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#i apologize for the long answer
victor-v · 4 months
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Yeah obviously people under 18 shouldn't read aftg I mean 17 might be fine but idk. I read it back in like 2019 because I heard its similar to six of crows (when I was a minor) and no one gave me any warnings about the book, I think that's a big problem here.
listen it's totally understandable that a teen picks up the book because the characters and overall themes are very catchy. i've seen many fans doing lists of trigger warnings (which are literally everything) but the book doesn't warn about that, and i don't remember picking up any book that does. i think that the age of the characters is borderline young adult with new adult, but the themes and the way they are explicitly narrated definitely is for adults which makes it kinda confusing? still. the eternal conversation about how to rate books you know. i personally recommend the book to a really reduced group of people, and definitely not to people younger than 18. and this will come as an asshole, which i am, but i know a lot of teens are attracted to violence (me) so i don't think this kinda narrative helps with everything going on in their developing brain.
now buddy, who lied to you.... like who compares it to six of crows, other than the found family trope it has nothing to do with it.
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vaxxman · 29 days
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Do you like red oktoberfest (like romantically)?
Aha! Interesting and very valid thing to ask! Thanks for your question!
I shall not answer straightforwardly!
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Doodle (1) and rambles you didn't ask for below the cut. The answer is in the last paragraph.
Clown language.
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I admit I personally prefer showing characters interact with each other and allowing their interaction to be interpreted as either romantic, platonic, or even nothing at all.
I think this approach makes relationships less framed by "signpost cues" of friendship/attraction/love (not that I do not enjoy seeing these either). I think it leaves more room for interesting human interactions, independent of what expectations the reader has for the two characters. Some people seem to search for actions like kissing, hugging, confessions, in order to confirm whether something was supposed to be romantic or not. But then, the absence of such cues make them arrive at conclusions that ignore other forms of relationship-building interactions all together :(
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(Fig.1: The unparalleled amount of different flavours of intimate feelings that are evoked from "getting shot and dying on your shoulder" - disease)
So for me, it's Schroedinger's character relationships, with a generous amount of "the true value of this relationship is the collection of interactions we have made along the way" and it doesn't need a name. So with that out of the way:
I am not averted to the idea of Medic and Heavy finally getting their hot steamy Tf2 Sex Update thanks for readin-
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poorly-drawn-mdzs · 1 month
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This was home.
[First] Prev <–-> Next
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drawnfamiliarfaces · 8 months
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Heroes of Millennium (HoM) AU
Act 1: What was left behind. - Part 1 (page 1-5) -here- -> Part 2
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chiricat · 9 months
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let's dance, nanako! 🎶
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soracities · 1 year
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hey!! i hope this doesnt come across weirdly but can you think of any poems that are "blue"? not necessarily that are about the color, but rather that evoke that feeling
This was such an intriguing question. Blue poems (to me), either in tone or feeling:
"The Wild Swans at Coole" by W.B. Yeats
"Aedh Wishes for the Cloths of Heaven" by W.B. Yeats
"Rain Song" by Badr Shakir al-Sayyab
"A Little Tooth" by Thomas Lux
"Night. The city grew calm..." by Alexander Blok
"Fire Graffiti" by Tomas Tranströmer
"Vermeer" by Tomas Tranströmer
"When She Told me..." by Jean Valentine
"black magic" by Sonia Sanchez
"Shapechangers in Winter" by Margaret Atwood
"I Sleep a Lot" by Czesław Miłosz
"Between Ageing and Old" by Jack Gilbert
"Imaginary Morning Glory" by C.D. Wright
"And Then I Tried" by Rene Ricard
"Rain" by Michael Bazzett
"Rush Hour" by Gerry Murphy
"The Hole" by Richard G. Stern
"in the rain" by e.e. cummings
"it may not always be so and i say" by e.e. cummings
"[And when I embraced you]" by Kiwao Nomura
"I Dreamed Again" by Anne Michaels
"Somewhere Night is Falling" by Anne Michaels
"Flame" by Adam Zagajewski
"Postscript" by Seamus Heaney
"Down by the Station Early in the Morning" by John Ashbery
"Love Poem" by Denise Levertov
"The Years from You to Me" by Paul Celan
"In Spite of Everything, the Stars" by Edward Hirsch
"Earthly Constellation" by Vasko Popa
"Waiting Room" by Ingeborg Bachmann
"Woman" by Saadi Youssef
"Night in Hamdan" by Saadi Youssef (no online source, but the collection is Without an Alphabet, Without a Face)
"I'm Speaking" by Rafael Guillén
"Head, Heart" by Lydia Davis
"Dwelling" by Li-Young Lee
"Aubade" by Louise Gluck
"French Novel" by Richie Hofman
"Counting the Beats" by Robert Graves
"Cascando" by Samuel Beckett
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demaparbat-hp · 4 months
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the audacity you literally have to make a GENOCIDE SURVIVOR (whose entire culture was decimated by the fire nation) proudly work for the imperial fire nation army in some fuckass au? zutara shippers are never beating the colonial apologism allegations.
