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#i mean i still have like 2 and a half seasons to watch
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Ninjago Dragons Rising Season 2 - Is It Good Or Nah?
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So, I'm late to the party, aren't I?
Well I've had so much work that I think I'm having an existential crisis. So I had to wait till I had a free day to watch this season because I wanted to watch it with my GF.
We got to Episode 6, and then what did my boss do?
Slap me in the face with long work hours several days of the week.
I feel like I'm in a spiral of work after work after work with no purpose to life besides failure cause I can't trust myself to be capable at anything-
ANYWAY. We finished it now.
You know what the insane part about the season is? That it got the show trending on Tumblr.
That's an INSANE level of hype right there.
So I seriously had to ask myself "What the actual f**k happened in the show that caused THIS much hype?!"
So... here are my thoughts on the season.
SPOILER WARNING
Okay, so this may be a factor of my judgement, but due to my schedule, I was forced to watch only 6 Episodes one day, and then the last 4 Episodes today. Keep that in mind.
When it came to the first half of the season, was it good?
Yes. Obviously.
Was it living up to the insane level of hype?
Uh... not really for me??
Now, don't take that as a negative. This season is still REALLY good.
After the first season took awhile to get started as it needed to set up its characters and this new world, it makes sense for this season to throw the punches immediately.
The season gets started with its main plot right away with Ras immediately putting his plan into action, and by Episode 2, it's very clear the threat level he opposes and it's believable that we should be intimidated by what he wants.
Even though in Episode 2's fight, while AMAZINGLY choreographed, I was just screaming at the screen "HIT THE PERSON HOLDING THE GONG."
Like seriously, more than one of the characters in this fight can use projectiles with their powers AND they have a blaster in the Bounty, and the show never says that Ras has some sort of armor defense preventing him from getting blasted. He's literally standing out in the open. And the gong is clearly what's giving Cinder power. So HIT THE PERSON WITH THE GONG.
GOSH.
Anyway, that's not important. What's important is that this season's fight choreo is genuinely AMAZING. I am obsessed with the way the camera moves with the characters in these fights you have no idea. I was genuinely blown away by the last episode's fight in particular. But more on the ending later.
What also shocked me was how BRUTAL some of the stuff that happens here is, which caught me off guard.
I mean, Episode 2 has Euphrasia getting ambushed and crashed off the Cloud Kingdom with clear injuries, and Wyldfyre getting her leg SHATTERED. Like, WHAT?! HOW OFTEN DOES THAT HAPPEN?!! (Even though the latter's healing was unrealistic. Like, it would realistically take months for an injury like that to heal. Not a critique, just saying.)
Ras body slams Jordanna at one point. He puts Arin in a CHOKEHOLD. And also beats him up so brutally... like OMG this guy does not mess around.
The Fear Cave Trial also REALLY got me tripping. Not only was it such a visually appealing moment, but it also, as the same suggests, showed several character psyches that were insane.
Except Kai for some reason. That's gonna drive me NUTS until I get an answer. WHAT DID HE SEE-?!
Then we get to the dragon mentors, and...
Yeah the season kinda loses me in the middle.
Don't get me wrong, I love the character bits here as much as anyone. But with how dyer they made the threat of Ras before, Ras and his forces take a backseat in the middle portion of the season and we're mostly just sitting at these training grounds talking. And for four episodes of it? It's a little grating, even if it is important.
The middle is mostly where most of my issues with the season stand. And here's where I get all my negatives out of the way:
Like I said, because this season is so long, there's an awkward pause in the conflict on the dragons plotline to learn this Rising Dragon Technique. Which I wouldn't mind if it wasn't FOUR EPISODES of it.
With the exception of the attack at the Land of Lost Things ONCE, Ras's army doesn't go after the ninja at all. I can kinda get the dragons group since they didn't have Bonzle, but he has to know that they ARE a threat, right? They're obviously trying to figure out how to stop you.
And even with the group that has Bonzle, what they NEED, the forces that go after that group is the Administration and the one off magician man villain, the former really didn't need to be in this season even if it was for a compelling Jay cameo, and the latter has overstayed his welcome at this point and I just rolled my eyes when he showed up on screen.
I'm all for Cole being a badass as much as the next guy, but WHY this magician man, who at this point, is so disconnected with the main antagonistic forces that he serves no purpose?
Why not, I don't know, use this screen time instead to explain what in the world happened with Cole when he left?
Seriously, the first season had this huge cliffhanger with Cole's character and him going after Wu's ghost. I wonder what's gonna happen to him and what he's gonna find out-
Oh. He's just back.
That to me is a huge disappointment. What was the point of him leaving the Lost Family in the first place if this journey was basically nothing? He doesn't even talk about it! COME ON NOW.
Also I think Zane should get slay pass on the Administration guy that called him equipment. What do y'all think?
I don't like Egot. Or whatever his name was. He's very condescending and cryptic and talks down to his only hope of the world being saved. But I think I'm supposed to dislike him for it, and there's gonna be more of his characterization revealed later, so don't take this one as a critique. The female one is great though.
The sorceress lady was... a choice in the narrative. My one critique for the ending was the potion shenanigans. Not because they were bad, but because they just felt so out of place among everything else. Like, "Oh, this finale is too dark and intense! We need to occasionally cut to wacky shenanigans with this sorceress's magic to prevent kids from feeling too much dread!"
I don't know, for me, I would've placed this stuff with the Administration instead, and instead have the group fight Jordanna, lose, and have her get away and flow that to Arin getting to her. Especially since the Administration posed such little threat to them and they even say such.
(I also have a theory that this sorceress is Wyldfyre's birth mom. I have no evidence to back this up besides "They both have red hair and similar facial structure")
With Cloud Kingdom getting taken over and Euphrasia captured, I thought she would have more of a role to play in this since this is, you know, her HOME and she's their guardian.
But nope. She does next to nothing up until the very end and plays prisoner and waits for the ninja to save her.
For gosh sake girl, you're the master of wind. FLY.
And finally, my last critique, Cinder.
Yeah I'm sorry, I'm not buying this character so far. Not that I don't think he'll have anything to do in the second part, but for how threatening he was in Episode 2, that threat level kinda vanishes in the middle and only comes back at the end. He does next to nothing and we learn nothing about him other than "He likes power". Jordanna is probably more unlikeable, but at least she has conflict going on with Ras and her magic, and she still serves more of a role in the plan besides being a foot soldier.
And... yep. That's all my critiques for this season. Which all seem pretty minor.
You know what this season is real good at? Characters.
As though that wasn't obvious already.
I did NOT expect Bonzle to play any major role at all, I thought she was just gonna be the dry and cynical side character. But no. She has a history. She has a life. She has emotions. All of which REALLY shine through at the end when you hear her voice have more range in it. The VA killed it. I ended up feeling so bad for her.
Especially considering what happens to her.
They're also not even hiding it anymore with Geo x Cole. They're just NOT. I love them and I hope we see more of their relationship in the future.
I genuinely don't understand the critique of "Geo is so selfish referring to him as Cole's family when it's obvious Cole has other people in his life."
Well no shit, you ever heard of a character flaw?
But it's also a completely understandable flaw. You guys aren't forgetting the part where Geo was abandoned for being a mixed race, right? Of course he's gonna cling to someone as compassionate and encouraging as Cole.
The Jay cameo was nice. I expect him to play no role in this season, but it's really compelling what they showed and I was satisfied with it.
