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yandere2me2 · 4 years

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Hi there! First, I just wanted you to know that I really enjoy your writing. I don’t know most of the characters you write for, but I still am able to understand who they are as people from your works which is really cool!! Secondly, I was hoping I could hear your thoughts on the Obey Me characters? You can do as little or as many as you want, whatever you’re comfortable with. And finally, I just wanted to say I hope you have a good day!

Thanks anon! So far I’ve only written a few things, but if you wanna check out what characters I’ll write for, check out my newly posted rules post - for any fandom listed, I’m good writing any character so long as the other rules are followed (ex: any Obey Me character but Luke since he looks and acts like a child).

Since no limit was placed, I’ll just do some general headcanons for the first 4 brothers for now. Know that I’m willing to write about any other characters in Obey Me aside from Luke for future requests :)

So without further ado, some yandere Obey Me bros (under the cut because this got LONG)!

TW: implied/mentioned forced captivity, manipulation, unhealthy relationship standards, non-con/dub-con, degradation, voyeurism

Lucifer

Sadistic - but that’s a given with the game information. To be more specific, he sets strict rules for his darling and is very much a control freak; he has so many things going on in his life that he has to manage out of necessity, but his darling is a special case he’ll gladly take on

If his darling breaks a rule, he enjoys doling out punishments. What type of punishment depends on his mood, the type of incident his darling caused, and if their actions affected Diavolo. God help them if if they insult Diavolo

Possessive with a capital P. His darling is his. No one gets to see them fall to pieces under his hands but him. No one gets to bring them to the peak of pleasure but him. They will fear him the most above all others if that’s the way his darling must cope with his methods. Lucifer would prefer an amicable relationship, but he understands he’ll be met with resistance with the standards he has

Praise will come rarely, so any darling that craves it will have to earn it by being on their best behavior. If his darling does manage to get him to praise them, he’s in a very good mood and will be more open to requests (he won’t let them go, but some new books, hobby materials, or food options are fair game)

He’s a yandere that will lock his darling away for their safety as well as his own comfort and ease. Dangers are everywhere in Devildom, and he knows his darling will manage to find trouble if left to their own devices or with his brothers. He’s not going to risk it. Besides, he’ll have a better hold on his darling if he’s the only one they interact with daily

Going off the last point, Lucifer would also hide his darling away to avoid Diavolo’s attention. By my read on their relationship, Lucifer holds little power to oppose Diavolo thanks to their pact, and Diavolo wanting in on Lucy’s darling would frustrate him beyond words - can’t he have just one thing for himself? I’ll be writing more on a Diavolo/Lucifer/Darling situation after requests are filled, but BOY do I wanna write about this now

Mammon

He’s needy. Mammon craves affection from his darling in any amount they’re willing to give. He’ll be the first to deny it if his darling or someone else points it out, but everyone knows

He Does Not Like To Share His Darling! At all!!! He will pout and whine and get even more clingy if he thinks his darling so much as looks at someone else with interest (imagined or not) - especially his brothers

His punishments are usually to reassure himself that he’s in charge, that his darling did him wrong and they should be grateful he’s their protector, that he even bothered to notice them in the first place. Any other demon would have left them to fend for themselves; he is the best demon a puny human like his darling could ask for

That said, when he isn’t worked up he’s very much a sub in his relationship with his darling and aims to please them. Praise doesn’t come too often for him, and he loves when he can get any positive affirmation. He’ll get testy if his darling outright insults him

He wouldn’t think about locking his darling away until much later. After his darling grows accustomed to living in Devildom, after Mammon starts realizing and (unwillingly) accepting his feelings, he notices how close his darling is with his brothers and the others, how easily they could be stolen away from him… he doesn’t like it one bit

Mammon wouldn’t think much about his plan before he sets things in motion by making a deal with some witches to set up a private space for him and his darling that no one can reach without his say-so. This of course incurs a ton of debt that he’s confident he’ll pay off in a jiffy (he won’t) and he only leaves when he needs to handle paying off his debts or deal with some Devildom official business - he’s the second most powerful demon brother under Lucifer, so as obnoxious as Mammon could be about how “important” he is, he’s not entirely wrong

If he’s in a good mood, he’ll spoil his darling as best he can with any material good he can think they’ll like. Just name it and it’s theirs. Unless of course they upset him, then he’s just as quick to take any privileges he gives away and remind them who’s in charge. It makes him hurt to have to punish his darling, so he tries to avoid it unless he thinks they need a reminder of who has to make the rules around here

Leviathan

Levi doesn’t have much experience with darlings compared to his brothers - throughout the thousands of years he’s lived alongside his brothers, he prefers to shut himself away most of the time. He’s had the least amount of darlings in his lifetime, and when they pass on he secludes himself to fantasize about his perfect darling (who’s usually based on a combination of anime characters and past darlings he’s had)

He’s so insecure, constantly worrying how he isn’t good enough that he bullies his darling into having them convince him that he’s who they want. His darling better be convincing though; if he senses pity or fear or anything else that takes away from their sincerity, he won’t be kind when he’s punishing them

He’s almost as overbearing as Mammon - that’s a feat in itself. Levi won’t isolate his darling though; he’ll manipulate and guilt his darling into wanting to stay with him to avoid his ire. They’ll manage to step on his toes in one way or another, finding some unspoken overstep as an excuse to point out their flaws

Honestly the “transport yourself into a video game” trope opens up so many fun options for Levi to play with his darling. He has games (similar to the one we witness in canon) where he and his darling can spend virtual weeks together without anyone to disturb them. He has games he knows his darling hates - horror games that are gruesome for demons, let alone a human, where his darling can’t escape and can die as many times as it takes for Levi to be pleased before he transports them back out. He has naughty games for when he wants to import his darling to watch them endure whatever scenarios fit his fancy - anything from tentacle porn to gangbangs. By the end of it, his darling will be so grateful to be back in the real world they’ll be begging to stay with him, just as long as they don’t have to go back in a game. Levi uses the affection to his advantage

He forces role play on his darling - Levi as the Lord of Shadows and his darling as his precious Henry. His darling better learn their lines and how Levi likes them to respond if they want to stay on Levi’s good side

His darling’s wardrobe consists of mostly Ruri-chan and Henry cosplay Levi purchases for them. No you can’t change my mind

Of course, if his darling isn’t in a game or reading some top manga series, Levi’s talking about it to them or having them watch/read along with him. He just wants to share what he enjoys with the person he treasures, even if they’re just a simple normie human

Satan

Earlyon, his darling is warned by the other brothers that his smile is fake, that he’scynical and shouldn’t be trusted. But out of all the brothers, he comes acrossas one of the least intimidating, so it’s easy to gravitate towards him

Tbhhe’s likely not interested in his darling at first – humans are lessercreatures to demons, food for most and potentially nuisances when one makes apact with a powerful demon. Until he finds something noteworthy, like how quicklyMammon forms a pact with this human, he doesn’t see much potential

He’s pretty reasonable up until he’s angry; for a darling surrounded by dangers and demons,he appears to be the least likely to harm them, and they accidentally push one of hisbuttons at some point. Once his limit is reached, he is terrifying – wrath isin his name and he lets his darling know when he’s displeased

After the first time he loses his temper, he’ll givehis darling clear warnings before he punishes them. He uses his darling’s fearof his punishments to his advantage, encouraging “good” behavior with thethreat of “or else” in the background

He has some notable similarities with the eldest brother: a sadistic streak a mile long and a preference to dominate/need for control to ensure his darling is undoubtedly his. How Satan shows these traits is different in key ways, however

Satan is sadistic more often when he’s feeling neglected, miffed, or bored with his darling. He’s not as strict as Lucifer, actually allowing his darling the freedom to act on their own accord in most cases. It gives his darling the chance to show him how much devotion they are willing to give him without him commanding it. If he gives an order, however, he expects his darling to obey

Unlike Lucifer, Satan doesn’t have the risk of things going Bad if something doesn’t go his way; Lucifer needs to please Diavolo or risk failing on his end of the pact, and so control is key for him. Satan likes control, but to the extent of knowing he has the final say. Satan doesn’t want to control every aspect of his darling - at the end of the day he wants his darling to voluntarily choose him, even if only out of fear of his displeasure - but he will have them

Satan has his own possessive habits - he needs affirmations that his darling is his. Either he’s marking them in some primal way or he has his darling reassure him through their actions

He stalks his darling. Have you seen how aware he is of his brothers’ activities in-game? It’s almost unnerving in some situations - and that’s just canon material. Satan watches his darling out of curiosity at first before it grows into an obsession for him. After a while he knows every little detail, every mannerism, every preference. All those outings he asked his darling to join him on before he actually clarifies he wants to date them? They’re all used as opportunities for Satan to review later

Advice to any darling of his: Do NOT compare him to Lucifer if you know what’s good for you. Just. Don’t. He won’t kill you, but you will wish he did by the time he’s through with you

I say this as several of my points are comparing his similarities/differences with Lucifer hahaaaaaaaa sorry Satan

#yandere #yandere obey me #yandere headcanons #yandere satan #yandere lucifer #yandere leviathan #yandere mammon #mammon x darling #lucifer x darling #leviathan x darling #satan x darling #my post #my replies #anons

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blueeyeswhitegarden · 3 years

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Already know you're excited for Arc V World (same!), but what are your thoughts on the Master Duel and Rush Duel games?

I think that they both look pretty cool. It seems like they're really hoping for Master Duel to be successful given it's going to be available on a lot of different systems. I primarily play the card game through Duel Links, so I haven't had much experience with the Master Rule format. I tried with Link Evolution, but it was a bit too slow, but that was before they updated it with the new Master Ruels as well. The graphics look really cool, especially for the monster summons and Pendulum summons. It looks promising, so I'll be curious to check it out.

I'm kind of surprised with the Rush Duel game and yet not surprised at the same time. I had a good feeling that it would get a U.S. release. Having a Rush Duel game featured in a popular console like the Switch would potentially be a good way to introduce the game to fans here. I think I'm mostly surprised by how they announced it. I thought that they'd just drop a release date for it instead of including it among a digital game announcement. It was also strange thinking that this was the most the U.S. has acknowledged Sevens' existence after airing in Japan for over a year. I kept thinking "So are we getting news on the dub and preferably legal subs as well?" Sevens isn't one of my favorite series in the franchise, but it isn't one of the worst ones either, so getting some legal way to watch the series would still be nice. I assume that the Rush Duel game getting a U.S. release does confirm that we'll get something for the dub by this fall, but just not having any solid news for the Sevens dub or legal subs for ages has been rather strange.

The game itself looks pretty neat. I like some of the sprites for the characters, some of summoning sequences look cool and it could be a good way to introduce Rush Duels to new and old fans alike. I'm also just happy to have more Yu-Gi-Oh! video games in general. Plenty of games haven't been released outside of Japan and just having more variety is welcomed at this point. I'll probably get both games just to support more Yu-Gi-Oh! games, as well as getting a chance to try Rush Duels myself. It doesn't look that impressive to me, but it might be more fun to play through. I am still beyond pumped for an Arc V World in Duel Links. I have been waiting for this update for years. Getting new artwork and dialogue for the characters makes me incredibly happy. I'm also curious as to how they'll incorporate Pendulum summoning into Speed Duels. Getting a chance to play more great archetypes from Arc V is also pretty awesome.

#Pendulum Answer #Asks

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okayto · 3 years

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Mini-Review: One Punch Man

Saitama is a super hero who has trained so hard that his hair has fallen out, and who can overcome any enemy with one punch. However, because he is so strong, he has become bored and frustrated with winning all his battles so easily.

The setting: December. I, a millennial with normal access only to streaming services, am sitting in my parents’ living room enjoying access to both a TV four times as large as mine, and regular cable TV. I flip to Cartoon Network’s Toonami block, which is showing One Punch Man. I’ve heard of it in passing but have avoided it so far, since big punch-y fight-y shows aren’t generally my thing, but it seems fine to have on in the background while I browse the internet.

On screen, a couple characters have clearly just beat up a cyborg gorilla, and decide to go after his organization. Why now? questions the one who looks lethal. Because there’s a sale and I’ve got grocery shopping tomorrow, replies a bald guy in a onesie. The den of Clearly Mad Scientists prepare for the arrival of two heroes, activing entire floors of traps...all of which go to waste as one hero just flat-out obliterates the entire building without entering.

We could’ve at least seen what the bad guys had in store for us, the other one muses. That was kinda mean.

Okay, I was hooked.

One Punch Man is exceptionally fun, especially if you’ve watched more than, like, one shounen series in your life.

The first season was great. It’s just superhero tropes, taken up to 11, by a very bored guy. (Alternatively, you know the trope-savvy comedy with a flat-faced protagonist that is Saiki K? Same idea, but superheroes.)

Saitama is not just an everyman, he’s an everyman who is ridiculously OP for no reason. He wants to be (and is) a hero, but he’s also pretty lazy and oblivious to social convention. Genos the cyborg, after failing to defeat Saitama in combat, becomes his disciple, to learn the secrets of being so strong. Saitama, not one to pass up help around the house, agrees (or allows it, at any rate).

Binging season 1, it was easy to see why this got so popular. It’s fun, but the plot also has to come up with reasons why Saitama doesn’t just punch every threat right away--and often that means he’s busy doing something else (shopping, playing video games, away from his phone, whatever) so we get to see other heroes shine for a while. This is both interesting (because: heroes!) and serves to emphasize how ridiculous Saitama’s whole situation is.

Season 2 started off interesting, and introduces not just more characters overall, but has Saitama befriending and involved with more heroes, which is great.

But there’s an issue: season 2 felt like too much was going on: King (a highly-ranked hero with a secret) and Saitama becoming friends, the introduction of a human villain, a whole tournament arc, a bunch of new monsters.

We’d watch one set of heroes for a while, then focus on another, and while it did add tension like it was probably supposed to, it was also frustrating to have to watch a story that was split so much.

(also, even amazing strength and speed can’t defeat that one mosquito you keep hearing, as Saitama discovers.)

On one hand, I get it. The whole joke of the series is that in a world with every superpowered hero you can think of--technology-based, traditional muscles-and-speed, psychic powers, weapons, martial arts--this one bald nerd achieved Ultimate Power simply with a generic workout routine. And now he’s so strong he can defeat anything with one punch, and so he’s bored.

And like I said before, the issue then becomes how to make Saitama interesting, and also to give him a challenge and/or not have him literally solve every plot problem by punching it in the face immediately. So he spends most of season 2 masquerading as someone else in a martial arts tournament.

Which is not by itself a bad thing, except that there are also two separate non-Saitama action plots we’re trying to follow.

Ideally, this could’ve been fixed by making season 2 longer, since unlike season 1 it leaves some threads/characters unresolved. No third season has been announced as I write this, but there was a 4-year gap between seasons 1 and 2, so I hold out hope.

Verdict

English dub? Yes, and I REALLY liked the English voices. That said, the sub is more widely available.

Visuals: Pretty nice, and it’s especially fun when the difference between Saitama’s Serious Face shows up, and his normal more roundly-drawn flat expression. Lots of explosions are very nice. There was a studio change between seasons and I kinda think that season 2 isn’t quite as nice as the first? But it’s not bad.

