I think applying tropes commonly found in Sonadow fics to other sonic ships is very funny
Like today I saw the cute posts by Blu-ish about how hedgehogs circle and headbutt eachother when courting and how Sonic and Shadow would do that and I agree.
However I think the implication that mobian hedgehogs do this is HILARIOUS when applied to ships that only involve one hedgehog.
Like Silver starts circling around Espio one day and lightly shoving him with his hip or his shoulder and Espio is like: ???? What are you doing??
Or even Blazamy like- Amy keeps circling Blaze and the less Blaze reciprocates Amy does it more to try to get Blaze to react. Blaze eventually just tries to politely tell Amy to stop cause it’s hard to hold conversation while she’s moving all around.
But later Blaze talks to Silver and is like: “I have no idea what she is trying to do…perhaps she is finding a weakness in my stance? Should I fear her hunting me for sport???”
And Silver is like: uh. Well. I think she’s hitting on you? It’s a hedgehog thing.
And Blaze just freaks out because WHAT DO YOU MEAN AMY WAS FLIRTING WITH HER
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Oh, wait, wait, ok, I can tell tumblr my news now.
I was accepted into the JET Program and will be moving to Japan for one year starting in late summer to teach English. : )
I don't know how many other applicants have ever had either of my specific application 'angles'. I think they were both pretty weird, but also very, very me, and I'm pleasantly surprised that they seemed to have worked, going off both by the acceptance and the very positive and warm reactions I got during the interview I had. These were:
Science/scicomm/museum background + implying mutual interest in and love of like insects and sea life could be an avenue of intercultural connection and exchange
India and Japan have always struck me as weirdly similar in ways nobody seems to discuss, especially in both being simultaneously hurtling into modernity and deeply traditional/conservative in many ways and places
So. Is this a silly idea considering most people in this program are fresh college grads, and people my age are expected to maybe be getting more settled rather than hopping continents? Is this a scary idea, considering I'll have to uproot all my shit and go exist in a foreign country whose language I really don't know beyond miniscule smatterings? I mean, hmm, yes on both counts, but I'm very excited. On count one, I'd only get older in the future and demonstrably *don't* already have a settled life and career here to disrupt (lol), and on count two...guys, I'm so so tired of letting fear and inertia make my life decisions.
Time to pack up and store most of my shit and end my lease and. Yeah. Also I haven't actually been to India in five years and will probably try to visit my relatives there in the coming months since idk if i'd had an opportunity for a prolonged visit in the future during the one year (at least) in jp. I'll also be probably selling, trading, or giving away a lot more of my hobby shit (that was sort of an ongoing project already but since I'll be unable to use most of it for a year plus it's another reason to do so), so uh, if you've ever wished I would sell any of my dolls now might be time to commit BJD Hobby Taboo and ask me lol. And, obviously, I'll be studying more Japanese, because mine is incredibly へたくそ at the moment. So much to do. But I'm really excited. And thank you to all of y'all that have been encouraging to me about anything related to this matter <3
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Finally finished my weird hanging painting thing (originally a secondhand partially-done 'paint by numbers' kit that I found at a thrift store and kept to repurpose lol)! Imagery somewhat based in my own worldbuilding projects, and text written in my constructed language for one of my fantasy species, but also vaguely inspired by old tapestries and illuminated manuscripts and etc. I've never been great at neat clean patterning or text, but it looks cool from afar, and I always enjoy making "props" or things that are somewhat like real objects that might could exist in my world. :0
(additional pictures/info under the readmore)
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Here's what it was originally! I probably didn't have to actually have a river running down the middle because it further makes the composition of the whole thing weird (various connected yet separate locations and things happening, instead of one unified event being portrayed), but I wasn't sure if I'd be able to fully cover up the already existing paint that was there.. and I can also kind of justify it by going with a more "all the imagery is just symbolic so it doesn't have to make exact sense" approach lol.. How is one half of the grass green and the other is suddenly snowy? shhhh.. it's not literal.. shhh...
Made a vague sketch, then painted over it, and then added more distinct lines in black pen. Center image first and border second.
The very last thing was the text, which actually took forever to translate because my conlang is still only like.. partially done, and some of the grammar is not worked out exactly how I would like it to be, so a few sentences I had to think about for a long time before just going "eh, this is probably not how I would do it if I considered it more, but I'll go with it for now" lol . I also am not entirely satisfied with all of the characters for the writing system, but again, it's good enough for a quick project, it doesn't have to be 100% accurate and perfect because it's a fake language that nobody knows anyway lol.
I thought about breaking down the text and translation here like I have for some of the tidbits of Avirrekava (the language) in things I've posted in the past, but I think it would take too long and is not interesting to anyone but me ghghj, so for the sake of getting the post out quickly, I shall not spend an hour typing All That lol.