Woah, okay, I wasn't expecting this. I'm a firm believer that people should, first and foremost, treat each other on the basis of respect, so I'll do my best to explain this to you, clearly, and with the benefit of the doubt in mind, okay? I'm a nice person like that.
First of all, I'm working under the assumption that you haven't read these posts, and thus don't have all the information I've shared about the AU. I've been as clear about this subject as I can be, especially in my replies but, for the sake of fairness, I'll say it once again again:
I do not condone nor find it moraly correct to justify a victim of war joining the side of the ones responsible for her people's genocide.
I try to view this AU, and war in general, through a mature, realistic lense. Turning Katara into a victim with glorified Stockholm Syndrome isn't really my style. It's honestly insulting and deeply disturbing for me, as a creator, a woman of color born in a country that has a very, very long history of colonialism, and an empathetic human being, that anyone would believe me capable of thinking like that.
That being said, I know I really shouldn't, but would you like me to give you a step by step response?
(...) proudly work for the imperial fire nation army (...)
Okay, like I said before, I'm going to assume you saw only the artwork, didn't read either the tags or the two separate, in depth posts about the characterization and plot in this AU I made literally twenty four hours ago, and drew your own conclusions instead.
First of all: Katara doesn't proudly work for the Fire Nation army. That's her cover, as it is Zuko's. She joined Zuko and his crew, all traitors to the throne and good, honourable people, under the pretense of hunting the Avatar. Truly, they're destroying the Fire Nation military from within. And are, most definitely, not proud soldiers of the Fire Lord.
Katara hates the Fire Nation. But if joining a Fire Nation crew is what she needs to do to end the war, she will do it.
And, honestly, these are not excuses. But context is important, and it's not healthy to draw conclusions from the title instead of actually reading the book, if you know what I mean. It could get you in trouble some day.
And, please, I'm begging you—this has been talked about a lot, and I don't really like drama all that much, so I won't even rise to the accusations of condoning a non consented, colonialist and abuse apologist relationship.
That's just rude.
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jounosparticles · 6 months
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reply to the tags of your reply to my previous ask: PLEASE RANT TO ME ABOUT THEIR RELATIONSHIP!!!! i want to hear. they rot my brain too and im glad that i found someone who's also suffering the suegiku takeover
OKAYOKAY YAY!!!!! this will be fun >:)
a huge suegiku analysis:
okay in the last ask you mentioned how tetchou stabs jouno for fun and sillies and stuff which happened to make me think a lot about how tetchou acts decently different around jouno than others.
tetchou is typically rather formal in the way he acts in a way? as in he's very straightforward, generally composed and calm in his words, and polite to anyone he's dealing with.
an example of this is when he still treated the cafe owner kindly despite him being an "accessory to terrorism" in jouno's words.
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basically, in most situations, he remains very composed. even when he's up to his sillier antics (like when he was watching ants or doing pushups during a meeting). he's direct and straight-faced almost always around most people. he doesn't act that way to be seen as silly, it's just who he is (and i love it).
i would imagine he could act this way for many reasons. it is most likely him being professional, likely as a reference to the irl tetchou who had samurai lineage; making him act with the tone and professionalism of samurai.
despite his professionalism, maybe he has difficulty being expressive around most people, or maybe he doesn't want to be expressive around people by choice.
but this is where he's different around jouno.
firstly, i'll talk about the times he's stabbed jouno. this has happened twice, and both were to de-escalate jouno from his tendancy to mentally torment people.
