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dailyhatsune · 1 month

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hi! not exactly a request but i do wanna ask, whats your process when you're rendering more paint like art? (if that makes sense, English isnt my first language so apologies hdskhsjdbd) i really love how you use the colors and im curious how you do it :0

i’ve been meaning to answer this one for a while so here’s how i painted miku in today’s post (put under the read more because yeah prepare for a long post

i’d also like to preface this by saying that i never follow a set way of doing things, so in terms of what my personal process is like, these are only broad strokes of what i do! sometimes i’ll combine or skip parts entirely, depending on how i feel. also, this is not a tutorial, just how i do things, so please don’t treat it like one :’D this will read like the ‘how to draw an owl’ picture if you do

first, like every artist, i sketch. more specifically, i’m getting an idea of what i want to paint later on. this could be how a scene is set up or in this case, how a character is posed. here i’m not concerned about details or getting everything perfectly, i’m only planning how the thing will be composed. maybe a lot of canvas size changing, or adjusting what miku’s doing (note how busted miku’s right hand looks from all the transforming!) however, i still have to be concerned with how clear the sketch will be to future me, because the sketch won’t be any good if i can’t read what miku’s doing

after that, i lay down a flat gray under the sketch, mainly focusing on giving miku a clear silhouette. this is also a good time to make adjustments to the composition on the fly if i suddenly feel like something can be improved upon, like shortening miku’s left arm from the sketch!

after painting a flat silhouette, i start shading in grayscale, focusing only on lighting. i usually do it in two passes, one for the lightest and darkest tones i’ll use (not black and white) and then a second for midtones to blend them better with the base gray but i forgot to screenshot the result of the first pass 🗿 nevertheless, here is where i can start adding some amount of details. i’m not including any extra accessories yet, just focusing on the base design of the outfit and the character herself (for anyone wanting to draw characters from That Gacha Game, this is how i personally make the process more bearable for myself.) i still use the dark gray to separate where certain details (like the facial features and fingers) begin and end, mainly to make colouring more bearable later.

now here’s where i get the Good Colours. it’s a cheat lol. i put a gradient map layer over the grayscale painting so that there’s a little bit of color to start. some gradient maps can be applied as is, some need the layer settings adjusted to make it look good. this one, for example, is a (free) gradient map set from the csp assets store that needs you to set the layer opacity to 20% and to set the blending mode to color to achieve this result. in general, i tend to pick which gradient map i want to use based on vibes, or basically whether i want the work to be warmer or cooler, colour-wise. but this does do quite a bit of lifting for the colors in my stuff.

and then, finally, i add the colours. i add flat base colours in an overlay layer. at this stage, i’ve made the character silhouette clear enough that i don’t need to refer to the sketch anymore for what miku looks like. also, the gradient map layer does its magic by making the shading a bit more vibrant than it would’ve been without it. after that i paint over with a new layer to add details like the lace.

and then i put some extra shading on top. basically this is where the ‘better lighting’ happens. again, this isn’t a tutorial, so i’m not here to say what each part of the lighting is, but i’ve labeled which layers do which job. in other works where the lighting within a scene is more defined (from a window, from a small crack in the walls, etc) the glow dodge layer may be more opaque and sharper, but since this isn’t a work with that, the lighting was applied using an airbrush. the linear burn layer is also there to make the whole thing darker so the glow dodge doesn’t end up oversaturating miku. i also usually match the lights to the vibe i want, and use a complementary color for the shadows. so here you can see i have warm colors on the glow dodge layer, but light purple on both the linear burn and multiply layer.

and that’s it for the character—here’s a gif showing how each layer adds to miku! (sorry it’s so toasty)

as for the background, depending on the complexity, it may go through a similar process, or if i can settle with flat image backgrounds, i just go for that. it’s ok to use external image materials. i didn’t have a background in mind for this miku in specific, so i got some default csp materials and threw together something

and that’s about a rough overview of what my process for more finished works looks like! again, art is a fluid process so i never specifically stick to certain steps all the time, and you shouldn’t either. i can probably answer why i’d pick this colour over another in one particular work, but it’s something that kinda has to be learned on a grander scale. i think everyone can already feel what colors work with what atmosphere or what setting, even if they can’t immediately explain why. colors and composition do take some level of experimentation to find what works best!

#hatsune miku #vocaloid #piapro studio #doodle #ask #partypoizzon

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prettycottonmouthlamia · 2 months

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I shouldn't have to make this post but Nintendo fans are trying extremely desperately to position the company whose cock they love the taste of in a good light and are generally doing this by spreading misinformation about the legalities of emulation so let's go over a number of the fabrications shall we?

Emulation is illegal to monetize This has so far been one of the really big ones that's taken traction, usually partnered with the sister lie that yuzu was paywalling access to early access builds. These are both lies, and are untrue. yuzu is far from the only modern emulator to be monetizing itself, plenty of mobile emulators do it, but developing an emulator for money is entirely legal. We have pretty much all of our emulation precedent set thanks to a series of lawsuits in the very early 2000s thanks to Sony suing an emulator called Bleem. There's a lot to say about Bleem, but Bleem was a commercial emulator. You could buy Bleem, in stores. At no point was there ever a court decision that Bleem was wrong to do so (despite Sony's best efforts).

Emulating current generation software or hardware is illegal. This is also wrong, and kind of fundamentally misunderstands a lot when it comes to emulation. Once again, Bleem was at the time emulating current generation software. It was a generation in its twilight, but Bleem first released in March of 1999: the Playstation 2 was not out yet. The reason why current generation software does not tend to be emulated is because we do not really have the tech or processing power to do it yet. The Switch's lower specs are entirely the reason it has had an emulator developed well ahead of the PS4 or the Xbone.

Yuzu's early access build allowed people to play Tears of the Kingdom ahead of release date This one is a couple of different statements packed together, and while I'm given to believe there's a chance other games may have been playable ahead of release, this specific statement is a lie, and maybe the funniest one on the list because it's a lie that's not even backed up by the lawsuit.

The lawsuit is extremely clear in its language that it was modded instances of Yuzu that could play Tears of the Kingdom ahead of release date, not publicly accessible builds of Yuzu. Nintendo's argument here lies in Yuzu being open source: part of the lawsuit alleges that Yuzu is responsible for any and all acts of piracy done by its users, whether or not they used official or modded builds of Yuzu. This is, of course, a fundamentally fucking insane position to argue from. It is not a particularly uncharitable reading of this as an attack on open source software to begin with, as this precedent would make any developer liable for ANY illegal action taken by someone who modified their code. Supporting this, in my opinion, makes you an asshole and liable to be clocked in the fucking mouth.

4. Literally anything involving this screenshot.

I've seen this screenshot maybe three or four times with different takes on what exactly Illegal is happening here and I'm pretty content to just call it vibes at this point. Whether this is an intelligent screenshot is a different matter, but no one has been able to point to anything actually illegal being done here. There is already precedent in allowing one to make their own back-ups of software they own, even if decryption or bypassing copy protection to do so, which is a large majority of software. Switch games are not the only games that are either encrypted or have copy protection, and this is both not the earliest generation to do it AND its not the only industry that does it.

The only point of interest here is the date, which I've seen literally no one bring up, but this correlates into another point: personal piracy is still not something Yuzu is liable for. It's a dumb thing to broadcast, but it doesn't change anything material about the software.

5. Yuzu folded because Nintendo had a smoking gun

I, I just, I'm sorry this one isn't just a lie its a really naive and incompetent view of the faults of our legal system. If anything, the settlement seems to indicate the opposite. If Nintendo was sure they had Yuzu dead the rights, they wouldn't have fucking settled. Both parties need to agree to settle! Nintendo is actively interested in trying to set legal precedent that emulation is illegal, because Nintendo is great at saying obviously wrong things with a straight face.

This could be a reason, but remember, this was a civil lawsuit, not a criminal one. Civil lawsuits have a difference in how evidence is handled, and it's pretty likely that Nintendo just has more evidence than user does on account of being able to afford a larger legal team and having planned for this lawsuit in advance, regardless of how strong that evidence actually is. It's why most of the arguments in the lawsuit read kind of insane. Civil lawsuits are not handled "beyond a reasonable doubt".

There's also the fact that legal cases can be extremely expensive, even when you know you are absolutely in the fucking right. I want to link this video by James Stephanie Sterling as evidence of this. They were completely in the fucking right, and the lawsuit still took an incredible amount of time and monetary expense to argue, and that's against an opponent who you could reasonably confuse with a scarecrow. This is ultimately how Sony eventually "won" against Bleem. Bleem never lost any of its lawsuits against Sony, in fact Sony ballsed it up twice against Bleem, but Sony continued to file lawsuits against Bleem and its company over and over, until Bleem literally could not afford it and went bankrupt.