Lloyd's conflict was handled very well in my opinion.
What's it called when it's PTSD, but it's about future events rather than past events? Foresight Traumatic Stress Disorder? FTSD? Yeah let's go with that.
For a kids show that glosses over trauma, (That's not a Ninjago problem, that's a kids show problem), it was really refreshing for them to not do that for once. It's actually explored and talked about and Lloyd is given advice on how to cope with it, and he freezes up in panic attacks when these visions happen and-THANK YOU. THANK YOU FOR NOT IGNORING HOW HARD SOMETHING LIKE THIS IS.
Seriously, as someone who is going through stuff like this, minus the magic element, it spoke to me a lot. It really shows that this show grew up with me, and I both love and hate that.
I do think this sort of arc is going to hit hard for adults much more than kids.
Are kids constantly terrified of the future and getting paralyzed with these fears and finding it difficult to cope with the traumas that is time and human life?
No?
Kai is also a standout in this, especially towards the end. This is by far the best Kai has been in a long time in terms of quality. I love how one of his most significant flaws gets addressed here, that being his overreliance on himself and his own abilities over the others, who he feels responsible to protect.
And the way he grasps with that and learns to let loose like he did as a child back in the old days through what he loves the most, that being his family. And the flashbacks with him and his sister. And the whole sequence of him learning Rising Dragon - AUGH ITS SO GOOD.
How poetic is it that the character most devoted to family since childhood is only cocky and angry because of his own desire to be the one with power to keep them safe, gets power by letting that go, being a kid again, and joining the same roots as his own family?
AND THEN HE GIVES UP HIS LIFE FOR THEM-
And finally, Arin.
Oh you poor sweet, sweet child.
First of all, yes, I am completely subscribed to the theory that the show is building up Arin turning on the ninja and becoming a villain. It's all there. It all fits. The amount of times they say how sweet he is as though that's gonna get lost. The dragons, the creators of the world, the gods basically, telling him he's not good enough. Ras confronting him. Sora's stunt even after she's been the most encouraging of him, like the BETRAYAL there. It's all there. And I will be posting my theory scenario on this don't you worry.
BUT, I don't think that's the route they're gonna go. Kids show and all of that. They wouldn't do that to one of their main characters. Unless you're Star Wars. At most I think Arin will be tempted by Ras's master's power in an episode and even do it, but then with the power of love and friendship, it'll get fixed.
So instead I'd rather say that Arin, by far, has the BEST power crisis arc of the entire show so far.
I LOVE that he doesn't get powers. That's something the original show would've done. I LOVE that he doesn't figure anything out in the end and his inner doubts get proven correct. That's something the original show would not have the guts to do.
I liked Arin in the first season, but he didn't interest me too much. Mostly because Sora had the lion share of focus in the first season. Here though? He might just take the crown for THE most relatable character. And I both love and hate it so much.
Like, seeing everyone else succeed in mastery while you can't even figure out your own thing. You get told you have a natural talent and a lot of potential and that you're good at a lot of things, only for that to be put to the test in the real world and you end up letting everyone down. Even when your loved ones encourage you that you are good enough and you're special in your own way, you can't get those voices out of your head and you mess up again and again and again to try and meet the world's expectations. Then those in charge tell you you're not good enough and wasted potential. Then you try everything out in the real world anyway and you FAIL, and those that doubt you and your own insecurities get proven correct as you're left a broken mess of a young child who doesn't know what the hell they're doing-
I'M IN THIS SHOW AND I DON'T LIKE IT.
I probably love Sora more as a character, but I will admit I grasp towards Arin more right now. Sora's a great trans allegory in a world that hates trans people. But I'm not trans so I relate to it a bit less. Arin's a great autistic allegory in a world that doesn't know how to help autistic people. And I am autistic so I relate to it more. That's just a me situation.
I am so invested in where Arin's story goes from here. Evil or not.
So yeah, the season was good, but didn't completely live up to the insane hype, which, to be fair, is a high bar.
UNTIL THE LAST FOUR EPISODES.
And then all of a sudden, I AM SHOCKED AND SHAKEN TO MY CORE.
These last four episodes are an absolute emotional roller coaster that left me shaking and screaming the whole time.
I actually SCREAMED at multiple occasions.
I actually screamed so many times watching this that I am now HOARSE.
THAT'S how hard it hit me.
The story goes from 0 to 100 the moment the Blood Moon shows up. Which was what the whole season was building up to. And it did NOT disappoint.
The race to try and protect Bonzle. The intense visions and paralysis Lloyd suffers from. Ras and the army coming back to the plot to be absolute powerhouses. The last episode of DREAD the entire time to desperately try to stop this ritual.
HUMAN SACRIFICES?! AM I WATCHING A KIDS SHOW RIGHT NOW?!?!
I was begging for Arin to succeed at getting Bonzle to safety, even though I knew he stood no chance against Ras. "Come on Arin! You got this!! YOU GOT THIS, SWEETIE!!"
And then Ras just goes to TOWN on the poor boy and taunts his utter failure, which HURTS SO BAD MAN.
The entire fight with the army, Cinder, and Ras. The destruction of the mechs which knocks them unconscious for a bit. Kai figuring out Rising Dragon again when his family gets put in danger. The way Nya avenges her brother afterwards.
When Bonzle was getting morphed back into spell form, BEGGING, I was begging too.
But they still do it!
And KAI?!?!
I couldn't even process what happened other than me screaming. From the moment Ras alluded to sacrificing Kai against his consent, I was screaming "NO. DON'T DO IT."
AND THEN THEY SACRIFICE HIM.
LIKE HOLY GOSH THIS FINALE DID NOT MESS AROUND.
I predicted a while back, in the first season actually, that Kai was gonna get sacrificed at some point. Who's laughing now? I DID NOT WANT TO BE RIGHT.
Like, usually in Ninjago the character would be willing to sacrifice themselves for the others. But here? This is without Kai's consent at all. Ras might as well have killed him right here.
It definitely felt that way with the way the others react and BEG for his safety. The way Nya avenges him.
And Kai giving up his shot at escape for the sake of his family? BRO. WHYYYYYYYYYYYYYYYY
It hurts even more when you realize that when the Merge happened, Lloyd was ALONE thinking only he survived. He only gained hope again because of his reunion with Kai. His beloved surrogate brother!
AND NOW HE'S GONE.
NYA AND LLOYD LOST THEIR BROTHER.
WYLDFYRE LOST HER SURROGATE FATHER.
THEY THINK HE'S BASICALLY DEAD.
BRO. THAT'S SOUL CRUSHING.
And then Sora?! Why you gotta betray Arin like that?!
The most encouraging friend towards Arin, the person who held onto hope and praises for him the most, betrays that hope and doesn't trust him enough to get the winning blow himself. Then LIES about it.
GIRL. WHAT ARE YOU DOING?!
That's going to be SO compelling once that gets outed. Like, morally, that was messed up and she was definitely in the wrong, BUT it led to the best possible outcome for them at the moment. They WON because she did NOT believe in Arin's abilities. Which only proves that the doubts about Arin's said abilities are correct.
And I have a gut feeling she's gonna learn Spinjitsu on top of that. And once that happens... double ouch.
Again, Evil Arin Theory.
I really hate to say it, but this reminds way too much of Arcane. If you know what I'm talking about.
