the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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honestly no wonder harrow forced ianthe to lobotomize her so she could save gideon. listen…LISTEN…if i was a secret-war-crime cult nunlet princess worshipped by my entire planet and the only person that (barely) kept me in check was my childhood nemesis—a butch a year older than me, towering over me in stature and physical prowess, and so hot it made my teeth hurt from how hard my jaw clenched in her presence, who wielded a two-handed seven-foot sword and had irritatingly huge biceps and told very lewd stupid jokes and also learned how to wield an entirely new weapon and be my bodyguard with startling accuracy in three months—only to have us finally learn to trust each other because we got invited to a magic murder mystery and then before the bubble burst i spilled the worst secret about myself that i was born because my parents murdered an entire generation and tried to Kill Her along with them and she just wouldnt die, and i told her this expecting a swift death i believed i deserved, only for her to fucking cradle me in her big butch arms and kiss me on my forehead with her soft butch mouth and just. forgive me for a shameful weight ive carried my entire life and then MAKE AN ACTUAL NECRO/CAV VOW with me despite every evil thing i have done to her……to have her tell me, in the end, bleeding and broken after putting up the most beautiful and glorious fight of her life, that she understands purpose and she understands duty and she knows loyalty more fiercely than ever now, that she knows who she is to me, that there is no her without me….to have her backed into a corner and make the ultimate sacrifice…..for me…..to recite scriptural wedding vows of eternity to me in her last wisps of soul-consciousness…..if i thought there was even a snowflake’s chance in the pyre that i could save her by turning myself into her very own locked tomb, i’d be begging ianthe tridentweirdius to crack my skull open and turn me to mush too, goddamn. i understand you harrowhark girl you don’t have to explain a thing to me. god said you couldn’t undo the lyctor’s bond bc it’d kill you. you told god and his angels that not even a lyctor’s bond could outshine the power of female spite and lesbianism and they didn’t listen. they didn’t believe you. but i heard you loud and clear and i was 17 and hormonal and hopelessly romantic not too long ago unlike those fucking dinosaurs and i’m saying it’s valid it’s what i would have done and really everyone should be thanking you for not being worse and more wretched about it, all things considered
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I can't stop thinking about the scene where Ivan finds Till and nuzzles his head against his. He was on that banquet for the same reason as Till, most likely went through the same treatment with the only difference being that he doesn't fight it so it will be less painful (but it isn't really)
So i think he not only felt bad about Till but for both of them. I've seen a lot of takes that say he didn't kiss Till because Till was unconscious and he knew that it was wrong after what Till went through, but i think a kiss didn't even occur to him.
He got out of that banquet and immediately looked for Till, perhaps out of just worry but i think he needs that human comfort as well.
His eyes were glassy the moment he looked at Till, he was keeping it together until he saw him.
And then he just... holds him close
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