There's also the matter of precedent. If Yuzu had taken this court, and lost, it would be really bad. There's a lot in this court case that you don't want precedent leaning towards, and due to, uh, America's current political climate and judicial regime, there's a fair chance the judge would have just sided with Nintendo anyways. Settling the lawsuit, while to be entirely clear, sucks complete ass for Yuzu as they were basically eliminated, protects the sphere of emulation as a whole.

So what was the salient parts of Nintendo's case?

The parts of Nintendo's case that hold the most weight have to do specifically with the encryption keys used to de-encrypt Switch games, and how those keys interact with the DMCA. There's no legal precedence to back this up, this is thoroughly untested grounds. This is actually where the buck stops with the Bleem cases: this one never went to a judgment for Bleem and hence never established precedent.

There's a pretty reasonable chance that Nintendo had a chance to win the lawsuit off of the back of this point. This doesn't make it a guarantee, but it's the part of the lawsuit that's actually important.

What happened with the settlement?

Well Nintendo got to legally extort the Yuzu devs and their parent company for $2.4 million. This is, strictly speaking, chump change to Nintendo but I in particular hate this part of lawsuits with a passion. In addition, as per the conditions of the agreement, all copies of Yuzu that were released and in development under the purvey of the company must be destroyed, the company and its devs can no longer work on Yuzu in any way possible, and they cannot work on any other emulation software. This is why Citra also closed down by the way: it was an unfortunate emulator in the cross fire. This in and of itself, is a tragedy, since this is basically court mandated brain drain. Undoubtedly Yuzu will be forked and someone will continue development on "Zuyu", but the loss is still felt.

Why should I care? Piracy is illegal.

This is where I'm going to wax philosophical for a moment, but Frankie my dear, I do not give a damn. Nintendo could have had full legal rights to do this, and I would still be of the opinion that Nintendo's legal team are ghouls and shouldn't feel safe showing their faces. This is how I felt when Nintendo shut down Emuparadise. Whether something is illegal does not impact whether it is right. Laws exist in a state of being able to be both just, unjust, or both.

Emulation is extremely important in the preservation of gaming as an artform, something that the game industry is extremely against in all forms. There's money to be made after all, and attempts at making sure that games are available to play are often attacked and criticized. This is part of the reason I'm so against the existence of copyright law. It doesn't matter what the intent of a system is, but it does matter what the system does, and it's transferred an overwhelming amount of power into the hands of large corporations while largely screwing small creators over.

I do not believe art has a price tag to it. I do not believe that art can and should only be enjoyed by the people a company has decided to sell it too. I do not believe that companies like Nintendo should be able to throw their legal weight around and ruin people's lives. You should be able to play Mother 3 and Shin Megami Tensei without having to wait for their parent companies to decide they actually want to sell it to you.

Piracy does not inflict meaningful damages to Nintendo. Despite Nintendo's whinging, Tears of the Kingdom sold over 20 million copies in half a years time, something that we can estimate to have made Nintendo about $1.4 billion in revenue. We live in a game industry which does not care about its game devs: it's perfectly willing to underpay them, to overwork them, and to eventually let them go. Nintendo is not innocent here. They have a history of mistreating their contract workers, and I personally know that these are not the only allegations that hold water.

In short, fuck Nintendo. Pirate all Switch games until the end of time.

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tainbocuailnge · 2 months

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I think there is a difference between the comic as a sequence of images with text and the comic as a comic. it's a subtle difference that an untrained eye might not see but the more one as artist draws comics the clearer this difference becomes, because one who first aspires to draw comics will soon find they are merely drawing sequences of images with text.

when people say an artist is clearly inspired by anime they often use "anime" to refer to japanese pop culture in general, but if you look more closely you can often tell it really is specifically anime rather than manga that inspired them, because the paneling and camera angles in their comics will read like a series of anime screenshots rather than a manga page. similarly, when I was a teenager really popular manga that had anime adaptions would sometimes get "animanga" reprints where they replaced the panels with the equivalent anime screenshots of the scene, and they often looked like dogshit because the very premise showed blatant disregard for why the original comic worked in the first place. these two examples are both about anime because i am a weeb but it applies outside that context too. a cartoon storyboard can be read as if it were a comic, but what it really is is a sequence of images with text that has yet to be refined into its actual intended format.

there are many artists who only employ the medium of comic because what they actually want to draw is a video, or a video game cutscene, but the only tool actually at their disposal is the ability to draw a series of images and add text to them so that is what they use. there is no shame or mistake in doing this, you have to make your art with the tools that you have available, and if the sequence of images with text is enough to convey the idea then it was the right tool for the job. but these are different mediums with different visual languages, languages which have a lot of overlap and can occasionally be used in each other's stead to achieve similar results (especially when drawing a fanart comic of a video game for example), but which are still ultimately different. the comic and the video and the cutscene are all different forms that a sequence of images with text can take but they are far from completely interchangeable.

there is a key difference in approach to the comic as a series of images roughly interchangeable with other forms of series of images like the video and the cutscene, and the comic as specifically the comic. this difference in approach is not always necessary to achieve results, an artist who wants to convey a scenario they came up with needs only the sequence of images with text to achieve this. but the difference between a comic with good writing and art, and a comic that is a good comic, is in whether it was treated as a comic rather than a sequence of images with text. I say this as an artist whose nearly every comic has been simply a sequence of images, because I just don't have the patience to refine it into a comic when I merely want to convey my idea rather than draw a comic. it takes a particular skill and insight that have to be developed and practised separately from the ability to draw well and the ability to write well in order to become good at making "the comic" as synthesis of the two.

it's hard to specifically point out the essence of this difference between the sequence of images and the comic because it's kind of a vibes thing honestly, and it depends on where and how the comic was meant to be published too. comics meant to have paper print editions have different constraints and requirements and frameworks to work with than webtoons meant to be read on slim mobile screens in a continuous scrolling format. a good traditional comic will consider not just how each individual panel looks but also the way each page as a whole looks, and how the pages look next to each other in a spread, and how it feels to turn the page towards the next spread. a good webtoon will consider the movement of scrolling down and how this affects the transition from one moment to another in its composition. time is time in videos and cutscenes but space is time in comics, and the space your have available determines how you can divide time across it. when you make a webcomic on your own website you have no constraints but the ones you set for yourself, and sometimes this leads to things like homestuck, which would not work in any other format than the one it created for itself.

the best comics are good because they tell their story and present their images specifically in the form of a comic, in a way that would not be possible if it were not specifically a comic. I think this is true for basically every medium, I'm just thinking about comics specifically lately, because even though I don't really consider myself a comic artist - because I usually draw sequences of images rather than comics - the thing my clients want to pay for is often still "a comic", and they don't know or care to tell the difference. it's a difference that, as established, is often fairly moot anyway, because as long as it successfully conveys your idea it's good enough. but it's precisely because the sequence of images is often good enough that the specific skill of the comic artist is often overlooked.

#anyway i love cuchulainn

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mayflora-18 · 6 days

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Incorrect CoD Quotes #7

Sherlock, in response to being asked to sneak into Valeria’s house: Okay. Don’t worry, guys. I got your back!

*She steps behind Ghost*

Sherlock: From right here.

———

Laswell: Hey did you call General Shepherd a bitch?

Price: Yeaaahh! He changed the Wi-Fi password!

Laswell: You can’t be-

Nikolai: THAT BITCH CHANGED THE WI-FI PASSWORD!!!!

———

*Something bad and unexpected happens on a mission*

Nikolai: Why didn’t you tell me?!

Sherlock: Well, because I wanted us to fail.

Nikolai: 😑

Sherlock: OBVIOUSLY I DIDN’T KNOW!!!!

———

Graves: Hey, I always get the vibe that you, like, hate me or something.

Ghost: What?! Me, hate you?!

Ghost: …You’re right.

———

Soap: If I punch myself in the face and it hurts, am I strong or weak?

Ghost: Strong.

Gaz: Weak.

Price: A dumbass is what you are.

———

Alejandro: When I first met you, I thought you were weird and annoying.

Graves: …

Graves: And?

Alejandro: And you are.

———

Hadir: Sorry I’m late, I was… doing things.

*pounding footsteps can be heard from behind the door*

Alex, bursting through the door: HE PUSHED ME DOWN THE FUCKING STAIRS!

Hadir: Push is such a strong word. I prefer calling it … giving you a little nudge.

Alex: Oh I’ll give you a nudge when I shove mY FOOT UP YOUR ASS!

Price, covering Farah’s ears: Hey! Watch your fucking language in front of the president!

