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#i didn't know s2 had 10 episodes
purpleplaid17 · 2 years
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just realized the p valley finale drops on the 14th but my starz subscription ends on the 13th :’(
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myfanfictiongarden · 2 months
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Omg…. episodes 11 & 12 The Spoils and Kalends of February is what I`ve been looking for.
I’m not kidding when I say I’m in tears, this episodes were incredible.
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twilightcitysky · 10 months
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Everything Is Meant (long S2 analysis, part 3)
Part one
Part two
There's SO MUCH excellent meta out there right now, and I'm going to try not to reinvent the wheel too much, but I want to keep going with tying the episodes/ elements up together because on first watch it wasn't entirely clear how everything fit. I also strongly recommend a rewatch, no matter what you felt about the ending... if you need to stop it 10 minutes early, do that, but you pick up so much more the second time around.
So: Maggie and Nina. I spent most of my first watch wondering why we were bothering with them, honestly. Later in the season Nina, and then Maggie and Nina, gave Crowley some insightful advice, but their actual relationship didn't progress despite all the meddling, and the amount of emotional investment BOTH Aziraphale and Crowley had in making them get together was frankly strange.
I started thinking in terms of mirror couples, since that was such a big deal in S1 and that's clearly what they were set up to be, but I made the mistake that all of us made on first watch: that Nina was Crowley and Maggie was Aziraphale. It still wasn't really coming together.
Then I put the psych hat back on and started to think about displacement. Displacement is a defense mechanism, and it consists of satisfying an impulse (usually an unconscious one) with a substitute object. At the beginning of the season, Aziraphale and Crowley aren't really in a good place, and I think on some level they know that. Aziraphale is trying to SHOW Crowley that he wants to take the next step through all the casual touches and phone calls and inviting him in, and feeling frustrated because Crowley doesn't seem to be taking the bait. (I absolutely think that Aziraphale tried to get Crowley to stay with him at the bookshop instead of living in his CAR, and Crowley said no. That's a whole other meta.) Meanwhile, Crowley, I think, is waiting for a Grand Gesture. Where did he go, as soon as Aziraphale brought up trying to get two humans to fall in love? Romantic tropes. Getting caught in the rain under an awning. A dramatic kiss that opens someone's eyes. That's the sort of thing he's always done, right? Big rescues, impassioned pleas on the street, fancy dinners, "give you a lift anywhere you want to go". He's defensive and guarded and unlikely to let someone in unless he's CERTAIN he won't be rejected, and Aziraphale's approaches are just too... quiet. No one's fault, they just don't speak the same language.
Then, they're handed the opportunity to make two humans fall in love, and they're both All In immediately. Look at Crowley's face when he summons the rainstorm. This is HUGE for him. Why? Because of displacement. Look at Aziraphale arranging the ball and being borderline deranged about it. They're both desperate to demonstrate what they think it takes for two people to move past their misunderstandings and fall in love. They can't do it for each other because the stakes are too high, and if either of them shows their cards unequivocally the vulnerability feels life-shattering. They're codependent and terrified of rejection and also, importantly, have no idea what they're doing when it comes to love. "Saw it in a film", Crowley says. Aziraphale's read about it in books. But they have zero practical experience.
Instead of learning to communicate, they try to say what they want to say through the medium of Maggie and Nina, up to and including the questionable moral decision to exert control over people's actions and thoughts during the ball. If I can just make this come out right, they both think, then things between us will be alright too. It HAS to come out right. They're attempting to gain some control over their own lives, over something that feels so overwhelming and shattering they can't look directly at it.
It doesn't come out right. Nina's relationship falls apart, but that doesn't mean she's in love with Maggie. While Crowley's stress-cleaning the bookshop to the music that played when Aziraphale got his books back in 1941 (just fuck me up David Arnold), they come in and tell him so. "I don't understand", says Crowley. Because it should have worked. Why didn't it work?
They tell him, of course. "You need to talk to each other. Say what you're really thinking." But here's the thing about communication: you have to learn it. You need to get the hang of expressing your feelings without blaming your partner, and separating intent from impact, and staying away from getting defensive and lashing out. No one has ever taught Aziraphale and Crowley how to do this. It's like Maggie and Nina put Crowley in front of a loom and asked him to recreate the Bayeux Tapestry. He doesn't have the skills; he's always going to get it wrong, even if he tries his hardest.
And he does try. But that's where Maggie and Nina the mirror couple, rather than Maggie and Nina the displacement relationship or Maggie and Nina the Greek chorus, come in. Aziraphale, as Nina, has just ended an incredibly toxic, invasive relationship with Heaven. A relationship that invaded every facet of his life, isolated him, and prevented him from being close to anyone else. "Rebound mess," Nina says. Aziraphale is a rebound mess. He's transferred the responsibility for his emotional wellness to Crowley. Crowley is the person he calls when he's in trouble, or (and this is key) when he wants to report a clever/ good thing he's done, or when he's bored. (At no point did Crowley reference Aziraphale calling him for a solicitous reason-- another problem.) Crowley is meant to take care of him. He forgets, I think, that Crowley is a person with his own wants and needs, just like Maggie and Nina are people with their own wants and needs who don't appreciate being messed with. (I think things would have been much different had Aziraphale BEEN THERE for Maggie and Nina's talk with Crowley, but he wasn't.)
And Maggie-as-Crowley? Lonely. Behind on rent, at risk of being evicted (it's important to note that Aziraphale saves Maggie from losing her record shop, as he couldn't save Crowley from losing his flat). Pining. Awkward. Revolving around Nina like a planet, to the extent that we don't get much of an impression of her otherwise. They realize, there at the end, that they both need to round themselves out before jumping into a relationship. Aziraphale and Crowley need that too. They need to take time apart and learn to be healthy on their own. Unfortunately they don't have the skills to get to that conclusion in a healthy way, so it all explodes in their faces and everything falls apart.
Aziraphale tries to teach Nina and Maggie to dance as a substitute for communication. Nina and Maggie try to teach Crowley communication as a substitute for the dance they've been doing around each other. That's the reason they're a part of the plot: they exist to demonstrate the way Aziraphale and Crowley might have succeeded in forging a better dynamic. Sadly, the boys' dance is too practiced and they got sucked right back into it.
It's okay, I think, that Nina and Maggie's storyline never really went anywhere. It wasn't supposed to. It's an allegory, not something that needs to stand alone.
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pastryjay · 7 months
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I remember reading that David Jenkins had always planned for a 3 season story. Unfortunately, S2 was hard to get, has 8 episodes instead of 10 and S3 is uncertain. David knew this so changed plans to make S2 have satisfying conclusions in case we didn't get a S3. Which is a really good call. Imagine if we got an ending like Good Omens S2 and didn't get renewed? Nightmare.
