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ultrahpfan5blog · 3 years

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Rewatching JJ Abrams Star Trek trilogy

First some context. I am not a hardcore Trekkie. I have seen some of the older Star Trek shows but I have genuinely never followed Star Trek until the first movie of the trilogy came out, which led me to Star Trek: Discovery and Picard that I do follow.

That may give you a context to why I unabashedly love this trilogy. I think its genuinely one of the more consistently entertaining trilogies in the new millennium. While I obviously don’t put it on the same pedestal as TDK trilogy or LOTR trilogy, its just a genuinely fun, fast paced, and well cast trilogy.

Star Trek (2009) is just a genuine blast. I think the movie is near perfectly paced because it starts with a bang and never lets up. It also does a pretty good job of setting up Kirk and Spock as the two leads and then gradually assembles the supporting cast over the course of the movie. I think the pace is key to this film’s enjoyment. Its not a particularly deep movie and doesn’t have a ton of big character moments, but the humor and action in the film genuinely work. The cast works big time. Certainly Pine was instantly appealing. I had seen in him in maybe a couple of rom coms prior to this but he was an instant hit for me here. Lot of natural charisma and comic timing. Quinto is also excellent in this movie as Spock and he has a very tricky tightrope to balance to show emotion without showing too much emotion. Karl Urban as McCoy is hilarious and an instant scene stealer. The rest of the cast including Zoe Saldana, Simon Pegg, Jon Cho, and Anton Yelchin are all instantly appealing though the film is firmly focused on Kirk and Spock so these characters don’t get a whole lot of depth. I will say that Bana as Nero was probably the weakest of the villains in this trilogy, but that has a lot to do with the film being very focused on introduction to the heroes. Bruce Greenwood as Pike was a very welcoming steady presence. Nimoy as Spock Prime is a delight. Even with my sparse background of Star Trek before this movie, it was lovely to see him and he certainly has a few good scenes with Pine, Pegg, and Quinto. All in all a really strong starter to this series. An 8/10.

Star Trek Into Darkness is understandably the most controversial of the series. I had not seen Wrath of Khan when I first saw this movie. Its kind of a tricky thing this film does. Its both trying to be and not trying to be Wrath of Khan at the same time and the comparisons were inevitable. However, irrespective of comparisons, I still really like the film. The pace of this film is not nearly as smooth but the film has a lot more character moments and the ensemble gets more opportunities to step up. Now, I get that have Benedict Cumberbatch playing a character called Khan Noonien Singh might raise a few eyebrows, but he elevates this film so much. This was at the height of Sherlock popularity, when the the first two beloved seasons had released and everyone was going crazy over him, for good reason, and in all honesty he is worth every penny in the movie, chewing scenery with great gusto. Its a pity that advertising spoilt almost every scene he was in, but all his scenes are terrific. Chris Pine also showed much greater depth in his performance, delivering big time on a lot of dramatic moments while continuing to have impeccable comic timing when required. Quinto has comparatively less to do here than in the first film but he steps up during the climax. Zoe Saldana, Jon Cho, and Simon Pegg definitely get more scope here to deliver. All the other returning cast, like Karl Urban and Bruce Greenwood continued to be excellent. Alice Eve and Peter Weller are pretty good as Carol and Admiral Marcus. The action in the film is still pretty entertaining. The dramatic moments in the films work and the film does a nice job of showing the new dynamic between Kirk and Spock. The Spock and Uhura romance also ended up being a lot more enjoyable than I thought it would be. Some of the Wrath of Khan references are a little clumsy and there a few points in the movie where the film drags a little, and certainly the superblood being a cure for death was kind of silly and should have been a much bigger deal, but overall, I still found the film enormously entertaining. An 8/10

Star Trek Beyond is maybe the most Trekkie of the films. I mean, I haven’t even watched a whole lot of the original show and even I have seen episodes where the crew has similar adventures. The strength of this film really lies in the character dynamics. The film splits up the enterprise crew into a few different groups, with Uhura and Sulu together, Kirk and Chekhov together, McCoy and Spock together, and Scotty with newcomer Jaylah. All of these duos work well together. The film is again well paced so its never boring and certainly it has the most entertaining action sequence of the series in the Sabotage sequence. That was silly but damn entertaining. The film also does well to take a breath and give the characters a moment of two to shine. Certainly the scenes between Quinto and Urban are excellent with Urban probably getting the most scope he has gotten in the series. There is also a wonderful moment with him and Pine towards the beginning of the film which really brings home the friendship between them. Pine again is fantastic. Delivering a more weary and weathered performance. I like that the film doesn’t hesitate in bruising him up. He ends the film with a big bruise over his eye. That’s actually one of the things that I love about Kirk’s character over the series. He is not portrayed as this invulnerable action hero. In fact, he gets his ass handed to him constantly throughout the series and symbolically it works that he wins his first fight during the climax of this movie. I liked the mentor/mentee dynamic with Yelchin’s Chekhov. Simon Pegg in this film is a delight. I really enjoy that he fully embraces the character’s scottishness. Jaylah is also a pretty badass character and Sofia Boutella does a really good job emoting through that makeup. Chu, Saldana, Quinto, and yelchin are all first rate. Idris Elba is excellent as Krall. The one things I would hold against the movie is it makes its twist reveal a bit too late to have impact. The film didn’t really need this to be a twist reveal. I think they missed an opportunity to make the villain a lot more heartbreaking. As it stands, it works well enough, but it could have been the best villain is they had given the character reveal earlier and then given the motivations more depth. I also think the tribute to Nemoy after his passing was handled in a lovely manner in film. They handled it in a way where it added something to the character of Spock and the decisions he makes. While the film’s plot is nothing new, it does its characters well enough and the pace and the action continues to be a ton of fun. An 8/10

I do think fans are a bit to harsh on this series at times. I know knocking on J.J. Abrams is common for fans of series which have the words “Star” in it. I certainly think this series kept the brand of Star Trek alive for new fans. I certainly would not have gone on to see Discovery and Picard if I hadn’t seen these movies. So I do think the movies deserve that credit, regardless of what you feel about the quality. I think Justin Lin took on the directing role for Beyond very smoothly and its a shame we won’t get more from this series because this cast was very appealing. But in a way the series ending as a trilogy seems appropriate. I feel the trilogy did end up having a very full character arc for Kirk, who went from cocksure and overconfident Captain in 2009, to a humbling and learning self sacrifice in Into Darkness, to becoming a senior mentor figure in Beyond. Its a damn good character arc in my opinion. Also, it would have sucked to continue the series without Yelchin, who was kind of the baby of this group. So in a way its poetic for this series to end with the whole core group still in tact.

#star trek #star trek into darkness #star trek beyond #chris pine #zachary quinto #jon cho #anton yelchin #zoe saldana #karl urban #simon pegg #james t kirk #spock #leonard mccoy #uhura #hikaru sulu #pavel chekov #montgomery scott

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sunevial · 4 years

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Reflection

Author’s Notes and Commentary

Well, here we are at the end.

When I started writing The Followers, I genuinely didn’t think it would come this far. I wasn’t setting out to write a literal novel’s worth of content (122,655 words between everything before I edit the original Followers fic, to be precise) about some self-insert OCs that some friends and I ended up creating on a whim. When I started with this project, it was supposed to be some fun little things between friends, a little like DMP in that regard: a fun fic writing with friends where plenty of bad things happen. Except like its source material, it turned into something much greater than even its creator could’ve imagined.

Nearly everything that we came up with was pure speculation, because at the time, DMP didn’t have a lot of solid lore to build a more canon-compliant AU (not that I/we were ever trying to do that in the first place, but I digress). Part of me is a bit sad that I was never able to incorporate other Awakened or even write fics centered around the Awakened as opposed to the Followers; at the time most of this was being written, there simply weren’t enough characters in DMP for me to have a cast I could write with. By the time there were, there was no way I could take on another project of this size. The Followers fit that niche of having a relatively large cast with varying interpersonal dynamics that DMP now has, and at the very least, I am glad to see I was able to predict something in the major narrative.

This being said, as a person, I love making self insert characters for stories and media. In my eyes, if I can see myself or a character I have made interacting with a world someone else has created, that piece of media has made a world that others can see themselves in. Even in its early days, DMP created a world that I felt could be expanded upon beyond what we were explicitly told, which is how the Followers really came to be in the first place. Even if none of it is canon, the lore of the Followers still reasonably fits with the information we were given in Season 1, and that makes me happy.

(No, I’m never updating this to explore what we know as of season 3.)

A lot has changed since I started writing the Followers, and more broadly, writing anything for myself again. For those who didn’t know, I had a lot of hangups writing fanfiction for a long time due to some events in my past, and it wasn’t until DMP that I felt both inspired enough and comfortable enough with the community surrounding it to branch out into fic writing once again. Throughout this two and a half year journey, material and backstory elements were fleshed out behind the scenes, quite a bit of stuff got retconned within the Follower’s AU, and overall, I have quite simply changed as a writer and a person. I’ve made a lot of amazing friends (and a significant other) in this process, interacted with a lot of wonderful people, and in something that surprised even me, some of the DMP cast themselves have read my work. It’s really helped me break out of my shell and branch out into other avenues, and I genuinely don’t know where I’d be without writing the Followers.

So, to everyone who has been here on this journey, whether you helped develop the characters (shout outs to my fellow creators, Onyx, Missfoxx, ArcherOwl, Arahul, CollectorOfMyst, Caaarl, KyleTheWarrior, you guys are sincerely wonderful and amazing people to work with), been an avid fan of the series, or have simply enjoyed watching all of this from the side lines: thank you. I couldn’t have done this alone, and I’m glad to have gone on this journey with you all.

The Followers: Agents of Stories

I’ll be the first to admit that I didn’t have a working theme going into this whole novel long journey, but I will be touching on some of the various themes I began to weave into the story as time went on.

The truth matters.

The truth is the single most driving factor throughout the series. Characters uncover each other’s backstories, Young Priest learns the real reason why the stories of the Followers have been so inconsistent, Vincent learns the truth about his wife, and even the readers of this fic learn the truth about the lore I’ve created for this AU. Wanting to know what is really going on is really the driver of any modern narrative, because it’s often the readers who are in the dark since we can only experience things from (typically) one perspective as we read.

Truth, like history, is often written by the victors and people in power.

Murder God and the Followers are experts at lying. To them, truth is a tool, and whoever knows the truth has the most power. The truth is complicated, the truth is messy, and for beings that powerful, the truth is objectively dangerous. If word gets out Gale is the Witch’s daughter, if too many people know Young Priest’s sister is in the Void, if people learn that Priestess actually cares about Lieutenant, that gives other people power over them. This is where the idea of unreliable narrators also comes into play; there’s simply things that the reader doesn’t know because of who’s POV they’re experiencing the world through and what they’re going to care about letting other people know. They don’t want people to know the truth. I

A story’s message is more important than the truth.

Good narratives and good historical records rarely intersect well. There’s always going to be embellishment, stuff that is left out or skimmed over, or timelines that are changed to better suit the story someone is trying to tell. Because the truth is often written by people in power, it makes sense for the general scope of the narrative to be prioritized over getting every single detail correct. No one actually cares if Witch lost her pregnancy, if Huntress was killed by another god, if Advisor actually feared something happening to him. People care about the Witch, the human who has fallen from grace. People care about the Huntress, bringer of vengeance and the hunt. People care about the Advisor, collector of knowledge and secrets. As long as the mythos is served, who cares about the truth?

General Questions

What is the order the Followers joined?

Old Priestess, Lieutenant, Witch, Bookkeeper, Advisor, Huntress, Part Timer, Young Priest

What do all of the Followers represent in terms of game rolls?

Old Priestess and Lieutenant are the Murderers, Witch is the Witch (you can save someone and you can kill someone), Bookkeeper is the Minion (aids the murderers but does not partake in the killings), Advisor is the Seer, Huntress is the Gunslinger, Part Timer is the Doctor/Bodyguard (protect one person every night), and Young Priest is the Gardener.

How many of the Followers have been replaced?

Less than you think. Witch is the last in a long line of typically human or quasi-immortal witches who didn’t survive. The Young Priest position has changed hands multiple times due to that role actively needing some human morality to work properly, which usually results in minds being broken or rebellions taking place.

Can Old Priestess and Lieutenant bleed?

Old Priestess, yes. Lieutenant, no, but I suppose he could make blood if he really felt like it.

The Masquerade chapter mentioned something about Priestess having "ichor" that helped stabilize Bookkeepers' blood. What is that quote un quote ichor?

It’s just her own blood. Priestess donated her own blood to help stabilize Bookkeeper.

How many years did it take for Bookkeeper’s legs to heal? Are there any scars?

Time doesn’t really exist in the Void, but if I had to put a number to it, about ten years. There are some very small scars, but they’re not easy to see. Bookkeeper also never wears anything that isn’t long sleeved, so take that as you will.

Could you stick your hand through Part Timer’s eye hole? How does he function with half of his skin gone? Does he get blood everywhere?

Yes, you can, but you’d soon hit red strings. His muscle tissue and bones are held together with magic and magic alone, so his ‘undead’ side needs blood only in the vaguest sense. That being said, his clothes are almost always bloodstained to some extent, so that blood has to come from somewhere.

What are the Followers’ opinions on sleeping? Do any of them need sleep?

None of them need sleep. Most of them are too busy to ever want sleep. Huntress occasionally lies down for a nap, and Witch slept a fair bit while she was raising Gale.

How do Advisor's…emotion switches work? Could they get unwillingly triggered by something?

The switches are more metaphorical. The idea is that since he understands how emotions are processed and created and how he responds to them, he can willingly enable or disable his ability to feel them. This also means he can, in theory, control his mood at all given times. However, as shown in Inter Spem et Metum, if he has had no reason to experience a certain emotion until that exact moment, it can temporarily render that control useless, as he doesn’t know enough about it to control it.

Can any of them get sick? If yes, what could cause it and how would they get better?

Biological illness, no. Curse based illnesses, yes. Typically if one of them were to get cursed by something strong enough to hold, Witch would be the one to break it. She’s their primary curse breaker. If Witch gets cursed, the others know enough about curse breaking to get her out of it.

Can they get sick from something their own bodies do (ie. hives from stress, allergies)?

Almost all of their bodies are so infused with magic that most problems that would plague mortals aren’t as much of a concern. It would be a little bit like, say, Aphrodite getting hives from stress. While she might look human, she’s definitely not, and a lot of the problems that come with being human don’t apply.

When did Retribution take place?

Before Part Timer joined. That’s the closest to an actual answer you’re going to get.

How many of the Followers actually know each other’s stories?

Everyone has an inkling of the truth of the others, but only Witch and Bookkeeper have let the others know their full story. Bookkeeper has never really cared, and Witch was all but forced to tell her full story.

Are there any ships that the creators ship among the Followers?

Old Priestess and Lieutenant is shipped by Old Priestess’s creator (Missfoxx), Lieutenant’s creator (Onyx), and me. It’ll never be canon, because Lieutenant doesn’t know what love feels like and Old Priestess will never admit her own feelings, but it is a strong ship between the three of us. Bookkeeper’s creator (Caaarl) and I actually ship Bookkeeper and Witch due to their unspoken bond they developed being the only former humans amongst ancient deities and eldritch entities. Again, non canon, but it’s definitely an exploration for both of us how the two of them would cope with such traumatic transformations.

