#but the cast had so many actual asian people

[steveandbuckysdaughter]

I am so so so so so TIRED to see people fatshaming two perfectly healthy girls because they have round faces. It’s disgusting.

The actresses of Mai and Azula are on point for their roles. Hell, if they were chosen there must be a reason, it’s not like there’s no Asian actresses out there they could choose from.

People can’t accept that Azula can have a characterization beyond “crazy and sadist sicko”. She’s a perfectionist. She’s an asset to her father. She’s jealous of Zuko’s birthright and of how it might take what she has away. Those are things that OG Azula too had. The only difference is that we actually see it in season one and have a background on her, rather than writing it in a rant. And what has been added only makes her a more complex character, given the change in the family dynamic as well.

And Mai? The actress is talented, she delivers a good Mai, and does justice to the character. She’s 17 and at the beginning of her career, of course it won’t be perfect. She gets to grow. Thing is, you guys won’t let her, because a square jaw scares you so flipping bad that you feel the need to shame her for it.

Everyone is a body positivity advocate until a girl with a rounder face shape is cast as a character in a live action you are NOT forced to watch? Seriously?

I’ve seen so many people on the internet calling them all sort of names, fatshaming them, insulting their work without even focusing on the acting. And I’m like, what’s to fatshame there? Let me tell you: nothing.

If I have to put it through your thick head like this, so be it. Even though I hate talking about and comparing bodies.

This below is a picture of Azula’s actress.

She has the face card, she has the jawline, and she has a fit, enviable body. And you still have the audacity to “fat-shame” her?

These two pictures are in costume. Again, face card and an enviable body. She even has the expression for Azula. You see a girl with a rounder shape of face and will automatically go “no she’s too cute to be Azula!!” Dude. No. When she will actually deliver as the crazy girl we know, she will devour. She will, and you all will switch back because that’s what you are, slimy switchers.

And now, onto Mai’s actress, a very beautiful girl with talent and looks. She is literally so pretty, and you dare hate on her? You dare shame her for how she looks? From what I’ve heard she’s a minor, too, so this makes you 100000% more slimy and undeserving of any sympathy in my book.

This is her, this is the girl.

She’s literally so pretty. Maybe she hasn’t got the same facial structure of Mai, but she delivered all her lines she had in the little screen time and with the discutibile scenes she was given. She was good. But you see a square jaw, a rounder shape of face, and are immediately triggered.

And you can’t even use the stupid argument of “she’s fat”, because this is literally her.

A very normal, very healthy young woman. Not as skinny as OG Mai? So what? She’s still a fricking thin girl. Nowhere as “fat” as you haters make her to be.

I shouldn’t have to explain common sense and basic decency to grown adults, and yet here we are.

This is honestly so frustrating. In the year of 2024 you can’t possibly justify insulting girls like this, with no shame. It’s absolutely idiotic and shows very a big lack of brain cells. I see you, haters, behind your device, with your insecurities and shame for yourself, laughing at two girls who made it farther than you ever will. You can critique the acting once you’ve seen it in full potential. Until then, shut your tramp up. This is very small dick energy of you.

I don’t see why I should treat you with kindness when you are so eager to make this kind of jokes about pretty and in shape girls you are very obviously jealous of. Go touch some grass, incels.

#I hope anyone who sees this copies the link and sends it to whatever bitch-ass they see commenting this crap #Mai #ATLA mai #Azula #ATLA Azula #lizzy yu #Thalia Tran #NATLA #ATLA #avatar the last airbender netflix #netflix avatar the last airbender #netflix avatar #avatar the legend of aang #avatar the last airbender #body positivity #rant #Ross rants

[apollos-olives]

what’s crazy about the orientalism and cultural appropriation in mainstream media is that these films and books, etc would be SO MUCH BETTER if they just had POC staff and cast, etc. I’m not saying that all films inspired by our cultures have to have us in them, but imagine if an Arab or an African worked on the creative shit for Dune or Star Wars. Or if futuristic movies actually utilised Asian characters and portrayed them well instead of portraying Asians as dog eating crazies. Imagine if sub Saharan Africans weren’t portrayed as homeless desert people with flies in their eyes and a third world filter whenever they showed up on screen. Imagine if non westerners were humanised.

literallyyyyy like dude i've been saying this for i think a year now but star wars could've been fixed if i was there. tbh. like SO many shows and movies could've been fixed if some poc were in charge and made stuff check out. the racism of the western world is fr so irrational. yall ever watch a show and go "wow. not a single poc was on production for this" 💀💀 ughh

[timemachineyeah]

Ready for my hot take?

The Last Airbender (2010) was ultimately a force for good.

It was a terrible, terrible movie. Adapted from a very popular show.

ATLA was at the height of its fandom. And it was a toxic fandom. Ship wars and mocking each other and general anger were pretty hard to avoid, even when carefully curating your fandom experience.

And then this very bad movie came out and we all had a common enemy.

No, my point is not that the movie temporarily united a divided fandom against a common enemy, though it did do that. And I think that helped.

My point is everyone agreed the movie was bad.

And fandom’s favorite thing to do, then and now, is to morally justify their taste.

Not just fandom. Critics. Analysts. We love to pretend there is a deep meaningful truth underneath what we do and don’t like. (There isn’t, but that’s okay).

The fight against the whitewashed casting was the first time many people had heard of the history whitewashing in Hollywood. The campaign against it gained mainstream press coverage.

But in a kind of, “Are these criticisms right? Is Hollywood racist? Or do they just hate fun? You decide!” way.

As someone going “uh, this is super racist”, it was both frustrating and eye-opening to learn how not mainstream that take was.

Before the movie came out, arguments about the whitewashing were heated and divided. Who says these characters have to be Asian? Maybe they just cast the best actors! Why does everything have to be about race? I had these conversations both online and in person.

But then people actually saw the movie and it sucked.

And they were pissed off about it. They felt a moral outrage at how badly their beloved show had been adapted.

But that’s a subjective moral outrage. After all, how bad of a crime is making a bad movie, really? But racism? That’s a real moral failure. One you can point to to buoy the opinion you already want to have.

After the movie came out, people defending its whitewashing basically disappeared. It was fun to dunk on the movie, and no one wanted to defend it any more anyway. The irony of things like it butchering the pronunciation of Aang’s name under the guise of “authenticity” while casting a little white boy to play what is clearly a Tibetan Monk was just too delicious a hypocrisy to lay at its feet.

Basically, accepting that the characters were Asian and Indigenous, and that it’s bad to cast white actors to play characters of color, was thrust into more popularity by the movies other failures.

People who hadn’t been privy to these conversations before the movie came out went to see this movie, had a terrible time, and were predisposed to accept criticism of it. So they were fully in a perfect mood to be given a lesson in Racism and Representation 101. And public consciousness spiked.

The organized effort to move the needle of popular discussion around casting in Hollywood would likely have actually been stymied if the movie had been good cinema. People would not have wanted to hear legitimate criticism of that really good movie they just saw.

Obviously the best outcome would have been both a good movie and an appropriate cast for said movie. A blockbuster action adventure family film led by an entirely poc cast that was critically acclaimed good entertainment in 2010 would have been incredible.

But that was probably never likely. Let’s be honest, sticking the landing on that adaptation was always going to be tricky (though I certainly never expected it to be THAT bad). And if it had been a flop and had an Asian cast, the 2010 media analysts would’ve blamed the casting.

So all things considered, the outcome we got was probably one of the better ones? If you do racist casting, then being a catastrophic failure on every other level is probably for the best. Then we can blame the failure on the racism, and Hollywood can seriously sit back and ask itself, “should we… at least talk about… being less racist? Maybe?”

And then they go on to whitewash a bunch more movies, but at least going “dude that sucks” is a way more mainstream response afterwards.

