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#i mean they are for very different people of course but like in the sense that they are both popular animated netflix series
argumentl · 1 day
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Fan-translation
Phy.25 Kaoru Interview (April 2024)
(Interview by Hasegawa Yukinobu)
ーAlong with the new single 'The Devil In Me', you have also recorded self-covers of your songs 'Cage' and 'Yokan'. Had you already decided to do this at the time you were making your previous release '19990120'?
Yes, we had. The idea behind the last release was originally in part due to our 25th anniversary, but we also thought it would be a good chance to reconnent with those people who had been fans of Dir en grey in the old days, but who had since drifted away. But we couldn't just re-release the old songs and then be like, 'Ok, thats it'.
ーYou have to get those returned fans to listen to your new music too, right?
So, we made 19990120 and planned to release a new song straight after, but as for what to include for the coupling tracks on the new song, we decided self-covers of Cage and Yokan would be good.
ーYou re-recorded the 3 songs from your debut release for 19990120, but following this, you went for your 4th and 5th singles. By the way, I personally found it very emotional that the band chose to re-record Yokan.
Did you?
ーI think you know this, but I've loved Yokan since way back....You know that, right?
Uh, no. I didn't know that (lol)
ーDo you remember that whiteboard there used to be backstage at Studio Coast, you would use it to decide the setlist? There were magnets with song names taped onto them, and you would use them for deciding that day's setlist. I once even tried making some magnets for Yokan and Akuro no oka, and sticking them on the whiteboard myself. Thats how much I love those songs (lol)
Oh, yeah, I remember that. (lol)
ーAnyway, regardless of that, looking back at these songs from the time of your debut, I really felt the Dir en grey of 1998. How did you approach your next moves in terms of sound back then?
Back then? Well, for the first three songs, they needed to have a big impact. Then following this, the singles Cage and Yokan had the restraint of being tied to a major label. We had to figure out how to make melodious but also interesting songs.
ーMaking songs with a major label?
Thats how it always goes, right? And record companies want follow up singles to have just as much punch as the debut single. So thats the kind of situation we were in making Cage and Yokan. But within ourselves we were also making them with the album in mind.
ーNot as stand alone singles?
This was our first full album as a band, so I wanted to include a lot of songs. With 5 singles included they had to be songs that would fit well with the other songs on the album. I remember having this in mind while making Cage and Yokan.
ーA lot of visual kei came out in the second half of the 90s, but in 1999, with your first album Gauze, I really got the sense that the members didn't want to fit into that typical band mold.
At the time, we were just so driven we didn't mind being seen as unorthodox. To put it in an extreme way, it was kinda like, 'As long as we make an impact, who cares about the music!'.
ーDynamite Tommy's band 'Color' had a similar outlook. They would say in interviews, 'We are an unorthodox band!'. Maybe you were influenced by him? (lol)
No, I don't think that has anything to do with it (lol). But at the time, there were not a lot of bands with flashy visuals. I mean, there were in the following generations, but in our generation visual kei was mostly bands wearing fancy suits. With us, there was a part of us that just wanted to be different, I think thats reflected in the songs too. Whether it was the single, or the label, whatever...we just wanted to do something out of the ordinary (lol). Also, we knew that our producer at the time Yoshiki, would make it sound good for us in the end.
ー Were you aiming to get to the top by being out of the ordinary?
No, not really. I wasn't thinking about the songs selling to such an extent while I was making them. Of course, I still thought this band would sell records, but part of me also thought 'How weird for this kind of band to be big'. So instead of aiming for the top, I just aimed to make interesting work. But of course, being with a major label at the time, we would have requests come in regarding the lyrics and the music. And the more I hear this kind of thing, the more I just want to go in the complete opposite direction. These were the circumstances in which we created Gauze. So at the time, I thought to myself 'After this I'm never gonna make another album like Gauze'. (lol)
ーYou wanted to be more free to make it in your own way?
Well, actually its like this every time, but whatever I make, even if I put my all into it, I always look back with some regret wishing I had done parts of it slightly differently. So after Gauze, I did think that I always want to surpass my previous work each time. Nowadays, its less about surpassing, but more about finding something different to try.
ーTo surpass=to deny your former selves, so the band underwent some changes, didn't it? I think the turning point came in about 2005 when the band began overseas activities.
Yeah, we went overseas and I think thats when we realised the importance of just being ourselves. Foreign bands stand on stage unashamed of who they are and what they do. There is a purity to it. So for us to chase our goals, I realised it wasn't just about surpassing ourselves, but also being more defiantly ourselves.
ーWere you not as self-confident before that?
Before that there was a lot that we simply didn't understand. From making music, to playing lives, finding ourselves was like fumbling through fog, grasping at things bit by bit. Eventually I realised this was our way of trying to reach our goals. So even just standing on stage, I would still feel a bit unsteady in myself. But going over there and playing lives, I felt more grounded. I realised its ok to just stand there, even completely stripped bare, and just to be yourself.