Bearing those facts in mind, it's like we and the writers didn't just loose 2 eps but a WHOLE SEASON and 2 eps to tell this story. That is not their fault. OFMD S1 and S2 have done so well, been massively watched so should have been instantly renewed but HBO sucks, so no.
There's room for S3 and I hope we get it but if we don't, what the writers did to make it satisfying is incredible. It's like they took everything that fans needed and made sure to spend at least a scene giving it to us; love confessions, kisses, hand-holding, saving each other, sex and more. I know some characters and relationships were sidelined but it had to be done to prioritize the main story; Ed and Stede's relationship. Ultimately the writers did more with their relationship in the 4 hours of S2 than other shows have done with main pairings across several long seasons.
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I've been thinking about the pacing this season, and I think a lot of the issues with telling instead of showing we've been noticing come down to two big factors.
ALL the episodes this season are sticking very strictly to 30 minutes or less. Most of s1 did that, too, to be fair, but some of the most important episodes - 4, 8, and 10 - are all closer to 35 minutes. It doesn't sound like a lot but that's extra breathing room that we're not getting now, it means some things that were almost important enough to make the cut had to get chopped. We're probably missing a lot of little lines that would've rounded things out because the writers had to bank on us getting it from context.
I wouldn't be surprised if the writers went in expecting a 10 episode second season and Max hit them with cutting down to 8 eps, or they had to make the hard choice to save as much money as possible to increse the odds of getting renewed and decided to cut it to 8 themselves. Either way, I definitely think they'd planned on 10 episodes and because of that some things feel rushed; it's really starting to show in ep 7 and I think that's because they just haven't had the space to set things up they thought they'd get.
I really think that we're missing an episode here, and I'm pretty sure it would've gone between 5 and 6. That would've been the logical place to let Ed and Stede's relationship breathe a bit between their second kiss and having sex in 6, and it would've been the right spot to wrap up some lose plotlines (when did Ed get off probation? How does he feel about it? The crew seem so much more comfortable with him in 6, does that make him feel safer and more loved?) and forshadow what's coming up (literally just one line with Olu feeling bad about what happened with Zheng Yi Sao would've made that so much less jarring).
On the whole, I genuinely think the writing this season has been smart and efficient, but not to the same standard as season 1 (which, to be fair, was a very high standard, but still). And I really think the things that matter (Ed and Stede's arcs) are largely done very well.
But it has still been so obvious that they tried to make this season as cheap and palatable for Max to produce as possible. I really hope it pays off. I think it will - like I said, I think the writers always managed to keep sight of what matters, and that's Ed and Stede's story. And I'm grateful that, despite trying to make this show an easy one for Max to make the decision to renew, they didn't compromise on the queerness.
But it stings. You know any other show that's so successful and has not only such a devoted fanbase but such a deeply invested cast and crew would've been renewed a long damn time ago. I am so, so happy we got s2, and I've loved it, really I have, but I'm still a bit sad thinking about what we could've had.
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genericpuff · 2 months
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Seeing how there only 10 episodes left do you think Rachel will rush the ending?
The way I see she needs to somehow resign Apollo reign, reawaken the God's, have Persophone defeat Kronos, have Persophone create Elysian, stop the entered winner/killing of nymphs and humans, hell we don't even know what is Leto end goal and what is her whole role in this series other than manipulating Apollo to be king. We don't even know what exactly she did with Zeus (but knowing Rachel she made Leto the other woman despite the fact she was another respectable goddess)
Imo I think Rachel is officially done done with her series and know her viewers are fed up with her constant milking of the series. You can even see it in some of her work where you know she just gave up (unless it's her self insert scenes)
On a side note another thing I should point out is the anti climax of Leuce and Thetis. Besides the fact she made Leuce another other woman the way she made Leuce expression during Persophone home Invasion made it look like she wasn't going to back down. Only for her to make be forgotten 3/4 of the final arc and is never mention again. Persophone didnt even ask Hades how does he even know Leuce. So unless Rachel has plans for her again that was the last time we saw her making that whole plot unless.
While Thetis plot.........
I'll be honest she just got a slap on a wrist and Rachel just insert Achilles as a way to bait her audience/trying to make a cultural reference. Tbh I thought Thetis would have a bigger story like fast-forward she believes she gotten everything she wanted and is now Queen only for the Trojan war occur and she only lost her status bur her son. Thus making the scene a poetic justic/tragedy.
I'll finish this off since I don't want to run my mouth about this series so here's my 2 cent. Rachel is putting to many Greek mythologies in her series that a) she has forgotten about characters b) everyone is now expecting her to have this series be all wrapped up in a nice bow when it actually be worse c) and because she has so many subplots they are left unresolved or unsatisfied
Oh, Persephone created Elysium already. It was literally just this LMAO
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Okay in all honesty I don't know if that was actually meant to be Elysium, but I remember seeing people comment on the S2 finale when she was bee-burping at Kronos that she was creating Elysium at the same time as fighting Kronos and I just... yeah okay? But they literally haven't even name-dropped it since the trial. This is what I mean when I criticize Rachel's writing for depending WAY too much on reader headcanon, because not only will she just roll with whatever her fans theorize, she'll do so without actually writing it into the comic so unless you're in the FB groups and Discord, you're probably not gonna pick up on every little decision Rachel made because she's making them with half a thought and a quarter of the effort needed to express it. It means people can say whatever and she'll just take credit for it like "yeah! that was Elysium! totally! you get it! okay moving on-"
As for the Leuce thing, Hades deadass met Leuce when Zeus offered her up as a bride, which Zeus explained to Persephone during the S2 finale arc-
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-but again it suffers from a lot of the same issues of Rachel not expanding on her ideas and just resolving them with some other random plot convenience. Why would Leuce be so obsessed with getting with Hades that she'd make up fake text messages? Rachel just really didn't want Hades to be interacting with other women in the 10 years that Persephone was gone, so she had to make Leuce delusional for it to work ?? Why would she go so far as to tell Hades about the text messages if they weren't real the whole time?
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-but then of course before Hades can respond to this, Persephone interrupts, meaning the plotline can be put on the backburner until Rachel comes up with a solution to it-
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-and then we got to see Persephone 'resolve' the issue by harassing Leuce in her home, and it was only until after THEN that Rachel finally went "no it's fine that Persephone vandalized her home, the text messages weren't real!!! see??? Leuce is just a delusional nimwit! She deserves it!"
