#don't you hate it when writers do that?

[jheselbraum]

zelganlink au where zelda and ganondorf are in an arranged marriage but they're both normal about it and are totally fine seeing other people as long as there's no scandal made about it. So Zelda starts sneaking out to see her childhood friend who lives on a small farm just outside Castle Town. He doesn't talk much but he never turned her in to the guards whenever she'd run away as a kid and he always listens to her. Ganondorf on the other hand starts sneaking out to see a truly fascinating Hylian voe he met on his way to the wedding, who beat back ten bokoblins armed with nothing but a tree branch and, not realizing that the ten foot tall Gerudo man decked out in gold, silk, jewels, and other finery was the future king of Hyrule and instead zeroing in on Ganondorf's fucking gigantic horse, proceeded to infodump about horses to him for the next four hours. Neither of them think it's really worth mentioning exactly who they're going to see, since the idea is to keep the whole thing under wraps, so they neglect to tell each other that the guy they're seeing is a ranch hand named Link.

Ganondorf immediately assumes that Zelda, brilliant mad scientist that she is, is just really good at keeping her lover's identity a secret, and knows exactly who his lover is, and wanting to show that he is committed to preventing a scandal, swears Link to secrecy.

Zelda's had the time to get to know Ganondorf and now knows he's not going to stop her if she wants to turn an entire wing of the castle into her personal study, so like, he can do whatever. To preserve her passion project-- importing the Gerudo concept of "algebra" into the Hylian school system-- she swears Link to secrecy.

Link is pretty sure Ganondorf and Zelda have forgotten that he's not royalty and therefore faces actual, head severing consequences for breaking the law, but he also doesn't want to cause trouble for either of them by getting himself caught and he definitely doesn't want to stop seeing them. He thinks that Ganondorf and Zelda are perfectly aware of the entire situation, and has no idea that they're non-communicative idiots.

Link is still the chosen one, or whatever, but this version of Ganondorf gets defeated by Link every tuesday night no master sword required, so he doesn't realize that he's also immune to legal consequences for courting both the king and queen via "if you want to kill him you have to best him in combat" shenanigans.

Impa knows everything but TV hasn't been invented yet so she keeps it to herself

#tloz #but jasper #you say #this is like the fifth loz fic premise you've come up with where #nobody fucking communicates and that's how the plot happens #don't you hate it when writers do that? #counterpoint: when I do it it's funny #link eventually finds out the truth and takes control of the whole polycule #''no you lost your privileges I'm taking over correspondence and scheduling what the hell were you two thinking''

[generalsmemories]

every time i see someone shit on the xianzhou story quest on twitter i die a little bit inside.

#narus' corner #SO LET'S TALK ABOUT HOW EVERYONE HATED XIANZHOU BECAUSE EVERYONE AND THEIR MOTHERS AND ANCESTORS HAD PULLED UP THEORY AFTER THEORY #AND WHEN SAID THEORY DID NOT FCKING GO ALONG WITH WHAT THE ACTUAL WRITERS HAD IN STORE HELL BROKE LOOSE #ion think u understand #maybe im biased. i probably am but the way hoyoverse tackled immortality with xianzhou is quite bittersweet honestly #YA'LL WANTED UR DOOMED YAOI AND YURI AND TBH ME TOO BUT THEY ARE STILL FCKING DOOMED EVEN IF SOME THEORIES DID NOT GO AS MOST SHIPPERS WANT #THEY STILL DOOMED MILADYS AND GENTS AND NONBINARY PEEPS DAN HENG IS SUFFERING FROM PTSD AS WE SPEAK. #u look at xianzhou and see predecessors suffering the consequences of what their ancestors wanted because of immortality and vow to stop it #because they been fighting people against GALAXIES who wants a taste of that immortality who also don't KNOW THE CONSEQUENCES OF IT WHICH I #LITERALLY GETTING MARA-STRUCK WHENEVER UR MEMORIES OVERLOAD FROM LIVING TOO LONG AND GO: damn this was shit writing cause i didn't understa #IMMA AAAH #eternal wars where when u find peace after winning you DON'T BECAUSE YOU TURN MARA-STRUCK FROM THE AMOUNT OF TRAUMA U HAVE #when immorality isn't immortality in a sense u can't be killed but long lifespan but then u can't even live said long lifespan #because u get mara-struck from participating in wars to protect AND YA'LL COME OVER HERE AND SAY BAD WRITING?! #and don't come with what the fuck is phantylia doing #ion think u understand how fucked we would've been if phantylia managed to actually absorb that ambrosial arbor AS A GODDAMN EMANATOR #OF DESTRUCTION OF ALL THINGS?! YA'LL WANT INFINITE HEALING WHILE GETTING BLASED OR SMTH!?! #and the aftermath which was probs the most hated on #imma just. #imma shut up LMFAO

[sideblogforweirdshit]

Whump Reference Post for Fingernail Removal Torture

 Hi whump writers of Tumblr! I recently made a little introduction post in which I said I’d be making reference posts. This is one I already had typed up, because for some reason this was the first thing I thought of.

There are no images attached, but I’m putting the rest of the post under a readmore since the majority of the content is semi-graphic written description of the how-to’s and wherefore’s and such of fingernail removal torture.

To be clear: I will be going into as much depth as I possibly can without using images. The content of this post will be purely academic. There will be no artistic liberties taken. This post is meant to be as accurate to (and descriptive of) a real-life situation as possible.

I hope some part of this post eventually winds up being a helpful resource for someone!

1) Not as painful as it’s made out to be

-It's painful, but definitely not to the extent it’s shown in movies or whatnot. A lot of the "pain" comes from the shock factor of seeing your body without something it’s always had, as well as the inherent "wrongness" that comes with experiencing a part of your body being removed.

2) There is very very thin film of skin between the fingernail and the finger.

-If one is careful in removing the fingernail by peeling it back slowly, one can preserve this thin piece of skin. -If one pulls the fingernail back quickly and without taking care, this thin film will rip, and the nail will pull away with bits of flesh attached.

3) The flesh under the nail will be vertically striated.

-If one uses the peel-back method, and is careful to not let the thin film of skin between the nail and the flesh rip, the skin/flesh underneath the nail will be as visibly striated as the fingernail itself. If you look closely at your fingernail right now, you’ll see that there are many tiny grooves from the tip of your nail to the base. This is true for all human fingernails. If the nail is peeled back with sufficient care, those striations will be echoed on the skin underneath the nail.

4) The  “peel entirely off” method versus the  "peel back and then stop" method versus the "pull out entirely" method.