———

Graves: Yo, what’s that song that goes like, “Despacito”?

Alejandro: Despacito?

Graves: Yeah. What’s the name?

Alejandro: DESPACITO

Graves: …Yeah. What’s the name?

Alejandro, pissed: Dios mío, you’re an idiot!

Graves: Thank you! Alexa, play “Dios mío, you’re an idiot!”

Echo Dot Alexa: Ok *starts playing Despacito*

Alejandro: 😦

Graves 😎

———

Ghost: What happens to the car if you press the break and the accelerator at the same time? Does it take a screenshot?

Price:

Soap:

Gaz:

Roach, wanting to be a little shit: Ye-

Sherlock being done with life: No. That’s it, I’m driving.

———

Soap: Go to bed! It’s 3am. If you don’t you’re going to hate yourself in the morning!

Roach: Jokes on you, I’m gonna hate myself in the morning ✨REGARDLESS✨

———

Sherlock: I don’t want to be a person anymore.

Ghost: … What?

Sherlock: I’m tired of it.

Soap: 😥 Maybe we should talk about this-

Sherlock: I just wanna be a dinosaur.

Ghost:

Soap:

Roach: Me too!

———

*Sherlock walks into the rec room and drops her bag on the floor*

Sherlock: tEll mE wHy tHerE arE 7 BiLlioN peOplE On tHiS DAmN PlaNEt ANd NoT 1 pErsOn hAs A CrUsH On mE!? WhAt ThE HelL UNiveRsE?!!

Gaz, whose been pining for her since the day he met her: what about me 🥺

———

Roach, sleep deprived: All I want-

Soap: Oh no

Roach: -is for for someone to walk up to me-

Ghost: What’s going on now?

Roach: -look me in the eyes, put their hands on my face, and very passionately-

Gaz: Kiss you?

Roach: -twist as hard as they can and put me out of my fucking misery!

Price: Roach no

Roach: Roach yes

———

Laswell: John, aren’t you supposed to be on a Zoom call right now?

Price: I got kicked off already.

Laswell: Why! What did you do?!

Price: Well she said, “DoN’t GeT sMaRt WiTh Me!” and I said, “Then what are we paying you for?” and she did not like that!

Laswell: John that’s rude.

Price: …But I’m right on this.

———

Roach: Remember when you guys told me to go to the pharmacy?

Sherlock: *looks at Gaz before looking at Roach* Yess

Roach: Mmm they’re out of my ADHD medication for five days.

Sherlock: Oh my god-

Roach: It’s gonna be a fun week!

Gaz, already leaving the room: I’m going to my mother’s-

Sherlock, pissed that she would have to watch Roach by herself: What happened to “in sickness and in health”, motherfucker!?

———

Sherlock: I’m sorry guys… there’s nothing else we can do. Graves is dying, we’re gonna have to pull the plug.

Gen. Herschel Shepherd: Oh my god… Oh my god…

Soap: Can I do it?

Gen. Herschel Shepherd: What?

Soap: Can I pull the plug?

Gaz: Hey no! I wanna pull the plug!

Ghost: No fuck you! I get to do it!

Soap: This is bullshit! I wanna do it!

Price: NO! I-I’m the oldest, I should be the one to do it!

Ghost: I’ll thumb wrestle you for it.

Price: Fine, let’s go BITCHHH

Price & Ghost, hands together for thumb wrestling: 1, 2, 3, 4, I declare a thumb war!

Gen. Herschel Shepherd: Are you two serious?!

Price: YOU DON’T EVEN HAVE A CHANCE

Ghost: OH, YOU’RE GOING DOWN

Price: NOOO, NO, NO, NOO

Ghost: OHHHHHHHHHH

*Ghost wins*

Ghost: Yess

Price: NO

Ghost: yEsSSSSS

Price: DAMN IT

Ghost: Alright, where’s that plug?!

Soap: Where’s that plug?

Ghost: Where’s that mother fucking plug?!

Sherlock: Do you have ANY respecT?!

Ghost: No, I have 0 respect!

Soap: We have 0.

Price: We have 0 respect.

Gaz: I have nothing!

Gen. Herschel Shepherd: I can’t even believe this!

Sherlock: Yeah, me too. Alright let’s get this show on the road! I got some leftover lasagna at home, and it’s got my name on it!

———

Ghost: Good morning, everyone. God has let me live another day. And I’m about to make it EVERYONE’S problem.

Soap: Good morning to you too.

Price: 🤦‍♂️ I give up.

———

Alex: What do we do when we’re feeling sad?

Farah: Watch a murder documentary and plan out how to do it without getting caught?

Hadir’s soul in Hell: *scared shitless despite already being dead*

Alex: Jesus fuck, NO!

———

Soap: You guys won’t believe what just happened!

Ghost: What happened?

Soap: Some guy from Shadow Company wouldn’t leave Sherlock alone-

Nikolai, maternal uncle instincts kicking in: Excuse me!

Soap: -but she took care of it!

Price, to Sherlock: How’d you take care of it?

Sherlock: Simple. *clears throat* 🎶Row row row your boat, The fuck away from me, Felony felony just tried to test me, And I’m a cause a scene🎶

Nikolai, laughing: That’s my girl!

#call of duty #call of duty oc #cod sherlock #cod nikolai #chimera sherlock #kate laswell #incorrect call of duty quotes #captain john price #phillip graves #simon ghost riley #john soap mactavish #kyle gaz garrick #alejandro vargas #hadir karim #alex keller #inspired by youtube #gary roach sanderson #general shepherd #farah karim

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jewishcissiekj · 3 months

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hi let's talk about her

Honestly I have so much to say about her. so much. so here's some of it

-Asajj (NOT VENTRESS THAT'S HER LAST NAME ISTG PEOPLE JUST HATE USING HER ACTUAL NAME AND IDK WHY I GUESS IT'S A COOL NAME BUT ASAJJ IS ALSO A COOL NAME AND)

-Asajj was last seen in canon in the Dark Disciple novel. Where she died. I would never recommend that book to anyone so if you haven't read it yet please don't. In short, after becoming a Bounty Hunter in The Clone Wars she grew out her hair, got a cool yellow Lightsaber and for some reason teamed up with Quinlan Vos to try and kill Dooku. They didn't manage to do it. And Asajj died (was fridged) trying to protect Quinlan. The Bad Batch will not contradict that, as was said by the creators. So this is just a summary for anyone who hasn't read it because I wholeheartedly believe that book is bad

-I have not watched a single Bad Batch episode in my life. As a disclaimer. I started the first one, watched their TCW arc and saw memes screenshots clips and spoilers but I do not know this show. I will watch it now that Asajj's there tho

-She does not have the same outfit anymore! It's a change, and we haven't gotten a clear look at her new design so idk how to judge it yet. Might be to look less recognizable, but it has a very different vibe than any of her prior outfits. There's a leftover shoulder pad and probably some other stuff from her last design but I feel like they kinda clash with the new one and tbb's design language in general. The Bounty Hunter look has a very TCWish feel to it and this one is a sharp turn in another, much more casual direction. I'm not inherently against it but I guess we'll see how it looks in action soon

-In my opinion the hair looks like shit. I don't think she should have hair ever. I don't understand why she can't be bald. Why is she bald when she's evil and has hair when she's a padawan (good) and when she is "redeemed"? guess we'll never know. It's a leftover from the cancelled Dark Disciple TCW arc design (and the Dark Disciple cover and promotional material ofc) and it's bad if you ask me but to each their own and if you like it good for you

-Her Lightsaber!!!!! Same case as the hair in terms of irl development but I like it so much better. The yellow just fits her character and it's pretty. Would love for her to find another one and get back to dual-wielding (I know that won't happen)

-The bag and pouches make me so happy as a design element do you think she carries a (tooka) cat in there

-Now, visually she looks great and the animation style is smoother and nicer than TCW (as is the quality), but what about the direction the character's going in? I didn't like her being dead before, but I felt like it was somewhat better than her being shoved into being a cameo character in new content. If you can't touch her after a certain point, you also can't mess her up. But I do wonder where they're going with her. A few questions:

-Asajj in canon is a directionless character. Also, a partially nonsensical and inconsistent character in her choices and storylines. I've talked about it a lot but in short she just feels messy. What's her purpose in life? Her motive? Her origin story doesn't really make sense, even. She's a Bounty Hunter, sure, but why? If all she wants is revenge on Dooku and maybe money (which was pretty much the case in Dark Disciple), what's she doing after the Empire? And more importantly, why?

-Obviously, the question I haven't asked yet because I don't like it: How the fuck is she alive? Nightsisters have a weird relationship with death but seriously, how?