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the wording in these panels implies this is a regular occurrence. which is a little funny to me hehe.
anyway, we see by the way that he acts around others that usually he de-escalates situations by talking first instead of acting. he will turn to violence if he believes it's needed, but typically he talks first. we see this when he confronts kenji verbally before attacking.
yet with jouno he doesn't bother to tell him to stop first, instead opting to jab him. remembering that the hunting dogs have enhanced physical strength, a small stab wound probably isn't a huge deal for them.
because of this i think the stabbings are tetchou partially teasing jouno. him messing around like that isn't something he does with anybody else but he seems to enjoy pissing off his partner.
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also. stabbing him directly in the ass? gay as hell. jouno following up by saying "don't poke my ass every single time" implies that his ass specially gets jabbed a lot. hmmmm
anyways
another example of this is when tetchou smirks/chuckles at jouno insisting that he's the greatest hunting dog. the small laugh was most definitely to bother jouno.
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mmmm theyre both so pretty.
once again, tetchou pushes aside his composed self and being intentionally silly only really happens towards jouno.
arguably, this can be shown again in the pushups scene.
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tetchou acting unbothered and then calling jouno's weight "just right" while he continues to exercise seems like a combination of him trying to (jokingly) annoy jouno as well as his tendency to not acknowledge his own actions as bothersome or odd to others.
anyway to sum up this segment: tetchou is only seen intentionally bothering and teasing jouno and nobody else. he acts much differently towards others but seems to let his professional guard down around only his partner. this shows a great layer of trust and comfort between the two!
oh. but im not done talking about this. not at all.
the other huge display of emotions for tetchou was everything that went down with kenji.
as displayed throughout most of tetchou's appearances, he's incredibly justice-orientated. he has a tendancy to put justice above everything. here's a couple panels showing this:
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ooog tetchou is so pretty. i love that left panel so much
using his own logic here, he should have went after bram after having found him. tetchou even admitted that, but there was one other thing more important to him than that. jouno.
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starting here, this panel takes place after bram and aya escape. at this point, tetchou had assumed the agency was using bram to control people; meaning it wasn't just kenji he technically had business with at that time.
i will also preface this by saying the book's influence likely had an impact on tetchou attacking kenji before they could finish talking.
however, the book's writing didn't stop tetchou from insisting on finding jouno before taking down the agency. his worry towards jouno's whereabouts made him change his stance on justice as well as deterred him from prioritizing taking down the agency.
now that he's talking to kenji, i'd like to start it by showing that he seemed genuinely grateful and happy when kenji initially offered to help him find jouno.
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as well in the anime, his eyes soften when kenji offers to help.
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after talking to kenji for a brief moment, he opts to attack instead of continuing. this seems out of character for tetchou; he even apologized to kenji before saying he needs to find jouno as quickly as possible.
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the fact that he apologized, combined with how we've seen him treat people in the past shows that this isn't typically what he resorts to.
also, in the anime we can see the gloss his eyes slightly shaking as he says this line, which could display worry, sadness, or anger towards whatever could be happening to his partner.
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he seems almost distraught, which is a huge contrast to his typically-composed self.
and, of course; there's the fact that mid-fight tetchou had to tell kenji that jouno is a good person despite what people think.
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he looks genuinely sad here, as if he's speaking from his heart. jouno has very-clearly put up a tough exterior that he uses around everyone, but tetchou goes out of his way to defend him even when he absolutely doesn't need to.
he could have stayed silent or just said he wants his coworker back, but he insisted on stating that jouno is a good person.
it's also important to note that nobody else tends to speak kindly of jouno, which puts a lot more depth on their closeness to each other. tetchou sees through jouno's words and actions and knows that he is heavily misunderstood.
and of course, we have tetchou directly saying that he will place jouno above justice despite knowing what the right course of action should have been.