And yeah the Thetis and Achilles thing is yet another 'plotline' that Rachel only introduced to try and legitimize her comic as a Greek myth retelling. Just about every myth she tries to portray is done vaguely and without any thought for the world they're inhabiting, it's all just lip service.
At the end of the day, a lot of the writing in LO is 1.) trying to make up for the lack of plot development in the first two seasons (hence why we're now getting sudden lore dumping about how the seasons work) and 2.) trying to make up for its lack of Greek myth set pieces because Rachel has now been openly called out for being arrogant in her 'knowledge' of Greek myth and it has people analyzing just how little Greek there is in this Greek myth "retelling". It's especially apparent in the second season when the whole thing is just self-insert fantasies about Hades and Persephone living together until the plot finally has to get moving again. Every now and then Rachel remembers that this is supposed to be a retelling, so she'll throw in some random Greek myth reference like the Colchian dragon or Aphrodite marrying Hephaestus or Thetis and Achilles.
It's very evident that Rachel never learned how to write a longform story or planned to make LO as long as it is and the story has suffered all the more for it. And it sucks because that's not the story I got onboard with back in 2019-2020, but that's where we are. Ironically, as much as I criticize LO for not having enough Greek myth influence in it, I do think the story would have been far better off if it just stayed as a cheesy office romance fluff fic. It's clearly what Rachel wanted to write but either she or WT (or both) got ahead of themselves and took on more than what LO - and Rachel - were equipped to follow through on.
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05/06/2024 Daily OFMD Recap
TLDR; Taika Waititi; David Jenkins; Dominic Burgess; Anapela Polata'ivao; Wendy Andresen and the MOCATS; WatchParty Reminders;
Hey lovelies, so I had a huge recap together for you, with lots of fan spotlights and then tumblr decided to crap out when I saved my draft so I lost it all and I just don't have the time to redo it all today-- so I'll be pushing some news to tonight's if I can finish it on time this evening.
== Taika Waititi ==
As you all have seen, Taika was at the Met Gala last night with his wife Rita, an we got all sorts of fun pictures and gifs from him! I didn't have enough room to put much more but tried to include some various ones below.
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Source: @/Kristen Schuletter's Instagram
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Source: Vogue Magazine IG
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Source: Rita Ora's Instagram
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Source: Jeanne Yang's Instagram
== David Jenkins ==
Chaos Dad feeling a bit spicy about the War of Jenkin's Ear.
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Source David Jenkins Twitter
== Anapela Polata'ivao==
Our beloved Auntie has what a Mid-Career Award! Read more about the recipients and the award here: https://www.pannz.org.nz/the-fame-mid-career-awards/
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Source: Performing Arts Network NZ's instagram
== Dominic Burgess ==
Our dear Dominic is active and posting constantly on twitter now a days, seems he's getting lots more work, which is awesome! (And generally he's just being fun and silly <3)
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== Wendy Andresen & the MOCATS ==
So good and bad news folks. Looks like the kittens have been adopted/the mama cat has been taken to a refuge to help get her adopted as well. That means no more kitten pictures for us-- but at least these babies get a good home! Thanks Wendy for keeping us up to date on their progress.
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== Watch Party Reminders ==
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Palm Royale WP May 9 via @LCWebsXOXO with the lovely @ dominicburgess approx. 4pm EDT/9pm BST/1pm PST! Available on Apple TV
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Wrecked S2 WP May 6-May 10 3:30pm PT / 6:30pm ET / 11:30pm BST! If you need access feel free to dm me here at @gentlebeardsbarngrill or @aspirantabby42 on twitter.
== Fan Spotlight ==
= Cast Cards =
Finally, the card we've all been waiting for! Jonathan! AKA Karl! @melvisik thank you for including our favorite seagull!! Which also aligns with the Mermay Theme of Seabird!
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Source: @melvisik's Twitter
== OFMD Colouring Pages ==
More fantastic colouring pages from our dear @patchworkpiratebear! My son and I are excited to color in Frenchie's flag, cause you know, we like attracting demons and stuff. Soup is also part of Mermay Day 7!
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== Our Flag Means Fanfiction ==
A new episode is out from our crewmates over at Our Flag Means Fanfiction! It's a collaboration episode with Never Left Podcast! This time it's The Swearing Episode! Listen below on Spotify!
Source: Our Flag Means Fanfiction Instagram
== Met Gala Edits ==
Any situation in which this fandom can edit in OFMD characters, you know we'll do it, and the Met Gala was no exception. Below are some edits of our favorite characters joining the Gala!
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Source: @ radicallysoft's Twitter
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Source: @ heyhayley's Twitter
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Source: @ spanishjenkies' Twitter
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Source: @ ChaoticMulaney's Twitter
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Source: @ofmooshd's twitter
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Source: @ Appleteeth's Twitter
== Love Notes ==
Hey lovelies, in honor of both taking a break, and the last several days being crazy town on my end of things, I'm going for a silly love note today. Remember to take a break, otherwise your body's gonna do it for you <3
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== Daily Darby / Today's Taika ==
Theme today is my mood towards tumblr and destroying my damn draft. Gif courtesy of @ joeal-kaysani
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loki-us · 6 months
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Welcome to my Mega Problematic Sylvie post
I wanted to make a list of everything problematic about Sylvie in s1 and s2 because she gets away with whatever she wants and it bugs me to no end that she never takes accountability for any of the pain she causes.
You have been warned. So let's get into it.
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1. Sylvie’s way is the only way and she expects everyone else to just bend to her will without complaint
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2. She is physically mentally and emotionally incapable of trusting anyone besides herself
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3. She uses other people's emotions to manipulate them into getting what she wants
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4. She refuses to even entertain the possibility that anything besides her own opinion is correct
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5. She criticizes others' attempts to clean up the mess she caused while she herself does absolutely nothing about it
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6. Always looking to ruin and run, taking the easy way out and avoiding any accountability
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7. Puts her own need for revenge above the well-being of everyone else in the multiverse
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8. Blames everyone else for the problems she herself caused
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9. Insults everyone at the TVA for their lack of empathy despite it being the exact reason she didn't want to return in the first place. Every critique she delivers just illustrates how much of a hypocrite she is
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10. Berates Mobius and all the people who are actually trying to fix her problem even though they never once blamed her for the mess they're in
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11. Acts like she's doing everyone a favor just for being there and insulting everyone when in reality, Loki had to ask multiple times before finally getting her to return
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12. Never willing to put in more effort than just destroying everything and walking away
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13. Even when directly asked for her help, Sylvie straight up refuses. She couldn't care less about anything besides her McDonald's employee-of-the-month badge
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14. Sylvie gaslights Loki into thinking they're the same, that she's not in the wrong because they're both only thinking of themselves. In reality, Sylvie is thinking only of going back to her own timeline, alone, while Loki is thinking only of making his friends happy, because that's what makes him happy too.