#timemachine wuz here #atla #avatar the last airbender #the last airbender

[hadsephone]

Could you elaborate more on "Amber shaped Persephone as much as Anais and Rachel did"? Like did she actually have say in things like lyric changes or staging or is it more about her actual legacy and how long she was in the role for?

The second one! to my knowledge she didn't have any direct say in the actual book/script, but ever since they started workshopping the show it was Amber's personality, acting, singing, etc that helped to shape Persephone. She's a very unique and one-of-a-kind performer and her specific mannerisms are what made Persephone, Persephone. Like, I don't really know how to describe it, but if you've seen her in other shows or at solo concerts you can definitely see a very strong overlap between "Amber characteristics" and "Persephone characteristics" and how Ambersephone was a perfect mix of acting as a character while also using her own mannerisms.

Amber was in the show for six years, across four different productions, and that's not even counting workshops. Theatre critics and fans genuinely viewed "Amber Gray" and "Persephone Hadestown" as synonymous in a lot of ways.

Many of the replacements have done a fantastic job at continuing on Amber's legacy while still putting their own unique twist on the role, and that's amazing! Amber is not an easy person to follow and I really do love most of her replacements. I love how they honor Amber's legacy while putting their own spin on the character.

Also there's just so many aspects of Persephone's character that are just...Black culture. For example, her dance in Way Down Hadestown is a jazz funeral. And tbh it's really offensive to have white actors in that role doing the same thing. If Amber had never played Persephone, Persephone would be a completely different character.

Persephone was exclusively a Black/mixed-Black role for almost 5 years.

(As a white fan, I'm not going to comment on non-Black POC playing the role. I ADORE Maria-Christina Oliveras and Shea Renne, who both are Asian-American, and I am not going to comment on whether or not it's 'okay' for mixed Pinoy actresses to play a Black-coded role, because while I do think Persephone should ideally be Black, I'm not going to advocate AGAINST Filipina leads. White Persephone is a million times more offensive than nonBlack-POC Persephone ever will be. That being said, since I've acknowledged that Way Down is a jazz funeral, I do wish that Shea and Maria had had the chance to honor Filipino culture in their portrayal, in the same way that every other Persephone honors Black culture.)

Basically: Amber Gray and Amber Gray's specific portrayal of Persephone is literally what built Persephone. Especially from a racial aspect, there's so many parts of Persephone's character that you literally cannot separate from African-American culture and casting white people as Persephone is so disrespectful to Amber's - a biracial black woman's - legacy in the show. Also, if Amber had actual say in Persephone's lines, I can guarantee the Chant II verse would never have been cut.

#amber gray #persephone #hadestown

[bengiyo]

If you had to pick one film that was your favorite from each unit of your Queer Cinema Syllabus, which ones would they be and why?

The Queer Cinema Syllabus grew out of a conversation that @shortpplfedup and I were having about what queer works I would show to a prospective BL fan, which eventually led to the creation of @the-conversation-pod. Captain Hands here has decided to run the gauntlet and has reached Unit 2.

Unit 1: Coming of Age Post-Moonlight

It's definitely Pariah (2011). This movie and Moonlight (2016) are having a complex conversation about Blackness and Queerness that feels so resonant to me. It's so rare that we see lesbians of any sort treated with this much complexity and sympathy in a contemporary setting. The complex web of lesbian interactions here isn't matched that often, and the only other movie that comes to mind it The Watermelon Woman (1996).

Unit 2: Race, Disability, and Class

Probably The Way He Looks (2014) because it's an easy layup to introduce folks to the genre. The intersection between Leo's blindness and his queerness gives the newer person multiple things to think about and forces them to consider how queer people are more than just their queerness. I also feel warmly about this film because it was a project we followed all the way from short film to movie, and I love that we were able to get the entire cast back.

Unit 3: Faith and Religion

You haven't gotten here, but this is where things start to get especially heavy. I think for this section I'm going with The Wise Kids (2011) because I really like the way Stephen Cone approaches the struggle with faith queer and non-queer people have in evangelical spaces. There's an honesty that I really admire. This is not an easy film, but it's lingered with me for over a decade.

Unit 4: Heartbreak Alley

This is the section of straight losses. I don't know that I ever want to watch it again, but I would probably select Bent (1997) as my favorite because the idea that we could still love even in the greatest of horrors spoke to me. I also think the performances in this adaptation are phenomenal.

Unit 5: Lesbians

I think we just passed Lesbian Visibility Day, so happy birthday, lesbians! This is actually a difficult selection because there are so many great films in this section. I think, today, I'm giving it to The Handmaiden (2016), but I almost chose Bound (1996).

Unit 6: Gems

I don't even need to look to know Big Eden (2000) is in this section. This section whips ass all around, but Big Eden is my favorite because there's just so much love all over this movie, and every new fact I learn about the BTS of it makes me love it more. Arye Gross and Eric Shweig did not have to go as hard as they did in this movie. The director left that choice to them a veteran actors and they did that 23 years ago. Nothing but admiration and respect. This is one of my most beloved films.

Unit 7: Asian Film Warm-up

This is a difficult selection because I think it depends on my mood, but for now, I'll go with The Stranger by the Shore (2020). This is a very Japanese take on second-chance romance. I like the way Japan approaches the quiet internalized homophobia that grips us. Some of the same things in Minato's Laundromat can be found here. It's also gorgeous and approaches sex in a frank way that I really loved.

Unit 8: Yaoi

Once again I don't even need to look to know that it's Yuri!!! On Ice (2016). This show is so goddamn gay. I know people feel like it was censored because of the kiss, but these two proposed to each other. It's what sports anime wishes it could be with the open queerness on display from so many characters. It's beautiful and so much fun.

Unit 9: Boys Love

I will not be selecting a favorite BL, but I will say that I really love The Boy Foretold by the Stars (2020) and it's a movie. I loved that we had a femme lead for once and that they explored what faith meant for femmes. It's a film that took the romantic lead's gay awakening very seriously and explored what being together might look like in a sequel called Love Beneath the Stars.

I'm looking forward to you completing the syllabus!

#answered #lgbt film #pariah #the way he looks #the boy foretold by the stars #the wise kids #bent #yuri!!! on ice #the stranger by the shore #big eden #the handmaiden #queer cinema syllabus

[accio-victuuri]

Sugar Rush: September CPNs 🍬🍭

The month of BXGs had some very exciting candies! Let’s review them together ^^ Same disclaimer applies. Only for CPN-loving bxgs. If you hate this kind of thing, please spare yourself the pain and scroll along.

• Similarity between Shengyang & Yibo ( when what you love becomes a career )

• Same brand = Covernat

• Them being the Sun 🧡

• WYB’s Pechoin Ad spotted in an episode of SBMS

I really have a lot of feelings with the Shengyang x Chen Shuo AU pairing. They are so perfect together!

I mean….. ⬇️⬇️⬇️

• There is something about the similarities between shengyang & yibo in the way that they look at the person they care about the most that gets me. it’s this whole “puppy” devotion they got going on. an innocent kind of love.

the kind where you look at the person’s reaction first when something happens, you wanna see them happy before you enjoy what’s in front of you. even if they don’t talk, you carefully observe their body language cause you wanna figure out how to help them and show them that you’re on their side. ☀️

• In a BTS released by One & Only, they showed some wardrobe and looks for Chen Shuo. This one is him wearing a black helmet instead of red. Did you see the peppa pig sticker? and i can’t make out the other one. What a coincidence, considering the CQL crew’s “history” with peppa pig 😂😂😂

• Not really CPN, but to archive this incident where cpfs commented WYB photos on ZZ’s douyin post. This reminds me of that 95 post on weibo, where it was all cpf, then 🍤 of course did the most to “erase” that. but that comment section has so many interactions. I’m 50/50 on this, I think it’s unnecessary to do it, knowing full well that it will “provoke” a fan war and i personally don’t want that. The other half of me tho is cackling cause cpfs surely know how to troll. My fave tho are photo comments of cute fandom dolls 🥺🥺🥺

• One and Only top box office in Chongqing on 9/4

• Summary of SBMS clowning material from 9/1 to 9/5 ☀️

• Similarity in WYB & XZ selfies ( vintage motorcycle gear )

• XZ’s mystery driver, and was it WYB?