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he is putting jouno above the very thing he basis his career as well as his morality on. that's how worried he is. that's how much he cares.
and in this panel, we see he's extremely angry towards kenji's lack of response.
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lets compare this to the first time tetchou fought the agency.
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in chapter 61, when he was fighting the agency alongside jouno; he kept a more menacing/intimidating look as he attacked. when he was not attacking, he kept calm-looking despite being pissed off. compared to when he was fighting kenji in chapter 100 and looked infuriated. even the different fonts used for the dialogue puts further emphasis on this.
now, i'm going to jump ahead to the end of tetchou and kenji's fight. tetchou recognizes his mistake and asks kenji to kill him.
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it's important to note that his reasoning as to why he should have chased justice was because he doesn't think jouno would have condoned his choice.
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he specified it again, even opting to call jouno his friend. also note how white his eyes are here, meaning his intent was pure and he genuinely felt awful for misjudging what jouno would have wanted. he cares so much that he was asking to be killed for misunderstanding what was the correct course of action.
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and then after kenji insists on helping him find jouno instead, he smiles in relief before the two pass out.
one last small note is that we've only ever seen tetchou smile three times throughout the manga so far, and all of them were mentioned here and involved jouno.
to sum it all up: tetchou, who is typically very composed and justice-orientated, is willing to throw aside his entire stance on justice for jouno. he lets his professional guard down around his friend, allowing them to tease each other and be silly as well, which he doesn't appear to do around others often. this shows that the two have a close bond and genuinely care so much about each other.
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as for jouno, i don't have as much to say however there definitely is a few things i'd like to touch on.
firstly, despite claiming to hate tetchou a lot, jouno still uses a respectful honourific (-san) whenever he refers to him. i'm not a japanese speaker so please feel free to correct me if i'm wrong but there's a good chance jouno would opt to not use an honorific at all if he genuinely detested tetchou as much as he claims.
and when it comes to teasing, jouno does it much more often than tetchou does (however he also messes with more people, it's just a personality difference between the two).
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clearly with the way they act around each other, jouno does not actually hate tetchou. i think they like to bother each other by play-bullying.
also, noting on jouno's criminal past, he was given an easy oppurtunity to be thrown into the DoA where he could be incredibly powerful and would likely not face any consequences for his actions had he joined.
we know he declined fukuchi's offer because he found joy in saving innocent people. but i would the influence of the other hunting dogs helped set him into that place of mind. tetchou seems to be the one he works with most, so there's a good chance he takes a lot of inspiration from how tetchou handles justice.
another thing i noticed with jouno is that his displaying of emotions is almost an inverse of how tetchou acts. jouno keeps smiling a lot despite who he's speaking to. in contrast, he can keep a straight face when interacting with tetchou a lot.
of course, that could make it seem as if jouno is unhappy around tetchou, but i would argue it's the opposite.
some people will force a happy expression to appear unassuming or kind (or in a lot of jouno's cases, intimidating). so him allowing himself to maintain a straight face around tetchou could mean that he is comfortable enough around him to not feel the need to express everything. he doesn't need to keep his guard up around tetchou.
jouno almost always keeps a very happy or calm composure around enemies, likely as an intimidation factor. yet he allows himself to express frustration and annoyance around the hunting dogs in general, and most often with tetchou. i'd like to imagine this just shows his security in his partner.
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jouno talking to an enemy, for reference ^ i also just really love this page hehe
the last thing i'll mention here is a lot of speculation on my behalf. however i think that jouno seems like the type to push away those close to him. i kind of perceived his supposed hatred towards tetchou to be a combination of joking around as well as possibly a defense mechanism to try and avoid keeping people close?
my main reason in stating that is that he's claimed to not like any of his coworkers yet still opts to not betray them and still works well with them. if he truly hated tetchou, he probably wouldn't allow them to work together. he likely says such things to avoid being liked too much, and these actions proved to work since tetchou acknowledged that everyone sees jouno as cold.
yet through all that tetchou still knew he was good despite the exterior, which makes them well-suited for each other.
