#i have no other context clues to that reference

[plutorine]

*seals my fate by placing an order for a copy of The Brothers Karamazov that will arrive by November 1st*

#we're really in it now guys gals n nonbinary pals #my roommate said they cried at a certain scene where Alyosha kisses the ground #i have no other context clues to that reference #guess i'll find out once i read it #and i'll probably cry like a baby too #also what is it with Dostoevsky's men and kissing the ground #(as they should) #the brothers karamazov #fyodor dostoevsky #russian literature

[just-an-enby-lemon]

Okay, I just found out that historically Mary was between fourteen and fiteen yo when the archangel Gabriel gave her the pregnancy news. My whole Jesus is somewhat real on Good Omens so how did THAT conversation went made me actually more curious now because it's not only Good Omens Gabriel gives bonkers news to a human but Good Omens Gabriel gives bonkers news to a teenager.

#mary being a teen when she got magically pregnant is uncomfortable af but it was also normal for the time period #and while some christian schoolars will try to sell the image of Joseph being an old man to explain away Jesus potential sibblings + #and mantain Mary as an eternal virgin #and while some weird conservatives will also use it to say the bibble defends this type of marriage #this isn't the case #there is no reference in the bibble itself of their ages or of a age gap #so based on context clues is likely they just followed the normal marriage rules at the time #this means their engament would have been made by their parents when Mary was between the ages 12-14 #and they would meet and marry when she was 15-16 and he was 18-20 #still an age gap but not a overly creepy one #the other explanation to jesus sibblings used to keep mary an eternal virgin is that it was a misstranslation as sibblings and cousins + #i don't remenber if the langague in question was old hebrew greek or latin because I heard it from my comunity preacher as a kid #before I bailed catholicism #mother mary #good omens #gabriel good omens

[arcxnumvitae]

#:outofcash #{Royal AU #like Aya said y'all are just going to have to use context clues I'm too wordy #I keep wanting to refer to Zhaohui as a c.aptive p.rince because it fits better in my mind to his situation but that's.... #it's a title and I'd have to keep using periods like I just did so no thanks #oh my gosh and after I posted this I realized I never incorporated /Qingshan/ into the AU along with the other dragons! #{Huaxiu Games #{Minglian Games #{Zhaohui Games #{Jianhuren Games #{Meihui Games #{Xiaodan Games #{Zhifeng Games #{Kaisei Games

[marcy-lan-starlight]

a collection of screenshots in case @photomatt decides to wipe it all from that dumpster fire of a post he’s made

please note that litteraly minutes after posting that response, her account was wiped again.

and here we see photomatt clearly calling a trans woman “it” and then trying to very poorly backpedal. based on context clues and his backpedaling, its safe to assume his usage of “it” when referring to her was not to be in support of it/its users.

and here we can see photomatt trying very hard to gaslight the tumblr community into believing predstrogen was banned and wiped for harassment instead of the actual reason of “sexualy explicit material”, with the sexualy explicit mat in question having been manually confirmed by staff prior to her getting wiped to be not explicit in any way. this is itself a poor attempt at shifting the focus away from the glaring flaws with tumblr’s reporting system and how it became easily favours transmisogynest. this is a really poor step at distracting from it though as the distraction itself is 1. not an actual threat (i hope ≠ i will) 2. not a realistic form of harm 3. not actionable (she lives in ireland) and 4… also a blatant example of the rampant transmisogyny of the moderation, trans women alone receive much worse and more actionable and actually directed treats daily, not to mention other trans folk and any other minority group on this site, but the only time its ever addressed is when its a trans woman being mean to the ceo. most trans people have reported hate speech far worse than this and gone months without so much as a response, and with the response usually being “yea that death treat and call for genocide is fine” if they get a response at all. predstrogen herself had been the subject of a targeted har campaign for over a year, and had reported it, with no response from staff until the harassment campaign finally worked and got her banned for all eternity.

#transgender #trans #transmisogyny

[slavonicrhapsody]

WHO IS THIS SAULTRY LITTLE BINCH

ok this is my extremely unpolished breakdown of MESSMER THE IMPALER from the shadow of the erdtree trailer

The first thing that stands out about this dude is that he’s wearing EVERY possible symbol of treason against the Erdtree: SNAKES and FLAME

Messmer has snakes on his sigil, helm, and 2 snake friends who have dragon wings. Volcano Manor is known for its statues of winged serpents, but the wings are feathered, not dragonlike. these snakes are bright red-orange and are very unlike the Great Serpent we all know and love, who has a heavier build and is blue-grey in color. 

Regarding snakes as symbolism, the Duelist Helm description reads,

“Bronze helm decorated with innumerable snakes. Worn by gladiators who were driven from the colosseum. The wearer becomes a slightly easier target for foes. The snake is viewed as a traitor to the Erdtree, and the audience delighted in seeing these bronze effigies beaten and battered.”

We can bet that whoever is associating themselves with snakes is a confirmed Erdtree hater (Rykard, hello!!!) or perhaps, this dude could even be part of the reason why snakes are considered traitorous in the first place?

In addition to us seeing Messmer wield fire, this line from the trailer (which I think is spoken about Messmer but not by Messmer) implies that he’s known for his fire: “Those stripped of the Grace of Gold shall all meet death. In the embrace of Messmer’s flame.” 

It’s well known that flame is in many ways a taboo power; particularly the flame of the Fell God, which has the power to burn the Erdtree (the cardinal sin). Messmer’s fire is weird, in some ways it reminds me of the Rune of Death since it starts out black and turns red, but it’s also far too orange to simply be the Rune of Death’s power. 

There’s also this description of the DLC: “The Land of Shadow. A place obscured by the Erdtree. Where the goddess Marika first set foot. A land purged in an unsung battle. Set ablaze by Messmer’s flame.”

I’d guess that the Land of Shadow was the place of Marika’s first conquest, and perhaps Messmer either aided her in razing it or that’s just something he did later? 

so WHO is this dude????

for starters, his name is Messmer the Impaler — M like Marika! Melina, Malenia, Miquella, Mogh, and Morgott. seems to be a pattern...

He says in the trailer, “Mother, wouldst thou truly Lordship sanction, in one so bereft of light?” 

Whoever Messmer’s mother is, she is in a position to “sanction lordship” meaning to give official permission for a lordship to take place. that screams Marika — she is THE goddess, and is responsible for guiding Tarnished to becoming Elden Lord. I can’t think of anyone else who might be called Mother who is in such a position as to allow someone to ascend to the position of Lord. He's also sitting in the same type of throne that the demigods sat in that we see in Morgott's cutscene.

theres 2 ways to interpret this line: 

Messmer could referring to himself when he says this; as if he’s saying, would my mother truly allow me to become Lord even though I’m so dark and edgy?? in a kind of sarcastic way. the flames he produces start out black, and he’s covered himself symbols treasonous to the Erdtree. OR, he’s referring to us, the Tarnished, when he says this; as if he’s saying, would you really let a person with such little light inside them become lord, mother?? (rude!) I’d say we need more context to determine exactly what he means

ALSO, interestingly, his left eye is sealed shut… you know who else has their left eye sealed shut? THAT’S RIGHT… OUR FRIENDS MELINA AND RANNI

The scarseal and soreseal items of Marika and Radagon are also carved into eyeballs… could eye trauma be an empyrean trait?? could Messmer also be an empyrean, one who the current demigods didn’t know the existence of??? 

with all that being said, I really doubt that this guy is Rykard or Rykard’s child as I’ve seen some people speculate… these other clues in the trailer point towards him being another, separate demigod. so what do we make of all the similar imagery?? I think that Messmer might be working against the Erdtree toward his own ends, and he’s embracing similar powers that Rykard did when he turned traitor. 

who is he then? I think he’s a demigod child of Marika, and possibly of Radagon because of the hair (unless his hair color comes elsewhere? a curse?). I think he got banished to the shadow realm for treason reasons, given the heretical symbols. perhaps he was an empyrean with his own agenda who was disposed of by Marika, like the Gloam Eyed Queen? perhaps he has ambitions to return to the real world and become Lord, destroying the Tarnished who might take his throne?

I did this instead of sleeping I hope you’re all happy

#elden ring #elden ring dlc #shadow of the erdtree #messmer the impaler #messmer #elden ring lore #ok now ive got that out of my system i can go about my day

[twelve-forfend]

Well, I did say this was a multi-fandom blog... Alright, let's do this.

