every day, but you two made a point of avoiding each other as much as possible.

It was hard to remember why you didn't like Eddie much when he was being so kind every day by your side, you start to remember why you fell in love with him in the first place. He was kind, funny, he helped everyone, but he was still the one that left you. And that was certainly the impasse for you to sympathize with him once again.

Night fell on the horizon as you leaned over the counter, a cigarette between your lips as you thought about everything at the same time.

"I see you still like the sunset, sunshine." The nickname makes your spine shiver, you don't turn around, you just let him get closer to you. "It always reminds me of you."

The chill comes to your belly, you turn away in disbelief. "What are you doing?"

He rolls his eyes, “Trying to get along with you, is it that hard?"

You let out a sigh, avoiding his eyes. "You want us to be friends?"

"What's the harm on that?" he asks, resting himself.

You shrug, trying your best not to ask every single question that haunted you over the years.

"You made yourself pretty clear that day in my place." That's all you say.

"Why are you acting like I'm a bad guy?" He's confused, upset in his eyes.

"You can't just keep doing this to me, appearing in my life and just leaving me!" You let out your frustrations, he looks at you without understanding. His gaze fixed on your eyes was overwhelming.

"What do you mean?" His voice was trembling, he took a deep breath. "Look, I know I acted childish that night, I shouldn't have just popped at your place and said those things. But I mean what I'm doing right now, I made one mistake... You're really going to blame me for the rest of my life?"

"One mistake?" You tried your best to hold back your urge to cry. "Look Eddie, it's been a long time. I understand if you forgot everything we've been through, I don't want to..."

"You're acting like I didn't care for you. Like I don't care." His voice was calm, it left you disconcerted.

"How can you say that you care for me if you haven't even reached for me all these years?" You turn to face the sky, trying to keep calm.

"I was respecting you!" He avoided coming closer, even though he wanted to take your hand in his. "I told you that! I—...

He stops when he sees your confused eyes, concern takes over his.

"You didn't read the letter, did you?"

You swallow hard, he waits for your answer but you open your mouth and close it without saying anything.

"Did you receive it?" He asks, you nod your head. "I don't understand..."

"I never read it." You confess, looking at your feet.

"Why?" He felt exposed, hurt.

You don't answer, he seems devastated.

"Fuck." He says passing his hands through his hair. "I can't believe this."

He left, leaving you alone with the sunset.

You made a point of coming home that day, there was no way you wouldn't go back to read that letter, your heart was aching with all the emotions that came up this afternoon. You were overwhelmed and feeling guilty, but at the same time confused... You needed answers.

When you managed to put the pieces together it was difficult to tell what was there, but your body softened and your heart tightened. There was your answer.

...

Daisy Jones was responsible for the band's growth after Billy's relapse, 'Honeycomb' was a masterpiece and the whole world knew it when those chords sounded on the radio. You were happy and proud for all of them, it was great to see them all achieving a dream that you followed from the beginning.

You were really excited to go on tour with them, You had already made many different pieces and I'm really looking forward to seeing them using what you created for them from the beginning. Today was the day of the first show, if you weren't even going to be on stage, you were nervous, you couldn't imagine how they were.

You couldn't contain the tears of emotion when you saw them there, the fans screaming excitedly and a long-time dream coming true, it was an amazing feeling and you were so happy to be part of this somehow.

It wasn't easy to deal with the information about the last situation you had with Eddie, of course, Billy had returned and you had spent less time together but that whole scene never left your mind. You tried to expel the flashes as much as possible while pretending to listen to what Camila was saying.

"Swetie, are you paying attention to me?" She says between a laugh, the music from the celebration party made it hard to hear her.

"Aham." You lie, watching Eddie talk to Warren and another girl you didn't know a few steps away. Camila follows your gaze, and turns with an arched eyebrow.

"What's going on?" She asks, her voice softly.

"I feel like I'll never be able to leave what we had behind me." You felt the words leave your mouth with honesty for the first time in a while.

"Have you told him that?" She asks, looking between you and him.

"I'm pretty sure he hates me, so..." You let out a breath, trying to hold back your tears.

"Eddie could never hate you Y/N."

"How can you be so sure?" You take a sip of your beer, avoiding looking at the distant group.

"Oh honey, if you only knew how many times he told me how he felt... How many songs I heard—

"Songs?" You cut her off, holding her arm. "He wrote songs about me?"

"Many." She responds, stroking his hand with a motherly affection. "You should talk to him."

You gather all your strength to follow her advice, and little by little you get closer to them. Warren is the first to notice you, waving in a comical way for you to come closer, Eddie avoids your eyes, the girl greets you with a small smile.

"Hey guys, the show was amazing." They smile at your congratulations. "I'm really proud of you guys."

"Thank you sunshine." Eddie says, almost regretting using the nickname. "I'm sorry..."

"It's okay." You say under your breath. "Look, can we talk alone for a second?"

"Sure." He turns to Rojas and the curly-haired woman. "I'll be right back."

Automatically you take his hand and guide him to a more private place, it's a few seconds of silence before you know how to start. He doesn't rush you, he just waits for you to feel good to begin with what you had planned.

"I read your letter." That's all you can say, he swallows hard. "I'm sorry it took me so long..."

"It's okay, it doesn't matter anymore." He tries to say, but you cut him off.

"It does! It matters and you know it." Tears manage to fill your eyes. "We matter for each other, you matter to me... And I don't know about you, and I know it's probably too late but I can't forget you."

He takes a step closer to you, never taking his eyes off of you. "What are you saying?"

"I'm saying I love you." A choked laugh comes out of you, it was impossible to contain it all longer.

"Fuck." He holds your face in his hands, touching your foreheads together. "Please, don't mess with me." He jokes.

"I'm done building this wall between us." Her voice was honest, her eyes never stopped staring into his. "I just want to be with you."

He kisses you, a kiss you've missed for years, a connection of souls, an inexplicable feeling. His hands cupped your cheeks and caressed your skin, you pulled him close to feel him after so long. He would always be your point of comfort.

"I love you too." He whispers against your lips, your eyes closed. "I love you so fucking much."

"I know it took a while but I kind of want to stay with you." You joke, he lets out a laugh.

"We can tell our children that we've been dating all this time, they don't need to know about this hiatus" He says while caressing your hair.

"Children?" Rojas' voice made you jump in fright. "Damn, you guys are emotional, huh?"

...

Hi, I hope you enjoyed it... If you wanted to ask for something my requests are open, and if you want to ask and don't have any ideas check out my prompt list :) xoxo

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thefollow-spot · 1 year

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A Leap of Faith by Misery_C_Epicaricacy & Ynnéalay

Merlin confesses his magic, upending the trust between him and Arthur; when he goes missing from Camelot, a conflicted Arthur must reckon with his fears and prejudices as Merlin’s life is put at stake.

Fandom: Merlin (TV) Rating: Teen And Up Audiences Archive Warning: Graphic Depictions Of Violence Category: Gen Relationship: Merlin & Arthur Pendragon, Minor Gwaine & Arthur Pendragon, Minor Gwaine & Merlin Words: 40,475

Fanbinding of A Leap of Faith. Process, commentary, and additional pictures under the cut ♥

First of all, thank you to all the lovely folks from the @renegadepublishing discord for enthusiastically encouraging me to fanbind my own work, though this is not entirely just-mine. This fic was co-written with the awe-inspiring @whoawhataconcept (Misery_C_Epicaricacy on AO3) and this binding is as much a love letter to her writing, her mind, and our creative collaboration as it is to my own contributions.

On: Textblock & Typesetting

I've bound a couple fics at this point, but was saving Garamond for this one because I fell in love with how these particular words look set in Garamond. The headings are done in a simplistic all-caps Calibri with expanded spacing to pay homage to how many hours editing this damn thing were spent looking at the font in question. I've also used font 'Merlin' for the front title page—which I got linked out of the @merlinbingo discord server—and Felix Titling for the interior title page.

The body is printed on EarthChoice colour cream paper, and stitched with red crochet thread.

On: Endpapers

The endpapers were a tricky one for me! They are prints of my own fanart which was not the correct aspect ratio to use as endpapers for a book printed on letter paper. This was also the first large map I created, and if I could go back, there are things I would do differently. But in the end, I decided to use it as-is because I'm proud of it. To fix the sizing issue, I up-sized the map so the width was correct for a letter-sized print, which left a border on the top and bottom of the image—this I filled in with black and red checkerboard pattern to match the banners and standards of Camelot.