anyways: i feel like these two really do treat each other much differently than they treat the other people around them. that puts a lot of emphasis on their bond and closeness in general. they can be silly around each other, they can get through arguments no problem, they make a great team, and clearly care about each other a ton! they mean so much to me <3
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i love my sillies :)
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goodmorgan · 5 months
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What’s your favorite Arthur smut(s) 👉👈 besides your own of course
Thank you for asking! 💖
Here are some of my recs:
Fics on Tumblr:
Out of Touch by @redemptionbaby
Neighborly Affection series by @verai-marcel
Seven Deadly Sins series by @twola
Loss of virginity by @amorgansgal
Fics on AO3:
The Debt by louderthanbombs
Desire of the Wolf by Talkin_to_a_Lady
The Scenic Route by crispywriter
Please be mindful of each fic's tags and enjoy! :)
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grumpy-beast · 7 months
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EXE Art dump
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scintillyyy · 6 months
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I love your Stephanie Brown post. It verbalized this feeling I've had about her character for awhile but didn't quite know how to phrase.
Just wanted to thank you for that!
ah thank you <3
yea to me, the super frustrating thing is that dixon's sexism gives her flaws that i find super narratively compelling and interesting and 3-dimensional and overall strong in a way that other writers somewhat miss the mark for me (i actually have a lot of criticisms about bg2009 and how bqm wrote her--overall i find it a very surface level girl power story veneered over pretty standard 2009 era sexism wrt the dynamics between women that has not aged super well and doesn't do much for actually giving steph interesting depth as a character & i find it's weakened by the fact that it is a doylist apology for the absolutely horrific way editorial treated steph prior to her death (which. she does deserve an apology and to be treated better), but also by doing that it makes almost every other character such as babs seem unreasonable and bad for their very understandable watsonian response to being wary of steph for many valid reasons and also makes it hard to actually give steph any flaws that aren't just quirky or clumsy--she's not perfect because she's adorkable). dixon steph has so many problems, being written by dixon, but she's truly my favorite flavor of steph because despite how horrid dixon is, you can absolutely tell how much he truly cared about her as a character. like. i bet if you asked him, he would have nothing but positive things to say about her personality and other characteristics. in fact, i believe a lot of the letters to the editor that talked about her back in the early robin issues had a lot of super positive things to say about her! like he created her! she's his blorbo! he wants to put her through the struggles!
like so many of her struggles when he's writing her is so much due to his sexism (she's never quite as competent as tim, and shouldn't be because she's The Girlfriend--compare to characters like babs and dinah and helena that were women but also written as extremely competent and good at what they do) and also because he wanted to put her through the wars, give her adversity to overcome! like steph is treated horribly a lot. by everyone. but it's partially because he wants her to perservere through it because he likes her and wants her to succeed. like a couple of very common threads through dixon's storytelling for her are the following:
tim is condescending (because that's how boys and girls are. see also: every 90s tv show that had a beleaguered sensible man with a nagging, over the top, ridiculous woman who does silly things that the man Puts Up With) -> steph gets mad -> tim thinks to himself that he shouldn't be so hard on her and usually apologizes -> well, actually tim was probably right because steph did get into trouble but steph making constant mistakes isn't actually narratively seen as "hey, maybe she should stop if she's making mistakes" because dixon wants her to continue.
or
more experienced vigilante (male or female--tim gets a lot of flack, but honestly, almost every single vigilante in batbooks at the time seemed to think steph wasn't quite good enough--batman, dick had his reservations about her, barbara didn't really necessarily want to train her, *cass* straight up told her she shouldn't be doing this, dinah didn't want to be her mentor, etc) tells steph not to screw up -> steph screws up -> steph has to get bailed out by more experienced vigilante -> steph keeps trying despite this
like so many of her diary entries that steph writes involve some flavor of "i've been told not to do this, but i have to, it's something i need to do despite all the naysayers". and it's sexist! because chuck wouldn't necessarily write the 'screw up and overconfident which usually leads to needing to be bailed out but keeps trying anyways' kind of a narrative for a male lead character (male characters get the 'i'm super competent but insecure/humble about it and when i make mistakes i'm able to figure out how to fix them by myself' narrative). but at the same time, it's what he truly believed for her--that she deserved to keep going despite any naysayers. if he truly believed that steph shouldn't be a vigilante or thought poorly of her, she would have been written out and/or he would have written her as making a mistake so bad she wouldn't have continued her activities as spoiler and finally agreed with everyone that she's not cut out for this. but he didn't. dixon writes her as not as competent as her peers because he has a worldview where girls are lesser and not capable of being as good as the boys. but he writes her with dogged determination to keep trying despite this because dixon truly thinks she deserves to keep going despite any mistakes he writes her making and that her perseverance should be rewarded.