What actually happened with Vincent’s wish in Chapter 20?

This was intentionally left vague due to it being from Vincent’s point of view, and Vincent calls himself not a smart man. Essentially, Murder God and the Followers caused a timeline divergence due to their canon ability to fuck up timelines as they so desire. Gale still married Vincent Marshall Reid, but he simply just died in the war overseas and never took Murder God’s deal. Vincent Marshall Reid of DMP canon instead grew up in West Virginia and married Abigail Crane. Essentially, the two of them exist in different timelines now, unable to ever interact again in any meaningful way.

Is Gale going to be okay?

Gale is Witch’s daughter. Witch refuses to let Gale get mixed up with the cults. Even with her current actions and making a deal with Murder God, Gale is considered a free agent and always will be a free agent. She and the kids will be fine. Star sickness isn’t a thing in the Followers AU either, so she won’t be coughing up goop.

What is actually going to happen to Young Priest in Chapter 21?

That’s meant for reader speculation; part of the horror of the Followers is not knowing specifically what they’re willing to do to someone and how far they’re willing to go to make someone into the image they need. I’ll probably expand on how I think he turns out once everything has been done to him, but I can tell you this. His eyes are turned a solid sparkling blue.

#the followers #the strings that bind us together #don't read this until you've read chapter 21 #or do #there's spoilers under the readmore

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dysphoric-affect · 5 years

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The Art Of Companionship

As Booker Dewitt in BioShock: Infinite, you look on as an idling Elizabeth stops over a dead body, clasps her hands to her mouth and stares, eyes wide with remorse, and it seems like to you an increasingly - and tragically - sense of innocence lost. It’s just a dead body, and you’re playing a first-person shooter. You’ve seen this sight hundreds of times. Under other circumstances, you’d think almost nothing of it, so familiar are you with the sight. Yet suddenly, in a way you never have before, you appreciate the gravity of it. That inert form is a dead human being. They had a life and feelings. People that cared. Elizabeth’s reaction forces you to think of this, even if only on some small level. Still, it is more than what you would ever think normally, which makes such a quite, small moment able to feel so profound.

As Joel in The Last Of Us, you listen to an enthusiastic Ellie express her optimism about your survival chances, or confusion about what could lead people to commit the horrors of something you’re witnessing. Joel, annoyed, tells her off with a harsh rebuke of how naïve she is and how grim human nature is, sometimes more subtle in manner and sometimes as overt as can be. Given Joel’s past, you understand there’s another reason why he’s so hostile that makes him less of an asshole than he seems: these moments of Ellie’s remind him of the innocence of who he lost, a reminder of a pain he wants to forget and isn’t allowed to because of those circumstances. Underlying his terseness is something more than annoyance as well, you understand coming from this past of his: a sort of paternalism. He doesn’t want to see this person meet the same fate. He wants her to learn so she can survive where someone else didn’t, even if it takes tough love...but love, understated.

As Kratos in God Of War, your son asks a question about his mother - your wife - whose death drives you both forward. Being so gruff of a person, at times these questions are met with anger and annoyance and a demand to quit prying and focus. At times they are met with quiet, with an eventual answer being short and elusive, avoiding greater detail; perhaps it is in his nature to not talk at length, but an understanding is there that it’s also because feelings are involved in the subject at hand for the love lost, feelings being one thing the character, for all his power, has almost no skill in dealing with well. And at times, Kratos’ voice goes unusually soft for him, and a heartfelt admission about who his wife was as a person and what she liked is made, in part for the boy’s sake, to give him a larger piece of her to have in the absence of her living, as well as in part, you realize, for Kratos himself, a reminder of the peace he had and that violence isn’t all there is to life, a reminder that there are other forms of strength in the world than his own, kinds of strength that he needs to find now in himself in her absence in order to honor her memory as well as to fully give the boy the love he was intended to have. The hard exterior of this man, you realize, belies a great depth of emotion and thought...even if something his enemies will never see.

What do all these moments have in common? They all demonstrate a potent element games can possess that we’ve seen emerge more and more in recent years: that of the singular, constant companion. While certainly credit must be given to the writers and others behind creating these characters that makes the specific examples referenced so well executed, I do think that there is something inherently special about this type of element that makes any game that incorporates it with purpose and puts thought into it a game that is much more liable to be well received, or even celebrated. Why is this so?

The key here I think is the inherently limited nature of perspective you get from the player character: on events, on the world, on themselves and even any broader moral or philosophical themes that might be a part of the larger narrative. Our world and any fictional one includes a host of people with differing perspectives about it, yet we often only get to perceive these fictional worlds through the very limited scope of the player character’s viewpoint, or with no perspective at all in the case of the many silent FPS protagonists. Having a critical companion throughout the story of a game ensures a layer of depth unattainable for the narrative otherwise.

This can be in reacting to events, offering opinions and sharing lore we otherwise wouldn’t know, but it also provides the chance to create more depth for the player character as well: when the companion reacts to what they do, it creates more of sense of that protagonist’s existence in that world, fleshing them out, as well as providing something for the player character to react to, directly revealing more of their personality and opinions in the process where they otherwise simply wouldn’t have a chance to do so. In the course of all this, there is an understated but powerful sense of connection to the player character that players can come to have from this relationship which bolsters a sense of ownership of and care for what’s happening in the game. This occurs because the player character and players themselves both develop a sense of attachment for these companions in tandem. When this connection has been established, everything going on with the experience takes on a greater significance, and since the ostensible goal with narrative-based games is to have players care about the story, about the world and these characters and what happens to them all, then fostering this kind of regard from players is certainly an important step toward achieving that goal of creating a meaningful experience.

The trick, of course, is that while being a game provides a sense of being there with these companion characters that makes moments with them potentially so profound, that same format poses a unique challenge: how to incorporate them into the gameplay mechanics of the experience. When we look at the examples given at the start of this piece and comparing them, given they all succeeded extraordinarily well with their companion elements, certain patterns emerge on how best to do this effectively.

One, which I think overall is most important, is to not have game progression failure tied to their actions. Part of this is ensuring no actions that deviate from player intentionality in a scenario. In other words, they don’t take an action that can cause something undesired to happen, particularly as concerns enemies where the player is attempting to strategize in their approach. The most salient example of this would be in stealth scenarios, where the companion taking more overt action or just being scene would cause a break from the stealth mechanics of the game against the players will, frustrating them in their lack of culpability in that having occurred.

The Last Of Us presents a great example of this, where Ellie is literally incapable of alerting enemies to her presence when moving in stealth. While her pathfinding is pretty strong about positioning her to where she gets into cover with realistic timing, at times she doesn’t. I remember watching a design talk done by Naughty Dog where it was explained this was deliberate, because it was seen as worth it to potentially have the odd immersion-breaking moment where an enemy doesn’t see Ellie when she’s clearly in view in order to guarantee she could never trigger enemies’ alert status and garner negative feedback from the player for her actions. I personally experienced a few of these moments playing the game and have to admit it was the right call: more than I was put off by any sense of “Really? You idiots didn’t see her right in front of you?” I was just relieved to not have an alert status triggered, leaving me free to keep attempting the checkpoint rather than initiate a manual restart of it because the element of surprise was gone against my will. This made it clear that having your companion unable to cause any failure of your attempted approach as a smart way to design their performance, as the suspension of disbelief for it to occur is outweighed by the benefits in progression.

Another means to avoid progression failure is simply ensuring they can’t die. It is always critical in good game design when it comes to the difficulty aspects to ensure that player action is the determining factor in successful progression, not that of an external party beyond their control. Since these companions by definition have a great deal of their own agency, then if they could die there is always a chance that event would occur due to factors that weren’t necessarily the player’s fault. That just leads to player frustration that puts them off the gameplay experience, as well as weakening the companion’s narrative strength by having such player frustration be directed toward them, which is of course counterproductive to the empathy and love for them players are intended to have. As far as why they always escape a grim fate, this can be explained away easily enough with them being stealthy or nimble enough to avoid efforts to hurt them, seen manifested in their gameplay behavior, or simply with the “bigger target” philosophy: the enemies focus far more on you because you are the bigger threat offensively. This leads nicely into the next point...

Two, have the player character be the star offensively. Players want who they are in the story to be the dominant offensive force, so having the companion dwarf you be killing more effectively than you do would only generate resentment on the player’s part. In gameplay terms, this doesn’t mean that they can’t be capable of killing, just that the ceiling for their potential kill rate can never surpass what the average killing rate for the player character is. So that they don’t feel like an escort that steals a few kills, however, the crucial dynamic for those companions is to have them be useful in other ways, such as using their size or other skills to bypass obstacles and deal with puzzles. Having them find useful items or indicate points of interest can also serve this purpose really well. In the examples mentioned before, Elizabeth, Ellie and Atreus all have their focus as companions be in these areas, to great effect.

Third and finally, have their useful capabilities grow as you progress, right along with you. Your character will always have to deal with increasingly more difficult enemies and obstacles over the course of the game, so having the companion’s own abilities increase accordingly sustains their sense of viability as you deal with those greater challenges. In the noted examples, Elizabeth progresses to opening extremely useful tears, Ellie starts getting kills of her own that minimize the threat to you (noteworthy because of how high the sense of vulnerability is for you throughout the game) and Atreus can better weaken and kill enemies of his own. This plays back into the last point I made, which is to ensure that they only get better offensively in a way that makes them more supportive, but never deadly on the scale the player character is.

With these criteria met, from there it is simply up to the writers to make them strong characters in the emotion they express and story they create as they interplay with the player character. Done right, this type of companion relationship stands to be one of the most satisfying experiences you can have in modern games. Fortunately, the special quality these have is something that’s been noticed, as we can see it in more games all the times in modern gaming. Sony in particular has been seemingly focused on producing these narrative-focused experiences with companion interactions.

It’s worth noting that while the singular, main companion experience is generally which seems to have the greatest potential, there’s something to be said for deviations that at least have interactions with a core set of companions as the key, or a more dynamic narrative relationship with what companions one has. Speaking of Sony titles, the recent Spider-Man game is a strong example of this: while you don’t have gameplay companions generally, you do have constant interactions with a few key allies remotely, who you understand to be conceptually driving the narrative forward and also providing a chance to see more layers of Peter Parker’s personality.

In other cases, we can see where embracing more dimensions of the critical companion dynamic has occurred. Halo, for instance, had Cortana as a beloved character for its’ entire history as a franchise with her useful intel on the world and events, comic relief and the conceptual help she provided in opening doors and enabling you to pursue certain objectives. With Halo 4, though, that dynamic evolved in a great way as the Master Chief started talking back to Cortana, with her talk now being used to draw out and show an emotional depth to the Master Chief that made an already loved character even deeper and more worth loving, which was a victory for fans of the franchise and for fans of deeper storytelling in games; in fact, their dynamic was I believe that title’s standout element over all others.

All these cases go to show that while there may be a place for the titular solo hero in games, there is certainly a place for the hero who gets by with a little help from his or her friends, or at least, a friend. As the potential has grown for realism in games, the capability has grown to tell more meaningful stories through the presentation of more believable characters, and with that capability I believe there is an impetus that should be felt by more developers to create more games with these kind of dynamic critical companions. They can immerse us more in the worlds of games and create opportunities for fresh new gameplay elements in the process, making their continued and ever broader incorporation into new games we have yet to experience be something that will be a boon to all who are entertained by the medium.

And Ellie, we’ll see you soon. ;)

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oosteven-universe · 4 years

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The Visitor #3

The Visitor #3 Valiant Entertainment 2019 Written by Paul Levitz Illustrated by MJ Kim Coloured by Ulises Arreola Lettered by Simon Bowland The Visitor’s origin revealed!? As the unkillable assassin continues hunting his targets, the fate of the future begins to come into focus. Oh I am loving this book! There are moments throughout that make you shake your head and double and triple check what you saw and read to make sure it wasn't a mistake. Paul shows us why he's still one of today's most accomplished writers and I couldn't be any more thrilled by this. Also I really am enjoying seeing how someone can be prejudiced based on culture because it really isn't something we see that often, at least not in this manner. Of course there's more at play here and by turning to the Americans they've opened a can of worms that they will have to explain at some point. I think the way that this is being told is extremely well handled. The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented sensationally. There is some nice layering happening here and we can multiple characters each with their own agenda and one who just wants to do her job. The way we see things happening we may not notice how intricate the layering really is. The character development is phenomenal and the more the we see them the more we get to know them and our opinions keep changing just like they would in real with the more we learn. The pacing is superb and as it takes us through the pages revealing the twists and turns along the way it helps to create this dynamic ebb & flow. This is full of those awkward moments and delicious tension that gives you pause. You pause because you don't know what is going to pop out at you but you need to turn the page to find out what's going to pop out at you. This level of engagement as well as how Paul takes us off-script is phenomenally well achieved. Also as I think about it all these moving parts are like the inner working of a clock, each separate piece and yet continually working together in sync to create something greater as a whole. Coincidentally this is also the way that the entire creative team works together. The interiors here are utterly marvellous to behold. The linework is mindbogglingly good and it shows such a strong and steady hand as the varying weights create this quality and level of detail. I am super impressed with how we see backgrounds utilised here and how they are utilised within the composition in the panels to bring us depth perception, scale and that overall sense of size and scope. As I sit here looking at this I really am awed by the linework and just how well we see this attention to detail it's really beautiful. The utilisation of the page layouts and how we see the angles and perspective in the panels show a masters eye for storytelling. The colour work is done with aplomb. The work really is divine and how we see the various hues and tones within the colours to create the shading, highlights and shadows is amazing. I expect a lot from Valiant and this exceeds the standards I have placed on them. The way that the story keeps unfolding and introducing new elements as one are revealed keeps this so mesmerising. Then there are moments like when Talia was examining the blood that are well you can see for yourself but damn. Also I am dying to know more about this Visitor and how human it is because that love affair he had I want to see more of. This is the hot now series and if you aren't reading it then you're missing out on one of the truly great reads.

#comic books #comics reviews #Valiant Entertainment #paul levitz #mj kim #Ulises Arreola #simon bowland

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tiergan-vashir · 5 years

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Updated FAQ

Updated my FAQ after letting it sit for a while. If you’re curious and don’t want to have to actually navigate to my blog proper, all the answered questions are under the cut:

Are you taking commissions right now? Cost of living in my area is too high for commissions to be worth it anymore. I also don’t really have enough free time, so I just draw for fun and personal projects now.

What do you use to paint? Adobe Photoshop CC and a Wacom Intuos 4. My brush set can be found here.

Will you please reblog my post about X? I know it sounds weird, but as a personal rule, I will not reblog anything that I am directly asked to reblog. It brings back some sour memories for me of folks who often would try to use me as a personal community megaphone. It also just feels uncomfortable, because I feel pressured to reblog even if I’m not 100% okay with the content. What you CAN do is just show me the post without saying anything either way about whether you’d like me to reblog it. This gives me the freedom to reblog it or not at my leisure.