• INNER MONGOLIA MYSTERY : I’m naming it as such because it’s truly a mystery as of writing. There’s been some rumors already that LOCH & Mermaid will have scenes shot in IM. XZ tho is confirmed to be there. The cast and crew were spotted and XZ is not exactly hiding it either, his IP is there.

What makes it sus is a video captured that is allegedly of the hotel entrance where XZ stays. It’s too dark to see who he is with but some cpfs are saying you can see someone who is like WYB going in too w/ XZ. the way the person walks tho is so WYB as far as I can tell. And the most sus thing is the hotel closed all the lights in the lobby. Who the fuck does that. Yeah I know XZ is VIP and they will do everything to protect him and make sure no photos of him will be taken. But to actually close all the lights??? There must be something more… probably another VIP guest????

and well this.. whatever this is… it’s not covering with umbrellas anymore, it had come to this kind of hiding already. and how they were hiding who was coming in and. there were 2 people. so yeah. 👀

again, i am including this here to archive but i’m not fond of them being followed around like that. just leave them alone to work in peace. 🙃 we should be more focused on their projects and not act like paps. understand the reason why there are proxy shooters is because there is an audience.

the most sus thing do, is come monday, the black cloth and all the cover up was not done anymore. So it makes you think that they were really trying to hide something in those days they used it. 🤡

• SBMS clowning series version 2 / version 3 / version 4 / version 5 / version 6

• Hangzhou Asian Games power couple 🔥🔥🔥

• THEM and Li Qin as leading lady 😂😂😂

• Their long hair! Please bring it back for both please and thank you ☺️☺️☺️

and the fact that GG is absolutely glowing in the photo. We’ve been speculating that WYB visited him, so is this the result????

• YIBO-Official 9th debut anniversary debut clowning: who folded the shirt // 2019 memories, new? black panther drawing and day&night selfies // XZ signed the artwork + the pose is inspired by yibo

• Edited background in yibo’s selfie + Why we think this was taken in Inner Mongolia

• Couple autograph !!!!

• RIO becomes cpf’s friend lol

• Love is like this / Fireworks

• The timing of their posts ( an example )

• This is so funny!!!! Now that we have a glimpse of Wei Ruolai, he is being paired to Xiao Sa — who we know is Mister Ye’s. So it’s now a love triangle 😂

⬇️⬇️⬇️⬇️

• bracelet & hand cpn - i don’t personally buy into this cpn but a huge chunk of the fandom were talking about it so i’m including it

• XZS Vlog Chapter 6 candies: ZZ & WYB similarity in XZS vlog + xzs and ybo are working together again & salomon shoes & mosaic design + panda rumor

• Matching Mid Autumn festival post ; Also how WYB’s look like there is a Mole. ☺️

There are also talks of the photo being taken from a proper camera, the most popular guess being a leica. I guess how YBO reposted this and said something like how Bobo is a “photographer” clued people in. But it could be because he posted an artsy photo like this instead of a selfie. 📷

—— END ——

See you all next month! 💕🍬

#yizhan #bjyx #there is no science here i’m just clowning like i always do #sugar rush

[17isrighthere]

— what’s up guys 😭 i just wanted to share my own little two cents on some colouring trends i’ve seen lately (particularly for kpop gifs!) which includes really distorted pink/red hues for skintones or oversaturated yellows so maybe i could give some tips that also helped me in the past!!

and of course because i love to talk a lot — this is a very long and image heavy tutorial...

❓ why is it an issue? i think its a very clear given that whitewashing is wrong and problematic for a vast number of reasons (with a history steeped in colourism and racism) and how there’s no excuse for changing the skintone of a person-of-colour.

— but with that said i want to make it clear that this is not an accusatory post! i’m not jumping on any one content creator or tumblr user to call them racist or colourist or a bigot 😭 and i don’t want to accuse anyone of having bad intentions with their gifs or images that they post! i really just want this to be a helpful post for anyone who is struggling to colour their gifs properly and more of a learning step instead of a call-out! 

however pink-washing (i’m aware there is another definition for this term but i’m referring to washing out a skintone to make it red-pink) and yellow-washing are equally as wrong! and they are also easily avoidable!! 

in the past it was a commonly held (and incorrect) belief that european people (a term i’m going to use broadly for non-poc) had a ‘fair’ and ‘pink’ undertone to their skin [and it was an encouraged beauty standard to try and emulate that fair pale pink skin] while asian people (particularly east asian ethnicities) had ‘yellow’ skin (as seen in racist caricatures and a plethora of terrible and outdated race theories).

thus pink-washing and yellow-washing both embrace two extreme ends of the scale and it’s simply better and more respectful to try and maintain the skintone of the idol in your gifs! there are deeper contextual explanations of this if you would like to learn more!

❓ identifying pink/yellow gifs

let’s start with recognising what colouring is a no-go ❌ if you’re a gifmaker you’re probably fighting a battle on two fronts — against the whitewashing music shows and then the struggle to restore skin colour without turning the dial up so much that you’ve changed their entire skintone.

for this example below i found a kpop psd posted recently (in the past few months actually) and applied it to a basic bright-lighting sort of facecam. 

the original facecam has no heavy stage lighting (as stages can often have really strong red or pink lights that also darken the colours) so it’s an easy one to follow along with.

the gif on the left has only a basic curves layer while the gif on the right has the added kpop psd on it. it’s a very stark difference in jungwon’s skintone and i would definitely classify this as an unnatural skin tone.

following a selective colour layer (to subtly increase the warm tones of his skin) / a photo filter (to counter the pale blue sort of lighting) and a colour balance - we can end up with a product like this.

now of course, this is only a very simple sort of colouring. and everyone has different colouring styles so you can go bonkers with all the colour manipulation for the blues and greens and purples as you like!

but what if the stage is just naturally red? 

may i introduce you to the dreaded seventeen stages during face the sun era then 😭

as you can see there is already a very heavy sort of pink-red cast on his skin (that only gradually got worse as the stage started because of those damn lights and shadows 😭) but we can easily work around them!

so here’s our stage lighting with no adjustments 

and now even though we got rid of the pink-tone it’s been replaced with a very strong yellow. (you might think i’m exaggerating out here but there are unfortunately a mite too many gifs like this). jeonghan’s skin (not to mention the members in the back) have been dialled up to a wasp yellow.

and unfortunately (at least in my experiences) there have been quite a few of the below instances (especially for this stage) so ultimately it is all about finding the right balance between getting rid of the harsh, unsaturated lighting while also bringing back warmth to the skintone while ALSO not giving the idols a spray-tan.

❓ so what can i do?

well i’m glad you asked! let’s go back to the jeonghan example we just used. here’s the stage gif once more without any adjustments or layers.

now i’ll add a simple curves layer (to even out the general lighting) and we end up with this. it’s obviously much better. the red-brown cast has no become darker creating a greater contrast with jeonghan’s skintone versus his black and white outfit! it’s a nicer gif overall but i want to bring out his skintone ever so slightly to make up for the harsh white lights on the highlights of his face.

i added another selective colour layer (increasing the reds with the cyan slider and then the black slider while also pushing on the yellow slider as well) and a gradient map (fading from black to orange and set to soft light at a 20% opacity)! and this is my final result!