-The “peel entirely off” method is how I will refer to the method of grasping firmly the tip of the fingernail in some sort of vice (usually pliers) and then peeling it backwards, moving the pliers from the nail at the tip of the finger towards the hand itself. Using this method, the nail will remain firmly grasped in the pliers the entire time. The movement of the pliers only stops when the base of the nail is ripped entirely out of the finger. This will necessarily result in ripping out a fair bit of skin past the cuticles, as the technical base of the nail (aka “nail matrix”) is generally around half a centimeter hand-wards past the cuticles (and follows the curve of the nail, so is deeper than the cuticles as well). Due to the nature of skin, I would expect a tear reminiscent of an extremely deep hangnail that goes from the base of the cuticles to at least halfway between the first and second knuckle (and at most goes to the second knuckle). In this case, it is not guaranteed that the nail will grow back. There is a chance it’ll come back, but there is also a chance that the nail matrix is permanently damaged and will not be able to grow a new nail. Since every human is different, there’s not an exact science to determining where a person’s nail matrix is before it’s ripped out. A (very) general rule of thumb is to follow the curve of the existing fingernail, and draw a point on that curve before it hits bone. Obviously, this is extremely subjective.

-The “peel back and then stop” method is how I will refer to what is essentially the previous method, but one stops before the nail-ripping goes past the cuticle and snips off the peeled part, leaving a milimeter or so of fingernail existing on the nailbed. In this case, it is assured that the nail matrix is undisturbed, and the fingernail will grow back. This is the method I will assume is taken for the future steps

-The “pull out entirely” method is how I will refer to the situation where one grasps the protruding part of the nail firmly, and applies force away from the hand and in the direction the finger points. In this case, there’s a large chance that the nail will rip. This depends largely on the care taken with the pulling object (pliers, usually) to grab the nail exactly parallel with the sides of the pliers. If any part of the pliers digs into the nail at a singular location, this will create a point at which pressure will build up, and the nail will likely rip at this location. The strength of the individual’s nails also affects the ripping. The individual’s nail strength can vary based on nourishment as well as on a general person-to-person basis. Personally, I do not recommend this method.

-If one wants to make the removal definitely permanent, there’s the possibility of peeling it back all the way down and out, and then chemically burning where one assumes the nail matrix is. (Some serious irl hikers do this to their toenails on purpose, to reduce the chances of getting ingrown toenails from being laced into hiking boots for days on end.) Removing the nail permanently will obviously reduce the opportunity to peel it off again, but will give a permanent Horrific Aspect to the victim.

5) For the first three days, the exposed flesh will be painful.

-The entire tip of the finger will be a constant deep and throbbing pain. Any deviation from this norm will be an increase in pain, never a decrease (save medication or an ice-bath-for-full-minutes immersion to the point of numbness).

-Any contact with the exposed nailbed will increase the pain. Knocking the exposed flesh against anything, even extremely gently, will result in a visible bright red welt under the thin layer of skin (bright red on light skin only! on darker skin, the welt will still be visible, but will show as a dark red-brown). It is a visual similar to an extremely tiny, non-protruding blood blister. Knocking the nailbed against something less gently will result in fully scraping off that delicate outer layer of skin.

-Using the finger for anything will be painful (though not unbearably so), and it may even be painful to bend the finger at all.

-Any moisture on the exposed flesh (including anything from regular water to antibiotic ointment) will hurt a lot. This will intensify the throbbing at least twofold across the entire nailbed, and will also result in an amount of stinging as if one had just realized one had been stung by a bee.

6) For treatment and healing thereof (if quick healing is desired)

For those first three days, any bandaid application is inadvisable -The exposed flesh will be so tender and vulnerable that any bandaid (even the non-stick kind) will stick to the exposed flesh and rip it upon removal. I can only assume this is in part due to the curvature of the finger, which means that any wrapping-around type bandaid will inherently put pressure on the nailbed, resulting in sticking.

-To promote healing, the first three days should be without any sort of covering on the wound.

After the first three days, a scab will form. -At this point, the pain will be much less. it might be uncomfortable to bump the nailbed into objects, but it will not be the same pain as in the first three days.

-The wound will also be much less sensitive to moisture.

-When the scab starts to crack (usually a vertical crack), one should apply antibiotic ointment and a bandaid. At this point in the proess, it is desired for the scab to remain as consistently moist as possibly. This will help the scab fall off when it is ready to do so.

-At this point, the finger can be used normally (within reason) without much (if any) pain.

After two or three days with the bandaid covering, the scab will start to fall off.

-One may expedite this process if one is careful.

-At this point, the skin on the nailbed is sensitive to the touch, but not to the point of pain.

-There will be some dry, loose skin around the edges of the nailbed.

-The previously visible striation will no longer be there.

-Pressure on the exposed nailbed will not be necessarily painful, but it will feel decidedly Odd. Though not painful, It will be an extremely sensitive area.

-The nailbed will be a delicate pinkish color.

Around a week after the initial scab falls off, there will appear to be another scab. It will be a relatively thin layer of dry, dead skin.

-If the nail is allowed to grow normally, it is likely that it will cover this second scab before it has the chance to fall off.

-If the stub of the fingernail is trimmed routinely, it is possible for the scab to fall off, leaving only relatively smooth unblemished skin where the nailbed is. This skin will be roughly the same color and texture as the skin on the tip of the finger. 

7) The rate at which fingernails grow back is extremely slow

-The average growth rate is about 3.5 milimeters per month. There are several factors that can cause this to vary:

-Fingernails on the dominant hand grow back faster than the nails on the non-dominant hand.

-Fingernails grow back faster than toenails.

-Nails grow back faster in warm weather than in cold weather.

-Depending on the nail and the aforementioned conditions, one can expect a total regrowth time of anywhere from three to six months (or more).

8) Life Without Fingernails

-Fingernails affect a large part of our everyday lives. We mostly use them when we’re manipulating objects with our hands, and we use them to scratch. It doesn’t seem like a lot, but it’s a lot. It’s hard to explain just how weird it is to not have fingernails to someone who’s never experienced it, but here goes:

-Fingernails are the Hard Backs used to brace our fingers against a hard shell when we manipulate something with our hands. If you pinch your fingers together right now, you’ll see a white band along the top of your fingernail. This is where the pressure from the pinching goes; it’s braced against your nail.

-Picking something up without fingernails feels extremely odd the first few hundred times you do it. It takes a long time to get used to it.

-Writing is even worse. Without the hard shell backing your fingers, the pencil tends to slip out of your grip more often. If you usually have long enough fingernails that you balance your pen/pencil on them, you’re extremely likely to have the pencil completely slip out of your grip multiple times a sentence.

-You don’t realize how much you unconsciously scratch itchy parts of your body until you no longer have the ability to do so. If you’re only missing a few nails, you have to consciously adjust your hand so that you can scratch with the existing ones. If you’re missing all of them, you have to actively find an external object to alleviate the itch.

Some places on the body one can scratch with their teeth, but for most places, one needs to either find an “itch stick,” or rub that part of their body on something scratchy. A lot of clothing is scratchy enough to work for this. One needs to learn how to vary the pressure so that one can alleviate the itch without tearing through the skin or scratching themselves.

Pros:

-Body horror

Fingernail removal is a more mentally significant mutilation than cuts or burns, if only because it draws on the "that was there and now it's not" aspect of body horror.

