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#david wild
harrisonarchive · 5 months
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At rehearsals for Dylan's 30th anniversary concert, October 1992. Photo by Ken Regan/Camera 5 via Contour by Getty Images.
“The one time I ever met George, weirdly enough, was at Tom [Petty]’s house for Christmas. I knew what a big fan he was of the Beatles, so I found an old Life magazine with them on the cover and wrapped it up. When we sat down for the gift giving, George, who I worshipped — like everyone else — sat down next to me. Tom opened the gift, and there’s the Beatles. George turns to me and goes, ‘Oh, yeah, the Fabs, I remember them.’” - David Wild, Rolling Stone, January 17, 2002
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krispyweiss · 1 year
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“What the Hell Happened to Blood, Sweat & Tears?” Releases March 24
- “I believe the music we made then holds up today,” Bobby Colomby says
A Woodstock-veteran band plays gigs behind the Iron Curtain in Yugoslavia, Romania and Poland.
What could possibly go wrong?
For Blood, Sweat & Tears, everything.
“It just made them look uncool,” music journalist David Wild says in the trailer for “What the Hell Happened to Blood, Sweat & Tears?,” which premieres March 24 in New York and Los Angeles prior to wider release.
“Going to Eastern Europe was not going to be forgiven by the counterculture.”
Directed by John Scheinfeld, the film tells the story of the unlikely, State Department-sponsored tour, the countries’ violent reactions to American music and its impact on BS&T.
It was apparently a career-killer for the band, which still performs with only drummer Bobby Colomby remaining from the original lineup.
“I think we were naive,” David Clayton-Thomas says of the trek. “I don’t think we realized how it would bounce up and bite us.”
“There was an underlying reason why we did this tour,” guitarist Steve Katz says. “We were blackmailed.”
Plot twist.
Bad juju aside, the movie also brings up some good memories for Colomby, who called the audio - the soundtrack is due April 21 - and video footage “fascinating.”
“I believe the music we made then holds up today,” the drummer said in a statement.
3/2/23
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azertyrobaz · 6 months
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Is that stuff dangerous?
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gooodomens · 6 months
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#eternal sobbing
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ayo-edebiri · 6 months
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Wild Blue Yonder + text posts
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lonelyzarquon · 6 months
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stevenrogered · 6 months
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DOCTOR WHO "The End of Time: Part Two" (2010) | "Wild Blue Yonder" (2023)
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this-simplefeeling · 6 months
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something something ten was rarely wearing less than three layers representing his being very closed off and scared of vulnerability, while fourteen sheds his coat early on and has rolled up sleeves most of the time to parallel his being far more comfortable with his emotions and the vulnerability that comes with it or something idk
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hamrikaa · 3 months
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'"You're a Fox," Andrew said, like it was that simple, and maybe it was.'
I could've added a lot more details to this and it's not 100% accurate to the book, but I had to stop myself or this would've taken me another week to finish lmao
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nipuni · 5 months
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Some 14th Doctor and Donna studies 🥰
A step by step process of this will be available at my Patreon on January 1st!
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lililovesthings · 6 months
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I LOVE how "The Nobles" are so underwhelmed by The Doctor.
Like Jackie Tyler was all "I'll defend them to the ends of the earth."
Francine Jones thought he was so dangerous she was helping the government track him down.
Everyone pretty much has stars in their eyes whenever they're with The Doctor but the Nobles?;
"Yes Millennia old alien, I know the knowledge of the universe is living in your head...but...
Rose: Why are you assuming their gender?
Sylvia: *punch in face
Shaun (seeing lord only knows what going down in his kitchen): Something smells nice!
The only exception is Wilf. You know why? Yes Wilf has stars in his eyes when he sees The Doctor but The Doctor has stars in his eyes when he looks at Wilf.
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tennant-davids · 6 months
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DOCTOR WHO Wild Blue Yonder
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beanhusk · 6 months
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lizardsexposed · 6 months
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Therapist: Crab David Tennant isn't real, he can't hurt you
Crab David Tennant:
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finally getting to see Ncuti next week but having to watch David regenerate again
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sapphicautistic · 10 months
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In the 1980s in France, musicologists and archaeologists Iégor Reznikoff and Michel Dauvois used their voices to explore caves with notable Paleolithic wall paintings. By singing simple notes and whistling, they mapped their perceptions of the caves’ acoustics. They found that paintings were often located in places that were particularly resonant. Animal paintings were common in resonant chambers and in places along the walls that produced strong reverberation. As they crawled through narrow tunnels, they discovered painted red dots exactly located in the most resonant places. The entrances to these tunnels were also marked with paintings. Resonant recesses in walls were especially heavily ornamented.
In a 2017 study, a dozen acousticians, archaeologists, and musicians measured the sonic qualities of cave interiors in northern Spain. The team, led by acoustic scientist Bruno Fazenda, used speakers, computers, and microphone arrays to measure the behavior of precisely calibrated tones within the cave. The caves they studied contain wall art spanning much of the Paleolithic, dating from about forty thousand years to fifteen thousand years ago. The art includes handprints, abstract points and lines, and a bestiary of Paleolithic animals including birds, fish, horses, bovids, reindeer, bear, ibex, cetaceans, and humanlike figures. From hundreds of standardized measurements, the team found that painted red dots and lines, the oldest wall markings, are associated with parts of the cave where low frequencies resonate and sonic clarity is high due to modest reverberation. These would have been excellent places for speech and more complex forms of music, not muddied by excessive reverberation. Animal paintings and handprints were also likely to be in places where clarity is high and overall reverberation is low but with a good low-frequency response. These are the qualities that we seek now in modern performance spaces.
Sounds Wild and Broken, David George Haskell
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