Worth watching? Ahahaha YES. It’s very fun and tongue-in-cheek. Despite my complaints about season 2, I still enjoyed it. I check about once a month to see if a 3rd season has been announced yet.

Where to watch (USA, January 2021): On-demand via cable provider (dub) or on Adult Swim’s website after proving you have cable (dub), Netflix (sub, season 1), Hulu (sub & dub s1; sub season 2), Crunchyroll (sub, s1), Funimation (sub, s1), Tubi (sub, s1), BR/DVD

Click my “reviews” tag below or search “mini review” on my blog to find more!

#One Punch Man #Wanpanman #anime #reviews #recommendation

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danwhobrowses · 3 years

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One Piece 1000 - 10 Confessions as a One Piece Fan

Although we did the Initial Thoughts a week ago (a long week ago, damn) which you can read here I wanted to do something for the official release of One Piece’s 1000th Chapter At first it started out to be ‘10 things I wanna ask Oda that I don’t think we’ll ever know’ but I couldn’t think of 10, then I was gonna do a General opinion post about it, but didn’t want it to come off too negative. So I am settling on a confessions post, which will have elements of these anyway.

So as we have a happy 1000, let’s talk about some stuff I usually don’t get to talk about in One Piece

Note: There will probably be spoilers so make sure you’re up to date

10. Late Beginnings I think the first confession I have to have is that despite being older than One Piece I am unfortunately not a ‘Day One’ fan. In fact I think I mainly got into One Piece around mid-Whole Cake Island arc, before I had of course known about One Piece, it was a ‘Big Three’ anime after all but the most I knew about it was that they had a guy named Luff-y and another called Zorro, and it was about ‘Pirates who can’t swim’. My curiosity only developed when in a youtube deep-dive of anime clips I kept being recommended One Piece clips, and decided to give a couple a go. Most of them were Paradise arc stuff from the anime, the dub voices were mostly atrocious so I stuck to sub. I was happily surprised about the amount of fun and emotional weight these clips gave me, which led me to check where One Piece was as of current and backtrack from there (Ironically I did the same with Beastars). I did eventually get caught up around the time of the Mafia Meeting and I’ve kept up with each chapter since.

9. I mostly still prefer the Pre-Timeskip looks When I first felt this I thought it to be pretty controversial, nowadays not so much. I understand that Oda wanted to change the look for many characters but some of them did feel like a downgrade. I think the ones who got it worst was Franky, I think it’s the bulbous shoulders, Franky was no stranger to body horror from Enies Lobby to Sabaody but I kinda preferred that he still had a lot of his humanity rather than looking like an action figure. Otherwise I think Robin, Nami and Chopper had it bad, maybe Brook too but his was more fashion than design; the women in general took heavy hits by Oda’s proportion design - I mean I get it boobs are nice but proportions are what make them better - but Robin also underwent a skin color change in the anime, who pre-timeskip shaded her skin darker than in the manga and corrected it to match the manga, I think most of us would’ve preferred Robin to have kept the darker skin tone and possibly even the fringe, Robin’s hairstyle (and her fashion in general) can be hit and miss. I go to and fro about Nami, other than the general waist and bust adjustments I think it fits her character to use her sexuality a bit, she was no stranger to that pre-Timeskip, sometimes though I can’t tell whether I preferred her with short or long hair (Short was definitely better on Nojiko), I do think though that Oda could have her show less skin, she is still very pretty in outfits such as Water 7, Thriller Bark and even her fake pirate disguise in the early chapters/episodes. Finally with Chopper I think it was a bad move to alter the hat, that was a memento from his father figure Hiriluk, it’d be like if Luffy altered his straw hat or Zoro replacing Wado Ichimonji, I do also feel that the design for Chopper’s points while easier to draw don’t look as good, I think a lot of it is the scruff, or lack thereof in favour of smoothness, Walk Point is fine but Heavy Point, Guard Point and Horn Point seem less threatening, Monster Point especially too, in Enies Lobby he looked like a cave painting of menace and destruction, now he’s smoother and his scruff lighter so it’s not as good. The rest of the designs I’m quite fine with though.

8. I wish some markings stuck as well Tattoos and Scars seem to be optional in the One Piece world sometimes, unless it’s branded in molten heat like the Dragon’s hoof, Sun Pirates logo or an attack from Sakazuki. While Nami’s redesigned tattoo has stuck around and Luffy and Zoro’s scars persist, they are mainly character reminders/mysteries for huge moments in the story, and I kinda wish that some of the Straw Hats had littler markings, not just scars either. For instance, the Alabasta X on the arm, I really wish that stayed on each of the Alabasta characters’ arms since it was a symbol of friendship with Vivi, I also wish that Luffy kept the 3D2Y mark on his arm. In terms of scars though it would’ve been nice to see the characters a bit more battle-worn; Zoro’s ankle scars from Mr. 3 have faded and frankly he should be covered in little and long scratches given his fights with Mr. 1 and 2 years of Mihawk Training, Nami’s shoulder scar is hidden completely by her tattoo and she has no scars on her hand (from fake stabbing Usopp) or foot (from blocking Miss Doublefinger), Usopp himself could’ve used some small scratches because lord knows how there’s even still bones in his nose plus he was in murder island for 2 years, Chopper could at least have a small bald patch from when his shoulder was impaled and burned by Shura’s fire lance too, other than that there’s just Jimbei’s potentially missing shoulder scar from Marineford, though Oda has kept it obscured a lot so maybe that is still there. I understand why Oda doesn’t or forgets to, but it would’ve been nice if we lived in a vacuum of no time limits and whatnot.

7. Dead End Adventure is my favourite One Piece film I don’t know what it is, but Dead End Adventure just gives me the most fun out of the One Piece films. It has a good side plot and the side character Shuraiya was a blast of a character. Granted, Gaspard wasn’t too good of a villain side for actually harming the straw hat and his defeat was a bit underwhelming but the race, the settings it was all fun. It is not to say I don’t enjoy any other One Piece movies, I delight in the horror fuel of Baron Omatsuri - and that killer final punch - and Z’s tragic tale of a fallen marine, Strong World has that epic entrance to the party and Stampede also had some great team up moments and fantastic writing for Usopp and Smoker but Dead End Adventure always feels like the movie I could watch in any mood.

6. Skypeia and Fishman Island are some of my favourite arcs While I can understand the criticism of the Long Ring Long Land arc (especially since the anime dragged out the Davy Back Fight) it surprised me that people found Skypeia and Fishman Island arcs to be boring or less entertaining than previous arcs. Everyone has their preferences of course but I felt that Skypeia and Fishman Island were very powerful arcs especially with the theme of racism. Both had glorious setting design different to the common customs of the world we had seen, Oda made both Skypeia and Fishman Island feel very much lived in with its own budding culture and prejudices, with a villain who was dead set on destroying everything just to have their way. With Enel and his priests we were able to push several characters to newer limits, with Robin showing her fighting capabilities, Zoro learning his projectile slashes, Chopper having to endure fighting 3 priests and even Usopp growing all the more braver in the face of seemingly indestructible opponents and later gaining access to the dials. With Fishman Island it was different because it was basically a ‘flex arc’: where the main villain is meant to be a stepping stone rather than a threat but even then the symbolism of the enemy is what’s significant with them, the inherited hatred of humans. But at the same time we do learn new strengths from the crew; Red Hawk, the use of armament Haki, Skywalk, Hell Memories, Franky Shogun, Usopp’s pop greens, Nami’s weather eggs, Brook’s Soul Solid and his new DF power (which is possibly an awakening), as well as the first true steps of Jimbei joining the crew. The biggest strength of both arcs is the flashback as well, like Wano would in present time both arcs demonstrated that Oda can carry a story without his main characters and still keep it as captivating as ever, be it the friendship of Noland and Calgara, the tragedies of Otohime and Fisher Tiger or the life of Kozuki Oden and the man who would be Pirate King. And the impact of Fishman Island and Skypeia’s flashbacks both come back around in Dressrosa with the dwarves and Koala, and Fishman Island really does kick off the whole Yonko saga with Luffy challenging Big Mom, these arcs were definitely significant as they were entertaining with silly faces, strong fights, challenging themes, lorebuilding, good side characters and unique twists. And the overall message of healing from the past is still significant to this day. Through Wyper’s sacrifice and the Bell ringing to Jimbei giving blood and the Ryugu royals wanting to attend the Reverie, it is all very powerful stuff and while the arcs are similar in nature its their similarities that make me love them. Also the cover stories with Enel and Gedatsu on their own mini adventures are fun

5. I really want to know where Ghin is Ghin/Gin was such an interesting character in Baratie. Given that this was right before Arlong Park too so we had not seen a character conflict with different loyalties in One Piece until then, his gratitude to Sanji against his loyalty to Krieg created a fantastically complex character, but then he left and we didn’t hear about him ever since. Did he survive Krieg’s poison gas? Is he still with Krieg? One reactor of the episode said “maybe he’ll become the next Don” which was a concept I kinda really liked. The guy was pretty strong given that he had bested Sanji at that time, and since he didn’t appear in a cover story my mind does wonder. It’s not just Ghin either, a lot of the early East Blue characters kinda fell off the map; where is Morgan? Last we saw he was sleeping as he sailed past Jango, where is Kuro? For someone wanting to resume piracy after some years off he has been very quiet, where is Krieg? Only Arlong and Morgan were arrested and the latter escaped so the rest of these characters are a mystery. Recently in Wano I am still wondering where Law’s crew that he brought to Onigashima went, as well as Caribou - where is that slippery bugger?

4. Basil Hawkins is probably one of my Top 5 Supernova There’s something about that dude I gravitate towards, which makes it quite frustrating when the anime decides to add extra malice and creepy faces to him. Hawkins in Wano is still a victim, if anything he is simply a prisoner with better working conditions, if he thought he could survive escaping Kaido he would but he doesn’t so he won’t, he’s also gonna feel sore about Drake betraying him and letting Law cut him up, so it annoys me that Hawkins is seen like a villain. Not only does he have an extremely interesting Devil Fruit and creativity with it but he’s also audaciously confident in his fortunetelling, even Luffy ran from Kizaru at Sabaody while Hawkins looked at his cards while Kizaru was about to boot him to holy hell and said ‘nah I’m not dying today’, you gotta respect that moxie. At the same time though as a pirate he has that shades of grey element, he’s okay with letting some of his crew be disposable and we don’t even know to what end, he doesn’t look like a guy too concerned about being Pirate King or having riches. I also get a good laugh in that his hobbies are interior design, it makes me really want to see what the inside of his ship looks like. I think as a top 5, I have Luffy, Zoro, Law, Hawkins and then Kid, Bege, Killer and Bonney are not far behind with Apoo dead last because fuck Apoo. Kid and Killer are cool but I do feel like they need a bit more character, Bege earned some points in being funny and his care for his family in WCI and then there’s Bonney - I really hope we dig into Bonney’s significance, she feels really important and that mystery keeps her fresh whenever we see her. Drake too has only really started to become interesting because of SWORD, we could still see more fleshing but for now he is like bottom 3. It’s a shame Urouge has to be so low, he’s not bad but he’s not spectacular either, gotta admire his hobby of lovemaking though, you do you Urouge.

3. I don’t think that either of the ‘Most Beautiful Women in the World’ are the Most Beautiful Women in One Piece The in-world consensus seems to be that the Most Beautiful Women in the World are Boa Hancock, Komurasaki and Shirahoshi, and granted they are very pretty, but the most? Not for me. I mean, y’all know that Nico Robin, Nami and Vinsmoke Reiju exist right? Makino as well is stunning, as are Tashigi, Bonney, Margaret, Ishilly, Nojiko, Vivi, Rebecca, Pudding, Perona, Cosette and I’m sure a few others, realistically I think they could all give them a run for their money. I get how for those three their beauty is a plot point (Boa it’s drilling home Luffy’s obliviousness to it, Komurasaki it’s the swerve of her not being awful and for Shirahoshi it’s due to Vander Decken IX pulling the creep factor on her) but it would’ve worked the same way without the ‘world’ hyperbole I think. As much as Oda is iffy with proportions and rarely writes women with as much attention as the boys he sure knows how to make them attractive.

2. Some of my favourite individual Straw Hat scenes aren’t in Canon If I were to have a top 5 moments of each character, it may surprise you that some of it comes from movies or filler episodes, particularly Sanji’s flexing on Jessica in the G8 Arc (in fact, Jonathon is one of my favourite marines, T-Bone is in there too, but I don’t have room to fit that). Some are of course obvious because of how iconic they are but it does go to show that sometimes filler isn’t all bad. Since you’re probably curious: As a Group Goodbye Merry [Enies Lobby] Entering Shiki’s Palace [Strong World] Walk to Arlong Park [Arlong Park] Entering the Grand Line [Reverse Mountain] vs a Stuck Oars [Thriller Bark] Jimbei Giving Luffy Blood [FMI] Vagabond Drill on Big Mom [WCI] Leaving the Big Mom Pirates [WCI] Returning in Wano [Wano] Trying to argue with Luffy [FMI] Brook vs Chess Soldiers & Big Mom [WCI] Flashback [Thriller Bark] Breaking Mother Carmel’s Picture [WCI] Baron Corpse vs Dog Minks [Zou] Hysterically laughing at seeing Duval [Sabaody] Franky vs Senor Pink [Dressrosa] Playing with the Kids [Punk Hazard] vs Fukurou [Enies Lobby] Freedom Roller [Wano] Trapping Caribou in the Barrel [FMI] Robin I Want to Live [Enies Lobby] Clutching Spandam [Enies Lobby] Throwing Usopp under the bus [G8] vs Yama [Skypeia] Clutching Tequila Wolf guards [Amazon Lily] Chopper Monster Point [Enies Lobby] Flashback [Drum Island] Chopper Man (& Minoru Kazeno) vs Usobada [Chopper Man Special] Don’t blow the whistle: Immediately blows whistle [Skypeia] Dr Chopper the definitely Human Doctor not wearing fake glasses [G8] Vivi w/ Karoo (she counts okay!) Goodbye speech [Alabasta] Escaping Bon Clay [Alabasta] Karoo Digging Luffy Out [Little Garden] Luffy Fan Club Meeting [Reverie] Slapping Usopp awake [Drum Island] Nami vs Kalifa [Enies Lobby] Standing by the kids [Punk Hazard] Saying goodbye to Bell-mere [Arlong Park] Helping Luffy vs Cracker via Lola’s Vivre Card [WCI] Luffy WILL be Pirate King [Wano] Sanji ‘I needed a light’ [Skypeia] Flexing on Jessica [G8] Saving the Vinsmokes [WCI] O-Soba Mask [Wano] vs Doflamingo [Dressrosa] Usopp Alabasta speech [Alabasta] Awakening Observation Haki [Dressrosa] Sogeking Theme Song [Enies Lobby] vs Perona [Thriller Bark] Saving Luffy from the fire [Stampede] Zoro Nothing Happened [Thriller Bark] vs Ryuma [Thriller Bark] vs Mr. 1 [Alabasta] vs Gyukimaru & Kamazo [Wano] “He’s sweeping our floors that fiend!” Test of Luck [Loguetown] Luffy ‘On the Sea, you fight Pirates’ [Wano] Red Roc [Wano] vs Katakuri [WCI] Haki clash with Doflamingo [Dressrosa] Punching Saint Charloss [Sabaody] I will have to say that for some characters I could go to 20 so if one’s missing it may’ve just missed the mark, such as Usopp and Nami vs Enel or Luffy putting back a Zombie or Stealth Luffy, I mean it is 1000 chapters as well as movies and filler episodes/specials...

