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#her ending just like....
poorly-drawn-mdzs · 1 month
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The math just adds up!
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theoldkyokodied · 7 months
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The Allegiance of the Ascended Vampire and the New God of Magic
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FNAF Cassidy knows how to “help” Michael Afton
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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puppyeared · 7 months
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learned something about myself lately
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haunted-xander · 4 days
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Well, I guess you didn't have much of a choice either
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I love that everyone in TMA is just. Unremarkable. Jon isnt a heroic character; he's self-loathing and depressed and he exhibits the same self-pity as I do when I'm self-loathing and depressed. He doesn't stand out for his strength of will or quick-thinking or virtue. He's a good person but he stops trying to stay human when it gets uncomfortable. He's everything that a regular person is when theyre trapped in a horrible situation and it's ugly and insufferable and Real.
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they-them-pussy · 9 months
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new metric for media literacy for film bros is if they understand the barbie movie.
the kens are first presented as accessories to their barbies and it's pointed out loud that they don't even have places to stay in barbieland. one of the barbies straight up asks "wait, where do the kens stay?". they're just arm candy made to look pretty and cool while the barbies run their world.
but that's fucked up!!! the film presents it as fucked up! that's why ken screams "YOU FAILED ME!" and why he is insecure in the first place because he wanted to be respected and seen as a person, not someone who only exists in relation to someone else. should he have done what he did? no!!! that's why it's part of the conflict! the root of both of their breakdowns was in their society in that the barbies are supposed to be perfect and the kens exist in relation to them! it's barbie and ken. he was a footnote. that's why barbie apologizes to him in the end and tells him he can be himself. she doesn't have to exist by some set of rules and neither does he! it's barbie and it's ken! sure, the resolution to the whole barbieland issue wasn't perfect, BUT KEN'S WHOLE ARC IS ABOUT HOW THEIR WORLD FAILED MEN. WHAT DO YOU MEAN THIS MOVIE WAS 'WOMEN GOOD MAN BAD'. WHAT ABOUT THE NUANCE
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clouvu · 1 month
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Save me french yuri... Save me
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poorly-drawn-mdzs · 4 months
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Bonus 8: How met your mother (CSSR design by @qourmet!)
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#poorly drawn mdzs#mdzs#cangse sanren#wei changze#jiang fengmian#It was important to me that WCZ had the hereditary mole. I will die on this hill.#I have been *waiting* for the day to finally arrive when I could finally make this comic. It's been marinating for months.#My mission is to redraw all of qour's character designs one day. They are just *that* good.#CSSR has the vibes of a wandering menace who shows up in towns like a stray cat arriving at a new doorstep for treats. 10/10.#While YZY strongly leads us to believe that JFM was in love with CSSR and that's his whole motivation behind taking wwx in-#-I do think this is (once again) rumour being presented as reality. It's the juicer story to tell after all.#It is still possible that he did love her! But I think that story undercuts the relationship he also had with WCZ.#Yall ever think about how JC and WWX parallel their fathers? How Wei Changze also left the Jiang Leader's side? I do.#Unlike JC though It is far more hilarious and plausible to imagine JFM begging to be CSSR and WCZ's third. You know he would.#My wild headcanon is that JFM and YZY are in a mlm and wlw arranged marriage situation. Deeply unhappy as partners. Better as friends.#they care for each other and I'll admit that there is a beautiful tragedy in them having romantic feelings for each other the whole time.#But I am also here for the gaffs. Let them be unfulfilled homosexuals together.#Meanwhile cssr and wcz are having incredible hetrosexual sex in a bisexual way that WILL leave him pregnant by the end of it.
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cracklewink · 2 months
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Harmony Syndrome Part 5/5
The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )
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wherewolf · 11 months
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the responses i’ve seen to shiv’s ending seem very quick to write her off as just another sad victim of the cycle, which isn’t without truth BUT!!! that is not even remotely the summation of shiv’s story.
i don’t think she votes yes to “save kendall” or to try to finally set her brothers free. and i don’t think her main concern was that ken was becoming their dad. she absolutely noticed and didn’t love it, but that was not her motivation in betraying him. she was thinking about herself.
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it’s tempting to make a martyr out of her as she is the only female child and we see her suffer the onslaught of misogyny that comes with that. but to make her into a saintlike figure who got beat takes away the power and intelligence behind her decision.
at this point she’s stuck between two non ideal choices, but she recognizes that they have accidentally made her the single most important player in the game. because while she can’t have the outcome she’d prefer, she has the power to decide the fates of everyone else. the written off lone woman now holds in her hands the fate of every man in her life.
so she thinks about the long term benefits of both options and realizes that one side leaves her completely without any leverage.
