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#daniel vozzo
balu8 · 7 months
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Kevin Nowlan
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P. Craig Russell (P/I) and Lovern Kindzierski (Colors)
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Jeff Smith (P/I) and Daniel Vozzo (Colors)
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Mike Allred (P/I) and Daniel Vozzo (Colors)
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Joe Phillips
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Neil Gaiman and Chris Bachalo
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Cover by Dave McKean
A Death Gallery (1993)
DC/Vertigo
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the-gershomite · 9 months
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What If...Wolverine Battled Conan the Barbarian
Volume 2 #16 -August 1990
Cover art by Gary Kwapisz
written by Glenn Herdling
colors by Daniel Vozzo
pencil art by Gary Kwapisz
inked by Ian Akin and Brian Garvey
lettered by Janice Chiang
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ungoliantschilde · 1 year
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Season of Mists Chapter # 6, by Kelley Jones, with Inks by Dick Giordano, Letters by Todd Klein, Colors by Daniel Vozzo, and a Script by Neil Gaiman.
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ctast · 2 years
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Dream and Death.
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tomoleary · 8 months
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Marc Hempel - The Sandman #69 (1995) pages 21-22 Colors by Daniel Vozzo
“Historic and Climatic Moment in the Legendary Series--Daniel Hall is Transformed Into the New Sandman Following the Death of Dream”
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fredandrieu · 2 years
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Beginning to See the Light
Neil Gaiman et Shawn McManus
Sandman n° 35
février 1992
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quirkycatsfatstacks · 4 months
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Flashback Fridays: The Sandman Vol. 1: Preludes & Nocturnes
Series: The SandmanWriter: Neil GaimanArtists: Sam Kieth, Mike Dringenberg, Malcolm Jones IIIColorist: Daniel VozzoLetterer: Todd KleinPublisher: DC Comics: VertigoReleased: December 1, 1998Received: Library Find it on Goodreads Summary: Many a cult have attempted to make a bargain for immortality. Likewise, many occultists have likely tried to capture greater beings as a method of obtaining…
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nightheartcomics · 1 year
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Sandy Sunday🖤
The Sandman: Preludes & Nocturnes
Characters created by Neil Gaiman, Sam Keith & Mike Dringenberg
Writer: Neil Gaiman
Artists: Sam Keith & Mike Dringenberg
Colourist: Daniel Vozzo
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sacredfolly-blog · 1 year
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Music Monday - Pale Moon Gang
Some rock-n-roll to start your week! Richard Dev Greene is one of the best singers you might not know. You should know. Times are Hard for Dreamers No Secret Safe New Train Runnin’ Sweet Stuff Doc Dark Getaway Bad Badge Live for Today Image from Pancakes and Whiskey – The Deadboys go back to the Future – The Bowery Electric February 27, 2023Brooklyn, NY
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notallsandmen · 1 year
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Edward Burne-Jones, “An Angel Playing a Flageolet” (1878)
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Michael Zulli & Daniel Vozzo, “[Death of the Endless] In Death’s Garden All The Flowers Are Blue”
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balu8 · 5 months
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John Constantine
Hellblazer #27: Hold Me
by Neil Gaiman(W.); Dave McKean (P./I./C.); Daniel Vozzo (C) and Todd Klein (L,)
DC
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the-gershomite · 9 months
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What If...Wolverine Battled Conan the Barbarian
Volume 2 #16 -August 1990
"What if Wolverine Had Lived During the Age of Conan the Barbarian?" (22-28 of 28)
written by Glenn Herdling
colors by Daniel Vozzo
pencil art by Gary Kwapisz
inked by Ian Akin and Brian Garvey
lettered by Janice Chiang
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unemployedmage · 2 years
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VERTIGO JAM (August 1993)
cover by GLENN FABRY
Stories by NEIL GAIMAN, GARTH ENNIS, JAMIE DELANO, RACHEL POLLACK, NANCY A. COLLINS, ANN NOCENTI and PETER MILLIGAN
art by KEVIN NOWLAN, DANIEL VOZZO, STEVE DILLON, TOM ZIUKO, SCOT EATON, MARK PENNINGTON, ERIC SHANOWER, PHILLIP HESTER, KIM DEMULDER, TOM McCRAW, DUNCAN FEGREDO, SEAN PHILLIPS, MICHAEL ALLRED and LAURA ALLRED
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iwanttocreateagod · 1 year
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... What lesson?