-She's a Force User after the Rise of the Empire now, so what does he do about that? Is she founding The Path? Fucking around and finding out? Making a not-Jedi-not-Sith order with other force users she finds? Is the Empire after her? Do they know she's live?

-What about her girlfriend? Is Latts Razzi safe? Is she alright?

-Why is she in The Bad Batch show? Are we making her into a cameo character or is there a purpose? Why'd they bring her back? For fun? What is she doing after the show? Floating in dead space? Cameo-ing? Will we have a book?

-OK enough for tonight but if we see Quinlan Vos in the show I'll become violent (/neg). We probably will (he might just get mentioned idk).

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t00thpasteface · 5 months

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Howdy! Long-ish lurker, first time asker. Your posts the other day(s?) about encouraging people to put themselves out there, and also the general vibes of your shebbz shouts have inspired me to start blogging. But that's not important! What IS important is that recently I managed to introduce my friend to Superman TAS (unrelated to your blogging about it) and we've been having a blast. His thoughts pretty much boil down to: Lois being sassy towards Perry? EPIC! Livewire being sassy towards Superman? AMAZING. Lex Luthor being Lex Luthor? OFF THE CHARTS. But this is only important for context!

What's REALLY important is that a few days ago we were watching the two-part opening to Season 2 and we started noticing that in some frames Mala has rounded ears, and in others she has pointed ears. Then we noticed the same thing is going on with Jax-Ur's ears! We started paying more attention until we spotted one scene from 8:15-8:22 where Jax-Ur's ears shapeshift frame-by-frame before your very eyes and we were HOWLING with laughter and replaying it over and over

MUAHAHAHA!!! YES!!! MY EVIL PLAN (to encourage people to interact with each other and use the microblogging site for actual blogging and human connection) IS COMING TO FRUITION!!!! also good to hear other people are liking this show. it's such a fun way to wind down and have a giggle when i'm too tuckered out to draw between classes, and the fight choreography is both impressive on a technical level (the mail truck scene is a personal fav) AND just plain cool and hilarious to watch.

i take a lot of random screenshots of brilliant, funny, or weird stas & btas frames to send to my friend, but several of the pics i took of that two-parter were just "oh mala looks great here".

i admit i love mala VERY MUCH. she's serving boethiah to me. she's so CUTE and SILLY and about as jacked as they'll let a chick get in these shows. i think she should be let out of the hell dimension to blow stuff up for fun here and there as a special treat because i like her. I SUPPORT WOMEN'S WRONGS!!!!

#this post got away from me. look i just think mala has girl power and i respect her go-getter attitude #shebbz shoutz #stas #superman #mala #shebbz screenshotz #ask

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bp-zb1fics · 1 year

Text

My heart keeps on

pairing: na kamden x secret s/o reader

pronouns: none used

genre: canonverse (finale), angst ish, fluff

tw/tags: long distance relationship, very emo in general, a lot of tears LIKE A LOT, you surprise kamden twice, citing ep 12 as my ref for all this, kinda secret relationship, realities of dating a trainee/idol, reunions so more emo, cuddles, cheek kissing, using a pic as a page break, yes the title is fr kam’s rap in switch ty for noticing 💜

wc: 2178

summary: kamden hasn’t seen you in over a year. you surprise him.

a/n this was supposed to be a gift fic for 101 followers but y'all are 200 now 😭😱 omg so thanks so much for supporting my little blog!!! I know this took a little longer than expected so thanks so much for patiently waiting! 💜Special thanks to the anon who sent me an ask about missing kamden and especially to @seok02 for giving me the motivation to finish this fic and kinda just helping me with the overall process 💜💜💜

check my pinned for more fics!

“Star Creator, we always thank you and love you!”

They wrap up the pajama party livestream, thanking the staff and staying to chat as the cameras are switched off. (Or so they think, lol)

“The vibe was pretty good,” Kamden tells Matthew. The other boy agreeing instantly.

“I think we were able to show new sides of ourselves.”

Suddenly the staff play a recording, surprising them all. It’s video messages from Star creators all over the world for them to watch. Kamden grabs a fluffy pillow as he watches everyone slowly get emotional. Seungeon cries. Zhang Hao cries. Yujin cries. Almost everyone is crying.

Kamden gets a message from a fan in Norway, which is pretty cool. Then, something he never expected happens. He recognises your voice before he even realises it’s you.

“Kamden, annyeong~”

The pillow falls off his lap.

It’s you. It’s really you. You who he hasn’t been able to video call in a few days because of practice and your schedule and the time difference. He almost calls out your name but it sits tight in his throat, unable to reach you.

You’re on screen, wearing one of the shirts you’ve stolen from him, holding onto the plushie he bought for you at that silly little shop after you insisted it looked like him. God, he hasn’t seen you in over a year.

“Dude, you okay?” Jay asks him softly.

He must look like an idiot, eyes blown wide, mouth slightly open, hanging onto every word that comes out of your mouth.

“I’ve been watching Boy’s Planet since the teasers were released. And you’ve always been my favourite.”

Kamden knows. You’ve been spamming your chat with him with all these little clips from the PR videos to the behind the scenes footage. Screenshots of you voting for him on the Mnet+ app, comments you’ve left on his fancam videos, even the funny memes you found of him on Twitter all greet him when he opens his phone after practice.

Hope my favourite trainee is doing well and staying healthy! Take care of yourself and know I’m always rooting for you! I love and miss you so much! Hoping for your debut!

Your messages are his favourite. And speaking of:

“I’ve made a little compilation of photos right here. I hope you like how I decorated them, I really tried my best~”

All the trainees ooh and ahh over the handmade album you bring up to the screen compiled with photos of him from the program and cute little notes and stickers. Kamden can’t move, can’t talk.

Because that’s your album, the one you had insisted on starting when he and you began dating. He knows that if you flipped to the other pages, it would be full of photos of both of you, dates, anniversaries, birthdays, holidays, awards that either of you might have won, events that were important to you or him or both of you, everything carefully labelled. It was one of your favourite things to print out all the photos and he’d help you decorate them.

He can’t believe you kept that up after he left for Korea.

“You’ve stood out to me in every performance. You’re so talented and so many people are cheering you on so please remember to have confidence in yourself.” Your voice wavers a little towards the end of the sentence and as slight as it is, he catches that. He knows you.

Kamden only registers the wetness on his cheeks when the tears are already going, fast and furious. He reaches up, trying to dab them away gently with his sleeve. On screen, you blink rapidly and he knows you’re trying your best not to cry either. Even thousands of miles away, on a video you probably recorded weeks ago, you and him are still in sync. Maybe the rest of the trainees don’t see it but he does. Of course he does.

“I hope you take care of yourself always. Make sure to eat enough and get enough rest. I’ll be voting for you everyday so just do your best in practice and performing and us Star Creators will take care of the rest. We’ll support you so you can achieve your dream of debuting~”

To everyone else, you were just a particularly supportive fan. But to Kamden, you were his person, the one he was devoted to and he can’t help it, sobbing a little into his sleeve. Several pats on the back as the other trainees around him try to comfort him. He can’t help but cry even more. Why were you so far away? Why couldn’t you be here where he could hug you and kiss you and just be with you?

“Na Kamden hwaiting! Saranghae~”

That’s it. He turns and buries his face fully into his hands as if doing that would soak up all the tears that won’t stop coming. Matthew and Jay have scooted over, voices overlapping as they rub his shoulders and back and ask what’s wrong. Even Zhang Hao’s hovering a little on the side, equally concerned.

Maybe he’ll say something later, when there are no mics and no cameras. He’s been training for years and you’ve both agreed that in a career like the one he aspires to get into, keeping it quiet would be the best. Idols don’t date. Idols don’t have a significant other in a whole other country that they call when they can find free time. Even when it comes to casual conversation where there isn’t a camera directly trained on them, Kamden just doesn’t say anything.

They do ask him later. And when he says you’re a close friend he hasn’t seen in awhile, their faces light up in recognition. He leaves it at that.

You walk into the arena with a little trepidation.

It’s all been a blur. Packing your things, flying to Korea, meeting up with Kamden’s mom and brother who have been kind enough to get you a ticket pass for the family section. Of course, he has no idea you’re even here.

You’re quite a bit more nervous about surprising him than you thought. While you’d give anything to see him again, it was a little risky in such a public venue with so many people watching and cameras everywhere filming almost any angle. Maybe you can be discreet enough if you do break down but Kamden’s on stage, the spotlights bright and on him. Fans are probably filming him on their own devices.

At this point, you’ll just have to trust your boyfriend to keep his reactions to a believable level. You don’t stand too close to his family, trying to keep your distance but also staying near enough that you’d be in the same general direction if Kamden glanced your way.