1. I’ve learned quite a lot due to One Piece Since my fascination started with a deep dive of checks, I did start to learn a hell of a lot more not just about the franchise itself (you know it’s almost catching up BATMAN on total sales, which has been around more than 3 times longer?) but I also learned a lot about stuff Oda has used as a reference key; folklore, actual pirates, actual practices, the amount of detail Oda puts in is astounding. Which does lean into another thing I’ve learned, One Piece has changed the way I approach some of my ideas for writings and whatnot, before I would be afraid of either spoonfeeding or being too vague, Oda’s mastery not only in storytelling but character development, character quality and pacing has both helped and intimidated me a lot of times, I mean consider this: it took hundreds of chapters to get a proper backstory on Luffy, the main character, how unprecedented is that? Often I could fall into the trap of making sure you knew everything about the main character from day one but now I wonder about what’s necessary for the now and what can I work on. Another thing that both inspires and intimidates me is his drawing, I suck at colours and still do, and a lot of Oda’s attention to detail is incredible considering he’s gotta whip that out on the weekly, but at the same time you see some of his rough sketches and they’re pretty similar to a rough sketch of my own, so in a way it’s a ‘there’s still hope for you’ moment seeing those. I can’t say I’ve learned Japanese from listening to One Piece, but I have picked up on some stuff, some hiragana there, some phonetics here, I also appreciated some of the stuff kaizokuou-ni-naru does (I won’t tag them in case that’s a bit rude to do it out of the blue but check out their tumblr) when it came to deciphering the Japanese of chapters and the little puns and hints Oda puts in his native tongue. And of course any One Piece fan has learned one thing above all else: Patience. Oda himself included, it took over 20 years to get to 1000 chapters and we still have plenty of questions to ask, plenty of islands to see and thus plenty of chapters to go. So Straw Hats off to you Oda, and a happy 1000th!

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ranma-rewatch · 4 years

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Episode 5-Love Me to the Bone! The Compound Fracture of Akane's Heart

Hey there, hope you’re doing well, whenever/wherever you’re reading this. We’re on the fifth episode of the Ranma Rewatch, and I just realized that you can pretty clearly delineate the last three episodes into one arc, all about introducing Kuno. This episode and the next few, judging by the title, look like they’ll be focusing on Dr. Tofu and Akane’s crush on him. I...really cannot recall a lot about these episodes, so it’ll be interesting to look at them with a fresh perspective. See you all again in a second, once I’ve finished watching the episode!

Wow, uh...I am finding my memories of this show are definitely blurred in ways I hadn’t expected. Or rather, when I saw it as a younger person, I didn’t notice the same things I’m noticing now.

The episode starts with Ranma brooding over how often Akane gets angry and violent at him, which ties into Akane training in the dojo with her dad. For a second, she remembers Ranma’s rude comments from the day before, and the anger makes her hit her dad so hard he’s left pretty hurt. Kasumi, the eldest of the Tendo siblings, tends to his injury, but pleads with Akane to reign in her violent tendencies, even if the exact specifics of that promise change from the Sub to the Dub.

Later, Kasumi sends Akane out to get meat for dinner, at the same time Ranma is brooding in the same area. They run into each other, and Ranma provokes Akane so much that, even after trying to restrain herself to Kasumi’s promise, she gives up and clobbers Ranma so badly she has to take him to a doctor. Specifically, Doctor Tofu.

This is actually the good doctor’s first time seeing Ranma as his uncursed form, so they’re formally introduced. Tofu reasons out that Akane is responsible for the extensive damages, looking serious...only to happily point out that the injuries make that clear, since the way she fights is so distinctive. To Ranma’s surprise, Akane is in a hurry to leave once Ranma is okay, and before they go Tofu tries to tell Ranma that Akane’s actually a pretty nice person, which Ranma is skeptical of.

Seemingly to prove his point, Tofu hit a pressure point on Ranma’s back just before they left, so that halfway home his legs would go out. Despite the fact they’d just been arguing, Akane immediately offers to carry Ranma home, something he only accepts after being splashed with water, thanks to his pride as a man. It’s there, being carried piggyback style, that he considers whether Tofu may have been right after all, but just isn’t sure.

This whole time, their dads have been trying to think of some way to make them get along, since things are only getting worse between them, but it seems they don’t have any ideas. At breakfast the next day, Kasumi asks Akane if she can take a book she’d been borrowing from Dr. Tofu back to him, only for Akane to refuse. When Ranma questions why she’d do that, about to spill the beans on her crush, Akane hurries to school with Ranma in toe, not even noticing that Ranma gets splashed as they sprint down the street.

Once there, she realizes the curse has activated as she starts chastising Ranma for what he did, namely by opening up Ranma’s shirt...revealing his breasts in front of all the guys who usually fight Akane. Not that they seem to notice. They’re not about to fight Akane anymore, telling her that they’ve decided to honor her engagement to Ranma, since he beat Kuno, their best fighter and biggest pervert.

Not that Kuno himself is going to honor that agreement, even if he’s still covered in bandages from all the hits Ranma got on him, and can barely seem to stand. But when he notices Ranma there in his cursed form, he goes from toting the virtues of Akane to his red-headed love in seconds. Ranma is annoyed, and that only gets worse when Akane pretends to support the two getting together, in the hopes that maybe that would maybe get Kuno to leave her alone. For a few seconds, Kuno is struck with indecision...only to once again reiterate that he’s in love with both of them.

During gym, a few guys in Ranma’s class hassle him over his luck in being engaged to Akane, and needle him over whether they’ve ‘done anything’ yet. Just when he’s about to mention that Akane already loves someone else, she hits a softball right in his face, though it’s unclear whether this was on purpose or not.

This means another trip to Tofu’s clinic, though this time they run into his newly hired assistant: Ranma’s dad in his panda form. Tofu laughs to hear that this panda is apparently Ranma’s dad, but it’s unclear if he actually believes that or not. Ranma is getting more and more curious about why it seems like Akane is trying to avoid the person he knows she likes, when the phone rings. Akane answers and talks to that person, before finally telling Ranma that Dr. Tofu already has someone he’s in love with, and that woman is one the way to the clinic, that’s who Akane had talked to on the phone. After a fake out, it’s made clear from how the scene cuts to her that the woman Akane’s talking about is Kasumi.

There are a few things this episode has really brought to mind for me. To start with what I alluded to earlier: when I have thought about Ranma 1/2, for the longest time, I’ve thought of it as a very episodic storyline. Throughout it’s very, very long run, I mostly remembered it being unrelated little stories, aside from the small arcs that populated the various seasons, cropping up from time to time. I do remember enough specific episodes to come that I do know there are one-off episodes later on.

But as I look at the five episodes I’ve covered so far, I’m kind of staggered by the continuity. Each episode flows seamlessly from the last, even as we’ve kind of moved on from an arc about Kuno to one about Akane and Dr. Tofu. Now, whether this is something the show will outgrow with time, as it drifts farther and farther from the manga, isn’t really something I know for sure, so it’s a thing I’ll have to keep an eye on.

So much of this episode is devoted to Ranma and others thinking about his relationship to Akane. He’s clearly very skeptical about any idea that they might work out as a couple, already seeing the rough ways they tend to hit each other where it hurts when they bicker. Still, there are other moments where he can clearly see her better traits, such as when she immediately moves to help him when his legs fail him.

In that same vein, I was very much befuddled at first when Akane just opened Ranma’s shirt to check he really was in his more feminine body. Like, that just seemed out of character for her, but then I realized a better way to read that. Akane has no problems doing something like that because she considers Ranma a guy, for better or worse, regardless of what he looks like at the time. Unlike so many characters, who tend to treat Ranma differently depending on if he’s in his cursed form or not, Akane always sees him as Ranma. Here, that made things awkward, but on the whole it’s kind of a big plus from her. She validates Ranma for who he really is, in that way.

Oh, back when I was recapping things, I mentioned a couple of guys hanging out with Ranma at school. Well, fun fact, those are Hiroshi and Daisuke, and I think this is their first appearance in the anime. They become Ranma’s default two friends at school, and later on Akane will get her own similar pair of friends to match. If you’re not paying attention, they might seem like extras, but Hiroshi and Daisuke actually have consistent designs and personalities, which I find pretty neat.

This week, for the character spotlight, I thought I should round out the Tendo siblings with the oldest, Kasumi. After all, she’s getting more attention in the plot right now, and there really aren’t a lot of characters worth focusing on introduced yet.

Now, as best as I can tell, her voice actresses in the original Japanese and the English dub are doing the same kind of thing. Namely, a very sweet, if restrained, kind of performance. In English, she was played by Willow Johnson, another fairly minor Canadian voice actress who doesn’t seem to have done a lot of work recently, though she is also Kikyo from the Inuyasha dub. In a strange coincidence, she also played Lalah Sune in Mobile Suit Gundam, which I’m going through for the first time right now, and her character literally was just introduced a few episodes ago, so that’s cool. Her Japanese voice actress seems to be more well known and well regarded, Kikuko Inoue. She’s done a ton of roles, including more recent work. She’s even worked for Japanese dubs of American series, such as playing Blue Diamond from Steven Universe. And, like I said last week, she was a member of DoCo.

Of the three Tendo sisters, she’s definitely the one that’s gotten the least attention and development so far. Sadly, I’d say that’s also generally true throughout the entire series, as far as I can recall. Akane is one of the protagonists, after all, and Nabiki is a great source of conflict. In contrast, Kasumi is mostly...there.

That said, even if she isn’t the most well developed character, she’s at least clearly defined. It’s obvious already that she’s the one running the house, seemingly with more authority than even her father. She acts more like a mom than a sister most of the time, which from personal experience is definitely a thing that happens with oldest sisters sometimes, even without dead moms in the picture.

Kasumi cooks their meals, cleans their house, and just seems to be the one making sure everything gets done. She’s also very kind and accommodating, and comedically her strength is her nonplussed reactions to the madness going on around her. Kasumi is nearly always unphased by things like houseguests sparring in the yard. The exception did appear in this episode, however. When her father was injured, she did try to lay down the law on Akane, even bringing up their dead mom to try and make clear how serious this was.

That’s...really all there is I can say about Kasumi, at least so far. I can really only think of one really interesting thing they ever did with her character, and I’m sure other fans know exactly what I’m talking about.

Okay, so, what did I really think of this episode? On the whole, I’d say it was fairly strong. I appreciated seeing Ranma really thinking stuff over a little bit, and that scene with him and Akane at night was very cute. That said, I also do kind of find this Tofu plot a bit boring, since he as a character hasn’t really done a lot for me. So, in the end, I’d say this episode is middle of the pack.

Episode 2: School is No Place for Horsing Around

Episode 4: Ranma and...Ranma? If It’s Not One Thing, It’s Another

Episode 5: Love Me to the Bone! The Compound Fracture of Akane's Heart

Episode 1: Here’s Ranma

Episode 3: A Sudden Storm of Love

But what will I think of the second (and only other) part to this small arc? We’ll see next week with the sixth episode, “Akane's Lost Love... These Things Happen, You Know”. Man...I really do love these kinds of episode titles. See you then!

#episode 5 #Love Me to the Bone! The Compound Fracture of Akane's Heart #ranma 1/2 #ranma saotome #akane tendo #kasumi tendo #doctor tofu #anime analysis #anime rewatch

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saranghanuuu · 4 years

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LOVE LASTS FOREVER JDRAMA REVIEW ♡

Love Lasts Forever / An Incurable Case Of Love (Koi Wa Tsuzuku yo Dokomade mo) is a 2020 romance-comedy-medical Japanese drama based on Maki Enjōji’s 2016 manga series of the same name. It stars Takeru Satoh playing the role of Dr. Tendo Kairi and Kamishiraishi Mone as Sakura Nanase.

PLOT SUMMARY

Love Lasts Forever / An Incurable Case Of Love (Koi Wa Tsuzuku yo Dokomade mo) tells the story of Sakura Nanase who accidentally (or should I say, fatefully) encounters cardiologist Tendo Kairi after an old woman collapsed on the street due to vasospasm. Sakura is greatly impressed on how Dr. Tendo handled the matter at hand and falls in love with him at first sight. After Dr. Tendo complimented Sakura for playing a key role of screaming for help for the old woman, she then realized her desire to become a nurse for a chance to meet him again.

Five years later, she was admitted as a nurse trainee at Hiura General Hospital where Dr. Tendo works. Sakura confessed to him on her first day of work, only to receive a blunt rejection. Unbeknownst to her, Dr. Tendo is dubbed as a “devil” at work for being a perfectionist and for criticizing other doctors and nurses. Sakura earned the title “hero” in the cardiology ward because of that daring confession, but Dr. Tendo sees her as nothing but a “boulder” hindering his job due to her clumsiness. However perhaps with love and patience, nothing is impossible. Sakura continued to pursue the seemingly cold-hearted Dr. Tendo, especially after she was placed under his team. She now aims to receive his validation both at work and in love. Will Sakura be able to succeed in this sweet ordeal?

MY TWO CENTS

I haven’t seen a Japanese drama in a while and it’s highly unlikely for me to watch one as my hands are full of Korean dramas these days (I am currently watching 3 ongoing and 4 finished series). But then I happen to see a fan-made video again circulating in Facebook about Love Lasts Forever. The FMV is so well-done that I was fascinated - covering all the meaty parts from start to finish. That’s when I decided I should gamble my time for this. It appears to be just an easy-going series, I thought, which will be a good catch since everything’s so complex recently. I started it with low expectations... And I unexpectedly loved it so much than I can handle!

WARNING: I suggest you not watching this if you are tired of this kind of plot, OR you prefer complicated stories, OR you expect this to focus on the medical aspect than romance. I want to save this drama from your disappointment. On the other hand, this drama suits best for hopeless romantics who fairly need a breather from the intricacies of life.

Since I never once reckon Love Lasts Forever to be a perfect drama, I am setting aside my criticisms. Instead, I am listing the things that made me fall for this series:

Kamishiraishi Mone is sooo KAWAII! Yes, this is the first reason HAHAHA😁 The way she speaks is very cute that it made me an instant fan. Of course it followed that I researched about her and found far more interesting things! She is a singer and the voice actress behind Mitsuha Miyamizu of Japanese anime film Your Name at that! She even sang an OST of Your Name entitled Nandemonaiya. Whoa~ So impressive, this girl.

Right on acting. I am well aware that Japanese series tend to be OA and loud. This one is no different, but more of on the entertaining side than cringeworthy.

Clichè theme, yes, but the kind you will never get tired of. Admit it or not, your heart still flutters on stories of a tsundere male lead falling head over heels with a clumsy but bright female lead

Similarity with Itazura Na Kiss - anyone who watched this drama will be able to tell, I suppose. Itazura Na Kiss is evidently one of my most loved stories that I made several posts about it here in my blog. But I guess Love Lasts Forever stood out in a way that it's more relaxed and less toxic (just like what a user commented on my previous post).