Can I RP with you? Possibly! Though there’s a few caveats you should be aware of. I have very limited free time, a full-time job, lots of competing RL obligations, a fuckload of personal projects, and energy levels that putter out quickly due to health issues. This means my RP time is EXTREMELY limited and I want to use what little of it I have wisely. Because of this, I tend to zero in upon very specific types of RP and RP interactions I either know I will enjoy or feel have a strong shot at being something I enjoy. If you ask me for RP, there’s a chance I’ll say “No, I’m sorry.” It won’t be because I think your character is uninteresting or that your RP is terrible, but because it’s just not the kind of RP I’m looking for. There is also a chance I will say “Yes!”, we RP and even though you are a great RPer with an awesome story, I come to realise our characters don’t quite fit and the RP isn’t quite what I’m looking for. The latter scenario is really hard, stressful, and anxiety-inducing, because people tend to take it as a personal attack on their RP ability or the quality of their character. It’s not. I just have almost zero free time and want to use it as best as I can on RP interactions I know I’ll love. If you understand and are okay all of this, feel free to shoot me a message! If not, that’s totally okay. I honestly don’t blame you.

Wow. Okay. What kind of RP ARE you interested in then? - Dramatic, epic plot-driven RP. - Angsty, feelsy RP. - Tension or Conflict RP. I am super down to be your enemy, frenemy, or rival! I’m down to have Tiergan beat down and lose at things. Just expect plentiful OOC communication, because I feel like that’s important for this kind of dynamic. - Horror, Occult, Spooky RP. - Mysticism, Spiritualism, Ancient Magics. It’s something Tiergan has no familiarity with, so naturally it is a ton of fun seeing his reactions. - Any RP where Tiergan is forced to grow and develop, or feels utterly tiny and overwhelmed by the sheer scope of what he’s facing and has to muscle through the chaos of his own emotions.

What RP are you less interested in for First Time Encounters? - Slice-of-Life, Domestic RP. It’s not really my thing unless Tiergan has an established friendship or bond with the character, because at that point, we’re building up their bond and it becomes interesting again. - Sparring for the sake of Sparring. I love exploring Tiergan’s struggle with a history of violence and being a man where his primary skill is violence - but I get easily bored of fighting for the sake of fighting and there’s no greater overall purpose or plot behind it. Without any plot or heavier emotional context, it just becomes an exercise in how many ways I can describe combat. - I have zero interest in RPing with someone whose primary interest in Tiergan is Romance RP. If I consider RPing romance with anyone at all, it will most likely be with a player where if we took the RP romance away, there is still a fuckload of non-Romance RP we are still very much interested in doing together. I have to be intensely interested in your character from a completely non-romantic angle for me to ever even entertain the romance aspect. Also, to be blunt, there’s way too many people in RP communities who use RP as unhealthy romantic wish fulfillment/escapism or to fulfill their sexual fantasies they cannot live out in RL. I love smut. I ERP plenty. I like feelsy RP, and romance falls under that bucket for sure, but I’m not here to get pressured and emotionally manipulated into uncomfortable shit by someone who is using the virtual world as a replacement for their lack of RL romance.

Do you RP on Discord, Tumblr, Google Docs? I primarily RP in game and schedule out most, if not all, of my RP in advance by shoving it into my Google Calendar. Due to that full-time job and busy schedule, I live and die by this calendar. Any event that is not in there might as well not really exist to me. Except for rare exceptions, I don’t typically RP on Discord anymore, because it’s hard for me to remember to reply. I quasi-RP on Tumblr sometimes, in that I’ll RP-reply to certain asks or on whim, but definitely not for long, sustained scenes. I’ve only RPed in Google Documents with one person so far. I like it, but I don’t think I could keep up with it very well if I had multiple friends I was RPing in this format with.

#faq

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kcwcommentary · 5 years

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VLD2x05 – “Eye of the Storm”

2x05 – “Eye of the Storm”

Zarkon’s forces, who showed up at the end of the last episode, attack. The Castle takes evasive action. This is the first time (is it the only time? because I don’t remember these things) that it’s shown that there are weapons drones separate from the Castle itself. Of course, the writers decided that in a tense situation, one that could be life or death, to have the never explained “rivalry” between Lance and Keith be a thing. When you’re in a situation like this, you’re fighting for your life, you’re not going to care about such petty things. Allura using the moon for a gravity assist was really nice though; I’m surprised the show could actually get something science right for a change.

The Castle makes it into a wormhole and escapes but falls short of their intended destination. Allura collapses from stress and everyone’s tired. Coran gets “the slipperies.” This plot for him doesn’t do much for me; it doesn’t bother me, I’m just eh about it. He eventually reports that the Castle’s teludav, the system that enables wormhole creation, is under severe need of maintenance. While Coran works, everyone else tries to rest.

Lance heads off to the pool, and when he sees Keith is doing the same, he gets all angry/annoyed. “What the heck do you think you’re doing?” he asks Keith. This “rivalry” is so senseless. Seriously, writers? Keith can’t even go for a swim without Lance being bothered by it? It’s tiresome. The power cuts out while they’re in the elevator though. Two people antagonistically stuck in an elevator together is a trope, but this episode doesn’t let it play out; we move on to out of the elevator almost instantly.

Meanwhile, Hunk is baking because of course he is. I can understand his explanation though, that it clears his head. This is a reasonable application of the Hunk-likes-food single bullet-point of characterization the show gave the character. It expands his liking food beyond just fat guy = food, and instead explains how it’s applicable to his psychology. Baking is meditative for him. His “cookies” are weird though, and when challenged on it, he responds, “Are you going to try and tell me these aren’t cookies?” as he looks through clear, blue discs. Are you telling me he just randomly threw unknown substances in a bowl, stirred, and then portioned it out and baked it? That’s not how baking works. If he truly is even a novice yet serious baker, he would know that baking requires precise measurement of ingredients. The show again thinks doing a faux x-ray shot of bones breaking, this time Hunk’s teeth when he bites a “cookie,” is funny. It’s not.

Lance and Keith are trying to cooperate in climbing up the elevator shaft. The “rivalry” continues as they rant at each other each step. They eventually make it out and to a spot under the pool. The water is above them for some no other reason than it’s weird.

Pidge meanwhile tries to learn Altean, but for some absurd reason, the language instruction software attacks you if you mispronounce words. And the words it teaches are just creatures/monsters. The episode later makes Pidge’s wanting to learn the Altean language have relevance, but this particular scene does nothing to advance to that point, so this scene is wholly unnecessary.

Shiro and Allura have a brief, but nice, tender moment. She can’t help but to continue to be worried about Zarkon. Shiro tries to encourage her that it’s okay to take a bit of time to rest. Unfortunately, while they’re talking, Galra forces attack the Castle. The crew goes to stations. Lance is baffled that Zarkon could have found them. I don’t know why though since this isn’t the first time; the show has established that Zarkon can do this, and the Paladins know that he can do this. This shouldn’t seem like an out-of-nowhere surprise anymore. Coran’s slipperies remains a problem. I still don’t find his condition to be funny, but the emotion of his apology to Pidge and his asking for help makes his situation have narrative/characterization value. Keith and Lance are back to controlling the weapon drones. They call out targets for one another, which I guess is supposed to be them setting aside the rivalry to help one another, but it’s not realistic. One, an advanced weapon system like these drones would have tracking systems built into them, so each one would have fighters/potential targets being presented on their operational displays. Two, each of them would be too busy operating their own drone to be able to monitor for targets for the other.

The drones go down, other systems, the shields, Coran and Pidge have to take them all offline to power the wormhole generator. The Castle makes a short jump and end up at what looks like a giant gas planet, but they have at least a moment to breathe. Shiro’s worried about how they’re being tracked, and Allura assures him the Castle’s systems would have detected any kind of tracking device. Coran reports the teludav is even more damaged now. Pidge describes the thing that looks like a planet as being a “giant metallic storm.” This show finally has something that looks a fair bit like a realistic planet – it’s kind of Jupiter/Saturn-ish – but it’s a “metallic storm?” Whatever.

The storm should hide them from any technology that could detect them, but Zarkon’s there almost immediately. The shots of Zarkon’s ship above the eye of the storm are beautifully animated. With no known tech being identifiable as letting Zarkon find them, Allura assigns blame to herself. Saying that’s how the Galra found them on Arus too. I guess it’s just the stress of the moment that makes her blame herself. Shiro says none of that matters. (He’s so supportive in moments of crisis! How anyone could think his character is boring, I don’t know.) He says that Voltron needs to lure Zarkon away so that the Castle can get out. He says to Coran, “I need you to do the impossible.” So much leadership!

Galra fighters following Voltron into the storm end up being destroyed by the storm. I don’t understand the structure of this storm. It has an eye, but only on one end? Zarkon’s ship is stationed at that end of the eye, but there’s apparently something beneath the cylinder of the eye of the storm that blocks the other end, and thus the Castle can’t get out that way? That’s the problem when you make up something like this: you have to explain it/depict it in greater scope to let the reader/viewer understand what it is. If this is just a weird, spinning storm in space that has an eye, we’re going to instantly compare it to a hurricane to try to understand it. The eye of a hurricane is open on top and bottom. But this has no bottom opening?

Zarkon rages, “The Black Lion is all that matters.” The Castle flies out of the eye right past Zarkon’s ship. Even if Zarkon is focusing himself on the Black Lion, I can’t believe the entirety of his ship would just stop and not attack the Castle while it flies past. Voltron starts glowing purple and being pulled toward Zarkon’s ship. Shiro states Zarkon’s trying to take control of the Black Lion. Voltron struggles against the pull, and the Lions start emitting beams of light from their eyes. It’s visually confusing because Zarkon’s ship starts exploding, so it makes it look like it’s those beams of light that are damaging the ship until three camera shots later when it’s revealed that the Castle is blasting huge holes through Zarkon’s ship. Given how much damage the Castle is doing, they should be able to easily destroy the entire ship. Zarkon’s concentration is broken, allowing Voltron to escape.

Hunk’s cookies turn out to be made of the stuff that the lenses that need to be replaced in the teludav. It’s a convoluted, silly scene of the Paladins holding the “cookies.” But it doesn’t bother me. Everyone is freaking out. Lance is screaming, “We’re going to die.” And Shiro is just standing there thoroughly unbothered, with an almost resigned, “whatever” look on his face. It’s like the poor guy’s been through too much to even care at this point. The lenses aren’t enough; they need to be shined, and Coran uses his slippery goo to do so. The system works, they Castle jumps into a wormhole and escapes.

This episode does change the dynamic between Team Voltron and Zarkon. He’s no longer just standing around somewhere distant being a villain from afar. Now he’s actively pursuing them himself. The episode thus heightens the overall tension in the show’s ongoing plot.

#voltron legendary defender #voltron #vld #voltron criticism #vld criticism #voltron critical #vld critical #vld season 2 #vld 2x05 #commentary

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avenger-concerto · 5 years

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Operation Knight Song (RFSS2018)

Heya @invaderpig I’m your Secret Santa for 2018. I want to extend my deepest apologies for posting this so late. The Holidays got hectic as hell for me back in December along with other priorities coupled with post-Holiday slump. I managed to finish this ficlet though. I had a blast working on this one. I’ve never done Doug x Frey in any fan RF4 work so I hope I captured their dynamic finely.

Wishing you a late Happy Holidays and a Happy new Year! Once more, I would like to thank @runefactorysecretsanta for hosting this event. This is my third time in a row participating and I love how it brings the RF community together.

Title: Operation Knight Song

Genre(s): Slice of life, romance, fluff, comedy, some drama

Pairings / ships: Doug x Frey and Margaret / Meg x Forte

Rating: T (13 and up) - mild profanity, some innuendos / suggestive jokes but nothing extreme.

Summary: During the Night of Holies in Selphia, Doug and Frey help Forte confess to the love of her life in a group outing.

Word count: 3813 words.

It was the snowy and star-lit evening of Winter the 24th in the independent town of Selphia. More specifically, it was the eve which preceded Christmas day: the Night of Holies.

Usually, it was tradition for the natives of Norad and by extension Selphia to celebrate the evening in peaceful solace and tranquility. In addition, it was known as a night perfect for romantic rendezvous and evening dates. It was all the more true for the Night of Holies this particular year.

Within the grand halls of Selphia Castle, the princess and her first man hurriedly prepared for what the former codenamed as “Operation Knight Song”.

“Doug, we’re going to be late. C’mon you’re taking too long! They might have arrived at the plaza already…”

“Hold on, dear. Ngh, this jacket’s too huge! I have no idea what size Volkanon picked out but it’s taking me longer than usual to…”

“Ok, less complaining, more moving or we’re gonna be late. We don’t want to keep them waiting, right?”

“Wait dear, I’m finished!!”

In a frenzied but enthusiastic rush, Princess Frey’s husband: Doug, descended from the 2nd floor of their living area with a pair of black pants, brown snowboots and a crimson colored jacket. Despite his previous complaints, it turns out the jacket was just about the right size as shown through his satisfied grin.

“Well, how do I look?” the red-head dwarf asked between gasping breaths.

“You look fantastic!” Frey chirped with a smiled as she clapped her hands together. “What do you think of mine now? Dolce and Clorica helped pick this out for me the other day. We had it custom tailored and ordered from Norad’s capital.”

Doug took another look at his wife’s snow-friendly attire which consisted of a beautiful black coat accompanied by an emerald coloured Wooly fur snow cap with both pieces complimented by an illustrious snow white scarf. For the evening, Frey had also undid her twin-tails, letting her long and beautiful emerald hair down.

“Stunning, I dunno what else to say.” Doug widened his eyes while his lips formed what could easily be described as a dreamy yet flustered smile.

“Hoooooh? Flirting this early on in the Night of Holies?” Frey snickered as she motion towards her husband, clinging onto his arm playfully. “I guess you are desperate for a spot within Santa’s Naughty List.”

“Gahhh, cut it out!” Doug yelped, his objections contradicting his now reddened cheeks. “N-not that I mind but not this early either, h-haha…”

“This blockhead,” Frey whimsically thought, “Wonder how we’re gonna have kids at this rate?”

Doug spoke, “So uh, what about Ventuswill?”

“She’s fast asleep.” she informed her husband, “I had Clorica and Vishnal prepare her a cup of hot milk and a serving of pancakes. Venti wanted to go to bed early so she wouldn’t wake up late and miss the Christmas festivities.”

“Alright! Now that’s all settled…Let’s head out then, shall we?” Doug smiled coolly, extending his hand out.

Frey giggled slightly as she took her husband by the hand. “Of course. As the high princess of Selphia, Operation Knight Song will not fail!”

For the sake of some yuletide context in this given Night of Holies and by extension “Operation Knight Song”, it is commonly well known in Selphia that there were two individuals who helped push the princess together with the hotheaded dwarf shopkeep of the general store. The honour went to none other than Margaret or by her nickname: Meg, the gentle elf musician of Porcoline’s Kitchen and Forte, the dashing and valiant head knight of the town.

Meg acted as a wingwoman of sorts to her close friend Frey and it was Forte who was always there to convince Doug to get his act together when it mattered the most. They’ve both remained strong family friends to Selphia’s royal couple ever since.

Of course, there is much more to this story and Frey herself knew it very well. Throughout this all Meg and Forte remained close friends. Relegating the overall feeling to “friendship” was a massive underestimation, so to speak. In reality…

“Forte, Meg! We’re here!” Frey excitingly called out as she and her husband approached the two figures waiting outside on the snowy centre of Selphia plaza.

“Good evening you two!” Margaret waved her hand and approached the couple, giving Frey an affectionate hug afterwards. “Ohmigosh, you both look so adorable!”

“Awwwww, thank you!” Frey squeed in delight. “You’re looking stylish too Meg. Same goes to you, Forte!”