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15. While being completely unsympathetic to Loki struggling with his greatest fear, Sylvie makes the decision that Loki's friend's are all better off where they are now. But is it really better for them, or just better for Sylvie?
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16. And now, after 11 episodes and countless requests for Sylvie's help, she actually cares about the rest of the multiverse. And yet it's still solely because her own timeline is finally in danger
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17. When Loki ends up sacrificing himself to solve the problem Sylvie created, her only response is a joyful shrug that she's now happy, alone, and responsibility-free.
Overall, I know Sylvie's only purpose as a character is to be a darker mirror of Loki and everything she does is understandably informed by her trauma. This is likely a result of having a limited-episode-series and having all male/not diverse writers creating female characters. Sylvie is used only as a comparison to Loki before he met Mobius, and unfortunately is never given any thoughtful character moments like Loki had showing how he was aware that his actions hurt others. In 1x1, Loki talks about how he doesn’t enjoy hurting people and only does it to maintain control. The only time we ever see Sylvie reconsider her actions is when she didn’t kill Timely, which I think is more because she saw herself in Timely as someone who didn’t want to be controlled by their ‘destiny,’ not because she developed any kindness or compassion toward him.
I understand the fact that Sylvie was never given someone like Mobius to allow her the opportunity to change like Loki did, but I don't think that should excuse her causing so much pain and being so self-centered. Sylvie never trusted or cared about anyone and that's also my biggest argument against Sylki; her loving or being driven by anyone besides herself is just so inconsistent with her entire character.
Anyway, my purpose here was not to be hateful or to search for any reason to criticize Sylvie, but instead to look critically at her character since I've seen a lot of people praise her as the strong, independent female Loki whose behavior can always be forgiven. Unfortunately, the way she was written is that Sylvie turned her own trauma into everybody else's problem and they all spent 2 seasons trying to clean up her mess. That's my take thank you and goodnight
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narujenreacts · 3 months
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Will Murder Drones get a Season 2?
Alrighty. So, after GLITCH's post yesterday of Digital Circus that also mentioned "We're also working hard on Murder Drones & will be releasing final episodes soon!", which sent a lot of the fandom (including yours truly) into a panic that this meant these are the final episodes for the SERIES and not the 1st season. However, that felt off to me since GLITCH has been promoting MD as Season 1 and not a short series, which, if it had always intended to be only 8 episodes, it would've been. That's just how it goes in the industry for online series. And I believe GLITCH wouldn't make that kind of mistake in marketing. It'd be different too if it was only promoted as Season 1 for the teaser, but it's been that way up until that Digital Circus post. Hell, here are some of the things Kevin and Liam said during GlitchX:
"I remember when we were coming up with the, uh, this is like way before when, you know, Murder Drones was really, like we were really going for a smaller, smaller show-" - Kevin
"The whole oil thing that was getting set up in the pilot, that was gonna be like a MASSIVE sort of plot thread throughout the season." - Kevin
"Because in terms of importance to kind of where I want the story to go, it just ended up being less relevant." - Liam
"We, um, did the opposite of that. I think the series as it progressed, which I think is - it is intentional, I would say. We have gone from, I think, supremely silly to supremely kind of self-serious." - Liam
"There's so many dog easter eggs if you go and watch through the entire season." - Kevin
"We are announcing the finale of the season." - Kevin
With everything they said, none of it sounds like Murder Drones was intended to be a single season series. Now, this leaves two questions myself and I'm sure some of you have, "Why haven't they announced a S2 yet then and why are they barely posting MD?" I decided to enter analyzation mode and went digging through GLITCH's Twitter and YouTube. What I found was that this isn't GLITCH's first time handling their series like this.
Meta Runner Season 1 (Animated Movie Cut) was released on Aug 28, 2020 and in the description Season 2 was immediately announced since they already had it done.
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Meta Runner Season 2 - EP 1: Hard Reset released Oct 16, 2020. The final episode for S2, "EP 10: Fatal Error" was released Dec 18, 2020 and there was no mention of the 3rd and final season.
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Want to know when they announced it? Not until Nov 29, 2021. Over a YEAR later.
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And before that they barely posted anything of MR. At first it was Sunset Paradise, and then once that series was about to conclude they started posting about MD. A lot. Way more than they have for DC. And when they announced S3 for MR they didn't even mention it was the series finale! That wasn't announced until May 6, 2022, 6 months after S3 was even announced.
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However, once they did they made it VERY clear it was the final season. 99% of their posts of MR after that mentioned it was the final season.
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So, to conclude my thoughts. I don't think we should be worried. I wouldn't suggest getting our hopes up TOO high, because despite GLITCH handling MD the same way they did MR, there's always the chance MD doesn't get a second season. That way we're not deeply disappointed if it doesn't, but after looking into it I personally feel a lot more confident MD will get a S2. Just be prepared that if GLITCH doesn't say anything, it could be up to a year before they do, but if MR fans could hold out for as long as they did, we can too. Don't forget either GLITCH isn't only working on the first season of DC. They're also working on the pilot for Gaslight District.
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ladyluscinia · 7 months
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I think they were so worried about not getting a season 3 they ruined both the viewers expecting one and the viewers who would've liked it to end there. they've created an easily destroyable status quo because of course something needs to happen to get everyone back together for season 3. so it's not even a happy ending; it's so fragile, it's designed to fall apart the second that anyone learns that the show is back on. i get not wanting to bank on having a third season and wrapping it up but like. Galavant did that and did it better. WITH THE HEROES RETIRING AND THE TWO MINUTE MARRIAGE CEREMONY TO BOOT. But it gave an outline of where the plot might go from there and how the adventure will continue if it gets to. And it never got to, and season 2's ending is good because it's not /fragile/--it's not a cliffhanger, but you get the idea that they could keep going from there still. whereas this one didn't want to be a cliffhanger so much that they created the most breakable new status quo in history and if there is a season 3 it'll immediately be undone and I'll probably still watch it but like I'll /know/, y'know? They could fix everything in the first episode of season 3 and I'd still have to know that at one point, this was considered an acceptable outcome.
The thing that is driving me absolutely insane is they DID NOT HAVE TO DO THIS!
There's so many people looking at it like "well it's a shame that 2x08 clearly had to cram several episodes into one for budget reasons and it made the development weaker but that's the situation MAX put them in" and I cannot emphasize enough how much that is not true.