The Qing Jing Peak Lord's Bamboo House

(and the symbolism therein, as recorded in the donghua)

I was snooping through the establishing shots of the Qing Jing Peak Lord's Bamboo House, and had to laugh as I always do at all the gay symbolism that managed to sneak its way inside. But then I looked a little closer, and was floored by just how much passive storytelling was packed into background assets. I talked about it at length over discord, and at the urging of others decided to make a shareable post on social media as well.

First, the shots which first piqued my interest in this topic years ago:

Shen Yuan transmigrates into the stallion-genre webnovel entitled 狂傲仙魔途 (translated as Proud Immortal Demon Way). The author's and his own usernames are dick jokes.

Notice the chrysanthemum vase, the cock vase, and the stallion statuette.

The stallion and cock are obvious nods to these jokes on their own, but for the uninitiated, the chrysanthemum is a symbol of gay sex between men, as the asshole itself is often euphemistically referred to as a chrysanthemum. This should have been Shen Yuan's first clue that not all is as it seems here! These are the personal quarters of Shen Jiu — the original Shen Qingqiu!

But let's move to the main room you first walk into upon entering the bamboo house.

There it is: the writing on the wall.

As the Peak Lord of strategy and the scholarly arts, Shen Qingqiu would naturally have calligraphy and paintings hanging everywhere! So let's break it down.

On the top we have 道㳒自然 ("Dao Follows Nature"), which comes from a Dao teaching by Laozi (founder of Daoism) meaning that life, death, the entire universe, the heavens and earth and everything outside and inbetween, all follow a set of laws referred to as the nature of things. Although unrelated to the Buddhist couplet below, it's certainly relevant!

Originally hanging in right-to-left order, I've arranged them to read left to right here to make things easier to keep track of. The calligraphy reads 西方竹葉千年翠；南海蓮九品香 and is a couplet commonly found in Guanyin temples. My classical chinese is not as strong as I'd like, but this translates roughly to "The bamboo leaves in Paradise are green for a thousand years / The fragrance of lotus flowers in the South China Sea is as thick as 9 sticks of incense."

The character 西 for West is used to denote the destination of enlightenment/purity: the buddhist Paradise (think Journey to the West). The South China Sea is where Guanyin was born. Upon the Lotus flowers is where Guanyin is commonly depicted as sitting. The "9 sticks of incense" though literal can also refer to the 9 tiers/grades of reincarnation lotuses with the 9th tier being the lowest, meant for those who in life committed the most evil of crimes — the 4 parajikas — and who can only manage a sincere Amitabha recitation 10 times and no more than this.

To put this in context with Shen Jiu (the same jiu as in 9/九), the 4 parajikas committed by the 9th Tier Lotuses Reborn (officially entitled the Lowest of the Low) are:

Sexual Intercourse

Stealing

Murder

Claiming attainments of stages of pure mental concentration that have not been achieved (in other words, rushing or lying about your cultivation/enlightenment, or maybe even becoming a Peak Lord without having formed a golden core beforehand).

From what we know in the context of the novel, Shen Jiu is innocent of at least the first of this parajikas, but the overall view of Shen Jiu in the eyes of others in the story is that he is guilty of them all. This calligraphy can be seen as a condemnation or a reminder for the character Shen Jiu, who even as the Peak Lord Shen Qingqiu is widely thought of as a scum villain and the lowest of the low.

Phew! That's a lot to unpack.

But if you turn your gaze to the original screenshot, you'll see to the right that there's a vase painted with a blue bird. This vase appears in several rooms of the bamboo house, and seems to be the image of a qingniao (青鸟; lit: Qing bird, wherein 青 can mean blue/green/clear-but-brackish black).

These qing-coloured birds are messengers and foragers of the Goddess-Mother of Paradise (Xiwang-mu 西王母, the "west/paradise" character from before, lit West-King(unisex)-Mother). They're a highly intelligent species who are exceptional in song (a good representative for Qing Jing's scholarly arts and pursuit of qin!), and the older ones might learn to speak human tongue. As a subspecies of luanniao (鸾鸟 lit: luan bird), they're thought to be related to The Phoenix and indeed thought to be the lifetime/samsara just before being reborn as a Phoenix.

If given to a "master" they don't like, the qingniao may refuse to pass messages or sing until they're set free, but if they do get along with you then they're loyal to the end.

As a point of interest, the Qing generation of Peak Lords uses the character 清, which is 青 ("colour of nature; brackish black, blue, green; young) + the radical for "water," resulting in the meaning of clear (as in water or heart; see-through); distinct; quiet (as in still); just and honest; pure; to settle or clear up; to clean up, expunge, or purge.

And as a bit of trivia, Liu Qingge's sword Cheng Luan 乘鸾 means "to ride the luan, take flight on the back of a luan." (Relevant, because the qingniao is considered a subspecies of luanniao).

With the Lords of both Qing Jing and Bai Zhan referencing this bird, I really wonder about its significance! It's spawning plenty of theories and headcanons for me.

Heading back outside for a moment, you'll find that in the Quiet Pool (清静小池 qingjing xiaochi (yes, the same Qing Jing the peak is named for)), there are lotuses, and on land there are flower shrubs which are either wide-petaled chrysanthemums (gay bottom jokes ahoy), or a type of peony, the king of flowers demarcating wealth and prosperity. Either way, a blossom fitting of our Qing Jing Peak Lord Shen Qingqiu!

My one regret is that I cannot get a clear shot of the fan hanging on the wall to try and translate the calligraphy on it. If anyone can snag one, please tag me! I also couldn't translate the paintings with poems hanging in Shen Qingqiu's bedroom (it's just too small and blurry for my bad eyes to make out). If I make another post attempting these things, I'll append them to this initial post in an edit afterwards.

#svsss #shen qingqiu #liu qingge #i started writing this at 3am #and now it's 8am #what am i doing with my life #who have i become #qing jing peak

[somehow-a-human]

Whose POV is it anyway?

An Introduction

DO NOT ASK NEIL ABOUT FAN THEORY

Cracking down on the storytelling of Good Omens season 2 through the lens of a changing narrator.

If you haven't read this interview with Good Omens cinematographer Gavin Finney, and you're interested in the fantastic dedication and detail that went into this TV show, definitely give it a read. Not only is it lovely, but Neil also posted the article with a caption mentioning that it's got so many secrets in it. Obviously that made me take a closer look.

I have already gone into a fair bit of detail about the different Lens Filters that Finney mentions in the article in a separate post and I will be referring to them quite a bit so if you aren't familiar with them I would suggest reading that first!

This first post is going to cover the basics of changing narrator/POV's and I'll be writing additional posts for separate episodes/minisodes/scenes since there's obviously way too much to cover in a single go. So shall we take our first look?

It's no secret that something's a *bit weird* with season two, and there are SO many theories about it. I love to read speculation, metas, theories, and opinions, it's definitely fun but my personal ideas align more with the idea that we're simply being shown the events of season 2 through the memories of multiple narrators, different POV's, and it slightly skews the story, sometimes within one continuous scene.

I am also a sucker for a good multiple timeline theory but that isn't this post.

Lens Filters

As I stated above, I wrote a post about each of these individual filters earlier. What I didn't go into in that post was speculation about the filters. While I think they're pretty straightforward, especially the filter for hell (Black Pro-Mist ((BPM)), I think the other two have a bit more room for speculation.

Bronze Glimmer Glass

BGG was described by Finney as being used for 'bookshop scenes', but after S2 back numerous times and paying as much attention as I could to the lighting and colouring of the scenes, I think this is generally true but not always true. There are times when bookshop scenes seem to use a different filter, and other locations also seem to be shot with the BGG filter as well. I think BGG aligns with Aziraphale's POV. Or if Not Aziraphale, an outside-of-Crowley narrator? Based on the scenes (which we'll specifically get into in other posts) which BGG seems to be used, context clues, character behavior, etc, I think BGG clues us in that we're seeing, if you will, through Aziraphale's eyes.

Black Diffusion FX

BDFX was described as being used for 'Crowley's present day storyline' and fuck me, that's not ominous or weirdly phrased at all Mr. Finney! This filter definitely aligns with Crowley. Most of the time he's separate from Aziraphale it seems that this is the filter being used, and certain scenes switch filters mid-scene when he begins to go off on snarky Crowley-centric commentary.