“N-no, I’m not in need for any compliment whatsoever…” the blonde and tall knight mumbled. “I just put on a new cape that Kiel bought me. If anything, Meg looks so much better.”

Margaret wore her usual outfit but this time adorned with an azure mantle cloak, a kind of fashion that was common in the Nation of Elves as well as a checkered scarf which Forte had given her as a birthday present earlier in the year.

Forte had her usual armour equipped with additional protection from the winter evening including the aforementioned new cape which her younger brother had given her as a present. Outing or not, a knight had to remain prepared for anything. Whether it would be against monsters, immediate threats…or confessing to the love of her life.

“Great, then we’re all gearing to go.” Frey raised her fist into the air. “Onward to the observatory!”

“Hey, be careful or you’re going to trip!” Doug called out as his energetic spouse went on ahead. “Honestly, some things never change…”

“You seem rather excited yourself.” Forte commented with a half-smile on her face. “Not as enthusiastic as Frey but still.”

“Yeah, yeah yeah…So, you’re ready for this?” the dwarf gazed at the knight whose cheeks became flushed with pink not soon after. “I mean, you can do it any other time of the year but if you want to leave a lasting impression, it’s now or never.”

“Um, I know that!” Forte answered with a determined voice.

“What do you know exactly, Forte?” Meg curiously tapped her on the shoulders, resulting in a brief but alarmed shriek.

“M-MEG?! UHHH NOTHING!! WE WERE TALKING ABOUT ABSOLUTELY NOTHING! Just about how we should enjoy the Night of Holies b-because it only comes once a year. Yeah, it’s like that.”

“Well, best we get a move on. The snow might stop at any moment and I want to bask in this blissful scenery as much as possible. I saw Frey rush past your house already.” Meg stated while pointing to the western-most exit of the plaza.

“R-right…” Forte nodded as she followed Margaret down the steps leading to the town’s western residential district.

Doug was left alone in his thoughts for the time being. “Man, I know Frey wants to thank them for everything they’ve done for both of us but…this is something out of a romcom novel that Granny Blossom keeps inside her old shelves.”

Frey’s eccentrically named plan, “Operation Knight Song” had one and only one singular goal: successfully get Forte to ask Meg out. This wasn’t anything platonic or familial either.

Another piece of information that was common to most of the town’s inner circle was that Forte being madly in love for Selphia’s star musician, Margaret.

As a knight, romance or intimacy was not within her scope of immediate prioritization. Those never crossed her mind as much as it did for the other girls in town especially during their seasonal sleep over gatherings.

Yet Margaret came into Forte’s life and ever since then her existence alone did just about everything to question the knight’s supposed heterosexuality.

There are numerous reasons as to how the elven musician had stolen the knight’s heart but even then she couldn’t list all of them properly without breaking down into an awkward, stuttering and anxious mess. Meg was resourceful, hardworking, beautiful, compassionate, charismatic, somewhat of a dorky odd-ball, both shared some latent fear of phantoms (Pico was the prime exception) and Forte’s mental list could go on and on.

Forte was content simply just remaining close friends with the musician but as the months and years went by it became clear that she couldn’t deny her own feelings any further.

It started out with simpler things such as her regular compliments towards Meg becoming more frequent in nature. It was followed with other small instances such as their hands brushing against each other by accident on several occasions or noticing the aromatic scent of her hair on a more regular basis. Afterwards, it all escalated to much greater physical contact such as sitting awkwardly as Meg fell asleep next to her on the bench during one late afternoon after work.

It reached an apex when the musician casually kiss the knight on the cheek during her birthday. All Frey and Doug could recall was that Forte was reduced to a stuttering, flustered mess that same day.

A few weeks later, the knight confided with the royal couple that she could no longer deny the feelings she’s harboured for Meg and declared her resolved intention to confess.

Needless to say, Frey 100% supported the proposition alongside her husband, even if the latter wasn’t too enthusiastic about lowkey stalking their Night of Holies date in the guise of a group outing.

Doug sighed and hurried to catch up with the rest of the group. Even if he wanted to, it was too late to turn back now.

Within the top floor of the windmill observatory’s interior, Doug had finally caught up as his wife handed out the hot beverages and snacks she had prepared for them all prior to leaving.

“I brought along some hot cocoa and choco cookies.” Frey pulled out four heated thermos containers and a plate of chocolate chip-cookies from her picnic basket. “I have a few bottles of Prelude to Love in here too that I brewed up during these past few days if you’d like some later tonight Meg.”

“That would be lovely, thanks!” Meg cheerfully replied.

“Doug and I are gonna go head down now.” Frey announced suddenly, “Oops, you see…uhhh…turns out I forgot a few extra cloaks and blankets, incase for when it gets colder tonight…Y-yeah.”

“Wait, we just got up here!” Doug stuttered in an alarmed fashion. “Also, I brought us some blankets and cloaks in my bag…AGH.”

Frey interrupted her husband’s objections by playfully pinching him on his bottom. He played along as a result. “Uhhh, I mean yeah. I totally forgot them. H-haha, oops.”

“We’ll be right back in a jiffy, ok? I left the hot drinks and cookies near the benches next to the outer entry. Help yourselves!” Frey playfully declared as she and Doug descended down the stairs.

Forte sighed. She knew very well that the entire thing was a copout ruse to make sure she and Meg were alone. She appreciated the sentiment but wished as well that the couple didn’t have to sacrifice a part of their romantic evening to help her confess the feelings she’s held for so long towards the beautiful elven musician who stood nearby.

“Ahem. Ummm, mind if we step outside? I want to take a good look at view right now.” Forte somewhat nervously proposed.

“Hmm? Sure thing. The snowy evening view probably goes great with the hot cocoa.”

“So easily. What about your fear of heights, Meg?”

Meg giggled lightly and responded, “Why would I be worried about that? Especially when I have you by my side?”

Forte couldn’t help but melt internally and smile at the sentiment. She extended her arm out towards Meg, offering her hand. “Well then, shall we?”

“Wowwww!!” Meg gasped in delight. As they walked into the exterior viewing balcony of the observatory, the sight of a tranquil snowy evening glittered with the night sky’s stars awaited them both. “I’ve been to this observatory countless of times but the view’s always amazing…”

“And to think you were afraid of coming here, let alone of setting foot into the observatory’s top floor because of your fear of heights…” Forte teased slightly and continued. “…I’m glad you’re enjoying the view these days.”

“Uh huh…” Meg nodded enthusiastically while she opened up her drink. Taking a light sip, she sighed happily. “Ahhh, this is heaven. I’m not big of a chocolate lover as much as Dolce but this alongside he winter evening is pure utter bliss…”

“Indeed,” Forte agreed, taking small sips of her hot cocoa while her gaze was transfixed between both the view and at Meg herself. “This reminds me of my childhood…Our parents always used to make us hot cocoa on winter evenings. My mother was practically a master at the craft and it was one of the many things that warmed our father up after his snowy evening patrols…”

“Forte…”

“They’re both gone now. However, what isn’t are the memories they left behind for Kiel and I. For that reason…I want to keep living on, protecting those I hold dear and…well, continue to make even happier memories with the people I care for.” Forte uttered the last part out with a faint blush.

“Awwwww, that’s so sweet…” Margaret softly said, hugging the knight from the side. The surprise was almost enough to let her drop the hot cocoa she had been handling finely.

“EEEEEK!! M-meg…please.” Forte staggered, “I could have spilled something hot on either of us… be more careful…”

“Sorry, I couldn’t help it,” she laughed gingerly, breaking the hug. “I really am happy though…to be here. Happy to be with you all…that’s all.”

“Hmmm? Is something the matter?”

“Well, just that…When I first came to Selphia, truth to be told: I was afraid. Porcoline had recently taken me under his wing at the time…I knew nobody in town. I wasn’t sure if I could open my heart up so easily. Especially somewhere so far away from home…Then I met you, Lumie, Venti, Dylas, Arthur, Frey and everyone…I fell in love with this town soon afterwards. It’s far from my birthplace but…Selphia’s my home. I wouldn’t have it any other way and…I’m just so thankful to be here with you all.”

“Meg…”

Meg sighed trying to shake away what was a bittersweet smile on her lips just moments ago, “…Sorry, I got over sentimental again. Winter evenings like this remind me of my homeland a bit, I couldn’t help it. Anyways, why don’t I play us a song?”

Now was the time, Forte realized.

“Uhhh Meg…look…I…there’s something I need to…uh, well…”

“Huh? You want me to play a Christmas song? Ok, I’ll think…Silent Night or Jingle Bells…I want to see how it works on my harp…”

“No, that’s not it, I wanted to say that…um…”

“Wait, neither of those songs? Well, I’ll just play us Joy to the World and…”

Forte bit her lip in frustration. Her thoughts raced insanely as her heartbeat rose sharply. “Forte, it’s now or never.”

“I got it! I’ll go play us Rudolph the Red Nosed Reindeer, that was a classic my old teacher taught me…”

“Meg, please listen to me: I love you.”

“...Huh?”

As the knight uttered those very words from her lips, it’s almost as if time itself had stopped in its tracks that winter-clad evening. Meg’s expression went from that of her usually cheerful eccentric one to that of pure speechlessness.

“I don’t mean as a friend or as a sister. Meg…look, I love you as a woman. Romantically. You’re caring, knowledgable, talented, compassionate, empowering, warm and just pleasant to be around everyday. My chest has been racing as of lately just being next to you…I don’t know what else to say…”

“Forte…is this true?” Meg blinked while a tint of red began slowly surfacing from her own cheeks.

“Yes, it’s all true. I was scared prior to this…We’re both girls and I have no idea how your culture does it…hell, I’m not even sure how my parents would react if they could see this but I don’t care! As a knight of Ventuswill and all of Selphia, I’m not going to hold my feelings back in front of the woman I love, damn it!”

Once more, Forte was met with a silent and blank response from the musician. Fearing it amounted to nothing but a potential awkward rejection, she steeled herself for what was next. She walked into this knowing that heartbreak might be a viable outcome but she would rather have professed her feelings than hold her silence forever.

“I’m sorry…who was I kidding. Just pretend I said nothing, please…Regardless, I want us to remain friends and…”

“You idiot…” Meg gritted her teeth, glaring with tears in her eyes.

Forte wasn’t given much room to react as Meg tightly embraced her as if it would be their last.

“M-meg…?!”

“Honestly…you blockhead…” she sniffled, keeping her arms wrapped around the knight tightly. “Took you long enough…! I’m so happy…I’m so glad you feel the same way…”

“Feel the same way…y-you…you mean…?”

“Yes…but…I’m afraid too. Not because we’re both girls. I don’t care about that at all…it’s because I’m an elf. You’re human.”

“What if you are an elf? I care nothing about that. I know there are places in Norad that ostracize your people but I’m not…”

“It’s not that!” Meg cried out as she continued to cling onto Forte. She blinked through her tears and continued, “It’s much more complicated. You know that elves live longer than humans do. What if you go before me…? You’re a knight…You’ve already pledged your life to the sword. Your line of work makes it so that you’re ready for death at any given moment. If you die before me and I have to live out the remainder of my existence in this world without you…I…”

“Meg…” Forte whispered, “You’re not wrong. I’ve devoted my life to the path of the sword. The sword is nothing more than an extension to my real devotion: those who I care for. You included most of all. You’re right…maybe I could fall in battle or I might succumb to illness, who knows what the future has in store but…I’d rather face those dangers while protecting and loving you…”

“Forte…”

“I know we have to go slow of course…I-if you say yes, that is!” Forte stammered but regained her verbal composure right after. “Going moderately is the key but my feelings for you are genuine…Meg…I want to be your knight and dedicate my sword to you. B-by that…I want to be your girlfriend. W-well…?”

It wasn’t too long after that the musician’s anxious tears were immediately replaced with tearful giggles as she broke her embrace. “Honestly, do all knights have to confess like this? I don’t even want to know what the marriage proposal would be like…!”

“H-hey, I was being serious…”

“I know, Forte. I know very well…Therefore, my answer is: I accept!” Meg spoke out the last part with a cheerful grin as she wiped the last of her tears away.

“Huh?! Meg, are you sure about this?”

“More sure than I’ve ever been in my entire life. Not going to lie: I’m still anxious…I have no idea what awaits us but…with my brave and dashing girlfriend by my side, I have nothing to fear.”

“Meg…ugh…I…” Forte attempted to choke back a sob as tears welled up her own eyes. She stepped forward and gave her beloved a firm embrace. She sobbed softly between sniffles and hiccups, “Ngh…I’m so happy…I was afraid that…ugh…Meg…I love you! I love you so much!”

Reciprocating the embrace, Meg giggled softly as she comforted the sobbing knight. “You big dork…I love you too…don’t panic. Even if I said no, I wasn’t going to leave you behind either…You’re precious to me no matter what…”

“Sorry…I shouldn’t have lost my composure like that. It was unknightly of me, so to speak.” Forte calmed down as Meg wiped her tears away.

“I dunno, I have absolutely no problems seeing this side of you either.” Meg playfully teased.

“Hey!! Ugh…you’ve always been unpredictable at times, you know that?”

“Maybe. Maybe not…I wanna do something else unpredictable, of course.”

Forte swallowed a lump as her heart raced once more. “Well, what would that be?”

Kiss.

Eyes still widened, Forte stared blankly as Meg’s lips parted from hers in a quick but blissful instant. “Merry Christmas Forte. I love you.”

“Ah.” Forte said aloud and continued. “Ah. Ah. Ahhhhh.”

Thud.

“Oh my gosh, Forte!!” Meg cried out in horror as she witnessed her newly confessed girlfriend dropping to her knees. She immediately knelt down herself cradled the flustered knight around her arms. “Are you okay?! Do you have a fever?! Are you tired?!”

Meg was all the more puzzled as she witnessed Forte’s unconscious but dreamy eyed and flustered expression. It was as if she had gone to heaven and ascended into a higher plane of goddesshood.

“Honestly…I need to get us both inside ASAP. Can’t have my girlfriend fainting outside here.”

Unbeknownst to either of them, the royal couple stood quietly in wait within the observatory’s interior in a floor below.

“Fufufufu…looks like Operation Knight Song was a grand success.” Frey sheepishly giggled. “Mission accomplished!”

“Uhhhhh…We did absolutely nothing besides eavesdrop.” Doug informed in a deadpan tone.

“C’mon, dear. We promised to be backup for Forte incase she froze up but looks like she didn’t need our help. That’s my Forte, haha…”

“Well, I’m happy for them both. That much I’ll say. I think we need to go up there before Forte freaks out any further.” Doug proposed but his intentions were interrupted by the mischievous princess holding up a mistletoe over both their heads.

“Oh hell no. Dear, please. Not now…w-wait until home at least!!” the fiery red-head dwarf took a step back, panicking.

“Awwwww, don’t be like that.” Frey licked her lips. “It’s almost midnight. Besides, I want to give Forte and Meg some time to themselves while I have my own little fun…”

Doug swallowed hard, laughing nervously. He had no intention of denying his playful wife’s advances but he braced himself for what came next. This of course consisted of Frey pouncing on her husband and showering him with cuddles and a flurry of kisses over his face and neck.

Overall, it was just another snowy, heated, chaotic but romantic Night of Holies in Selphia.