ー That realisation, yeah.
It was the right time to realise it. Maybe thats why we discovered how to show what was truly within us at that time. Our heavy sound wasn't just a result of lowering the tuning or using a heavy amp.
ーYeah.
I can't really explain it well, but its not about searching for something that is missing, the important thing is using what you have inside you. Whatever comes out from inside the 5 of us is good enough. For example, if you look at Shinya drumming, he doesn't seem like he has a heavy sound in him, but its HIS sound, so its ok. I don't want to change or manipulate it, the band sounds the way it does because of that. Rather than wanting something more, we should be a band that uses each member's sound just as it is.
ーIts great to acknowledge each member like that.
That's all we can do.
ーThats how a band should be, but bands are also groups of people with strong egos. There are also times when too much self assertion leads to failure.
Well, we have had times like that, in the 25 plus years we have been together. But I feel like we are where we are now because of that. You could say that we are similar now to how we were at the time of our debut....because we didn't know how to make music then, but we were just being ourselves. So its kind of interesting for us to re-do these old songs now.
ーWhen you look at these songs which you made 25 years ago, did you feel like they were interesting songs?
I feel like I tried hard to make something interesting. I just had an idea of what I wanted. But the gap between that and the reality was huge, so I constantly felt bad about it. I was remembering this during the recording.
ーDid you feel nostalgia for your young self?
Well, I still worry about things like I did then. I still get stumped when something feels a bit off when writing songs, but now I prioritise discovering what I have in me.
ー 'What you have in you'.....could it be...'The Devil In Me'!? (lol)
Hahaha
ーAs for the new single, what kind of image did you have for it?
Well, I discussed it with the members, but even before that, I had a vision of what would be good for our next move. But if it turned out exactly as I had envisioned, it would be less fun. So the members' opinions are really important.
ーIts a song unlike any you've done before. Its less about developmets or structure, but it really establishes each member's presence. Does this song represent the band's style going forward?
Yeah, its a different style than we've previously had, but I think its ok to keep it simple. Its a chemical reaction between the members. That's what the band depends on. Its not about who does what, its what do these 5 members each make you feel. Even a song which I'm not playing in is ok, if you feel that I am.
ーThats impossible (lol)
No, its not (lol)
ー But I feel like this is the territory you have arrived in after 25 years.
I think thats the type of thing that will make the band more interesting. How can I say it, we don't even have to make it weird, it just has to sound like us. We have over 100 songs now, right? Before we would try to cram stuff into a song to make it sound like us, but now we don't have to intentionally do that. In other words, its something thats easy to convey. Something that you can feel the presence of the 5 of us when you hear it. This will feel different depening on each listener, but thats how we are doing it now. And its the same for our new song too.
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jennelikejennay · 8 hours
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Just watched The Doomsday Machine. We see Spock, Kirk, and Commodore Decker taking very different approaches to dealing with this massive superweapon.
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(If you are keeping track, this is the second automated weapon destroying solar systems they deal with in the series, but not the last. My rant about destroying inhabited planets with no consequences still applies.)
What's interesting to me is that Decker behaves the way people often attribute to Kirk: bold, emotionally driven, thoughtless. Spock tells him he has no hope of destroying the weapon, so they should get away and send a warning instead. Decker refuses to accept this (and I can relate, it's headed straight to Rigel) but his only plan is just to shoot at it, even though his phasers aren't penetrating. Bones and Spock both tell him this is stupid and he refuses to listen. He ends up trying a suicidal plan that he knows won't work, but which feels cosmically fair to him.
Now Kirk's approach looks similar to this on first blush. He, too, refuses to run. He's willing to take chances with his own life, on something he's not sure will work. But Spock trusts him in a way he didn't trust Decker. Why? Because Kirk is thinking, not just feeling. He calculates his odds and has no plan to let himself die. It's that combination of boldness and sense that allows him to accomplish so much.
At times, the show makes it feel like he simply throws himself at problems at the universe lets him get away with it because he's the hero. But actually there's a great deal of thought that goes into his plans, which sometimes goes unspoken. This time, it's spelled out.
Kirk knows the size of the explosion he'll make and the seconds he'll have to escape. He knows it's not a sure thing, but the odds are in his favor and he's risking nobody but himself. Spock doesn't love letting him take the risk, but he does because he has total faith in Kirk's leadership. He knows the only reason Kirk would do this is because it is the right choice—that he's not being reckless because he isn't that kind of person.
Of course it's a success, meaning Jim and Spock get to make eyes at each other while making a very pointed statement about the Cold War. Roll credits!
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elbiotipo · 3 days
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How should nekomimi be inherited to not look weird?