Catch-22 & Herzog

The books on Gabriels bookshelf, great books obviously, but I think books that are also meant to give us context about the story. Pride and Prejudice is a love story about making snap judgements on someone's character, and coming to recognize somebody might be good despite their title or appearance. The Crow Road is a story about life, death, love, morality, mystery, and God. 1984 details the tragedy of Julia and Winston's attempt at falling in love while living under in a police state. You see my point?

That's why I wanted to touch a bit more on Catch-22 and Herzog specifically when talking about the possibility of changing narrators/POV's in Good Omens 2.

Catch-22 frequently switches narrator and the events described are often not necessarily sequential. This way you're getting information about previous scenes as the story continues, so while you're reading the book you're forming a more complete image of the events as the story continues from different characters POV's and iterations of the story. Sound relevant?

Herzog is the other book I wanted to talk about. To be fair I haven't read Herzog in full like I have Catch-22 but I pulled out my copy to reference and flip through a bit to remind myself. Herzog unlike Catch-22 doesn't switch narrators but the narration by the main character, Herzog himself, switches between first and third person throughout. When he is narrating through his letters, you get a deeper look at his thought processes and emotions. It also relies on flashbacks to bring context to the life of Herzog.

While these books touch on other elements that are relevant to the Good Omens story, namely Yossarian's relationship and views of God in Catch-22, the way these stories are told intrigued me for this context.

Crowley's Hair

Yeah I'm gonna mention the hair, because I think the hair is linked. Crowley's shorter sideburns, trimmed mutton chops in the 1827 flashback, and shorter Job wig seem to be clearly aligned with the BDFX filter/Crowley's POV as far as I can tell. I don't know if this means it's just another way to denote POV, but it seems way too consistent not to mention it. The longer sideburns, fuller mutton chops, and longer Job wig all match up with Aziraphale's POV or the BGG filter. My thoughts here are that his hair is another hint of who may be relaying the information to us, AKA is it internal or external. I am making my best guesses though and there are still some situations that I feel less sure about. For example, when Aziraphale takes the Bentley to Edinburgh and Crowley is in the Bookshop with Jim his sideburns are long, is it because he's remembering these scenes unreliably? Is Aziraphale imagining the events? Is it because Jim is present? A brief fluttering thought I toy with from time to time is the fact that in the before-the-beginning scene they are long, and what that means in context of the rest of the season.

S2 Promo Posters

Finally this set of season 2 promo posters showing the characters thoughtfully considering scenes in their heads just gives me a lot of these POV vibes.

I'm planning on doing individual posts for specific scenes, episodes, and minisodes that require detailed breakdowns. I'll update this list with links as the posts are finished!

POV "Your 'Something's Wrong' Voice"

POV a Trip to Hell and a 25 Lazarii Miracle

POV a Companion to Owls

POV The Dirty Donkey & I think I Found a *Clue*!

POV Bodysnatchers & Cosplaying a bookseller

POV 1941

POV The Ball

POV The End?

Whose POV is it Anyway - a Conclusion

#good omens #good omens 2 #michael sheen #david tennant #crowley #aziraphale #good omens meta #crowley x aziraphale #good omens theories #good omens clues #good omens fandom #ineffable husbands #good omens clue #good omens theory #good omens pov #good omens writing #good omens 3 #good omens filters #ineffable mystery #ineffable divorce #ineffable spouses #ineffable idiots #ineffable fandom

[r3medialch8os]

sometimes i think about like. what actually stops us from assuming trobed as canon. i mean. they get all the show's most romantic moments ("i love you" "i know", valentines, dramatic goodbyes), they are refered to as each other's boyfriends MULTIPLE TIMES and it is never denied, they get jealous of each other when one is in a romantic or otherwise close entanglement with someone else. they obviously hold each other in the highest possible regard. i mean, there is simply so much. do they have to say it, for it to have been canon? did they need a confession, or a kiss? i would have liked to see it but my point is there are so many context clues making it so that i think it's acceptable to assume the relationship as canon.

#try to debate me on this #like you actually can't #trobed community #trobed #abed community #community nbc #abed nadir #six seasons and a movie #community tv #troy barnes #troy and abed #community

[idololivine]

NEON Carnival Q&A Pamphlet Translation

disclaimer: apparently Taiwanese Mandarin is different from what I speak, so some of these may need to be taken with a grain of salt! my credentials are that my native language is Cantonese and I know - but am rusty on - Mainland Mandarin.

Q: Do the characters have set dick sizes? A: The team has a "super⭐secret measure", every time they draw the characters they'll reference it.

Q: Between Quincy and Olivine, who has the bigger breasts? A: The team fought over this and couldn't decide, so there's no answer.

Q: I want to know the ages of the long lived ones, the yokai, and the familiars! Who's the oldest? A: From oldest to youngest are: Kuya > Quincy > Rei > Aster > Morvay > Yakumo > Garu. The specifics of their ages will be revealed in the game.

Q: Who's older between Father and Topper? A: Father is older than Topper!

Q: The game has a lot of retro stuff, super curious about the producer's age! A: Retro has nothing to do with the producer's age!!!

Q: How are the kinks of each room thought up? A: The devs think of them in the small dark room, the artbook sketches include clues. [t/n: I consulted two other Chinese speakers and I'm still not really sure what the answer actually means, so this is a best guess translation.]

Q: What's inside the small dark room? A: Tired and busy devs......

Q: When designing event outfits, how do you decide where to open holes? A: Different people will think of the parts they want to highlight, later on we'll also test different levels of nakedness. (it's not like we haven't thought of throwing darts to decide) [t/n: little unsure about this one too. it's possible it means they think of which part of the characters they want to highlight, but they used 眷屬 rather than 角色.] EDIT: @milkeumilkeou has informed me that in the specific context of nuca, 眷屬 means clan members. that's what I get for not playing the game in Chinese... in this case, the better translation is: A: Depending on the clan member the devs will open the holes at the places they want to highlight, later on they'll also test different levels of nakedness. (it's not like they haven't thought of throwing darts to decide)

Q: How were the voice actors chosen? A: The producer chose them according to the characters' personalities and the desired voice. Many thanks to the voice actors!

Q: How far in advance do future events begin production? A: Usually the topic is decided on about 4 - 6 months in advance, and then production begins.

Q: I want to know which character the devs think would be the best coworker! A: Everyone agrees the best coworkers would be Eiden, Edmond and Olivine; Dante's work ability is also very strong, but he's more like a head that scares people. [t/n: 'head' may also translate to director or manager.]

Q: Do the characters have body hair? A: The devs actually really wanted to draw it, but considered various realistic reasons, so the players can't see body hair, but you're free to imagine it! (let Quincy have some stubble... how would that be?) [t/n: I would guess that the 'realistic reasons' they considered are probably that BL typically doesn't feature body hair, so it might've made the game less marketable.]

Q: Who has the most sexual experience? A: Morvay! (super fast answer) [t/n: the question is literally "who has the most experience♂️?" lol]

Q: Does the Klein Continent have a habit of wearing underwear? A: Klein has underwear. Just like hats, gloves, and scarves, when considering factors like decoration and functionality, to wear or not to wear underwear, and what type of underwear to wear, all depend on each person's preferences.

Q: Is Eiden's light brown hair dyed? A: Yes, and he'll regularly re-dye it.

Q: Does Eiden prefer briefs or boxers? A: It's okay as long as it's snug and covers him, and he has some special styles.

Q: I want to know how Eiden gets to work! A: Eiden rides a motorcycle, and on rainy days he'll switch to public transportation.

Q: What opportunity led to Eiden's interest in design? Did his designing always have to do with sex toys? A: Eiden has had artistic talent from a young age, and hoped to turn his passion into a job. His first job was being a sex toy designer at Peak of Pleasure, and this job happened to combine his two interests of design and sex. Aside from the overtime, for Eiden, this was an ideal job. [t/n: in case you don't remember, Peak of Pleasure is the name of Eiden's old workplace as mentioned in Journey to a NU World.]

Q: I want to know Eiden's relationship history! Did he have boyfriends before? A: Eiden knew he liked men from a young age. When he was fifteen he had a bitter first love, and afterwards his partners were all short term. Towards relationships he carries a generous attitude of easy-come-easy-go, and thinks that being happy in the moment is more important.

Q: Does Topper have others of his kind? A: He used to, but when he met Quincy, among those of his kind only Topper was left. [t/n: 手足 may also translate to 'siblings' or 'close friends', as opposed to 'others of his kind'.]

