not romantic not platonic but a secret third thing [what would happen between earth and the moon if the earth stopped spinning as illustrated by xkcd randall munroe]
changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
Twins Danny and Damian but! They both know where the other is (Damian going to Bruce and Danny being sent to the Fentons on a mission at a young age), has kept in touch and all that.
They just...never got around to telling anyone about the other.
That is until Danny comes interrupting Damian on patrol one night in a panic, pushes a bundle into his arms and hurriedly says "Read our texts! It'll explain! I gotta go, got a fruitloop on my tail! Be back when I can!"
And rushes off. When Damian looks down at the bundle in his arm, ignoring the yelling on comms and Nightwing rushing over, he is stunned to see a almost identical face to that of his brother staring back at him, only he can tell its female from the more delicate features.
When he later reads the texts his brother sent during his patrol... well he's tempted to go fruitloop hunting but he has a niece to take of... and inform his father of his granddaughter he's currently holding.
the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
it’s so funny to me that people used to try to warn me “if you go on t it won’t make you androgynous it’ll just make you look like a man” because 1) i do want to look like a man, that is famously a major part of being a trans man but also 2) t literally has made me androgynous?? like they were wrong on both counts. i got most of the looking-like-a-man changes that i wanted (deep voice, broader body, hair all over my body including my face) and i also give every single cis person in a five mile radius a stroke every time they try to figure out my gender. the assumption that trans men wouldn’t actually want to look like men and the assumption that cis people are good at correctly gendering us once we’re on t are both weird as hell.
someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
the amount of trans people i see who are scared to identify as straight is mind boggling. like people who will explicitly say that they are scared to identify as straight. i can only amount it to the growing preceived divide between being straight and being queer, where people arent learning that you CAN be both if youre trans. and ive experienced a lot of hostility just for being an opinionated straight trans guy on this app. like i dont care if you dont think this is a "real problem," i do. i think queer people should be free to feel comfortable in their identity, and if that identity is het-leaning, heterosapphic, het-dyke, hetgay, queerhet, transhet, or literally just straight and heterosexual, they should be free to
anyway literally everyone is going through something all the time!!! everyone is wounded!!! everyone is human & no one makes it out of this life unscathed!! maybe try approaching people in good faith instead of always defaulting to the worst possible interpretations of each other
it’s always “let aang swear” or “let zuko swear” but y’all are missing out on the comedic potential of katara being the one who has the dirtiest mouth. she swears like a sailor but is just better at hiding it than everyone else because she doesn't want to influence aang or toph, and tries to keep up pretenses of being proper.
after all the time they spent fighting each other as enemies and sparring as friends, zuko’s the only one that knows this about her but no one believes him.
(for those who question where katara could possibly learn to curse, i ask - have you ever assisted women through childbirth in a world where epidurals don't exist? katara has. like c'mon. she knows all the swear words).
still in a bit of an art slump take a shitpost for all the people who wanted more buttonblossom with the teeth thing (you'll get something more serious soon i swear...)
Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!