I see a lot of posts about Danny seeing Jason and immediately thinking he’s a baby ghost and wanting to adopt him but what if it’s the other way around?
What if Jason sees Danny and is hit with oh my god that’s a baby, who left a baby unattended out on the street?? He needs help, gotta protect him, mine, yeah he’s mine now, I got u lil guy don’t worry
Meanwhile 15 yr old Danny is like um hi?? And promptly gets kidnapped. But he just lets it happen because he’s actually feeling the safest he’s ever felt in his life with this guy, and Danny’s core immediately recognizes Jason as parental figure and just relaxes Danny 100%
Jasons feeling like Danny is a helpless baby while Danny feels safe, protect, calm, safe, relax, and he just lets Jason take him home. Neither are really sure why or what is going on with them but they’re not gonna stop it.
I think it’s because Danny’s own parents kinda suck and any other ghost that he’s interacted with he’s had to fight in some capacity or has been spooked by them. Jason’s the only one who 1) wanted to parent him and 2) has good vibes. Danny’s usually waiting for fights to happen and he’s very stressed. Jason calms him down so much he probably falls asleep before they even get to Jason’s apartment, full trust that Jason will take care of him.
Meanwhile Jason never really connects with his pit side, but really wants to find some way to have a truce. Cue Danny, and both Jason and the Pit turn to protectiveness and so the rage becomes more protection and Jason yk, might be kinda lonely and wanting something to take care of. He was probably thinking about getting a cat and not a kid but he’s not complaining
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May I suggest this with Pk, Grimm, and Hornet? I honestly feel like you would get a kick out of this..
"i'm trying to read here"
i meant to draw this earlier but i forgor. let's just pretend it's still gay month 😅
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i think part of the reason the ending of high noon over camelot is hitting me so much harder than once upon a time (in space) or ulysses dies at dawn did is that they had a chance
we go on and on about “it was always going to end like this” and “they’ve been dead since the beginning”, and those are very good but like. knowing that it didn’t have to go like that—that’s a little worse sometimes
ouat(is) is a story about a war, a rebellion specifically, and those tend to end with everyone dead. it’s pretty clear from the beginning that all or most of the characters won’t survive. there has never been a war that wasn’t a tragedy
udad, well, it’s in the title. and while it wasn’t impossible for ulysses to survive that, the story was a softer kind of sadness anyway, in that dying in the vault, where his brain couldn’t be taken for the acheron, was really one of the better ways things could have gone
but hnoc. they could have lived. they weren’t doomed. they had a chance. they didn’t even only make bad choices, they did so many things right! camelot and the saxons could have reconciled and were very close to doing so. but then the scorpion, and gawain, and it all went to shit. the pendragons could have used the grail to fly the station to safety, and everyone could have lived, and they were very close to doing so. like love won! it won! they all loved each other enough to not kill each other over the grail, they had it figured out! but then camlann, and mordred, and it all went to shit.
i just—they were so so close to fixing everything, or at least fixing a lot. and then they failed anyway. and i went into this knowing they would because, well, these are tragedies, it’s to be expected, but tragedies are so much sadder when they didn’t have to be tragedies
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Blanket for my mother I’ve spent over a year making. It’s the carpet from the overlook hotel in the shining movie. Literally kicking my feet and giggling over how excited I am for Christmas so I can give it to her.
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fuck i wanna make out with aaron
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