-Can be inflicted more than once

Since fingernails grow back, they can be removed again and again and again. Though it may take some time for the nails to regrow, it isn't even close to the type of permanent that’s chopping off a finger or a toe.

-Helplessness

Since it takes a few days for the nailbeds to heal enough to be able to use one's fingers, a complete removal of all fingernails will take away one's ability to use their hands. Even after this initial period of extreme sensitivity, the lack of fingernails is something most people aren’t prepared for. The previous section explaining how fingernails affect daily life is significant here.

 Cons:

-Can’t repeat often.

Once a fingernail is off, it's not coming back for at least three months (likely longer). It doesn't have the relatively quick reset time that burns or cuts do.

-Relatively short amount of time in pain

All of the pain is in the first few days. It is inconvenient afterwards, but there is little to no pain at this time.

-Amount of care needed

One needs to be relatively careful inflicting this. Fingernails are not as resilient as you'd think, and the likelihood of them ripping before you can finish ripping them off is fairly large if you're not being careful.

If you have a short-tempered or impatient whumper, this might not be their particular wheelhouse.

 Conclusion

Overall, I’d say that the effectiveness depends entirely on the desired result. The time it takes for the fingernails to regrow versus the amount of time in which the subject is in pain is not a very productive ratio, so if you’d want your whumper doing a particular torture regularly, I wouldn’t recommend this.

However, if the whumper’s goal is to appeal to the body horror aspect without permanent damage, this is a great option. The fact that it takes nails so long to regrow gives the victim a sense of horrified freakishness. It also has the added benefit of reducing the victim’s maneuverability far after the fact.

The semi-visible nature of this method of torture can be effective if one wishes to horrify characters outside the whumper/whumpee relationship. You don’t immediately look at other people’s hands when you meet them, and as such it might take a while for outside characters to notice the lack of fingernails (especially if they’re past the three day mark). But once they notice, it will be hard to look away.

#whump #whump writing #whumpblr #whump community #whump reference post #this is the post i already had typed up i hope it passes muster #i tried to be as exhaustive as possibly because i KNOW there's so many details one needs when writing a thing #investigative journalism but with injuries that's us here at sbfws #ummm i don't know what to tag this #if y'all want a trigger warning tag for this stuff please let me know? #or if y'all want to be added to a tag list also please let me know?? #also also please feel free to make specific post requests if y'all want? #i don't know how timely my responses to them will be but i will FOR SURE try to get to them as soon as i can #just like #if you're a whump writer who fuckin hates having to do research into different types of injuries hit me up! #(especially the weird injuries) #(fingernails are all fine and good but i thrive on the Weird Stuff There's Barely Any Research On you know) #(I really like researching weird niche stuff) #(you'll be doing me a favor if you give me something Decidedly Odd to fixate on) #nail gore #nail whump #hand whump

[nb2000]

Look the showrunner called Rogue/Gambit the OTP in an interview (er...before he got fired) so they're clearly going somewhere with this and it's FINE and I can be patient and wait to see where that somewhere is and it's FINE.

#X Men '97 #spoilers #or I just go re-read Mrs and Mrs X a bunch of times to reassure myself. that works too. #help me Kelly Thompson. you're my only hope. #I got my original childhood OTP back but they're making us suffer for it #yeah yeah you got to have tension an earn a resolution but also: find a way to do that that ISN'T a love triangle #what is it with x-men writers and shoving Rogue at Magneto? let it go. #'it's canon from the comics!' okay doesn't mean I can't hate it #I did say I was going to be unbearable when this show finally dropped. don't say I didn't warn you. #Rogue #Gambit #Mr and Mrs X #random babble

[tricoufamily]

no ok we finished episode 2 what they have done to katara is unforgivable. they have completed zapped every ounce of her personality away. why. why. look how they massacred my girl

#i haven't even GOTTEN to azula mai and ty lee i'm scared #why the hell they're even IN season 1 is beyond me but whatever #i cannot fucking believe the amount of exposition dumping. did a 10 year old write this #this actually would be a very good lesson for young beginner writers actually #if someone's like 'i don't really get the show don't tell rule' show them this. then show them the cartoon. THAT is show don't tell #all. they. do. is. TELL. it's INSANE #zuko is the best actor at least but that's kind of like winning a game of chess against a broom #it's statistically impossible that they could only find ONE actor who can deliver a line competently. it's impossible #i delivered better lines pretending to earth bend w my sister at age 7 #i'm so confused about katara though. #like yeah the 'sokka can't be sexist that's problematic (that was the entire point)' is stupid #but that is at least AN explanation for why he's different. why on earth would you make katara like that #i can't even make an ember island players joke. at least their katara showed emotion??? #really fun hate watch to do w other avatar fans 10/10 recommend #when gran gran started saying the intro and it was so awkward jdskfjdsfldsjfslkfjlkfs i was LOSING IT

[twitterdotcom]

Me who in my heart wants Izzy to have a partner from outside of Blackbeard and leave him and the Revenge behind for someone who appreciates him and gives him stability vs me who wants steddyhands because I am a hater

#izzy hands #don't interpret this as me hating on steddyhands #bc i think that it can be a lot of fun #esp when people write stede correctly #which you hope that the writers of the Actual Show can do

[pastafossa]

Hey I just wanted to ask a writer question. I really admire your writing and the amount of work and dedication you put into your stories and characters. You are one of my favourite authors ever. I have been wanting to get into writing and I was wondering how you flesh out your characters? For example you have a character that you’ve thought out, do you have a template that you fill in? Or just write a whole bunch of points about the character in a Google doc? I know that question might not make the most sense but I have a few characters that I’ve given quirks and backstories in my mind but I have no idea how to transfer them onto paper? Like Jane from TRT, is there just a big template or doc where you randomly put points into or some other type of organization? I know it’s not an easy thing to answer on text or even something you might not want to answer but even one sentence of advice is much appreciated :) Thank you so much for everything! I appreciate you. I will also put this into the ask thingy if you want to answer on there instead of PM 😁

I've managed to hammer this out in bits and pieces over the moments I've been more coherent so I think I'll make sense. First, thank you so, so, so much! I honestly love these characters so I'm always happy to hear someone likes it, even if I enjoy the work! 😭

Second - I do in fact have a template in doc form that I use to keep things organized! It's one I've been using since I took a novel writing course years ago by a published author, and in one particular class we went over character development, which is where I learned the template. The way I was taught (and the way I develop major characters) - first, even before filling in the template, I figure out their archetype(s). What story role are they filling? Who will they be a foil for? I like to think of those as your foundation, because every character is an archetype of some kind, and you can use that to build them up. To use Jane as an example, she's an antihero archetype, yes, but I've also pulled elements from: the Unscrupulous Hero, the Sympathetic Murderer, the Combat Pragmatist, and the Ineffectual Loner. Compared to Matt's hero archetype, she's the Lancer. Archetypes can help you if you're struggling to build up from the bottom.