Originally, I wanted it printed on this textured, pearl-finish linen paper, but then the print shop I use didn't have it in a large enough size to do endpapers on and I was heartbroken. I ended up using topkote gloss paper by Oji.

On: Endbands

Hand-sewn in red and gold crochet thread. I redid these like three times to find a core I liked, and ended up doing them over tightly rolled paper.

The Dust Jacket

I'm not a graphic designer, so the jacket design is simplistic. It includes a cover, back cover (with a 'praise for' section), and two inside flaps (which contain the fic summary and author bios). I took some cues from this dust jacket post. It's printed on a thicker weight of topkote paper by Oji, this time with a dull finish.

Closing Thoughts

I'm so proud of how this turned out! It's my best work yet in terms of straight-ness of the spine/cover paper, and I learned a lot about printing. Lots of firsts for me here, and I feel that every time I make a book, I improve. I've gifted this copy to my co-author, Misery. Seeing her flip through it, and seeing it on our shelf, is giving me a lot of joy today!

#Withy Bindings #fanbinding #fic binding #ficbinding #fan binding #book binding #bookbinding #fanfiction #whoawhataconcept #Misery_C_Epicaricacy #Ynnealay #renegade bindery #renegade publishing #bbc merlin #merlin bbc #merlin fanfiction #bbc merlin fanfic #A Leap of Faith #The Weavings of Destiny

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crazykuroneko · 1 month

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Rewind the Tape — IWTV S1E04 Rewatch

Finally, I'm back with my rewatch for @iwtvfanevents after having to microdosing Ep 4 because of limited time, mood, and I just fell unconscious once I hit my bed. Again, FYI from before: this is my first time rewatching the show (excluding indirect watch through YouTube reactions), and its purpose for me to refresh my mind and noticing things. So, I won't dwell on certain ongoing or past theories, but I'll take notes about the possibilities I notice as the rewatch goes for myself. Also, disclaimer, because I've had people put words into my mouth before: When I'm assuming the reason a certain character does what they do, it's not to give them an excuse. It's my way of trying to understand what the writers have in their minds. For me, if the action of a character doesn't make sense in that character's eyes, based on their personality, then it's bad writing.

Okay, that's long enough. Be careful with the S2 spoiler alerts. Time to meet ✨ Claudia✨

• It's been 10 years since Daniel published a book and his publisher seems questioning his ability to write a book.

• Armand barely gets any sunlight here.

• *Googling* Levodopa is used to reduce Parkinson's symptoms, like tremors, stiffness, and slowness, which are caused by lack of dopamine. It works by being converted to dopamine in brain.

• "Electronic mailbox" Armand, you're so funny.

• Resting? Wait, have they ever did an interview during mornings before? Ep 1, it's night. Ep 2, during dinner time to late at night. Okay, it seems Ep 3 starts in the day to night. Gonna pay attention to this more.

• The interior designer is a woman. "Louis is missing the 'natural' world" What tree is that again? I'm bad with plants.

• Claudia wrote her name and the year on her first diary. Cute. (But ofc she probably stopped doing that after Loustat read her diaries)

• They arrived in Paris November 14, 1945. A week after Lestat's birthday, fyi. There's a headcanon Armand's (it seems people got it from a wikia, which was taken from an official calendar, but no one has checked that calendar) is November 11.

• They're in Ploiesti in 1941, eating POWs.

• My caption doesn't write it, but Lestat says, "Impossible. Elle est trop jeune." (She's too young) Oh, Louis 😔

• "I just need her not to die". And Lestat probably recalled Louis crying on their bed over not able to have a child, and there they went to doom themselves and Claudia. Anything (because unlike Louis, he knows all the consequences) to keep Louis happy AND stay with him.

• The contrast between Louis' and Claudia's transformation. Lestat doesn't let her to drink much, just enough to turn her. There's no gentleness or anything when Lestat holds her. In fact, the camera stays on his rough hold, highlighting the ugliness of it. Isn't in the books being turned without consent seen akin to rape?

• "Hell demons" lol. I wonder when she got his first diary and when she arrived at that conclusion.

• "It's my new house?" "It is if you want it to be" as if she has another option. Louis, you're so funny.

• Delaying to tell Claudia that she needs to feed on humans. Telling her there's another "choice" than eating humans. Expecting Claudia to feel regret the next day after killing a human. Louis, stop putting your own feelings in her.

• "He has to relay on my words to understand me. Just like humans." "We are a family?" Monsters who have to keep a bit of humanity to get along, who are also playing house like humans.

• You could tell Lestat is already sensitive about being left out in the telepathic conversation since the beginning.

• Claudia witnessing queer relationship for the first time is so amusing lol

• Claudia says ACAB 😌

• This scene doesn't feel "smooth" to me. I don't know if it's the editing or the writing. First, that last line by the cop is too long for such a short action. Second, i think they could pick a better intonation for "not a cop" there. Plus, the placement makes it feel like they almost forgot to put it.

• Claudia needs twice amount of blood than Loustat. She's still energetic when the sleep time comes. Noted.

• "Kill juice" Lestat and Claudia are bonding over vampirism.

• "Have you seen my slippers?" "Under the chair by the window" The domesticity uwu.

• The lines about Lestat talking about Claudia's writing habit are so witty when you remember he canonly writes the Vampire Chronicles books. A platonic kiss for IWTV writers again.

• Claudia's new coffin is called The Feathered Nest. A call back to Louis saying him in Lestat's nest in Ep 2.

• Since the beginning, Claudia likes to ask and figure out things that she doesn't know, while Louis won't say anything to not rock the boat.

• "We try to accustom her to the thought of coming home to God" Oh gosh, Louis is so bad at lying 😭

• Okay, seriously. We know in Ep 2, after Louis is just turned that /at least/ his sight and hearing becomes more sensitive. And in this episode, Claudia can smell the cop's blood from afar. But this lore doesn't consistent with the stinky bodies at their home in Ep 5 and the fact Claudia can stalk Lestat many times (and ofc Claudia and Louis at Antoinette's place in Ep 6 as well). This uncontinuity gives me a headache. OR after they manage to control their senses (Lestat's saying "focus on my voice, a single strain"), their senses basically become normal and only can do more when they willing it? I'm trying to make sense of it here.

• "I miss sleeping with you." So, in good days, they sleep together in Louis' coffin. They /probably/ haven't been doing it since Antoinette thing started (I mean, I wouldn't). That's 8 months. (The sanctioned infidelity narration is on Feb 1917, Claudia started to write her diary in late Sept 1917 and she still sleeps with Louis by that time. Based on this timeline)

• "Sometimes, you gotta be careful where you dig, you understand?" Not to fast forward to S2, but this sounds so ominous.

• Louis in the night with this pink striped shirt 🥰

• "Is that what he's up to when he goes out alone?" No wonder stalking Lestat is the first thing she does after Charlie.

• Do I believe Louis' answer is true? I do, because writing-wise, I don't see there's any reason for Lestat to cheat (as in having a relationship with someone else, because I could see him still making out with humans before eating them) when they keep spending their time together except when Lestat is hunting and Louis and Claudia go out together like in this scene. Plus, unlike in Ep 6, during this era Claudia still follows the no telepathic talking rule. (See: Claudia's "I'll tell Uncle Les you talk to me this way" later) Something, I assume, makes Lestat feel alienated from the two and goes to cheat to find a connection with another on his own. But I digress.

• "Used to caught up in human affairs. Then you."

• Okay, at least Daniel waits Armand to finish his sunnah prayer before interrupting him, though Armand should continue doing his Ashr prayer soon. Anyway, i wish they used adhan that's clearer. I mean, I could only listen the beginning of each phrase, not the end.

• Claudia throwing a thing at Lestat and he barely reacted and proceed to pick it off the floor right away. For a period of time, Claudia is indeed the queen in that house. "This was given to me by a marquis..." If that's from Lestat's father, which makes that a family heirloom, and he gave that to Claudia. That means big for a Provider man like Lestat. (hashtag me and Lestat loved Claudia once propaganda) They are supposed to have 6 years of "good time".

• "When they can't (figuring out their problems), I can always get between them and make it right." Claudia is literally a band-aid. I suppose she helps them communicating because as I said in previous episodes, Loustat tend to not address the real problem, just shift to something that will make them feel better and forget it until it comes up again.

• *S2 spoiler alert* No, never think about how Claudia's interest in acting probably grew from the times Loustat bringing her to watch picture shows and Lestat acting them out in front of them. And in the end, it's what makes her fall into the trap of the troupe easier in S2. No, we're fine.