#rfss2018 #rune factory 4 #rf4 #rf4 frey #rf4 doug #rf4 margaret #rf4 forte #frey x doug #meg x forte #yuri #femslash #avenger concerto writing

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beneaththetangles · 5 years

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BtT Light Novel Club Chapter 6: Toradora Vol. 1

Ten years ago last month, Toradora premiered on TV Tokyo and changed expectations for what a high school romantic anime could be, featuring characters with unusual depth, snippets of action that would have fit right into an episode of Naruto, and beautiful animation from opening to closing. To celebrate the anime, our club has gone back to the original source, volume one of the light novel by Yuyuko Takemiya, to see how well the book stands against its classic adaption and whether its a good read in its own right.

TWWK: I received Palm-top tigers and Toradora manga as gifts before, so its pretty well-known what a fan of the series I am. But I’ve never read the light novels. What about you all? Have you watched Toradora? And what stood out to you in volume one of the light novel, especially in light of having watched the series?

stardf29: What stood out to me most was how the light novel expanded on so many scenes. After reading the volume I rewatched the corresponding episodes of the anime… which was only the first 2 episodes. So yeah, a lot of details got cut. I don’t think it hurt the anime too much in the greater scope of things, given that the important parts were covered, but it was really nice to go more in-depth in the light novel, as I felt it made it clearer how close Ryuuji and Taiga have grown even this early in the story.

TWWK: I definitely thought it was an interesting choice the animators made in how quickly they breezed through the material, as if they felt there was TOO much intimacy between Ryuuji and Taiga early on. By the end of volume one, I was certain Taiga and Ryuuji were meant to be—I didn’t feel that way when watching the series.

Lady Teresa Christina: I have not seen the anime, but I have heard a lot about it. I would say that Taiga always seemed to me to be the stereotypical anime tough girl, from what I knew of the anime, and I was right! Especially in the first chapters, she seemed to be massively tough on the outside, but hiding such a dear heart on the inside. The descriptions of her attacking Ryuji Takasu in the middle of the night was very alarming! But I thought their character dynamics were charming all the same and I enjoyed reading them interact together.

TWWK: Taiga is a beloved character, but she’s one that, for all the love I have for Toradora (it was my favorite anime for years), I’ve really always been meh about. But I like her characterization in volume one of the light novel—we get to know the “-dere” in the words she speaks, the kindness she shows Ryuuji, and the tears she sheds than in the anime. She remains ferocious as a tiger, but also more approachable.

Lady Teresa Christina: I really liked her character. Early on we discover that she isn’t as “strong” as she makes herself out to be. She has a very soft spot, and she’s willing to defend it no matter what. I have a few friends who can probably relate to this. She demonstrated the idea that emotions are private and only the truly worthy get to see them.

TWWK: You’re really hitting on that idea of the tsundere, characters the initially are difficult or, as in Taiga’s case, angry and violent, but show that inner kindness as they open up. What do you think—could you be friends or romantic partners with a tsundere?

stardf29: Heh, sometimes I feel like if my future romantic partner isn’t a tsundere, she’ll become one after a few years of marriage…

To be slightly more serious, if they’re not super over-the-top with it, I think I wouldn’t mind some tsundere friends or even romantic partner. Having someone who is willing to tell you when you’re out of line and not worry about being “nice” all the time can be very helpful. As long as there’s enough dere to balance out the tsun.

TWWK: Just tsun is just mean. I know some people like that haha.

Lady Teresa Christina: I could not even be in the same room as a tsundere. Since I am a psychology major, I can see right through people like that. It bothers me when people hide behind their emotions or deny them in some way. I preach authenticity in everything I do and if I am with someone who is using emotions to be obnoxious or act tough when they really are not, I might run after that person and try to counsel them back to “reality” or a home base of emotional stability.

TWWK: Well, and what about our other lead? The story is from Ryuuji’s point of view—what did you think of him as the narrator? Is he a reliable narrator?

Lady Teresa Christina: I think Ryuuji did the best he could. His worldview is rather small, being his age and place in high school. He sees the world through his fear of his smile. But at the same time he is pretty clever. He was a narrator who was simple enough to be a reliable story teller, but he had enough quirks to make the whole story interesting.

stardr29: One thing I do appreciate is that Ryuuji has very well-defined aspects to his personalities, both in terms of quirks and personal issues. This makes him an easy character to get behind as the narrator. He’s definitely not just a generic self-insert light novel protagonist.

TWWK: I like that, too. He engages us like the typical light novel lead, but he’s also different, and that’s engaging, too. I also think he’s slightly unreliable as a narrator. Ryuuji is a teenage boy and also relentlessly kind, which means that he interprets situations in a way that might be a little off. I think that’s absolutely necessary because volume one presses the impending Taiga/Ryuuji pairing very hard. Minori and Kitamura don’t feel like anything more than small obstacles, and that’s problematic. But Ryuuji’s lack of understanding, including his growing feelings toward Taiga, make for maybe a more significant obstacle than the opposing love interests.

Which brings up another question: Does the volume achieve a good balance of the protagonists’ crushes on other students and their burgeoning feelings toward one another?

Lady Teresa Christina: I believe that it is very hard in real life to balance having a crush and running a smooth social life. The fact that the book was able to explain the dynamics at all is impressive. It’s hard to read something as realistic when you know in real life that the social situations regarding a significant other is sticky like honey. I think of taking two paper hearts and gluing them together. It’s rich but viscous. And when you pull them apart, you break both sides of the heart. The reason this story is so successful is because it balanced all the dynamics in a cohesive way.

stardf29: I also think the novel does a good job of contrasting the protagonists’ infatuation with their crushes with their growing intimacy with each other. Then again I’m a bit of a sucker for stories where characters realize that the person they like is not the one they had a crush on, but one who is more of a close friend, so I don’t really mind if the focus isn’t so much on their ultimately misleading crushes.

TWWK: Man, I’m a sucker for those kinds of stories, too. I’m glad you brought that up, though, because it didn’t really occur to me that this is part of the reason I love Toradora so much! But moving back to our narrator, this is a question that he actually asks of himself as well—is Ryuuji overstepping his bounds in caring for Taiga?

Lady Teresa Christina: I don’t think there is such thing as over stepping bounds in the desire to care for someone, but if defined boundaries are set, then poking at them with aggressive love is unsuitable friendship. I don’t think at that age one can set proper boundaries, or at least vocalize them, so I feel that Ryuuji did the very best he could with what he had.

stardf29: In this case, I think it’s an interesting situation because, as Taiga admits, she never questioned whether he should be taking care of her so much until it inadvertently hurt her chances of getting together with Kitamura, simply because she felt so lonely. And given that Ryuuji admits to being a compulsive caretaker, it ends up being a situation where two people find themselves in this sort of relationship naturally. And by the end of the volume, as much as Taiga tries to cut things off (arguably more for Ryuuji’s sake than her own), in the end she’s too close to Ryuuji that she can’t outright push him away.

TWWK: Speaking of Kitamura, I want to bring up another supporting character—What do you think of Minori’s friendship with Taiga?

stardf29: Honestly, this volume doesn’t really give much information about Minorin. I do get the sense that Taiga is a very important friend to her, but what exactly is the nature of their friendship (e.g. how they became friends) hasn’t been revealed yet. It’s definitely something I’m interested in in future volumes.

TWWK: Minorin is my favorite anime character of all-time—I agree that there’s not much focus here on her yet, but what I did enjoy was the serious bits of her that are already exposed, that I don’t think come out for a couple more episodes in the anime. There’s more clearly going on in Minorin’s head right from the get go than she’s willing to let on. It was also fun for me to see the illustrations of her and the rest—what did you think of the artwork?

stardf29: What I love most about the artwork is how well it captures Taiga’s cuter moments.

TWWK: Absolutely. And the drawings certainly work to help set the tone for the volume, which I might describe as…breezy?

stardf29: The tone of volume one is overall lighthearted, but with moments where things can go more emotional; there’s nothing particularly dark or depressing but the characters do have their issues to work with and it’s not all fun and silliness. It’s a tone I rather like in general, I must say.

TWWK: Would you say it’s similar in tone to the series?

stardf29: And yes, it does match the tone of the anime’s opening episodes.

TWWK: Is the light novel less likeable since you’ve already watched the show?

stardf29: Not at all; in fact, if anything, it is more enjoyable to see the novel describe the anime events in more detail with character thoughts, as well as all the content that got cut. This, by the way, is something I find true of pretty much all light novels adapted into anime. A light novel is filled with lots of descriptive text, especially for character thoughts, that tend not to make it into its anime because it doesn’t really work with that medium. So reading the original light novels after the anime gives me all this extra insight into anime events, to say nothing of content that gets cut or changed around.

TWWK: I definitely agree, especially in relation to Toradora—it was lovely read in its own right, but also all the more enjoyable for the flourishes it provided that were missing from the anime. A terrific work, both for the initiated and those already fans, such as us!

#BtT Light Novel Club #Light Novels #ToraDora!#Toradora #Articles #Author: TWWK #Author: stardf29 #Author: Lady Teresa Christina

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comicbookuniversity · 6 years

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Ten Thoughts on Avengers: Infinity War

I’m writing this the day after my second viewing, but by the time you’re seeing this, I’m hoping the majority of you have seen this.

So if you haven’t seen it yet, SPOILERS.

1. This was easily one of Marvel’s better films. The scale of it all could have easily collapsed this into a mess, but McFeely, Markus, and the Russo Brothers kept this film moving along at an exciting and steady pace that built into an intense climax- insert sex pun. I loved this film and loved it more the second time around. I don’t think it was as good as Black Panther or Civil War, but neither of those films operate in the same way as this one. This film was a rollercoaster experience, and a fantastic one. I think this film has to be judged in a different manner, because even Black Panther and Civil War still operate by relatively conventional film standars. Infinity War is a different beast; one must be fluent in the language and conventions of the MCU to really understand it. There has never been another film quite like this; the closest examples don’t operate on the same scale. Never has it been more true to think of the MCU as the world’s biggest and most expensive TV show than it is when you’re watching Infinity War. I will need more time to think upon where it lands on my list of Best Marvel films.

2. Between this film and Ragnarok, Marvel has made an excellent case for Thor traveling around the stars in a similar to the Guardians of the Galaxy. I would love to see Thor and Valkyrie gather up a crew and bring the fight to whatever cosmic asshole is trying to threaten the innocents of the universe. They should be called the Thor Corps. I am surprised at how Thor had somehow become the protagonist after Thanos, if you don’t want to consider the bad guy the protagonist, even though he functionally is whether you like it or not. Until Ragnarok, Thor had been more muscle than heart, and when you consider how much more focus and success has been built out of the characters of and the relationship between Tony Stark and Steve Rogers, its surprising to think that Thor would be given so much screentime. It makes sense that he is the Avenger with the best chance of actually beating Thanos in single combat, but you don’t build stories around military tactics- you build them around emotional journeys. Thor has lost nearly everything, whereas Steve and Tony still have more to lose. When that is considered, it makes sense to focus on the building rage of a god while you build towards the ultimate loss of the great leaders of men. And Thor with his new hammer was freaking great.

3. I’ve seen a few critics argue that there were few characters arcs and that humor was used as a substitue. Plenty of great comedies have used humor as character work, and I think Infinity War also substantively used humor to efficently establish and advance character development in between the dramatic moments of the film from wherever the last time we saw them. This film had so many moving pieces to balance and it did so artfully.

4. Dr. Strange might have jumped significantly higher up my list of favorites thanks to Cumberbatch’s effective performance and the incredible fight sequences the movie utilized him in. Holy crap, you guys, Dr. Strange was fucking awesome in this film. Speaking of the weilder of the Time Stone, I decided to rewatch the Dr. Strange film the next night, and something occurred to me. I’m still debating whether this is just a common factor or a deciding influence, but I looked up the run times to all the Marvel films and had my hypothesis mostly confirmed. Generally speaking, the longer over 2 hours (including credits) the film goes, the better it has been recieved both financially and critically. This makes sense, because Marvel has even more time to develop all the relationships between characters; and the greater we are invested in these relationships, the greater the payoff. I think the Dr. Strange film would have been better if it had an extra 10-15 minutes to develop all the relationships at Kamar-Taj and a little extra for Rachel McAdams. I say only a little for McAdams, because I don’t think the film really needed that much more time in that arc since it was about him leaving her and the world she represents. My larger point is that Marvel should embrace two hours as the new minimum for their films.

5. Thanos is definitely one of Marvel’s better villains and that’s largely thanks to the brillaint performance of Josh Brolin, who commits to seeing and bringing the vulnerbility under all of Thanos’ power and evil plan. He’s still not Marvel’s greatest villain as that honor belongs to Killmonger, who will likely hold the honor until the next Black Panther film. Despite Thanos’ plan, Brolin, the writers, and directors of the film really give him certain amount of sympathy in seeing his commitment to his cause and the fear that ultimately drives him to act as he does. And it is fear that ultimately drives Thanos to act, because he sees the injustice in Life’s capacity for growth at the expense of the living. Thanos is someone who cannot and will not accept that Life is unjust and rages against this existintial condition with all his strength, and by the end of the film, the strength of the universe itself. But despite the great work of Brolin, what really helps Thanos is the sheer amount of screentime that the studio was willing to give him. With so many characters, many of of whom anchor their own franchises, it makes sense center the film on the least well-known character and force others to react to them, because it’s not about them in this moment. It’s all about their lives being interupted and forced to react to this almost natural disaster like situation, where winning doesn’t feel like an option and losing less feels like the only prudent mindset to have. Against the threat of Thanos, the superheroes are reminded of their own vulnerablity and mortality, and they feel more human than ever in this dark moment.

6. As introduced by Jonathan Hickman, my favorite members of the Black Order were Corvus Glaive and Proxima Midnight; look they all had wonderful names, Black Dwarf, Supergiant, Ebony Maw, and then they had the other name for their group- The Cull Obsidian. Damn those are wonderful freaking names, so I’m a little disappointed that the members of the Black Order didn’t even get named, outside of Thanos’ passing reference to Ebony Maw simply as “The Maw.” Also, this Ebony Maw has a different power set than his comic counterpart, but damn was he great; easily the creepiest and best member of the Black Order. Black Dwarf did have a weapon that kept changing into different modes that I thought was awesome. I wasn’t ever expecting them to be big and I was never certain if they would last beyond this film, but would it have added that much time for the Black Order to have gotten called by their names?

7. I thought Vision would have recieved a more significant arc in this than he did; Peter Quill did and all he did was lose his girlfriend, whereas Vision litterally has an Infinity Stone in his head and is willing to sacrafice his life to destory it. Vision spent most of his time being stabbed instead of being a hero. He would have made a good point of contrast to Doctor Strange; they’re each the weilders of Infinity Stones, but have radically different ideas of how deal with the stones when presented with the threat of Thanos. I guess it makes a certain amount of sense, due to the fact that he he is a Thor class fighter and that he hasn’t had much of a chance to develop as a character. To me, Vision is a low-key Superman figure of the MCU (or more accurately Martian Manhunter in direct compairson, but he’s just a more stoic version of Superman), and he suffers from the projections of Superman as tedious and boring figure being placed upon him. I think Vision suffers from the same problem that Star Trek does when compared to Star Wars; instead of treating the intellectual and philosophical pursuits with respect and excitement, the filmmakers assume that the audience is going to find it boring and treat it as boring instead of finding away to actually make it exciting. I think the best examples of the superhero genre are essentailly philosophical and ethical works that present the issues in a dynamic, colorful, and charming story, but because of what can be best called an attitude of anti-intellectualism based from ignorance, rather than something worse, the philosophy is often overlooked in favor of the simpler steps that would tie the character arcs and themes to larger philosophical concerns. I know it is not the most well liked of the MCU, but Vision’s scenes in Age of Ultron are some of the most earnestly poignant on the fragile beauty and duty of and to life itself. And these scenes also speak pretty directly to the core of Avengers philosophy, which has now been summed into a single line thanks to this film: “We don’t trade lives.” I just think Marvel missed an oppurtunity to really sell Vision as being more than a secondary figure and someone who is a product of the moral core of the MCU.