I am totally imagining a situation similar to that in my head, that being a rescue mission for Kai, they decide to leave Arin out of it because of the lack of faith in him, he tags along anyway and he ruins their plan and Kai stays trapped there, Lloyd and Sora lash out on him for it, and before they can apologize they get thrusted back by something and Ras and Ras's master find Arin and take him in-
Again, I'll make a post about that.
The finale was by far the best part of this season. It has been a long time since Ninjago has made me HOARSE from being too invested.
That has not happened to me since Sons of Garmadon.
Because, yeah, I actually have NO IDEA where any of this is headed. How are they gonna save Kai and Bonzle? Why did some of Lloyd's visions not come true? What in the world is going on with Ras? Will the Administration help with that? Will the source dragons help with that?
What I probably do know is that Part 2 of this season is going to turn this into the best Ninjago Product since Tournament of Elements. Maybe even top it depending on my rewatches if my problems are still problems.
So... yeah. Good or Nah? Good. Obviously.
The hype is a little overblown to me, but it still deserves the hype.
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monstatrbl · 1 year
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I started watched 9-1-1 about a week or so ago and I just finished season 3 and I just needs to get some thoughts out about Abby's return.
It was disappointing. I honestly liked Abby as a character in Season 1 and as much as I thought it was really shitty of her to just book a plane ticket without telling Buck, I understood because she was grieving. While the ghosting was a little ridiculous, I get the writers were just trying to find a way to "end" the relationship. What I didn't understand was why the writers decided to bring her back for the season 3 finale for her not to give Buck the proper apology he deserved because he did deserve it. He waited for months, hell years, and while they had the episode of him sending the letter saying he can't wait anymore, he never got closure. This was a chance to give Buck the closure he deserved and instead they decided to go with the route where there is no apology and it seems like Buck is the problem?!
"Because being here, being with me, you might lose yourself again?”
“Yeah.”
How is it fair to Buck who was nothing but understanding and loving in the wake of Abby's grief to be told that being a good boyfriend and person was what would cause the person he loved to lose herself?! That being himself would drag Abby down instead of lift her up? Where's the closure in that?
I just cannot fathome why they decided to go this route bc it really soured Abby's character for me. That scene also just makes me so upset because Buck as a character deserves better. He deserves to know it wasn't his fault. That he did everything right and he deserves to be loved for being him. To be chosen.
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meteorherd · 7 months
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i don't think this is a controversial ranking per se but now that i have seen every child's play movie i need to rank them because what else is the reason for watching a movie franchise. anyways my order from lowest to highest would be 3 < cult < seed < curse < 1 < bride < 2 🤭
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coredrill · 1 year
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feliz jueves i was fucking right
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#DISCOVERY I MISS YOU SO MUCH#good god. okay weekly complaint rundown time lmao#1. girl did they save all the lighting budget for the enterprise d????? is that why i’ve had to watch the rest of this season#alongside my reflection in my tv?????#2. back on my wesley bs but like. christ. one of the things that i like most abt disco is how kind and understanding it is of its kidgenius#like adira is AWKWARD and saves the day all the time and everyone around them is kind to them and the show itself is kind to them#which is such a huge contrast to how wesley was treated on tng. by the characters AND the show AND ESPECIALLY the fans#so to have the ‘twist’ only affect bright young people because the fckin adults still need their time to shine?????#feels. WEIRDLY mean-spirited imo. probably not intentional but it doesn’t sit right with me at all#‘fck dem kids fck doing ANYTHING different lets just put the same exact characters on the same exact ship because thats superior’#it didnt even get the style refresh disco’s (and snw’s) enterprise got!!!!#3. this was literally the most obvious route this could go like come onnnnnnnnnnn could you imagine how much extra story#could’ve fit into this season if every episode wasnt half dedicated to nostalgia jerkoff LMAO.#ugh sorry anyways. last one next week!!!!!#f: star trek#trek: shows#trek: picard#picard spoilers#also like. at least we could all agree that s2 was bad LMAO#everyone watching this who is like ‘BEST TREK IN DECADES’ uhhhhhhhhh what are you watching and can i watch too??
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stitchthesewords · 1 year
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that 'tell me about the best movie you watched this year' post is making me realize i. did not watch any movies this year.
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willowjay07 · 1 year
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My deadline is October 1st now.
#my original goal for this project was to have it half way done by the end of this year#then it became all the way done by the end of this year#then it became all the way done and posted on ao3 by october 31st#and now my deadline is october 1st bc i want to do spooky month instead of spooky day#i haven't had a day off since february 12th i like watching that number keep ticking up#i wouldn't recommend my schedule to anyone#time wise i'm already a third of the way there#that makes me feel sick and not in a good way#i was about to say that i haven't finished anything before and it would be kinda sad to part with the project#but i've got a bunch of other shit i need to do for it#i need little doodles character designs set designs i'd like to make a model of 115's nvm spoiler i'd like to make the “case fies”? that ap#pear in the show it's going to match up chronologically and there's going to be 2 versions of it#one is the version that 115 scribbled on and the other one doesn't have her scribbles#115 does scribble all over it in the show but it's not shown#i've still got plenty of stuff of do i'd bet i even forgot some stuff#i got so overwhelmed by it all yesterday that i just went to bed fuck it we sleep#i have to fix season 4 today#and i've been meaning to write an article i've been trying and researching for 4 fucking days#something i was not prepared for when i started the wiki was how many times i would hit dead ends#the garson invaders case#the ufo crash in auroa texas (don't get me started on that one)#the ufo pictures in nashville 1989#the aliens that stole a car ririe idaho sometime in the 1960s#dade city flowers 1920s somewhere in america (to sum it up flower aliens blew up a building)#oops i really went off in the tags that time#i like using the tags as a third diary sometimes#my shenanigans
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diari0deglierrori · 1 year
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Ah, anche lui ha iniziato Fleabag poco tempo fa, we’re connected
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niuxita21 · 1 year
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She’s dying to be a lesbian, show, WHY won’t you let her?????
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burntoutdaydreamer · 5 months
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To Write Better Antagonists, Have Them Embody the Protagonist's Struggles
(Spoilers for The Devil Wears Prada, Avatar the Last Airbender, Kung Fu Panda 2, and The Hunger Games triology).
Writing antagonists and villains can be hard, especially if you don't know how to do so.
I think a lot of writers' first impulse is to start off with a placeholder antagonist, only to find that this character ends up falling flat. They finish their story only for readers to find the antagonist is not scary or threatening at all.
Often the default reaction to this is to focus on making the antagonist meaner, badder, or scarier in whatever way they can- or alternatively they introduce a Tragic Backstory to make them seem broken and sympathetic. Often, this ends up having the exact opposite effect. Instead of a compelling and genuinely terrifying villain, the writer ends up with a Big Bad Edge Lord who the reader just straight up does not care about, or actively rolls their eyes at (I'm looking at you, Marvel).
What makes an antagonist or villain intimidating is not the sheer power they hold, but the personal or existential threat they pose to the protagonist. Meaning, their strength as a character comes from how they tie into the themes of the story.
To show what I mean, here's four examples of the thematic roles an antagonist can serve:
1. A Dark Reflection of the Protagonist
The Devil Wears Prada
Miranda Priestly is initially presented as a terrible boss- which she is- but as the movie goes on, we get to see her in a new light. We see her as an bonafide expert in her field, and a professional woman who’s incredible at what she does. We even begin to see her personal struggles behind the scenes, where it’s clear her success has come at a huge personal cost. Her marriages fall apart, she spends every waking moment working, and because she’s a woman in the corporate world, people are constantly trying to tear her down.