Once I have the archetype, I start filling in the Major Character/Hero template, which roughly looks like this (if you don't fill it all right away, that's fine, because there's a step after this to fill it in the rest of the way). I like this one because I feel like it covers VERY important things that a lot of online character profiles skip, and has much less of a focus on looks (which I find way less important from a writing perspective):

Name: Age: Family History: Career: Physical Description: (include things like scars, notable or unusual features) Preferred Style of Clothing: (instead of listing brands, try to instead describe their style of clothing as it relates to their character - ex: Jane wears upper-end pantsuits in muted colors when meeting clients, because they carry a strong emphasis on professionalism; when hunting things down, she wears what is practical over anything to do with aesthetic) Goal: (every character should have one; what are they trying to do?) Motivation: (WHY do they want that goal?) Big Secret: (if it were Jane, it'd be what happened in Los Angeles; so what are they hiding? Keeping to themselves?) Self-image: (How do they see themselves? Are they confident and secure? Insecure and depressed?) Internal Conflict: (what are they struggling with?) Game: (What's some little game they enjoy?) Pet: (if applicable) Temptation: (what's aaaalways going to lure them in?) Vehicle: (if applicable; alternatively, how do they prefer to get around?) What makes them unique: (our fake post-apocalyptic character we made as a class had his teeth sharpened into points to scare people; Jane is often fidgeting with threads; just anything that stands out) How do they speak: (do they speak very precisely? Use lots of slang? Do they have an accent?) Quote: (What quote sums them up, or what quote do they relate to most? I have an entire folder of these for Jane tbh, and some for Ciro as well) Lesson Learned: (All characters should grow in some way, rather than stagnating. So how do they grow? What do they learn through the story?)

Now, this is something I was encouraged to do after the template, and also something I was already doing on my own. Once you have the template as finished as you feel comfortable with, you might feel like you need to develop the character a little further to fill in the rest, or solidify what you already have. The way you can do that? Write something short with this character. It doesn't have to be anything you need to post; it can be based on a short scene, based on a prompt, things like that. I like dumping them into: humorous scenarios, angsty scenarios, and Action Oriented (TM) scenes. Those really help you get into the meat of the character (aka: how they react to teasing/flirting/jokes; how they react to strong emotion; how they react in situations that might cause panic). Basically, it's your way of introducing yourself to them and becoming more comfortable writing them, because often a character might act a certain way in a cold, rigid template, but behave entirely differently once you drop them into a scene. Alternatively, you might get to writing and realize you need to make an adjustment so that they have better chemistry with the other characters. Writing a new character's a dance, and you're both going to step on each other's toes in the beginning, but once you learn how they move, it gets easier. And it helps them develop and grow as you learn about them!

#writing advice #writing #character templates #this is the template i've used for most of my major characters and i love it tbh #i've tried some other ones and they just don't work for me #i feel like they focus WAY too much on appearance which is fairly minor in the scheme of writing #and not enough on things like goals and motivations and who the character *is* #because that's our job as authors #we're here to show you who these characters are at their base level so you can watch them grow #we are here to dissect them so readers can see their squishy insides #or as the author who led the class said: 'your job as a writer is to cause pain and suffering' #and you can't DO that if you don't know the inner workings #so i've used her template constantly since then because it makes that easier #it also emphasises growth which is something i LOVE #because i hate when everyone just stays the same in a story #ok i think that's everything #been writing this up in bits and pieces over the past two week and was finally coherent for long enough to clean it up a bit #now to keep seeing if i can start write writing again

[sskk-manifesto]

(´･ᴗ･ ` )

#I really like the “We're the bad guys' enemy” line. For someone I generally despise Dazai has all my favourite lines in this show… #Idk I can't really vibe with the unbalance that there is between s/kk. #Like when push comes to shove‚ Dazai has the power to keep Chuuya alive or let him die. #I understand why they make a compelling dynamic in their complexity‚ but it just doesn't do it for me. #I'm a little sad my opinion on them hasn't really changed since I watched the anime for the first time... #Also; I really can't vibe with Chuuya allowing Dazai to kill Q. Yes I know Chuuya cares about his comrades deeply. #Yes I know it can be interpreted as Chuuya seeing himself in Q as a living weapon and being disgusted by it #(though I honestly don't think that was intentional of the author). #Yes I know Chuuya is a mafioso and kills people. No I don't think your personal issues justify you being a dick to other people I'm sorry. #Back to my main annoyance with the episode: I must have already talked about this but I hate hate hate the narrative #“the mafia works for the city” “the mafia deeply loves the city too” it's so so sickening and insulting please stop I'm begging. #Please visit any actual city with a rooted mafia presence for once in your life (signed: someone whose hometown was destroyed by the mafia. #The writers really don't know what they're talking about and‚ politely‚ it's offensive.) #Also b/sd keeping being extremely nationalist with Mori (who's largely depicted unsimphatetically for the first part of the episode)– #bringing up western thinkers and subtly mocking Fukuzawa for not knowing them– #and Fukuzawa (the righteous man. the noble spirit and just soul in this episode and Mori's antithesis)– #stepping forward to say that he knows strategists from the east (because who else would he need?) #I don't know if it's meant to symbolize the conflict with an hostile and invading foreign power (the Guild). #But it does come across as. A very isolationist way of thinking. #I know it's subtle but it's really evident for me. And I didn't want to talk about this any further… #But by bringing actual examples of this I hope I can better explain why I think that b/sd holds nationalist views– #and that I'm not just making it up out of nowhere. Otherwise I fear I'd only come off as pettily hostile to b/sd in everything #That's it. I feel like I've been losing a lot of mutuals over my main recently due to not shutting up (sorry) #so I suppose it's only fair I lose them on here too pffttt. #Tune in next week for more bad takes #random rambles

[crepe-of-wrath]

jjk spoilers 257

jjk spoilers 257

OK, so obviously JJK is taking a giant step toward the end of Sukuna, and that's only natural, that's how the plot was always ordained to go. It's OK: a character being dead does has never really bothered horny fanwriters and artists.

(this being said Hori better leave Aizawa alone...)

All I ask is that the hot, deep-voiced, four-armed pleasure bicycle that is Sukuna goes out in a way that is worthy of the skill and smarts he has shown so far. Gege, please don't nerf him into an idiot. He's many, many awful, war criminal things, but he's not an idiot.