An analysis of Three Septembers and a January from Fables & Reflections by Neil Gaiman, Shawn McManus, Daniel Vozzo, Todd Klein, Alisa Kwitney and Karen Berger. (I, unfortunately, do not own The Annotated Sandman; everything I mention will be a part of my personal interpretation of this story)
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What this short story does really well is illustrating the sibling dynamics between the Endless. Something that before was only shown at the start of Season of Mists. While the storyline itself can truly be seen as a stand-alone, it possesses many examples of how the interpersonal relationships interfere with how the siblings rule their realms. Dream shoves his principles aside as soon as Despair plays into Destruction's disappearance. A united front is constructed between the youngest siblings to compete against Dream. Death stands outside this, and her part in the Emperor's life is taken to be unwavering. Desire's attempts to claim the Emperor, is the action most connected to the continuing storyline; "But I'll make him spill family blood, I'll bring the Kindly Ones down on his blasted head...". This proclamation foreshadows in retrospect the conclusion of The Doll's House as it is takes place chronologically before the events in that comic, but this issue was released later. The reference to the Kindly Ones also gives a great example of how the amazing storyline planning can be seen, even in stand-alone short stories. Desire bringing a dead man back to life for this competition, also shows that they have the strongest drive to win from Dream and the least respect for Death's dominion.
On a deeper layer, the Endless' interactions are used to illustrate the interplay between the concepts they personify. This is not done subtly: "Dreams are 'nothing,' sister? Without dreams, there could be no despair."; An echo of Dream's defeat of Lucifer in A Hope in Hell. Very clearly, the ability to dream trumps despair, delirium and desire. In this story, it only yields to death and destiny. Yet the citation above shows that without dreams, the youngest three would not even have a realm. Dreams, apparently, have the capability to both create despair, delirium and desire, and to destroy them. This pattern can be taken much broader than shown in Three Septembers and a January.
The order that exists within the Endless suggests a power dynamic. As they are written, Gaiman seems to have presented them in order from most to least powerful. One can only exist because of its former. Death is bound by destiny, dreams would not exist if nothing was alive, despair/desire are fuelled by dreams, delight/delirium can be a direct consequence of achieving or rejecting the things that cause you desire or despair. Destruction was purposefully omitted in this list, his position between Dream and the twins seems strange. Destruction could have existed outside the Endless altogether; even without life, destruction is inevitable. He can be interpreted as an aspect of the second law of thermodynamics, which means that even without his actual presence, destruction would continue. A conclusion taken directly from Brief Lives. His complete existence and placement as part of the Endless serve as motivation for leaving, for abandoning his realm. The fact that he exists makes the fact that he leaves inevitable, creating the tragedy surrounding him; no other choice could have ever been made, him existing as himself is what damns him.
What still needs to be pointed out, is the capitalization of the word Lesson in Dream's speech bubble. This was an active decision by Klein, no other words starting with the letter 'L' are capitalized. Capitalization usually implies an (additional) importance connected to the word. In this case, it could imply the dual interpretation of the lesson learned within every Sandman comic: The lesson connected directly to the world of the Endless and the implications of the lesson on the "real" world. The conclusion about which lesson is learned in this story will therefore depend on who you are asking. The one I have taken away from it is told above. Despair might have missed it entirely. As with every good piece of literature, ultimately it is up to you.
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A Death Gallery (1994) 
Art by Michael Zulli (Color by Daniel Vozzo); Joe Quesada & P. Craig Russell (Color by Lovern Kindzierski)
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manicr · 2 years
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Sandman: Three Dreams and a Boy (Kindly Ones: 1996)
w: Neil Gaiman, a:  Marc Hempel; c: Daniel Vozzo
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