The climax of the movie, and the moment that leaves the viewer most disturbed, does not feature Miranda abusing Andy worse than ever before, but praising her. Specifically, she praises her by saying “I see a great deal of myself in you.” Here, we realize that, like Miranda, Andy has put her job and her career before everything else that she cares about, and has been slowly sacrificing everything about herself just to keep it. While Andy's actions are still a far cry from Miranda's sadistic and abusive managerial style, it's similar enough to recognize that if she continues down her path, she will likely end up turning into Miranda.
In the movie's resolution, Andy does not defeat Miranda by impressing her or proving her wrong (she already did that around the half way mark). Instead, she rejects the values and ideals that her toxic workplace has been forcing on her, and chooses to leave it all behind.
2. An Obstacle to the Protagonist's Ideals
Avatar: The Last Airbender
Fire Lord Ozai is a Big Bad Baddie without much depth or redemptive qualities. Normally this makes for a bad antagonist (and it's probably the reason Ozai has very little screen time compared to his children), but in Avatar: The Last Airbender, it works.
Why?
Because his very existence is a threat to Aang's values of nonviolence and forgiveness.
Fire Lord Ozai cannot be reasoned with. He plans to conquer and burn down the world, and for most of the story, it seems that the only way to stop him is to kill him, which goes against everything Aang stands for. Whether or not Aang could beat the Fire Lord was never really in question, at least for any adults watching the show. The real tension of the final season came from whether Aang could defeat the Fire Lord without sacrificing the ideals he inherited from the nomads; i.e. whether he could fulfill the role of the Avatar while remaining true to himself and his culture.
In the end, he manages to find a way: he defeats the Fire Lord not by killing him, but by stripping him of his powers.
3. A Symbol of the Protagonist's Inner Struggle
Kung Fu Panda 2
Kung Fu Panda 2 is about Po's quest for inner peace, and the villain, Lord Shen, symbolizes everything that's standing in his way.
Po and Lord Shen have very different stories that share one thing in common: they both cannot let go of the past. Lord Shen is obsessed with proving his parents wrong and getting vengeance by conquering all of China. Po is struggling to come to terms with the fact that he is adopted and is desperate to figure out who he is and why he ended up left in a box of radishes as a baby.
Lord Shen symbolizes Po's inner struggle in two main ways: one, he was the source of the tragedy that separated him from his parents, and two, he reinforces Po's negative assumptions about himself. When Po realizes that Lord Shen knows about his past and confronts him, Lord Shen immediately tells Po exactly what he's afraid of hearing: that his parents abandoned him because they didn't love him. Po and the Furious Five struggle to beat Shen not because he's powerful, but because Po can't let go of the past, and this causes him to repeatedly freeze up in battle, which Shen uses to his advantage.
Po overcomes Shen when he does the one thing Shen is incapable of: he lets go of the past and finds inner peace. Po comes to terms with his tragic past and recognizes that it does not define him, while Shen holds on to his obsession of defying his fate, which ultimately leads to his downfall.
4. A Representative of a Harsh Reality or a Bigger System
The Hunger Games
We don't really see President Snow do all that much on his own. Most of the direct conflict that Katniss faces is not against him, but against his underlings and the larger Capitol government. The few interactions we see between her and President Snow are mainly the two of them talking, and this is where we see the kind of threat he poses.
President Snow never lies to Katniss, not even once, and this is the true genius behind his character. He doesn't have to lie to or deceive Katniss, because the truth is enough to keep her complicit.
Katniss knows that fighting Snow and the Capital will lead to total war and destruction- the kind where there are survivors, but no winners. Snow tells her to imagine thousands upon thousands of her people dead, and that's exactly what happens. The entirety of District 12 gets bombed to ashes, Peeta gets brainwashed and turned into a human weapon, and her sister Prim, the very person she set out to protect at the beginning of the story, dies just before the Capitol's surrender. The districts won, but at a devastating cost.
Even after President Snow is captured and put up for execution, he continues to hurt Katniss by telling her the truth. He tells her that the bombs that killed her sister Prim were not sent by him, but by the people on her side. He brings to her attention that the rebellion she's been fighting for might just implement a regime just as oppressive and brutal as the one they overthrew and he's right.
In the end, Katniss is not the one to kill President Snow. She passes up her one chance to kill him to take down President Coin instead.
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ceilidho · 4 months
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prompt: IKEA soap/reader fic. PART 4. (read 1, 2, 3) tags: dubcon; nsfw
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You only realize after the fact that you may have miscalculated in thinking that this could be a one-time thing between the two of you. 
After listening to Johnny bitch and moan during the Christmas party about having to take time off work to spend the holidays with his very religious family, you delude yourself into thinking you’ll finally be able to have some peace and quiet around the store. Not literally, of course. Working during the holidays is always a recipe for exhaustion—parents coming in at the last minute to demand toys that have long since sold out, fights breaking out in every other aisle as customers fight for the last palatable set of Christmas ornaments and boxed fruit cake. 
You’re not delusional enough to think that work will be a piece of cake, but you are selfishly a little happy that you’ll finally get some time to breathe without Johnny hovering over your shoulder at all hours of your shift. Seasonal shoppers are as exhausting as always, but you get to sit alone in the breakroom with a cup of coffee in the morning right before your shift without someone staring at you or breathing into your personal bubble. 
Johnny spends his entire time off blowing up your phone, sending you pictures of his childhood home, calling you during your breaks, and sending you weird videos that seem to have been filmed entirely in the dark where you can’t see or hear anything apart from some weird squeaks and one loud grunt at the very end of the video that sounds kind of like—you close the video.
You spend the first few days of January dreading his return. The day of is like a shock to your nervous system, the whole morning spent pouring coffee with a trembling hand. 
“Hiya gorgeous,” he purrs when you clock in for your shift. You’re somewhat used to Johnny sneaking up behind you, so you don’t flinch this time when you feel the length of his body press up against you at the time clock. 
“Johnny, it’s seven in the morning,” you mutter out through pursed lips, shoulders stiff when he puts his hands on them and digs his thumbs into the tender points of your back. You bite back a moan.
“Missed ye, kitten. Cannae believe I went a whole week without hearing you purr.”
He could’ve phrased that a thousand other ways, but he just had to choose the one that would make you wince. He digs his thumbs in again, trying to push the moan out of you, but you tamp it down. You hold back a shudder when he plants his nose onto the crown of your head and inhales, drawing your scent into his lungs. 
“Where’ye assigned ta today? Jeff owes me a favour—gonna ask him if I can spend the day with ye so we can catch up.” 
You go still when he drops a firm kiss to the side of your head. “I’m…not sure. I haven’t checked the schedule yet.” It’s a half-lie. You may not have checked the schedule yet, but you know from having briefly chatted with your manager this morning in the parking lot where you’ll be spending most of your day.
Still, it means that you get to shake off Johnny for a bit. “Lemme go check for ye, okay, hen? Stay here, a’right?”
You watch him jog off down the hall to the breakroom before finally leaving. It’ll be better for you if you’re gone before he comes back. 
The first hour of your day is spent on softlines until Priya in jewellery randomly comes down with a chill and gets sent home early, forcing you to cover her section. Usually that wouldn’t be such a bad deal—it means you get to spend your shift helping people try on bracelets and rings, restocking the earring display, and leaning against the counter for hours at a time. It’s not a particularly busy station.  