• "Know what her last words are?" I love her psychopath side, obsessing over last words after being called a devil in one.

• Oh, Grace's inflection when saying "uncle". They have heard a lot of homophobic jabber and satanic accusations from Florence over the years, no doubt.

• This is from Claudia's POV, so it's interesting how she's paying attention and remembers to write it down.

• Louis really has put down his dutiful son and brother "hat" after having a family himself.

• I think this is probably the last time Claudia admits she has a lot in common with Lestat *insert xie lian's idk whether i have to cry or laugh here*

• That scene of Claudia eating the guy is so classic horror, complete with the blood splatter on glass. Love.

• Lestat really brings her to Lovers' Lane without thinking about the effects. He probably thinks because her appetite stays big like a kid, her mind will stay like that forever.

• "I don't remember buying that outfit" Lestat bought all Claudia's outfits ofc. (I don't regard interviews as part of canon, but Sam did say that Louis chose Claudia's outfits)

• My theory: Lestat could notice when Claudia and Louis telepathically speaking if he pays attention to their expressions. I mean, he clearly has a thing for being alienated by telepathic connection (for a good reason, if they adapt that part of the book, cmiiw), so it makes sense if he just can tell.

• THE HORSE IS CALLED BELLA LOL

• She really has a crush on the first good man she meets. So adorable, if not for her monologue

• She knocks the railing every time she walks towards Loustat's room? Oh I would like to know the backstory that causes this rule/habit 👀. But if it's a rule, it's an interesting when you recall Lestat's "Child. Intervening the romance of the parents" or something like that in Ep 6.

• Waiting on balcony just like her father in Ep 1. The writers are strong with their "Evil of my evil" propaganda.

• Claudia figures out how to block people's thoughts since teenager. Louis has never had a reason to do it

• Again, Claudia is such a curious girl. She dives right in with Charlie

• Sorry, but the editing in this episode is kinda sloppy. I keep noticing things 😭

• This connection Claudia has with last words. It's been awhile but I wonder if we'll get to see it again. *S2 spoiler alert* Perhaps Madeleine says something to her before you-know-what. Or Claudia says something to Louis instead. I just love patterns yknow.

• Daniel Hart is just slaying in the background with his music.

• Vampires feel "loose" when they're aroused, which leads to become very bitey.

• That's why she goes to find out how vampirism works right away. Suddenly Lestat can't do what he did to her. She realizes she knows nothing about her current life

• That scene of Lestat and Claudia at the incinerator... Past Louis doesn't know they're burning Charlie and what exactly what Lestat says there. Imagine reading the latter in her diary.

• The transition from Lestat's whole speech about not being close to a mortal to Daniel 🤌🤌🤌

• If Daniel is true that Louis has had all of the diaries in '70s, so my guess Louis doesn't look fine at all in the flashback is right. He's "wearing hats" again.

• I wonder what Louis wanted to say. But knowing him and judging from his reaction to Daniel's brashness, it's something that sugarcoats Claudia's position in their "family"

• The way Claudia knocks the railing but then it goes weaker, she doesn't really care about the houserules or childish habits anymore

• The last scene is a nice hint/nod to you-know-what, but also I once read someone saying that what she does is the equivalent of a teenager doing self-harming when they're depressed, and I can't unsee that anymore. I think that's a spot-on.

• This is the last episode we hear "In Throes in Increasing Wonder" as a closing music btw. You know, the music that represent Loustat's love. They really say we're going downhill

Summary:

For the previous episodes, I always finished my rewatch and tried to figure out what theme of that episode. Of course it's always about Louis because this is Louis' season first and foremost. But for the theme of this episode, I think it's: Louis' first meeting with Claudia and the first time he has failed her. The first part is obvious, the second part, like I said above, Louis only finds how far Lestat's action is to Claudia after he reads her diaries later. I think, he sees that as his first failure to her; unable to stop Lestat making it worse for her. And we will see Claudia criticize this more in Ep 6.

This episodes also shows Louis' misconception about Claudia. He expects Claudia to react the same way to vampirism as he is. And we will see more of this in the later episodes (but of course the most obvious one is in Ep 7)

This episode is in Claudia's POV, but I like to call it "the closest thing to ideal life Louis has ever gotten", at least until Charlie happens. Like Lestat says in the church scene, Louis wears a lot of "hats": being the good son and good executive in charge of their fortune for his family, being the good straight man, being the good savvy businessman for his family and his own people, and later being a good vampire for Lestat. This time, he gets to take most of them, if not all, off and focus himself wholly on Claudia and Lestat, his family. He says himself, Claudia's existense silences all the noise, chaos, the crisis of his former existence. He has a daughter who has literal telepathic connection to him, someone who can know what he feels without saying anything. Someone by whom he doesn't feel being judged because he can know what she thinks. He has a husband who spends most of his time with them as a family. Who takes their daughter together to shop, Louis choosing the stuffs, Lestat paying for it. Who protects their family when they need to fulfill their daughter's needs (see: the buying coffin scene). Who also has a quality time with their daughter, even though it's mostly about killing humans. Unfortunately, it's rigged to burn, because Claudia won't be a child forever despite her body, outgrowning the very particular role Loustat need from her to maintain their play house.

Oh, I almost forgot, I wonder what the arrangement is with Louis' diet during this happy period. He doesn't do as much action as he did in previous episodes and we do see him eating animals still, but it looks like his sex life is thriving. He has control over his emotions pretty well. So, I assume he doesn't starve himself completely. At least, not as bad as he did before. Perhaps, this is one of the problems Claudia says she has "to smooth out". Though we know later she has never said directly to Louis how she actually doesn't completely agree with his diet choice from Episode 7. *S2 spoiler alert* And we know he later decides to eat human every other day to survive their European trip. My long time theory is Lestat manipulates him into drinking from him at least once a week as a solution. (and that's why he's more powerful than his book counterpart when he's not completely starving himself) 🤔

By the way, since this is the middle of the season, I'd like to say I think this is overall my least favorite episode so far. Mostly from the technical side, but I still love how they sprinkle hints of Claudia's own personality. I think my most favorite episode overall is Ep 1. I just love how their built Louis' personality in it. The performance is crazy, and the directing set the tone of the rest of the season. The directing in Ep 3 is top notch as well, especially towards the end. You really could feel the growing tension. The writing weaving all this history and race problem into Louis' personal life is genius as well.

#interview with the vampire #iwtv #rewind the tape #vampterview #iwtvfanevents #tw rape mention #tw ED mention #moi.txt

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nobodysdaydreams · 4 months

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If Pryce and Cutter hate the youths so much, then why don't they move across the universe to get the marriage counseling they clearly need and stop making their BS everyone else's problem?

(Or my reaction to Episodes 59-60 of Wolf359).

I said I would have self control. I said I wouldn’t listen to or react to anymore Wolf359 this whole weekend. But guess what dear readers? As usual, I lied, to you and myself. Sadly, I am weak. Now, with my confession out of the way, let’s get into it!

Tagging the mutuals who got me invested in this, and if you want to be tagged or untagged from these posts, lmk, or you can follow my blog or simply follow the tag "#bods wolf359 reactions". Anyone who has followed me for a while knows my updates are inconsistent, so I apologize in advance for that and for any spelling/grammar mistakes in my posts.

@sophieswundergarten @oflightningandstars @acollectionofcuriousreblogs @herawell @commsroom @lovelyladylavie

Episode 59: Crash and Burn

"Oh how fun. Come on kids, scream if you want to go faster." It's trippy that when I hear Pryce talk for a moment I'm like "Hera?" and then I realize. Also she and Cutter really do act like criticizing and mean disappointed parents.

"But just a small fire, and look it's out now!" good point Doug.

"This time you finally killed us" Congrats Doug!

"It's a fire on a spaceship, you shouldn't need explicit instruction to know it's a bad idea" "You don't know the first thing about commanding Douglas F. Eiffel" LET HIM KNOW DOUG!

"Cyborg De Vil" Eiffel really does have the best nicknames.

"I'm just a poor little old lady" Oh, I've met old ladies like you Pryce. Terribly entertaining, but awful all the same. Hated their own children too. At this point, I'm just waiting for your sad little backstory.

"Nobody says "thank you" anymore. Kids these days..." Pryce, maybe when you do something worthy of thanks, then you will be thanked.