❓ tips and tricks

— colour balance is your best friend! if a gif seems too blue (and hence giving your subject a pale purple-red sort of look) bring back the slider to the yellow side. or vice versa. it often sorts out all the little hiccups that a curves layer might have provided. — create layer masks to compare skin colour. it’s always useful to just have a little circle where you can see the skintone before and afters! — don’t just rely on selective colour to bring colour back into skin. this is where i find that i often trip up to overcompensate for whitewashing. a gradient map works wonders if set at the right opacity and you can adjust the skin colours minutely afterwards! — this might seem like a reduntant theme but it’s more than okay to ask for help! even i’ve found that i struggle with colouring a gif right and it’s better to get two or three heads in the game than one 😭

there is no one method or psd that will automatically graces oneself with perfect and correct colouring but it’s a matter of practice and figuring out what methods works for you!

i’d take a look at these very helpful tutorials! how to colour east/south-east asian celebrities how to fix orange-washed characters

#usergif #yeahps #allresources #photoshop tutorial #chaoticresources #usermills #userxoames #useralison #userives #usernanda #userfern #usershreyu #omgari #alielook #poc tutorial #gif tutorial #gif psd #annietrack #cheytermelon #uservince #userjoanna #usersha #creations #yeah idk what to tag

[cowboyhorsegirl]

Why do you think the MCU made an ults adaptation instead of a 616 adaptation? I have some theories but lmk know what you think of this conundrum

This is such an interesting question!! I will preface this by saying that I haven't yet read a lot of Ults or 616, and a lot of what I've learned of canon has been gained through osmosis from other, much more knowledgeable people in the fandom (@sineala, I'd love to hear your take on this ask!). That being said though, I think the main reasons why the MCU was adapted primarily from Ults instead of from 616 was because:

Ults had less canon to work with than 616, so it's a bit easier to ascertain a linear narrative that hasn't been rewritten and retconned multiple times. (For example, in 616 Tony had originally helped found SHIELD; this was completely retconned later on.)

Ults isn't as fantastical as 616, or as we all say colloquially, Ults is the grittier, 'more realistic' version of events that happened in 616. This would be particularly beneficial for a live-action remake, where the commonly held industry thinking is that audiences don't have as high a capacity to suspend their disbelief as they might for animation or live theater. The realism of the medium would necessitate a more grounded comics canon to build off of.

Ults origin stories lend themselves to the strategic vision of MCU Phase 1 much better than 616 origins. I think this is most apparent with Steve's origin: in 616 he was discovered only by the Avengers whereas in Ults, Steve was found by SHIELD (though I believe some of the other Ultimates were also there). I imagine this version of events would be much easier to tweak so that each member of the MCU Avengers had their own separate movie establishing background and characterization before throwing them into a very busy ensemble cast.

I don't actually think that all of these reasons for choosing Ults as the main canon to base the MCU on ended up working in the MCU's favor though. Like, Iron Man 1 is clearly set within some sort of nebulous Middle Eastern conflict that the US is involved in, for a variety of reasons. This conflict would have been easily recognizable to American audiences in 2008: at the time, the US has been in war in Afghanistan since 2001 and in Iraq since 2003. You don't have to waste precious movie minutes establishing a war for Tony to be making weapons for when American audiences are already primed to fill in the blanks if you give them the implication of a war in the ME. The setup of a vague Middle Eastern war acts as cinematic shorthand to establish Tony Stark's background and character to a broad audience, and to the many who hadn't read any Iron Man or Avengers comics, this was their first introduction to Tony Stark's origin story. Additionally, the setting acts as a plausible 1:1 retelling of Tony's original introduction in 616 (elements such as Yinsen, the life-threatening shrapnel to his chest, and Tony inventing the Iron Man suit instead of building weaponry for the terrorists who had taken him captive are all taken directly from his 1960s origin story), revamped for 21st century moviegoers by changing the indeterminate Southeast Asian war from the 1960s comics to an indeterminate Middle Eastern war for the MCU.

However, you literally never see MCU movies dedicate themselves to this level of realism again, for good reason. Whatever cultural shorthand you draw on by placing Tony Stark's weapons-manufacturing backstory in the context of an actual real-life geopolitical conflict also comes with the baggage of all the Islamophobia, xenophobia, and imperialism that comes with that conflict. In Iron Man 1, the inciting incident that causes Tony to want to halt SI's weapons production is the fact that his weapons are being used by the terrorists to harm American soldiers. But what about all the hundreds of thousands of innocent Middle Eastern people your weapons harmed and killed Tony?? What about them, huh?! What about the instability that America has wrought in the region, Tony, backing up political capital with firepower that YOU provided to them??

Immediately, the MCU backs off of America's actual real-life military operations as a basis for their fictional world. I like to think that they did this because they realized that it's very difficult to make your billionaire weapons-manufacturer superhero sympathetic in a world where both billionaires and the American military are coming under more scrutiny by more people every day. I'll guess that the real reason has to do with the fact that those story elements made it much harder to sell international audiences on the franchise.

It's frustrating too, because to this day I would say that Iron Man 1 is one of the best MCU movies out there, but in my opinion, the reasons for this aren't that IM1 was the most realistic or the most plausible or the most grounded superhero movie. What drew me to the MCU in the first place was the emotional depth of the characters and the stories, a depth that I think is best exemplified in Tony Stark. As the MCU moved forward and began to (but never fully) shed it's commitment to realism, the movies started to lose their ability to tell emotionally-compelling stories with high stakes that actually leave you in suspense of the ending. The fatal flaw of the MCU is in believing that audiences don't have the capacity to accept emotionality in stories that aren't limited to the bounds of our reality, when the whole point of a superhero story is to challenge ourselves to imagine more fantastical worlds than our own.

#yanderefreud #signed sealed delivered #616 #1610 #mcu #meta #avengers #the irony of the WW2 in CA:TFA being more fictional than the vague ME conflict in IM1 #I suppose they did specify that it takes place in Afghanistan so there is that #i hope this at least answered your question! and probably several others that you did not even ask jfkdjsf #also to go back to your original question it is important to note that they do take a lot of inspo from 616! i feel like as the mcu goes on #it moves away from ults & towards 616 #but of course through the veneer of shittier & shittier CGI

[survivalistghost]

2023 kdrama list

list of the kdramas i watched and loved in 2023

obviously this is quite late but to those who want to start a kdrama, this is it.

#10 - soundtrack #2

there is such a comfort in the soundtrack series. even soundtrack #1 was so good, but this new instalment, truly works on the og kdrama tropes. lovers to exes to accidental 'fate' encounter to forced proximity to lovers again. puppy dog male lead, angsty female lead, jealousy, wholesome second lead, it's got it all. and ofc, music.

#9 - king the land

many people did not like this drama. honestly, if you're watching a kdrama that is romance and comedy then why would be angry that it had romance and comedy. again, a true example of a classic kdrama, rich ceo guy with hardworking girl, mix in some trauma and employee-employer drama, and this is the perfect clichéd drama.

#8 - see you in my 19th life

honestly i just like watching ahn bo hyun. he is such a pretty man. storyline-wise, i feel like they did a lot of stuff, but the ending honestly disappointed me. shin hye sun, as usual, love the woman, what an actor, the second leads also did not disappoint, loved them all.

#7 - crash course in romance

such a heartwarming drama. choi chiyeol with the temperament of a wet cat, the stress of studies in all asian countries, not just korea. all the romances were so cute (barring the best friend and brother). one thing they could have done better was cast a younger actress for the female lead. even this love triangle was so cute and fun.

#6 - my demon

song kang and kim yoo jung really killed it with the chemistry. i mean, forget everything else, i'll just take 16 episodes of them hanging out. even behind the scenes reels will work. the plot was pretty solid, felt like a remake of doom at your service. song kang does a wonderful job at being both goofy and serious, and kim yoo jung did so good at the angsty ceo.

#5 - the good bad mother

am i surprised this ended up higher than my demon? yes. this was such a good show, the past and present layered together so beautifully. the villains seemed like actual villains, but you weren't sure who to hate until the last episode. really shows some aspects of motherhood through both the eyes of the kids and mothers. had a cute little romance as well.