While you're assigned to the jewellery section though, Johnny pops out of nowhere as you're helping a customer contemplating a birthday ring for his fiancé. With the kind of confidence that you’ve come to expect from Johnny, he uses your hand to model some of the rings, but this time it feels oddly weirdly intense. When he slides the first ring onto your finger, you can feel the way he holds his breath, even shudders a bit. He presses himself right up against you behind the display counter, hardness pressing against your hip. 
It doesn’t take long for your customer to leave. Johnny’s demeanour is off-putting, concerning even. You can’t fault the guy for being rightfully repulsed by the way Johnny crowds up against you like you’re alone together. 
“What are you doing?” you hiss through your teeth.
“Cannae help it, hen. I ken ye wanna wait, but it jus’ makes me a bit emotional seein’ my girl wearing a ring I put on.”
He blinks down at you with big, blue eyes, the picture of innocence. You should’ve anticipated there being a danger in letting Johnny stew over that on his own. Of course he’d come to his own conclusions, even one as deranged as thinking of your hook up as a step towards dating. You can’t help but side eye him. 
“We—we’re not a couple, Johnny.”
He cocks an eyebrow. “Ye just let anybody eat you out in the supply closet then? S’that right?” It’s said rhetorically, like he knows the answer already. You flinch at the slight though.
“That was—” you cut yourself off to take a breath, an ache growing behind your forehead, “—that was a…it was a one-time thing. You can’t just act like we’re dating.”
His lips turn down in a pout, displeasure rippling across his face. You brace yourself for the inevitable argument, for shit to hit the fan, because obviously that’s what’s brewing under the surface. You brace yourself for worse too because when you happen to glance around, you realize how few people are actually milling around in the area. 
Then, instead of losing his temper, Johnny’s eyes grow smoky, heavy-lidded, and the pout lifts into a lazy, playful grin. “A’right, kitty, no’ dating then. That’s fine wi’ me.”
This time it’s you that frowns, staring up at him dubiously. “…Really?” It feels too sudden, quicksilver. Johnny’s fiery by nature, short tempered on his best days and more likely to grit his teeth and bear the displeasure of not getting his way than happily giving into it. His sudden smile is at odds with the version of him that exists in your mind, furious at you for denying him. 
Maybe you’ve got him all wrong. 
The gleam in his eye betrays nothing, however. “I swear.” He leans closer to you then, fingers fiddling with the name tag pinned over your chest on your work vest, straightening it. “Doesnae mean we have ta give the rest up though. Ye liked what we did in the closet, right, hen?”
It feels like he’s sucked the air out of the room, as big as it is. “I thought we weren’t going to talk about that.”
“Och, c’mon, kitty,” Johnny breathes, hunching just a little over and into your space, making the moment feel private, just the two of you. “Had to talk about it eventually. Did ye just expect that everything would go back to normal after ye let me eat ye out? Hey—” he catches you when you try to make a move to step away from him, wrapping a big hand around your wrist and tugging you closer to him, “—listen, kitty—it doesnae have to be anything serious, right? That’s what’s making ye all jumpy and nervous? I’ll lick your pussy, free of charge. Dinnae need any labels. How’s that sound, kitty? Dick on demand?”
It should repulse you. The way he speaks to you is crass, crude. His voice is hushed, haggard, fur stretched taut over stone—and yet, your hands tremble, just a little. It tempts you. Purring Scottish burr, lapis lazuli eyes, bristle cheeks that you still remember scraping up your inner thighs. He’s a package you can’t imagine sending back.
“You won’t get…you promise not to get weird about it?” you ask.
His smile curls up, impish. “Cross my heart, kitten.”
Maybe you’re delusional enough to think that you can have your cake and eat it too. There’s a voice in your head telling you to face the facts, but you disregard it as if you haven’t been working with Johnny for months. As if you aren’t aware of his penchant for saying or doing anything to get his way. It’s maybe naive of you. 
All you know is that he smothers a laugh when you tell him you’ll think about it. Knows he’s got you right where he wants.
You don’t fight when he drags you into the single-stall bathroom towards the end of your shift, letting him position you in front of the mirror before sinking to his knees behind you. Forces you to watch the way you come apart on his tongue, not giving you his fingers until you beg him to, the whispered plea a hairsbreadth away from becoming a scream. 
“Oh, did she miss me?” Johnny breathes, a happy laugh in his voice when he runs the broad side of his tongue over your entrance from the back. “Fuck, look at that. Winked at me ‘n everythin’. Hi darling, missed ye too.”
You don’t think you’ll ever be the same after hearing that come out of his mouth. You go hot all over again when you clench involuntarily, equal parts turned on and horrified. He sniggers before trying to cram his whole tongue up into you. 
There’s a moment of panic when Johnny draws up behind you after making you come and you hear him undo his pants. There’s nowhere for you to go with your pants still looped around your ankles, underwear pulled all the way down as well. You hear yourself hiss a startled Johnny when he slots a fat cock between your thighs, staring dumbly at the reflection of him behind you. At your back, he seems massive, lean and trim but towering over you, broad. 
He shushes you. “Dinnae be selfish, hen—gotta get mine too. Jus’ gonna fuck your thighs, dinnae fret.”
You squeak when he pushes your thighs together forcefully, dragging his cock over your folds to wet himself. Watching Johnny fuck is nothing like staring down at him when he eats you out. He pants harsh and ragged into the side of your head, nips at your ear. The glint in his eyes goes animalistic, vacant. Human desire recedes, subsumed into the animal part of his brain with the single-minded need to fuck. 
The only thing keeping him from driving up into you, accidentally or not, is the way you keep your thighs pressed together. A warm, tight channel for him to push his cock into. Thick fingers dig into your waist, sure to leave bruises. You wince when lean hips pound against your backside, growing frantic as need overtakes him. You flirt at the edge of panic, certain that at any second, he’ll pull your thighs apart and nudge the head of his cock up into you. 
“Jus’ like that, fuck,” he grunts. “Be a good little fuckin’ girl and jus’ let me—”
His tongue lolls out on a particularly rough thrust, hands groping over your belly and up to your chest, slipping his hand under your shirt and bra to pinch your nipple. He twists it mean, nasty, until you have no choice but to grunt through grit teeth, eyes watering. You feel like a doll meant for his pleasure, no choice but to grip the sides of the sink and let Johnny use you until he comes. 
“Fuck,” Johnny groans, eyes going half-lidded. “Love makin’ this pussy come. Love gettin’ her all messy and wet. Lettin’ me between your thighs even when I make ye nervous—fuck, ‘m gonna come, ‘m gonna—fuck, fuck, fuck—”
White come stripes the sink in front of you, thick and viscous. Paints the inside of your thighs as well when he drags his hips back until just the head of his cock sits nestled up against your sex. Hyperconscious of where it tags your inner lips, that there’s no barrier between the two of you, just come and skin. 
The full body shake shocks you, a ripple from your heels to the top of your head. 
His free hand grasps you by the hair when you try to slip away. “Ye gonna clean up your mess, baby?”
You glance back up at his reflection in the mirror, trying to suss him out. Shark-like eyes meet yours. Something you’ve seen in glances before finally staring back at you with full force. You reach for the paper towel dispenser with a shaking hand. 
“Nah,” Johnny scolds, giving you a shake. “With your mouth.”
The command hangs in the air, no joke or laugh to undercut it. His eyes read serious to you, still dark. No leniency present in the blue. 