8. Considering how thoroughly representative of nearly every tone and narrative aspect of the MCU this film is, it only serves to highlight how underrepresented women and people of color are in the MCU. None of the Avengers or other characters who would typically hold franchises of their own are given nearly the same amount of screentime or material to work with in this film, because of it’s epic scope and the relatively simple nature of the conflict; but that being said, the women of the MCU are still given very little to do overall. They are supporting players while the men are off leading the charge or creating strategy that determines the fates of hundreds of trillions. The first person to die on screen is a black man, and there’s only one black man who is in a real position of power. Marvel still has trouble of thinking beyond America’s history of slavery and a segregated citizenery with African-Americans to see America’s other troubled relationships with national, ethnic, and religous groups and also give them some kind of positive representation. The only woman or person of color given a significant role similar to the signifcane of say Iron Man or Dr. Strange fighting Thanos on Titan is Scarlet Witch. This is a film where Scarlet Witch really gets to unleash her full power, and it’s seen in a tragic moment of where she is forced to kill her lover for the sake of the universe while holding back a nearly omnipotent being who defeated the Sorcerer Supreme just moments ago. Before I go on with this analysis, HOLY CRAP that’s kinda crazy to think how powerful she must really be, so I 1000% agree with Okoye when she asked why Scarlet Witch was not on the field of battle the whole time in Wakanda. Like, damn, she must be so powerful, so can we please get a film where Elizabeth Olsen is given more to do than play rookie and wear a sexy corest? And while there admittedly is a certain value to seeing her power arise from her love to Vision in this tragic moment, the fact that we have seen so very little of Wanda compared to her many male peers and her moment of great power is defined in part by her romantic relationship is not the most progressive choice. Had we had more time with Wanda in previous films, I don’t think I would find this choice as anything other than a sad moment in a star-crossed relationship, but because she has had so little time by comparison (and even without comparison) to her male counterparts this moment loses a little bit of the power it could have had as a symbol of female power equaling male power.

9. I’ve seen a few people complain about how the drama and value of the deaths of half the universe is undercut by the knowledge that these characters will be back in their own films within the next year or two. But I call bullshit on this complaint because it is based in cynicism and ignorance. There are three parts to this complaint: the first two problems are tied together in that the characters don’t know they’re going to come back, so if the film had botched its execution of setting up the emotional beats in this film to continue and progress our attachment to the characters, then it would have all fallen apart. But the film didn’t botch it, every line and edit is proposeful and effective in engaging and reminding us of why we love these characters in the first place, so since the film was executed well, we can sympathize and empathize with the characters in their sadness and shock at all these deaths. Second, even if we didn’t know from announcements made by Marvel or somehow guess from Marvel’s previous works that these characters would be coming back, the film establishes that its not over. Dr. Strange clearly knows what is going to happen (or at least something extremely close to the victory he searched for in all the possible futures). And even if Dr. Strange didn’t know, do we really believe these characters who we just watched try so valiently to fight Thanos from achieving his goal would allow him to go unpunished for his crime? Let’s assume for a split secon that there is not some way to fix what Thanos did, do we really believe that the film would spend so much time on all these different characters for it to just end on the one guy sitting on a hill when all their emotional threads are just left unfinished? The answer to all of these scenarios is no. There was never a version of this film that was a single part or the final film; this is clearly the first half of a story, so the audience value of all the deaths comes from thinking about and then later finding out how it all be fixed to as much as the heroes can fix it. People who compalin about the deaths as having no value or drama are just being babies about having to wait.

10. After having seen this twice and considering how well Marvel has been doing since the release of Civil War, I really think Marvel has found it’s groove and I am so excited for the future. While I would understand if they want time to do other projects, I would hope that the Russo Brothers, Stephen McFeely, and Christopher Markus always have one hand on driving the MCU. Feige has been there since the begining, but I feel like working with these four has really helped him focus overall and loosen his grip to trust the filmmakers he hires to execute their visions within the MCU. Gunn, Watts, Waititi, and Coogler all breathed new life into Marvel with their style and emotional honesty, and it’s this trend Marvel should continue to follow if they want to keep their success going. Infinity War is representative of many of the best elements of Marvel, and everyone involed in it should be proud of the work they’ve accomplished with it. That being said, Marvel still has progress that needs to be made, and it looks like it is going to be able to effectively do this by closing one chapter of the MCU and starting the next. I am so very excited for the journey we’ve all got ahead of us.

#avengers infinity war #avengers #marvel #mcu #captain america #iron man #thor #doctor strange #scarlet witch

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ilovemyarchitect · 6 years

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Rosario Mannino was born and raised in New Jersey. He holds a Bachelor of Architecture from Florida Atlantic University and a Professional Certificate from New York University in Construction Project Management. Eight years after graduating from FAU, Mannino founded the Architect-Led Design-Build company RS|MANNINO Architecture + Construction. RS|MANNINO builds on our diverse professional and construction backgrounds to provide a balanced and thoughtful approach to our clients’ projects. Together with our trusted network of professionals, trade and supplier resources, we bring the expertise and hands-on experience in architecture, design, engineering, construction trades, and project management necessary to make every project we take on a success. They approach everything we do with a commitment to an integrated design and construction process. For more information visit them online Facebook; Twitter; LinkedIn; Website

ILMA INTERVIEW

When did you first become interested in Architect-Led Design-Build?

I knew I wanted to be an architect from a very young age. Growing up around construction, I was so intrigued by the entire process. I loved being on the job site watching the architectural plans unfold into a beautiful home or building. I always thought I had to decide on which path to pursue: architecture vs. construction/office vs. jobsite. I had been exploring the idea of both disciplines from a very young age, and it grew into a focused research project for me by the time I reached high school. I don’t think there was ever this “ah ha” moment. It was a passion that I had from the start.

Can you describe the process of ALDB?

As the Architect, we contract with the owner both to design and to construct a building, and we procure the construction services by contracting directly with the various construction trades.

Can you walk us through a typical project?

In ALDB, we start our projects very similarly to a traditional method. We start with a budget and scope. If the budget and scope are approved, we start to design. Once we complete our schematic design, we provide an updated preliminary estimate. Once we confirm we are within budget, we continue to refine the design and the cost estimates. We want our clients to be informed and included throughout the entire process. This factor creates a trusting relationship between our firm and our clients. With our method, the clients only need to communicate with us. There are less parties involved making communication much more efficient.

How are the fees structured?

Depends on the complexity and size of the project; some are hourly design fees with the Construction documents set at a fixed fee which is determined after Schematic Design. Most of our projects are defined well enough that we can provide a professional fee plus reimbursable expenses. Our Construction Management fee is a fixed fee which also includes a pre-construction management fee. Occasionally we will perform Construction as a fixed price.

What are some of the risks and rewards of ALDB?

If a problem arises, there is only one place to point the finger. In the traditional design-bid-build method, miscommunication between Architect and Contractor can cause unnecessary tension. With ALDB, the entire process is much more cohesive creating a team-like environment. The clients also feel a sense of comfort when only having to communicate with one entity.

What are the three greatest challenges with ALDB process?

Higher Insurance premiums – This is one of the main reasons why we separate our business entities, having separate insurance for both entities and separate contracts for the client.

Most Architecture firms can take on smaller projects if the work load is slowing down, and most builders have very small overhead to compensate for the slower times. With ALDB, you need to have separate staff for both Architecture and Construction; it’s a bigger machine to feed.

Training new staff is much more of an investment because overall, they are becoming much more knowledgeable about our whole profession. There is even more training involved because new staff must learn both Architecture and Construction. It is extremely gratifying to educate Architects to think in a different way.

What are the three greatest advantages of ALDB?

One of the best advantages of being an ALDB firm is that we get to work directly with the craftsmen themselves to discuss how we can make improvements to the project; it is a learning experience for both of us. We appreciate this close relationship, and I am certain our craftsmen enjoy working in close contact with the designer. The designer and the craftsman work directly together.

As the Architect, we take on a role that allows better control of project budgets, schedules, and overall project quality, including the quality of design.

It’s so much fun. I think it’s so much fun because we are truly going back to being Master builders. As Architects we love to problem solve; that’s what we do all day long, but now it’s even more in depth and more dynamic.

Do you see ALDB as a way for Architects to take back “control” of the design and construction process?

For certain markets, yes. I have had the pleasure of working on projects with unlimited design budgets, having total control of the project as the Architecture firm. In reality, not every client is going to have an unlimited budget. The client relationship in ALDB is far greater than in a traditional design-bid-build method. We have found our clients to be so much more appreciate of our talents on our design-build projects vs. our design only jobs. Some of our design jobs have a 2-3 month duration, followed by phone calls and quick site meetings. In design-build, we have a much closer relationship with our clients; most of them feel like family before the project is over!

Why do you think that most Architects, Clients and Contractors shy away from ALDB?

For Architects, it is not necessarily something they ever thought about because they weren’t introduced to it. We are trained in (most) schools to be Starchitects with grand budgets. After school and our internship is completed, most architects find the niche they are most comfortable in. I cannot say that ALDB is easy nor is it for everyone to pursue. There is a more executive and dynamic role; there is a much more entrepreneurial mode to ALDB as opposed to running a boutique design firm. You can be a one-person design firm, but to do design-build you need to build a solid team. The daily tasks of designing, managing the office, managing the sites, and keeping finances in order is not for everyone, nor can one person do it all. It requires a great team, and we are fortunate to have that.

I have not yet met a client who shied away from ALDB. However, we do work on design only jobs. This usually happens when the client already has a relationship with a contractor. We are agreeable to this because we can only build so much, and we want our clients to be comfortable with who they are working with.

For contractors, there is a sense of losing the market. Good builders and contractors should not be concerned. They may choose to adapt, but to be honest I do not think this will be some sweeping trend in the AEC industry.

What are some of the tools you use (from AIA, NCARB, Insurance Company, Other Professional Organizations) to help you manage your firm’s performance and reduce risk?

I have read a lot of literature on ALDB; the AIA has a few great articles as well as a book on ALDB. There is an organization specifically for design-build called Design Build Institute of America (DBIA). This organization is geared more toward government and large-scale projects. There are also a few attorneys who have published articles on ALDB that have been very helpful.

My research has lead me to separate my design and construction contracts, but each project is unique. I treat each project differently. I cannot really say I have a set method because our scale of work differs so greatly, spanning a large spectrum. On one end, we have worked on small kitchen renovations, and on the other end we have done new construction on vacant lots.

What is the percentage of ALDB your firm is currently working on – what are the major differences between traditional project delivery vs ALDB projects?

Being recently engaged in a few large multi-family developments, we’ve found that we are providing more than the basic services on those scale projects. This is due to our experience. Developers are taking advantage of our management and construction background. Our role is much more than just producing design documents. I would say we are about 60% design only and 40% ALDB projects.

Is there anything you would like to see to make the ALDB even better for future projects?

I hope to see more architecture schools incorporating some type of design-build programs. If Architects played a larger role, communities would greatly benefit. It would be nice if ALDB gained more popularity so that clients can learn to appreciate Architects playing a larger role.

For more exclusive ILMA interviews click here.

We would love to hear from you on what you think about this post. We sincerely appreciate all your comments – and – if you like this post please share it with friends. And feel free to contact us if you would like to discuss ideas for your next project!

Sincerely, FRANK CUNHA III I Love My Architect – Facebook

Our Exclusive ILMA Interview with Rosario Mannino @RSMannino Rosario Mannino was born and raised in New Jersey. He holds a Bachelor of Architecture from Florida Atlantic University and a Professional Certificate from New York University in Construction Project Management.

#Architect #Architect Led Design Build #DB #Design #Design Build #Exclusive #project management

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keiithmingo · 4 years

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The Client Intake and 5 Health Determinants

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This week I’d like to talk about the intake process and the five root determinants of our health. Root determinants are the big-picture, general things that we do each and every day that determine our relative state of health or lack of health. These are important things to know when working with clients, but sometimes they’re overlooked by practitioners because they’re considered basic and rudimentary and because there are so many other things to cover in a client intake.

So how do you do an intake in a way that makes sense . . . and so that you’re not sitting there with a person all day long trying to get all the information that you need? How much time is generally recommended for a proper intake that accounts for the five root determinants of health? That’s what I’m going to discuss here in this week’s blog post.

The Five Root Determinants of Health

First, I want to talk about some foundations about the five root determinants of health. These are the things that determine our relative state of health or lack of health at a very general level. Like many things I do, I correlate these with the five elements of Earth, Water, Air, Fire, and Ether or wind.

The Earth element represents the root determinant of health, which is mainly focused on our diet. The foods that we consume every day are important in terms of determining whether we’re healthy or not. This can include eating too much, or eating too little, eating healthily, or unhealthily. Nutrient deficiencies are a huge part of many health issues these days because our soils don’t contain the minerals and vitamins as they used too, so we see things like food intolerances now, leaky gut syndrome, allergies, and so on. Artificial food products and non-organic foods can also affect our health. Another Earth element signature here is the basic foundations of our home and our structure and shelter. It’s hard to be healthy if we don’t have an adequate shelter to protect us, as well as having a healthy home, in terms of not having a bunch of mold or other harmful things.

Now for the Water element – this represents our hydration, and not just hydration of water but also hydration of oils. Having proper water and oil intake in the body is critical to a person’s health, as we are humans made from 80% water. This Water element not only includes our hydration but also includes our emotional health—how we process, handle, and manage our emotional reality.

The Air element includes breath and breathing, including analyzing shallow breathing, deep breathing, and the overall state of our respiratory system altogether. We also look at the health of our mind, our psychological well-being, and whether our mind tends to focus on negative things, whether we perpetuate negative thought patterns, or whether we think positively and have an inspired, uplifted, and healthy, creative mind. This is a very important aspect of our health. You can eat the most amazing diet, be well hydrated, but if you’re thinking negative thoughts all the time, you are not going to feel very vital. The health of the mind is very important.

The second aspect of health with the Air element is sleep and the way it rejuvenates our whole body, including our nervous system. People who don’t get adequate amounts of sleep suffer from health issues and fatigue can be very challenging for people. So be sure not to overlook sleep when you’re working with people.

The Fire element represents exercise as exercise stimulates the heart rate and blood flow. This is why when you do vigorous exercise, you feel hot, and start to perspire. This is the activation of our inner Fire element and exercise is important for our health, strength, and vitality on a number of different levels. Exercise is imperative not only for our physical health but also for our mental and emotional health. I can’t tell you how many people feel so much better emotionally when they just get moving. With pent-up emotion, especially things like irritability and anger or frustration, or even depression, sometimes you’ve got to move it out. You’ve got to get that blood moving and move through it.