You end up on the side, along with a few other people who seem to be dressed as discreetly as you, masks on too. The looks you exchange seem to come to a general understanding of why you’re all here and who you’re here for.

Kamden doesn’t notice you when the Top 18 first file in. You don’t expect him to but you see him though. There’s a growing knot in your stomach, emotions welling up from actually seeing him not through a screen but so close that you could walk on stage and touch him. You don’t do that, of course. But still, he’s so near that it almost hurts not being able to throw yourself into his arms for a hug.

You’ve wanted this so much, especially after more than a year of not seeing him. But right now, you feel frozen. You only watch as they start getting into positions for the signal song. Fans are cheering, even the family members and friends of the trainees are calling out words of support. Still, your voice sticks to your throat, as much as you want to shout out, something keeps you from doing it.

Good thing Kamden’s brother does it for you. It probably surprises you and his mom more than it should but who can blame you when he almost never does that? Kamden’s surprised too, maybe it’s a twin thing but he immediately stands up straighter looking for where his brother’s voice is coming from.

And then he sees you.

His eyes meet yours and they widen considerably. His mouth even drops open a little. You’re smiling so much and you’re sure it shows from how your eyes crinkle, just a little glossy. But you’re not going to cry just yet. Instead, you wave at him. He can’t do much more than give a little wave back before they seem to be ready to start filming.

Suddenly, your heart feels just a little lighter. You step back and watch him dance the signal song. You’ve seen him do it a thousand times, every time you stream his video. It feels so surreal, being able to see it like this, right in front of you. When the song ends, you see his eyes flick back in your direction, searching for your face. When he finds it, his expression brightens.

It’s amazing, watching someone you love do what they love. Sure, you’ve seen Kamden dance, you’ve gotten him to sing and even rap for you a little before. But it’s different with the stage and the lights and the crowd and he looks so comfortable there. You laugh when you see the Jelly Pop teaser, maybe you’ll get him to wear that dress again, just so you can get photos. The final song is almost bittersweet and you try your best but a few tears do slip out.

He’s messaged you about barely making it to the finale, you’ve monitored the program, watched his rank. You both know his chances are slim. But they’re possible. Still, he’s told you that he’s prepared for the equal possibility of not debuting. His company should have plans, he assured you. You watch him walk over to every one of his fellow trainees who’ve made it to debut, offering hugs and congratulating them. And as the number of spots dwindle, you keep your hopes up but you begin to accept it as well.

By the time they’ve called third, you watch as he walks over to Matthew, one of the trainees he’s closest with from what he’s told you. Maybe he lingers a little longer. Maybe you catch his eyes as he looks over. Hwaiting! You mouth, shaking your fists a little in encouragement. The emotions are swirling inside you. When the camera pans over to him, he’s teary eyed, covering his face the way he always does when he gets like that. You can’t help it. The emotions are starting to spill over and you breathe between the occasional tears.

After they announce the ninth place, everything suddenly starts moving so fast and so slow. They wrap up filming. The audience begins to file out. The cameras switch off one by one. You go backstage.

When he walks in, mic gone, still in that uniform that you keep teasing about, you don’t hold back. His arms wrap around you and you fall into him, holding him so tightly you wish you didn’t need to let go. And then both of you start crying.

“I missed you so much, Kam.” You’re holding onto the fabric of his jacket, gripping at it so desperately you’re almost afraid it might rip.

“Why didn’t you tell me you were coming?” He manages, his head somehow buried on your shoulder, tears soaking the cloth of your shirt.

“Surprise?” It comes out weak, a little shaky as you both laugh brokenly through your sobs.

“I can’t believe you’re here.” He holds you even tighter, like he’s afraid you might fade into thin air.

“I’ll be here for a while.” You tell him. “I wish I could’ve come sooner but-”

“It’s okay seriously, you’re here now.” If he squeezes you anymore, you feel like your heart might burst. “I’m so happy to see you.”

He goes back with you. There’s few brief introductions to Jay and Matthew and a few other trainees he’s grown close with, nudges and knowing looks and raised eyebrows. But it’s nothing to stress about, you manage to make it back under the radar.

You feel him watching you as you grab a few more things from your suitcase after both of you have showered and you’re wearing another one of his old shirts. Before you know it, your legs are tangled together, your head resting on his shoulder, your hands intertwined.

“I don’t want to sleep,” he says quietly. “I don’t want to wake up and find out this is a dream and you aren’t here.”

“You aren’t dreaming, Kam.” You reassure him, lifting your head to kiss his cheek. Even in the privacy of this room, he blushes.

“Even if I didn’t make it, at least I have you.”

“You do, Kam. You always do.” And you know he will make it, one day.

#boys planet #boys planet fics #boys planet x reader #boys planet drabbles #boys planet mnet #kpop fics #boys planet 999 #kpop scenarios #boys planet fanfic #kpop imagines #kpop fanfics #kpop fanfic #na kamden #boys planet kamden #na kamden x reader #kamden fic #thanks for 200 followers 💜#gift fic #bp-zb1 fics

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minecraftbookshelf · 9 months

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Marriage of State AU Character Designs: The Mad King of Mezalea

Joel actually has three major looks through the course of the AU; Prince of Mezalea, Trophy Husband, and King Joel, with the subcategories of "armor" for each.

They all have the same base design of "human", differing by (apparent) age and general sense of style.

Some Joel Skins to start us off and provide the base we're working off of, and also the Mezalean banner because color pallet

And also, because it is actually relevant, (bear with me here) some samples of Mezalean architecture.

The Matral Palace and the Villager area.

Based off of Joel's final skin, the vibe is kind of "Victorian military dress uniform" however there is something very, very important to take into consideration from a worldbuilding perspective.

The Mesa is a warm weather biome. Its a colorful desert. Which means high temperatures during the day and cold at night. So tight-fitting, thick fabrics in a Victorian style would be incredibly impractical.

So we turn to the second possible source for fashion inspiration: The architecture, which gives mostly Byzantine vibes.

So what would Byzantine clothing look like, especially for nobility?

First off, taking into account that the Byzantine Empire lasted for approximately a thousand years and, naturally, underwent some dramatic changes in clothing style during that time, we'll pick a specific vibe out of the options. I settled on a bit of a mix between Early Byzantine (think the Theodora Mosaic shown below) and Middle Byzantine (see the mosaic of Emperor Constantine IX below)

And here are just some screenshots from my pintrest board for Mezalea and Mezalean!Joel, because if I put all these on here separately I'll hit the image limit too soon.

(General disclaimer: yes, Pintrest has an art theft problem, yes Pintrest is much harder to effectively use now due to the pervasiveness of ads on everything, no I don't use it for like, formal things. It remains one of the best ways to collect visual references and figuring out The Vibes)

(Yes, we get to go full Material Gworl vibes for the Mezalean King, as is only right and proper.)

General characteristics I'm adopting here for Mezalean clothing:

Brocade (and bejeweled) kaftan/kaftan-esque outer layer. This is a formal wear thing, and is absolutely a "showing off the wealth" power move.

Lots of Big Chunky Colorful Jewelry

I don't know what it's actual name is, but that general style of having jeweled tassel-like things hanging from the front sides of the crown/headdress.

Light-weight and loose fitting under-layers.

And of course, bright colors.

Prince Joel: Before he became part of the main cast in an epic fantasy adventure spanning several hundreds of years and an entire continent (and the adjacent ocean) Joel was the youngest of three princes with two older brothers who were both married and had kids.

Which is to say, it did not look like he would ever be the king.

His role in the kingdom was very much that of an ambassador to and direct connection to their people. He spent a lot of time working on fishing boats and in the mines and quarries. While he did receive a standard royal education on things like diplomacy and combat, international interactions were not his focus at all, much more involved in the day to day operations of his own home. (And yes, that is a very vital aspect of the idea of "royalty" in general, supposedly, and that being a particular point of Joel's upbringing will make more sense when I get around to writing and posting the post about how royalty functions in the Empires. tldr; its related to the whole thing where Pixlriffs accidentally redefined "war")

Basically, Prince Joel = the first skin, the simple green one. He's wearing more lightweight, practical clothes that allow him to engage in physically demanding dirty work without costing a fortune every day. He still dresses up for formal events, but he doesn't even attend all of those and he is far from a daily sight in court.

Trophy Husband: For a couple hundred years, Joel didn't live in Mezalea. Instead, he was one half of the chronological first arranged marriage in the "au in which all the marriages are arranged" situation. And this one was the one that most resembles the set-up of a generic "period" bodice-ripper novel (though that is not how it played out ultimately, for the parties involved, despite the romance that does happen.)