I think that if they are simply humans with certain animalistic traits then it can be done like irl phenotypes, basically "some mixed kids inherit them, some don't" and leave it here, so there can be a community of mostly cat people with some individuals with fully human features to not make it look weird (and vice-versa, some nekomimi people amongst "normal" humans who don't belong to any of the cultures of cat people).
But what about some more complicated feline features like vision or dietary needs and such?
And even more importantly, is my idea of how to do nekomimi genetics in a fantasy setting not weird in itself?
It's NOT weird. The only thing better than catgirls are catgirls who fit in the worldbuilding.
Now, if you want a technobabble excuse, you could always use homeobox genes that you could say develop different kinds of ears, tails (biologist note: this is NOT exactly how homeobox genes work, but they do kinda work as an technobabble excuse) inside a wider, let's say, "humanoid" species or genus. These could be inherited as diverse alleles of such traits (for example, the 'ears' gene could have cat-like, dog-like, human-like, etc. alelles) and also have mendelian or non-mendelian distributions. Suppose you want to make a fantasy mendelian system, you could say "cat ears are recessive, human ears are dominant" (note: "recessive" and "dominant" don't mean "worse" and "better" it just means than an allele is "hidden" or deactivated by the dominant one. Sorry if I make a mistake, I learned all this in Spanish) and figure out inheritance from there, just traits that are cleanly inherited in regular proportions. This is not how most genetics work, however. There's multiple kinds of non-mendelian inheritance... multiple alleles, codominance, sex-linked inheritance, and of course quantitative genetics which is when alleles don't manifest in a single discrete trait but rather a continous measurable one (such as height)... now I feel I'm doing my genetics course again, but I'm sure you can tell how such things can work if you read an intro text about it.
There's a bunch of caveats here, and I'm gonna speak very broadly here. In humans, there aren't single, well defined genes that codify appearance for, for example, hair texture and color, skin/eye color, etc. in the sense that there's a "blue eye gene" or "curly hair gene". In fact this is the case for most genes, most are multi-allelic or quantitative with different 'weights' for a continous trait. Or BOTH. People tend to inherit different genetic 'weights' (very unscientific term here, sorry) from one parent or another and this can be very random, with some expressing different traits even if having the same family (this is why you see people who resemble almost perfectly to one parent instead of a "mix" of both, and of course those who indeed look like a mix of both. And these in turn have nothing to do with genetic diseases, blood types, or other inheritable things) There are hundreds of genes involved in each trait of human appearance and they all interact with each other, and most aren't even known, we don't fully know the genes that regulate skin, hair or eye color, just to give a few examples. So it's almost never stuff like "dominant purple flower, recessive white flower", Mendel was VERY lucky and smart to pick out discrete alleles to find out his laws. Most traits aren't like that at all, especially in animals.
Which brings me to my next point. It's very unlikely mendelian inheritance of traits such as ears or tails would have evolved naturally in animals. The development of characteristics such as ears or tails is deep, deep in the early embryo development, a very fragile period for animals. A species that has such huge genetic variations in such key periods of development faces severe selective pressure and it's unlikely these extreme "alleles" would remain, errors on them would cause extreme malformations or just embryos not developing at all. Even humans have this trouble, the loss of tails in apes, for example, has let us to suffer from spina bifida, every body plan change has a huge cost and this is why animals are sometimes very conservative with it, most body plans are the modification of existing features rather than the apperance or removal of different ones, and this is at evolutionary scales, not even living populations. Of course, some animals are more, let's say, plastic, like dogs, but even they have a general body plan, there aren't dogs without ears or tails, for instance. Even dogs are the consequence of tens of thousands of very intensive artificial selection which did not happen naturally at all, I mean, it's not like poodles or daschunds have any sexual or natural selection advantage for themselves, they are adventageous for us. You can see that wild and feral dogs, without the pressure of human artificial selection tend to converge into a more general dog plan (the so called "pariah dog", but also see dingos, and of course wolves, I'm skipping a lot of stuff here), adapted to local climates.
Surprisingly, I can see diet being less problematic in this sense. After all, we know there are for example human populations adapted to lactose. Dogs have also evolved enzymes to digest carbohydrates which wolves don't have, while not as nutritious as their carnivorous diet it works better with our human diet. Different bacterial flora can also help digest things that are surprising though, such as cellulose (though bacterial flora is still an underrated and ongoing field of study) It's also much easier to imagine changes in dentition than the whole head plan. So I can easily imagine different populations adapting to different diets. Same with eyes, I mean, daltonic and colorblind human population exists, the EYE is mostly the same, but it works differently. But again, the body plan remains the same. Humans or dogs might have different aptitudes for diets, but they don't stop being omnivores or carnivores.