Q: Who makes Topper's outfits? A: Sometimes they're prepared by Quincy, sometimes they're made by Eiden.

Q: Does the food Topper hide in Quincy's hair affect Quincy washing his hair? A: No, Quincy will wash his hair when it needs to be washed. But not long after Quincy washes his hair, the food stores in his hair will be quickly refilled by Topper.

Q: I want to know Topper and Father's weights! A: Little animals' weights will fluctuate, but there's no direct link to fur amount. Topper weighs about a third of a pampo, Father only weighs about half a music box. [t/n: pampo as in the pumpkins from Eerie Escapade.]

Q: What's Yakumo's signature dish? A: He's good at everything, especially savory food. Because of his grandparents' influence he rarely eats sweets, and he can't quite grasp the seasoning amount, but after meeting Eiden he's begun to research sweets recipes.

Q: How is Edmond's knights' uniform worn? A: The uniform has a top piece and a bottom piece, the jumpsuit has a zipper on the back for convenience.

Q: If Edmond came to Taiwan, how sweet would he order his boba tea? A: After ordering full sweetness, Edmond would feel that it could be twice as sweet.

Q: How many nipple chains does Olivine have? A: Olivine makes all of his own nipple chains. He'll change them based on style and mood. The number continues to increase.

Q: Will Quincy help brush Topper's fur? A: Quincy will sometimes help brush Topper, but most of the time Topper will groom himself.

Q: Quincy, Olivine, and Kuya, who would win an arm wrestling match? A: Olivine would win, because Quincy wouldn't take it seriously and Kuya wouldn't compete.

Q: Please reveal Kuya's real height! A: It's 178cm ^^.

Q: I want to know Kuya's experiences before and after becoming a yokai! A: Kuya's journey of becoming a yokai will be revealed in future scenes. What can be revealed now is that, after Kuya became a yokai, he was a lawbreaker for some time...

Q: When Kuya addresses Quincy, why did it change from "boring associate" to "old friend"? A: When Kuya says "old friend" he doesn't mean true friends, he just likes addressing people in ways that make them uncomfortable, like "Master Rei". [t/n: Kuya probably didn't call Quincy "boring associate", but I have no idea where to begin looking for what he actually called Quincy.] EDIT: Kuya used to call Quincy "boring clan member" rather than "boring associate". credit to @milkeumilkeou once again!

Q: Does Garu sleep nude? A: He doesn't like pajamas that are restrictive or impede movement, but if it's cold Eiden will wrap him up in clothes or a blanket!

Q: When Dante first adopted Sooley, how did they get along? A: At first Dante got bitten terribly, because he tried to train Sooley to do various tricks. As they spent more time together, the two eventually developed some mutual understanding of wildness.

Q: Can Dante swim? A: Dante thinks that with something as small as swimming, you just need to learn! [t/n: Dante dodges the question here and neither confirms nor denies whether he can swim, just says that anyone can learn. knowing how he is, he's probably being ambiguous because he doesn't want to admit he can't.]

Q: How many darlings has Blade made? A: Because Blade's favorite is cute things, it's infinitely increasing...... [t/n: 'darlings' as in the goofy little statue guys]

Q: Has Rei always been in the Water Territory? Has he moved before? A: Rei doesn't have a fixed home, he moves regularly. The room in the Water Territory is just one of his hiding places, it used to be an abandoned house.

Q: Does Rei eat when he's experimenting? A: He'll eat if he remembers, if Father's there he'll also remind Rei.

Q: If Fluff Balls think Fluff Balls are cute, will they eat their own kind? A: They won't eat each other. If there aren't cute things around, the Fluff Balls will journey in search of them. [t/n: since when was eating cute things part of Fluff Ball lore...?]

Q: Where is everyone's erogenous zones? A: Aside from the gemstones, everyone's erogenous zones are as follows: Eiden: lower abdomen Yakumo: tongue Edmond: nipples Olivine: entire chest Quincy: dick, palms Kuya: ears Garu: tail Blade: darling♡ Dante: tattoos, especially the Adam's apple and fingers [t/n: might be throat instead of specifically Adam's apple] Rei: moles

Q: I want to know where everyone starts washing when they shower! A: Hair: Eiden, Yakumo, Edmond, Olivine, Topper (the fur on top of his head) Face: Dante, Sooley Upper body: Quincy, Father (chest feathers) Lower body: Garu (tail first), Morvay (also tail first♂️) Anywhere's fine: Rei, Blade (e-droids' bodies will automatically maintain cleanliness) Kuya: nobody knows where he washes first, but it's said he showers every day Aster: likes to bathe

Q: When drawing characters, are there emphasized specialties? A: Eiden: dick size, the balance of everything Yakumo: height, his slender body, the size of his feet as proportional to his height, finger length Edmond: waist to hip ratio, thighs Olivine: chest, eyes Quincy: arms, shoulders, pecs, Topper Kuya: face, palms Garu: his face/cheeks shape, his round butt Blade: eyes, balanced model-like body, his cheeks when he smiles Dante: perfectly triangular upper body Rei: the firm lines of his body Aster: brattiness and cuteness Morvay: muscular but not too buff

Q: In Aster's mansion, does everyone have their favorite locations? A: Eiden: his own study (he designs a lot of things here) Yakumo: kitchen (cooking) Garu: kitchen (stealing Yakumo's cooking) Edmond: garden (frequently has afternoon tea here) Olivine: library Blade: library Quincy: quiet places where he can sleep Kuya: next to the fireplace Dante: living room Rei: places to put collectables Aster: personal money vault Morvay: likes being outside, doesn't like staying home

Q: Do the characters have personal clothes? A: Eiden: in his rebellious phase he liked dressing up, now he prefers simple, comfortable clothes. He has a changing room at Aster's house, and every event he'll absorb the local trends and design outfits that fit Klein aesthetics and seasons. Yakumo: aside from traditional snake yokai attire, Yakumo's clothes are almost entirely bought by his grandparents. Edmond: because he's nobility, he has a lot of clothes. Olivine: because he dedicated his life to the priesthood, Olivine doesn't have many personal clothes. Quincy: he has few clothes. Most of them are made by him, so they're rare. Kuya: he likes trendy and new stuff, so he has a lot of accessories. Garu: it was only after he started living with Aster that he started getting more clothes (Aster and Eiden buy a lot of clothes for him). Blade: he'll wear whatever people give him, and he looks good in everything. Dante: he doesn't like wasting money, but as the Sun Lord, he has special outfits for important occasions. Rei: it's fine as long as it's wearable, he prioritizes ease of movement. Aster: prefers pretty, fancy designs, and especially likes clothes with cute accessories. Morvay: likes practical (easy to take off) clothes.

#my posts #nu carnival #nu: carnival

[hamletthedane]

Hamlet’s Age

Not to bring up an age-old debate that doesn’t even matter, but I have been thinking recently how interesting Hamlet’s age is both in-text and as meta-text.

To summarize a whole lot of discussion, we basically only have the following clues as to Hamlet’s age:

Hamlet and Horatio are both college students at Wittenberg. In Early Modern/Late Renaissance Europe, noble boys typically began their university education at 14 and usually completed at their Bachelor’s degree by 18 or 19. However, they may have been studying for their Master’s degrees, which was typically awarded by age 25 at the latest. For reference, contemporary Kit Marlowe was a pretty late bloomer who received a bachelor’s degree at 20 and a master’s degree at 23.

Hamlet is AGGRESSIVELY described as a “youth” by many different characters - I believe more than any other male shakespeare character (other than 16yo Romeo). While usage could vary, Shakespeare tended to use “youth” to mean a man in his late teens/very early 20s (actually, he mostly uses it to describe beardless ‘men’ who are actually crossdressing women - likely literally played by young men in their late teens)

King Hamlet is old enough to be grey-haired, but Queen Gertrude is young enough to have additional children (or so Hamlet strongly implies)

Hamlet talks about plucking out the hairs of his beard, so he is old enough to at least theoretically have a beard

In the folio version, the gravedigger says he became a gravedigger the day of Hamlet’s birth, and that he’s be “sixteene here, man and boy, thirty years.” However, it’s unclear if “sixteene” means “sixteen” or “sexton” (ie has he worked here for 16 years but is 30 years old, or has he been sexton there for thirty years?)