The general jist of the writing though is that it's just about the Avirre'thel being cast out from the other elves, after abandoning their magic for immortality as a means to truly attain perfection (an important concept in elven culture), the usual, blah blah blah, but how it's Actually A Good Thing, because the gods are wrong and immortality is Cool actually and they like the shitty frozen lands they were sent to, so it's fine that everyone else is being a Hater about it lol
Lastly, here's a few photos outside in the sun to TRY and show the gold detailing actually shimmering or showing up! It really doesn't come through in photos, but there's plenty of little golden spots to highlight light or Importance.
Mostly the fire, the pink sparkle that represents magic, the red drop that represents blood, the light behind Inaashi's hands and head (common symbol for the elven religion/one of their main gods, shout out to anyone who read the ancient elven religion post and recognized that lol), the sun, and the symbol for the Avirre'thel/country of Navyete at the very top. I did a few other gold bits, but they're not highlighted because they're Significant, more just that it looked more symmetrical to have some gold on the border too lol.
Other things of note: The animals are not actually significant to Avirre'thel culture really, I just wanted to put a cat and a bird because I like them lol. (I also wanted to have a few funny looking creatures, as I was slightly trying to go with the 'in some old medieval painting the anatomy and perspective is very weird' vibe, though I think some of the other parts of it look too Normal to pull it off entirely). Same with the four leaf clover, which means nothing in their culture - but these are the only areas where stuff was just added self-indulgently .
Bligabata (giant cabbage that grows along rivers in Navyete) making an appearance! The architecture of the building IS based on actual concepts for ancient elven/older Avirre'thel architecture and metalwork. The Avirre'thel who's turning away from Inaashi/elves/magic and collecting blood, is doing so in a Special Bowl, as is part of their culture (collecting it in the hands, or just in a normal vessel would be disrespectful, they have Specific Bowls which is the only thing blood can be kept in, etc.).
The figure that represents Jhevona (and thus, a closer connection to magic, celestial imagery, etc.) is in weird ugly teal, which is not necessarily a color or design associated with them, as I don't have much common culture (like clothing) worked out for Northern Jhevona (who the avirre'thel would have come into contact with) yet, BUT everyone else is in more Typical colors (a northern elf in green, Inaashi in lavender + white + blue, an Avirre'thel in darker purples and reds).
Some things, like the four figures in the corners, and the two people + fish in the stream, do not currently have a meaning, but in-world they would.. Like, I could make up lore for how they're culturally significant and it would be true because I am god of the world, but I don't have anything currently. But just know.. they DO mean something, I just haven't decided it yet, maybe kind of fill in as I go, come up with a meaning later lol. Probably along the lines of an old myth from the ancient elven religion, a story, etc.
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I don't know, probably other stuff, but that's my Trying To Keep It Short rambling for now lol. I'm just glad I finally finished this! For how vaguely sloppy it is up close (everything being completely freehanded, only used rulers once when doing the initial sketch and lining where the border should be + my hands are shaky + the canvas is bumpy + my handwriting is scratchy and terrible + etc. etc.) it still took a REALLY long time, even when not trying to make it all perfect. Especially if including the text translation + writing, which took like 3+ hours itself.
Maybe all the asymmetry/lack of things being centered is NOT because I was too lazy to measure anything, but is actually because in-universe, it's a practice illustration made by some young apprentice who has to work on little canvases for years before he can be trusted will a full sized mural or tapestry. It's his first week on the job! of course he's uncoordinated! don't laugh at him!!! lol
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I've been watching a lot of University Challenge lately, and, as a Dracula Daily participant it's so weird to me to see 2 teams completely fail to identify the novel Dracula based on fairly basic descriptions of characters and plot (1 of them didn't get it even when the question included "gothic horror novel from the 1890s")
Like, these are students/alumni from British universities, surely one of them has read it at some point?
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the most romantic thing ever to be honest with you. i think statues and carvings in klingon culture run a really cool and compelling parallel and make a fantastic aid to the function/beauty of storytelling and poetry and song. there's a few examples of the importance of stone carving in the show/beta-canon, including of course worf's statue of kahless and morath, but there's also a famous historical statue of the lady lukara on qo'nos that was personally carved by kahless with a bat'leth, and the hall of heroes on qo'nos/hall of warriors on ty'gokor are full of statues that serve as a really proud reminder of their history
i think that sculpture work and carving being a big part of klingon culture really fits into the ideas that were introduced in the paq'batlh by marc okrand- according to him, in klingon music, beauty is the result of two forces opposing eachother, and the blurring of the line between the audience and the story is a natural part of klingon opera- the audience is encouraged to join in the narrative and become part of it.
i can see this being a natural result of the sculpting process- the sculptor and his material, the story he's trying to tell through the carving, the shaping and the molding- he shapes the material, and the material shapes the story, and in that way the line is blurred- the sculptor becomes part of the story he's trying to tell because he has to form it, and the opposition between the two of them- the material vs the sculptor represents this honorable challenge and this potential and this battle, because it needs to be shaped into the kind of narrative you want to tell the way you'd like it to be told. and the end result is organic in that same way, it evolves and changes as you work (or in the case of oral storytelling, as it's retold and shared), and just. i don't know if this is intentional across the whole show/franchise but i can really see the way this art form in particular might become a big part of klingon culture and history
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