#jjk spoilers #jjk 257 #jjk manga spoilers #jjk sukuna #true form sukuna #not actual spoiler but spolierish/weird tags beyond this point #la la la i am trying to push the weird tags out of sight on the dashboard #i hate falling for the evil but competent ones #i'm still scarred by what happened to varys and littlefinger on GoT #nothing more infuriating that people who were too peasant to appreciate my smart and evil (or morally ambiguous in Varys's case) pookies #whooping and hollering and calling them frauds when they faced their inevitable defeat as required by the plot #(in the case of Baelish GRRM straight up said he wouldn't do the stupid shit they made him do...I will never stop being pissed about this) #my pookies weren't frauds #the writers were frauds #who were too stupid to figure out how smart characters would realistically fail #gege you fucking killed nanami don't you dare take out sukuna in a way that makes the fraudkuna clowns crow

[violetlunette]

How most writers write redemption arcs (namely males in romance): I know he’s a murderer, a tyrant, a possible rapist, and more, but you have to understand that he was sad in the past. Therefore, I will make the protagonist a sweet, naive young thing whose purity and love make him act lovingly to her alone. And once he admits he cares about her, we’ll just forget all those nasty little things he did. At most, I'll have him do little things like not kicking a puppy to show he's "changed." And if anyone calls him out or tries to hold him accountable, I’ll have the story treat them as a villain and try to make them worse than the hero. Happy ending for the couple/family!

OR

Okay, this guy is horrible, but I like him. Therefore, I’ll make him an asshole, but I’ll play up his love for the protagonist and have him do the awful things he does for her, so it’ll all be okay. We'll just hand wave that nasty stuff that any sane person would go to an abuse hotline for.

How I write redemption arcs: Yeah, this fucker has work to do. His past will explain why he did the shit he did and will show where he needs to change and how. It will NOT be used as an excuse or justification for what he did. He will be held accountable for his actions and will have to face them head-on and realize what ass he was. HE will have to make amends. HE will have to do the work to make up for his crimes. (And I mean WORK. None of that bare minimum crap.) And no, no one will be considered an asshole for calling out the bastard for the shit he did. And the protagonist will NOT be the one solely responsible for his change. That is NOT her job, especially if she is a child. She may choose to guide him, and if he strays, she will not tolerate it or go, “Oh, poor baby’s past made him commit heinous crimes.” Nor will she go, “If I act cute, maybe he’ll love me,” as that is a horrible lesson to present about abusers. And loving just the protagonist will NOT be enough as he has to come to care for people in general. The lead will just be the first to open the door. This person WILL change and, while he may not get the fairy tale happily ever after and may even die, he will be a better person by the end.

OR

Fuck it, I like him as an amoral guy. However, I won’t waste everyone’s time pretending he’s not. His actions will be shown as heinous and that, even if he loves the protagonist, he’s not a good person. Speaking of the protagonist, if she falls into the trap of thinking she can change him by being supportive even when he’s awful without consequences I will write her as a tragic person unable to see the red flags or escape. Or I will show how her willful ignorance and unwillingness to do something is wrong. Regardless, this romance will NOT be glorified in any way.

#mine #sorry bit of a rant #don't misunderstand I LOVE redemption arcs #however I hate how most writers skip the work needed to redeem a person #or they go to the preschool thought of #Just be nice to this guy and they'll become a good person #UH NO #no no no #they need to go through the arc #an ACTUAL arc #otherwise they'll just go back to being an ass when shit gets hard #or at least don't waste my time #if you want the protagonist to fall in love with a bad boy embrace it #don't tell me he's a good guy when he's doing awful shit #it just ruin what could be a decent story #but I digress #cursing tw #abuse tw

[helianskies]

ugly maths.

i hate maths, right. i don't usually like numbers, and if i do like numbers it's gotta be an 8 or a 48 and nothing else.

thing is, i've recently caught myself doing maths again. ugly maths. the kind of maths that, really, i've been trying to avoid as much as possible because, well, it's ugly!

you... wanna see?

okay, fine... but don't say i didn't warn you!

ugly, see? look at all those numbers! not a 48 in sight!

huh? what's that? you don't see what i'm on about? oh... oh! hang on, lemme just—

better? yes? no? no? okay, what if i—

mmh, yes. ugly numbers. see it now? can you see why they're ugly?

here, i can make it worse.

these numbers are ugly. the maths they make me do is ugly.

now i'll level with you: the worst ones by far are the yellow numbers. the maths they make me do it the ugliest.

why ugly?

because it makes me ugly.

those numbers turn me into not only a suddenly number-obsessed fool, but a fool who also cannot understand these numbers and what they mean and why i feel like they reflect on me and my ability.

87, 75.

the thoughts are as follows:

• the orange numbers are big, so why are you being ugly about the yellow ones? you should be happy with what you have. so many nice big numbers! not everyone receives that.

• is it that there are two different audiences for these two different fics? perhaps. they are quite different works, with different appeals, and different themes. maybe you are reading too much into it.

• why are you obsessing over numbers anyway? you don't like maths! you left maths behind when you were 16, put it down!

okay, okay, fine! i'll put the maths down. right here, in fact!:

that 87 was an 83 at the start of the year. the 6161 it is attached to was a 5453.

4, 708.

ugly maths.

the 75 is a nice number. in fact, compared to 87, it is beautiful, radiant, enchanting. at the start of the year, 75 was 48. wow. now that is one sexy number!

27.

mmmm.

6161, 1061.

5100.

87, 75.

12.

mmmm.

you know, my most favourite comment left recently on a fic of mine was 2 characters long: :(

it made me :)

well, actually, it made me >:) because it was left in response, presumably, to one of the key scenes in a new chapter which left the exact impression on someone that i hoped it would.

they must be the only one who reacted like that, though.

1.

have i mentioned that that 87 and 75 include author responses?

i won't try to do more maths, there. it might not end well for me. the maths is making me tired enough as it is, and i have an early start tomorrow.

oh! but, that being said, i have another set of ugly numbers to show you, so keep 87 and 75 in mind.

ready?

838, 245.

(want a hint? the green numbers!)

838, 87. 245, 75.

9.6, 3.3.

ugly maths. it's ugly again, see? i don't like it. i'm seeing numbers within numbers within numbers, and i can't seem to stop!

the numbers make me ask new questions:

• why is it not good enough?

• people seem to engage more with one fic over the other, so shouldn't you prioritise?

• is all this maths this really good for you?

no, it isn't.

i want to avoid ugly maths. ugly maths makes me want to tear my hair out. it makes me want to start from scratch. it makes me want to grab someone and scream. it makes me want to cry and press a button that has tempted me many times before when the numbers become too ugly to bear.

ugly maths turn me into an ugly person.

ugly maths make me obsessive, paranoid, anxious, regretful, vindictive, spiteful, alone.

i hate maths. i hate numbers, just like, it feels, the numbers hate me.