#4 - the worst of evil

ji chang wook and wi ha jun. need i say more? i have said it once, and i'll say it again - so few do action like koreans do. i mean, vincenzo, my name, midnight runners, and now this, such action masterpieces.

#3 - daily dose of sunshine

park bo young wa sso cute in this one. i miss small kdramas with intense plots. mental illnesses were dealt with very well in this one. the romance was so cute, and chang ryul, my baby, i missed him so much.

#2 - alchemy of souls s2

i just. love. this series. so much. like, the characters are so well built, the storyline, the romance, the destiny, oh my god. please watch this.

#1 - welcome to samdal-ri

this comes as a surprise to absolutely no one. what a feel-good drama to end 2023. it was the perfect remix of hometown cha cha cha that we all needed. ji chang wook, my absolute gem of a man, and shin hye sun, queen of no shit given but too many shits given roles. adore the friendships, romance, calm setting, the love between everyone. please watch it.

#kdrama #korean drama #kdrama review #review #tvn netflix #kdrama text post #kdrama recommendations #shin hye sun #welcome to samdalri #ji chang wook #alchemy of souls #lee jae wook #daily dose of sunshine #the worst of evil #wi ha jun #park bo young #the good bad mother #my demon #song kang #kim yoo jung #crash course in romance kdrama #crash course in romance #see you in my 19th life #king the land #lee junho #im yoona #ahn bo hyun #soundtrack 2

[shadycomputerpolice]

Who is a [black] woman?

Why are Hollywood's it "black" ladies usually the daughters of white women? Casting biracial women to play black women is one thing but casting biracial women with non black mothers to play black women is another and it is starting to feel intentional. I know many black people are going to say "biracial people are black why does it matter?".

It matters because

Firstly, black women claim they are not respected but when you claim a biracial with a non black mother is black you are accepting that black women are not needed to replicate ourselves. You are accepting that a white/asian woman can birth us but we definitely cannot birth them (you would institutionalised for even suggesting that biracials are white/asian). This believe is a clear evidence of black people's especially black women's low self esteem.

Secondly, this coopting is taking opportunities from black women. Contrary to what your pastor told you, there actually isn't enough to go around. Lucrative roles in Hollywood are very limited so if biracial women are cast as black women this takes away roles from monoracial black woman. Please know that when it comes to commercial movies that aren't Black Panther, Hollywood will prefer to cast biracials over black people because they have the preferred phenotype that won't discourage the non black audience from watching. Monoracial black women have to spend years paying their dues get a lucrative jobs in Hollywood. For example: The very talented Taraji P. Henson had to cry about her low wages but Halle Berry doesn't have to.

Let me attempt to address the biracials are Black ideology.

First of all, biracials have a non black parent and I don't why black people and biracials who identify as black just want to ignore a parent's race especially the mothers'. I have always distrusted biracials with non black mothers who claim to be black. In my mind, I think "so you are just not going to acknowledge the race of the person who literally grew you in their body?" Biracial people are of negro ancestry but they are not negroes. They can acknowledge and even celebrate their negro ancestry without claiming to be black.

I don't care what anyone says but I respect Tyla, the South African singer, that stood her ground on her coloured heritage (NB: coloured is not a slur in South Africa, it is a recognised legal identity for mixed people). I applaud her for acknowledging the races of her family.

Secondly, the one drop rule is an American legal construct that isn't based on biology. There are countries that legally recognises mixed race people as different from black people for example, South Africa. Again, biracial people are the offspring of a black person and a non black person. Let a biracial person have a child with a white person and a black person (monoracial) have a child with a white person and then you will know that biracial and black are not the same.

In conclusion, I know that the discussion of biracials being black is never going to end but black people need to forget that Kumbaya bs and accept that we live in a world with very scarce resources. If you keep inviting people to your table to eat, there will be none left for you.

#black woman #black women #racial issues #race and ethnicity

[jyndor]

atla fans can be pretty orientalist ngl like TEXTBOOK orientalist.

like okay I know I know the original show is so good but it isn't perfect and there is PLENTY of room for improvement. plenty. we all knew this at the time, back when it was airing and then there was that long break between books 2 and 3. like we all knew it was great but also had its problems. idk why fans from the original run act like this show is perfect.

one of the biggest problems has always been how white the writers room was. how the creators, especially bryke, were profiting by selling the aesthetics of various asian and indigenous peoples to a us american audience.

this is how you get the borderline weird anti-indigenous focus on sexism and misogyny in the water tribes without much exploration of how sexism and misogyny impacted other groups. like actually I'm GLAD that it's toned down but still present in the live action show because sokka was mostly around women and girls for a lot of his teen years. why would HE be so over the top sexist? like in comparison with anyone else, it makes no sense. unless of course you think about it through the lens of how white colonizers tend to think of indigenous peoples - backwards.

I think it's interesting that this show is mostly being worked on by Asian and indigenous people and so many fans never even wanted to give it a chance. I know, I know- I remember the film too. but from the jump, fans have been so quick to dismiss EVERY little detail* or leak without even seeing it first.

bryke are a big part of the story, I know. but they are not all of the people who were behind it. it seems to me that a lot of the fans of this show are weirdly protective of these two white guys who decided to part from the show. they weren't forced out, they left. and yes I'm biased because I saw just how shitty they treated fans of zutara (largely girls and VERY, VERY diverse) at literal conventions, how they egged on some toxic bullying from other parts of the fanbase to the point that frankly it's never really worth engaging in non-zutara fan spaces because people are so reactive and weird about even the mention of zutara. and then these same assholes will make comparisons to reylos as if zutara fans EVER harassed poc fans and especially actors. but whatever, that's my bias. but I can respect that they also created this amazing show that I've loved for half of my life.

I still see it as a good thing that the people working on this show come from the cultures bryke and nickelodeon profited off of without giving anything back.

so I guess my question to white fans is this: if you haven't watched yet because you are mad about bryke or some of the changes you've heard about or whatever, why do you not trust people from the cultures atla draws upon to adapt this story? are you just here to consume exotic aesthetics? why are bryke the only people who can sell those aesthetics to you?

*btw I'm not talking about the sokka casting shit, that's different and should be criticized. Also Albert Kim was the showrunner of Sleepy Hollow and was complicit in racist treatment of Nicole Beharie so he is not someone I trust very much. also there are definitely critiques I have of the show but it's not bad, not even remotely. it's worth watching.

#ive got fire for atla fans always #ALWAYS lol theyve been irking me for sixteen years #ive seen black and brown girlies run out of this fandom and into only small subfandoms like zutara fan spaces and #a lot of the general atla fanbase has to answer for that #but also just like... the racism from white fans in general #they want to consume the pretty exotic aesthetic but dont want to support a show done by asian and indigenous ppl #shocking /s #atla #fandom racism #atla fandom #atla live action

[ternaryflower53]

hello i am SO fucking sorry to jump into your inbox like this out of the blue but as a fellow chinese american and non jew i really really appreciate you talking about and acknowledging antisemitism.

i live near san francisco, so i have a plethora of asian american friends who all self identify as liberals, but after i unbrainwashed myself from antisemitism thanks to some hard conversations, i’ve had an incredibly tough time digesting the antisemitism absolutely baked into so much of what these friends say and how unwilling they are to see israelis as human, much less listen to them.

as always, i have to add a disclaimer here that i firmly call for accountability for the IDF and israeli govt since they’re acting with impunity, and i pray to see a palestinian state in my lifetime. but it hurts knowing how much of a fringe position it is among my peers to fully believe that israel doesn’t actually deserve to be demolished, because there is no way in hell the descendants of refugees expelled from MENA countries will be “just fine when they go back to where they came from.” if anything i suspect their certain deaths would be celebrated even more greatly because they’re israeli and the evil is defeated!!!