Hamlet knew Yorick as a young child, and the gravedigger says Yorick was buried 23 years ago. However, the first quarto version version of Hamlet says “dozen years” instead of “three and twenty.” This suggests the line changed over time. (Or that the bad quarto sucks - I really need to make that post about it, huh…)

Yorick is a skull, and according to the gravedigger’s expertise, he has thus been dead for at least 7-8 years - implying Hamlet is at least ~15yo if he remembers Yorick from his childhood

One important thing sometimes overlooked - Claudius takes the throne at King Hamlet’s death, not Prince Hamlet. That is mostly a commentary on English and French monarchist politics at the time, but it is strange within the internal text. A thirty year old Hamlet presumably would have become the new monarch, not the married-in uncle (unless Gertrude is the vehicle through which the crown passes a la Mary I/Phillip II - certainly food for thought)

Honestly, Hamlet is SO aggressively described as being very young that I’m fairly confident the in-text intention is to have him be around 18-23yo. Placing his age at 30yo simply does not make much sense in the context of his descriptors, his narrative role, and his status as a university student.

However, it doesn’t really matter what the “right” answer is, because the confusion itself is what makes the gravedigger scene so interesting and metatextual. We can basically assume one of the following, given the folio text:

Hamlet really is meant to be 30yo, and that was supposed to surprise or imply something to the contemporary audience that is now lost to us

Older actors were playing Hamlet by the time the folio was written down, and the gravedigger’s description was an in-text justification of the seeming disconnect between age of actor and description of “youth”

Older actors were playing Hamlet by the time the folio was set down, and the gravedigger’s description was an in-text JOKE making fun of the fact that a 30-something year old is playing a high-school aged boy. This makes sense, as the gravedigger is a clown and Hamlet is a play that constantly pokes fun at its own tropes and breaks the fourth wall for its audience

The gravedigger cannot count or remember how old he is, and that’s the joke (this is the most common modern interpretation whenever the line isn’t otherwise played straight). If the clown was, for example, particularly old, those lines would be very funny

Any way you look at it, I believe something is echoing there. It seems like this is one of the many moments in Hamlet where you catch a glimpse of some contemporary in-joke about theater and theater culture* that we can only try to parse out from limited context 430 years later. And honestly, that’s so interesting and cool.

*(My other favorite example of this is when Hamlet asks Polonius about what it was like to play Julius Caesar in an exchange that pokes fun of Polonius’ actor a little. This is clearly an inside-joke directed at Globe regulars - the actor who played Polonius must have also played Julius Caesar in Shakespeare’s play, and been very well reviewed. Hamlet’s joke about Brutus also implies the actor who played Brutus is one of the main cast in Hamlet - possibly even the prince himself, depending on how the line is read).

#hamlet #hamlet meta #hamlet’s age #this obviously does NOT imply anything about being 30yo btw #any age is a good age to be driven to madness by guilt and grief #It’s just very usual for shakespeare to describe somebody well past their apprentice age as a ‘youth’ SO MUCH #and that makes those lines very interesting #shut up e #willy shakes #posting this while EXHAUSTED going to see a million errors and tone problems tomorrow sorry in advance yall #**very unusual #long post #posting Hamlet meta like it’s 2014 hell yeah

[avernusreject]

Warning ya'll this is gonna be a long post. But please join my descent into insanity, as I deep dive into the vague wormhole that is the durge betrayal pre bg3 timeline.

Before we start, it’ll help if you have context around the faerun calendar. There are twelve months in total, each having exactly 30 days. Additionally, weeks don’t exist in faerun. Rather months get broken down into chunks of time called tendays, which you guessed is literally just ten days. If that was too straight forward for you, don’t worry, they add in five extra days to the calendar that fall outside of the months (ngl I still have no idea where these are located) to make the full year 365 days. 

At the beginning of the game, the nautiloid crash occurs at 20 Eleasis. Which means, the game starts in the middle of summer. Obviously, the way you play the game is going to influence the speed of events, but for my playthrough I reached moonrise towers around 12 elient (total time being 22 days). When you get to moonrise, in Bathazar’s chamber you can find his journal that explains that Kressa (the crazy necromancer chick) managed to keep durge alive. This entry is dated “two tenday ago”. But in game, that makes no sense because we know that the nautiloid should have crashed around that point. So either Balthazar doesn’t understand how the Faerun calendar works (I mean same, my guy) or we have to change our frame of reference. I think its more likely that the implied frame of reference is the start of the game, 20 Eleasis (since the developers can’t control how fast the player goes). 

If true, durge was saved by Kressa around 1 Eleasis. Her vivisections took place after this in the following days. However, durge is taken away before the end of the following tendays (at least before 10 Eleasis).

Now when you talk to Kressa in the basement of moonrise, she states that she found durge only hours after they had been given the tadpole.

In the fight with Orin, she states that when she attacked durge she carved out a hole for the worm (ignore the Half-Elf part, that's just from the moment Orin turns into durge during the pre-fight convo).

The part that we're missing is when specifically the tadpole was inserted into durge. But given how the game describes just how utterly fucked durge was, there's a high likelyhood that the tadpole was given to durge moments after their fight. Which if true, places Orin's betrayal at 1 Eleasis. Giving us twenty days till the start of the game.

The piece that threw me for a bit was this piece of the narrator's dialogue when durge examines the pod, stating that durge had no idea how much time had passed.

But the blood in the pod is still fresh enough that Astarion is able to ID it as durge & in another dialogue choice if you examine the blood further the narrator states the blood hasn't been there long enough to rot.

I think this dialogue is more explaining that durge is actively being tortured by Kressa so time feels unending (kressa being the one who put them in the pod to begin with).

I've seen in other posts that Gortash's draft memoir explains that Orin's betrayal occurred during or just around the crowning of the brain (I don't have a screenshot of that unfortunately). But we have to take that with a grain of salt because Gortash is the definition of an unreliable narrator.

Personally, I don't think he's lying though. Orin's betrayal occurred in moonrise and there's really no other reason that Orin and durge would be in moonrise that the game has provided. Not to mention, the warden explains the last time that durge was in moonrise, they never left.

I don't think durge came to moonrise more then once given the fact that the warden, who had clearly been there a while, had no clue who they were. I find it hard to believe their identity would be kept under wraps had they been at moonrise multiple times. Employees have to gossip about something.

I think its likely that Ketheric, Gortash, and Durge tamed the brain in the days leading up to 1 Eleasis (like ~20 to 30 Flamerule).

In summary, the dead three had a Phineas and Ferb summer vacation by deciding to create the cult of the absolute.

And yes if you are wondering this is how I look now.

#the durge timeline makes me want to scream sometimes #the dark urge #durge #bg3 #baldur’s gate 3 #enver gortash #orin #kressa bonedaughter #balthazar #durgetash

[sixeyescurseuser]

Imagine teachers Goge. First years Yuji and Nobara have just enrolled and they only know Gojo as “Gojo-sensei.”

Then they meet Geto-sensei who is in charge of the second years but handles a lot of the first years’ classroom lessons.

Geto-sensei keeps referring to a “Satoru” as if Nobara and Yuuji should know who that is?? 🤔

“I know this is a lot of information to memorize, but trust me that diligent studying with methods that work for you will help you tremendously on your exams,” Geto explains. “Not all of us can learn all of this from a young age like Satoru. Lord knows he’s also been gifted photographic memory.”

Megumi sighs dramatically.

Nobara is focused on her phone and Yuji is nodding like he actually understands these "Satoru" references.

It’s partially Gojo’s fault because he just introduced himself as “Gojo-sensei” and partially Geto’s fault because he assumed the new students knew Satoru was their Gojo-sensei…😭

One time, Geto’s phone rings and he quietly answers it: “What is it, Satoru?”

Oh, context clues! Yuji and Nobara at least know their Geto-sensei seems to be close to this Satoru.

Are they…??

Is Geto-sensei in a relationship?

Nobara brings it up to Gojo on one of their missions.

“Gojo-sensei, is Geto-sensei in a relationship?” She asks.

Gojo visibly glitches, choking on a piece of daifuku. Nobara and Yuji give him puppy eyes, pleading for an answer, while Megumi has gone MIA.

Gojo: “What makes you ask that?”

Nobara: “Believe it or not, Geto-sensei is quite a catch! He’s very well-spoken and polite. Super knowledgeable, handsome, and also a special grade! Who wouldn’t jump at a chance for a piece of that?”