Basically, this is his War Prize Era. In which Lizzie won a husband in combat and then didn't really know what to do with him.

During this time period, Joel mostly wore ocean styled clothing, though during formal occasions he would wear a notable amount of Mezalean accessories, that were part and parcel of the treaty with him. (I'm trying so hard not to derail this into just a breakdown of the events of the Joel & Lizzie arc of the au im trying so hard)

He did tend to mix Oceanic and Mezalean clothing, due in part to Oceanic clothing being primarily designed for underwater wear, while he lived above the surface, finding the balance of practicality and appearances demanded by the political nature of his existence at the time. (Also a personal comfort thing as Mezalean clothing tended to afford more skin coverage and also had shoes) Once he and Lizzie were more comfortable both in the world and with each other he had more opportunities for personalization and tended towards Mezalean styles in oceanic colors. He did develop a significant appreciation for the Oceanic idea of skin-tight under-layers for water travel.

King Joel: He did end up back in Mezalea as king, which is when we hit the style closest to the second skin, which mostly for this is really an indicator of color scheme. Formally, he is now wearing the full Kaftan and Jewelry look, day to day its more of "colorful, simple, and lightweight" because he still is very active in the day to day commerce of his empire. He does usually wear significantly more jewelry than he did as a prince, he grew a taste for it during his trophy husband era XD. The details of his day-to-day wear are also fancier. finer fabrics, more embroidery, brocade hems, etc.

Most of his earrings are gifts from Lizzie, some in Oceanic colors, some in Mezalean, but all with little chips of prismarine to remind him of her even when she can't be there.

Armor: Joel's armor preferences are simple netherite plate. He also does have a ceremonial trident, as a member of the Oceanic royal family. His is gold-plated.

art

Lizzie || Jimmy ||

AU Masterpost

#empires smp #empires s1 #smallishbeans #the mad king of mezalea #rain rambles #marriage of state au #mos: worldbuilding #mos: joel

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wonderinc-sonic · 7 months

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I know Espilver week is half over, but the first theme of absence got me thinking about why I find this ship compelling, and one of the few I would actually be happy to see happen in canon. Specifically, it's loneliness.

Where they came from:

Aside from being an uncalled for and fantastically blunt burn from Blaze that I love, I think it's fun that this is an insight that 06 felt to give us into Silver's character. We wouldn't have known this if she didn't idly wonder it - we definitely didn't know Silver well enough to assume. Love you, Blaze.

BUT my thought is there's a lot of characters in this series for whom a core lesson they are learning is accepting others into their lives. Silver is too, to an extent. But he's also inherently needy, and we are told as much by his closest and only friend. Silver's got a particularly raw deal by literally being satellite to everyone. I'm probably not alone in finding that makes me want to solve his loneliness more.

Espio has not (in my knowledge - being not acquainted with the og comics) been through any major character development that has transformed him, as he is presented as quite a mature (comparatively) character, but in my opinion he also has a core dissonance between being a loner and part of a team. He has a fighting style that lends itself to solo heroism, and yet we always see him in a team, and his personality is what makes it work. I like to interpret this as someone who used to be alone and has been through the journey that Silver needs to find his place in a group. Except Silver can't.

Wheras now:

Pulling out two screenshots that sorta give the vibe I'm looking for, but I think in present they're both actually and actively trying to find and be with companions/ allies. Silver's latest arc shows us he's still someone looking for people to guide and ground him in the past. Espio is the most stable and grounded guy you can imagine in the Sonic cast tbh, and although he's pretty self confident, he's never been ashamed to rely on his trusted friends. If anything, he has trouble trusting outside of his team, although we see him try and put aside his misgivings about others judgements and choices.

There's a lot of characters that have or can have chemistry, but this is one of the few pairings - if not the only pairing - where I actually think being in a relationship develops and furthers both characters growth. Which is very appealing to me.

Also, there's very few characters in canon that I actually think would be happy in a relationship in the current time, at current ages. Not that I think relationships all have to make sense, but narratively speaking, I like it for both of them as well as generally just thinking they're cute. Especially because the tragedy bug bit me, and their setting means they're stuck with the most isolating LDR ever ❤️

That's all, ty for coming to my tedtalk

#espio the chameleon #silver the hedgehog #espilver #silvespio #espilver week 2023 #espilver week #espilverweek2023 #wonderincs

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littledudeholland · 9 months

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How i make my drawings

Hello! Since @wolfsune09 asked how i make my shading and all that i decided to make a little tutorial on my shading style! (I draw in Clip Studio Paint)

Also english is not my fist language so i'm sorry if i make any mistakes or say weird sentences!

So let's start with brushes:

The brushes i mainly use are The Calliflakes brush, Soft square brush, and the regular Turnip pen and Design pencil from Clip studio

These brushes are like, MY LIFE i love them so much dfjsdbfhbsdb

Anyway, the drawing i'm making is a screenshot redraw of a homestuck panel because i can

Get homestucked lol

Anyway after the sketch i make the shading plans, they are really important and will basically dictate if the drawing will be good or not

always make sure the light direction is the same throughout or else it will look lackluster, think about the character in they're primary forms(head is a square, torso is also a square, nose is a piramid etc.)

Now is the real kicker, plan the reflective light (i can't explain it really well so researching it is a better option)

I like to see the light sources with their correct blending modes before drawing to check if the colors look ok

In the end, the objective is to make it so the drawing still holds up without the sketch, if the light makes the pose readable, it's all good to go

Finally, it's time for the lineart, i made the Calliflakes's brush change in size depending on the tilt, this is great for a dynamic lineart and a crunchy look

I usually use three sizes in the lineart, the main size, a medium size to make more detailed parts, and a smaller one for when i need even smaller details, tho it's good to use it sparingly since it might make the drawing look unbalanced

Also, i usually don't use black in my drawings, mostly because of the shading process

Looking good!

Now it's time for the flats! This part is pretty simple, this ios also the part where i paint the lineart, i ONLY paint parts that are INSIDE the silhouette, mostly to make everything blend more and also becuase i like it :)

What a handsome fellow!

Alright now for the part you came here for, the shading! Alright, remember the shading plan? Use that as a base for the actual shading.

First, since this drawing is in a dark place, i grouped the whole drawing in a folder, then made a multiply layer with the color closest to the original image, then i clipped it to the folder(this is a very common thing here)

(I didn't shade the eye since it is the main point of focus of the drawing)

Now let's see it with the lighting plan

nice

Now let's talk soft squares and design pencils

The way i shade with the soft square is that i make it mostly cell shaded, then i come with the same brush but transparent, and i VERY CAREFULLY make circular motions to erase part where i want the shading to make a gradient effect, the key to a good shading job is balancing the sharp shadows with the soft ones

Now with hair, i use the design pencil, i basically just make a bunch of close streaks, almost like painting with a paint brush, after that i make streaks with the same pencil but transparent, making variations in lenght so it looks natural and organic

Alright time for the first shade pass, this one is for the more general shadows, so it won't look that dynamic

Now you can see where the shadows are lacking and make the second pass to deepen the shapes

(P.S: all these layers are the same color, they are in multiply mode)

Alright time for the star of the show! The lights!!!

Using the shading plan i refined the shapes and put it on the add(glow) mode, a good tip i have for this stage is to make shapes shapes shapes! Also remembering that the farther the thing is, the least bright it will be.

Oh my! That changes the whole vibe!

Now i saw the hair was a little boring looking, so i added an extra layer of airbrush to make it more dynamic

Actually fuck it, time for some finger tip smudge

Now we're talking.

Alright, now it's time for the reflected light, make sure it's not too bright unless it looks like a second light source, also this layer is in glow dodge mode!

We could say it's done as it is...

BUT NOT BEFORE THE COLOR DODGE

It looks so muck better now! But that's not all!

Now that we have this beautiful boi, it's time for the finishing touches! These make ALL the difference in the drawing

There we go!

Well now it's my favorite part... the FUCK AROUND AND FIND OUT part!

This is where you add all the textures and special effects! I like mostly using a noise filter (so AI can't steal my stuff) and achromatic aberration, also adding some ashes and a nice metal texture in the background to make it nicer looking

Now, this is technically finished, but if you want to go the extra mile, you can do some color correction, i like doing it to give more contrast, also to make the piece more balanced, i also added some extra details on the eye and a blur last minute

And it's done!

As you can see my process is a little all over the place, but that's the fun part of drawing for me! It's always an adventure where you never know how it's going to end!

Anyway hope this helped at least a little!

#art tutorial #art advice #? kinda #homestuck #homestuck 2 #commander karkat #shading tutorial #rendering #long post

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violin-check · 2 months

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Hi! I’m just curious about Rocky from Lackadaisy, and if there’s any inaccuracies in his playing within the pilot.