You stare down at his come on the sink, slack-jawed. “You don’t seriously mean—”
“Jus’ kidding, silly,” he chuckles, giving a teasing bite to your earlobe and tugging. The tension in the air disperses. “Got ye, huh?” 
You force a laugh. “Yeah…got me.”
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svtcrus · 9 months
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Day Offs. || suguru x sorcerer gn!reader
a/n : some sweet suguru writings to cope with jjk season 2
note : geto and reader are implied sorcerers , and teachers. suggestive writing , h0rny suguru
synopsis : suguru sees you in his attire and can't help himself
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having a day off from teaching and exorcizing were lucky days for you. however for your boyfriend a day off was an extremely rare day. but some days, a very rare and incredible lucky day, occurs when you're both off. and that day happened to be today.
you were still half asleep, tiredly sitting up from bed. wincing slightly at the pain coming from your lower back. the crinkled duvet covering your bare body, you scanned your bedroom for a piece of clothing. you looked to the floor which was scattered with clothing, and fallen pillows. the events of last night flashing back into your mind making you blush.
seeing sugurus thrown jujutsu jacket near you, you grabbed it to cover yourself up. it smelt like him, woody but fresh.
getting up, his jacket was long enough to cover down to the mid of your thighs. not thinking much, you made your way out to the kitchen where you could hear the sizzles of your boyfriend's cooking.
the aroma of bacon and sugurus homemade pancakes flowed in your shared little home. in the kitchen was your boyfriend shirtless with a pair of joggers hanging loosely on his lips. v-line showing, and that muscular back of his is littered with your scratch marks. oops.
the warmth of the sun piercing through your windows is making him glow before you.
you walk your way towards him, arms hugging his biceps as you tiptoe to kiss him on the cheek. he's still focused on the bacon, but he's grinning at your presence.
"morning baby," he says softly, voice still raspy from waking up so early. he's turning the knobs of the oven off so he can focus all of himself on you. only then does he take in you sporting his work attire, and it's lighting a fire inside him. his eyes widen a slight, admiring at how cute, how ravaging you look right now.
within seconds after his staring he hastily grabs you by your waist, placing you on the countertop. your arms quickly wrap around his neck as he's suddenly kissing you with the same hunger from yesterday. it's full of lust, both of your lips becoming swollen. you moan in the kiss as he's pushing against you for more, hands now trailing up to tangle into his raven hair.
meanwhile his lips then trace down to your jaw, then to your neck where its covered in his lovebites. large hands grabbing your hips, then your bare legs. he is absolutely devouring you.
"mmf-! sugu.. i'm still sore..!" you manage to breathe out, pushing him away with your free hand while the other is covering your red face. suguru looks down at you, eyes dark with want. he smirks at how flustered you are before him.
he gently grabs your hand that's on his bare chest, taking it up to his lips to place a small kiss. his other hand gripping at the edge of the counter as he towers over you.
"I can't help myself lovely, you're here wearing only my jujutsu jacket and a cute pair of underwear... you're all mine." he's leaning in again, whispering in your ear as he places your hand on his shoulder. you shy away, face looking over to the side. suguru giggles at this, kissing your cheek before he backs away. turning around to get two plates from the cabinet.
"you're so mean sugu.." is all you can mutter out, while still sitting on the kitchen counter. watching him as he acts like he wasn't about to have you for breakfast instead of the bacon and pancakes.
"mmm yes yes, now c'mon baby. let's eat yeah? you need to replenish the energy you lost from last night."
"suguru!"
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@svtcrus || 08.04.2023
©️ all rights reserved. do not copy / plagiarize or use my work.
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buckyarchives · 1 year
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second, first meeting | chishiya shuntarou
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spoiler warning for ending of aib season 2
after the meteor, chishiya notices the all too familiar person. their a pull towards you - like maybe you’ve met somewhere? (gn reader)
words - 1.1k
a/n: WOW AIB 2 FINALLY OUT AND THE ENDING WAS REALLY GOOD I THINK. anyways arisu and usagis ending was so cute and i needed literally the “have we met?” scenario with ALL of them. and i’m a weak so i made this, very shoot, not beta’d, just a small and sweet drabble. enjoy reading!!!
Chishiya is alive.
He sure as hell didn't feel like it, but he was. The meteorite took a lot out of him, physically and mentally. Waking up in the beeping hospital room with a sudden new look on life, and he was going to do something about it. No more being a messenger for bad news, slowly tearing down people's hope one referral after another.
Dozens of people just experienced the same pain and trauma as he walked around him, some looking better than others. A girl with an amputated leg, a man in a coma as he passed by his room, and a girl and boy walking hand in hand with injuries littered over them. Humanity– always finding love in terrible suitaions.
Chishiya stood in one of the hospital common rooms, people-watching as he always does. God– it feels like a lifetime had passed since the meteorite. Chishiya was familiar with the whirring and beeping sounds of hospitals, people chatting and crying, and the strong smell of disinfectants and bleach. He was a doctor, all these things filled his life to the brim, it was familiar.
Even you.
You, who stood across the room; tucked into a corner (like chishiya), people-watching, snacking on crackers, and keeping yourself comfortably hidden. Yes, you’d caught his eyes. But something felt off deep inside his stomach, something was off about you. Almost like you were too familiar, chishiya could see a lifetime in your eyes and this is the only time he's ever seen you. Maybe, it wasn't?
Chishiya knew better than to laser focus on one person in the room, because your head perked up. Right into his direction, but chishiya’s gaze didn't falter– he couldn't even if he wanted to. The pull towards you was too intense, it made him dizzy. shock, confusion, remembrance? Flashed across your face, similar to him.
A small, sweet smile grew on your face. Fuck, what medication did they put him on? That meteorite really did a deal on him because suddenly he can’t breathe. For a moment he thought maybe his stitched came undone, half expecting to see blood soaking his scrubs when he looked down. But no– it was just you. Chishiya’s has never seen a smile so familiar, yet foreign.
Your eyes narrowed in his direction, like you were trying to read him. Something many people found difficult in the past, Chishiya didn’t put up a fight or a stone-cold face. Chishiya narrowed his eyes back, like a challenge.
So wrapped up in you that he didn't see the teenage boy wheeling a little too close to his toes in a wheelchair. “Ow!” chishiya yelped.
“Ah! I’m sorry, I’m sorry.” the boy began to spew out a plethora of apologies, frantically bowing his head to the elder.
“It's okay!” chishiya reassure, the sting in his toe had already been subdued– an easy injury compared to the bandaged and stitched-up ones he gained a few days ago. “Seriously, it’s okay.”
The boys' apologies slowed and he wheeled off, practically still bowing. Chishiya chuckled under his breath at the gesture. Looking back up to find you again, weird– what's got into him? Your spot ghosted empty and chishiya’s eyes frantically searched for you, only to find your back now turned to him and trudging down the hallways. Right as his eyes landed on you, your neck turned and you glanced back at chishiya.
A challenge indeed.
Chishiya curiously cocked his head, looking something like a cat. And then one foot in front of another, chishiya was following you down the hallway. He wasn't sure why, maybe he didn’t need a reason. I mean, he almost died, chishiya felt like he didn’t need a solid reason to do anything anymore besides what he wanted. And he wanted to follow the beautiful, mysterious, and weirdly familiar person around in a hospital. Like cat and mouse.