i just.. i don’t understand how fellow asian americans could have understood the importance of not speaking over black americans, and instead elevating their voices and amplifying solidarity during 2020, yet so wholeheartedly throw themselves into calling for israel’s dissolution. i don’t know if it’s that they’re ignorant of the fact that israel wasn’t created just for funsies or that they wholeheartedly believe israelis are an object to peace for palestinians. and yet they all have the gall to say “punch a nazi uwu!!!” or “i’m not antisemitic” and then unironically retweet something saying that what’s happening in gaza is the holocaust. everything is just so fucking backwards and upside down.

again, i’m sorry for basically venting this whole essay into your inbox, but i see you and i stand with you and our jewish and palestinian siblings, and i pray for peace in our lifetime. thank you again for your voice. may it never waver.

oh my gosh, no need to apologize!! i really appreciate you taking the time to share your thoughts, and i firmly believe that it's really important to let jewish people know we exist, even if it's on anon.

i agree with everything you've said here, really. i am a pacifist at heart - the death of so many palestinians is heartbreaking, full stop. but so many people advocating for palestinians are using terrifyingly violent rhetoric towards jews (especially israelis), and it's awful.

regarding your point about not understanding how others in our community are doing this... i don't know. i think it's people's internalized antisemitism. i think it's the social media's tendency toward groupthink and people not doing their own research. i think it's the human desire to create a black and white "good vs evil" narrative - particularly one that casts the US in the role of "evil". i think it's a lack of education about the holocaust, and lack of teaching of critical thinking skills, and so many other things.

but ultimately it all comes out in the wash. it's all antisemitism, and it all hurts jewish people. no matter how much people say that they're against antisemitism. it means nothing if they follow it up by doing an antisemitism.

anyway. i could say so much more, but i'm just going to reiterate what i said at the beginning: i'm glad to hear from you. i share your hopes for peace. keep working to support jews, who need allies more than ever, whatever that looks like for you.

#anonymous #tern talks #israel/palestine #antisemitism #(reasons people do the thing are very important for recognizing ways you are not immune to propaganda) #(and for trying to deradicalize people) #(but not for like. recognizng the harm that's done) #(in case that wasn't clear)

[dahliamorena]

Wanted to share something I never seemed to have actually spoke about regarding my Mexico Oc; her hair!

I don’t believe I really ever explained the nuances of her (Lupita’s) hair, it’s rather ironic that I didn’t as I think her hair is what makes her stand out (hopefully) but hair in Mexican culture especially for women is rather important as it ties to our identity. However, I want to provide a bit of context to why I chose to style her hair the way I did!

- Hair Texture

I think wavy / loose curly hair is a rather commonly picked trait for female Mexico Oc’s as I’ve seen others who chose to use this texture which is rather nice tbh! Though, I’d like to explain why I chose to take this approach.

I’ve spoken before a little regarding my Oc’s heritage being indigenous, Nahua / Mayan in specific meaning that she has no biological / genetic relation to Europe as she’s not mestiza. Why I chose to make her indigenous can be saved for another post. Returning to this point however, this means Lupita was born with straight hair. While a texture =/= ethnicity in most cases, in MesoAmerica and in many indigenous communities in modern Mexico, the main type of texture amongst the people is typically straight and thick.

Indigenous hair styles tend to differ from region to region as many hair styles are commonly shared in different cultures. Braids, being arguably one of the oldest hair styles documented on the continent across practically all cultures, and then globally as well, have had a key significance in MesoAmerican and later Mexican cultures. Though girls and young unwed women were costumed to wear their hair loose in the Mexica culture, doing her hair in different styles is to me a form of storytelling and cultural referencing.

As I mentioned before; hair is often tied to identity. By the time the Spanish had colonized the area known as MesoAmerica and moved up into northern Mexico and the Southwest United States, the implementation of the Caste System had become a staple part of the new society. Lupita being an indigenous girl did not wear European gowns! Instead, she wore huipils (the traditional blouses / dresses of indigenous women) in order to identify her racial category but these huipils later on could also be made with European textiles, and sometimes even imitated European patterns. As a young teen, these fancy huipils were paired with a shawl she wore as a veil. Veiling was a common practice of modesty that was often tied to religious significance. Shawl veiling is still seen in Mexico now, mostly among older women when attending mass. Her veil often covered her hair that by this time had fully taken on its current wavy texture.

So what does all this mean in relation to Lupe’s hair? As I mentioned previously, though hair texture =/= ethnicity, it’s important that I also talk about the intense cultural shift that occurred in the continent as Mexico’s current culture itself is a “blend” of our original indigenous cultures and all the foreign influences. Whether those be European, African and even Asian! I figured that what better way to explore this influence than through hair. Hair is often times linked to culture and beauty in specific to women for the most part, women in Mexico put a lot of emphasis onto our hair because of how literally tied it is to our cultural identity!

- Hair Style

I want to dedicate this section to speaking on her hair style. I think I take a rather nuanced approach to this since I incorporate not just cultural aspects to her hair but also geographical. By now it’s kind of a running theme in the series for characters to sport accessories or have specific characteristics that represent certain cultural or geographical attributes of their lands so I thought I’d do so with mine.

Before I get into the details on why I chose to incorporate certain details into my Oc’s hair, I want to first talk a little about the hair in its natural state;

If anybody remembers when I used to draw her with her hair loose, you deserve a discount for sticking around for so long 🫡. Lupe sports long, thick, loosely waved hair that stretches well down her back. It’s dark in color, looking next to black, but its brown undertones show up best in sunlight. Her hair itself isn’t much on the surface level, it’s rather simple actually but I also think that it still holds some type of meaning. For centuries, long healthy hair was considered one of the most desired traits for women across many cultures and in Mexico it’s been no different. Women keep their gorgeous hair long and strong by braiding.

This brings me to my next point, her hair style! I think I unintentionally took a really creative approach when I was first drafting her design almost 10 years ago omg 😭 because I liked the way things looked. Her two little front braids are unintentionally similar to Nahua women’s “horned” style that signifies maturity and marital status but can also signify social status. Though a “mature” woman, Lupe is unwed. Her braids represent the two biggest mountain ranges of the country, those being the Sierra Madre Oriental and Sierra Madre Occidental, with a small red ribbon tied through them (shout out to my friend who gave me the idea). Ribbon tied braids are commonly seen amongst many indigenous communities but are also worn during holidays such as Independence Day (September 15-16th) and November 20th. Her bun is more of a “practical” choice. Though I enjoy drawing Lupita in different hairstyles, I know personally how hard it is to manage thick, textured hair, sometimes it’s just easier to put it up in a bun or something that keeps it neat and out of the way. The little braid that wraps around the base of her bun is a more recent addition, this represents the Sierra Madre Sur. The little curl and ahoge are self explanatory.

I think by now I get my point across but ofc I would appreciate any feedback on this since I don’t really do lore talks (if this even counts as one). I’ll gladly elaborate on any point !! Hope this was at least the tiniest bit of interesting for some of you 😅!!

#long post #aph #hetalia #hws #ヘタリア #aph mexico #hws mexico #aph oc #hetalia oc #talking about hair ig #it’s really just me yapping

[ballet-symphonie]

I’m pretty sure there’s nepotism and other shit going on at New York City Ballet, and I’ve stopped following them:

-there’s children and grandchildren of former dancers who got into the company. Roman Mejia is Paul Mejia’s son, Shelby Mann is the granddaughter of Jacques d’Amboise and the daughter of Charlotte d’Amboise and Terrence Mann (Broadway legends!) it makes me suspicious. I mean, Nilas Martins was in the company too, so I’m not surprised nepotism is still going on with the younger dancers.