Last is the Ether element, which is attending to our spiritual health. I like to think of this as our purpose, having some sort of calling, having some sort of purpose in this life that gives our life meaning. That can take a number of different forms. For some people, their purpose is the work that they do. For others, their purpose is to raise children or to grow a beautiful garden. For some people, their purpose is to be a loving spouse or partner. There are many ways that purpose can manifest, but it’s about having something in our life that gives us a deeper sense of meaning and connection beyond ourselves. This is a critically important aspect of our health.

You can exercise every day, you can have great mental health, you can have great hydration and emotional health, you can eat amazing, but a life without purpose just feels like something’s missing. It’s hard to feel truly alive, fulfilled, healthy, and happy on all levels if we don’t have that greater sense of purpose.

So that’s a quick recap of the five root determinants of our health. These are obviously very general and basic. We all know to drink more water. We’ve all heard things like “You’ve got to sleep well. You’ve got to eat. You’ve got to exercise. You’ve got to drink water.” These are all no-brainers. But because they are no-brainers, it is easy for us to forget about them. So when we’re working with a client, we’ve got to treat the cramping, or the bloating, or the headaches, we can’t forget to ask, “Are you hydrated? Are you getting enough sleep?” and take a deeper look into these simple areas of everyday life.

How Long Does a Proper Intake Last?

Proper intake is on a spectrum. It depends on what someone is coming to you for. Sometimes people come to you and their primary complaint is a physical health concern. Sometimes people come to you and they have more of a psychological, emotional health concern. Sometimes people come to an herbalist and they’re looking for guidance, they’re looking for a greater sense of connection and purpose.

The important thing to remember is to always address the primary complaint, which is usually the main focus of that first initial consultation. But it’s always good to get background information and get to know any major surgeries, accidents, family history, inherited family stuff, or issues they’ve had in their past. Get a big, broad scope. But for the initial work with a client, you want to make sure that zoom in on their primary complaint, which can be difficult sometimes!

Sometimes those primary complaints will lead to the root determinants of health, and some of those issues will require a whole separate session. For example, when I do a session with a client about diet and nutrition, that’s usually an entire hour-long session with them where I’m diving deep on what their dietary habits are like, what kind of foods they eat, what their patterns and habits around food are, what time of day they eat, and not spending a whole tun of time on other areas of their health or life.

The length of a consultation depends on the person and the situation and on what the primary complaint is. It also depends on what the goals are for the client. It can be awkward if someone comes to you with headaches and you end up spending a whole bunch of time talking about a fight they had with a friend last week or maybe a foot fungus they’ve had since they were a child. It’s important to stay focused and not stray away from what the purpose of the meeting was… which can be challenging! Because there will be other things that need attention but will need further follow up sessions to attend all your client’s health concerns.

Focus on the Client and Long-Term Health

So, I like to think of these five root determinants of health on a larger time span of your work with the client. They come to you with their primary complaint, and you work with them through it. Maybe you address different attributes of these determinants of health. Maybe you find out they’re not sleeping very much, or you find out they need to correct their diet a little more, and those things start getting fine-tuned as you spend time working on these complaints with your client. And maybe eventually those primary complaints start to clear up, and they reach a new level of health, a new level of vitality, a new level of energy, great! So that’s when you can start exploring some of these other dynamics. Perhaps now that their physical health is cleared up a little more, they now have the energy and the vitality to focus more on their emotional health, their psychological health maybe even their spiritual side of things. This is where I see true holistic healing really takes place. Because you and the client are able to work through all the aspects of health.

A good way to think through these five determinants is that they’re building blocks. They might be important to consider for the primary complaint. Other times they might be just fine-tunings that help clients dial in and refine how they live their life every day to reach a greater level of health.

From my approach to herbal medicine, that’s what I want for the people that I’m helping. I don’t just want them to not have headaches anymore. I want them to feel good. I want them to feel healthy. I want them to feel alive, and I want them to have good energy and to wake up in the morning feeling rejuvenated and feeling like their mind is clear and their heart is open and strong. I want them to feel like they’re working toward a goal or a dream or an aspiration that gives them a greater sense of purpose in their life and a feeling of fulfillment. I believe herbal medicine can help us with all of those stages of our healing work that we all have to do in this life as human beings.

So the short answer I suppose is that there is no set amount of time for an intake interview, and it will differ from person to person. But I encourage you to be flexible and pay attention to the person sitting in front of you. Become acutely aware of what their needs are and how you can best help them.

The Client Intake and 5 Health Determinants published first on https://nutriherbsstore.tumblr.com/

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elizabethrobertajones · 7 years

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Do you think we'll see Dean and Jody discuss Cas? Does Jody even know Cas exists? They told her s8 angels exits and she was claire but still i thibk textually they never mentioned his name around her? Im guessing they are gonna discuss Deans feeling about Mary since Jody knew her but Cas?

I don’t know, which I know I say to like basically all questions about speculation but this one is something I don’t really have a clue about and I’m not even sitting on my thumbs pretending not to have an opinion because I’d rather not say anything on the record until I know I’m right or not… I really, genuinely, to the best of my ability to sound it all out and guess from the available information, don’t know :P

It depends how they handle Cas being gone overall, whether Dean’s openly, loudly mourning him all the time every episode constantly, which is a detail where I’d only be able to offer you a confident speculation on the eve of this episode anyway after seeing the first 2. If Dean goes stoic and jaw-twitchy but quiet about it then probably not but that’s just like… super obvious and short term.

In the mean time, please assume the tin foil hat position you’d take to listen to a conversation that sounds like this:

There’s quite a lot to pack in with meeting Patience, and getting our guys some good face to face time with Jody for any emotional support they need to sponge off her. Sam doesn’t seem to be around so he may be off with Jack, but if he wasn’t, he’d probably want to learn how to be a mom to him from Jody, for all we know :P Thematically it might sort of be that way anyhow - if Patience doesn’t come in direct contact with Sam it seems ridiculously unlikely she’s not going to be thematically connected to him and therefore Jack through an extremely easy join the dots between 13x03 and 1x09. (Sam already kinda went one round with this sort of thing in 12x04 so in a way he’s got his booster shot of dealing with it directly so it can just be storytelling mirrors for him :P)

Certainly Jody is more connected to Mary symbolically and in general the Wayward Sisters stuff has been more about parenting and those dynamics recently, with 11x12 looking at how Jody copes and teasing us with hindsight for Mary’s return with Dean talking to her about wishing his mom had been around, and in 12x06 and 12x22 she and Mary sort of bounce off each other as moms directly in a continuation of that - in 12x16 she’s not around except on the other end of phonecalls but Dean’s carrying on parenting Claire as a hunter a lil bit.

Of all of those, 11x12 was the only one to make a nod to Cas with Claire holding grumpy cat in one of her scenes, but the show has decided to treat him a lot as just the inciting incident to get her onto the road hunting by dragging her into the life, while Dean does the thing he does around feisty wayward teenagers, and probably was mostly responsible for switching Claire’s amateur detective attempt onto a hunting thing in 10x20. I don’t want to make Claire cringe but I think she thought he was actually kinda cool and inspired her or something, because she had not had any interest in the supernatural side of things before that episode…

Despite all her connections to Cas I think Dean sort of birthed hunter!Claire, so the story sort of wanders that direction and leaves Cas behind because he’s more like Azazel in Claire’s story than anything, even if a very sad soft squishy Azazel who gave her a stuffed toy for her birthday :P Still they played it like her forgiving and hugging Cas was about the same as Dean finally getting to shoot Azazel, in both case freeing them to go do their job with the angsty backstory resolved…

In any case, I think Cas is probably an emergency contact Jody has for Claire-related stuff, although whether they told her to or not, she’d probably always call Sam and Dean first because she knows and understands them (and has met them), and I think the story is asking us to believe that with this symbolism of Claire getting past what Cas did to her family, she’s in a new stage of life he’s not a part of in the same way even if she does cling onto grumpy cat, and Cas is still family to people who consider Jody as family, who she considers family. Sort of shunting him from awkward dad no. 3 of 4 as per 10x20′s recap and symbolism to a weird uncle or something. (Although if Jody has mom symbolism to both Claire and Dean, that makes them siblings and Cas her brother in law… this found family stuff is really difficult :P)

So there’s all that shaping my expectations - Claire’s not in the episode and she’s our connection between Cas and Jody. Previous episodes have made it clear that Sam and Dean really hate calling even beloved friends with their shit and don’t tell Jody alarmingly huge things like that Mary came back from death. She’s been offering a shoulder to Dean personally while he’s been going through all his stuff, and in 9x08 I think Sam did open up to Jody more than Dean even when they were all in the same room, never mind in that and 7x12 they got split up from Dean and actually bonded (And I think this is also a quote from Kim Rhodes but also just something fairly obvious, that because Sam was the one connected to her more in her intro episode and ended up shooting her zombie son for her, they’ve always had a closer emotional bond via shared trauma).

I don’t think it’s showing that Sam and Jody aren’t as close now to have her switch focus to Dean but that Jody is determined to get Dean to open up to her *too*. In 12x06 they have really different attitudes about her when Sam makes the comment about Dean’s “animated Japanese erotica” which show how they’ve grown in different directions with Jody. So I think Sam’s closeness to her is fairly accepted fact and now Dean’s the tough nut to crack for her :P Anyway she’s made the offer two or three times now that she’s there to talk if Dean in particular needs her (definitely 10x08 and 12x06… Can’t remember if she said as much in 11x12 although they did also have an actual personal conversation in that episode, so one point to Jody there). I think 12x06 made it clear there’s still an owed conversation of greater than that opening up and spilling the beans on what’s making him emo right now, so there’s that.

And Cas and Mary have been connected all through season 12, in their arcs, in the subtext, in basically everything, and Dean textually named that in 12x22 that in the start of the season he’d “got Cas back, got Mom back” and in 12x23 of course he loses both, again, in a highly inter-connected way, and so again they’re going to be parallel lines to him, though again I think showing how he feels differently about one and the other and hopefully we get to unpack what those individual losses mean by the way of having both at once (and Crowley, who often in these cases is included to put a finger on the scale :P).

One of the things confusing me right now is of last night’s behind the scenes set peeking which revealed a Turducken Slammer relaunch from the ever-hopeful Biggerson’s, which is not letting frequent murder and mayhem and dodgy meat recalls on its premises stop it from trying. Even if it’s as overall irrelevant to the story in the sense of being mentioned or actually explored as the Mystery Spot sign in 12x01, it’s still telling us something and making connections. I mean yeah it can just be worldbuilding continuity but it’s always picked for a reason and they know what all these signs mean and how to connect them, which is why we have the beer language for example.

And Jody is pretty deeply connected to season 7 and Dean’s arc. And this connection was obliquely referenced in 12x06 in that moment I already mentioned, where Sam outs Dean’s porn habits to Jody. It was a nod from Yockey that he’d watched past Jody episodes because in every way it was a season 12 style rehash of Sam’s “strictly into Dick” comment, which was from a Jody episode. And… look, maybe this is the best way to explain how I felt the season 12 references were kind of out of this world in their scope and intelligence :P

For starters, that comment was not just a run of the mill Dick joke, that was a Robbie level Dick joke, which collected up a hilarious character thing for Sam (his fucked up moment when he should have made the barb, his determination to hang onto the Best Zinger Of His Life until Dean next gave him an opportunity and bless Sam’s cotton socks he delivered it like a pro :P) and Dean’s spiralling obsession with Dick as a Dick or Anime thing. Dean’s anime-watching was from 7x01, when he was waiting for Godstiel to blow up the planet in despair, and was at just about the lowest point we’ve ever seen him. In 7x02 Bobby gives him the “You just lost your best friend” pep talk, which is a role of comforting parental figure Dean then went and lost that season when Bobby died. And in the end of 7x02 Dean reveals how Not Fine he is to Bobby’s answerphone, which is important that it’s never commented on again but I think affects how Bobby treats him and in the subtext of 7x09 you have to know all that happened.

In 7x09 Bobby’s on his farewell tour of comforting advice to his adopted sons, in the last great set of retconning episodes to embed him permanently into their backstory as having always been there for them, to make it hurt juuust that much more than it already does. Towards the end of the episode he has another talk with Dean that mirrors advice Dean will get from Frank and Ness in 7x11 and 7x12, and *that* is opened up by Dean getting drugged by the turducken slammer and going on about how he doesn’t care about how he doesn’t care, and that he feels great for the first time since Cas and the black goo. Like, wow, his depression and hurt and betrayal didn’t go anywhere just because he said he was fine, who knew :P

And that’s the backstory to Dean’s obsession over killing Dick, who has taken everything from him by this point in season 7, told through the medium of anime and sandwiches and somehow always ending up about Cas and Dean’s feelings for him. The anime was an attempt to not care and not think about it that the slammer actually inflicted on Dean, and was used to get Dean to tell us how he really felt. By 7x12 it’s a joke for Sam to make implying Dean’s into lowercase dick, with one of those false binaries the show loves making. And like in season 13 Dean’s lost a love interest and a parental figure, and now things are really blurry about which one hurts more in this short run of episodes before they both reappear in the narrative and make it confusing. 7x11 makes the hurt most about Bobby. 7x12 subtextually tells us rather a lot about Cas, especially by making a Bobby figure to contrast in the background with the lady in the shop who literally calls Dean an idjit at some point, I think, or some other Bobby-ism, to make it clear that Ness is definitely not standing in for that and all those Cas parallels are probably where it’s at while Dean fangirls over him :P

And nope I’m not even done unpacking the Yockey Robbie Edlund turducken because of course JODY is all tied up in this completely. She’s incidentally in 7x02 as a useful local beloved character who can get menaced by Dr Sexy and let them know there’s leviathan nearby, and so she’s pretty embedded in the early Leviathan worldbuilding. Of course Edlund being Edlund, while the lil girl leviathan is channel surfing for ideas, there’s a Biggerson’s advert, I think the same one that plays in 7x03 or 7x22 about their pie salad bar (it’s like a salad bar, but pie!) and in the end she lands on wanting to be a Dr Sexy when she grows up.

(Stop me when you think this might somehow subtextually be about Dean :P)

The Dr Sexy leviathan has an amusingly childlike view on being a surgeon as a result of forming its opinions on that job while being a little girl, and apparently not listening to the memories of the poor guy it ate except to get a frightening knowledge of anatomy. It very much acts the part of being a doctor on TV who can just wheel patients off to perform unnecessary surgery, as per the malpractice of our favourite sexy doctor on TV - and there’s a thing to contemplate about “I’m not a doctor, I just play one one TV” but that’s digressing :P But it goes and menaces Jody and Bobby goes and saves her, and Robbie brings her back 2 more times in season 7, once in 7x06 to thank Bobby for saving her, and to link them romantically so she can even more handily take over the parental role by being romantically linked to their adopted father, which is just a sort of easy association to help. And in 7x12 of course she’s just there and helping and mourning Bobby a lil bit with Sam (since Dean was the one in the focus for mourning Bobby in 7x11), drinking his dubiously won scotch from 11x16 (… Rufus didn’t have to let him have that one, Bobby WAS insisting it was a ghost :P I think he just wanted Bobby to have a win after seeing how down he was.) But that IS a Jody episode so it would have been on Yockey’s list for homework for 12x06 and it contained the anime/Dick thing.

And, if he’d watched the deleted scene, at the end of the episode Dean makes it clear that he’s not sitting alone in the dark watching anime, he is strictly into Dick, and goes and reads an article on Dick “erecting” a tower.