Love Lasts Forever showed justification behind Dr. Tendo's strict and aloof personality, which brought more excitement as Sakura slowly breaks down the walls on Dr. Tendo's heart. It is thrilling when they do this in a drama really. Dr. Tendo initially drew a line between him and Sakura, so him growing as an expressive character is one for the record! He gave so many reassurances to Sakura that he loves her, that it was never a mistake that he chose to be with her.

Kiss kiss kiss overload!

In my standard at least, Takeru Satoh is not handsome (sorry hah~), but I must admit he's oozing with sex appeal. He's a good kisser too and I love it🙈 And since we're already talking about kissing, Kamishiraishi Mone's responses to kissing scenes are really good too. It's not awkward and will indeed make you feel the tension.

Feel-good OST! This is on repeat in my playlist nowadays and everytime I listen to it, it brings back all the heart-fluttering memories in the drama.

Every episode has a distinct story to tell.

Hilarious side characters! And second and third couples that are likewise lovable - Dr. Kisugi x Sakai and Nishi x Ryuko

My happily ever after ideal ending - a marriage.

FUN FACTS/TRIVIAS ABOUT THIS DRAMA (Compiled from Blitzfansub)

Dr. Tendo is your stereotypical “Do-S” character (literally translated to “Super-S”) where normally the “S” stands for sadistic. Because they just say Do-S, the running joke is that he can be both super stoic and super sadistic at the same time.

It is part of Japanese politeness to describe *every* *single* *action* the nurse takes. And every time they touch the patient, or get too close to them, they literally say “pardon me”. It doesn’t sound natural in English, but not translating those lines will also be unnatural. The cultural difference is that in US, the nurses try to keep a conversation with you to distract you from the discomfort. In Japan, they tell you everything about it so you don’t get uncomfortable.

Team Tendo or Team Kisugi is of course, a double entendre. It means a doctor-nurse assignment as they described in the show, but they hint at it as also being “a fan of…” Tendo or Kisugi.

You may have noticed Dr. Tendo’s favorite phrase is “baka” and while it can translated to any one of stupid, idiot, retard, there is a distinction based on context. When he’s calling her “baka” at work, he’s insulting her lack of experience, and not necessarily her lack of intelligence. That’s why “retard” was used. In Episode 3 when Sakura mimicked Dr. Tendo in self-deprecating way, she said “idiot” and he defended himself saying he wasn’t that harsh. At the end of this episode, when she called him out, the baka he used was a very endearing kind, so the word “stupid” was used.

The scene where Dr. Tendo pretends to fall asleep after Sakura gets out of the shower may be seen as “cruel” in American culture but it’s a classic “gentleman move” in Japanese romance plots. He’s worried that she feels too pressured if he’s awake, so he pretends to be asleep and alleviate the pressure to have sex. I hope you can all appreciate his kindness!

A line from Episode 8 that literally says “It’s all your fault for making this weird kid be attracted to you” is such a hard line to sub. Like, who says that?! I mean, never mind that it sounds awkward. Nobody I know thinks like this (that it’s her fault he’s attracted to her). So translating isn’t just about replacing Japanese words with English words, but it’s also about placing it in the correct context. In this case, such a scenario would never happen in America because no guy says this in a lovable/jealous manner. Every guy that says this is a psychopath!! So what do you do in this case? The translator took a stab at the possible context and rephrased it to sound a bit more normal. If the context turns out to be different, the translator probably have to rephrase it significantly. Just a little “behind-the-scene” on how subtitling works!

Difference from Manga: In episode 6, Miori is supposed to be the younger sister of Minori. Most people assume they are twins because that was the setting in the manga. However, the drama never explicitly mention them being twins. But if you check TBS’ website… it mistakenly shows Miori as 33 and Minori as 26 even though Minori is suppose to be older. And furthermore if you read the description for Miori, it says “Minori’s twin sister” so… in conclusion, the TBS website is a hot mess!

The amusement park Dr. Tendo and Sakura went to was filmed at Tokyo Dome City.

Takeru Satoh gave a “behind the scene” talk where he said that removing Sakura’s hair tie in the living room scene of Episode 8 was ad-libbed. He thought of it on the spot because the drama has used hair tie as a symbolism for “focused career-mode Sakura”, and untying her hair there showed that he’s treating her as a woman.

Another behind the scene talk regarding last scene of Episode 8: The editors were going to start the I love… song at the point where Dr. Tendo shows up, but the editors said “it’s probably obvious that he’s going to show up, so might as well start the song early and match Dr. Tendo’s appearance with the crescendo.”

Bath culture is big in Japan. People don’t normally just take showers. That’s why when Sakura’s mom realized her house is not fit for a guest to take a bath, she sent the whole family to a public bath (called sento).

In a scene where Sakura’s trying to act cute in Episode 9, Dr. Tendo literally says “Did you eat something spoiled?” because there’s a reference that you act out of character when you eat something bad. This reference doesn’t work in English, so instead, “hitting yourself in the head” is used.

In the scene on Episode 10 where Nishi is introducing himself to Dr. Tendo, he actually calls Dr. Tendo “younger brother.” This is because even if he is younger than Dr. Tendo, if he marries his older sister, Nishi automatically becomes the “older brother-in-law” in turn making Dr. Tendo the “younger brother-in-law”.

In Japan, the “best man” of the wedding is usually the groom’s boss.

Apparently this series was so popular it crashed Paravi (TBS streaming site) few hours after EP10 release!

Not long ago, I was afflicted by an emotional disturbance that lasted for two months. It affected my everyday living so much that I had a hard time sleeping. After watching this drama, it faded away, to my surprise. I owe my happiness these days to this show. Maybe that's how I can sum up the fun of watching this. I hope the same goes to you!

#love lasts forever #satoh takeru #mone kamishiraishi #koi wa tsuzuku yo dokomademo #takeru satoh #kamishiraishi mone #jdrama #an incurable case of love #jdorama #japanese drama #drama reviews #nanase sakura #tendo kairi #sakura nanase #kairi tendo #恋はつづくよどこまでも

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fromthedeskofelizabeththird · 4 years

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...⭐20 things about ME⭐...

Thank you @belxsar for the tag!

What is your favourite cartoon character?

I’ve no idea, lol, like I LOVE anime and before that was into animated shows like X-Men and Batman.

If you could be fluent in another language, which one would you choose?

From a very practical perspective I want to say Polish, because a lot of people i work with are Polish and I always feel a little in awe of them being able to speak fluent English while the most Polish I know is tak.

From a purely self indulgent perspective, it would be Japanese so I can watch anime without subs. I prefer Japanese dubbing but I’m also the kind of person who watches anime in one tab and types in another. I can’t do that if I have to read subtitles.

What kind of food do you like the most?

Carbs and cheese

That’s basically it.

What is your favorite holiday memory?

I’m assuming this is the US meaning of the holidays, because in Britain holidays=vacation.

So my dad is really good at arts and crafts. His handwriting is immaculate and when he wraps gifts it’s like a work of art (and they’re borderline impossible to get into dfgdgfd). But anyway, this one year he built me a house out of presents? I don’t know how to explain it properly, but he and my mum had bought me a set of miniature encyclopaedias and he’d wrapped those up to look like the main body of the house, and then he’d made a chimney out of a tube of sweets or something and something for the roof and then wrapped it all together so it looked like a house in wrapping paper. He put a note on it too saying it was from Santa and signed it and everything dgfdgfdgd

If you could live anywhere in the world, where would it be?

I’d very much like to go back to New Zealand. I think if I didn’t have so many health issues I’d be there now.

What is the worst job you ever had?

I used to work the accounts of a v big company in the UK. Not naming names but basically it’s a multi million business and the lead in its industry...

....

and only six of us ran the accounts for the entire country.

That wasn’t fun. I actually got so stressed over it that i kept getting kidney infections

If you could meet anyone in history, who would it be?

Fuck don’t make me choose dfhgd

There’s just too many fascinating people in history to narrow it down to one.

If you could change one thing in the past, what would it be?

God. So much.

I think I would have lived a little bit more? Gotten therapy sooner?

What is something that few people know about you?

I can knit and sew and am taking advantage of the lockdown to learn how to crochet

If you had to evacuate your home, what would you take with you?

How much time do I have?

I’d take my medications, my laptop and phone and important documents like passport etc.

You only get 3 words to describe yourself, what are they?

passionate, curious, empathetic

If you could jump into a pool of something, what would it be?

Motivation

If you could stop time for 1 hour, what would you do?

It’d go exactly like this:

OMG I HAVE A FULL HOUR??? TO MYSELF?? TO DO ANYTHING???

ALL THE POSSIBILITIES

SHIT, ALL OF THE POSSIBILITIES

WTF DO I DO WITH THIS TIME

I HAVE TO MAKE IT COUNT

SDFGHJHDFGHGFDFGG

(An hour has passed)

If you had a love potion that will make anyone love you back, who would that be?

Nobody. There’s like. Dozens of movies and books going into why that is a Bad Idea

If your life was a movie, what would it be called?

She Belongs to Fairy Tales

If you have a time machine, would you go back in time or visit the future?

If I have a time machine that is fully capable of going either way and belongs to me, why can’t I do both?

The past would be my first choice though, for sure.

If you could be anyone in a movie, who would it be?

Oh god, I’ve no idea sfs there’s so many good options

I’m going to low key steal @belxsar‘s answer and say Elizabeth Bennet, but I’m also going to kind of cheat?? It’s not a movie, but have any of you all seen Lost in Austen? I want to be that heroine so BAD. Go and watch it if you get the chance! Last time i checked, someone had uploaded it to youtube.

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If you can choose your couples name, what name would you choose?

I’ve no idea what this means

Where would you go for your dream holiday?

Oh I love travelling.

I’m currently in talks with my best friend about doing a tour of Italy (just Italy in general, like going to the museums and coffee shops and POMPEII) as well as Osaka in Japan.

Would you rather live in a large urban city, a small town or in the countryside?

Depends

For building a career and life in general as a young person, the city is the best. There’s accessibility, the wages are better, you get more opportunities to meet people etc etc. I used to live in Downtown Vancouver, as well as Wellington in NZ and they are two of the best experiences in my life.

#elly talks #shut up elly

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alayaavijnana · 5 years

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I haven't seen the part 5 dub but I'm curious what did you think of the part 1-4 dub?

ah hello!! hi! how have things been going? hope you are feeling good & everything is working out ; ; 💜🌟🌷

and no worries! part 5 dub will premiere oct 26 on adult swim!!!! :-) you can also check out a quick preview here and let me know what you think?!!

i actually prefer dub over sub in general. will only watch subbed if there is no dub UnU. so my answer might be a little biased because of that. but!!! yes, i loved the dubs for every part so far! those terrible accents?? fantastic!! 🙌 some voices!!! are so incredible & their acting is so good. the 195 cm jojos were voiced by iconic voice actors too and i'm srry 2 be like this but yea....mercer as jotaro.... 🥴.

i remember when i was giffing part 4 and was using the japanese blurays, so i would watch those scenes and like..compare? kinda? like, of course there are gonna be some subbed lines i prefer over dubbed but usually it’s literally the same thing, ya know? but i remember when i got to part 3 and dio started saying “muda” and i was just like ‘???useless??’. and also i didn’t get the ‘wryyy/yare yare’ jokes khfdjskjdf (and now i am s i c k of them 😔). i’m actually really curious how they’re gonna handle the 7 page muda scene tho. will they let giorno wry? or just ‘scream’? 👁️ it’s only with giorno i’m anxious with which was why i watched the subbed. also rip bc part 5 is when copyrighted names get UGLY 🙉 aaaaa. but yeah, i love the dubs ; u ; they’re fun and wonderful!! thank you so much for the ask!!

#im still waiting for the diu bluray to give us that uncensored 'i got a boner' kira line #im not sure which version you watch but i'd love to hear your thoughts >:3!!!!#not gndm #decadeoldtiger

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animesavior · 6 years

Photo

“Lupin, i have one more thing to ask of you. Let me have your name. Let me be Mrs. Lupin. It's not for the tabloids, I'm being serious. No matter how far away you are, all you have to do is hear the name Mrs. Lupin, and you'll know it's me. It'll be our own secret code. I want you to see it, Lupin. To watch me grow into a...good woman. I need to grow up into someone you can't live without.“

- Rebecca Rossellini, Lupin the Third (Ep. 26)

The Toonami Trending Rundown for January 20-21, 2018. It’s a night of ends and new beginnings as among other moments, Dragon Ball Super begins the Future Trunks saga, while Asta gets recruited by the Black Bulls, and of course, we reach the thrilling conclusion of Lupin the Third: Part IV.

On Twitter, Toonami would trend as with every show during their respective East Coast airings, as well Hunter x Hunter and Outlaw Star as well during their respective West Coast airings. Lupin The Third in particular trended both US and Worldwide, making sure it completed its current run on a high note. Meanwhile on Tumblr, Toonami would also trend as with Dragon Ball Super, DBZ, JoJo’s Bizarre Adventure and Hunter x Hunter.

This week’s feature was a game review of Animal Crossing Pocket Camp for the iOS and Android, as one of Nintendo’s first forays into conventional mobile devices. Interestingly enough, this was the first time Toonami has ever reviewed a game released on mobile devices, and was also reviewed by Dana Swanson, the voice of SARA, herself. It received a 7.5 out of 10 score.

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As we begin seeing the English dub of the Future Trunks saga, those who watched ahead to where the sub is currently at will know that Toei has announced that the finale of the Universe Survival Saga, set to end in late March will serve as the series finale for Super. While this chapter of Dragon Ball will soon reach its conclusion, this most likely won’t be the end of the franchise, as Toei is presently hard at work producing the 20th feature film as well as mapping the franchise’s general path going forward, to say nothing about the manga, video games, and various other content for the future. Toei has hinted a potential continuation of the anime series down the line, so we’ll see what happens in the months and years ahead. Of course, we still have 84 episodes left to go until Toonami itself reaches that point, so this could allow the dub to catch up in time for the potential sequel, depending on how long this hiatus is among various other factors. Regardless of what happens, it’s been a great ride so far to see Dragon Ball continuing to shine both inside and outside Toonami’s scope, and I’m personally very confident on what the future of this great anime franchise is ahead.

And speaking of DBS, for those wanting to get more of your Dragon Ball fix, Arc System Works and Bandai Namco have just released the newest video game fighter to the franchise, Dragon Ball FighterZ, presently available on all major platforms except for the Switch.

To commemorate Lupin’s finale, Jose Argumedo and Discotek had another Q&A periscope livestream with several of the show’s staff and voice actors including Richard Epcar (co director and voice of Jigen), Ellyn Stern (co director and voice of several minor characters), Lex Lang (the voice of Goemon), Michelle Ruff (the voice of Fujiko), and Doug Erholtz (the voice of Zenigata).

Ever since Monkey Punch began publishing the original manga in 1967, Lupin the Third has grown to be a very illustrious media franchise, with numerous manga, anime, anime films and OVAs and the like released over the decades. Back in 2003, Adult Swim in its early days aired 26 episodes of Part 2, though episode 3 was skipped over for content issues, and the remaining 129 episodes of part 2 never aired for various reasons. While Lupin’s legacy among long time Adult Swim viewers and Toonami Faithful isn’t as large as some of Toonami and Adult Swim’s other highly acclaimed and well requested classics, the series still is pretty well regarded among fans and the Toonami crew to this day, and it perhaps comes as no surprise that Lupin was looked into to make a comeback to the better cartoon show, especially with the series having a renaissance on the Japanese TV scene.