And that's how chishiya ended up in a quieter, more intimate area. Middle of a hallway, near a set of tables and a vending machine. Usually, where loved one would sit weary-eyed and waiting for good news. You came to a halt, chishiya stopped. You turned around slowly, that sweet smile that made chishiya’s stomach feel weird (apart from the wounds.)
“You're following me.”
Something that would so usually sound like a question, was a statement. Because it was meant to be, because you knew he was from the beginning. You intended on it. Chishiya already likes you. And hell– your voice almost gave him whiplash, so silk and sweet. Echoing distantly in his head, like he's heard it a million times before.
“And you wanted me too,” chishiya replied coyly. His voice felt so scratching and his throat burned as he spoke, being without water and unconscious for too long. Shoving his hands in his pockets, leaning back slightly. Even half dead he must keep up his cool-guy image.
You didn’t reply, only a wider grin growing on your face. And chishiya found it hard to bite back one of his own. How so uncharacteristic of him – he felt so warm.
“Maybe.” you finally said.
Chishiya hummed, beginning to close the distance – one foot in front of another – between the two of you.
You watched him intently, chishiya knew it. Normally he’d perceive this as someone sizing him up, but your eyes told a different story as they trailed up his body. Something that'd make his ears hot and red.
“Meteor?” you asked, gesturing to his wounds. Chishiya nodded. “Me too.”
It was awkward for a moment, but not uncomfortable. The silence was deafening as if it wasn't meant for the two of you. Like there were so many words only on the tip of his tongue, words unsaid, words he didn’t even know – but they were begging to be spoken.
You were the first to break the silence, stepping closer. Now only 2 or 3 feet in front of him. “Have I, sorry, this is weird– but, have we met before? Like even passed each other on the streets.”
“Not to my knowledge.”
You hummed, looking around to avoid the intense eye contact that tugged you closer, and closer and–
“Would you like to know me?” chishiya said, his eyes not leaving yours. A weird sense of home lay in your eyes, chishiya was ready to jump fully in.
You tried to cover the eagerness in you, waiting a moment. Dramatically tapping a finger to your chin as you thought. “I think that’d be nice.”
Chishiyas lip quirked up, following yours.
He may not know you the way he feels, but he will.
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leupagus · 4 months
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Guys I Might Have Three Nickels
I've been watching "Agatha Christie's Marple" for the past few days and it's pretty good! Marple adaptations all tend to have a better caliber of actors than a lot of bog-standard mystery shows (looking at you, "Madame Blanc"), and while Joan Hickson's Marple is right up there with David Suchet's Poirot and Jeremy Brett's Holmes as "literally can never be beaten, these are the best anyone's done it," both Geraldine McEwan and Julia McKenzie do a fantastic job as Miss Marple.
Then I got to "The Secret of Chimneys," Season 5 episode 2
and guys
Guys
So there's a murder of a viscount, like there is, and this detective Finch rolls up and immediately spots Miss Marple (in her NIGHTIE! standing at the window like some kind of hussy, honestly Jane) and doffs his cap to her with that little smile that makes you go, "huh."
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At this point I've watched a couple dozen Miss Marple episodes where she goes through detectives like wildfire and this guy's supposed to be a "*guru*" so I'm expecting some battle of the egos or something and like, Stephen Dillane is great! But bleh, I might have to skip this one.
Then my dude asks Miss Marple to SHOW HIM THE BODY, with a pleased little smile at her as she goes "uhhhhhhhh but my knitting?" (He even does that thing where you use someone's honorific and wait for them to give you their name, and that's when I was like "ohhh this bitch knows exactly who she is.") What follows is what I can only describe as a meet-cute in the secret passageway where the viscount was shot (and in fact the body is STILL THERE) and where Miss Marple literally asks the police equivalent of "is there a Mrs Finch" and he looks at her like this:
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At which point I'm like "ohhh my dude not only knows who she is, he deliberately came here without a sergeant so he could draft her," and sure enough he just starts...handing her pieces of evidence like "hey babe can you decipher this note for me thanks love you" while Miss Marple is like, "this approval and camaraderie coming from a cop... not sure if want."
Next is a series of romantic strolls through the gardens while they discuss murder, during which Finch reveals his undying love I mean his research into Miss Marple and the "dozen case files" of her previous exploits that he's collected like some deranged fanboy. Miss Marple responds to this by BLUSHING LIKE A SCHOOLGIRL and stammering about how pish tosh it's nothing really, and I couldn't find a gif of it but he's staring at her like this:
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Yeah I bet u r tempted
He also makes a half-hearted attempt at negging her "amateur sleuth" status, only to then immediately assure her that he makes like, so much money being a big fancy detective and can keep her in all the yarn and garden seed she could ever desire.
There's also a late-night tryst at the compost pile right after Finch has been (mildly) poisoned and Miss Marple is like "men are so weak" as she roots through the garbage for clues.
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Not how he wanted their first date to go D:
The next morning there's another murder which: bummer, but also allows the two of them to read love letters together and for Finch to give Miss Marple the following look as she explains how secret assignations among lovers can "quicken the ardor":
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Miss Marple then goes onto solve the murders and btw hands over the priceless diamond that's been literally missing for two literal decades that she found in her spare time. The entire scene features Finch looking at her like this:
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After the dust settles, Finch and Miss Marple have a lovely moment where he calls himself "another one of your casualties," then super casually mentions that he's probably going to have to go on assignment to use the diamond in a daring international espionage case and I can't decide if he's asking Miss Marple to go with him or simply trying to show her that he is cool and smart and would make an excellent wife, but either way the episode ends with her turning him down and Jane, we need to talk about your priorities.
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Anyway I've already written 2K about the subsequent 10-year epistolary romance these two have following this episode because I make poor choices.
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princessbrunette · 2 months
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how do you think would rafe react when crybaby!reader gets upset when he unintentionally hurts her feelings and she’s serious upset and not adorable upset? yk what i mean? like suddenly he’s realizing she’s not being dramatic but really hurt🎀
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i feel as though season one rafe would do this the most often. season 2 rafe is very intentional with his words because he’s learnt to be more careful not to get himself in trouble, esp towards the end of season 2 when he’s spending a lot of time with limbrey and her brother and you can see him acting a lot more grownup. season 3 rafe is actually fairly gentle, especially around women — he’s figured out how to conduct himself and is very set on changing his ways which is why he’s very respectful towards sofia and also very mindful of kiaras space when they were trapped at singhs together — if she flinched when he’d come too close he’d immediately stop approaching or he’d slow his movements and put his hands up to show it was okay. season one rafe however, doesn’t give a fuck how anyone feels really.
most importantly, he doesn’t know how to have a girlfriend yet. i was speaking about this last night in dms with indy — and it seems very clear that he doesn’t get how to handle you yet. he doesn’t seem like he’d understand that he needs to take you on dates still once you’re in a relationship or ask you to be his valentine etc, not seeing the point of it. so i can definitely see him messing up and hurting your feelings really bad.
he’s very much a boy, and likes to do boy shit with his friends. stand around and drink beer and talk and watch the game. he doesn’t mind you being there, but if he’s wrapped up in conversation with his friends he kinda doesn’t care so much if you’re there because he’s happy doing his thing. say you’re at the country club and this is happening, your boyfriend laughing and being obnoxious with his pals. you’d approach and he’d give you a little side hug, pulling you to his side but he’d continue talking to his friends and not so much you.
“what are you guys doing?” you ask quietly to just him and he glances your way.