Of course, tis' fantasy. So why expect things to follow natural evolution? Hell, why even expect fantasy people in a pre-industrial setting to know about homeobox genes? Depending on your setting, it might be that these traits are stable and inheritable because of a magical curse/blessing, or that the gods or the inherent magic of the world said so. However, if you have a species that has multiple, very different appearances and those are inheritable, you're dealing with some rather heavy stuff here that redefines your concept of humanity. In Dungeon Meshi, for instance, they talk about this, as the typical "elf, dwarf, halfling, human" fantasy races all can and do have children with each other, and (spoilers!) they seem to have a common origin, and thus all are actually called "humanity" which is a very interesting concept, because, indeed, what else are they if they don't actually have any real biological barriers. Meanwhile, the differences with other more "distant" species? races? such as orcs and kobolds (canine-like) are shown as rather arbitrary and depending on the culture, in fact, even humans (or rather "tallmen") get excluded from "humanity" in some cases. (not even tackling the whole long-short lived races thing). Similarily, you could say these "nekomimi" are just humans with a particular blessing or curse (again, in Dungeon Meshi, there is Izutsumi), but that works on the particular designs of your fantasy world and magic system... and let's say that when such concepts have appeared in real life, well... I don't need to tell you these are rather heavy and controversial topics to tackle. I don't think you should shy away from portraying them, but again, it's something to think about very carefully.
Since this is a heavy topic, I'm gonna take you out of fantasy for a sci-fi perspective. In my biopunk setting (it's on the tag "soft biopunk" on my blog) there are kemonomimi people all around, and in fact, all sort of genetic cosmetics, in fact, one of the main characters is indeed a communist catgirl. Most of it, however, is made in adults, much like getting tattoos or piercings. Tegument (i.e, skin) in humans and most vertebrates is surprisingly plastic, and one can 'grow' ears and implant them, or estimulate the production of feather or scale genes in the skin. Meanwhile, things such as tails have a little more involved surgery, since you also need to take into account nerves, muscles, circulation, etc. Meanwhile stuff such as muzzles and others require very extensive surgery, so it isn't as common. So these are implants (non inheritable) rather than expression from embryos, what geneticists would say germline modification. Such things also occurs but is done way more carefully and is more extensive, and it's nothing you would do just for the sake of cosmetics, when you're doing that, you're basically starting a new branch of humanity with all that implies. On the other hand, sentient "uplift" cats, dogs, and many other animals do exist, but they aren't animals that act like humans, they are sentient animals with a way of thinking and behavior very different to us, you aren't talking to a "cat with human intelligence", you're talking to an intelligent cat (when they want to talk, anyways). So, you can't REALLY turn a Felis catus into a catgirl, but a Homo sapiens can do a rather passable one.
Well, this has been a lot of fun to write and think about, so I hope you enjoyed it, and sorry for the walls of text! I promise to make a better post with some better illustrations of hot catgirls. In any case, if you found this useful, I would be very grateful if you gave me a tip! Given our economic situation here with Milei (the guy who cloned his dog, how appropiate), anything helps!
Feel free to ask anything you'd like!
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baby-xemnas · 3 days
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I love so much that “Bepo is Law’s weakness” is arguably canon. It’s not “Law’s weakness is cute things” like some ppl in fandom try to say since Law is pretty visibly unaffected by Chopper, little kids, all the standard “cute things” in OP. It’s literally just Bepo and his cuteness that has an effect on Law, and we see it in reaction to Bepo going “🥺” when Bepo was sick, letting Bepo hug him all the time, taking Bepo to Uta concert only bc he knows Bepo wants to go, etc. LawBepo is such a perfect ship, massively underrated ship frfr 🩷🩷🩷🩷
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there is this very good compilation pic from @/daily_trafalgar on twitter with a caption "law's reaction to cute things"
you mean barely a reaction
and then there is Bepo
Bepo is special he is spoiled and coddled and can do anything he wants with barely a word from Law. i do think Law is good with kids but Bepo is a grown man - his best friend
and as much as some lawbepo non-shippers want to see them as parent and child -you dont see someone YOU grew up with. YOU were children at the same time with - and grew up alongside each other as a CHILD. You just don't see them as that, it's nonsense. Yes he is like law's little brother but not a child
(i call him Law's baby like 20 times a day but that's in a way that a cute girlfriend is "baby")
Saying all this to say that "oh Law is weak to Bepo's cuteness because he is like Law's baby" (implying child) or even worse = when people call him a pet They grew up together - 4 year difference is forgotten about -you are peers - yes of course Bepo is both subordinate and looks up to Law as an stronger smarter leader etc. but thats not a parental dynamic at all.
its a very serious, rational and collected guy and his favorite guy who he spoils in big and little ways and have been spoiling him their whole lives...
i love that Law saved Bepo from getting his ass beat and dying alone and brought him home and they just stayed in that dynamic their whole life and both became adults but this "Bepo is precious and weak af and i love him" pretty much didn't change.
and Bepo is so comfortable with it. novel was Law focused so it never gave Bepo an "I'LL TO PROVE MYSELF TO YOU THAT YOU DONT HAVE TO PROTECT ME ALL THE TIME I CAN HOLD MY OWN" arc - and that would make sense for his character if there was time/desire to focus on him but because of those constraints Bepo bypassed that and i kinda love it? (you can call it another of many copes of mine idc) but him NOT having a standart "little brother" arc is awesome, Bepo is very comfortable in his role and when he speaks its always
"I'll do my best for you and help where i can because you are so amazing" there is zero of his own ego. He is comfortable in his "lower rank" role, he doesn't strive to be Law's equal he knows he can't be! Law san is the greatest!!