In 2016, Toonami attempted to bring Lupin back with The Woman Called Fujiko Mine, following the end of Michiko and Hatchin’s run (both series were directed by Sayo Yamamoto, whom would also go on to create Yuri on Ice) however issues regarding nudity (ie. too many boobies to censor) would have required Toonami to heavily chop the show’s content into bits barring objections from the network and advertisers, forcing them to choose an encore run of Samurai Champloo instead. While Toonami found a way to air the likes of Black Lagoon, Hellsing, Kill la Kill, and soon episode 23 of Outlaw Star with as little edits as they could to appease the network and advertisers in that regard, Toonami decided that that the amount of censoring needed that time around just wasn’t worth it.

But Toonami and Lupin fans would not give up, as over a year later, Lupin would eventually find its way back onto Adult Swim, as Toonami partnered up with Discotek to bring in the newest edition of the main Lupin series in part IV, the first acquisition for Toonami from Discotek and the first from TMS since 2003. While Discotek has been around since 2005, considering that they mainly focus on classic titles and underrated gems, including helping to bring IGPX DVDs back into production, and it wasn’t until 2016 with Lupin that they started producing dubs, its not a surprise that this company was under the radar from many fans and perhaps even the Toonami crew as an acquisition partner for so long. Then again, classics and underrated gems are sometimes just what Toonami needs.

One of the earliest hints that this was going to occur was when Jason released a poll to gauge interest on shorter shows like Tokyo Ghoul, Mob Psycho 100, and Lupin potentially airing on the block. While industry politics among other factors between Toonami and the distributors have unfortunately dashed Mob’s Toonami hopes for now, Tokyo Ghoul would get its shot on March, while Lupin would finally make its return on June 17, 2017 as Toonami premiered the English Dub premiere of Part IV.

26 episodes of Lupin and his crew doing what they do best and avoiding Zenigata to do so, finding love with Rebecca, and solving the mystery of Leonardo Di Vinci, and now this season is in the books. During Part IV’s run, the hashtag #LupinThe3rd trended in the US during all but 2 weeks of its run as well as worldwide during the season finale. The show did not produce any character trends or trended on tumblr during its run.

For those wanting to check out more Lupin in the interim, Discotek has been hard at work producing and re-releasing Blu-rays and DVDs of Lupin’s previous installments and several films, so feel free to check those out. And of course, this won’t be end of Lupin as TMS and Telecom Animation Film are presently working on a part V to the franchise, set to premiere in Japan this upcoming April as Lupin and the gang travel to France, the home of Lupin’s grandfather. The sub will be simulcasted on Crunchyroll and Hulu.

No word yet if and when Discotek will be tasked to dub the new season or if Toonami will pick up this new installment down the line, but we’ll see what happens. As I would say with every potential show and every successful Toonami show looking to return for a continuation, if you wish to see Lupin return for Part V and perhaps beyond, keep supporting the show by legal means and to send your show recommendations to Toonami's Facebook and Tumblr message boxes as well as letting Discotek know in their respective outlets.

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Regardless of what happens, Lupin’s return was quite a fun ride for both fans watching since Adult Swim’s early days (and perhaps even before then) and the new fans it gained along the way, and I’m sure I can speak for every fan that we’re all looking forward to what adventures Lupin and the crew will be taking in the future. So until then, Arrivederci, Lupin, and hope to see you again soon.

As previously mentioned, there was a show that was originally supposed to replace Lupin on the schedule, but unfortunately Toonami and the distributors ran into some legal issues preventing a broadcast, delaying the show announcement and premiere to a future date. We’ll keep you posted on when it does happen as well as any other incoming shows in the year to come, but in the meantime, Space Dandy will be having an encore run beginning tonight at 2:30 am, while Naruto Shippuden and Outlaw Star also move up to 1:30 and 2 am respectively in the interim. Until then, see you again next week and stay dandy, baby.

Legend: The shows listed are ordered based on their appearance on the schedule. Show trends are listed in bold. The number next to the listed trend represents the highest it trended on the list (not counting the promoted trend), judging only by the images placed in the rundown. For the Twitter tweet counts, the listed number of tweets are also sorely based on the highest number shown based on the images on the rundown.

United States Trends:

Toonami/#Toonami [#6]

#DragonBallSuper [#8]

#DBZKai [#7]

#BlackClover [#9]

#JoJosBizarreAdventure [#8]

#GundamIBO [#8]

#HunterXHunter [#6]

#LupinThe3rd [#1]

#Shippuden [#9]

#OutlawStar [#8]

#CowboyBebop [#6]

#GhostInTheShell [#6]

Worldwide Trends:

#LupinThe3rd [#10]

Tweet Counts:

Toonami [8,616 tweets]

#Toonami [11.7k tweets]

#DragonBallSuper [12.8k tweets]

#DBZKai [10.5k tweets]

#BlackClover [9,102 tweets]

#JoJosBizarreAdventure [11.8k tweets]

#GundamIBO [10.3k tweets]

#HunterXHunter [11.1k tweets]

#LupinThe3rd [19.7k tweets]

#Shippuden [10.1k tweets]

#OutlawStar [10.9k tweets]

#CowboyBebop [12.2k tweets]

#GhostInTheShell [10.1k tweets]

Tumblr Trends:

#toonami

#dragon ball super

#dbz

#jojo’s bizarre adventure

#hunter x hunter

Notes and Other Statistics:

#GundamIBO: @WhoTrendedIT reported that @KyleMcCarley started the trend in the US.

Special thanks to @coreymbarnes, @jmb70056, @mmorse1017, and others I forgot to mention for spotting some of the trends on this list.

The Grind is Real. Only Toonami on [adult swim] on Cartoon Network.

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spiritcc · 7 years

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Sherlock Holmes in Russia

For a country that the rest of the world completely overlooks when it comes to cinematography, Russia has contributed surprisingly quite a few adaptations to the Sherlock Holmes franchise, much to ACD’s dismay. Since you guise like lists with links and I’m very conveniently blogging about all kinds of Russian SH exclusively, I thought hey, why not make a comprehensive guide to Sherlock Holmes in Russia.

Russians grasped the concept of the hot British detective back when the stories were still fresh and funky, so the hysteria had a pretty early start already. The every-man, the smartest boy in town, the Sasuke to 2010′s tumblr: Sherlock Golmes

As per the fantabulous tradition, Holmes in the early translations fell under the H=G train just like Garry Potter and sir Genry, but well, they recovered soon, although the early history still remembers this weird phenomenon of Sherlock Golmes (or Golmts) in pre-revolution Russia.

Contains: pre-revolution grammar, Golmts, Vhatson

Theater soon caught up with the obsession, which resulted in Boris Glagolin securing his place as the first Russian Holmes on stage

Which in return, gave birth to the first still existing content:

Sherlock Holmes stage adaptations

Badly translated by yours truly.

You’d think they would just adapt the canon like normal people do, but jesus christ, in every story Holmes, that very same dude with no social life and couch as his best friend, keeps going all the way to freaking Russia to search for rich people’s missing jewelry. I am not joking in the slightest right now, the read will be wild. Interestingly enough, there is a strong sense of revolution already lingering in those plays, granted it’s 1906 onwards, if you follow me on this adaptational adventure you’ll see that Russians are really influenced by the mood of the country when creating new Holmes content. But it’s here already: some British detective suddenly involved in Russian drama of diamonds and freedom.

Contains: Holmes’ wife, MARIANI, explosions, first femlock, jewelry kinks, MOTHER RUSSIA

After this there was quite a long silence with lots of theater adaptations passing by without much notice. One of those highlights must be Vasily Lanovoy, THIS freaking man:

saying that yes he probably did play Holmes at some point, but he forgot when and how. Fuckin fantastic, Lanovoy, thnx for the input.

This continued up to 1971 even, when a few plays turned out to be so good they were honoured to get filmed for national television. This is how the earliest tv-adaptation has reached us, avocado millennials:

The Hound of the Baskervilles (1971): 1 | 2

No subtitles and never will be while I remain a proud man with standards.

This play is interesting because it’s the forbidden content tumblr craves for: all three plays were put on a shelf after one actor who played Watson in the Hound escaped abroad, and were never shown since. Decades later the Hound was miraculously discovered intact, restored and made available once again. That’s the sole interesting thing about this adaptation.

It is what you expect it to be: a two and a half hours tedious exactest motherfucking adaptation ever, you don’t even need subtitles for this, you only need to whip out your book, because every single freaking line is 100% according to text, but in Russian. It is what it is, what can I say, although it still has its own weird things like Frankland missing completely.

Contains: Henry and Watson sharing a bed, Mortimer touching Holmes’ skull, 2h30min of peaceful sleep while it plays

Everything went quiet until 1979 when things just decided to explode all at once, but I’ll start with what I at least think came first. In the span of the same year, Hound ‘71 got shelved, a Christmas Holmes musical came out, and as the final kick into the grave - that very Soviet Holmes series.

So, The Blue Carbuncle (1979) YT | Drive

I think this is the best adaptation on this pitiful planet because no other Holmes movie can inhale weed into your eyes right through the screen just as hard as this vid can. It’s fantastic how little it cares about canon and everything holy about Sherlock Holmes in general. Moreover, it’s a freaking Christmas musical shot for a country that doesn’t celebrate Christmas. It’s truly a gift for the mankind and has the lowest rating among all Russian SH adaptations because after finishing it, your eyes are so cloudy with weed you’re very likely to miss that deserved 10/10 with your trembling hands. Also, sneaky Igor Dmitriev somehow managed to star both in this shite, and the unholy Soviet series simultaneously as a villain and Inspector Gregson respectively. I have two sides indeed.

Contains: the least Holmes-looking Holmes you’ll ever see, off-key singing, the canon story with a twist, Shakespeare banter.

And here comes the blissful times of what is considered the best adaptation produced in Russia:

The Adventures of Sherlock Holmes and Dr. Watson (1979 - 1986)

Subtitled poorly and uploaded in ever poorer quality by our beloved Lenfilm. Lenfilm: we hate the content we produce.

The last video in the playlist is both Hound episodes in bluray tho

This series is distinct by how very warm, healthy and snuggly it is, as they wanted to tell a story about friendship and better people. It is pretty close to canon, but granted it’s five movies in two parts mostly (as the majority of Soviet television adaptations went), they do combine, twist and turn things a bit. If you’re looking for faithful canon with no toxic sociopathic bs, lots of fun, heart-clutching and incredible music - that’s the series you will go to. This series is the sole GIANT Holmes thing in Russia and its influence is as big as ever, which sure has its ups and downs.

If you want to continue your course along the *Russians influenced by their times* theme, do pay attention to how English people and their interactions are represented, and especially note the sudden shift in mood of the last two episodes that were made right when Perestroika hit. People having no idea what life beyond the curtain looked like making up a dignified fantasy vs confronting worrying change. It’s subtle, but it’s there, pretty interesting as well.

Contains: lots of hugs, dead dogs, killer jams, Mycroft under a table, sir Henry and Watson getting smashed

*it might be worth noting that the same director decided to re-release the series weirdly in 2000 as a show about ACD hating life, Holmes and everything around him. The show mixed heartwarming series with the new hate, was aired like twice in its lifetime and is more remembered for all the lawsuits more than anything. But I respect Alexey Petrenko way too much to keep quiet about it.

After that we suddenly dipped into animation, resulting in

Sherlock Holmes and I (1986) short with Livanov as Holmes, subs provided.

A quick nonsensical story about Holmes and his best friend dog Tom. Yes. Has pretty killer electronic music and surprisingly famous actors on voicing for something this tiny.

Contains: a universe where Watson was never born, crocodile eating a banana, a dog having a mansion and Holmes still searching for pennies under his couch to afford a shitflat on 221Bitch Broke street.

After this new times hit big time, resulting in one of the first femlocks in the world:

My Dearly Beloved Detective (1986): YT | Drive

Youtube blocked the youtube vid hard recently, so it’s resting on google docs, subs provided.

I personally very love this movie as again it’s very healthy and non-toxic, very warm, all around the place, and yes, Holmes and Watson are women. Consider this movie the Soviet series’ little sister as it’s fully acknowledging Livanov, imitates its camera tricks and uses the same score granted the same composer is involved once again. Actually, that composer worked on all three adaptations, aka this movie, the series and the carbuncle. Wild stuff.

The movie is obviously not that fantastic and is safely forgotten in Russia, but I love it dearly nonetheless, and love it even more for how healthy it shows relationships getting sorted.

Contains: best Lestrade ever, crossdressing, bubble games, reused locations.

That was the last Soviet contribution as the next adaptation wouldn’t come out until 2005. Rest in pieces USSR, you were the golden age of Russian movies.

The next two dip us back into animation once again and are technically Ukrainian, but anyways. It’s the

Murder of Lord Waterbrook (2005) time, subs provided.

The short bases its characters on the Soviet series and slays them ruthlessly in the most hilarious fashion. Everyone is a fun idiot, everyone is a murder suspect, occasionally gay stomps in. Also, the short, save for the female roles, was voiced by one single guy. Tumblr will love the fact that this guy is the voice of Shrek in the Russian dub, so the cartoon was always in safe hands.

Contains: the origin of the gloryhole gif, tasty steak, 360p

Flash forward to 2013 and the same guys made this cartoon into a mini-series that we have also translated:

Sherlock Holmes and the Little Black Men (2013).

Six episodes add up to about 40min of overall watch time and follow a story with lots of canon and Soviet series references, more cool artstyle, music and jokes. Such a pity it’s so grossly overlooked as the cartoon is great fun and was made with love. Also, Shrek is back.

Contains: stupid Watson, cliffhangers, Totoro cameo

And here comes the last contribution to date, the very awesome

Sherlock Holmes (2013) series, subtitled with love.

This series, in my opinion, is a peak adaptation on topic *what if everything written in canon stories is bs*: it rewrites all the characters and the narrative from scratch, toys brilliantly with canon, references and easter eggs most of the previous Russian adaptations and a few Western ones, it’s incredibly well thought out and rewatching it at least once is a must because the plot is so ace and required double checking to understand it fully. It contains incredible acting, very consistent character traits, the bestest Watson to date and very entertaining stories.

Also, concluding so far the *big Russian Mood(tm)* arc, this series is blatantly, as confirmed by the director, about modern Russian social and political issues: bribery, racism, law meaning nothing, you name it. It’s a very good series and it deserves all the attention in the world.

Contains: british trump, bimbom bramsel, loser holmes, basil rathbone

And the last but not least:

this hilarious parody on classic, RDJ and BBC Holmes made by the parody show that knew it all too much. Don’t consider yourself a true Holmes fan if you’ve never seen it.

Contains: Lady Gaga, special subtitled gaze, “deduction”.

So here it is, the more or less comprehensive guide on all Russian Sherlock Holmes stuff I know, or at least consider important enough to mention. If you want to do some good old piracy, I always have the page ready with all the subs and best torrents.