like consider the arc where steph finds out tim's identity. dixon makes steph seem unreasonable for daring to change her mind and realize that yea, she does want to know the boy under the mask she's dating after all (because dixon thinks that girls are fickle and change their minds and boys shouldn't have to put up with that kind of nonsense behavior, not because this is a super valid thing to want) -> he has her go beat up an innocent boy named tito and stalk him in the hospital (because dixon is a sexist who things girls are just like this) -> tim does rightfully get mad about this and leaves in a huff -> batman tells steph tim's identity and she gets what she wanted?? -> tim is mad at her and batman until JLL when this is all swept under the rug and they go back to happily dating again + at this point everyone is open to training her/finally giving her a chance (until murderer/fugitive when she gets locked out again--which also leads into the era where dixon is no longer writing her--and after this is when we really get a lot of the really iconic unfair treatment towards her because at this point didio wanted her gone). and it creates this absolute interesting dissonance where you can see the overt sexism in dixon's writing and it's infuriating. and at the same time dixon also rewards her for the sexist way he writes her and she does generally get what she wants because dixon wants to give her the reward for her perseverance.
hell, consider the pregnancy storyline which is beyond overtly sexist and conservative but is probably the part where steph is most treated the best/in the right. tim and her mom are shown as in the wrong compared to her "correct" decision to keep the baby and they have to come around to support her. not just that, but for her to be given a teen pregnancy storyline in the 90s and not be shown as a Bad Girl for getting pregnant as a teen? dixon hates women and yet to him steph is a good girl who makes a mistake (something something he'll judge others, but when it comes to his daughter that's a different case. exceptions apply.) and she gets an ultimately supportive good boy boyfriend who helps her go to birthing class despite the fact that i'm sure dixon looks down on unwed teen mothers a lot.
it's just. i want to study it under a microscope. there's so much to unpack there.
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mizgnomer · 4 days
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Hello :) What's your favourite David Tennant character?
Oooh, that's a hard one. I absolutely adore so many of his performances, but his Doctors (Ten, Tentoo, Fourteen - I'll take them all) are always going to be sentimental favorites for me. I've been a Doctor Who fan since I was a youngster during the Tom Baker era. When I started watching new Who in 2005 I figured no new-fangled Doctor would ever take the place of the fondly-remembered favorites from my childhood, but David absolutely shot to the top of my best Doctors list, then went on to become my favorite actor as well. My kids also became Doctor Who fans during David's time, so watching the show together became a fun family event! As much as I adore Crowley and Alec Hardy and David's Hamlet and Benedick and Richard II (and love to hate his Kilgrave), it's hard to top his Doctor(s) in my heart.
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...but there are so many other characters I also love. So, so many. Objectively it's too hard for me to choose, so I'll stick with the sentimental Doctor answer. 😊
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subsystems · 11 days
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hope sending ask is ok rn, i have hard time looking resource. looking for book how to co-exist with independent dissociative parts (have system but not feel safe in saying DID yet). cannot do therapist addressing parts yet but want to cope in daily life. hope can help. or others comment/reblog and give. thank you 🍀
This ask was sent a while ago, I hope you're doing okay now anon. You say you can't talk to a therapist yet but I hope you have someone else in your life who is supportive and you can talk to about these things! You shouldn't have to face this alone.
Even though you don't have therapeutic support, it's still possible to build up communication and cooperation with your parts. I reblog a lot of tips and resources to my coping tag if you want to check that out. Here are some other resources that you might find helpful:
DID/OSDD Self-help Masterlist There are so many resources here, categorized by different topics. You'll find stuff here for both survivors and loved ones, and you don't need to have DID/OSDD to use them!