[I.D: Screenshot of Lackadaisy where Rocky plays violin on a bridge. Behind him is one of the bridge's support beams and a view of a river, the moon, and a city on the river banks. His bow is on the strings, a little closer to the frog than the tip. End I.D]

Admittedly I'm not familiar with this show, but I did go ahead and find this scene of him playing violin, and honestly, I'm pretty impressed with how it's animated. There seems to be a good deal of care and attention put into how Rocky plays, and there's a couple things that I really appreciated.

[I.D. Two screenshots side by side of Rocky playing violin. His bow sits on the strings at the tip as he shifts to about fifth position, his hand moving to rest against the body of the instrument. End I.D.]

First of all: shifting. It's a pretty common thing in more advanced violin music, but isn't necessarily shown that much. It's really nice seeing it show up, especially in such a casual moment of a guy playing for himself as he monologues. He's not performing for anyone, but he's still playing well.

Another example of his variety in technique: in the clip, he uses his left hand (bow hand) to pluck the strings at one point, and plays double stops (two strings at once) at a few others. I get the sense listening to the music he's playing that he knows what he's doing, and is probably a decently advanced musician. Also, the music that he plays is impressive, as he basically seems to be improvising in this scene. He's messing around, basically, but there's solid technique behind it.

There's also a lot of attention paid to which string he's playing on- the angle of the bow is very different for the higher notes and the lower notes, meaning that the animators were actually paying attention to how a violin would be played. For example, in the above screenshots, he's playing on the E string (high notes), and has a mostly vertical bow. I also appreciate the fluidity of his bowing in the clip, especially the wrist position and movements.

There are a couple of shots in the clip where the proportions of the violin seem off- mostly at the start, when it looks too big for him. There's some weird bow hand positions are some points, and also a few places where the fingering seems a bit off. A lot of the time his fingers don't really seem to be changing the string they're on, but that's a matter of trying to animate super precise motions that most people wouldn't notice so I'll let it slide lol. (And to be fair, fingering probably works different when you have less fingers anyway. Maye his violin would be tuned differently than a real one?)

His violin doesn't seem to have a chin rest and he isn't using a shoulder rest either, but again, that makes sense from an animation standpoint. Besides, while those are common in modern day playing, this show has more of a historical distant past setting from what I can tell.

My overall vibe from this character is that he clearly knows what he's doing with his violin, but that he's also just playing for himself. He's not performing, he's not trying to impress anyone, he's just playing violin and enjoying it. I might be a little more critical of a few areas of weird technique if he were supposed to be playing an existing piece or performing for an audience, but overall I think for the most part the breaks in technique match the general air of carelessness/ carefreeness Rocky is giving off.

I do, however, question how often he would have to replace his strings given that long nails are a no-no with violins, and he has obviously pointed claws. He probably breaks his strings fairly often lol.

#violin #lackadaisy #rocky rickaby

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scaryspears · 4 months

Text

My rant on ITSV and ATSV

So I've just finished watching the ITSV and ATSV because I'm a late watcher, and when the movies came out I wasn't myself. I'm glad I took the time to watch them, although I had to buy ATSV online because it's no longer in the cinema. This means I got to watch my favourite scenes without issue. With that being said, I have a lot of things to get off my chest regarding both films, mostly with the characters.

Warning: Long post and slight bashing of characters and terrible screenshots.

I don't want to be one of those people who hate Gwen just to hate on her, and I don't hate or dislike her character, but right from the jump her vibe was just off. She felt like one of those characters that disliked the main character for no reason despite barely interacting with her/him (them). I know that isn't the case but I didn't like the way she was blankly talking to him. I'm using the word 'blankly' because I can't think of another word other than 'coldly'.

During the chase scene where Miles and Peter steal the computer, she comes out of nowhere and helps save the day. I was glad but at the same time what the hell. Anyways, Miles compliments her haircut and she snaps with "You don't get to like my haircut.", referring to when he accidentally got his hand stuck to her hair and she had to get half her hair shaved off, I understand getting angry about that. It was an accident, and Miles could've apologised (I don't remember him saying sorry), but she's acting like he did it on purpose.

To top it all off she knew he was like her, which meant she knew what he was going through as he was transitioning. Getting taller, hearing multiple voices, hands sticky, and all that stuff. So that means she's aware that it was an accident, and there's also the fact that she pretended to be a student at his school and hovered around him. She bumped into him on purpose knowing he was a fellow spider.

When you think about it, why didn't she try to get to know him and investigate with him about what's going on? She just left him to discover his spider side chaotically. She should know how scary and confusing that is, but not once does she attempt helping him out.

I'm gonna sweep it under the rug because they are teenagers, and even if they were adults they shouldn't be expected to be more sympathetic to each other. But you'd think she'd be a little bit more understanding. (Don't get me started on her going into his artwork and opening his collectable in ATSV)

Now, Uncle Aaron. I love his dynamic with Miles, the true cool uncle. His love for his generation of hip hop and us seeing Miles' taste of music. The graffiti art bonding, loved it. There were small hints that he was the Prowler. The 1610 Peter getting killed near where Miles and Aaron did the graffiti, Miles calling him while he's being chased by the Prowler, and the Prowler appearing in Aaron's home. I'm thinking "Where's Aaron in all this?" dun dun dun, he's the Prowler. I loved every bit of it. This also makes Miles different from other spider men, being the fact that his loved one ended up being an antagonist, and one scarier than Kingpin. There's no "With great power comes great responsibility." instead it's "In a bad person you can find good in them." Also, the inner torment that he was about to harm his own nephew is chef's kiss. Uncle Ben who?

Moving on to ATSV. It opens up with Gwen and her meeting Miguel and Jess. She looked at Jess and said "Will you adopt me?" Like??? Where yo mum at? I know she passed away, but still. You've only had one look at this woman and that's one of the things that comes out of your mouth? You don't know this woman! Jess sounds like one of those women that only talk with attitude no matter what so I had a hard time rocking with her, like what is her problem??? And she's fighting while pregnant... smdh.

Spot. Funny villain, I liked his banter with Miles, but he's a pu**y punk bi**h. He's blaming Miles for what he became, when he's the one that decided to become a mad scientist and work with other mad scientists under Kingpin. I'm pretty sure there's more to it than a bagel. Lesson is: once you become a mad scientist something happens to you. Norman Osborn became Green Goblin, 65 Peter (Gwen's home) became a monster and died, Shang Tsung got Rick Rolled by himself, you get the idea. Spot made himself like that not Miles.

So Gwen didn't talk to Miles for a really long time because of the whole Spider society thing. When you think about it, none of the other spiders he met did, and I get that they couldn't with the exclusion of Peni. But not one visit? Not one letter? Something??? Now Miles has a little short conversation with Hobie and admits that he only wants to get into the Spider society to talk to his friends and help out with defeating Spot. He just wants to hang with his friends, but Peni and Gwen decided not to do that.

Moving on, I'd like to talk about Miles' walk through within the spider society. They acknowledge Gwen and only Gwen, they don't bother saying hi or even looking at Miles. It was like Miles wasn't even there. Never thought I'd say it, but these Spider men are arse holes. I also got annoyed at the way Jess was talking to him, I get that he's not supposed to be there but she needed to chill.

This anger went when Miles bumped into Margo, and she looked like she was about to lose her cool but she lightened up once she saw who it was, a complete stranger. I'm not a MargoMiles shipper, but I don't mind it (granted so long as they are the same age).

So the scene that goes 0 to 100 quick: I watched a bunch of memes and edits that painted Miguel as racist and I didn't understand why, and thought it was like a Millie Bobby Brown situation. Re-watching the scene where Miles meets Miguel I can see why.

All the other spidermen showed up to gang up on Miles.

"You can't ask me not to save my father."

"I'm not asking."

And hit him with this.

While Miles is freaking out at the sudden imprisonment we can hear Miguel say "We just need to hold him a few days." They were treating Miles like a criminal and/or a confused wild animal. And then Miguel had the nerve to say "All he had to do was listen." when Miles escaped them. I don't think Miguel is racist, but the memes I will support.

Hobie was looking out for Miles as soon as he met him, and I love that so much. He knew Miles wasn't like the ones in the spider society, and made sure to tell Miles to be better. Gwen didn't do that. She did, but she didn't if you know what I mean. She followed along with the crap Miguel was spitting.

And then there was the chase scene. Bro had a bunch of spider men chase Miles and not one of them could catch him. That is the biggest L I've ever seen. One 15 year old boy, and he didn't use his other 2 powers until after Miguel slammed him onto his back. Miles was not playing. Also, Miguel was endangering the lives of people who were driving. And yes, Miguel's at fault and not Miles.