Law is happy with it too because he is a protector in nature (look at his bigass crew ;-;♥) so bepo being HAPPY to be protected makes him happy too. It makes Law feel strong and good, it plays on his ego in a positive way being looked up to and sought out as a protector - yes it's pressure (that Bepo does his best to elevate) but it's not negative and Law takes it happily, it's good to feel needed. And it all started with Bepo and they preserved that - Law is always strong and cool leader and protector and Bepo is always UUUU CAPTAIN 🥺😭🥺😭🥺😭
they are the best and i love them so much it's such a special dynamic and it makes Law's character so much better
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otaku553 · 6 months
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As it goes with every new brainrot I have, it’s time for Kirby crossover again :)
Kirby in one piece! With one piece’s strong focus on dreams and found family, I thought it would fit for Kirby to be a pirate that dreams of sailing to the stars and beyond. Not that this is very achievable by normal means, but we know that it’s at least possible with Eneru and the Skypiea arc :D
More notes in the read more!
Kirby has the devil fruit power of the copy-copy fruit! A paramecia activated by contact and only able to copy one fruit at a time. It can copy logias and paramecias with no problems, though actual ability using the fruit’s powers is up to Kirby to practice and figure out. Zoans can only be copied to partial transformations and cannot be awakened. Kirby doesn’t have much of a mind for haki but has a lot of latent conquerer’s haki that he doesn’t realize— it’s one of the reasons he’s able to make friends so effortlessly.
Meta Knight in this AU is a retired marine, between Captain and Rear Admiral level. He has a bat model zoan fruit that allows him to grow wings, and is a skilled swordsman. He’s retired from the marines but acts a his own separate party that is neither revolutionary, marine, nor pirate, keeping his own fleet known as the Meta-Knights. Their actions are similar to pirates despite not flying a Jolly Roger. They claim territory to protect and occasionally fight other pirate crews, and they claim no allegiance to the world government. They simply go where they are needed. Meta Knight will sometimes sail with Kirby on his small ship, the Popstar, just to keep Kirby out of trouble and make sure the ship is well stocked and well-maintained and able to be seaworthy.
Dedede is the king to one of the small countries that isn’t represented at the Reverie. That means he has a lot more freedom to do his own thing, including setting sail while taking a crew of Dees with him and leaving the country in the hands of some administrative Dees. Dedede splits his time between exploring and sailing and returning home to run his country, with the help of his trusty second in command, Bandanna Dee. Dedede has a penguin model Zoan fruit, and Bandanna doesn’t have any devil fruit but is proficient in coating their spear in haki. They’re the designated save-the-fruit-user-from-drowning person when they’re on deck.
Kirby’s crew changes because a lot of the people he recruits tend to have their own responsibilities. His crew is also full of people he’s beaten. It’s not uncommon for Kirby to sail alone, though he gets into more scrapes than usual with bad weather and rough waves. It can hardly be called a pirate crew, but Kirby has collected all the most heinous criminals under his banner and as such, the world government treats it as a threat.