It is indeed quite a few adaptations for a country so far away and wild, isn’t it.

#russian sherlock holmes #well many of them

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recentanimenews · 7 years

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FEATURE: Crunchyroll Favorites 2016, Part One: Anime and Manga!

Hoo boy, 2016 was a rough year (and that's putting it very, very mildly)--but there were a few bright spots, and that's what we're here to talk about today! Crunchyroll Favorites kicks off its fifth year with another three-part look at all our favorites from the past twelve months!

The rules were simple: for Part One, only anime, manga, and related media that were released in 2016 (or received a Western release in 2016), or experienced a major milestone (like starting a new season or closing up a major arc). There's a lot to look at in Part One--let's get started!

NATE MING (@NateMing)

FLIP FLAPPERS- Finally, a modern magical girl series that steps out of Madoka's shadow and delivers something that's unique, energetic, and positive as hell. Callouts to everything from Fist of the North Star to Sukeban Deka to (of course) Sailor Moon are welcome for longtime fans, while still getting appropriately dark and moody. Cocona is all about the unease of adolescence, and Papika exudes the simple charm of Son Goku in all her pure, heroic glory. Speaking of...

Dragon Ball Super- I rarely get excited to watch simulcasts as they come out--I tend to wait and binge, but I'm there every week within a day for Dragon Ball Super. In 1995, when I was 13 years old, I wanted a sequel to Dragon Ball Z with Future Trunks coming back. Now, over twenty years later, I get to see a DBZ sequel where Future Trunks comes back--and the series feels even more like the original Dragon Ball. This is the real secret to eternal youth.

Yuri!!! on ICE- Yeah yeah, "fujo bait" or some other BS, you're just mad their fandom is more organized than yours. That says a lot to me--that a TV anime, a sports anime, can pull together so many people and get them excited, week after week. Lapsed fans have viewing parties, share recommendations, and remember why they were once into anime in the first place. This is what happens when it feels like something's made for you, and that's a wonderful thing. Yuri!!! on ICE was a pretty okay show, but it's what it symbolizes that means so much more to me.

JoJo's Bizarre Adventure: Diamond is Unbreakable- I always say that JoJo's is like the original Star Trek movies--the best parts are even-numbered. Diamond is Unbreakable continues Studio David's glorious adaptation of Araki's mega-epic, bringing out all the style and soul and violence of Josuke and the gang's battle to save their town. New to JoJo? Start here--and buckle up.

Tanaka-kun is Always Listless- Anime comedies are pretty important to me--whether it's the sheer absurdity of Cromartie High School or the more low-key silliness of Tonari no Seki-kun, finding a fairly simple premise and then focusing on it is a good way to hook me. In this case, a lazy guy has to deal with his high-energy friends, and we learn that sometimes, taking it easy is the only easy way to get ahead in life.

Evangelion 3.33: You Can(Not) Redo- It felt like this movie was never going to come out here after its 2012 release, but holy crap it was worth the wait. After the familiar ground of 1.11 and the bold, assertive new direction 2.22 took, 3.33 brings us back to what Evangelion does best: raw emotional pain, horrifying visuals, and never quite trusting or rooting for anybody we see on-screen. What a ride.

Rurouni Kenshin live-action trilogy- Another awesome release that was a long time coming, this adaptation of my all-time favorite manga condenses the first 17(ish) volumes of the series into three movies, trimming some plotlines and making them all just work as dynamic, rough, yet stylish martial arts actioners. Thankfully, great fights and drama don't overshadow Rurouni Kenshin's sense of fun. Check these out when you can!

Thunderbolt Fantasy- Written and created by Gen Urobuchi? Voice acting by Junichi Suwabe, Rikiya Koyama, Nobuyuki Hiyama, and Tomokazu Seki? An opening by T.M. Revolution?! I don't care what you say, you have those credentials, it can be live-action and be made in Antarctica and still be anime as hell. As the only person I know who regularly bought ComicsONE's kung-fu manhua, Thunderbolt Fantasy brought me back to the days of hunting down volumes of Saint Legend and Heaven Sword and Dragon Sabre.

My Hero Academia (manga)- There's always a certain point when a manga hooks me, and I'm in it for better or for worse. One Piece had Arlong Park (and later Enies Lobby). Naruto had the Chunin Exam. Hunter x Hunter had Yorknew City. Now, My Hero Academia's 2016 developments--and a very public, dangerous reveal and its emotional fallout--have pulled me in. I don't just say "My Hero Academia is good." Now I say "My Hero Academia is One Piece good."

Crunchyroll x Funimation- Competition's good, but everybody wins when we all work together. Funimation are the other half of what we do, and have been in this business a hell of a lot longer. Being able to watch brand-new anime subbed on CR or dubbed on Funi is the kind of thing I never thought I'd see, and I am excited as hell to be a part of this, and to see what good it can do for anime fans.

JOSEPH LUSTER (@Moldilox)

Dragon Ball Super- Dragon Ball Super went from "this thing I keep hearing is poorly animated" to "my favorite show of the year" in record time. As soon as it was available legally I jumped into a mountain-leveling, rosé-tinted marathon of madness, and as of right now it's the best damn thing since DBZ. Super has completely rekindled my not-so-dormant love for all things Toriyama, and I can't wait to see where they take the series next.

Mob Psycho 100- I loved the One-Punch Man anime, but I'm pretty sure Shigeo "Mob" Kageyama could take Saitama in an unrestrained fight. That's saying a lot, but it's just another indicator of how much I adored BONES' gorgeously-animated spin on ONE's manga (which needs to come out in English ASAP). It certainly has some of the most creative fights of 2016, and that's a year that brought us the butt-battling of Keijo!!!!!!!!

Re:ZERO -Starting Life in Another World- On paper, Re:ZERO isn't something I should have enjoyed as much as I did. I read the first volume of the light novel series and found it as clunky and poorly written as most other light novels I've attempted (noted exception: Kizumonogatari), but the anime really hooked me. It's one of the few series I felt I was watching right alongside everyone else, and it never failed to surprise me and punch me in the gut when it mattered most. This one will be remembered fondly down the line, and here's hoping we get more since Tappei Nagatsuki is still churning out volume after volume of the novels in Japan.

Also, Subaru is great, you just can't handle how devastatingly real he is.

PETER FOBIAN (@PeterFobian)

FLIP FLAPPERS- On a visual level, FLIP FLAPPERS is a fascinating tour de force of concept and animation, featuring regular bouts of intense sakuga and amazing environmental design in the diverse worlds of pure illusion all illustrated in a pseudo-classical style. For critics it is a cornucopia of satisfying references to fine art, science, psychology, philosophy, and spiritualism with visual callouts to a diverse range of media from Neon Genesis Evangelion to The Shining to Popeye. For the casual viewer it’s a powerful story of adolescent discovery told both literally and through beautifully-rendered metaphor.

Re:ZERO -Starting Life in Another World- Despite the formulaic basis of Re:ZERO’s story, appearing as one of a dime-a-dozen isekai light novel adaptations featuring a female harem, Re:ZERO proved to have some serious narrative worth. Not quite a deconstruction, Re:ZERO featured a deeply flawed protagonist in Subaru and an atypical narrative featuring a novel premise in Subaru’s ability to resurrect from death. This gave the anime a huge potential for speculation, and created an entire community of enthusiasts and analysts who followed it from week to week to see what happened next.

ERASED- Halfway through winter season I was absolutely convinced that nothing in 2016 would be able to top the combination of subtle direction, emotional narrative, and unique premise of ERASED. The series masterfully invested its audience in Kayo’s well-being, so for the viewer, the series became less about solving the mystery of the murders than the simple hope that this brave, unfairly abused girl could find some modicum of happiness in a cruel world. Satoru’s altruistic quest, forthright concern, willingness to admit his own faults, and habit of accidentally vocalizing his thoughts made him a truly endearing protagonist.

March comes in like a lion- This show tells a story that's as difficult to look at as it is to look away from. The inextricable nature of the sources of Rei’s joy and sorrow have created a narrow path he must walk upon just at the edge of despair. Studio SHAFT makes excellent use of visuals, employing darkness and deep water to give Rei’s emotions an elemental quality that allow you to experience the suffocating hold that his depression has upon him, while surrounding the Kawamoto household with a warmth and childlike simplicity that represents the refuge their unconditional love offers to him.

Mob Psycho 100- Mob Psycho 100 may justifiably have a place on top 10 lists for 2016 simply for visual power of the anime alone. Like FLIP FLAPPERS, Mob Psycho 100 is a demonstration of what is possible when you let artists loose on a project. It also showcased ONE’s versatility as a storyteller, strangely, by portraying the same type of overwhelmingly powerful protagonist through a different lens. Behind all the oddball humor and eye-popping art is the story of a boy who struggles with being normal, while everyone around him wants to stand out.

Shōwa Genroku Rakugo Shinjū- What we have here is one of a kind: a dedicated, generational period piece not only faithfully depicting post-war Japan, but doing so through the the lens of an obscure and nearly-extinct form of artist theater that is uniquely Japanese. Rakugo feels like the sort of soulful, arthouse passion project that a Hollywood director would have to put years of time in to build the clout to justify its creation. Its direction, emphasizing on gesture and expression, is absolutely cinematic, drawing out each emotional note of the melancholic narrative. The somber humanity of Rakugo almost doesn’t feel like an anime, and is a testament to the versatility of the medium.

My Hero Academia- The next up-and-coming shonen hall-of-famer, in many ways My Hero Academia has already surpassed many of its peers with its fascinating triadic rivalry between Deku, Kacchan, and Todoroki. MHA does a tremendous job of portraying its immensely charming cast of characters' pursuit of diverse personal goals that are equal parts altruism and self-interest. Most importantly, Horikoshi has tapped into the ethos of superheroes, creating inspirational figures that are intrinsically human, but saddled with the responsibility of representing something larger than life.

JoJo’s Bizarre Adventure: Diamond is Unbreakable- Despite my many attempts to get into the series, Diamond is Unbreakable is perhaps the first iteration of JoJo that had something interesting to say. The slow-burn murder mystery set in an idyllic town and the many asides, notations, and references all work in concert to build the fictional city of Morioh into a nearly real place like The Simpsons' Springfield. With that hurdle passed, Araki’s stylized art and its amazing adaptation into color and movement by Studio David become an art form unto themselves.

Tanaka-kun is Always Listless- Maybe it was how atypical Tanaka was as a lead in a medium where protagonists are homogenously faceless, featureless, and altruistic that drew me to this series. The entire cast each have some sort of hang-up, but the titular Tanaka-kun just treats it differently (ironically) by treating them all the same. Tanaka-kun definitely has a lot of offer on the classroom comedy front, but it also provides a unique sort of iyashikei, or healing media, in which characters' idiosyncrasies are taken in stride and wholeheartedly accepted, even appreciated, by others. It’s this light-hearted dedication to the positive that makes this anime so dear to me.

Yuri!!! on ICE- Complaints about animation and 11th hour writing aside, I do believe Yuri!!! on ICE was one of the most important anime this year or perhaps of the past several years. Yuri!!! on ICE is a story meant to appeal to a much more vast audience than the more targeted content we’re used to, and it showed. It's created new fans for the sport of figure skating, reached out to the LGBT community, and represented countries that hardly see a mention in modern media. It was written for a global audience and it reached it. Only time will tell if it's destined to have any sort of lasting cultural impact, but in the present, at least, it has drawn some deserved attention to the art form.

KARA DENNISON (@RubyCosmos)

Kabaneri of the Iron Fortress- I had this show dropped on me by a friend with absolutely no lead-in whatsoever. I've had my fill of steampunk and zombies, so I nearly gave it the brush-off... but then I realized Mikimoto was behind the character designs! It's a gorgeous piece of work, and not at all tuned to the tropes I was expecting. The promise of more is incredibly exciting.

BAKUON!!- Motorcycle anime? Sign me up. It took literally zero arm-twisting to get me into a show about schoolgirls on bikes. Especially when one of them is pretty much literally the Stig. I haven't finished this yet, but I'm looking forward to watching the end very soon!

Love Live! School Idol Project (pre-2016)- Yeah, yeah, I'm late to the party. After lurking around on the game, I finally gave the anime a try to see what all the fuss was about. And I admit it: it's actually really good. It helped that I was in touch with the characters after playing on the app for so long, I think, but I really did jam with this. Looking forward to starting Sunshine soon.

EVAN MINTO (@VamptVo)

Space Patrol Luluco- As Crunchyroll’s resident Trigger fan, I’m obligated to put Luluco at the top of my list. It’s the famed studio of loony ex-Gainax dorks indulging in some of the most surreal, self-referential comedy this side of FLCL (the show where Luluco director Hiroyuki Imaishi got his start as an animation director). Not only does Luluco boast references to every Trigger property from Kill la Kill to Kiznaiver and cameos from Little Witch Academia, Sex & Violence, and 2016’s REAL Best Boy — Inferno Cop — but it’s also a surprisingly sincere shojo-inspired cosmic love story!

Mob Psycho 100- I loved what I saw of One-Punch Man, though I never did finish it (I know, I know). Mob Psycho 100, also from webcomic artist ONE, has some of the same appeal — superpowered battles, lush animation, and an absurd, slightly dark sense of humor — but cuts it with a heartfelt coming-of-age-story. More than anything else, though, I watched Mob just to see what wild shots the animators at BONES would try next, and I was rarely disappointed. Mob Psycho 100 is easily one of the best-looking shows of the past five years; every animator gets a chance to show off their unique style, and even the most mundane scenes are infused with energy and personality.

ERASED- It’s rare we get an anime series I can comfortably recommend to my parents, but ERASED manages to capture the nail-biting cliffhangers and complex mysteries that drive so many popular modern American TV series. On top of all of that, director Tomohiko Ito (of Sword Art Online fame, go figure) crafts powerful, cinematic visuals without resorting to expressionistic anime flourishes. When it all comes together it’s a captivating experience. The ending needs a bit more room to breathe, but even with a few stumbles at the finish line, ERASED is a series I’ll be recommending for years to come.

JoJo’s Bizarre Adventure: Diamond is Unbreakable- I wasn’t super pleased with Stardust Crusaders, but Diamond is Unbreakable brings back all of the wacky charm of the first two parts of the JoJo’s saga, EXCEPT WITH STANDS. This time Araki doesn’t hold back, introducing a host of completely absurd Stand powers, including: “transform a person into a newspaper and read their life story,” “heal people via Italian food,” and “a real army but the size of toys.” It’s also much smaller-scale, with a lot of recurring characters, many of whom are some of my favorites in the whole series. Though they’ve dropped the incredible Kamikaze Douga OP sequences, David Production makes up for it with colorful, high-contrast artwork that perfectly accentuates Araki’s manic sense of style. I’m sad to see Diamond is Unbreakable go, but JoJo’s still has so much more in store.

Only Yesterday- At 25 years old this year, Only Yesterday is hardly a “new” title, but 2016 was the first time we got it in the United States! Produced at Studio Ghibli and directed by Grave of the Fireflies’ Isao Takahata, the film is a beautifully understated, lyrical look at a woman’s life, told simultaneously through a summer spent farming and a series of memories from her childhood. Most of the movie is ordinary almost to a fault, but like many of Takahata’s movies, it builds carefully and almost imperceptibly to a sublime emotional climax. Only Yesterday is easily one of my favorite anime of all time.