"If it seems like I'm wrong, you don't have all the data" Well geez, I hope that pride doesn't kill you.

"Why are you asking us to read the values for you?" OH GET HER MINKOWSKI.

Okay, Pryce, in fairness to Doug, I think we've well established that most characters in this show are "metaphorically blind" in one way or another.

"Blinded by my own survival manual" it's fitting to be honest. The next edition? No, we don't need another edition Miranda.

"Well this should be easy!" Doug...Doug when is it ever easy?

Well gang, it looks like the gang's not getting out of this one this time. I will miss you all. Minkowski and Doug most of all. Kepler and Pryce less so.

Calling Pryce's husband is unfortunately the only plan. Let's see how he feels about wifey being in danger. This is either gonna go one of...potentially a few ways, and I'm very interested to see his reaction.

Will he leave her to die in space? Will he feel bad about that? Will he give up an advantage for her?

Wait. Is this Hera? Oh it's Marcus and Hera. I love the juxtaposition between Doug and Pryce and Marcus and Hera. I guess they both have a common interest. Nothing brings people together quite like it.

Oh gross Rachel's here too.

Skin alive whoever designed the flight's pod system? But this is so arbitrary...if all their enemies had been the ones to get blasted off, Cutter would give the man a promotion. For a guy who only promotes "the best" a lot of this is really just luck.

Wait. GUESTS???

Oh they got Lovelace and Jacobi. Oh dear. At least they can't kill or control Lovelace.

"I can't do much without her" I see. So she is the brain's behind Cutter's little happy murder business operation.

"Part of my signature look" Jacobi's sarcasm is growing on me the more he uses it against the right people.

"Pretty please with sugar on top" OH SO CUTTER DID HEAR JACOBI SAY THAT AND THREATEN TO SHOOT KEPLER. I think those were the exactly words he used too.

And speaking of that episode, we're back to singing about beer! 🍻Jacobi really is (formerly)evil Doug. 😂 They even sing the same song.

Is Pryce threatening to...EAT Doug? Well this is creepy.

Pryce, shut it. If you're so much of a grownup, stop acting like a pouty child.

Geez all Pryce knows how to do is complain. I guess Cutter is into that. For some weird reason. "Do I have to do everything around here." All you do is make trouble.

"You can't afford to take a chance on this" CALL HIM OUT JACOBI! I love his arc, I love his arc so much, it took way too long, but I'm so happy he's gotten here.

Oh dear. Is Jacobi in the right headspace for this? "Prettiest pumpkin princess at the ball?" Well good for Jacobi. Also very similar to the line Pryce gave to Hera. It's scary how much they sound and speak alike.

That is true. It might need to be a self-sacrifice mission. If Jacobi misses, Cutter kills him, and Eiffel and Minkowski don't survive. It's a tough situation, especially because we're not even sure how many lives are at stake here. But Jacobi, the whole point of self-sacrifice is that the people making the sacrifice agree to it, or there's literally no other way.

Yeah, Doug, Pryce is not gonna be reassuring. That's not in her generation's vocabulary.

Uh oh. Jacobi, I hope you know what you're doing.

Oh dear. Marcus seems testy.

And how much longer do we have with Rachel and Reimann? (Yes, I was corrected on the spelling).

"Just get it right this time Marcus" wow she is demanding.

Ah...there it is.

...or not...

...Jacobi?

...DUCK BOY?

Well they got them. But what happens now?

Oh great Marcus' slow clapping. And let me guess, he kills him anyway?

Business to catch up on? Pryce doesn't sound too happy.

And yeah Minkowski, hold her at gunpoint! (Though in my experience, people like her don't fear death, rather they complain it's not coming fast enough), but whatever gives you the upper hand.

Episode 60: Terms and Conditions

What's with the beeping?

"You are alright?" Strange that Rachel asks that. I guess she'd be the one to notice he's quiet.

Ah. The sunset. Very fitting.

Westerns. Cutter probably saw some of them down at the old timey picture show when he was a wee lad.

Yes, yes, "the bigger picture". But what if there is a bigger picture to even your story, Cutter? One that you're not in control over?

Cutter knows what's about to happen. He knows it's time to choose. Work wifey or scary evil plan? What's it gonna be old man?

"Who is it?" 😂 I love Doug. I love him so much.

"We could have a cup of tea" oh gosh Cutter really is every old person stereotype.

"Reflect on the working conditions. Are you fostering a supportive company culture? One that values the contributions of its employees?" Doug is the best. Doug is the best.

"If you ever want to see your worst half ever again" 👏 Tell him. TELL HIM.

So now Cutter has to a choice. He can go Legend of Korra and kick Pryce to the curb, or he can drop his tragic backstory and try to come to an understanding.

"Can you guarantee the safe recover of Dr. Pryce?" "96%" Hm. Cutter doesn't seem happy with those numbers.

Special Projects? "Similar to you while still not you. You will see what you miss and say what you don't want to" interesting. So that's why Cutter keeps Rachel around.

"How possible would it be to complete the mission without Dr. Pryce?"

DANNGGGGGGG... Rachel asking the real questions.

"I don't know what your partnership with Dr. Pryce means" Interesting...so Cutter kept that even closer to his chest.

"Before I decide, I want the information" Cutter is unraveling.

See this is why you shouldn't talk when Cutter can hear them.

"Handle this personally?" Did he just crack his knuckles? Is he going to try to fight them? 😂

Neat idea? Is Cutter gonna make his own radio show?

Kepler and Lovelace are speaking for them? This is weird. And unnecessary unless some other mischief is a foot.

CUTTER IS MAKING HER DO THE "MM-HM" 😂😂😂

Kepler reading out Eiffel's words too 😂

Cutter's promises are stupid. And taking the collar off Hera doesn't mean that Pryce can't do something else terrible.

"Those are big promises" That's basic human decency.

"That's one thing. I'm giving you three. What else?"

Kepler and Pryce are two people. I love how it clearly shows Cutter views Kepler, who he's having Lovelace talk to, a disposable.

"You wouldn't lift a finger to help anyone if you didn't need them for something." CALL HIM OUT. CALL HIM OUT. 👏👏👏

"With all due respect to you Warren, that Dr. Pryce's return is worth two of your demands" wow, Cutter just went there didn't he?

"We won't annoy you" "I'm not sure you can promise that" "First off this is...this is your boy, Douggie Fresh at the mic" 😂 I knew it was Doug when he said the "won't annoy you" thing, but having him use Kepler like this is amazing. "Gumming up the works" I love Eiffel. I love his whole speech.

Is Cutter making her slow clap? Cutter and Eiffel really are a theatrical duo.

Reject your terms? Taking advantage of you guys? You should be asking for way more. That's very true. They should ask for way more. They really should. But um...what is Cutter doing???

Ugh. It's like Cutter is still trying to teach them a lesson. Like an evil twisted mentorship figure.

I have a bad feeling about it too.

"You two crazy kids still there?" Shut up Cutter (no offense Isabel).

Cutter is gonna destroy the sol when it leaves. He has a plan to do so.

"No catch" THERE IS ALWAYS A CATCH.

"Talk to us baby" Aw, I'm so happy Hera loves it. 💕🥰

"Tell us who you are and what you're doing up here?"

YES! THE TRUTH AT LAST.

Ah, Doug has figured it out. Cutter is just ecstatic.

"Super old, look like you're 28, no need to sleep or eat, know everything, obsessed with aliens..." Oh Doug thinks they are aliens.

Not a bad theory Doug, but I feel like you're not correct.

I feel like they're about to say something like "no silly Doug. We're not aliens. Don't be an idiot. That would be over the top and ridiculous. We're obviously cyborgs from the past and future who have travels here to enslave all of humanity and rewrite the course of human history. Which is SO much more reasonable."

Also given that Lovelace WAS an alien, it's not that crazy of a guess. They're being a little unfairly mean to him right now.

Modified???? Wait, no, no deal, what does modified mean? Explain that first please, explain it now.

Send Kepler first. Cutter doesn't care about him.

"You want to stay with us" "No Boy" oh dear. Looks like they're in the middle of a little marriage spat. "You'll never be rid of me 214" I knew it, Pryce has a thing for keeping Hera under control.

Yeah, what did Jacobi do? Hopefully that alien blood works quick.

OH WHAT IS THE TEA THE BOOMERS ARE FIGHTINGGGGG!!!!

"Better to be lucky than good" something tells me you won't be for long, Miranda.