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civetside · 1 month
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im bout to do my physical media rant baybe i keep trying to find some of my favorite cartoons n shit on DVD and SOO many of them only have like the first season and maybe the second physically and IM LIKE WHAT you went ahead and made a DVD for this series but couldn't be bothered to do like??? the rest of it??? and i ALMOST understand it ya know you wanna release the first season and see if it sells well before going and doing the rest, but also that's dumb? i don't wanna own only ONE SEASON if im going to buy a dvd for a series esp one that's already finished, i want to be sure it's THE WHOLE THING i'm not going to buy just a lil bit im going to wait for the full series to buy it so i know when im rewatching i don't have to like stop half way through and go watch the rest of it ONLINE GRRR GRRR do the full series or don't do it AT ALL!!!!!!!!!!!!! im about to start buying bootlegs
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gifti3 · 8 months
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I like to to think mcs who wouldnt fall into the conventionally attractive category getting shooked when multiple demons find them attractive
#and i dont mean in a 'ur scary looking' way#unless thats what the person reading this would want of course#but uk theres kinda a look thats in right now#so what if its different in the devildom?#i would hope they arent constrained to a super strict beauty standard like humans tend to be#like they are more willing to engage with a variety of features#if that makes sense#its kinda like how ud think someone is gorgeous but society says the opposite#so ur definition of attractive is more broad in a sense#but i wanna take that thinking and apply that to a whole country lol#of course everyone still has their own preferences but theyre still very open to other things#like i prefer pancakes over waffles but i still like both of them and sometimes i want waffles more#anyways i think this would be cool u know#like 'wow i never got this much attention before this is almost jarring'#obey me#obey me nightbringer#the idea is interesting and i think it would make sense!#if uve lived long enough i feel like ud be more flexible right?? cause youve had more exposure and experiences to different people#i mean the brothers all liking mc regardless of looks could be good proof#theyre very different in personality but they all still find mc good looking#what i guess im trying to say is that demons in general are more versatile when it comes to looks or something like that#see how i said looks#cause they still be hating on angels and humans#tbh im giving this game more credit than i should#but i think the idea would at least be interesting to consider
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coquelicoq · 8 months
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i just saw someone say that "the vast majority of the userbase is complaining" about tumblr's recent layout change. i see this a lot after a change: people complaining about it (sometimes without saying what about it is bad, making it sound like either it's self-evident (it usually is not) or just that it's bad because it's change and change is always bad) and saying that everyone else is complaining about it too. i don't know how to tell you this but a) you don't follow every user on tumblr so how can you possibly know what "everyone" or "the majority of users" thinks about anything and b) ONLY THE PEOPLE WHO FEEL VERY STRONGLY ARE TALKING ABOUT IT!! people who are not bothered are not spending time posting about how unbothered they are! please look up "selection bias" and stop making me read this nonsense with my own eyeballs.
#i don't get what's so bad abt this change bc it doesn't bother me & no one is explaining it! the most i've seen is it's 'like twitter'#which people don't like i guess bc this might imply that tumblr could be taking more cues from twitter than just the layout?#which is also fallacious reasoning#some changes i do hate. like for instance the change that made it so i can no longer click to the version that someone rbed from#which breaks the prev tag culture :(#but some changes are whatever! and some changes are good even!!#it's fine if it takes time to get used to something being different of course but it seems like the reaction on here can be so extreme#so fast. 'bombard the app with 1-star reviews!!!!' how about you give it a couple weeks and maybe you'll calm down.#i think there's a sense of 'if it ain't broke don't fix it' but it is broke though! tumblr is unsustainable and they gotta do stuff to make#the site more attractive and easier to use for new users. they can do that without losing what makes tumblr tumblr#the layout is not what makes tumblr tumblr! the functionality is. and sometimes that does change for the worse#and i get having complaints about that. but not really about moving the location of some buttons#anyway i haven't said anything before because i don't have strong feelings about this UX change but i DO have strong feelings about#the vague yet very forceful complaints about the UX change that i keep seeing lol#tumblr#fallacies#anyway don't get distracted by my tags. this post is not really about me not understanding what's so bad about this specific change#it's about people who hate a change assuming that everyone agrees with them because they're only seeing the reactions from#a biased subset of the userbase#(by biased i don't mean the users are biased. i mean the sample is biased...it's highly likely to include people who feel strongly#and unlikely to include people who are neutral or feel less strongly)
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visdiefje · 4 months
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I'm pretty sure my experiences haven't changed from when I last asserted my identity labels but my view kinda has I guess
#in the sense of. who cares about an orientation label if nothing ever really comes from it yknow.#it's fruitful yearning towards individuals my brain latches onto. that's the extent of it#there's no reciprocated dynamic that allows it to ever get to grow into sexuality#so like yeah I'm demi but 99.9% of the time sexuality just doesn't play into anything at all#and when it does it's brief blips that also don't go anywhere#and I have a pretty good idea of the pool of people I'm theoretically attracted to#but that also just. doesn't matter much once my brain latches onto someone and runs its tiring one sided course#and my gender is still accurate technically but I also have Nothing to say or think about it. it's all whatever#basically all the labels are still accurate it just means very little to me anymore.#it's weird cause it used to be an identity point right. of like hi! I'm [gender] [sexuality] and it's rooted in how you see yourself#and now if I think about how I would introduce myself. well. I wouldn't know but those elements aren't really on the radar to be honest#it comes into play so rarely that like. literally who cares#it's just wild cause people my age who I used to share online spaces with are still strongly debating over what it means to be x or y#and it just. doesn't matter to me anymore. I'm Anders and I like people out of my league generally speaking. hi etc#anyway musing rambling. it's okay if you feel different also#I guess those posts about how definitions matter less when you're older and more in irl spaces were right#bien rambles
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majorshatterandhare · 7 months
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I’m thinking about how the Mechs use energy, because they do things and live and therefore they *must* use energy, that’s how physics (and biology) work.
I had the idea that they are always absolutely frigid to the touch because they suck in heat from the environment like an endothermic chemical reaction.