Beauty After Bruises Blog You'll find so many articles here on coping with daily life as a dissociative survivor. I love how they're written, they feel very approachable and almost calming to read.
Dissociative Living Admittedly, I haven't read many of these articles but the few I've seen have been good. I think their writing is very approachable for people who are new to all of this.
DIS-SOS Lots of advice and informative articles on living with DID here -- in both English and German! I've found some really interesting and unique coping tips here, I definitely recommend it. It's actually because of this blog that I discovered one of my favorite methods of system communication.
CTAD Clinic Youtube Channel A channel run by the director of this clinic which specializes in dissociation and trauma. I've watched probably all of his videos -- they're very good! Lots of the videos provide tools and self-help tips on coping with dissociation & dissociative parts!
Carolyn Spring's Blog You'll find amazing articles here about trauma and dissociation, but do be aware that the author is both a professional and a survivor with DID herself. She isn't afraid to talk about her lived experience, shining a light on the reality of trauma and dissociation which can be confronting but oh-so empowering to read.
System Speak Podcast A podcast run by a DID system. She talks about her own healing journey as well as interviews professionals and dives into the psychology behind trauma and dissociation. Personally, I think the website is a bit hard to navigate but every podcast I've listened to has been extremely informative and relatable!
Self-help books can also be extremely useful if you don't have access to a therapist. You can find a bunch of free downloads here! I would recommend starting with "Got Parts? An Insider's Guide to Managing Life Successfully with Dissociative Identity Disorder" by ATW. Personally, I think this is the best book to start with. It's a bit old and there are some outdated ideas in it, but I think it's a very gentle entry into learning system communication and coping with DID if you have never worked with a therapist.
Some other resources that might be useful:
Strategies for coping with distressing voices
FREE 100 page e-book for trauma survivors
Talk/vent to listeners on this non-crisis support chat line
Apply for a grant to receive financial help or a therapy box -> (Also learn about the Therapy Box Project! If anyone is able to donate, please do!)
- Sunflower
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itsalwaysforyou · 4 months
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hold me together.
kenny ortega, descendants 2 / holly black, red glove / nicole homer, underbelly / ada limon, a new national anthem / k c cramm, christmas eve forever / kenny ortega, descendants 3 / the crane wives, curses / silas denver melvin, let dead dogs lie / natalie wee, least of all
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accirax · 9 months
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a surprising sequel?!
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2aceofspades · 6 months
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I wasn't sure to make an ask or anything
Because like I'm super nervous to write to artists I really like and adore and appreciate their work
Take it as a complement ofc.
I was wondering... Do you think about Raph giving the rides on his arms for his brothers? Or even arm? Depends on who's riding on him?
I can't stop just thinking about how everyone would love to just sit on his arms, laying their arms and head on his head and just chilling while Raph is taking a break with one of them.
If somehow you'll see this I'll say it again I really like your work and the recent sticker mania was so wholesome if I wasn't too scared to write about stickers on turtles I would probably send something
But anyways take care of yourself! Remember to drink water and take a proper rest
I actually have a couple drawings of Raph and Leo doing something like this..
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Gah these are old hehe..
So, yes, I do think Raph would do that for his brothers. And I think they'd love it every time. I also see this general idea on tumblr, that the younger bros just climb onto Raph, which is very very sweet.
In my own au, Raph and Leo co-lead the start of the apocalypse, so they spend the most time with each other at first. I don't think Leo would just randomly climb onto Raph or even ask to do that very often, but he would probably seek some kind of unspoken comfort from him from time to time...I think they both would. I have a few sketches of that..
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I'm a fool for them ❤️💙 which is why I draw them interacting the most often..
How I draw them interacting is very much inspired by my older bro and me; the protective older sibling and the somewhat chaotic middle child. I'm not a touchy person though, but we hang out quite a lot and we're very close.
Also thank you so much!! Gah you're too sweet ohmigosh 🥹🥹 I really appreciate all the love 🤗✨!!
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