Rachel is going with them? Um. It doesn't sound like either of them like that. "Fill you in on the details" that's obviously code for something. I don't like how fast Rachel agreed to that.

Oh dear. Trouble in paradise it would seem. Worried about wifey, Marcus? "Be quiet. I was worried." "For me?" "I was." "You're not immortal" "yet" "of course, I was worried for you."

"Your only task is to back my play" wow. They really ARE a toxic married couple from the early 1900s. I guess Cutter couldn't stand the thought of losing his precious cold detached mean evil science early 1900's house/work wife.

"Friends?" "Partners." Hm.

This relationship fascinates me. Miranda shows him hardly any respect or gratitude. Yet Cutter seems to care about her in a...weirdly toxic way. Though I do wonder if Miranda feels the same.

Very true something has to be wrong here. Cutter wouldn't let them leave unless...

Wait. Unless it was irrelevant to his plans. Unless them getting back to Earth didn't matter.

"That's not why you're not gonna leave" ...um Rachel. What are you talking about? Please fill us in on the plan.

Oh Kepler's here too.

THE END OF THE WORLD?????

Wait...oh my gosh...

So...there will be no Earth to return to? And all the people on it?

ARE PRYCE AND CUTTER TRYING TO MAKE A DEAL WITH THE ALIENS???

Well I did say in a private discord chat that it was odd that they mentioned Minkowski’s husband and Doug’s daughter only to never bring up threatening their lives again. I guess they really saved that one in their back pockets for the grand finale.

Kepler, how much longer are you going to go along with this? If they destroy the Earth, everything on it goes too, including your beloved Whiskey.

Rachel, idk how much longer you think Cutter is gonna keep you around, but he clearly only cares about his evil science arm candy, and that's not you or Reimann. He'll toss you both under the bus when he's done.

Cutter, wifey seems a bit unstable, and Pryce, your man seems to not be valuing you as an equal, and as much as I dislike you, I'm still not cool with that on principle. Perhaps the two of you ought to see to some marriage counseling, somewhere...oh I don't know...far far far far far away on the other side of the universe? Where you two can finally stop having to deal with those pesky youths you claim to hate so much?

Well at least the thing about Cutter naming the AI and putting on a charming appearance and Pryce hating it and acting so cold towards them makes so much sense now. Cutter wants to play house. House where he casts himself in the role of a toxic, stereotypical, controlling, abusive, and terrible father, with a flimsy "I care so deeply" facade and horrible taste in women, but house all the same. I guess it makes sense given when he was born. Pryce views the AI and their employees as things, Cutter views them as their children or rather their "creations" but at the end of the day, their views amount to the same thing: tools from which they demand unquestioning obedience that they can cast aside if and when they chose to do so. Absolutely disgusting.

Wait. 2 hours?

THE LAST EPISODE IS TWO FULL HOURS.

And Volte Face is one hour. But then...when will I have the time to...

oh boy. Stay tuned everyone. Hopefully I'll get my answers soon. Thanks for reading!

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astralartefact · 1 year

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Divine Akeha Analysis Post

the gacha game gives us another lore bomb on a random thursday and i felt a calling, this is my moment to shine

this is your warning, voice of cards forsaken maiden spoilers below. seeing as it is legit canon nier now, you might want to check it out before looking at this! i will spoil my personal favorite reveal of that game, so be warned

this hastly made conspiracy board is brought to you by a "I told you so"-induced fugue state

The Pink Petals

The Lunar Tear is firmly on the spot of "most notorious flower in the NieR universe", so much so that people more often than not conflate them with Zero's flower - and while her flower is probably very much purposefully similar to a lunar tear it actually was precedented by something else too:

Pink Petals have actually been a thing since Drakengard 1, where they were used with Manah to give her a "flower girl at a wedding" sort of thing, probably just to make her creepy man voice even more creepy or to serve as a visual side piece to Furiae's twisted romance.

Even if they didn't intend this to mean anything back then they later picked that back up with Zero's pink eye flower which now continues this symbolism for the 'influence of the watchers/gods'.

2. The Black Flower (sword not entity)

Divine Akeha's sword kind of resembles Zero's sword from her Collab Design, mainly in the way the sword neck (?not the handle, the part right in front of the handle) is decorated going down into the blade and the shape of the blade towards the tip. While I'm not as convinced on this point as on the others, this might be on purpose too: The Black Flower (this time the entity in Zero's eye) is as we know some extension of the watchers/gods. Symbolically it makes sense to me to now take that blade as a reference point for weapons based on the power of gods - and especially since the "Black Flower" in Zero's eye is actually pink, this would serve as a full circle moment too.

3. Lac and Mommy

Her design is 100% based on Lac. There's just absolutely no way it isn't. The colors are the same (grey, red and black), she wears a crown like both Lac and the Ivory Spirit and has two red hair ornaments where his red horns would be - but especially the area around the ornamental piece on her obi is strikingly similar to the button on his belly, the design on the metal piece itself is very similar and then above it is red just like his mouth and below it she has the white of his belly..

For the people that haven't played Forsaken Maiden, Lac is one of your party members and as it turns out towards the end of the game he is a god who's out to sacrifice Laty for his own survival. Laty then sacrifices herself to basically imprison the gods into her dream realm.

There is this other god though, she barely has a presence in the story, but she eventually appears as the person who held Lac's puppet body the entire time: The Ivory Spirit. You can read more about my thoughts about her here, but in summary even if she is not the Mother Beast from Drakengard, she very much could be Mommy, who I miss dearly and I just want to see her again.

(That's btw the reveal I mentioned in my warning blip, the moment when the game non-chalantly turns Lac's card around and she's just there is just so eerie, even knowing that it's coming takes so much away from it and combined with the "THAT'S HER RIGHT???" of thinking she has to be the mother beast, especially given that lanca/mini-zero is her maiden... hands down my favorite moment of all VoC games, I think about it so often)

And now we're here and Divine Akeha with a pink petal sword wears a Lac outfit.

Basically, Voice of Cards is 100% confirmed NieR canon. Expect some of the other Divine costumes to look like the other spirits.

Btw, the Lead Scenario Writer of the Sun and Moon arc Yuki Wada was also the Lead Writer of Forsaken Maiden, just so you know whose name you can curse for this.

(This also fuels my Laty => Seeds of Destruction => Cage theory btw)

edit: character story

How many times have I heard. Have I seen. How their words fade into the air. Drown in fresh blood. Is someone there. Is someone present. Yes. If so, there is no reason for me to exist in the same space.

──────────────────────────────

May salvation come to those who wait for it. May punishment come to those who need it. We worship. We pray. We believe she who sits on the heavenly throne is listening.

weapon story

Flowers bloom when she smiles. Her joy spreads vitality. Buds bloom as she does.

Birds sing when she sends word. They lend their wings as she speaks to us.

The wind howls as she despairs. The heavens rage as she weeps for our tragedies.

The moon shines when she comes to us. She leads our human sacrifices away as we sleep.

(thank you nierrein.guide, you provide a most valuable service)

There aren't any particularly outstanding references in the stories as far as I can tell, even the mention of flowers isn't particularly noteworthy tbh. The most !!! to me is the line "We believe she who sits on the heavenly throne is listening" since it refers to a female god, but that doesn't have to be the Ivory Spirit/Queen Beast, that could just as much be referring to Divine Akeha or an entirely different god such as Amaterasu or something like that, same with the entirety of the weapon story.

I personally also like the line "May Punishment come to those who need it" using "need" instead of "deserve". Very CrimePun of them.

#Nier #Nier Reincarnation #Drakengard #Yoko Taro #Voice of Cards #Forsaken Maiden

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aseriesofunfortunatejan · 1 year

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re: Shinguuji's swimsuit design. Unfortunately, I don't think I can find out much more about the meaning of the blue roses without having played Danganronpa S, which I still have no intention of doing. For all I know, it could tie into whatever narration there is, or there could be some link between what colours were used for which characters.

(It just crossed my mind that the designs may have been colour-coordinated for each game, like the 10th Anniversary sprite edits were, but it doesn't appear to be the case at all. On the list of things that Could Have Been Cool.)

The main and possibly only reference we have that I'm aware of is the common meaning of both blue flowers and blue roses, also depicted in Japan, of "achievement of the impossible". It could be a conscious choice to make Shinguuji wear an artificial flower. Something to do with humanity's achievements? Or with effectively bringing his sister back from the dead? Those would be the most obvious readings.