MAX did not break it to them after episodes 2x01 - 2x07 were written and half filmed that they would have to wrap up the whole plot in 30 minutes. Like absolute worst case scenario they had 10 eps mostly written and budget came back 20% over and they had to reduce to 8 total. More likely they knew they were getting 8 from the start.
It is absolutely nobody's fuck up except David Jenkins and his writers' room if they were unrealistic about what character beats were needed and would fit in the timeframe to reach a satisfying wrap up.
Worries about no S3 were on the table the moment it took until JUNE to get confirmation of S2. This wasn't sprung on them. If they wanted their story to have a "just in case" happy ending and then a "fully realized arc" happy ending, they should have fucking acted like it???
I was shocked when the first three episodes that dropped were so hardcore on destroying Edward's relationships and laying bare exactly how deep his issues went. It only made sense to me if they were going all in on getting a S3 and prepared to spend all of S2 focused on the implications of all that, and then the not-even two week in-universe timeline of the season reinforced my understanding that was happening.
"Shame we don't have time for our main couple to even start addressing their relationship or having moments of self-realization and sharing their issues," says guy who decided to make the first half of S2 about adding more problems on top of well established ones from S1 and the second half of S2 about throwing in a second breakup cycle instead of dealing with the fallout from the first.
Want Edward to end on a beat of feeling part of the found family? Well maybe adding a timeskip after 2x05 and then a crew chat in 2x06 where you make it clear he did an apology tour offscreen could help, but you also could have just not focused hard on him poisoning his relationship with every single one of them in the first place???
There's multiple different ways you can do Act 2 of a three act structure, and they did not have to choose one that ends on another dark cliffhanger beat or right at the open ended turning point toward growth? Like they didn't even do the one they picked in a way they could fit in their season. I feel like by the end of a struggles Act 2 both your protagonists need to have self-realized their issues and maybe had one conversation about it? Edward still wasn't talking about his guilt, and Stede wasn't talking about anything.
They aren't even at the turning point of growth and out of the backsliding / lessons learned era yet, that's why potential S3 will start on another backslide when status quo breaks and Stede starts "that's nice, dear"-ing Edward during the day and slipping out at night to vicariously listen to pirate stories or whatever (and they frame it like he's cheating).
We have two out of three seasons in a show that might only get two, and I feel like the characters have barely moved from their starting position.
Like idk maybe they are really good at coming up with character flaws - ex: Stede is repressed and bottles up his traumas until he mentally checks out / runs away - and just drawing blanks on how to believably "fix" them, but just going "well what if we just used this flaw to throw another miscommunication roadblock in their relationship?" is not getting them where they want to be.
The season was fundamentally designed against their stated goal and did not make what seem to be necessary writing concessions to the reduced screentime if they wanted their finale to land as an even plausibly happy ending. It's hollow.
And possibly not even salvageable in S3 since they aren't demonstrating the skills to salvage it.
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How has Our Flag Means Death changed your life?
I have to admit I'm quite late to the party - I only found out about OFMD in September this year. Just in time to binge-watch season 1 and 2 and watch the last three episodes of s2 live.
I used to be a big reader and I also watched a lot of TV, but the past years have been tough, and busy with so many things, that my general approach is 'I don't have time for this'. And then I scrolled through Tumblr and saw a picture of Ed and Stede. I have no idea what happened next.
There was something that called me, that told me I had to watch this show, and so I did. 10 mins into the first episode I was already in love with it. The huge message about Kindness and Inclusion that was spread there resonated so deeply within my heart that I just knew I would stick to the end.
I would stay in bed watching OFMD until late at night, I'd wake up at 5 am and dive into Tumblr before work. Did this completely mess up my life? Yes. And it was such a blessing.
I used to be so very insecure about myself. OMFD came and just wiped it all away. The great thing is that it's not something explicit or straightforward - there is a magic in this show that touches a part of your soul that you didn't even know existed, heals a pain you were not even aware of, and it changes you. I came out of it being so much more confident, and most importantly, happier. I used to hate my face, my voice, and I'd always be so hard on myself. Now I genuinely feel that I am who I am, and that is okay. This show has inspired me to be a better person, it gave me something wonderful to fight for, and a found family that I couldn't have dreamed of.
I've been in fandoms before, and I've never seen one so healthy as this. Everyone is trying to help one another, there are not endless arguments or hate being thrown everywhere, we are so united, someone takes the lead and we all immediately follow and make miracles happen... Just as a Crew.
I'm so thankful to y'all crazy people! Cast, producers, fandom... You're genuinely the best! Because of you, because of this show, I finally feel that there is hope to be found that the world can become a better place, that this can be the start of something huge, I honestly believe this is a unique phenomenon and it has made history... We are making history at every step. We are creating a new world of kindness and diversity where we can all just be who we are and have fun and just - be happy!
I adore you all, wonderful Souls ❤️🥰
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daenysthedreamer101 · 3 months
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TVD S5 EP11&12 (mostly a rant about Tyler and Caroline)
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I'm not even gonna talk about the first 10 episodes, Silas was annoying AF I'm glad he's dead. Also, Katherine as a human was hilarious.
Tyler deserved better. I said it. I never really understood the Tyler hate. Like, yeah he was a douche in S1 but if we're judging him by his S1 personality shouldn't we all hate Caroline by that logic? Cause she was kind of a bitch in S1.
Caroline sleeping with Klaus...yeah no I don't even know what to say. I knew it was coming, just didn't know when. It was dumb and just didn't really make any sense to me. I was never really on board with them, to begin with.
Why did Klaus come back to MF in the first place? To see Katherine dying? Anyways... It always felt to me like Klaus was being really pushy and trying to flirt with Care when she was obviously not into it (she seemed pretty content and happy with Tyler)
Like sir, you have a whole ass baby on the way (idk what happened with that storyline cause the Mikaelsons went to New Orleans and I'm not watching TO rn) and you're here in MF trying to hook up with a girl who repeatedly told you she wasn't interested. Dare i say, you look kind of pathetic.
Tyler my boy, you deserve better, you really do. And then, when he hears Care talking to a Katherine-possessed Elena about Klaus he is obviously heartbroken.
Look, Care, I like you, I really do, but I can't defend you on this one. It's preposterous to me that she's the one acting all shocked when Tyler gets upset. Like, you slept with the man who ruined his life, who killed your best friend's aunt (RIP Jenna you will always be missed), and oh, killed his mother! (RIP Carol you were innocent)
Also, this might just be me, but did everyone forget that Klaus was gonna kill Care in the sacrifice ritual thing back in S2? Maybe I'm just really bad at letting things go but I would never get over that? Like I would never want to be friends let alone anything more with a person who brought so much suffering to me and my friends.