#the mechanisms#another crack idea#it would make the most sense for them to be able to run on multiple kinds of energy#and yes i know the actual answer is that they just do. its magic basically. but thats not fun for me.#what is fun is trying to figure this shit out#and if you disagree. thats fine. disregard my musings. but like. idk what to tell you. im autistic.#of course the way i enjoy the media is different than most people#i dont think its surprisjng that the way my autistic ass likes to interact with the mechs is to disect every little bit and try to fill-#holes in ways that make sense in our understanding of the universe and their world#like you could just say that in the universe that the mechs live in physics doesnt work the same and energy isnt needed#which is fucking insane#but you could. my question would then be how the physics does work and trying to figure that out.#i just wanna stick my fingies in the holes in the story like its a crochet blanket and make flex them around#thats whats fun for me. which means that its super frustrating when i pose these questions looking for people to play in thd space with me-#and they just get shut down with answer like ‘whatever serves the narrative’ or ‘the mechs are unreliable narrators’ or ‘jonny lies’#tbc unreliable narrators can be very fun. but its not fun when it stops the possibilities or the conversation.#its not fun when ‘unreliable narrator’ is the end.#i think other people may enjoy the freedom of just doing anything that that gives them (or ‘whatever serves the narrative’ does)#but i dont because im a scientist which means i want to figure things out which means there must be a framework#if anything could happen at any time then you can’t make a cohesive story.#and i coukd argue we know thats not the case since ivy predicts stuff based on likelihood#anyway i managed to go down a rabbit hole tangent of why apes and roundworms hybridizing is the most ridiculous ‘scientific’ answer ive-#seen in scifi. so if you’re interested in that. hmu
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linguenuvolose · 5 months
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I do a lot of translation in my job and I've started enjoying it so much more since I started letting myself be a bit more free in my translations. Communicating the message and the vibe is more important than the phrase structure or wording being exactly the same.
#it also improves the quality of the texts because they actually make sense#sometimes these Italians love to put 40000 words that mean nothing and the same thing in a sentence and it's like#girl we don't have to do all that#in the sense that Italian and Swedish text conventions are different and what sounds fine in Italian risks sounding v formal in Swedish#also sometimes I sit there with an Italian origin text that I first have to edit and it's like do I not understand what this says because#1. my Italian isn't good enough in this field#2. this is a complicated field#3. these people don't know how to write#and sometimes when I'm done editing the Italian text and go to do the translation I'm like oh I have no idea what they're trying to say#and think to myself hmm maybe I should've done more editing but oh well eccoci qua#I mean this is like translation 101 but I have done exactly one very bad translation course 5 years ago#that made me go I never want to do this for a job#but my increased freedom now is just I don't care as much about it being exactly the way my boss envisioned#like everything we publish has to go by him first which puts a certain pressure on the text#so when I first arrived at this job I was like uuh the Swedish has to be as similar as possible#but now I'm like man it's more important that it sounds Swedish and not Italian than it being exactly the same#and my boss also doesn't speak Swedish in any case so what does he know#snicksnack#comunque sì queste le riflessioni della serata#domani ho preso il giorno libero perché i miei colleghi mi hanno un po' rotto er cazzo sinceramente so :))
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hesfromsomewhere · 3 months
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tag ramble pt.1
#so much i feel like i want to say when a lot of this is just two different people who cant mesh and are hitting each other like confused#roomba.#on some level i wish i didnt respond or engage especially at the moment because what i said wasn’t particularly deep and only resulted in#hitting a wound that i already knew was there#i’d like to apologize for that much alone#that it is presumptuous and envasive to have strangers on the internet talk to you like that because yes it does very quickly cross to#feeling like being talked down to#these are people who are entirely self aware of the problems and of course i literally cannot enlighten them to it any further#they just dont care- they’re very tired of their life so far and do not have the time and energy and patience to talk to anyone else#like that.#the way they’ve chosen to fight is negatively. i cant dock someone for making a self conscious choice of how they’re going to behave#especially in the sense of standing up for yourself#i do get the feeling this doesnt serve someone in the long run#you are being spoken to in this way because you are reacting volatily to a random stranger on the internet#because of the way they hit a wound because of how you interpreted what they said#the idea that you’re standing up for yourself and you need to be mean so people dont talk to you in a way you dont like#like the block button isn’t infinitely better for that#to think this is a case of oohh lets all be sooo polite and pure and Correctly Speaking all the time or you’re just a widdle baby#is goofy#it IS reactive and it is volatile! i could have said this in a meaner way rather than politely#and maybe that would have been more easily received in this one case#but there was just acknowledgment of what was actually happening immediately right now in the moment#of course i dont know you and i dont know your life and thats not what this is about#but at the end of the day the question of if this works for you and genuinely serves you then i have absolutely nothing to say or add#that matters. if this is your honest self then everything else is null. you live in the way that serves you because thats literally all we#have#though i doubt that its fulfilling and honest at the end of the day i wont pretend this isnt someone just on one part of their journey#thats plenty farther along than others#and i really hope they are at or get to what serves them entirely
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zombie-boys · 2 years
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vecna: *looking through list of every traumatic experience will has gone through* bro you can't just waste a villain origin story this good
will: *sobbing* i just want to play d&d man
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mrfoox · 1 year
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Actually I love accents. Like no matter how good you become at languages you still have some sounds/letters you pronounce in a specific way, that's actually very cute
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the-busy-ghost · 2 years
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Something comforting to think about today- there are lots of people in the world who hate, loathe, and despise my favourite books
That doesn’t sound like it should be comforting because of course at heart I want everyone to love them as much as I do. And it does annoy me when people hate books based on what I sincerely believe to be a complete misinterpretation of them (cough-cough, the recent “Wuthering Heights is just a silly problematic romance novel” issue). But if I’m being honest I also hate it just as much when people LOVE my favourite books based on a complete misinterpretation of them and for all the wrong reasons (”XXX did nothing wrong!”- what book were you reading???). And in either situation it isn’t really my business, though I reserve the right to be irritated.