What I find the most striking about it is the complete shift in palette from his official illustration and main design. Roses are present in his main illustration, but specifically red. Not only do we have a good ole case of warm colour VS cold colour - and the perceived opposition between red and blue - I strongly remember a certain friend in highschool being mocked by a teacher for saying blue is opposite to orange and not to red, despite having been completely correct, but I digress - but I would also take into consideration how much more common red roses are, both in general and in design. This is why I find the choice of blue roses to be striking (looks at myself in the mirror, feeling empty. none of this matters. (continues anyway)); as the character designer in the midst of drawing a cool roses design for a character who has already been associated to red roses, it would be easy to default to red on your first draft.

Either way, looking at his official illustration next to his swimsuit sprites, I find the change in palette very striking.

As I've noted before, the khaki green from his regular design is also completely absent from his swimsuit design. That is, however, not unusual when compared to other characters: from the top of my head, Akamatsu's swimsuit is light blue, which is absent from her usual design, Saihara's swimsuit sports colour, which is extremely unusual... Iruma's swimsuit design also departed from her original palette, you get the idea. Just that his palette was changed is not that noteworthy, and it's very likely that there's nothing to it. I just find that the choice of a sleeve with such a pattern showcases a lot more detail than was put in other swimsuit designs, which piqued my interest, and makes me wonder if it happened to be deliberate... or someone just thought it'd be pretty.

I think it was in my previous post about this that I mentioned having just then decided on a headcanon that the cooler blue/purple palette represents Korekiyo while the khaki and red palette represents his sister. This is something I have no "proof" of, aside from blue+purple being used in two designs for Korekiyo, but an idea I like. I wish it were (more of?) a thing.

One element I'm missing is whether Korekiyo's sister appears at all in Danganronpa S. Just looking at his sprites for the game gives me the impression that she doesn't (if not for removing the mask, she is usually represented by make-up and... tiddies) but those are the same sprites that show him grabbing a non-existent cap, so I don't know that they're a good reference for anything.

Due to my negative impression of DRS, it's probably not even worth putting too much thought into, in respect to my headcanon mostly. I still fully appreciate this design choice, which like I said, stands out for being so detailed. It's pretty and I appreciate the prettiness of my pretty boy faves being respected.

#danganronpa #drv3 #ndrv3 #korekiyo shinguji #korekiyo shinguuji #as promised

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loquaciousquark · 2 years

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Scrambled, manic thoughts after that episode:

Fearne is the MVP by a million miles. Brilliant play, great smart spell choices, didn't take a single hit to compromise that Earthbind. I laughed out loud when Ashley was making stupendous call after stupendous call and then had to ask if she could concentrate on two spells at once. Mister mattered! Like, a lot! Amazing! I've been rewatching C1 very intermittently, and seeing Ashley grow from being so unsure in the Kevdak fight (and falling off like three roofs, not understanding opportunity attacks and just about getting herself killed, etc.) that to this confident, smart, tactical player tonight was awesome. She asked great questions and knew her spell effects. I think the only thing she missed was that when Mister's out, she should do a little extra fire damage. Awesome job.

Getting a moment's taste of Laudna made my heart hurt. I miss her so much! Assuming all goes well, I'm going to LOVE coming back to this arc and rewatching it, but right now I'm still so stressed.

Imogen's call to Ruidus is a really cool idea, but it really put her in a tough spot HP-wise. Those 12hp sure came close to mattering (it looks like she can wound herself with her own hit dice to make an attack as a free action? Unclear). I don't think the Blindness was the right call in the moment, but one mediocre choice in a sea of otherwise REALLY optimal party choices is a non-issue.

The usages of motes was INCREDIBLE. Negating that nat 20 on Ashton, turning that last Delilah attack into a natural 1--Matt must be bursting at the seams to see them using the tools he gave them so effectively. Absolutely clutch. The only bust was that Travis reroll to a 1 on the Inflict Wounds, but them's the breaks.

New Bells Hells logo is gorgeous.

Incredible fight design by Matt start to finish. A reduction to 0 making them pop back to the real world is so smart; it gives his sole villain increasing odds against an otherwise terrible action economy as the fight continues and makes her heavy hitting spellpower matter that much more. She's easy to hit, so she needs the spellcasting advantage and the lair actions to make it an even battle, but he still managed to create an amazing tradeoff between likely losing her lair actions as the fight went on with the tree getting damaged, but increasing her own odds against likely fewer and fewer PCs. It was incredibly effective to have the players leave the table as they poofed out.

I get what Orym was trying to do, but the dice weren't having it. Sucks that he didn't get to do much that battle. Still, Delilah using that attack on him likely saved Imogen's life. Good to see Ashton being SIGNIFICANTLY more effective here than against Otohan.

I could be wrong, but I think Matt is scripting this as the resurrection ritual. He said three successes and one failure as they moved through the shadows, and he was making them roll persuasion, etc. He's changed the rules for his resurrection rituals every campaign, but if this is similar to C1, ritual successes lowered the DC by 2 and failures upped it by 1. Assuming Laudna starts at a DC of 10 (or 11, depending on how he rules the Delilife), that drops the DC for Pike's straight roll to potentially 5 or 6. Good odds. Not foolproof. Maybe Sarenrae will give her advantage.

What a beautiful Destroy Undead. Again! Manipulating the action economy in the party's favor! So good!

Edit: coming back to add that I can't get over that Earthbind. While she could still move on the ground, it prevented tons of line of sight options Delilah might have had otherwise--Fearne & Imogen were able to duck behind the rock, Orym had cover in the tree. It also meant that Chet & Ashton were able to get right up on her with flanking, and Chet in particular being in melee with her forced disadvantage on one of her attacks that might have otherwise knocked Imogen out. It also meant she had to care about the melee fighters on the ground because she couldn't get away, and she's so eminently hittable as a spellcaster.

Man. This entire episode was great and when he ended it, I still threw myself back into the couch and yelled, "No!" Thank goodness there's no break next week.

One more edit: There is something beautifully poetic about Imogen using lightning to split right down the middle the tree that Laudna died in, the tree that was still holding her captive after all this time.

#critical role #critical role spoilers #quark rambles

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nyalternatehellkitten · 2 months

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@madharemuses replied to your post “((I have a headache so I'm watching an FE:Engage...”:

[I want to enjoy Engage. I like the art design, I like the characters, I like the gameplay, but for some reason I just can't really bring myself to enjoy it. Also, it lacks replay value compared to most previous titles, so I feel like I spent too much on it.]

@gensokyogarden replied to your post “((I have a headache so I'm watching an FE:Engage...”:

ENGAGE GOOD

((Ayyyy we have the big two(tm) opinions here! Joking aside, I reply to these responses in the same post because I want to share some general thoughts. I'm not trying to pit you against each other by highlighting your opposing opinions lmao. Even though it's been a few days, Engage has been swirling around in my head for about a week or so now, and I do want to give my thoughts to you two, who responded to me, at least, so that post I made doesn't just become a big jebait or whatever the term is. So, spoilers, Zane's thoughts, and etc. etc. beneath the cut. Oh yeah, and it's long so don't read it unless you want to know what I think of a game I've not played, that a lot of people have been dismissive towards.))

I am writing this across several sittings. At the time of writing this statement, I'm watching the Avalanche map, so basically I'm right near the end. (I've also seen some supports, but the guy whose playthrough I'm watching is doing them offsceen because he doesn't want to waste his audience's time with grinding.)

This isn't going to be a structured review, it's more of a slightly-edited thought-dump.

My overall thoughts of this game so far, which is an impression unlikely to change, is this:

Fire Emblem Engage is a game unfairly criticised as worse than it actually is. It's not a super good game, but it does not fall as far below the 'average' standards of the series as much as people say it does.

Before I get into the full swing of things, I need to offer a disclaimer: I am out of touch with the series. I've played FE3-12 and Echoes, which means I'm missing FE1, the game that started it all, and Awakening and Three Houses, two immensely popular games that made big changes to the way Fire Emblem works, brought many new people to the fanbase, and generated a lot of attention. (I also haven't played Fates, but it's a bit less relevant to what I have to say.) I have never been interested in Awakening or Three Houses, but they changed the Fire Emblem 'landscape' so much that I would consider myself out-of-touch simply because I haven't played them.

Addressing some common criticisms

The two main complaints I see first-and-foremost on the internet that dominate over the better-formulated criticisms are: It's too anime and the writing sucks.