(I hope it is clear how much I love the Dick references in season 7 by now and I’m not sorry, they started it :P)

So yeah. Jody is already intrinsically linked into a ridiculous chunk of the Dean/Cas subtext from season 7, the absolute wild nonsense that Edlund and Robbie were messing around with with pie and turducken and Dr Sexy and anime and Dick, to create the absolutely most ridiculous, like… no one part of it on its own in isolation doesn’t make you cry laughing, bit of storytelling (that, of course, added up into a full picture, just makes you cry a lot in earnest for poor Dean right then).

To me this is the picture of Dean mourning Cas in season 7, and the unique elements to season 7 are the anime (already referenced in season 12 just as an aside and I don’t think as anything more than a witty reference to past canon except that Dean was “kinda bummed” about Cas being gone (and don’t worry, I’m getting to Berens :P)) and the turducken, and Jody as one of the key characters wandering through all this picking up the emotional baton from Bobby, which she has been attempting to use on them ever since season 9, when they got back in contact with her after neglecting her all of season 8.

(And, oh gosh, I stared out the window to try and collect my thoughts for the next paragraph and washed up on thinking about Sam going and crashing out on Jody over the Dean in Purgatory period instead of hitting a dog and ending up with Amelia, like Dean with Lisa except by the time Dean gets back Sam’s probably been whipped into shape and is wandering around Sioux Falls in a deputy uniform…)

Anyway yeah, to go back to 13x03 finally… If the Turducken sign isn’t portentous of anything, I’m still seeing the Gas n Sip sign, in the maroon colours rather than blue one, but still, in a Berens episode. And if you can’t get mourning Cas in season 7 via Jody and a turducken related things to stick, you can totally shortcut through the fairly simple steps of Berens + Gas n Sip = 9x06 and assume whatever personal feelings stuff Dean and Jody talk about, this is a great way to cram Cas into the background via the enormous glowing yellow sun that has come to represent him. (And, of course, it was Berens who had the “morning, Sunshine” line for us in 12x03.)

So I think the set stuff and character stuff all have some fairly good slap to the back of the head things for Dean to maybe open up to Jody or at the very least for whatever he says to her to be heavily subtextually about Cas even if Jody asks about Mary. Because Dean’s wearing weirdly Cas-coded clothes, and Jody is wearing the family unity red n blue plaid colours. The maroon Gas n Sip seems to be more about family and even Wayward Sisters, since it was prominently used behind Claire in 12x16 and maroon has been a lot about family because of the infamous red hoodie that Kevin, Charlie and Cas all wore, and that Mary was put in maroon within an episode of getting back (and Chuck tried to cash in on it in 11x21 to make himself look harmless and cute and relatable in the same hoodie). But even in 12x16 having the Gas n Sip sun looking over Claire, with her connections to Cas, made it seem like he was watching over her too. The colours change the meaning in some ways but the overall message is the same. I think in 13x03 we have to remember it’s also going to be about the Wayward Sisters so whether Jody and Dean are having a personal conversation or not, the sun might be about Cas but the overall thing might be a more neutral family building thing for the main arc stuff. If it was a blue Gas n Sip I’d immediately think it was all about Cas and oozing tragic subtext *everywhere* and completely unavoidably.

(it might also just be that they’re maroon because Biggerson’s are and maybe there’s some sort of corporate alliance of Gas n Sips connected to Biggerson’s, because, after all, Dick Roman ended up owning both franchises and by 7x23 you can see that both are involved in his masterplan, which is part of why I love so much Cas is then intimately connected to both later while still in a gloomy penance mood about the whole thing and everything he’s ever done since…)

… So to actually answer your question, I can see some really really convoluted reasons in the history of the show that if Dean and Jody have their big important “seriously how are you” talk in this exact location while hanging out and hugging in front of all these signs, that they might either not mention Cas at all because he’s not a part of the openly stated story going on between Dean and Jody and all this family stuff and Wayward Sisters and everything absorbed into the entire chunk of the show about parental relationships, of which Jody has been a part since 7x06 thanks to Robbie. Or it’s a part of the emotional backstory to Dean losing Cas which Edlund kicked into high gear in 7x02 while dibsing all the important Dean and Bobby conversations which shine a light on Dean’s loss and Cas, also dragging Jody into a ridiculous web of Dr Sexy and stuff that Robbie and then much much later Yockey were playing around with.

Either way,

#Asks #13x03 #season 13 spoilers #season 13 speculation #Destiel #Wayward Sisters

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twobrokenwyngs · 7 years

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Psst, hey, I'm thinking of watching Black Sails, but I've never seen it before and you're by far the biggest Black Sails fan in my feed. Is there anything I should know before getting into it?

Oh man, that’s quite the honor, lol. The rest of the blogs you follow are clearly sleeping on this! Is there anything you need to know, you ask? Hm. Well…

First of all… do it. You’re making a great life choice right now. It’s a genuinely fantastic show with compelling drama, thrilling action sequences, eye-popping cinematography, and just all sorts of 18th century pirate fun. The characters are easy to get invested in overall, but none moreso than the main character, James Flint. Be warned that there is a strong possibility that at some point you will be willing die for this man. (Also, as I believe you to be a fan of one Percival Graves, there is an even greater likelihood that you will fall in love.)

Second of all, it gay. It’s just filled to the brim with queer rep. There is queer canon, intentional queer subtext, dynamic queer characters who are not defined by their sexuality, tons of queer messages… I could go on. There is even an LGBT-themed Black Sails podcast in the works. So, if that kind of thing is important to you, this show is a great place to turn to.

But in terms of “warnings,” there are two main things that ANY Black Sails fan will tell you if you ask them this question. One, the show takes a little bit to find its footing. The first few episodes are the weakest. Not bad, but a little slow, a little inconsistent. Which I know is unfortunate when you’re trying to get into a new show, but you gotta believe me, it’s worth it. If it doesn’t grab you right away, push through. Any mistakes made in season 1 (which is only 8 eps!) are perfectly Course Corrected by season 2, and it’s just non-stop from there. The characters undergo mind-blowing and satisfying transformations throughout the course of the show. There are ~big reveals~ you’ll wanna stick around for. The scope of everything gets so much bigger. Just… trust me on this. The second thing, is that there is some sexual violence in the beginning of the show. This is an example of one of the later course corrections (in fact, the first few eps may lead you to believe that gratuitous sexual content is part of this show’s whole deal, but it’s actually not.) So, yeah, be forewarned about that. It happens, it ends, nothing like it comes up again for the rest of the show.

And, yeah! What can I say! It’s great and appallingly underrated. The performances are amazing, the character dynamics are amazing, the dialogue is amazing, it’s smart, it’s fun at times and gut-wrenchingly tragic at times and pretty much everyone in it is hot.

Oh, and lastly, my god, there is so much good fic & art, lol. You have no idea. When you’re done binging, come back to me for some recs ;D

#but im no expert!#i just really really love the show #if thats not clear lmao #i devoted a solid couple years #to nothing but black sails #so yeah i have some strong feelings about it lmao #but really i do think its objectively good #and really accessible #and i hope you like it!!!#please feel free to keep me posted!#clockhearted-crocodile

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sheminecrafts · 4 years

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Google, Nokia, Qualcomm are investors in $230M Series A2 for Finnish phone maker, HMD Global

Mobile device maker HMD Global has announced a $230M Series A2 — its first tranche of external funding since a $100M round back in 2018 when it tipped over into a unicorn valuation. Since late 2016 the startup has exclusively licensed Nokia’s brand for mobile devices, going on to ship some 240M devices to date.

Its latest cash injection is notable both for its size (HMD claims it as the third largest funding round in Europe this year); and the profile of the strategic investors ploughing in capital — namely: Google, Nokia and Qualcomm.

Though whether a tech giant (Google) whose OS dominates the world’s smartphone market (Android) becoming a strategic investor in Europe’s last significant mobile OEM (HMD) catches the attention of regional competition enforcers remains to be seen. Er, vertical integration anyone? (To wit: It’s a little over two years since Google was slapped with a $5BN penalty by EU regulators for antitrust violations related to how it operates Android — and the Commission has said it continues to monitor the market ‘remedies’.)

In a further quirk, when we spoke to HMD Global CEO, Florian Seiche, ahead of today’s announcement, he didn’t expect the names of the investors to be disclosed — but a press spokesperson had already shared them with us so he duly confirmed the trio are investors in the round. (But wouldn’t be drawn on how much equity Google is grabbing.)

HMD’s smartphones run on Google’s Android platform, which gives the tech giant a firm business reason for supporting the mobile maker in growing the availability of Google-packed hardware in key growth markets around the world.

And while HMD likens its consistent (and consistently updated) flavor of Android to the premium ‘pure’ Android experience you get from Google’s own-brand Pixel smartphones, the difference is the Finnish company offers devices across the range of price points, and targets hardware at mobile users in developing markets.

The upshot is relatively little overlap with Google’s Pixel hardware, and still plenty of business upside for Google should HMD grow the pipeline of Google services users (as it makes money by targeting ads).

Connoisseurs of mobile history may see more than a little irony in Google investing into Nokia branded smartphones (via HMD), given Android’s role in fatally disrupting Nokia’s lucrative smartphone business — knocking the Finnish giant off its perch as the world’s number one mobile maker and ushering in an era of Android-fuelled Asian mobile giants. But wait long enough in tech and what goes around oftentimes comes back around.

“We’re extremely excited,” said Seiche, when we mention Google’s pivotal role in Nokia’s historical downfall in smartphones. “How we are going to write that next chapter on smartphones is a critical strategic pillar for the company and our opportunity to team up so closely with Google around this has been a very, very great partnership from the beginning. And then this investment definitely confirms that — also for the future.”

“It’s a critical time for the industry therefore having a clear strategy — having a clear differentiation and a different point of view to offer, we believe, is a fantastic asset that we have developed for ourselves. And now is a great moment for us to double down on this,” he added.

We also asked Seiche whether HMD has any interest in taking advantage of the European Commission’s Android antitrust enforcement decision — i.e. to fork Android and remove the usual Google services, perhaps swapping them out for some European alternatives, which is at least a possibility for OEMs selling in the region — but Seiche told us: “We have looked at it but we strongly believe that consumers or enterprise customers actually love [Google] services and therefore they choose those services for themselves.” (Millions of dollars of direct investment from Google also, presumably, helps make the Google services business case stack up.)

Nokia, meanwhile, has always had a close relationship with HMD — which was established by former Nokia execs for the sole purpose of licensing its iconic mobile brand. (The backstory there is a clause in the sale terms of Nokia’s mobile device division to Microsoft expired in 2016, paving the way for Nokia’s brand to be returned to the smartphone market without the prior Windows Mobile baggage.)

Its investment into HMD now looks like a vote of confidence in how the company has been executing in the fiercely competitive mobile space to date (HMD doesn’t break out a lot of detail about device sales but Seiche told us it sold in excess of 70M mobiles last year; that’s a combined figure for smartphones and feature phones) — as well as an upbeat assessment of the scope of the growth opportunity ahead of it.

On the latter front US-led geopolitical tensions between the West and China do look poised to generate a tail-wind for HMD’s business.

Mobile chipmaker Qualcomm, for example, is facing a loss of business, as US government restrictions threaten its ability to continue selling chips to Huawei; a major Chinese device maker that’s become a key target for US president Trump. Its interest in supporting HMD’s growth, therefore, looks like a way for Qualcomm to hedge against US government disruption aimed at Chinese firms in its mobile device maker portfolio.

While with Trump’s recent threats against the TikTok app it seems safe to assume that no tech company with a Chinese owner is safe.

As a European company, HMD is able to position itself as a safe haven — and Seiche’s sales pitch talks up a focus on security detail and overall quality of experience as key differentiating factors vs the Android hoards.

“We have been very clear and very consistent right from the beginning to pick these core principles that are close to our heart and very closely linked with the Nokia brand itself — and definitely security, quality and trust are key elements,” he told TechCrunch. “This is resonating with our carrier and retail customers around the world and it is definitely also a core fundamental differentiator that those partners that are taking a longer term view clearly see that same opportunity that we see for us going forward.”

HMD does use manufacturing facilities in China, as well as in a number of other locations around the world — including Brazil, India, Indonesia and Vietnam.

But asked whether it sees any supply chain risks related to continued use of Chinese manufacturers to build ‘secure’ mobile hardware, Seiche responded by claiming: “The most important [factor] is we do control the software experience fully.” He pointed specifically to HMD’s acquisition of Valona Labs earlier this year. The Finnish security startup carries out all its software audits. “They basically control our software to make sure we can live up to that trusted standard,” Seiche added.

Landing a major tranche of new funding now — and with geopolitical tension between the West and the Far East shining a spotlight on its value as alternative, European mobile maker — HMD is eyeing expansion in growth markets such as Africa, Brail and India. (Currently, HMD said it’s active in 91 markets across eight regions, with its devices ranged in 250,000 retail outlets around the world.)

It’s also looking to bring 5G to devices at a greater range of price-points, beyond the current flagship Nokia 8.3. Seiche also said it wants to do more on the mobile services side. HMD’s first 5G device, the flagship Nokia 8.3, is due to land in the US and Europe in a matter of weeks. And Seiche suggested a timeframe of the middle of next year for launching a 5G device at a mid tier price point.

“The 5G journey again has started, in terms of market adoption, in China. But now Europe, US are the key next opportunity — not just in the premium tier but also in the mid segment. And to get to that as fast as possible is one of our goals,” he said, noting joint-working with Qualcomm on that.

“We also see great opportunity with Nokia in that 5G transition — because they are also working on a lot of private LTE deployments which is also an interesting area since… we are also very strongly present in that large enterprise segment,” he added.

On mobile services, Seiche highlighted the launch of HMD Connect: A data SIM aimed at travellers — suggesting it could expand into additional connectivity offers in future, forging more partnerships with carriers.

“We have already launched several services that are close to the hardware business — like insurance for your smartphones — but we are also now looking at connectivity as a great area for us,” he said. “The first pilot of that has been our global roaming but we believe there is a play in the future for consumers or enterprise customers to get their connectivity directly with their device. And we’re partnering also with operators to make that happen.”

“You can see us more as a complement [to carriers],” he added, arguing that business “dynamics” for carriers have also changed substantially — and customer acquisition hasn’t been a linear game for some time.

“In a similar way when we talk about Google Pixel vs us — we have a different footprint. And again if you look at carriers where they get their subscribers from today is already today a mix between their own direct channels and their partner channels. And actually why wouldn’t a smartphone player be a natural good partner of choice also for them? So I think you’ll see that as a trend, potentially, evolving in the next couple of years.”

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endenogatai · 4 years

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Google, Nokia, Qualcomm are investors in $230M Series A2 for Finnish phone maker, HMD Global

In a further quirk, when we spoke to HMD Global CEO, Florian Seiche, ahead of today’s announcement, he didn’t expect the names of the investors to be disclosed — but we’d already been sent press release material listing them so he duly confirmed the trio are investors in the round. (But wouldn’t be drawn on how much equity Google is grabbing.)

On the latter front US-led geopolitical tensions between the West and China do look poised to generate a tail-wind for HMD’s business.

While with Trump’s recent threats against the TikTok app it seems safe to assume that no tech company with a Chinese owner is safe.

HMD does use manufacturing facilities in China, as well as in a number of other locations around the world — including Brazil, India, Indonesia and Vietnam.

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