Megumi: “Hold on-“

Gojo: “Interesting observations-“

Yuji jumps in: “Yeah yeah! But we also think he’s taken! Erm, well, he always mentions a ‘Satoru.’ Maybe that’s the name of his girlfriend?”

Megumi, under his breath: “A guy’s name?”

Gojo lasts about five seconds before he bursts into uncontrollable laughter.

Gojo: “How scandalous of Geto-sensei! Oh ho, a girlfriend indeed…You know, with news as groundbreaking as this, I believe you should ask him yourself. Get the nitty gritty details and all that.”

Yuji and Nobara: 🫡🫡

The next class period, before Geto can even rattle off the introduction to their lesson, Nobara’s hand shoots up into the air.

“Geto-sensei, I have an extremely dire question that cannot wait!”

Clearly taken aback, Geto holds his spot in their textbook with his finger on the page.

“Yes, Kugisaki?”

“Do you have a girlfriend? And if yes, is it this Satoru person you keep mentioning?” Nobara asks.

“I- excuse my language, but what the hell?” Geto blurts out, snapping the textbook shut. “Are you serious?”

Nobara snaps out a “How dare you think I’m never serious!” while Yuji comes in as back up.

“As serious as Fushiguro takes his academics, Geto-sensei! We recognize that you are a very attractive and capable adult, and hypothesized that the ‘Satoru’ you keep bringing up must be your girlfriend.”

Nobara nods along.

Megumi is trying to melt into the ground.

“We don’t mean to offend you, sensei. Just an honest question,” Yuji finishes. He then stands up and bows 90° for damage control.

Geto: “Okay guys, I hate to disappoint but I’m not answering this right now. Moving on to our lesson, which is what we’re all here for…”

After class, Yuji and Nobara are a bit bummed because they did exactly what Gojo-sensei suggested and they were left with nothing. No confirmation or denial. No answer at all.

Megumi has gone back to his room, leaving the other two first years to their own shenanigans.

Having had enough of classroom thinking for awhile, Yuji and Nobara decide to get some last-minute training in.

Except by the time they get to the training fields, they see two people already sparring like their lives depended on it - causing quite a ruckus.

It’s Gojo-sensei and Geto-sensei!

They’re so busy fighting that they don’t notice Nobara and Yuji, who quickly hide behind a tree.

Geto-sensei is yelling at Gojo-sensei too, something about putting dumb ideas into their students heads? And spreading false rumors ?

Finally, Geto-sensei manages to pin Gojo-sensei down in their hand-to-hand combat.

Geto sits on top of Gojo’s abdomen, restraining Gojo’s wrists to the ground. It’s here he leans down to boldly slip off Gojo’s blindfold, revealing bright blue crystalline eyes.

“You owe me, Satoru. Dinner’s on you tonight.”

Gojo just laughs, loud and happy, and says: “Fine. Whatever my dear Suguru wishes.”

He wiggles one of his hands free to tug Geto down by the nape, and their lips press together in a passionate kiss.

***

TBC

w/ @no-one-says-hi

#jjk #satosugu #geto suguru #gojo satoru #satosugu fluff #satosugu headcanon #jjk headcanon #satosugu fanfic #yuji itadori #nobara kugisaki #megumi fushiguro

[vidavalor]

Canapes. A Good Omens Sex Meta Thing.

A little short burst of meta about wordplay, shelter, smooches and tiny dinners.

This is inspired by @noneorother, who correctly pointed out that I should have included in the (Non-Frozen) Peas meta more about the rest of the wordplay happening in Aziraphale's line of French to Crowley. So, let's talk about that other French word that is hidden in in plain sight (well, sound) in Aziraphale's sentence and how it's a bit, well... vavoom-y.

In this meta, we're mainly going to look a little bit at their love of messing about with homophones. For those who haven't been in a language class in a minute or for whom languages are not your thing--don't worry, I have you covered. :) Homophones are two (or, occasionally, more) words that sound exactly the same when you pronounce them but which have different spellings and different meanings. An Ineffable Husbands-y example in English would be "pair" and "pear." One word means two people or objects grouped together and the other refers to a kind of fruit but when you speak, the words sound identical.

When you are reading, you can easily tell which word is meant by how it is spelled but if you are just listening to a person speaking, you would need to rely on the context clues provided by the other words in the person's sentence to figure out which version of "pair"/"pear" the person was using. The context becomes key to understanding the meaning-- which we also know of to be true in general with Ineffable Husbands Speak, right?

The last word in Aziraphale's sentence in French to Crowley in S2 is a homophone in French, which is absolutely the point of what Aziraphale was going for, in that it's a way to say both words at once.

Because of Crowley translating the French back to Aziraphale with the whole "you don't have an aunt, she doesn't have a gardener, and he doesn't have a... pen", we assume that what Aziraphale said was this: "Oui est la plume de la jardiniere de ma tante?", which we would then translate on one level as meaning "where is the pen of my aunt's gardener?" As we looked at in the first meta I wrote about this line, while this is one way to translate this sentence, Aziraphale built the sentence as a riff on "la plume de ma tante", a French phrase that is used to describe sentences taught while learning a new language that you would never actually say in real life-- which is the context that Crowley used in translating it back, even if as he heard the innuendo, as he knows of the cliche and also no one is ever going to ask where the pen of their aunt's gardener is. Ever lol. We talked in that other meta about how the sentence can also translate where "plume", which means feather in one of its meanings in French, and "jardiniere", which was appropriated to English from French to mean a garden box/flower box, can both be sexually euphemistic-- especially as "la jardiniere" also has meaning with regards to French cooking and food. The key bit to this meta here, though, and to the homophones is the last part of the sentence-- "ma tante"-- and what else it sounds like in French.

We talked about how "la tante" can mean aunt, as Crowley replied, but that it can also mean "queen" and, when taken with the other words in the sentence being euphemistic in a feminine way, the sentence as a whole can be taken as Aziraphale requesting some overdue quality time with Lady Crowley, whom he referred to as "my queen" in French. All of this still holds but what will add to it is that a homophone for "la tante"/"ma tante" in French is "la tente"/"ma tente". Even though these two words are spelled differently, they are pronounced exactly the same way... but "la tente" does not mean "aunt" or "queen"... it means "tent."

So, there's a homophone in French that Aziraphale uses when speaking with Crowley in S2 that translates his word as both "my queen" and "my tent" at the same time because the words are pronounced the same way. This, in true Ineffable Husbands form, manages to be both pretty amusingly dirty and pretty romantic at once. This homophone is very, very clever on Aziraphale's part because while the sentence is referring to Crowley in a feminine way and is Aziraphale expressing that it's been too long since he had himself some red velvet, the homophony causes the other word in play at the same time as "queen" to be "tent", which also euphemistic for an erection. So we have two different words that look almost alike and sound exactly the same when spoken and Aziraphale said one word-- made one sound-- and it represented two words at once, at the same time; one that corresponded to a more feminine-leaning concept of gender (and is also just a French word for queer) and the other that corresponded to a more masculine-leaning concept. But they sound the same and it's all one sound and you can't really tell the difference between the words. How perfectly Crowley. :)

But, as you all know, a tent also is...

...a kind of canopy.

The French word for "canopy", if you're referring to a covering of land, like a tree canopy, is "canopee" and Aziraphale actually speaks French well and would know that but it wouldn't fit the sentence full of innuendo he was building. The sentence builds to the homophone.

As a result, even though Crowley translated what Aziraphale said as "ma tante"-- which isn't incorrect-- and he pretended it meant "my aunt" when he knew it meant "my queen", he also heard the homophone in there that brought forth in the hidden word in the sentence-- "ma tente"-- so he also heard "my tent"/"my shelter" in there and because Crowley plays with homophones and similar word-related things (paronyms, etc.) in Ineffable Husbands Speak just as much as Aziraphale does, he heard what Aziraphale was doing and so really made the jump then hearing Aziraphale use homophones and so mean both two different words that sound alike and say both "my queen" and "my tent" at the same time.

So, they're burying canopies all over the place in S2. Crowley's canopy dialogue in pub scene is him recounting his and Aziraphale's first kiss and Aziraphale flirtily references it back to him in French later on. We aren't quite done yet, though. Recall that I said above that the French word for "canopy" is "canopee." It's pronounced "kan-oh-PAY" and, just like with "la tante"/"la tente", it has a word that is awfully close to it in French and that would be one we also use in English-- "canape."