Now, the anime thing is stupid. Fire Emblem has always been anime; it's a stale and tasteless counter-argument, but it's objectively true. Most Fire Emblem games at least partially reflect the anime style popular around the time they were made, and all of them draw some influences from anime in general. The designs are too colourful and fancy for my taste, but I still find them enjoyable (Chloe and Etie are probably my favourites? Not super fond of Etie's Archer outfit but the player I'm watching made her a Warrior and she looks fine). In fact, I think this design choice was good; they clearly wanted to deviate from the grimness and seriousness of Three Houses, and can they be blamed for that? Making that sort of story can get heavy at times, so for an anniversary game I feel like going for something lighter was the right choice. Overall, the presentation in this game is excellent; not enough to make me love it like I loved Echoes (which was carried by the presentation alone for me), but good enough that I enjoy seeing it on my screen.

The second criticism is the writing, which is semi-valid. It's almost-good in a lot of places, but there's always one or two tiny details holding it back in my eyes. It's frustrating, because I feel like Engage would actually be quite well-written with a few fairly small edits that remove some of the issues or make the stupid parts (Chapter 10-11 Time Crystal) less stupid. The issue I have with the criticism is not that it's wrong, it's that people act like all of the other games in the series are god-tier writing or something. This is objectively untrue; most Fire Emblem stories are fairly straightforward or cliche plots carried by a cast of one-note, but enjoyable and likeable characters. Liking the characters makes you overlook the flaws in the plot. Just think about how many Fire Emblem games are about awakening or summoning some kind of all-powerful dragon or dark god (or both), and then think about how often that actually bothers you simply because you like some of the characters.

Let's talk about the writing for a moment, since this is an RP blog and therefore revolves around writing

It sounds to me like Engage's writing is actually really average by Fire Emblem standards (it can't be worse than the GBA games at least, if you ask me) but it's issue is that it came after Three Houses, a game which tried to be very different from the rest of Fire Emblem when it comes to writing. I haven't played Three Houses but I have seen people react to it. The amount of time people spend debating and arguing over who's in the right or wrong, beyond just which lord/house they like, shows that the game provoked more thoughts from its players than just "Oh I like this character more than this other character." Engage clearly has not done this, and parts of it that could form a good running theme just don't quite connect. The dots don't quite link up and the stars don't quite align. It falls just short.

In my head, I'm comparing it with other Fire Emblem games and I don't think it's that much worse than some (fairly well regarded) entries in the series. For example, in FE7, everything Ephidel does doesn't really make sense since he's formenting a rebellion in Lycia to gather Quintessence for Nergal to summon dragons... even though Nergal already has enough Quintessence to summon a dragon. In Sacred Stones, Eirika is supposed to be the diplomacy route, and yet everywhere she goes, stuff(tm) happens and she gets dragged into fights because Fire Emblem requires things.exe to happen so that each chapter can be a fight. In Binding Blade, the big exposition was Jahn explaining Idoun's backstory... through the medium of Roy seizing like 20 thrones in one chapter. In Monshou, the big main idea of Hardin being turned evil was great and executed pretty well, but most chapters are "So you're fighting dudes loyal to Medeus or Hardin" and the story is mostly about Marth trying to figure out what's going on in Akaneia. It's not bad, but it's hardly some god-tier story that has the player hanging off the edge of their seat at every chapter.

By comparison, Engage has an issue with build-up and payoff. The payoffs are often good, but the build-ups often don't do them justice. For instance, Morion was a good payoff because while what happened to him was quite predictable, Alchryst and Diamant's boss conversations with him are great. What's lacking is the fact that he gets captured by Hyacinth like... one chapter after he's introduced, after raising a million death flags. If he had been a green unit (or even a playable character with a big "Morion will go back to ruling his kingdom after next chapter" warning, or his stats transferring over to Diamant like with Nils and Ninian in FE7) for a while to let the player get to know him better, then his death would have been more impactful. Let Alear agree or argue with him about certain things; Alear needs to interact with Morion's pretty strong force of personality (that I think is pretty well demonstrated, even if it's quite one-note, in his first appearance).

Likewise, Lumera died too quickly. We needed a few more chapters for her and Alear's relationship to ripen. If the game had opened with Alear sent to Firine (upon Alfred's request, to help deal with Corrupted and bandits), with Lumera accompanying them but not helping them in battles to help him readjust to being awake, then it would have probably worked out better pacing-wise. Little happens character-wise in those chapters, so slotting in some Alear-Lumera interactions would have helped establish Alear's personality and motivations for the rest of the game. After Firine, they could return to Lythos for a little bit of R&R with Lumera promising to teach Alear more about the Emblems. Then the attack happens, she dies before she can, and the game proceeds with Brodia after that. It makes Lumera more impactful because the player gets to see her relationship with Alear more, and it makes their feelings for her stronger too, since they now have time to experience how she's their mother and acts like it.

One last example I will give is Zephia. Her whole death scene is kind of invalidated by the fact that she's been speaking as if the Hounds are her family for the whole game. I think a little tweak could really have fixed it. Take 'family' to be the theme of the story; a lot of Fire Emblem games place emphasis on bloodlines and family. Engage could have taken that both ways: that sometimes, blood family is important (e.g. the royal sibling pairs in the game) but sometimes your found family is just as important (Lumera and Alear) and sometimes your family can be abusive and bad for you (Sombron and Veyle, Zephia and Marni). How does Zephia fit into this? Well, imagine if her dialogue was tweaked ever so slightly. The idea is that she misunderstands how family should be because of Sombron (what he said during the time travel part). She longs for a real family, but because of Sombron she thinks that family should be abusive. Seeing Alear and Veyle helps her appreciate what family should be, and she helps them because of that. She dies thanking Griss, and hoping that Marni will forgive her in the afterlife. There we go, a villain given a better redemption than the weird one she got in the game, and completing a theme/story/lesson for the game as a whole.

Zephia also suffers from the buildup thing. The Hounds have a lot of screentime but they don't really do much with it; Griss and Zephia get their motivations and backstories infodumped as they die, and Mauvier spends the first half of his appearances being all "I am a knight I follow orders" when he should have been dropping hints that his true loyalty was to Veyle, rather than just mechanically following orders. If some of that screentime had been used to develop that Marni wants familial love, while Zephia misunderstands what a family should be, and Griss thinks of Zephia as his mother/older sister but struggles to convey that since his world is dull when he's not feeling pain, then it would have made them more compelling than the four big mooks you knock over 13 times throughout the story. Oh yeah, and of course, they do the "I must retreat" thing way too often. Fighting them feels completely insignificant because they never die until they suddenly do.

Lastly, the characters are all quirky and... oh boy. I've seen people complain that the Engage characters are more one-note crazy than usual. That... doesn't feel true to me. They feel like they're less serious than usual, but that's Engage being light-hearted. I've seen serious stuff (Alfred's illness, Hortensia's feelings about stuff) but mostly it seems to be on the lighter side. I don't mind, but I think it should have perhaps been a bit more of a balance. I will say this thought: of the supports I have seen, character motivations at least seem to make sense and stay decently consistent.

Some of my other criticisms

I would argue that there are a few things holding the game back. The writing, I have already mentioned. While there are plenty of good individual moments, there's often a lack of good build-up or connectedness that makes the whole feel like wasted potential and staleness. The gameplay, I think might actually be the most tactical in any Fire Emblem game so far; you can't just air-drop a god-unit into any situation with 1-2 range as easily because of Weapon Triangle breaking, and chain strikes mean that positioning actually matters, and tanking isn't infinite. This might not be a good thing, however, as I get the feeling that the average casual Fire Emblem player... doesn't care about gameplay much. It can't suck, but a lot of the time they do just want to make their favourite unit into a god and drop them into whatever situation.

One of the biggest problems is the Emblems, however. They're not really written as themselves. They're more like echoes or shadows or ghosts of the character they're meant to be. They often feel like they were written by someone who'd only read a synopsis of what that character was like, instead of seeing and analysing them (which... is probably what happened). The Emblem ring bond supports are bland and soulless most of the time, with often no connection between the character and the Emblem based off their commonalities (though to be fair, writing 12 Emblem supports for each character would have been hell). Regardless, all of the Emblem characters feel way too superficial to actually matter most of the time, they mostly exist to reference their own games a lot or provide the same basic statements about things. The advice they offer in the story is... logical but kind of bland and uninteresting. Sometimes they feel right, but most of the time they feel... not very good, which is not great when they're meant to be a big selling point of the game. It's like the Emblems are supposed to make you so excited about seeing your favourite characters that you don't stop to think if they're acting in-character. I won't comment on them too much gameplay wise, since I think that as much as they are meant to somewhat represent their own games (e.g. Sigurd being mobility and canter, Lucina having dual strike stuff) there's a limit to what you can do since most Fire Emblem games play quite samey.

