[Day 265]
OK listen but what if i (also) make them fight /SILLY
(This one has been on the todo list for so long ever since i saw @ommmmara's and @mellozheist 's posts >:D)
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Exterior - Midcentury Exterior
Huge mid-century modern gray one-story wood exterior home photo
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“the desert” is katara’s most quietly admirable episode; she manages to guide and protect the rest of the gaang while they are in precarious states under unimaginable pressure and with very few resources. katara’s tireless endurance this episode culminates in her bravery as she risks her own safety to comfort aang in the avatar state.
for an audience upon first viewing, her ability to thrive under pressure here may seem like a surprising departure from the impulsive, reactive, sensitive girl we’ve been accustomed to over the past 1.5 seasons. but sokka’s admission in “the runaway” reframes katara’s behavior in this episode.
we know that while the rest of her family was a mess, katara stepped up and gave them hope. she refused to sink into her grief—to abandon the site of her trauma like hakoda did, to give up like kanna did, or to repress and depersonalize like sokka did. she may have a temper and she may not always think things through, but she is able to communicate her emotions and refuses to cut herself off from feeling and processing her grief and rage, which is more than can be said for her brother.
and upon learning this piece of her history, you realize that her indefatigable, relentless hope and care that she displays in “the desert” is actually a pattern of behavior for her that is being repeated. when all hope seems lost and everyone in her life has abandoned faith, katara finds purpose and meaning in being the glue that holds everyone together, even when she is as grief-stricken and exhausted as the rest of them.
in moments of abject despair, katara guides her loved ones and herself out of there desert, both literally and metaphorically. and that is why she is the narrator and the catalyst and the hero of this story of a revolution that successfully destabilizes an oppressive paradigm in the eleventh hour, because she represents the power and importance of organized resistance when all hope is lost, of refusing to give into despair, of continuing to believe in love even in the bleakest, most desperate circumstances, and envisioning a brighter future even (especially) when no one else can.
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"[...]Plus, when it rained, the palace grounds were pretty much empty, everyone else taking shelter, so I’d usually have the whole garden to myself. Perfect time to dance around like nobody was watching.”
“Dance around?”
“Yeah!”
(In which the vex prince sets out on a magical journey of a lifetime, and an unassuming avian knight is dragged along for the ride.)
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THE DOOR IS NON-EXISTENT ALREADY LAST BUT VERY NOT LEAST FOR HSBB FROM ME These are my pieces for @gaylotusthatexists's epic fic series "to the ends of the earth" again in @hermitshippingbigbang!! :D
This is for chapter 11 of the fic featuring THE DANCE SCENEEEEEE go. read it. it's so worth it i swear they are so SJKDADwijwa and the whole world Lotus has created within the fic is so cool!!
It's botw but epic and it's scarian and I might have immediately lost it when I saw the fic summary back in *checks dms with nox* September. and the actual fic did not disappoint it is absolutely lovely <3
GOOGGOO YIPPEE👉👉👉👉👉
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i simply think it would have been poetic if the sun had risen after scar’s final death
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