You almost died because of him, twice! Damn it Caroline, where are your morals!?
Call it a moment of weakness I guess, but still, it was hella stupid. And then Stefan defends Caroline? Like no don't defend her she did a stupid thing!
Tyler is my guy and I like him. I understand not liking his character but you cannot seriously say that he was in the wrong in this situation. He had every right to be upset. And Caroline was stupid for what she did. Maybe it's because Klaus said "You'll never see me again" so she thought "fuck it, I might as well since he'll be gone for good" but still dumb af
The show has been off the rails since S4 it can only be worse from here lol
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nalyra-dreaming · 2 months
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"Worried about the Nicki/TVL content" here for clarification. I apologize, that came off like I didn't want to see TVL/Nicki. I'm excited to see Louis' journey through Europe and very excited for the theatre des vampires. I'm also very excited to see Lestat's backstory, including Nicki's part in it. What I meant is I'm worried that the showrunner might have been worried they weren't getting a season 3 so they packed in TVL and Nicki into season 2 so audiences got the backstory for Louis, Armand, and the theatre and how that ties to Lestat because they didn't want to leave questions because they may not get a season 3.
I want them to take their time with each major plot point and i wondered if cramming so much in was a hint that there was not going to be a renewal. But your response to my first ask was reassuring. I just really need to see the entire story play out before they end the show and I panicked so much advertisement of TVL in season 2 was an indication that this would be the only time we see it. Does that make sense?
Also, what plot points or storylines do you think we will see in season 3 in addition to TVL because the show always has more than one book or storyline going?
Ah ok :) It does make sense, but I honestly wouldn't worry too much.
For example Rolin talked about Lestat and Gabrielle at the SDCC '22 panel and so far there is no hint of Gabrielle - which makes sense, because Armand does not particularly like her... he probably omits her in his retelling of what happened.
But I don't think Rolin is going to omit her :) ... pass on the possibility to ... dip into that mess, too^^
And Rolin has already talked about Lestat's turning (and it being the literal worst of all the vampires' turnings) in the podcast back then, too. TVL is why Rolin wanted to do the show.
So. I wouldn't worry too much. AMC is financially out of the woods, the modus operandi seems to be the same as last season, and they are ramping up promotion, they are still developing the other shows, too. They said they are in for the long run, and there was once talk of 10 seasons... now I am not optimistic enough to hope for that much *laughs*, but... I'd love it :)) Definitely. Supposedly Sam was signed for 5 seasons though (off the bat). We'll see.
As per story lines... well, I mean, they will need to keep Dubai fresh, so that will develop further, and then, of course, in Lestat's past there is a lot they can hook into as well.
Magnus shows up as a ghost in the later books, too, so who knows, they might explore that aspect already (and there maybe the origins of the Talamasca???) in some kind of fashion. It would serve to introduce Benedict and Rhoshamandes here, too, given the later arcs. Marius' arc, of course, though if the rumor re Justin Kirk holds then they are going towards Marius' story and TWMBK (and possibly QotD) in s4 and s5. Gabrielle could be introduced in Dubai, and maybe bring in Sevraine, I mean Fareed is already there, the ancient vampires are there already, somewhere, out of sight, but there is a lot of possibility :)
And, of course, if they actually bring in Fareed again (which might be needed, given Daniel's health status), then Seth cannot be that far, and through Seth we could get an introduction to Gregory and Mekare, and Maharet, and Khayman, and... whoever else.
The Dubai TL is mixed up already, and I for one love it, because it allows for so much.
For example the piano music in the show... I would have loved it if that had been a live stream, of Sybille playing (for example). You know? Little things.
Sam said that there would be (more/other) cameo's coming in s2, so... I fully expect there to be more vampires, probably only apparent to those who know^^. (Just like last time^^)
Also: by now I do think we will get yet another revisit of episode 5 in s3. From Lestat's POV.
Because there is something there that I have touched on, that @cbrownjc has touched on... namely that we will now get to that the fight was more an actual "fight" downstairs, but even more interestingly, we will in all likelihood see why the fight rekindled upstairs. And... here comes something Lestat says in episode 6 into play, namely: "I don't know what possessed me that night."
Now, anyone who has read the last books (which Rolin as stated takes from) knows that Amel's awakening is bloody, drawn to violence, and that he takes over sometimes. He also likes to be in Lestat.
If the basic structure of the fight stays as it is there has to be a reason why that fight rekindled upstairs, and why it continued then with such a drastic power-imbalance, and why Lestat went on about his "nature", something which I have always found weird.
However, if they are already setting up Amel... I have theorized before that they might combine Akasha and Amel, since the actual threats (the burnings) are quite similar and it would be too repetitive for the show.
IF they are, indeed, already setting up Amel, then we will see the "reason" why it all went shit in Louis' POV next season, and then get the personal account of what happened there in s3. Louis won't be able to make much sense of it yet, neither will Armand, nor Daniel, and not even Marius (in all likelihood). But as these lines have not been come into play yet (and this show does not waste lines) I fully expect them to come back.
And then, if Lestat recounts the possession that story line can segue into s4 and s5 of Akasha/Amel rising, they'll probably skip the "core" going to Mekare first, I think Lestat will take it directly, maybe with the threat of Rhoshamandes thrown in or after, depending.
As I said before, I think they know how they want to do the first 5 or so seasons, and this... this is how I think it might come together :))
Obviously this is the "rough cut" - the details will be the most interesting thing.
What did Louis say in the trailer?
"We should get every detail right."
Indeed.
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wowifinallywatched · 16 days
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Wow I finally watched Monsters at Work (S2)
**Minor Spoilers**
This show is Joy. This show is happiness.
This show is pure enjoyment, forget-about-the-world-around-you fun and indulging in a world full of adventures, Jokes and references to an original movie we hold dear to our hearts, While paving the way for a beautiful new story about a dynamic duo changing the colour of their world and the human world one child at a time.
I think there was a lot of risk, As with any sequel / spin off, of repetitiveness and overall the continuation of the story just not doing well.
But Monsters at Work was perfect.
(In my eyes - You do not have to agree with me, I just want to show my appreciation and love for this show and Story)
This show provided more of the future we've all been so curious about since the end of Monsters Inc (We all knew things worked out with Laugh Power - But did it really?) (Yes, Yes it did.) and the changes it made to the city and their communities as a whole - The politics, The power company's rivalry's, How people feel about laugh power, All of our favourite characters, All of our most disliked characters and so so much more.