#helia rants #cw vent #i'm okay but i'm not #this has been playing on my mind over the last couple of weeks #it's aimed at the sky rather than anyone here #i know i'm not the best myself as commenting. i justify it to myself by affirming i don't read much. which i don't. #since the start of the year i have tried to comment on everything i have read #bearing in mind i may also dm someone rather than comment because i want to scream and ramble about their fic more personally #that being said. i know i'm not the only one who finds themselves doing ugly maths #and in turn starting to feel uglier too #i don't like looking at the numbers #i was doing well at the start of the year #but as i open my drafts and look to a new chapter and at the notes i wrote #i can't stop myself from opening the fic. from seeing where it's at. from seeing if it's changed. from checking my inbox to see if... #if only... #what it's meant is that i've come to a point where a fic i loved has become exactly that: a fic i loved. past tense #the other fic is still a fic i love. but i know deep down that that is tied to the numbers too #i hate that this is what i've become #because i have tiny fics. fics with 50 hits and maybe 1 comment. and i love them. i still love them #but when it comes to the big ones. the multi-chapters. the hefty fics. after a point all i see are numbers #and those numbers have come to determine both my happiness and fulfilment as a writer #and so i am ugly. i am sad. i am pathetic. #and i don't know how to stop. #helia's stuff #this was meant to save back into my drafts. i was editing tags. tumblr decided it should post. so... so be it. #also this is not an attention thing if anyone dares go 'oh but you're a good writer uwu' i might do something we'll all regret #this is also not a 'ffs comment on my fics will you 😒' hell no #it's just about me. and my issue. and my unhealthy relationship with these fucking numbers. #gotta get this shit out of my head somehow :)

[mortiferumsomnum]

the magic hour is now (you cannot slow it down)

THIS POST JUST--- I have so many feelings *sobs*

@annoyed-at-things please have his little drabble of mine. I didn’t use your whole prompt because I focused mostly on Tim (the magic hit only him), ehe~

***

Tim felt like he was floating, as if he was sinking slowly under water, drowning. He couldn’t breathe, his vision was blurry, and all sounds around him were muffled.

His limbs felt too heavy, felt too hot and cold at the same time as he reached up for--- something. someone.

He thinks he’s calling for... Damian? Is Damian around here? 

Damian, are you here? Where are you? Damian?

Warmth. There is warmth covering the hand he reached with. He could feel pressure, feel it being squeezed. It felt nice. Comforting. If this is how warm Damian’s hands were, Damian should hold hands with people more often.

He closes his eyes. The muffled sounds around him grew louder, but Tim couldn’t bring himself to open them anymore. He felt comforted and safe. He felt warm and sleepy. 

Soon, Tim felt nothing.

***

Damian had attended many funerals in his life. However, he was used to bodies being cremated and stored in urns before being buried in the dirt. It was interesting looking at a coffin. The last time he’s seen one was when his father was temporarily dead. 

However, compared to that experience where he felt only a small sense of remorse and indifference, seeing Timothy in a coffin had hit different.

Timothy is usually pale, even as he goes out to spend time with Conner or his love Bernard. Now, where Timothy lay, he looked paler. The make-up fails to hide the bluish tint of his lips and around his cheeks. 

Damian looks away from the smile that never left Timothy’s face as he... passed. He already knew what it looks like, even if his memory of his smile had blood coating Timothy’s face as he squeezed Damian’s hand back, whispering about how Damian was... warm. 

He couldn’t believe Timothy thought he was, because Damian felt ice-cold as he held his hand and demanded that he stayed awake. His whole body felt frozen stiff as he watched Jon keep pressure on Timothy’s wounds. But Timothy had--

He had too many deep scars. Scars that Damian didn’t know existed.

The scar on Timothy’s neck hadn’t really healed, covered by plaster. Even as Timothy laid in his coffin, there was plaster covering his neck. There were more on his body, but deeper on his abdomen. Blood was gushing from two vital places, and Damian and Jon tried their best to staunch the bleeding while waiting for help, for Batman, to arrive.

The magician that casted the spell

Timothy wasn’t even calling for Batman. He sent a signal, yes. But he wasn’t calling for Batman.

Dami’n, ‘re you... ‘ere?

Someone was hugging Damian now, but Damian didn’t care. His body still felt cold despite the arm tugging him close to someone’s chest. There was a deep scent of sweat, hay and lavender - Richard. Timothy had always said that he never stopped smelling like a circus, trying to cover it up with some cologne that Barbara got him.

He was brought to sit down, far away from where he could see Timothy’s face. Not that he could see him anymore, Jason was now standing where Damian was, peering over Timothy with a blank face and a white-knuckle grip on his coffin.

He wondered what Jason might be thinking, if he was remembering the moments before he died. Timothy said that Jason died trying to call for Batman, trying to escape only to accept that he wouldn’t be making it out alive.

Timothy didn’t call for Batman. He didn’t even look like he knew he was dying.

Wh’re ‘re you?

“Are you okay, Damian?”

Was he okay? Richard’s soft voice called for him once again, but Damian couldn’t bare to look up to his eldest brother, his father figure and mentor. Damian found it slightly hilarious that Richard was comforting him right now when he knew that out of all the brothers, Richard must be feeling the most guilt. He was not there when Jason died, and he was not there when Timothy died.

Damian only relaxed into Richard’s chest, burying his face into his clothes.

...Damian?

“I was there,” he whispered. He felt a hand stop rubbing his back. He didn’t even know when that started, but the hand stayed paused in the middle.

“I... Jon and I... we tried stopping the bleeding...”

Damian’s whole body was back to being cold, and the warm hand felt scorching where it laid. “But Timothy was calling for me and...”

He looked at his hands. They were no longer red. They were cleaned of blood, but the warm and wet feeling still felt fresh in his mind.

“He said I was warm.” Warm like his blood-soaked fingers, like the blood pooling out of Timothy’s body nonstop. “I held his hand and he said I was warm.”

He wasn’t crying. He wasn’t.

But he knew Richard was, from the way he seemed to be heaving and clutching Damian tighter.

“Did he call for anyone?” Richard asked. 

Damian nodded, breath hitching and finally acknowledging that maybe, just maybe, he was crying.

“He called for me,” he said.

Richard kissed his head. “And you were there.”

Damian nodded. “I was there.”

#i could have worded a whole lot of things better but i was running on 2 hours of sleep and 5 mugs of coffee #this wrote itself HAHAHAHAHAHAHA #tim drake #damian wayne #batman #i don't have a timeline for this or what comic-verse this is #but just know that damian and tim have come to brothers that hate each other but not really they're just brothers #dick grayson #jason todd #jon kent #do you know the song i just referenced with the title? #and do you know what a magic hour in photography is? #it's the the last hour before sunset and the first hour after sunrise #the you cannot stop it part is that the magic hour is always going to happen #it's just that i just decided to take the lyrics out of context #because the magic hour was when tim got hit and there was nothing damian could do to stop the magician from casting their spell #HAHAHAHAHAHAHAHA #i mean if i were a better writer i would have casted them fighting during the magic hour and then tim hit during the magic hour #and there would be nothing they could do to stop the time and the attack from happening #eyyyyyyyyyy #someone better needs to write this cuz I suck as poetry and visuals and stuff #Where's Bruce and Alfred in all this? #Well Bruce is still cooped up in his study unable to face his dead son while Alfred is debating cleaning Tim's messy room or just leaving it #He didn't need to do this debate when Jason died because Jason loved keeping things clean #Tim loved his chaotic mess that only he knew how to navigate and find things in #tw death #tw blood #death #blood #batfam