Canapes are appetizers or, as Gabriel charmingly called them, "tiny dinners." They can be satisfying all on their own or as a starter before a main course. A vol-au-vent is a type of canape. While no one uses the word "canape" during The Meeting Ball, that is what they are all eating. It's there implicit in the words that are actually being said, like how "ma tente" might translate literally as "my tent" but has the context of "canopy" to Crowley and Aziraphale. Crowley's word for what was covering them when they took shelter from the rain and first kissed is a "canopy" and it likely was a literal one, in the sense that it was probably a covering of trees and the word for "canopy" in French sounds just like a kind of food.

So, a "canopy" in French is a "canopee", pronounced virtually identically to "canape", which is an appetizer of a small bite of sometimes-toasted bread or a cracker topped with with any number of creative food options to make a delicious, tiny, delightful dinner in its own right or a preview of the food to come.

A canape (in Ineffable Husbands Speak). A kiss.

"Have a canape, my canopy" is basically what this amounts to:

We are going to leave it here and not at Crowley tossing the tray and going for the door and how that foreshadowed the ending of S2 here lol. Well, actually, here... to end on a happy note...

...just that shot of Aziraphale holding a tray of food kisses while looking at Crowley's lips, nothing to see here, no possible vavoom flashback in sight for S3 at all... :)

#ineffable husbands #good omens #crowley #good omens meta #aziraphale #good omens 2 #aziracrow #crowley x aziraphale #good omens s2

[via-the-cryptid]

Eddie is beginning to regret his decision to bring the gremlin into his hideout. On the one hand, she let him bandage her wounds and has been trying to come up with legitimate answers to every riddle he’s asked her so far, but on the other… well. There’s green and red spattered all over the floor, an alleged ceiling ghost judging him, and he’s currently got a terrible headache from trying to comprehend anything she says.

What he’s gleaned so far is, unfortunately, just the basics. Her name is Ellie — short for Danielle, not Eleanor (he asked), she’s fourteen and not ten or eleven like he’d assumed, she tried to tell him her eyes were blue even though he can very clearly see that they’re green, and she does not want to go back to where she was before.

She’s mentioned two names a few times, Danny and Vlad. The first seems to be in a good context, but the second… not so much. Eddie can’t help but wonder just what sort of situation she escaped from before landing herself in Gotham, but she’s made it rather clear that she’s not going to expand upon that.

Still, there are things that don’t add up. Her appearance, her mannerisms, her abilities… she has to be a meta, but what exactly can she do? Is it limited to going through solid objects? Is there anything she can’t go through? How did she get like this? Perhaps that’s why he brought her here — Eddie never could stand to leave a question unanswered, and this kid is practically a treasure trove of mysteries. He can’t help but want to know more.

She’s talking again, this time to the ceiling and not to him. It almost seems like she’s having a legitimate conversation with done invisible person, which only makes him wonder more about toxin and hallucinations. The Joker’s poisons can do far more than induce uncontrollable laughter, after all, and not even Eddie knows the full scope of the Joker Toxin’s effects. For all he knows, sudden vivid hallucinations are a part of that list.

“Yes, I know that, but it can’t be a safe box, those have keys and lids.” Ellie insists. “And probably hinges. I don’t know, I’ve never seen one.”

Silence falls for a moment as Ellie presumably waits for an answer. Then, she huffs.

“I can still make an educated guess. How would they put anything in without a key?”

More silence.

“No, that’s not right, there’s nothing gold in it… but you could put something in it! Hey, green beans, I got the answer!”

He’d given her an easy one this time — easy if one knew the pop culture reference, that is. Ellie, apparently, did not. Yet another odd thing to add to the list of facts about the gremlin currently sitting on his counter: nearly every time he brought up something that was common knowledge, she didn’t have a clue what he was talking about.

Maybe he needed to revisit that theory about government labs and human experimentation.

“A box without hinges, key, or lid, and yet inside, golden treasure is hid,” Ellie recites. “I think it’s a vase full of coins.”

“…A vase full of coins.”

“Yes.”

“May I inquire as to why you guessed that?”

“No hinges, no key, no lid, but it’s not open on top like a bowl, so you can hide things inside if you want. The golden part is the coins.”

How unconventional. Not the answer he wanted, but not technically wrong, either.

Fascinating.

#danny phantom #dc comics #dani phantom #danielle phantom #ellie phantom #dp x dc #gotham ghost au #dpxdc #dp x dc crossover #dp x dc au #ace batman #dc ace #the riddler #edward nygma

[anthurak]

-claps hands- OKAY, big family drama theory time!

After watching the last couple of episodes a few times, not only am do I have a VERY good feeling about Rosie an incognito Eve, I think we actually have some hints of some drama that may have gone down between her, Lilith and Lucifer.

First of all, EVERYTHING between Rosie and Charlie just screams ‘secretly a close family member’ vibe. From Rosie referring to herself as ‘Auntie Rosie’ to Charlie, to the way she gets oddly invested in helping Charlie despite seemingly being some random Overlord while also pushing Charlie to grow and take charge for herself. And of course, that whole line about Rosie’s ‘first husband’ absolutely feels like a dig at Adam, as well as bringing that visual gag of him eating ribs in the first episode hilariously full circle.

Frankly, at this point the ONLY other character who could feasibly fill Rosie’s role would be Lilith herself, and thanks to that ending reveal, she’s off the table. Basically I am really going to be more surprised if Rosie ISN’T Eve at this point.

Now for the relationship theories, because Episode 8 dropped the VERY juicy confirmation that Eve apparently did in fact leave Adam for Lucifer and likely by extension, Lilith.

Which in turn puts Rosie’s relationship advice to Charlie regarding Vaggie the previous episode into likewise a VERY interesting context. Particularly the bits where Rosie discusses making mistakes in a tone that all but SCREAMS that she is speaking from personal experience.

Putting all the context clues together, I’ve now got a hunch that Eve left Adam for Lilith and Lucifer. Then at some later point, something bad happened between the three of them, possibly eventually being a factor in Lucifer and Lilith separating, and Eve/Rosie blames herself for causing it. Perhaps she got jealous of Lilith after falling hard for Lucifer? Or maybe she got jealous of Lucifer after falling hard for LILITH?

Then of course we have the design choice of the greyed out dots on Rosie’s cheeks that look curiously similar to Charlie’s red dots, which could easily turn out to be a hint at Rosie/Eve being Charlie’s real mother. Which in turn could imply all sorts of juicy drama about Eve possibly seducing Lucifer.

Or heck, maybe Eve seduced Lucifer AND Lilith and Charlie’s actually got Gilgamesh-parentage (personally I like this idea more XD)

Either way, I am quite intrigued by where this might end up leading.

#hazbin hotel #hazbin spoilers #hazbin theory #hazbin rosie #hazbin eve #rosie is eve theory #charlie morningstar #hazbin lilith #lilith morningstar #lucifer morningstar #eve morningstar? #lilith x lucifer x eve #unholy trinity version 1 #family drama theory #note that 'gilgamesh parentage' implies that eve got BOTH lucifer and lilith to bang her to conceive charlie #or maybe eve and lucifer banged lilith together to conceive charlie #heck maybe LILITH and EVE banged LUCIFER to conceive charlie i dunno angels might all be intersex

[drconstellation]

First-Order Archangels

Part 1: Maybe You'll Spot An Archangel

GABRIEL: I told you you could ask. However, I am the only First-Order archangel in the room, or, you know, the Universe, so I'm not gonna answer so much. But you feel free to knock yourself out with all the asking.

While I was writing my meta series The Passion Of Jimbriel it became fairly obvious to me there was something more going on between Crowley and Gabriel in S2 than just the numerous pointers to Crowley's pre-fall angel status. They are acting as both parallels and foils to each other, and in places you can swap their characters and get the same story at a different time – and that just opens up a whole new window of context and insight into things. For pre-reading, see this meta from @vidavalor that nicely lists some obvious parallels. It doesn’t mention everything though, so I’m going to discuss parts in more detail.

A foil is a character who contrasts with the protagonist, to highlight or differentiate certain qualities between the characters. Crowley and Gabriel do this because they have come from essentially the same place, and share some story elements, but they still end up in different places.