But lots of people have valid criticisms of these books. Others simply didn’t vibe with the book on a given day and maybe never will- they don’t owe me or anyone else a reason. And I may not agree with them, but I do like it when I can completely understand why some people don’t like these books. For example, I think “Middlemarch” is one of the greatest novels I’ve ever read but for other people, it’s just not for them! They simply enjoy a very different kind of book, or they were disappointed that it wasn’t all it was cracked up to be, or they couldn’t understand the characters, or it just wasn’t the right time for that book to come into their lives, or it was just too damn long for them.
And firstly I find that comforting because it shows that we’re all different souls. We all have different tastes and experiences, and that means that our favourite books actually MEAN something to us, rather than just being a Generic Important Book That Everyone Likes. And often the reasons why one book is my favourite, are very different to the reasons that they are someone else’s favourite- the best books are multi-faceted after all. It’s a wonderful testament to the diversity of human experience and creativity (because in my opinion, there’s a great deal of the reader’s own imaginative ability goes into engaging with a book). So all that is required is for people to be open-minded and assume that when someone says they love a book, they have their own reasons, and these might not even be the reasons you think. 
And secondly of course, is that if even the books that I think are the best thing to exist, a physical symbol of worldly greatness, aspiration embodied, don’t appeal to everyone- then the things I create in turn don’t need to either. If even the greatest authors have harsh critics who will simply NEVER like their work, why are we all worrying so much about the merest hint of rejection, in life as much as in art?
#I talk a good game of course rejection is still very painful for me#And note valid constructive criticism is a different thing from rejection but if people's books can survive completely dumbass rejection#Based on complete misreading of the situation I think I can survive someone not liking me#books#reading#booklr#Also constructive criticism of my favourite books is good because it means I get to go back think it over#Argue it through in my head; point out other passages of the book in defence of it#And STILL come out of it loving the book possibly even more because it's drawn my attention to things I didn't realise about it#And sometimes I can't answer them fully either and that's ok too#Sometimes I've had the same thought as a novel's detractors and they've drawn attention to it#For example I was wondering at the end of Wuthering Heights why Heathcliff bothered keeping Nellie around#Why didn't he just send her packing rather than continuing to employ her at Thrushcross Grange#And I have lots of ideas but none of them quite stick yet#One is that she's possibly an unreliable narrator so she may- against her better judgement- have helped him more than she likes to admit#Another is that he is labouring under the impression that he can control her and so keeps her around in case he needs to use her influence#A third is that he needs a witness- there's some element of performativity in his cruelty and SOMEONE needs to see him destroy things#But I also like the idea that the four of them are all siblings really#Nelly- though she has a mother and other family at home- spent much of her youth at Wuthering Heights#And describes herself as Hindley's foster sibling in the sense that her mother was his nurse (a powerful bond in the pre-modern era btw)#So really she's as much one of the Wuthering Heights Nest as the lot of them#Heathcliff doesn't have as much reason to despise her as Hindley nor does he have so much reason to love her as Cathy#But she's still a sibling of sorts and maybe Heathcliff- whether he recognises it or not- sense that she has a right to be there#He doesn't seem like someone who needs a family but then maybe he's not as in control of the Heights as he thinks he is#I really don't know yet I will have to reread it#But yeah I think Nelly is as much a part of that nest of trouble as the rest of them#I'm getting off topic though- but see what I mean about negative criticism being important and fascinating!#Ok so I keep finding my way back to Wuthering Heights a lot over the last few weeks but this applies to othe rbooks too#I had similar feelings about some of teh criticisms of Flemington#reading log
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mbat · 1 year
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onedrive is wild as fuck, it just keeps reminding me of stuff from 5 years ago including people i used to know (for better or worse) and makes me wanna check in on people lol, but i feel like such a creep for it. honestly if anything i just hope everyone is okay nowadays
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