Belladonna of Sadness- Another retro release, Belladonna is the third and final film in the Animerama series of erotic art films produced by Osamu Tezuka’s Mushi Productions. This one, however, is entirely directed by Eiichi Yamamoto (Tezuka co-produced the other two). Suffice it to say, it’s not exactly what you might expect from the studio that produced Astro Boy. A medieval lord rapes a beautiful peasant woman, who seeks revenge by making a deal with the devil. Yamamoto presents the story’s gothic horror — complete with Satanic rituals and frightening descents into madness — with elaborate animated paintings and an incredible psychedelic rock soundtrack from Masahiko Satoh. Not for the faint of heart, Belladonna of Sadness is an arresting work of experimental animation that’s a welcome change of pace from the banality of modern anime.

One-Punch Man (manga)- I’m finally close to caught up with One-Punch Man, and I’m surprised I didn’t read it sooner! Eyeshield 21’s Yusuke Murata has a great eye for character design and pulls off some surprisingly ambitious page layouts, but it’s ONE’s absurd, childish sense of humor that makes the series stand out so much from its shonen action contemporaries. Saitama’s complete apathy undercuts every opportunity for serious danger or drama, giving the series a sardonic self-awareness that’s relatively rare in shonen action series.

And Yet the Town Moves- After a 10-year run, And Yet the Town Moves is finally over. Masakazu Ishiguro’s decade-long manga never follows a single storyline for more than two or three chapters, instead constructing a deliberately out-of-order series of episodic comedy vignettes about a small Japanese town and the grossly out-of-place maid café at its center. What always made And Yet the Town Moves a joy to go back to was Ishiguro’s ability to weave endless strings of jokes at his characters’ expense, all while painting a picture of a tight-knit community of decent, lovable folks both old and young. Appropriately for a sitcom that consistently shuns sentimentality in favor of comedy, the final chapter ends with just another dumb joke.

The Gods Lie.- Lots of anime and manga feature children as the main characters, but it’s rare that these stories really tackle what it means to be a child in modern society. The Gods Lie, on the other hand, tackles it head on with the story of three kids — the oldest of whom are in 6th grade — who live alone in an abandoned house for a summer. There’s a fair bit of high drama in this single book (an absentee father, a sick, elderly soccer coach) but The Gods Lie communicates far more about how how societies nurture and shelter their children through showcasing the fractured but functional surrogate family that the three kids form for each other.

The Osamu Tezuka Story- Though it’s sometimes a little too detailed for its own good, The Osamu Tezuka Story is an invaluable book for anyone like me who’s obsessed with the life and work of Osamu Tezuka, the “God of Manga” who created Astro Boy and revolutionized both the postwar manga and anime industries. In manga form, author Toshio Ban lays out Tezuka’s life from his schoolboy days sketching in the margins of notebooks to his death in 1989, pulling from memoirs, interviews, and personal accounts from those who knew him best. Tezuka loved to write manga epics about the lives of heroes and historical figures, so it’s fitting that he’d get immortalized in his own manga biography.

SAM WOLFE (@_Samtaro)

One Piece- 2016 was another great year for the One Piece manga, as the Straw Hats finally did something fans have been anticipating for years: take on one of the Four Emperors of the Sea! Luffy has been making waves on Whole Cake Island, home to the notorious pirate lord Big Mom (and let me tell you, she’s got that name for a reason). Next to Teach, Big Mom has become one of my favorite One Piece villains, largely due to her distorted views on family. But is Big Mom really so bad? After all, her dream is to sit at a table where everyone sits at the same height…

ERASED- ERASED was a critically received murder mystery and drama that took the anime world by storm earlier this year, and I can’t sing its praises enough. Regardless of your feelings on the ending, ERASED had us gripped, and because the anime promised an alternate ending than its source manga, we were all in the dark. But to me, the success of ERASED was its appeal to both anime fans and non-anime fans. When a newbie asks me for anime recommendations, ERASED is sure to be on that list.

Dragon Ball Super- Dragon Ball Super really wasn’t on my radar until it was licensed in the States, and boy am I happy it was. As a big fan of Battle of the Gods and Resurrection F, Super was familiar territory, but this year I realized how good of a follow-up this show is to Dragon Ball Z; the power levels are higher, as are the stakes, and Goku is finally an underdog again. It’s good to be back.

Yuri!!! on ICE- I know, I know, you’ve heard enough about this one, but it deserves the nod. Yuri!!! on ICE is a special show for a lot of reasons: it’s appealing to anime fans and non-anime fans alike, it was an original story (meaning, it’s not based on a manga or light novel), and it told the story of two male figure skaters falling in love. It’s more than just a fujoshi dream come true; Yuri!!! on ICE did something really new, and that’s worth noting, even if you’re not a fan.

ISAAC AKERS (@iblessall)

As has been my custom with this space over the past few years (okay, just last year), rather than highlighting the shows that made it into my top 10 of the year, I’ll be touching on a few of the year’s offerings that just missed the cut.

She and Her Cat -Everything Flows- One of the quietest and shortest shows of the year was also a serious contender for being one of its best. Based on an earlier work of the same main title by Makoto Shinkai, She and Her Cat -Everything Flows- is a peaceful, melancholic look at the life of a young woman struggling with the loneliness and sadness that can come with being out on your own in the world. Much like one of my favorite short pieces from 2015, the Animator Expo’s tomorrow from there. She and Her Cat captures with ease and empathy a kind of wistful yet warm existential state. If you’ve been in the main character’s shoes even a little (or, if you’re in them right now), She and Her Cat -Everything Flows- is like getting a nice hug.

Three Leaves, Three Colors- Studio Dogakobo is well-known for their bouncy comedies, with recent hits like Monthly Girls’ Nozaki-kun and Love Lab leading the list. However, Three Leaves, Three Colors (from the same mangaka as Engaged to the Unidentified) is a somewhat more demure affair despite sharing many of the same trappings. With standout bits of animation scattered throughout and great color work, it’s a pleasure to look at, but it also boasts a rock-solid main trio of friends who play off each other in fun ways. There are even some almost surrealistic comedic interludes interspersed here and there. If you like moe comedies and missed this one this year, here’s your cue to check it out!

The Lost Village- Arguably the most controversial show of the entire year when it was airing, whether The Lost Village was genius, mediocre, or horrid varies depending on who you ask. I’ve weighed in on the matter with my own thoughts multiple times, but even considering how much respect I ended up having for the show I still find myself a bit baffled by it. That being said, it’s definitely one of the shows I had the most fun watching, writing, and discussing during the year, and I think those who engage with it ready to be flexible with their expectations will find, at the very least, a very unique anime to add to their completed list.

As for manga… I didn’t read any manga this year and I don’t think Nate will let me put Orange on my list for the third straight year, so sorry. [EDITOR'S NOTE: I would have been cool with this.] Pokemon Special’s still fun and good, by the way.

NICK CREAMER (@B0bduh)

FLIP FLAPPERS- FLIP FLAPPERS offered basically everything I want in an anime: great character writing, stirring themes, beautiful worlds, and an overall sense of whimsy that kept the whole thing fun and propulsive even when it was touching on topics like child abandonment and an inability to love yourself. It was an astonishing visual showcase and also a remarkably well-constructed character story, using its many diverse Pure Illusion adventures to consistently illustrate new things about its central characters. It’s one of those weird passion projects that make anime special, and I’m very happy it exists.

Concrete Revolutio: The Last Song- Okay, when I said FLIP FLAPPERS was everything I want in an anime, I sort of lied - I also like shows with searing political messages, and The Last Song was that all over. Depicting the breakdown of an alternate post-war Japan where superheroes are real, The Last Song was more reflective and bittersweet than Concrete Revolutio’s first season, but just as clever, creative, and engaging. From its wild pop-art style to its smart application of superhero archetypes to the social turmoil of 60s/70s Japan, The Last Song offered me a hefty meal to dig into every single week.

Sound! Euphonium 2- And reaching the final pole of my anime preferences, Sound! Euphonium continued to be thoughtful character drama done right. The show’s second season was messier than its first, adapting some material that couldn’t match the consistency of its predecessor, but the show’s characters continued to be very strong, and Kyoto Animation’s execution was just beyond compare. While many shows use the open canvas of animation to tell soaring, fantastical narratives, Euphonium demonstrated just how much magic and beauty there is in the personal and everyday.

Kizumonogatari- Oh, I also watched the first two Kizu movies this year, and they were glorious. Monogatari has been one of my favorite anime franchises for years now, but seeing Tatsuya Oishi’s gorgeous take on the prequel novel still felt like a revelatory experience. Instead of the TV series’ usual embrace of heavy internal monologue, Oishi fully realized Araragi’s depression, panic, and sexual mania through sound and pictures alone, making for one of the most distinctive and visceral film experiences I’ve seen. The Kizu films are a remarkable achievement.

FROG-KUN (@frog_kun)

Yuri!!! on ICE - An anime that was born to make history. Besides all the pretty boys and ice skating, the one thing that will stick with me about this show is how international its scope was. Yuri!!! on ICE takes you around the world and offers a surprisingly detailed and true-to-life picture of international competitive ice skating. We got to see skaters from Thailand and Kazakhstan excel at what they love on the world stage. As compelling as Yuri's journey as an athlete was, any of the skaters could have been the main character of this story. In fact, this was something that director Sayo Yamamoto and mangaka Mitsuro Kubo specifically went out of their way to suggest. No wonder this series was so beloved around this world!

Re:ZERO -Starting Life in Another World- This series might look like a typical fantasy-adventure story about an insufferable male nerd at first glance, but I was really impressed by how much empathy the narrative had for its main character. Subaru is an extremely weak character in the scheme of things, and the world doesn't revolve around him. His struggle to connect with others and move past his self-hatred resonated with me for similar reasons that My Teen Romantic Comedy SNAFU and Neon Genesis Evangelion did. I also happened to really love all the side characters in this series, and there's enough left unexplained by the end to make me burn with curiosity to find out what happens next. Season 2 when?!

your name.- I got to see Makoto Shinkai's masterpiece when it came out in Australian cinemas in November, and I ended up loving it so much that I saw it twice in three days! In my view, it's the first Shinkai film that balances its macro plot and themes equally with the love story, and that might be one of the reasons why I found it so personally relatable. your name. was created in response to the Fukushima disaster, and I found its message of empathizing with others and treasuring every fleeting moment especially profound in that context. I also think that the film touches on something deep about the way we humans connect with each other, and how it's possible for us to emotionally identify with people we've never even physically met. For that reason, among many others, it has become one of my favorite anime of all time.

WILHELM DONKO (@Surwill)

Sound! Euphonium 2- The first Sound! Euphonium was already my favorite anime of 2015, and the sequel again managed to make my list this year, as the second season was not lacking any of the traits and attributes responsible for the remarkable first season. Sound! Euphonium 2 kept its authentic grounded tone, which was accompanied by realistic characters and character-interactions, relatable drama, and background art nothing short of stunning. After a bit of a slow start, the season really picked up after the incredibly animated musical performance during the Kansai Competition, and in the end managed to tie up most loose ends beautifully. I’d also like to quickly mention Kumiko’s voice actresses’ unusual and mellow performance, which added a lot of personality to her character in my opinion.

Haikyu!!- Volleyball? I’m surely not going to care for an anime about a sport I don’t even know all the rules to. Boy, was I wrong. I picked up Haikyu!! around the start of the year, while the second cour of the second season was still running, and was immediately hooked. The show is extremely engaging, energetic, fast-paced, and almost always kept me on the edge of my seat during the matches. Haikyu!!’s cast is equally lovable (even the opponents in the show are great), and undergo some major character development throughout the seasons. I really did not care for Tsukishima at the beginning of show, but he soon became one of my favorites, especially after the thrilling third season. I guess I could say the same about Haikyu!! in general.

Re:ZERO -Starting Life in Another World- I don’t think I need to talk a lot about Re:ZERO, as it was undoubtedly one the biggest, if not the biggest anime this year. The show was definitely one of the more interesting takes on the Isekai (different world) formula in recent memory, and always sparked a great amount of discussion after each episode. And what can I say? I really liked to see Subaru suffer.

Love Live! Sunshine!!- I’m fully aware that Love Live! Sunshine!! is the odd one out of all my picks, and I would never objectively consider it as anime of the year, but it was my personal favorite of 2016. Even though I watched both seasons of the original, I never really cared for the Love Live! series, but that drastically changed with the start of Love Live! Sunshine!! While I never warmed up to Muse, I just adore every member of Aqour’s, and generally consider Sunshine!! to be a step up in every aspect compared to the original. However, it wasn’t until my own pilgrimage to the show’s setting, Uchiura and Numazu that I really fell in love with the series. I’ve done a lot of anime pilgrimages, but this one ranks among my favorites. After that I started collecting everything Love Live! Sunshine!! related I could get my hands upon. From art books, to figures to coffee mugs, I have it all – I even play that darn mobile game every day. Yousoro ~

Honorable Mentions: Flying Witch, KONOSUBA, Ajin.

BRANDON TETERUCK (@Don_Don_Kun)

FLIP FLAPPERS– Magical girl anime have encountered a bit of a dry spell in recent years. Thankfully Kiyotaka Oshiyama brought us a unique spin on the genre with his directorial debut, FLIP FLAPPERS. While FLIP FLAPPERS was a mishmash of different styles, ranging from campy shojo horror to Mad Max action, each episode worked harmoniously to create a cohesive emotional narrative. FLIP FLAPPERS’ two heroines, Papika and Cocona, learn more about themselves and each other by exploring a slew of psychedelic and dreamlike worlds. Although the peculiar fusion of genres may not suit every audience’s taste, FLIP FLAPPERS had essentially what I wanted out of a modern magical girl anime: creative and experimental animation sequences, heavily allegorical storytelling, and fabulous henshin scenes.

KIZNAIVER– Hiroshi Kobayashi’s directorial debut, KIZNAIVER, was an ambitious project unlike anything studio Trigger had attempted before. Alongside scriptwriter Mari Okada, Kobayashi created a contemporary adolescent drama that wasn’t afraid to tackle some of the touchier issues in Japanese society. Throughout KIZNAIVER, its cast of misfits constantly grapple between wanting to feel the physical and emotional pain of others and questioning whether an artificial connection could create a sense of togetherness. This was the primary dramatic narrative of KIZNAIVER, and while intriguing in and of itself, it was truly Kobayashi’s thoughtful directing and clever use of visual symbolism that elevated the material. KIZNAIVER may have lacked narrative polish around its edges, but it was one of the most visually poignant pieces of commercial anime to come out of the industry in the past couple of years. Here’s hoping that Kobayashi will have more directing roles in the future as his cinematic vision brings a lot to the table for commercial anime as a whole.