There is a lengthy original discussion about Crowley's pre-fall angel status here, for pre-reading. It points out the obvious and some not so obvious points that ops have noticed in S2 telling us about Crowley's pre-fall status. Rather than just go through them all again, I'd like to look at some other scenes in S2 that also tell us something about both the similarities and the differences between these two high-powered entities as I go along. In addition, I’ve done a series of posts looking at Gabriel as a shoulder angel (links at the end of post,) because quite often he’s on the demonic left-hand side – which makes sense when you realize he’s a Crowley parallel.

Take the arrival of Gabriel to Whickber St and the bookshop. I’ve already mentioned this parallel story line a couple of times now, but lets look at it again in more detail. It mirrors the opening of S1E1 where the serpent climbs the wall of the Garden of Eden, morphs into a demon and starts to converse with the angel standing on the wall.

Back in the present day, we have a Gabriel, who also tends to present on the sinister-side, walking up to the gate of the present day Garden (the bookshop), which is still guarded by the same angel as it was 6000 years ago, and basically tells Aziraphale he has “fallen.”

How to we know this? It is a reference to the Fall of Man, when Adam and Eve ate the apple the serpent offered them, they suddenly became aware of their nakedness, and hid from God. Gabriel has already upset the love-apple tomato cart on his way to the door of the bookshop, its a sign of the chaos to come.

The fallen angel is not sure of his name, so he prompts with a question…

And asks for shelter under the (reluctant) angel’s wing..

But there is one thing he does know, the one thing that drew him to Aziraphale in the first place:

AZIRAPHALE: Then why did you come to my shop? GABRIEL: I don't know. I just thought I should. You know what it's like when you- when you don't know anything at all, and yet you're totally certain that everything would be better if you were just near one particular person?

Later, Aziraphale realizes that he must give Gabriel a new name to hide him – because fallen angels take on a new name, don’t they? Just like Crowley did.

Then we get a confession:

Which is what Crowley loves about Aziraphale as well - that bit of unpredictability, because you know how humour kind of works? It throws the unexpected at you.

Early on in S2 we find out they are both in trouble: first His Royal Smugness, then Our Hero himself. Our view is turned upside down, with the angel made the bad guy and the demon the good guy who needs to win. But both of them are being hunted by Shax.

Then we get one of the early clues pointing to Crowley's high status as an angel:

SHAX: A miracle of enormous power happened last night. The kind of miracle only the mightiest of Archangels could've performed. CROWLEY: Mm? SHAX: Somewhere very close to your friend's bookshop. Are you telling me you don't know what caused it? CROWLEY: How'd you know I didn't do it?

Shax stalks and threatens both of them, sometimes at the same time:

Another parallel Gabriel and Crowley shared in S2 were associating their identity - no, lets rephrase that - "essence" was one description I've seen - with boxes.

Gabriel arrives with a box that strategically covers his front, and quickly tosses it aside once Aziraphale opens the door to the bookshop. It lies forgotten until Gabriel mentions it a while later. Inside it is the fly from Beelzebub - an object from Hell - so it really needs to be 'invited' across the threshold of the bookshop by Aziraphale to be able to enter. The box initially appears to be empty, Once inside, the fly is free to roam. It has a message written on one side of it.

The same goes for the matchbox. Message included.

ah, wot? you say. Yep.

The matchbox represents Crowley, probably in more ways than one, but I'll just go through the stuff relevant to this meta here.

I notice I'm not the only op to connect the line from the Book of Job on the side of the matchbox with Crowley. The line is from Verse 41, which talks about Leviathan. Among the various shapes it is described to take is a great sea serpent. This deserves its own meta for further discussion, which I plan to do after this one, because yes, Crowley is Leviathan in disguise, but there is much more to it than that. But for now, just know that the matchbox is Crowley.

Once you know this, it makes sense that Muriel finds it - a discarded cardboard box by the front door to Heaven - and deals with a material object that shouldn't by rights exist in Heaven. Then a certain demon finds Muriel lurking outside during the siege on the bookshop at the end of S2E5, and talks them into letting the certain demon be escorted up into Heaven where he doesn't belong, where he's free to roam around - only he needs a guide because he's not sure where to go. Ah Muriel, you poke the Serpent, he's going to poke you back. Good thing he likes you, and it just was a gentle nudge.

Two empty boxes, two cases of memory-loss. That is what S2 seems to suggest to us at first glance.

Gabriel's seems to be the most straight forward in hindsight - find the fly and restore Gabriel to his original "Gabriel-ness." But its more complicated than that. When pushed to remember, his lilac eyes return and another voice can be heard speaking through him of the past. This happens twice, with the second one being part-prophecy. What is really triggering these episodes of channeling? Is it God or someone else speaking through him? We really aren't sure at this point in time.

Then there are questions around Crowley's memory. Did he have his memory wiped when he fell? Was it wiped repeatedly? Was it not wiped at all, and he just pretends he doesn't remember? Neil has even said he is an unreliable narrator about his own Fall, so who are we to trust at this point? Crowley does seem to understand in the end some of the problems Gabriel is having with his absent memories and that brings them to a temporary truce.

Both Aziraphale and Michael inspect their respective "empty" boxes, and neither notices anything obviously amiss. Gabriel's box just seems empty to Aziraphale, he takes no notice of the fly container in there, and archangel Michael tentatively inspects the matchbox brought to them by Muriel but nothing seems out of place there either.

Crowley's change in costume in Heaven during his little infiltration caper with Muriel is also another clue to his past status as an archangel. He has a silvery-gray suit, similar in style to Saraqael's to reinforce the link with them, but at the same time he is also mocking the other archangels and their elite status. We've assumed for a while now that the appearance of the tactical turtleneck signals that Crowley is up to something sneaky or spy related, but I'm starting to think it also relates to a bit of a power play (and Crowley certainly laid the power on for Mr Brown in the pub!) Looking back at S1, Gabriel's not adverse to wearing one either when he needs to be at his worst (or best. Your choice.)

The way one dresses is a way of expressing and reinforcing authority, and its something both Gabriel and Crowley do without much thought. They have been used to being in a position of power and/or independent authority for much of their existence, and I would say that even if Crowley is a few steps down now from where he started, and he's more cautious around those higher ranking than him than he used to be, he still retains that knowledge of what its like to be at the top.

Crowley's usual near all-black costume is a form of power dressing in itself. Whether is was in the past, when black was an expensive color to buy and maintain in clothing, or in the present day, we are still respectful of those in a stylish cut of black.

Gabriel's impeccable tailoring as Supreme Archangel also commands respect. So it's no wonder that one of Gabriel's first requests on regaining his memories was to ask for new clothes! He wasn't just being the vain archangel we believe him to be (although, I think there is still some of that) you also need to consider the elements of the reference characters that went into his shop assistant character: Granville, the belittled shop assistant nephew from the sitcom Open All Hours, who got stuck with all the shop duties from his uncle and felt like life was passing him by, and the silly Monty Python gumbies, that complained of hurting brains - lovable and much loved characters, but not ones you'd really want to be forever. We all want to be loved, but we want to be respected as well.

For all his fierce posturing around Gabriel, there is a brief moment in S2E3 where Crowley backs down and treats Gabriel as an equal - and that is reflected in a change of dress as well. His outside jacket off and sleeve-garters on, Crowley sports a look we haven't seen since S1 when he was home alone in his Mayfair flat. He patiently explains gravity to a curious Gabriel and then describes his "Operation Lovebirds" plan to his puzzled companion. He admits he hasn't "done weather in ages." It's just a quiet, charming moment, watching two ex-archangels get along together.

You're smiling, aren't you?

This meta continues in Part 2: Foils of War, where the differences between Gabriel and Crowley get explored in more detail, and how Aziraphale and Beelzebub act as mirrors to each other a few times as well.

This meta is part of a series on Gabriel: Gabriel as a Shoulder Angel: S1 Study S2 Study Part 1: Ep.1 The Arrival and Ep. 2 The Clue S2 Study Part 2: Ep.3 I Know Where I'm Going and Ep. 5 The Ball S2 Study Part 3: Ep.6 Every Day

First-Order Archangels Part 2: Foils of War

First-Order Archangels Part 3: Seeing Eye to Eye

#good omens #good omens 2 #good omens meta #crowley #gabriel #the only first-order archangel in the room #or you know the universe #aziraphale #garden of eden #fallen angel #his royal smugness #how will our hero cope #maybe you'll spot an archangel #book of job #vavoom