They balanced giving a nod to the past, Making references to those original movies between og characters as if they're inside jokes (Which I guess, they are), Seeing characters we love and adore, Seeing scenery that is comforting and familiar, Even items (BOO'S DRAWING ON SULLEY'S DESK - I'M NOT OKAY-) without it being in your face and making it the whole show. Mike and Sulley being a part of the future of this company and caring for their little misfits, without overbearing and letting these new characters shine and share their own stories - It was perfectly balanced.
I love what this show represented as well - Different cultures and races in the human world and monster world, Different couples / sexualities without making it a big fuss (They're just in a happy relationship - That's what matters!), Healthy relationships and really great traits like embracing who you are, Always stand up for what you believe in, Never hesitate to show your Love for the things and people you care about and so much more!
Something I also loved is the representation of the real and healthy relationship between Val and Tylor - And the fact this didn't turn into a romantic relationship.
The first season was about building the foundations of their friendship and really getting to know each other - The second season really tested their friendship and saw to how they would get through these rocky times together.
While there were some moments of heartbreak, sadness and even anger - With communication, Responsibility and ackowledging what they had done, They got through it and came out the other side of it with their bond even stronger than ever! Which I think is something super healthy and important to represent.
And while I see there are a few hints here and there that could definitely lead to a Third season, Which halfway through episode 10 I literally said I would sell my soul for a third season, Once I had finished that final episode, My mind had changed.
The ending of Season 2 was perfect.
It was happy. It was fulfilling. And while I'd be one of the first to hop on Disney plus if a Third season did come out - I feel like they could stop the show here if they wanted to.
I could watch this show forever and ever and ever if I could, But we've all seen what happens when a show continues simply for profit etc. and it loses what that original story is about.
But on the other hand, they have a whole world of Monsters stories and cities to explore that we've only scratched the surface of.
And you never know what might be coming in the future.
All in all, I absolutely adored this show with all my heart and soul and I will forever talk about how perfect (in my personal opinion) it is.
Also there will forever be some references that will never get old.
Example A: Mike getting covered by logo / barcode etc
Example B: Roz (Period. She has so many good ones)
Example C: Boo. (Anything really, I just love their relationship)
100000000000000000000000000000000000000 x infinity / 10
I love you Monsters Inc world. Thank you for making me feel protected and Loved, Even if I couldn't be apart of your world.
And don't forget, This show wasn't made just for kids.
Oh no.
It was made for those Monsters Inc kids, now all grown up.
(And for everyone and anyone!)
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binniesunderworld · 16 days
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*future hotd spoilers*
so i believe that helaena IS pregnant with maelor, but im really worried about how the show will integrate cause she didn't look visibly pregnant in s1 so she might be at most 3-4 months along? and s2 starts 10 days after the s1 finale. so will she be pregnant when rhaenyra takes KL? is she gonna give birth while hostage or will she unalive herself while pregnant, adding to the tragedy?
sorry for the wall of the text, but the timeline of this show is soooo confusing and i have zero idea where they're taking it!
Well, I'll take this part of the book as a basis:
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Well, it's no secret that Maelor was born the same year that Helaena danced with Jacaerys. It's pretty obvious that Maelor was conceived that same night, we had a jealous Aegon who probably found this as a good excuse to hang out with his wife and have a good hardcore sex session. I wouldn't be surprised if the writers take that as an example and put episode 8 as the time of conception, what terrifies me is if they put Helaena as a victim who was abused by her "possessive psycho" husband and this resulted in a pregnancy (and having TB whispering in my ear "rapegon" for the next 2 years).
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Assuming episode 8 is Maelor's conception, this occurs only a few days before episode nine, hence three weeks or less before the start of season 2. So Helaena wouldn't even be two months pregnant before b&c, which would explain her lack of a belly in the previews we've had of her.
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I honestly don't know what they will do with Maelor. In the intro you can see how Aegon and Helaena have three children, but I don't know if this has any relevance (I hope it does).
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Considering that the writers like cliché, I wouldn't be surprised if Helaena has a miscarriage (as a parallel to Rhaenyra's). Of course this would be a big mistake, since Maelor is the reason Daeron commits so many war crimes, but then again the writers don't seem to care much about the latter. Another thing I consider likely they will do is Helaena giving birth as a hostage and, in an attempt to whitewash TB, Rhaenyra sparing the baby's life (just as Aegon II spared Aegon III's life).
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lucianalight · 6 months
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Loki S2 Review
I rewatched S2 and I liked it even more on the second watch. I'm giving it a 6 out of 10 in average(8 for the finale). Since I didn't post a review week by week like for S1, I'm just going to talk about the main things I liked/disliked
The Improvements & Things I liked:
The pace and the narrative's tone and framing have changed. While the pace drops sometimes, these moments aren't as boring as S1. Meaning you don't want to constantly check when it's going to end(like you know, S1 and especially 1x06). The narrative is neutral and doesn't villain code Loki and hero code others. It doesn't turn Loki into a clown, a punching bag or someone who deserves humiliation(I guess they've done enough of that in S1). On the contrary the characters are shown as flawed people, with Loki being the most moral, considerate, logical and heroic amongst them.
They stated bluntly in episode 1, that what TVA used to do, were atrocities. That they were killing numerous innocent people who had a right to live their lives as they chose.
The characters were three dimensional, likable or tolerable despite their actions in S1. They showed remorse for the things they had done. Although the way the narrative chose to go about it in S1 still leaves a bad taste in my mouth. It shouldn't happen to you for you to realize sth is wrong. But at least it was shown that the characters weren't slaughtering people mindlessly and some of them deep down knew it was wrong. Although the fact that they still did it, because of the "greater good", and "woe is me! It's not a comfort it's a burden" attitude about it is repulsive.
OB, Casey and Timely being funny, cute nerds and fanboys :D
Loki using amazing magical stuff and DID YOU SEE THE GREEN MAGICAL GLOW IN HIS EYES?*incoherent screaming*
No Romance. It was unnecessary and rushed in S1. This time they focused more on Loki needing friends and that was definitely a better choice imo and what they should have gone for in S1 too.
Sylvie's actions and personality framed as what they were. She wasn't put on a pedestal as this amazing different FeMaLe version of Loki. She was framed as a flawed character with wrong and right actions and beliefs.
Loki and Sylvie's talk in the pie land, about change, hope, fixing what's broken and being gods. That sigh before Loki saying "We are gods" with all the weight of the world on his shoulders. Wonderful acting.
The ending and its epic soundtrack.
Topics & Things That Could Have Been Handled Better:
The Topic of New York Invasion
"Sometimes a rage builds up and you just gotta let it out. Do you remember that time I was so angry with my father and my brother, I went down to Earth and I held the whole of New York city hostage with an alien army? Tried to use the mind stone on Tony Stark? It didn't work so I threw him off the building. It wasn't tactical. I lost it"
On the surface it looks like Loki's saying that's why he attacked New York and probably most people accept this without a second thought.