-apparently there was/is body shaming? even at SAB I’ve heard rumors of kids having eating disorders. Also not surprising considering that the people who worked with Balanchine wanted a look and it was Balanchine himself who started the “skinny ballerina” trend that quickly spread worldwide. Ashley Bouder spoke up about how the higher ups body shamed her on Instagram live like a year ago, and none/few of the company members commented for support. They just posted it on their story. In general, Balanchine companies/schools tend to have a lot of body shaming, especially with how they treated Kathryn Morgan at Miami CB. CPYB (Central Pennsylvania Youth Ballet) has a bunch of horror stories on Instagram account called @/cpybstories if anyone wants to read.

-I don’t know if this is really BS, but they still cast roles based on height/size rather than talent. I was hoping for Tiler Peck to do Diamonds but she got Rubies. Same with Midsummer, she didn’t/doesn’t really get Titania because she’s on the shorter side and from what I’ve heard, NYCB likes their Titanias to be tall. (I’m guessing she probably will never get Titania, just because she lacks emotion in her dancing. Saw her in Sleeping Beauty and Nutcracker and she barely acts.)

-the company is still predominantly white. Even PNB is more diverse than them. The BIPOC dancers like Nadon, Mejia, Furlan, Chan etc are only popular just because they fit Eurocentric views of POC (they have lighter skin and straighter hair) plus Nadon is only half South Asian, Mejia is half Peruvian, so they aren’t full blooded POC. The only POC in recent years that didn’t fit those ideals was Amar Ramasar. The kids who appear on stage for Nutcracker, Midsummer, Sleeping Beauty etc are more diverse than the actual company members.

-They didn’t handle Alexandra Waterbury’s case well. Ramasar should’ve been fired and in prison before the pandemic and from the West Side Story revival (that didn’t do well regardless). It also makes me mad that Alexa Malone (soloist) is still dating him and the fact that he’s now a stager too…like he might mess around with the underaged apprentices/corps and the cycle will start again

-Don’t get me started on people like John Clifford and how he wrote public, sexist comments on how he hates crotch shots because of platter tutus. He and a bunch of other older trust people still defend these beliefs to the death.

Hello, there's a lot in here!

Regarding nepotism, the company definitely has a history of hiring both siblings and relatives. I would extend this to ballet in general, many successful dancers today are from dance families, such as Chloe Misseldine, Daniil Simkin, Maia Makhatelli, Vadim Muntigirov, Dmitri Smilevsky, Issac Hernandez etc. But I don't think that inherently means that the dancers benefiting from that knowledge base (knowing what to do, where to train, how to structure their day, exta tips and coaching etc) are undeserving of there spots. I don't think you can watch Meija dance and think he doesn't deserve to be where he is.

On body shaming. Yes, none of this is positive and none of it is news either. There has been a history of toxic body shaming culture at nearly every major ballet school worldwide. Balanchine companies have had a nasty history but so have numerous Russian, European, and Asian schools. It's not a problem exclusive to SAB/NYCB.

Yes, NYCB typecasts. I'm honestly quite a fan of it because I don't think it's realistic or responsible to expect every dancer to do everything well and it results in dancers on stage in roles that they're confident in and suit their strengths- which generally leads to better performances. I don't think there's a single dancer at City Ballet who has done all three leading roles in Jewels, Peck is not an exception. I don't believe it's height/size over talent, but a complementary mix of both. Some roles have been designated by the choreographer for X skills and others have been historically dominated by dancers with X skills. And like you mention, there are lots of other factors affecting casting besides just height, acting, vulnerability, partnership, and logistics, which all play a role.

I'm not sure I agree with you that the dancers you mentioned get attention because they are POC who fit Eurocentric standards. Chan and Nadon rightfully got attention for breaking barriers and becoming the first Asian principals at the company. Both have spoken at length aobut how their cultural background and upbringing has both helped and hindered their path. I'd argue Meija gets far more attention from his father than he does from his race and Furlan (if we're considering him popular which I probably wouldn't) for his technical merit. I also think you aren't looking at NYCB's soloist rank fairly, they have Black, Asian, and Hispanic dancers at this rank. Of course, the company certainly could be more diverse but they have the self-imposed limitation of hiring nearly exclusively out of SAB. You yourself noted that the school is more diverse, this is a result of several of their scholarship and outreach programs that have been implemented in the past decade or so. Those programs are long-term investments, they are building a more diverse company now - but these dancers are still in the school. And for what it's worth, PNB is not a low bar, it is by far the most diverse major company in the US and has made hiring decisions accordingly. Approximately 50% of the company is POC which is awesome- but this realistically isn't possible at NYCB because they're not going to be hiring from outside as frequently.

Of course, if not following NYCB would make you happier, then by all means do it. But if these issues are what's causing you distress, I don't think the solution is to simply follow other companies- many of these problems exist across the industy.

Regarding the Waterbury Case, I don't disagree with you but the law is complicated. I remeber reading the case when it came out and I think the main problem is that the case wasn't able to get to discovery because she didn't have enough facutal evidence. If that had happened, I imagine things would have looked a lot different. While I absolutley believe her, she was trying to fight too many battles at once, some of which weren't directly hers, and she didn't have hard concrete proof for most of it. Everything got muddled and I don't think she had the best council either. I don't have any doubt that there's so much more here that exists only in the memories of the individuals involved. But that doesn't count in front of a court - it's about what you can prove not what happened. And NYCB's liability is limited because she was neither an employee nor a student at the time of firing.

However, while I have no comment about his personal life, I agree with you about Ramasar's line of work. It's unfortunate and incredibly disappointing how the dance world regularly absolves men like Ramasar (he's not alone) and basically gifts them back their careers. I could list a whole troupe of men who've been given second chances they don't deserve. Winning in court is an uphill battle, especially when the prosecution is often not coming from a place of strength. I just hope that the slow but steady changes happening in the industry now will prevent history from repeating itself.

And Clifford....I don't have the energy to start with. There's a reason NYCB hasn't hired him back , he's not consistently teaching or running a company, and he's just running his mouth on IG.

#nycb #ballet #ballet rant #will not be tagging names obv

[paodocinh]

Can you draw more plus-sized Summer Rose? Do you have other body diversity headcanons in RWBY, such as Qrow with a beer belly?

Hellooo lovely anon!

god, when i saw this ask i went absolutely ballistic. No words can explain just how much I adore my hcs of Summer Rose, she's my favorite RWBY character because the little details i added to her character as hcs just kind of made it for me, even if she has next to no screentime in the main series.

Personally, in my aus, i have tweaked and changed a LOT of the main cast so it'd have more representation. I couldn't draw all of them sadly, but here goes the little list:

Body diversity HCS ->

1. Blake Belladona is poc! This is the more obvious one but I decided to make her a dark-skinned woman as a general hcs in everything I do. You could also go further and say that her hair texture is different, and that she just straightens it.

2. Yang Xiao Long has a muscular build! (No shit sherlock) but yeah, she's buff! Give the girl her muscles! I also made her anatomy a little bit less off and she probably has a little belly too, because I can't really accept that she's so thin while her breasts are completely disproportionate to her body. She's also tanned!

3. This isn't exactly my HCS, because I haven't specifically added them to any AU, but I really like @peixedobar's take that Weiss Schnee has albinism.

4. Ruby Rose is also a bit stronger physically! She isn't as buff as Yang or Raven, because these two are absolute units, but she also isn't as thin as she is in cannon.

This is also more prominent for my Zombie!AU because Ruby lends Crescent Rose to Oscar for a good part of the plot, and after that she just... fucking punches everyone to oblivion. (I know it's a bit OOC but in-universe it makes sense)

5. Lie Ren is blasian! I don't really know where I got this from, but while thinking to myself about what I could do to make my Zombie Au more inclusive, the thought just crossed my mind. His hair is also textured, he has braids.

6. Raven Branwen is fucking jacked. Seriously she's probably the most well-built character I can think of in my AUs. She isn't like a massive war tank(or similar to League of Legends Illaoi for example) but she is very in-shape and has very well-defined muscles along with a body adorned by scars. Aside from that, she's also part asian, part... Brazillian? More elaboration on that on Qrow's part lmfao.