[running-in-the-dark]

oh, a fun* thing I'm noticing about when I'm writing something is that there's absolutely no descriptions of what anything looks like ever. not the rooms, not people's clothes, just nothing. everything happens in a blank void and no one... is wearing any clothes? no that's definitely not where I was going with that but now I've forgotten what I really wanted to say.

anyway, it's really not surprising and just mirrors how I read things written by other people too - I completely skip over any descriptions like that. can't do anything with it anyway so it's just unnecessary information to me

*not so fun

#context: I have aphantasia #there's no images whatsoever. so knowing what a room looks like doesn't help me at all. can't remember. #I hate detailed descriptions of what everyone's wearing. I mean specifically when it's like. it's described in detail what every damn #character is wearing all the time. as long as it's not relevant I just can't do anything with that. so I skip it #but anyway lol it's probably a very good thing that I stopped thinking I wanted to be a writer when I was like 7. #I wouldn't be able to remember to include stuff like that #but yeah anyway it just makes me sad really lol. feels like I miss like. a pretty big part of things sometimes. #and it's very hard to describe what anything looks like when you can't imagine it. don't know if that's how other people do that but anyway #I just find it interesting. mostly sad. but interesting. I just think it must be so fucking cool to see images in your mind. like damn #people are really out there living like that?? sounds made up but okay #I can just barely imagine a voice if I try really really hard. one at a time. and it takes a lot of practice. other than that? #it's just words. #personal

[fan-of-chaos]

Why is he still alive.

#didn't they say that his death was certain if he would succeed in helping bakugo?? #THEN WHY IS HE ALIVE #I HATE WHEN WRITERS DO THAT #if you don't want to kill them then don't!!!! #BUT DON'T MAKE IT AS IF YOU ARE GOING TO DO IT AND THEN CHICKEN OUT AT THE LAST MINUTE #bnha #bnha spoilers #bnha manga #bnha ch406 #bnha chapter 406 #mha manga #mha spoilers #mha ch406 #mha chapter 406 #gin posts bnha

[bylertruther]

"there's no basis or case to be made for will having powers" okay then genuinely please explain any of the following now after watching season four:

why does the upside down look like hawkins and is presumably stuck on the day will arrived despite the fact that vecna was there first and has been residing there this whole time? if vecna was capable of reshaping the world, as he's stated he wants to do, why hasn't he done it in his own world? why is he so intent on seeking out the person for whom time apparently stopped if it's all just coincidence? if will didn't do that and he doesn't have powers, then why didn't time progress or the setting change once the teenagers got there? why was time only influenced by will and will alone if he has no powers whatsoever?

how was will able to call joyce multiple times? the only person we've seen so far be able to do something similar is eleven when she would channel what she heard through the radio. electricity doesn't work in the upside down, so how did will do that? why did it cause a shock and ruin the phone, the same way that the radio went up in flames when eleven did it, if he doesn't have powers?

how did he manage to wake joyce up at one point? (it could've been her imagination, but the show made it pretty clear that joyce had been right about everything the entire time even though everyone thought she was crazy, and will was wearing the same outfit but he looked and sounded distressed + exhausted like he may have been while hiding in his upside down version of the house.)

how was will able to see his mother and guide her with the lights to the place he was hiding?

how was will able to see the letters she wrote on the wall?

how was will able to light up the lights that fast and sometimes simultaneously? especially with the lights that were on the ceiling? the way he communicated with joyce isn't totally similar to the way the teens communicated with the party in season four. he's too short to reach the ceiling and he doesn't have elasti-arms or super speed, so he couldn't have been touching that many lights that fast all by himself with his own hands. if anything, it's more similar to the training exercise brenner had the lab kids do, because they didn't need to touch the lights (obviously) to control them. so, how do you explain that if he has no powers?

how did he acquire true sight before his possession? the doctors thought it was ptsd and all in his head, but just like with joyce, we come to learn that will had been right the entire time. the mind flayer was real and it was coming for them all and eventually it did. how did he know that? how could he have had such knowledge before it ever melded minds and bodies with him? no other powerless human could do that, so how do you explain it?

if will is truly a powerless human being, why did vecna hunt him down? we know that vecna stalks his prey before he strikes. we know that "the monster" followed will from mike's house all the way to the shed where they vanished without a trace. we then saw it stalk will again and eventually possess him. will said that vecna wanted to kill everyone else, but not him. why? we know that vecna doesn't care about people. so what did will have that he wanted so bad? what was it about will that made him more valuable to vecna—a self-perceived god among useless, pitiful, and brutish men—alive than dead? what was it about will, a supposed powerless and normal human boy, that made vecna want to spare him and use him? if he wanted access to the lab, weapons, or tools that could bring down entire nations and rendered millions around the globe defenseless to his attack, then he wouldn't have picked a sweet twelve year old boy who lives a tiny little life in a tiny little town who just wants to hang with his friends and play games. unless... he was the key to achieving his plans? but according to this argument that will is just a normal boy, why is it then that vecna did all of that if will isn't capable of anything?

additionally, we know that gates are opened with a psychic connection. when the psychic connection was made in that shed, will entered the upside down. there, he was hunted for a week. why did the demogorgons kill and eat everyone else, but never will? why did they only carry him to the library aka the source of it all? why didn't they treat him roughly or eat him like they did all of the others? will didn't suffer any serious damage from the upside down, so he couldn't have been "dead" for long when his parents found him. why was it different with him? why did he get special treatment even in hell if he's just a boy?

why does will still sense the creatures of the upside down even after he's been exorcised? how is it that the psychic connection is still there? how is he still able to know what vecna is feeling, the kind of state that he's in, and what it is that he's planned? how does he have this connection still even though he shouldn't if he's Just Some Guy?

if will was just a normal, powerless boy... then why did a self-proclaimed god try so hard to recruit him more than once? why did it hunt only him? why did this god want to kill everyone but him? why did this god deem him more worthy and useful in life and at his side than in death? why did it seek him out and not eleven, a girl who actually has powers, powers that were once stronger than his own even and that he clearly wanted as we saw in s3? why is the upside down stuck on the day will went missing, despite it clearly being inhabited by other creatures that we assume to be more powerful than him? why is will going to be central to season five, the season where it will all come to a close and we'll be learning about the upside down and more, if... he's Just Some Guy that had to brave it for a week and that's it? why did season four (and the show overall, but said outright and explicitly here in 4x09) reiterate that it has always been vecna and that will has always been his victim/in his sights/connected to him? why did vecna choose will byers, who some of you claim to be Just Some Boy, of literally all people on planet fucking earth to achieve his plans?

vecna stalked will. he hunted him. and when his plans were foiled, he tried again. when he couldn't do it his way, he sought to kill eleven so that he could absorb her powers (s3). and now, they're back in each other's heads. the silver cat fed when blue met yellow in the west, but they're back now and we've been told that this is only the beginning. if will is just another powerless human, then what is the point of any of that? how do you explain everything that we've seen? how do you explain the choices these characters have made and continue to make? how do you explain away the connection that they keep drawing our eyes to? the connection that shocked the duffers and made them ask jamie if he'd seen the scripts when he brought it up (that it all goes back to will, how everything and everyone is connected to will)? the connection that they themselves are saying we'll see clearly in season five?