“uh, just hanging out? you didn’t find any of your little friends to talk to?” his hand drops to your lower back and you blink up at him obviously.
“yeah they’re here just… wanted to be with you?” you furrow your eyebrows and he briefly laughs at something kelce said, only offering you half of his attention before looking at you again.
“well we’re just doing guy stuff, a’ight? go hang with them. don’t need to hover around me, i’ll just come get you when we’re leavin’.” its an offhand comment, but your face immediately falls. ‘hovering around him’? when the two of you were alone he often demanded all of your attention, but now with his friends here it was like he didn’t care at all. to add salt to the burn, he gives your ass a little pat and let’s go of you. “go on.” he hurries you along.
you feel that hot feeling in your chest and you can feel yourself getting upset. “i think im going to go home.” you’re polite as you can be but your voice shakes and it catches his attention, following you when you take a few steps, still half smiling.
“wh— are you serious? why?”
you avoid his eye like you don’t even know him, lifting a shoulder and brushing him off. “just— just want to.” he watches you wipe your tears away as you leave the club, and he sighs in confusion, taking a sip of his beer.
topper was actually the one to teach him about how to handle an emotional girlfriend. he sighed out a “i don’t understand this girl, man.” when you were out of sight and after some convincing— rafe learned the valuable lesson of grovelling. he shows up at your door an hour later, pink in the face from being in the sun and a little warm and sweaty.
“uh, can i come in?”
he lets you cry into his chest as he squints at the wall in confusion trying to understand you. he did love you, believe it or not — he just didn’t have a way with words.
“look okay, you know when i say shit i don’t mean it, alright? i’m a guy it’s — it’s just what we do. i didn’t mean for you to take it that way.” he cups your face, a strand of his pushed back hair fallen onto his forehead.
“you hurt my feelings.” you mewl, and his heart does infact melt a little, blinking rapidly as he sighs in frustration with himself.
“whats gonna make this better? huh? you— you wanna punch me or something?” he asks desperately which actually gets a giggle from you. “well what then?”
“just want you to like me.” you sigh sadly and he stares at you dumbly.
“i do. so now what?”
“prove it.” you huff and he shakes his head a little, dumbfounded.
“prove i— okay.” he grabs your face, pulling you in for a kiss.
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popponn · 4 months
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night's up.
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summary: unsurprisingly, you spends night with him too. (aka late nights, staying up & waking up, with him.)
note: long train rides give wonders. i should travel more often. it really makes me whine i want to cuddle nagi and isagi. it's that bad. but all in all, i hope u enjoy this brainless hcs. warning: none, fluff, late nights, reader's gender unspecified.
characters: nagi, barou, isagi, reo
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nagi is the type of guy to wake up when you go to the toilet at night, then crouches in front of the toilet door until you come out. he is dozing off there, of course, and will try to ask you to carry him back as if he is not a solid 190 cm made of muscle. also, lock the doors, he will whine at you to go back to bed and will peek. upper half of his face, batting his eyelashes as if he is a cutie. which he is and if it is your weakness better build some immunity because nagi will use it. at least, the natural vanilla-scented cuddle he gives is worth it.
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barou is the type of guy to humor your snack craving at 2 am. yes, he will walk with you to the convenience store—handhold and chit-chat included—even if he grumbles slightly about it; especially about health. and as you eat trust hum to dab handkerchief like a nosy babysitter around your mouth at the slightest hint of stray food. this is an off-season only thing though—if he is busy with practice or matches you better have those snacks stocked because why the hell would he let you go out alone. go to sleep.
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isagi is the type of guy who will try to stay up late with you when you do. or at the very least, he will try to find a way to tell you that he is there to accompany you. sometimes it's a 10-step-away video call, sometimes it's sleeping while having you on his lap, sometimes it's dragging a mattress to your side, and sometimes it's dragging you to the bed. the methods may vary, but the unnecessarily cute effort is definitely there for a guy who sleeps early. and no he is not clingy. this is just him refilling his battery.
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reo is the type of guy who has sixth and seventh sense reserved for you. this means if you suddenly want something because of a video you watch in the middle of the night, he will wake up before you know it and say "do you want that. let's get it tomorrow." it's not even a question then he will go back to sleep. don't make a mistake though, the next morning he will still remember so for the sake of money management, even though he is filthy rich, please control him. usually, cuddles are enough but kisses are also a shortcut.
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meatballlady · 8 months
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It's time for the fandom to start Looking Where the Furniture Isn't
For a bit of background, one of my irl professional responsibilities is to identify and avoid making undue assumptions. There are a LOT of things that we humans assume. We assume that terminology means the same to other people as it does to us. We assume everyone has the same context of a situation we do. We assume that we aren't missing any information.
We operate on the information we have.
There was an ask before season 2 aired asking whether many of the plot points had been revealed by the clips (which almost all took place during the first half of the first episode). Neil's response was something like "oh you sweet summer children you know nothing yet." And boy was he right.
Neil Gaiman is a master of controlling assumptions. Just look at his Tumblr askbox replies.
Here's a few s2 examples of assumptions we all made (as I'm starting a rewatch):
Why did Crowley do the (very fun and distracting) apology dance? You might say it was because he walked out on Jim, but he never specified, did he? And Aziraphale was surprised that he proposed they would hide him "together"
How did Shax get a rumor about something going down in the Up (presumably) before Gabriel even went downstairs?
Did Jim need to bring Aziraphale something other than the box? He never actually specifies; Aziraphale just assumes it's the box.
Why did Aziraphale assume Maggie could feel [Michael, Uriel, Saraquael] arriving?
Why does Aziraphale say Heaven would notice even a small miracle? Crowley is seen doing a miracle before their large miracle (traffic light), and later Aziraphale makes the guy leave the table at the pub
To go deeper:
Are we assuming that characters are telling the truth? Example: "Miracles don't work like that," "[Extreme sanctions] was just something we said to frighten the cherubs" etc.
Are we assuming that nothing of note happened between apocalypse v1 and s2? (ex. the claims that Crowley didn't tell Aziraphale about the trial in heaven despite him referencing it in s2s1) What if we the audience are just jumping in near the end of this story?
Are these assumptions correct? Or are we just working with the information that we have?
Now that I'm looking for it, there's also SO many corrections of assumptions (usually for the sake of a joke, but still) (these are just the ones that happen while I type them out while watching e2):
"Can I be a blue one?" "You haven't annoyed me yet" "But can I be?"
"You recognized [Michael, Uriel, Saraquael] those people who were in the shop just now?" "Of course, they were in the shop, just now!"
"oh my god!" "blasphemy, angel, that's not like you", "no, oh, my god"
Many of the themes were about hiding things in plain sight: the kids (and kids), Jim, "aim for my mouth but shoot past my ear." Clue (1985) was heavily referenced in the lead-up. The whole point of that film was looking at what was going on elsewhere. Looking where the furniture isn't, you might say.
The more I watch s2, the less certain I am that any of it makes sense on its own.
I'm currently combing through it to see if there are any discrepancies with where people are (easiest example is when Crowley just disappears from the bookshop while they're reviewing the Job story). It'll be a lot of data and might not lead anywhere, but I'll definitely share once I finish looking into it.
I will also honestly admit that these things are all circumstantial, and I could be going insane. But they just keep cropping up all over the place. I've got a lot of time before S3 comes up and I intend to investigate the furniture. And try to not make assumptions.
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