7. Qrow Brawen with a fucking beer belly LETS GOOOOOOOO!!

Anon, when you suggested that, i went insane. It had never crossed my mind, because I often drew Qrow with a very muscular build, mostly out of anatomy studies — But gosh, I adored this hc in so many ways i'll probably add it EVERYWHERE. QROW WITH A BEER BELLY SHALL BE MY MARK ON THIS PLANET.

Aside from that, I also made his face more detailed. Usually it was difficult for me to draw him because he lacked a lot of facial details that often make irl people more unique, and I believe that's due to RWBY's artstyle. On mines, however, he has beauty marks below his right eyebrow and one above the right side of his lips. Scars all over, too.

He has a Japanese descent(Assuming that The Branwen Tribe is from Anima + Raven's choice of wear cannonically) and asiatic features on his eyes, but him and Raven also have heavy latin-american characteristics. They're Brazillian in my aus, mostly out of a inside joke(I too am Brazillian) and the fact that Qrow gives me a lot of latino vibes(Contrary to popular fandom belief, his hips do not lie !!!!), but after a while I started noticing that It actually wouldn't be too far-fetched to believe this, because if you look back at the history and relationship between Brazil and Japan, you'd find that these two countries actually have a LOT of story together!

Brazil homes a bunch of different cultures and ethnicities in it's lands, it's a country with a lot of diversity so in my opinion it wouldn't be too otherworldly to make The Branwen Twins brazillian in my aus :p

That's it for body hcs! I'll probably have more in the near future, but for now these are the ones I can remember.

Other diversity Hcs ->

1. Autistic Penny, Ruby, Summer Rose(this wasn't on purpose, it just happened as I was writting her LMFAO), Neopolitan

2. Transfem Nora, He/They Lie Ren

3. ADHD Jaune, Qrow Branwen

4. This is specific to a AU I have, it isn't present in my other works, but in La Vie En Rose(Royal Au) Neopolitan eventually has a leg injury during a major plotpoint that leaves her disabled, so her Parasol is also used as a cane of sorts since she can't be as agile and flexible anymore. She's still slaying though, always.

5. Summer Rose is blind of one eye!

I'm quite sure I forgot a few, and with time I'll update you on everything, but for now these are the ones! Thanks for asking, Anon!

And just as you asked for~ A lovely Summer Rose on a Beach day for ya!

#rwby #rwby headcannons #rwby hcs #rwby fanart #rwby au #fanart #summer rose #summer rose rwby

[theinfinitedivides]

this is so random but i would love to hear your opinion on mydramalist as a fellow asian drama lover. because it’s obviously well known as a reliable wiki of sorts in dramaland but i beg to differ. (the only plus i feel being the summary and cast list for info)

i mean, i’ve not seen a single comsec w more than two brain cells as a whole? there’s always complaints about female leads rooted from misogyny, they are never happy about story progression, and i just find so many of them kinda dumb sorry lol. like zero media literacy to be found, insufferable arguments, etc. the star ratings are rly just given to popular dramas w high profile actors too.

and i personally find it disheartening that so many ppl end up referring to mdl when considering dramas because so many gems are then lost and not given appreciation.

anon. anon anon anon if you know the way i sat straight the f*ck up when i saw the notification and then read through this ask bc yes. yes to everything here that is exactly it. almost three fourths of what i've watched this year was either 1. not received well by the general MDL crowd (Moon in the Day. where is the taste brethren to not like MITD and not even for reasons that actually make sense), 2. received well but had a good chunk of people bitching in the comment section, or 3. received well but had the main point of the show (and its relevant characterization) go over their heads. (The Worst of Evil aka TWOE comment section, i am f*cking looking at you. i can count on one hand the number of people who understood what that show was supposed to be about) the one fourth that managed to escape was bc the toxicity did not reach the comment section and everyone was pretty f*cking civil. alas if only it could be like that all of the time

case in point for the ratings example, since we've already briefly tackled the lack of media literacy—j-dramas on MDL are notoriously rated much, much lower than either k- or c-dramas. half of the time that's bc there are less users watching (and rating) them therefore the average is lower but the other half it's bc people simply do not understand good media when they see it. don't get me wrong there's some freaky ass sh*t in the j-drama world that i would not touch with a Grinch level pole but to see MDLers out here talking about how slow j-dramas are and that nothing's happening. have you considered that you are either watching the wrong genre or you shouldn't be watching j-dramas in the first place bc their entire setup and general narrative framing arcs are not your style. have you even thought about that for six seconds or are you too busy expecting it to read like a typical tropey rom-com k-drama with your trending oppas. (no hate on my tropey rom-coms with [most of] said oppas, i need them when i don't want to think i just want to see sh*t on my screen and scream about hot people and the Hand Umbrellas in the Rain and the Back Hold when the male lead catches the female lead before she falls and you have the fifteen second focus on their faces just looking at each other)

and the misogyny. oh God do not get me started on the dichotomy that was the Cult, as we affectionatly called ourselves, on the feeds while THEE sageuk of the year My Dearest was airing (beloved show [that i still need to finish. JangChae i'm sorry ily life hates me like the mf it is 😭], beloved commentary on the feeds. they saw the vision on the feeds) vs the sh*tshow that was the landmine field of the comment section (the takes i saw on Gil Chae, Eun Ae AND Ryang Eum respectively.......... the misogyny wasn't enough we had to add the homophobia into the mix. buy one get one free deal fr fr). you mad man. that sh*t was insane there was a point i banned myself from scrolling farther than the cast section until the show finished airing. i kid you not on average they didn't have even half a braincell. maybe a quarter of a quarter of one. f*cked up just say you are not decent people and go

this is not to say that all of MDL is like this. i have gotten tuned into absolute masterpieces of content (and have tuned others, amen) bc of a comment comparing a show i'm watching to another one or a review being posted in the feeds about a film with less than 500 people interested. i have reconsidered my choice to not watch something after having spirited discussions in private messages discussing the pros and cons of the premise and whether they managed to get it done without f*cking sh*t up. i still contribute semi-regularly by adding relatively unknown actors and crew members to the database so they can get the credit due them. if you know where to look, you can get some good sh*t out of that place. problem is most users who are new to both the site and East/Southeast Asian cinema as a whole don't know where to look, and the cycle continues, and the ratings continue to be skewed/bloated and no one pays attention to the plot, if there even is any to pay attention to.

tl;dr: begging people to not let MDL be the be all end all for their drama recs a la 'well MDL doesn't like it so i won't watch it'. babe we have said MDLers complaining about how the ratings on Viki are too high but in my entire time watching dramas i've found that in the past two to three years the Viki ratings are making more sense than the MDL ones. sit with that for a sec. when you're done branch out and see the world (literally and cinematically), i promise you will be a better person for it

#inbox #q: anon #mydramalist #mdl #kdrama #not what i expected to see this Friday but i needed to see it #anon love this got a bit long i'm sorry i am just. Passionate about this subject as you can tell #honestly istg the only reason i still use MDL is to track my sh*t. plus i obsessively organized my profile page and i am not letting that #go to waste no ty #i feel like the Asian drama fandom over here on Tumblr are just. slightly more normal somehow. also you'll get f*ckingly long analyses #on shows that will have you face down on the ground shot in six different places taken apart etc etc #situations like these are when i'm grateful that Bollywood is not available on MDL bc the takes with even less than a quarter of #a quarter of a braincell that i would have to deal with then........... God loves me that's why it hasn't happened #also. the Caribbean seeped into this once again let me explain. 'you mad man' is a Dominican (DM not DR) phrase. it has nothing #to do with the 'you mad?' in the African American community that is an entirely separate thing. 'you mad' here means 'you crazy?' #or 'bitch you ain't serious'. could have also said 'you too have limyé' but that would need another paragraph by itself to explain #bc of the Dominican specific context and this is not the kweyol/patois class session today sksksksk