But the context of the scene matters. We see during the interrogation Mobius loses his temper. He was worried about Loki getting angry, but he was the one who loses his temper and hits Brad. Loki tries to calm him down by sympathizing with him to try and see what caused his behavior. It's the same thing he did for Thor in the first movie, before coronation and after it, while Thor was nervous and angry. What he says about New York while isn't the whole truth, it also isn't untrue. He was angry with Thor and Odin but as we know his anger and thoughts were influenced by the scepter. We also know Loki doesn't like to talk about his time with Thanos or being tortured. Instead he uses a half-truth, sth that is in character for Loki.
So the scene can be rationalized by this analysis but it's still annoying that this analysis is even needed. They should have been clear about the scepter's influence especially when mcu confirmed it.
Loki thinking about Thor's change as being a weakness. While both Thor and Loki were groomed and taught to consider being soft as a weakness, that wasn't Loki's true feelings. At least I don't think someone who prefers words and magic-that are considered a weakness in Asgard-over brawn thinks like that. His goal in the first movie was to goad Thor into fighting him. So the line should have been sth like this: "Asgard taught us being soft is a weakness, so I used that against Thor to goad him into a fight. I said he's gone soft…"
Plotholes and things that weren't explained.
Why Loki and Sylvie weren't sent to their original timelines like others? And why neither of them showed any interest in seeking their family? You're telling me Loki wants to see these people he knows for 10 seconds more than Frigga or Thor? OOC.
Sylvie's sudden mastery of magic since 1x06 isn't explained. She didn't know much, but then suddenly could do everything Loki did. I mean I can headcanon that her and Loki linking their power taught her some things but these sudden developments without any explanations are annoying.
Loki's genderfluidity. No mention of it at all. Although I believe that no representation is better than bad representation. And you should leave a topic alone if you don't understand it, otherwise you're gonna mess it up. Because bad rep can be more harmful. And so maybe it was a good thing mcu let that one go. But they could still fix it with some shapeshifiting, explaining its difference with illusions and Loki confirming that he is comfortable in her female form.
Loki's clothes. It's probably not that important in comparison with other issues but I really hate that beige suit. Why Sylvie who doesn't even want to be Loki and wasn't in Asgard since childhood changes into an Asgardian outfit for a fight and not Loki? Yeah I get it. It was because of the last reveal and transformation and finding his identity blah blah blah but at least they could have gave him his old Asgardian clothes or he could change the suit's color ugh
Criticism & Things I didn't like:
The ooc moments for Loki in some comedic scenes. Especially in episode 5. While the character has a comedic potential, it's not based on clownery or clumsiness. The best humorous moments for Loki are the ones where he outwits others, use sarcastic language or he is being outwitted despite his careful plans.
Certain emotional stakes aren't clear from the start. The audience know that saving TVA is the right thing because it protects all the freed timelines but they don't know why they should care? Or more accurately why Loki is so emotionally invested in this goal. That gets answered in episode 5 and while Loki's talk with Sylvie is a good emotional scene, the fact that it's stated so late in the story, makes the first few episodes boring when it comes to saving TVA.
The main reason the emotional stakes aren't clear(at least for me), I believe is because most of the people Loki call them his "friends",  haven't done anything to either deserve his friendship or aren't close enough to be considered a friend. Let alone someone Loki tries to move heaven and hell to be with them, instead of for example trying to find his brother and family. It is an issue which again is rooted in S1 and carried to S2. What happened in S1 wasn't therapy or a healthy friendship.
However, Loki being loyal to anyone who show him an ounce of affection or him being moral enough to try to save people are in character for him and that's sth good about it.
The torture scene.
The trick Mobius and Loki pulled was predictable as hell. I didn't even doubted Loki in TDW, let alone here. And even though I didn't believe for one second that Loki's actually going to hurt the guy, and he wasn't shown enjoying it, I still hated that he went along with the torture idea Mobius had come up with. Especially considering the fact that he was a victim of torture himself and never shown any sign in canon that he would torture someone. So yeah I hated that scene.
And why that scene was even necessary? Loki could get into X-5's mind when they weren't in TVA. We know he is capable of it. He did it both through mind stone in Avengers and in TR. how else they were going to delve into Mobius' problem though smh
But alright let's say they needed a scene like that. Still the whole Brad believing Mobius is against torture, and Loki's the one who would be in favor of it, is so fucking ridiculous. Any way you look at it, it has always been TVA and Mobius who did any torture we've seen during the two seasons. The tortures that Loki endured might I add. Even in the previous scene, it was Loki who didn't hit Brad and only tried to intimidate him non-physically by acting as a villain. It was Mobius who hit him, who was shown more affected by Brad's insults. So logically the scene they had planned to fool Brad, should have been played completely the opposite way. By having Mobius do the torture. At least it was recognized that the torture idea was from Mobius and both he and Loki gave the credits for it to Mobius.
Verity Willis. Hunter B15 unlike the Verity in comics, doesn't have a close friendship with Loki or truth detector powers. Not having a good friend like comics Verity for Loki, was such a wasted opportunity in the series.
Mobius saying to Loki "You're a man of action...". That was such a stupid, unnecessary line. As if the main difference between Loki and Thor wasn't Thor acting before thinking, and Loki thinking and planning before acting. While Loki is also a man of action, he is first and foremost a man of strategy. The only plausible explanation imo is that Mobius said it to not feel useless in comparison with Loki and his skills.
"Thor's not that tall". Yeah, no. I don't think Loki's reaction to seeing Thor and Odin's statues would be that. Knowing his brother and family were murdered by the very same people he's working with now. Remind me again why he's considering them "FrIeNdS"? Someone really needs to explain the concept of friendship to Loki. Or rather the writers of this show.
And while we are at it. Let's talk about how Loki's past and identity issues were completely swapped under the rug as if they were all magically fixed and didn't matter anymore. As if those weren't the most important part of his journey. Another issue rooted in S1.
Final Thoughts(for now :D)
Season 2 was definitely better than season 1. Not perfect, and not for those who care about OG Loki's issues. They set him on a completely different path in S1 and they messed up any chance to actually delve into his problems. So in S2 we're having a character that we're supposed to accept has moved on from certain issues, and now tries to find what he wants and where he belongs. Still, I think that they listened to the criticism for once as they tried to fix some of the problems of S1. After many years it didn't feel like that the creators hate the character, or using him as a prop, or a plot device. It was a story about Loki. A bittersweet story for the god of stories.
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