They gave Miles crap just because he didn't want his dad to die, unlike Miguel who actively replaced the life of his other self. Gwen was really going to let her dad die, and Peter B tried to justify it by saying their uncle's death made them who they are. Pavitr was just supposed to get over his love interest's dad dying? They knowingly let that happen.

Miguel calling Miles an anomaly is mega projecting. Miles becoming Spiderman wasn't on purpose it just happened, and that's always how the story goes. No one is simply meant to be Spiderman, they just become him/her. It's also funny coming from a man who crawled on all fours chasing down a teenager.

42 Miles. Prowler Miles. Gonzales. Kilo Immorales. I love him already, can't wait to see the next film where we'll see him in full action. I love how we as a fandom collectively agreed that these two would have a sibling dynamic even though we've only seen 42 Miles for like a minute. I love the Boondocks comparisons as well. I need 42 Miles to hate everyone. I need Miles to be full of rage in the 3rd film Adult Gon style. Prepare for double and make it double.

In conclusion, I should've watched these films when they first came out, they are so great. The art, the incorporation of hip hop and correctness of Afro related backgrounds and the storyline. I honestly felt like Miles was a great representation of the new generation. I saw myself in him, and not just being black but the graffiti and finding out that a family member of yours isn't really a good person. I don't do graffiti or art but I do find them beautiful whenever I see them. Also, the Air Forces. Step aside Peter Parker, we have a Spider man with more drip.

#spiderverse #miles morales #spiderman atsv #atsv hobie #miguel o'hara #miguel spiderverse #42 miles morales #aaron davis #the prowler #gwen stacy #spider gwen #ghost spider #pavitr prabhakar #peter b parker #sunflower #spider punk #itsv #atsv

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cosmicdream222 · 3 months

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have you entered the void before?

I'm asking cause I've seen you post about it a bunch times with different methods to enter

Also, thank you for introducing me to the phase method! I'm using it and another method (one I created) to enter

Hey! Glad to hear the Phase has been helpful for you! Happy to answer your question, but it’s a bit more complicated than a yes/no answer and I’m feeling rambly today so you’re gonna get a whole backstory on how this blog came to be 😂

Backstory about me & this blog

I’d been in the personal development manifestation community since around 2016, and it was my life for a long time. But the kind of manifesting these people taught was basically like… wake up at 5am, work out, journal, meditate, shadow work, tarot cards, affirmations, cold showers, start a business, post no less than 10 times a day across your 5+ social media channels, and maybe if you hustle hard enough and cleared enough past life karma and Mercury isn’t retrograde, then the universe might grant your wishes... (if you don’t die of exhaustion first. 😅)

It really was a mess and realize now despite the facade of positive thinking and good vibes, the whole community really just keeps themselves identifying with lack & victim mentality so the coaches at the top profit off everyone else’s misery.

I believed in manifesting and had faith I would achieve my goals, but despite years of trying a million different things, only saw small or short-term successes and never seemed to get anywhere. I was feeling pretty burnt out and miserable, so summer 2023 I decided to stop trying so hard and just spend some time focused on myself and what I wanted. I went back to the two methods that I’ve always loved and had success with: affirmations and tapping.

I tapped every day and started making affirmation art and lockscreen wallpaper for fun. I posted the affirmations on Pinterest, which eventually lead me to finding affirmations pinned from tumblr. I think it was a screenshot from blushydior I saw at first, but her blog was deactivated by then. So I started stumbling around tumblr (around Aug-Sept 2023 at this point), where I eventually came across loa, the void, and shifting.

I was surprised because despite my extreme research into all things personal development & spiritual, I’d never heard of it. Although I’d read about quantum physics and more supernatural things, every coach/teacher had major limits. “Manifesting” only meant getting logical earth things like making 6 figures in your business through hard work and hustle so you can afford to travel and buy luxury cars & Chanel bags. Stuff like changing the past, waking up with all your desires, etc was absolutely impossible and not even talked about except “you can’t change the past”.

So having only heard about these incredible overnight life-changing manifestations from tumblr, I was skeptical and wanted more information. I basically started this blog to collect information from outside tumblr to prove it to myself and share with others. Which of course sent me down a rabbit hole of research and overconsumption and overcomplicating the void 😅

I did get kinda obsessed and throw myself into trying every shifting & void method I saw right away, which just left me frustrated with “failed” attempts. But I see now I was just repeating the same victim mentality from the old community - that everything had to be hard and a struggle, that I was a victim of circumstance and limited by a higher power. (This is also a really commonly held limiting belief in religion and society in general that affects many people.)

It took me more than a few months to realize, but I’m finally switching my default programming to that of a creator instead of a victim. Because I don’t want to be obsessed and put the void on a pedestal, I’m currently just working on my self concept that I am in control of my reality and can manifest whatever I want - with or without the void. I still do want to experience it of course, just want to make sure I’m going at it with a healthy mindset.

However!

About a week or two ago I read someone’s void success story that triggered a memory from many years ago: I realized I actually did wake up in the void and manifested something, long before I even knew what manifesting or the void was 😭 Because I’d always believed in supernatural things, I thought I had a “psychic dream” but now I know it was the void! (If anyone wants storytime I can make another post with more detail).

And since at the time, I entered without even knowing about the void’s existence, I realize we here or tumblr really do overcomplicate it. Like the video I posted where the void is described as the midway point between wake and sleep - it really is that simple!

I’ve noticed now that whenever I wake up naturally (not getting woken up by an alarm, outside noise, or cat jumping on me) I do always seem to wake up in the void. It’s the same kind of experience, and I don’t hear anything, but my first natural instinct when I wake up is to wonder where the sounds of my environment are. So I end up tuning in to my room and snapping out of the void.

I guess I just have to train myself to make my first thought an affirmation for my desires instead of just wondering where the sounds are 😅 But regardless, now I know it’s absolutely real and possible for me, I know it’s only a matter of time until I figure it out!

#manifesting #about moi #void state

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clowngames · 3 months

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Do you feel like talking about game development?

https://youtube.com/shorts/0w3hnaUo-50

I can't speak on Palworld as a game because I haven't played it, watched any footage of gameplay, or seen any trailers, but I can aggregate some commentary by gamedevs I've talked to along with some research I've done to confirm we're not all just making shit up.

Palworld is Pocket Pair Inc.'s second major release, and it's an Early Access game while their first game is still, also, in Early Access.

The banner from their other Early Access game, Craftopia, is this:

This doesn't bode well for Palworld's future. Note that it is February at time of the screenshot taken, and more distressingly a "bugfixing update" is worth celebrating 4 years into Craftopia's development.

They have two previous releases which are an AI-art-based social deduction game and a gacha card game. There's no nice way to say this, but the types of games in their portfolio bring to mind an amount of startup capital that makes the Early Access model unnecessary. In particular, there's no circumstance in which a game dev company simultaneously needs the early return of the EA model and also has the resources to split their studio off to make a second one. The reason they're using this model is as a metric of gauging interest to figure out how to divide their resources according to demand and to show to their investors that they're doing well.

Finally, they're working on another game at the same time as Palworld and Craftopia: Never Grave - a metroidvania roguelike with visuals similar to Hollow Knight and the capture mechanic of Super Mario Odyssey (complete with throwing your hat at enemies to possess them).

All of this paints a pretty clear, if cynical, picture of their business strategy. Pocket Pair is simply making other people's video games, but faster.

To be clear, I'm not accusing them of plagiarizing. I think Palworld is pretty distinct from Pokemon in fairly obvious ways, in the same way that Craftopia is distinct from Breath of the Wild. In addition, both games are borrowing game mechanics and ideas from more than one game each.

But at the same time, the vibe I get is less "taking inspiration from multiple sources" and more "seeing what is successful about multiple sources and combining them with the goal of making something appealing." Gamers like farming, so we added crops. Gamers like third person shooters, so we added that to Pokemon. There's no consideration for thematic cohesion or vision. I think the reason there was a controversy involving the suspected use of AI in Palworld is because there's an evident absence of artistic intent which mirrors the way AI generates images or text.

Pocket Pair Inc. is the cover band of game developers. And with Palworld they happen to have learned the crowd pleasers.

That's not to say there's no artistic value to Palworld, or even that the game isn't worth playing, or fun, or "good," whatever that means. Objectively speaking, making a game that appeals to so many people it breaks records is an accomplishment worth paying attention to, and quite frankly if that were me I'd be pretty proud of myself. But I can't help but think about that post about AAA games all being the same because studios are afraid to take risks without risking capital and then think, Palworld is a manifestation of the same problem.

#asks #gamedev

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