that isn't even scratching the surface of all the obvious instances where they make it clear that will is vecna's narrative foil, because that would make this already gargantuan post thirty miles longer.

they wouldn't have done everything that they've done over the span of multiple seasons now if it was just for nothing.

it doesn't make sense if will is just some normal kid and a random fluke in the master plan. the writers could've had vecna pick anyone. they could have made it so that will's connection was severed or lessened, but they didn't. they could've admitted that will was just a meaningless casualty, but they didn't because he wasn't. it wasn't a random animal that took will, he wasn't possessed for shits and giggles, and he doesn't continue to have that psychic connection for no reason. they don't tell us that nothing is a coincidence and they don't have the characters themselves remind us that they need will just for it to be... nothing.

will knows what's coming, what's happening, and the condition of the person who will do it all. why have him experience all of that, and even be able to in the first place, if he's... powerless? how do you even explain the connection in the first place? no other character, not even the ones cursed by vecna, are able to do what he's done. how is that not considered a power? and how do you write off the hours of content that you've witnessed as nothing?

clearly, at some point you have to realize that something is going on, no? like, you don't even have to take my (one-too-many) word(s) for it. jamie and the duffers themselves have been saying it over and over again. so... honestly, what's not clicking?

#like i just genuinely don't get it lol #vecna is a big bad and you think he hunted this tiny nerdy little twelve year old for shits n giggles? #you think the writers are making will a main point in their final season and are saying that we're going to learn so much more about #why the upside down is stuck on the day he went missing just to be like 'oh yeah jk it's nothing LOL' #you think that vecna jus went 'lol sure why not' and picked a child with no connections no powers no nothing just because?!?! #like literally WHAT #VECNA LITERALLY HATES HUMANS HE DOESNT GIVE A SHIT ABOUT THEM SO WHY DID HE NOT WANT TO KILL WILL?!?!?! #why did he value will more than EVERYONE else!?!?!? IF HE'S JUST NORMAL?!?!?!?! #literally explain it to me genuinely bc i don't understand lol this is season five that we're headed into #i didn't think will had powers beyond his beast sense bc we weren't given any indication otherwise #but now that we know there was A Guy planning everything that it wasn't just random chance but A Person who is manipulative and cunning #and deceptive and ambitious and who is behind EVERYTHING THAT WE'VE SEEN SINCE THE VERY BEGINNING #and now that we know how the lights work and that that realm is stuck on the night will went missing and that gates are formed with psychic #connections and that will STILLLLLLLLL knows what he feels etc etc i just . I Just Don't Get It i don't get how you can think #there's nothing there? especially when the creators of the show are telling you he'll be a major focus? IN THEIR LAST SEASON?! #but no im sure its nothing. will did all those inexplicable things and the mastermind big bad chased him and wanted to spare him and use #him for shits and giggles or because the cuteness aggression was too much lol it means Nothing At All obviously #crazy together was in their auditions they Knew what they were going to do with will they're telling us that it MEANS something that the #upside down is STUCK on the day WILL went missing will spent all of season one trying desperately to go home he went to his house and his #castle to hide and joyce said that emotions can make time go really fast or really slow and one day vecna said Enough and stopped the cloc #k himself he created his own powers the duffers TOLD USSSS that it MEANS SOMETHING THAT THE UPSIDE IS STUCK ON THAT DAY #AND THAT WILL IS GOING TO BE A BIG FOCUS AND WE'LL BE GETTING ANSWERS AND THAT WILL AND VECNA HAVE HISTORY #WILL DID EVERYTHING RIGHT TO TRY AND ESCAPE BUT NOTHING WORKED AND THE FOUR VICTIMS IN S4 DID THE SAME THING #THAT WAS VECNA IN THE SHED WILL HAD A CONNECTION WITH HIM BEFORE HE WAS EVER POSSESSED WILL WAS STALKED THE SAME WAY THAT THE VICTIMS WERE #STALKED WILL IS ABLE TO DO THINGS THAT OTHER CHARACTERS CANNOT INCLUDING ELEVEN HE HAS EXPERIENCES THAT ARE ENTIRELY DISTINCT AND HE HAS #VERY SPECIFIC AND OBVIOUS PARALLELS TO VECNA BECAUSE HE IS THE LIGHT WIZARD TO HIS DARK WIZARD #WHAT IS NOT CLICKING !!!! am i missing something. do u think they would do all of that in EVERY SINGLE SEASON for it to mean nothing? #they're going to start and end the show with will but don't worry he's Just Some Guy? bro. duuuuude my GUY !!!! #mine

[navree]

the weird thing about the sarah hess interview (there are a lot of weird things about that interview but if i talked about all of them this would be the length of a phd dissertation) is that, like, if you want us to give some sympathy to aegon and acknowledge the complexities behind him not wanting to rule but wanting it and his relationship with alicent and his siblings and rhaenyra and all that without the audience getting hung up on him being a rapist, don’t write him being a rapist? you are a writer on the show sarah, you’re the one who decides and this was an easily solvable problem

#personal #house of the dragon #this is especially galling because i actually quite like the rest of what they're doing with aegon #like for one the actor is quite good he's one of the few parts of that horrid domina show that i actually like #for two everything that was goin on in sunday's episode was doing a lot #like his scene with aemond and then with alicent where he asks if she loves him and his coronation #and then with rhaenys and meleys when alicent steps up to protect him and all that it was solid work for the character #and his relationships with the people in his life #so you could have quite literally just nixed the rape thing and it wouldn't have even mattered? this isn't affecting the plot at all?? #i'd say she can't write him well but i don't think she can write any of these characters well #like she wants us to woobify aegon but after writing him doing vile shit #she isn't giving anything for helaena beyond 'is a dragondreamer and mayyyyybe autism coded' #(and whether or not that's offensive is for someone else as i'm not autistic and can't speak to that) #she flattens out all of rhaenyra's bad traits but makes her a stupid politician #she HATES daemon for whatever reason why is why so much of that bullshit surrounding ep 6 happened #she (and the rest of the writers) have put no effort into giving any depth to corlys or rhaenys or ANY of the velaryon kids #just weird writing choices that are basically the writers getting in their own way #because there's good characterizations here #as i've said everything else with aegon was interesting (and that scene with him encouraging jace with his dragon was v sweet) #and helaena being a dreamer is good and daemon and rhaenyra and alicent are also characters with amazing complexities #and this thing they're doing with daemon in particular and his whole 'wants to be loved' shtick is fun #but they can't get out of their own way and do weird fucking nonsense #and then complain when the audience doesn't get it #you are the person making the story you can bend this story to your will you know!!!!! you can write these characters!!!