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her brothers have proven to her multiple times in the last few days alone that they will cut her out and walk all over her the first chance they get. siding with them leaves her nothing to bargain with. she would just have to hope that ken would actually take care of her. and that level of vulnerability is not only unacceptable to her, it’s stupid. and shiv fuckin roy is not stupid.
so she thinks about the other side and about what she actually wants for her life. and against her better judgment, it’s becomes unfortunately clear that she wants tom. the way she wants him is not altogether loving or even good but it is necessary to her. she sees relationships as having winners and losers and she chose this man specifically so that she could be confident in her ability to win. except now he’s grown some balls and made himself unavailable to her.
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she may not like the way her husband is evolving but she already placed her bets on him, so she’s sure as hell not losing to him now. there’s also a part of her that feels intrigued by this new man she’s married to. it’s interesting to have a sparring partner in him instead of having to looking for excitement outside of their marriage.
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so for maybe the first time ever, she processes what tom has said to her and thinks about what he actually wants.
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he needs her to prove that she cares. he needs to know that she is capable of sacrifice. if she can’t find it within herself to do this for him, then she will lose him, and by extension, she will lose.
siding with tom gives her the opportunity to once and for all make a grand-stand gesture of love, but more importantly, it creates leverage for her. never again will he be able to hold the moral high ground over her head. never again can he say she doesn’t love him. never again can he call her selfish or uncaring. above all, he can never betray her again, because she just removed all of his moral justification for turning on her. he doesn’t realize it yet, but she’s just taken back all the power in their relationship. just in a more subtle way than she’s used to operating.
and just like that, she has the ceo of a multi billion dollar company in her pocket, while situating herself as the only descendant of logan roy to still be playing the game, having removed her brothers from the equation permanently. she may still be far from the top but she’s creating a path for herself to climb.
so yes, she’ll let tom play king for a day, and she’ll have his baby and say “congratulations,” and play the gracious wife, but tomorrow is a new day with lots of room to maneuver. and when her husband puts out his hand, she’ll place her own on top. but she won’t grasp it because she doesn’t need to.
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radiance1 · 3 months
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When Danny was told Vlad was coming over, he didn't care, much. After all, being told that he's lost all romantic interest in his mother, is trying to keep thoughts of murdering his father to just thoughts, and genuinely trying to be better than he was before.
Danny decided to give him at least a portion of leeway. You know, to see if he's holding up to his word.
But this, this is not it.
He dragged Vlad out of the room, shooting out an excuse that he just needed Vlad's help with something and just wanted to talk for a bit. Then brought him down to his level-via pulling on his collar- with a scowl.
"You trade my mother for that thing!?"
The thing in question, was some British guy by the name of John Constantine. Who smelled like smoke, alcohol and genuinely seemed to be questioning how exactly he ended up in this situation.
Vlad, to Danny's displeasure and increasing horror.
Is smitten.
Why did it seem that when Vlad turned good his intelligence just seemed to take a nosedive. Enough so that he settled for that and he is happy he isn't going after his mom but, like.
C'mon dude.
You can do better.
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deanpinterester · 10 months
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it's fun how "villain gets tricked into confessing on video and now everyone hates them" is usually the resolution to a kids movie (monsters inc and coco do this for example) but i think the director from nimona is the only villain (that i've seen at least) who's wily enough to get out of being twitter cancelled
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tatck · 4 months
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wha what if every chaos emerald had a guardian 👉👈 and what if the chaos emeralds didn't look like the chaos emeralds at all and what if they all had special powers and what if-
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vaguely-concerned · 2 months
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sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go
#the locked tomb#harrowhark nonagesimus#john gaius#harrow the ninth#this is why I don't buy john as misunderstood and initially well-meaning AT ALL#this is a pattern you see with him again and again and again -- right down to his interpersonal relationships#(and indeed it's in the more grounded interpersonal relationships you can most clearly see him as he is I think#the fantasy death empire of a thousand years doesn't register quite as viscerally because it's like. heightened; not quite real#but the emotional violence and manipulation that surrounds him? oh boy that is EXTREMELY real and scarily well-observed)#there's a premeditation to so much of what he does (contracts with planets that only end 'in the event of the emperor's death' anyone?#yeah john we get it you're hilarious and I wish you weren't)#the greatest trick john ever pulled was making anyone think he's just a lil guy. what does he know he's only god#when you first read the book the complete callousness of the other adults is so horrible that john seems like an oasis of care#(though you start to get this uneasy feeling when that care never seems to translate to like... relief or soothing or resolution)#and it makes it feel almost obscene when you find out what's actually going on#it's the mercy & augustine enabler hour but at least they're completely honest in their cruelty there#while john is -- well he sure is being john huh#this is just me being angry with him btw philosophically I don't think this is how the story will or should end#(with john slam dunked right into hell that is)#it's just... harrow is so vulnerable. and what he does to her is so insidious and fucked up#john is very deeply human. unfortunately the capacity to quite simply suck so much is deeply human too
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