Another issue I think that Engage has is the lack of post-game. Relying on DLC and Multiplayer to create replayability for a single-player game is just... objectively a bad idea? It's not what people are mostly there for. Watching the playthrough made me think "If I were playing this game, I'd want to run some of the other characters in side battles to see their supports and find out more about them." A post-game would be good for that, maybe with a bonus series of maps like Thabes was in Echoes. As it is, I've seen no evidence of that sort of thing.

I want to say some nice things

So I actually quite like Alear. Not a lot a lot, but a fair lot, if that makes sense. Based on everything shown about past Alear, and the way Alear loses their memories, their character makes sense for most of the game. Past Alear was emotionally stunted because Sombrero is the worst Fire Emblem dad in the series, and present Alear has a serious case of no-thoughts-head-empty at the start of the game. Given that everyone treats them super well (worships even...), it makes sense for them to develop a positive outlook on life, a strong fondness of their friends, a solid sense of duty towards everyone counting on them, and also feel kind of creeped out at being worshipped. Alear also feels a little more complete as a main character to me, oddly enough? I haven't played those games so I can't say for sure, but Robin and Corrin both often gave me a weird vibe like they're meant to be the player's self-insert but didn't commit to it enough. Like they wanted to make a self-insert character but then realised they needed to insert more character for supports, interactions, and story beats. Alear, on the other hand, feels like they wrote a complete character and then had to shove the self-insert in, to their detriment.

I also need to talk about Yunaka. I think Yunaka did something no other Fire Emblem side character (non-main character) has ever done: she immediately made me want to read about her supports to learn more about her backstory. Most Fire Emblem characters show up and I'm like "Okay, so this is this character's vibe. I'll find out more in the supports, I bet." Yunaka though... as soon as I heard her battle/crit quotes and saw how much that differed from the quirky "OwO I am cute thief" personality she was projecting, I was immediately like "There's more here. I need to know what her deal is." The game immediately shows that she's good at acting, and as soon as you put her into combat you see a side of her completely different from the one you saw before, and that sparks curiosity. That's good. Fire Emblem doesn't do that, instead it tries to establish the one note that its one-note characters are based around in a good way so that the player knows what that character's deal is. This time, it did that, and more. I haven't seen all of Yunaka's supports yet, but I will go through all of them when I get the chance to. I must know.

The music and voice acting are pretty good. The presentation and CG art is good. I don't think I need to elaborate on this, I think they're presented in a way that accentuates the atmosphere they're trying to create most of the time.

I'm hesitant about this last bit, but I think the game conveys its characters well. This is something Fire Emblem has never really had trouble doing, so it's not really a thing in Engage's favour, it's just another thing the game is not bad at. The supports (or those that I've seen at least) are good at showing what each character's deal is. That's not hard to do, though it is occasionally not done well (Vaida and Dorcas... a support that shows what their characters are like, but repeats the same joke dragged out three times in a row without really resolving anything).

Edit: Oh, and I can't believe I forgot to say that the really cheesy and campy moments are amusing rather than cringe to me. I think they just barely toe the line at times, but like... given how often the games try to shoehorn the 'Fire Emblem' into it, this really isn't even the worst.

Conclusion

This is the part where I pretend to have a conclusion so it feels structured. I already said what I needed to say at the start, so this is the part I put a bow on it.

I feel like it's hard for me to assess this game. I haven't played it, and I haven't played Awakening and Three Houses, two games that I feel like probably influenced both the fanbase and Engage a lot. But I can't help but feel like it's better than all of the hate it gets. I don't really think it's god tier, but it's definitely not as bad as it's said to be. I think if I did have the opportunity to play it though, I'd enjoy it at least as much as I enjoyed FE6, FE8, and FE11. With the others I played, I think it'd be a bit more up in the air.

If I had to say though, there's enough problems for it to be disappointing, but enough good for it to not warrant the amount of hate I've seen. I feel like the hate it gets is often an instinctual rather than logical thing; rarely do I see people fully explain how they feel, and sometimes some of the people criticising it talk like they're series veterans but it turns out they've played like... 4 games. Still, I can't help but feel like if this game came out after Fates rather than Three Houses, people would have a better view of it.

#ooc #madharemuses #gensokyogarden #((idk why I bothered with this))#((I've been unable to play games and do stuff very freely lately))#((so all of my free time has been watching an Engage playthrough))#((so I think it's been big on my mind lately))#((as I'm writing this I have reached the final episode))#((I doubt my thoughts will change))#((if they do I'll make an edit))#((but like this is a 2 and a half hour thing))#((not waiting that long to write my conclusion))#((kitty is doing his 'I want attention' wail outside my door))

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red-dia · 2 years

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It feels like the pacing for this arc and past arcs after the “Phos Goes to the Moon” arc starts to go faster and faster so there is a lot to be desired in between. It feels like the story goes from A to Z without putting in the other letters in between. I really wanted to see how the Gems would react to becoming Lunarians, because their fast acceptance was something I just can’t understand why it was so easy to undergo such a drastic transformation without any qualms. There were also interactions I wanted between some characters that did not happen or were written in an unsatisfying way that felt like the nuance in them just disappears.

I understand that time skips with the length of decades to centuries to millennia means that Gems can change drastically, especially in the setting of the Moon, where the Lunarian world allows the Gems to have more freedom to find themselves and find their own resolutions. Now I just have to hope and pray “The Party at the End” book added in with the special edition Vol 12 preorder will give me some answers and explanations. But part of me also is expecting mostly Cairnmea content in it per usual.

I dunno, part of me feels like Ichikawa is going through both burn out for this series and also wanting to move onto other projects aside from HNK, considering she works with Nintendo and is a character designer for Pokémon.

Agreed to a lot of this; the thing that bothers me the most is that there's so many characters that seem like they're set up to get some kind of development, and then the story kinda leaves it hanging, and for a while I had assumed there would be conflicts and resolutions and closure, but these issues dropped off the face of the earth....

The shift from the gems being hunted for sport for their entire existence only to be integrated among the lunarians, and nobody has hard feelings about it, everybody is happy to have left the earth where they've lived forever, everybody just kinda 👍 their way though it, fine we are lunarians now, okay we can restore dead gems because we changed our minds this is fine actually, whatever happened to Ghost and Lapis though, or whatever complex situation Rutile & Padparadscha had, or whatever are the ramifications of dusted gems coming back to life only to find almost everything they knew is gone and they have to live a new way of life without ever having asked for this :/

Not saying she shouldn't have done it at all, but the lack of extra time to introduce it made it feel pretty ooc to me. Especially given that "everybody has to die at some point" has been admitted as a plot point for a long time, so rushing it wasn't necessary at all. It also feels like there's a lot of missed opportunities...

That's not even mentioning things like the admirabilis, or earth stuff like the ice floes, but i'm still holding onto the hope there might be some more answers for that in the upcoming chapters. I'm also waiting to see if there's interesting stuff in the vol 12 booklet (though i'm not getting my hands on it, so i'm not sure if anything will be shared), but i'm not expecting much either though, but at least it might be fun!

+ regarding ichikawa being burned out, i'm not sure. I do think hnk is important to her because she put a lot of effort into it even when it's not necessary (cf artbooks, updated pages for manga releases, etc). If i had to guess, either she 1. happened to have a different vision of the story and she's fine with that, and/or decided on a deadline (ch108?) and eventually realized she was running late and had to scrap things/rush the story a bit and couldnt say everything she wanted to. The second option seems doesn't seem unlikely to me since hnk can only go so far with 20 pages per month, and she's trying to supplement it with additional material.

Either way yeah, i don't exactly know how hard hnk is on her since she takes hiatuses pretty liberally when she's working on other projects. A hiatus is still pretty different from a finished series though, so you may be onto something if she is trying to diversify her line of work...?

#TUMBLRS EDITOR DELETED CHUNKS OF TEXT LIKE 3 TIMES i had to rewrite. sorry the last part is a bit tldr but violence&hatred for this websute #i hadn't talked about hnk for a while whoa.... pretty much my thoughts on anything ever since the gems arrived on the moon #disclaimer a lot of what i'm saying pertains to my own enjoyment etc etc i don't write a lot so i'm not qualified to speak too much on it #asks

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