Sound! Euphonium 2– The first season of Sound! Euphonium had always been a favorite of mine, and as such, the bar was set quite high when I heard a prequel was announced. Despite a rather lackluster first arc, the second half of 2016’s Sound! Euphonium 2 blew me away. The relationship between Kumiko and Asuka, two of the central pillars of Kitauji High’s concert band, embodied both the heart and soul of Sound! Euphonium’s web of emotional connections. It was beautiful to see their close-knit bond - built upon respect, trust, and understanding - unfold as the barriers between senpai and kohai were broken down. It set the stage perfectly for the resolution of Sound! Euphonium’s many other narratives: Kumiko and her older sister’s mending of their sibling conflict, Reina’s emotional maturing, and Taki’s finding peace within himself over his late wife. With a soulful conclusion to an already fantastic anime by Kyoto Animation, Sound! Euphonium is a series that couldn’t have ended in a more satisfying manner.

Mob Psycho 100– Mob Psycho 100 is unequivocally a testament to the creativity and passion of the anime industry’s top animators. Director Yuzuru Tachikawa and animation director Yoshimichi Kameda created an experimental take on ONE’s source manga that showcased the importance of animation for storytelling and expression. While still operating within the confines of a shounen work, Mob Psycho 100 is an anime with a visual and ideological identity that does not confirm to the sterile and idealistic standard of perfectionism that is seen in many contemporary anime. “If everyone is not special, maybe you can be who you want to be.”

Love Live! Sunshine!!– Last, but certainly not least, is a pick that you may find a bit strange if you’ve been reading the reasoning behind my other favorite anime of 2016. While I do value artistry in animation and direction, there are times when a fun anime with a cute and charming cast of characters is just as enjoyable to watch. Despite adopting a similar plot structure to the original Love Live! series, Love Live! Sunshine!! knew how to play around with its audience’s expectations, in some cases subverting characterization tropes and outright parodying the original. The girls of Aqours were a low-key bunch of loveable dorks who enthusiastically attempted to emulate the franchise’s previous group of idols (often times with hilarious or unfortunate results). Aqours’ playful banter and goofy antics quickly made me invested in their underdog soul search for stardom, while the intimate relationship between Chika and Riko brought a smile to my face. With the collective energy and excitement it brought to my life while watching, Love Live! Sunshine!! was one of my most pleasant surprises of 2016. Also, Dia is best girl.

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And that's a wrap for Part One of our three-part series! Be sure to tune in at the same time tomorrow for PART TWO: VIDEO GAMES! And if you're still in the mood for past CR Favorites, check out the previous years' features here:

Crunchyroll Favorites 2015 Part One Part Two Part Three

Crunchyroll Favorites 2014 Part One Part Two Part Three

Crunchyroll Favorites 2013 Part One Part Two Part Three

Crunchyroll Favorites 2012 Part One Part Two Part Three

Crunchyroll News' Best of 2011 Part One Part Two

What were your favorite anime and manga of 2016? Remember, this is a FAVORITES list, not a BEST OF list, so there's no wrong answers--sound off in the comments and share your favorites with us!

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Nate Ming is the Features and Reviews Editor for Crunchyroll News, creator of the long-running Fanart Friday column, and the Customer Support Lead for Crunchyroll. You can follow him on Twitter at @NateMing.

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

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pairsss · 6 years

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The Haikyuu season 2 dub really did them dirty

Let me just preface this by saying that I love dubs and I regularly watch dubs! I will defend english dubs to the ends of the earth, but this one in particular... Oh boy. It's rough. Don't get me wrong, it's amazing being able to watch hq without having to read subtitles and it's really not that bad but I just like making fun of things

The ‘oya oya’ was ruined (good effort though)

kuroo in general is just.... What did they do to him

Lev sounds like a 30 year old man from a 90s rom com

Terushima sounds almost identical to Lev (not the same va, I checked, but still sounds old)

Suga left out the 'goatee' in "negativity goatee begone!!" although it was still so cute and funny so props to his va (I love him)

Ian Sinclair as Bokuto... I mean, it's not bad at all. Sometimes it's just a bit strange though? Like, the energy levels are through the roof and the voice cracks work but like Sinclair is your staple Low Voice so it doesn't really work all that well imo

Akaashi just isn't quite right. Like, in the sub, you can tell he's Done with Bokuto but there's still respect and adoration, but the dub changed his actual lines so that he just sounds more annoyed than anything. Tired and annoyed. He annunciation is a bit lazy which gives that effect. It almost seems like he doesn't like Bokuto at all. Also this is more personal but I just miss the classic "Bokuto-san" 😭

USHIWAKA IS SO BAAAAAD LMAOO he has the tiniest whistle when he says 's' sounds and just.. Open your mouth man!! I can barely understand you!! Stop mumbling! And his voice is too high

And another thing with him - when he first meets hinata and kageyama and they start walking away and he's got the inner monologue going like "shouyou hinata.... Tobio kageyama...." and at first that jarred me but I was like, whatever, it's the english dub so they always put the first name actually first. But then in a later episode he says "hinata shouyou"??? I mean, cool, but like at least be consistent man

Tsukishima has just irked me since the season 1 dub so there's nothing new

Same with Kiyoko, her voice is just so expressionless

Daichi is spot on though, he sounds like the Ultimate Dad

So is Tanaka - he is the absolute STAR of the dub he makes me ctfu

So is Suga but he's a bit uhh "baby lock the doors and turn the lights down low"

And they got Clifford Chapin to play Tsukishima's older brother and I love it so much!! He's just so friendly and pure and I loved big brother Tsukki before but now I love him even more!! Like literally I get excited whenever he comes on screen but am completely silent to listen to what the holy boi has to say and I end up just whispering "i love you" repeatedly lmao it's a problem

Kageyama and hinata always make me ctfu and because I can actually watch what's going on instead of reading the subtitles I can finally pay attention to all the mutual pining between them because oh boy is it there (imo)

The characters kind of mildly swear though??? They'll say "oh my god" and "goddamn" and kuroo even called someone a bastard off screen and I had to pause it because I was cracking the fuck up. It's just so strange to hear swears coming from these wonderful pure boys. I don't even remember if they swore before but in English it just seems forced.

They ruined the "oniku kamisama" bit but they tried their best there wasn't must they could do BUT to make them instead say "M! E! A! T!.... YOU AND ME CAN EAT THE MEAT!" is a bit hmmm

They changed..... Dateko's chant......... I am personally offended........

There's so much more but I honestly can't think of anything else because there's too much lmao

Yachi is so good though wow I can’t believe they made her just as pure <3

#haikyuu!!#haikyuu #hq!!#in conclusion the haikyuu dub for season 2 makes me ctfu every episode bc it's kind of bad

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canvaswolfdoll · 6 years

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CanvasWatches: Dagashi Kashi

How did this get a dub?

Don’t get me wrong, I am thankful it got a dub, of course, since I enjoyed Degashi Kashi, but… how did an anime about Japanese Penny Candies/Snacks earn itself a dub? It’s so niche, so obscure, and so unlikely that American audiences would experience any of these foods for themselves,[1] that I wouldn’t even dream of it receiving a a Sub-only Release, let alone a dub. Heck, my even knowing about it was a combination of vaguely recalling some random bit from LoadingReadyRun discussing its upcoming release, and accidentally finding it through Funimation.

And it’s second season is also getting a Simuldub, which makes this series even more inexplicable, as it doesn’t strike me as a show that would inspire a revival.

Why does Dagashi Kashi have a dub? How does any of this happen?

I love anime.

(Spoilers below the page break)

Degashi Kashi is a slice of life comedy about a young boy who kind of wants to be a Mangaka, but whose dad wants him take over the family business: a Japanese Candy Store.[2] The young boy would rather not. Then a quirky, Degashi-obsessed girl arrives looking to recruit the father for her family’s snack company, but the father will not take the job unless his son will take over the family store.

Hilarity ensues. Also lot of trivia and history lessons about the Dagashi and its surrounding culture.

It’s a charmingly odd show that makes the most out of having only five cast members. There’s Kokonotsu (the noted son) his father Yo, Hotaru (the girl seeking to get Kokonotsu to take over the store) Saya (Cafe operator crushing on Kokonotsu) and Tou (Saya’s brother who looks like Dave Strider).

There’s pretty much no major plot to speak of, with only enough premise to carry the episodes between various Dagashi lessons.

Also some pretty tame fan service. And odd character designs.

The eyes are weird. Kokonotsu’s are mostly fine, as far as generic protagonist designs go, and Yo and Tou don’t have their eyes visible often enough for comment, but the girls have pretty out-there eyes.

Hotaru’s eyes are concentric circles, making her look a little crazed and possibly unearthly. Her design over all is pretty eccentric, as she’s dressed in a simplified gothic lolita style and is the only one without natural hair and eye color, but that I’m broadly used to, because… anime. She sticks out like a sore thumb, but that fits her role so I’m okay with her design.

Also, her dub voice is… unconventional. There’s a usual timbre and speaking pattern that I’ve grown to expect from female characters. Usually sweet and light, but able to range into comedic anger. A little wiggle room for personalization, but mostly samey.[3] Hotaru can have that quality, yes, but when she really gets going, it’s usually a little lower pitched, and there’s this vocal quirk that’s… very difficult to put into words, where she’s not actually putting on a mocking tone, but is next door to it in pattern.

Please try and find examples of this dub voice. I was surprised at first, but I quickly grew to like Tabitha Ray’s performance for sounding very distinct.[4]

Returning to eye criticisms, Saya looks constantly crazed.

Her irises remain constantly tiny. The thing about giant anime eyes is it allows space for fine tuning emotions. Normally, the pupils/irises take up about 40-60% of the total space, allowing space to make them grow to show interest or more emotion, or (as is more to the point) shrink to show shock or extreme anger or just a loss in mental stability.

There’s an expressive language one learns as they watch anime, and Saya is locked in the tiny iris end, so she looks like she’s supposed to be crazy, possibly planning on burning you alive with a scalding pot of coffee at any moment. But that isn’t her personality at all. Sure, her introductory scene was pretty textbook Tsundere, but she quickly eased into the Childhood Friend archetype, and either way, her shrunken eyes are unjustified. I got mostly used to the eyes, but it’s still poor design, since (ideally) character design should tell you something about the character, or at least be deliberately misleading.

Which leaves one last topic to discuss: Fanservice!

The portrayal of sexual elements is important for creators to consider. Good Art should hold a mirror to the human experience, and how an artist approaches the subject can say a lot.

Still, cultural norms and the ebb and flow of societal expectations, as well as the desire to draw in the target audience, makes the execution of fanservice fascinating to me. Where are the lines, on both a community level and personal level? Does the medium itself have an influence? Because a single misstep in fanservice can bring forth harsh criticism.

And, let me remind you that Avatar: the Last Airbender, one of the best animated series to broadcast on an American children’s television station, dedicated an episode to showing cute girls (and Zuko) at the beach in bathing suits. The oldest of whom was 16.[5]

So, Dagashi Kashi, to its credit, doesn’t feel fanservice-driven. Sure, some situations might be a little contrived (mostly surrounding Hotaru), but like the comedy of Monthly Girls’ Nozaki-kun, the show at least shows the steps that bring forth fanservice. And, to be honest, it’s pretty tame after the first episode. Mostly rain or sweat making Hotaru’s white shirt a little sheer to show off a little frill of her bra. Then the camera takes the perspective of Kokonotsu, who takes a very quick glimpse before averting his gaze.

Now, before I go further with my analysis, let me be clear: if the show cut all the fanservice scenes and took the maybe five total minutes they took (in twelve episodes) and expanded the Dagashi lessons, there would be no real loss. It’s superfluous material. But the fanservice shots also aren’t distracting nor derail the plot. They’re also mostly tasteful, and work is put in so the fanservice does work in context.

The element to execution that I think is most important is that it’s viewed through the the lense of youths, particularly Kokonotsu. No one’s ages are explicitly stated (not that I noticed, anyways), but there’s enough mention of homework that points to at least Kokonotsu, Saya, and Tou being school aged, most probably High Schoolers.[6] Hence, some awkwardness on the subject of romance and sex. So, yes, there will be some curious glances when the opportunity is presented.

Second, beside one scene concerning Saya, no one’s particularly victimized. The concept of fair consent is… curious when applied to fictional characters and the audience. It’s a debate that’s plagued superheroes for literal generations, and I’m not so foolish as to take a firm stance at this point.

So, setting aside arguments that fictional characters are inherently in a relationship of power imbalance with their writers,[7] in what cunning ways do you write a character (male or female) as being okay with a level of objectification?

You could have a character say they lack a nudity taboo, but that breaks the ‘Show, don’t Tell’ rule, and doesn’t clear accidental slips.

Dagashi Kashi manages to establish Hotaru’s lack of care in a such a blaze of insane glory that you don’t actually realize what the writers pulled until you’re writing a review spending an awkward amount of time discussing the show’s fanservice.

In the first episode, Saya meets Hotaru when the former sees the latter laying in the rice paddy she crashed into, coating her in mud. Being neighborly, Saya lets Hotaru use her shower. After which, Hotaru shows a casual disregard at being fully naked in front of both Saya and Tou. This is the most explicit scene in the series (in a PG-13 way) and is such obvious pandering, that you don’t even notice the show has taught you that Hotaru carries no reservations, so when the show very briefly shows off her body through the rest of the show, the audience knows Hotaru isn’t a victim.[8]

It’s a blatant, pandering scene that still serves a mechanical purpose. So that’s worth studying.

The only time either girl is victimized, it’s a transgression by Tou against Saya, when he uses a sticky hand to flip up her skirt. Credit to the direction, the camera stays firmly in front of her, where her skirt remained in place, and the audience sees nothing. Tou is also violently punished.[9] So the show went out of its way to show there’s a line: “accidental” fanservice from the indifferent Hotaru is kosher, intentional malice towards the unwilling Saya will not be justified by the camera.

I mean, obviously I’m not telling my fellow writers to showcase what they don’t think is okay to show, but I will say this: establish what you’re comfortable portraying and what you’re not, and try your best to inform the audience what the extreme is so they can decide if they’re on board.

Say whatever cynical thought you carry, I appreciate that many animes tend to front load the most egregious fanservice in the first episode, so after one episode you know what to expect.

Dagashi Kashi is a fun show, very educational about niche Japanese culture, and rife with things to overthink. Or not. The Japanese Snack trivia is a delight if you just want to watch at a surface level.

If you enjoyed this… frankly rambling navel-gazing review, consider supporting me on my patreon, checking out my webcomic or other works, or even just sending me questions or comments. Any support is nice. Helps me feel firm in following managka dreams instead of taking over the family candy store.

Except my family doesn’t have a candy store…

Man, why doesn’t my family own a rural candy store? That’d be cool.

Kataal kataal.

[1] Internet markets and subscription boxes aside. [2] Specifically a Degashi store, which seems to be a genre of Japanese snack foods. I cannot give further context, I’m afraid. [3] If I may have one quick dig at Japanese voice acting, girls always seem to have obnoxiously high pitched voices. [4] I should see if she’s done anything else. [5] A fact I present not as condemnation, but to provide an interesting perspective. I never see any debate over “The Beach”, which I think is also interesting. [6] I assume. Then again, Usagi of Sailor Moon is in middle school, so you can’t always trust your eyes. [7] Because it’s not a real person, and trying to apply such parameters to creator and creation is ridiculous. [8] And they don’t break the suspension of disbelief like Funimation did with Luccoa. [9] Now, the fact that this is a brother harassing his sister is a kettle of fish I will not dive into.

#CanvasWatches #dagashi kashi #CanvasReviews #anime

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