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#I SPENT FOREVER ON THIS
datcravat · 1 month
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pe ru so na
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arthleis · 13 hours
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CHARACTER STUDY : wardrobes by the verse , [ 01 / — ]
bounty hunter , [ ᶜʰᵃʳᵃᶜᵗᵉʳᶤᶻᵉᵈ ᵇʸ ] : hoods & high collars for identity concealment , long draping cloaks - tunics & pants , neutral colors ( beige , grey , brown ) so as not to stand out , bold eye makeup while concealing lower face .
veldt farmer , [ ᶜʰᵃʳᵃᶜᵗᵉʳᶤᶻᵉᵈ ᵇʸ ] : unrestrictive garments , well - worn work gloves , earth toned head scarves , long dresses in the evening , brown & beige for outside work , little to no makeup , every garment being a little dirty .
modern ! mercenary , [ ᶜʰᵃʳᵃᶜᵗᵉʳᶤᶻᵉᵈ ᵇʸ ] : fitted clothes , leather jackets - belts & pants , exposed midriff , lace - up combat boots , straps & buckles , gloves , silver rings .
seneschal , [ ᶜʰᵃʳᵃᶜᵗᵉʳᶤᶻᵉᵈ ᵇʸ ] : black - red & dark grey . leather , silver accents , a dozen pairs of gloves , tall boots , flowing floor - length robes , dark eye makeup , easily concealed weapons .
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l-inator · 3 months
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Something something symbolism
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vylad-romeave-5 · 10 months
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dewdropsleftsock · 10 months
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Spidersona moment (REAL)
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Here's some blurbs about him
-He works as a grocery store manager, and complaints are the bane of his existence
- Iona has psoratic arthritis and he uses a cane to get around
-Said cane doubles as a defensive stun gun
-His costume is primitive and made mostly of spandex. He hasn't found a more durable alternative that gives him the mobility he needs
-Ibuprofen and GFuel is his best friend
-The two claws settled above the toes of his suit double as anchoring as well as a conducting device. I'll go more into detail eventually!
-Iona is still in his early-spidey era...his canon event hasn't happened yet
-Iona has two cats, a Goliath bird eater tarantula, and a very high maintenance boyfriend
-He's based off a Venusta Orchard Orb Weaver!
-If you couldn't tell by the flags he's trans and Georgian
Tumblr killed the quality per usual
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gbirrd · 8 months
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finally finished this, I've been working on it on and off for a few months, and I'm ridiculously happy with how it turned out!
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guardian-of-soho · 8 months
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The more I think about the last minutes the more I’m sure Crowley was saying goodbye from the minute Aziraphale told him he’d said yes to Heaven. He doesn’t confess his love like he’s hopeful, he confesses it like a eulogy. He doesn’t kiss him to make a beginning, he kisses him to seal the end. He watches him go like it’s the last time.
Crowley knows Heaven. He knows they’ll want to either make Aziraphale just like them, or destroy him. Either way I think he believes he’s seen his angel for the last time.
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windwenn · 1 month
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This started out as a joke but then i realised the hight difference is kind of accurate💀
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figofswords · 2 months
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so like. nyah (based on real pictures of my cat)
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hiddenmoonbeam · 8 months
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Finally kissing your best friend, hoping he loves you too.
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ionomycin · 2 months
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fishbone corset
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fattylime · 8 months
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Blade of Frontiers [prints !!]
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lokh · 2 months
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new trend i think we should do: cooking with senshi
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yourlocalabomination · 3 months
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The darkness will spare my soul.
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ramblerogue · 7 months
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It's been 3 years, and I still think about the Deep Bleu Sea fight.
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This post used to hold a poem inspired by the Rev. Munther Isaac's declaration that "God is under the rubble in Gaza."
After a few anons and a conversation with a Jewish friend, I've decided to take the poem down because, regardless of my own intentions with it, it risks feeding the long and extremely harmful history of blood libel, because I included imagery of the infant Jesus and his parents being killed by an Israeli soldier, as many Palestinians are being killed now.
Before talking with that friend, I wrote in this response to an anon about my intentions with the poem — but while I do believe that intentions do matter, they don't matter nearly as much as impact does.
My friend helped me come to the conclusion that while the poem I wrote could be interpreted as I intended by people who already have all the context I wrote it in (see below), it could also all too easily be interpreted much more harmfully by those who lack that context — or worse, who are looking for more fuel for their antisemitism. The poem is not worth that risk, not at all.
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Ultimately, I hold two things I believe to be true in tension:
that Christians throughout the ages have found deep comfort and encouragement in understanding Jesus as suffering in and with them. I support all Christian Palestinians who, like Rev. Isaac, experience God-with-them in this way — in this horrific time, they deserve any ounce of comfort they can derive. And them personally seeking and finding the Divine presence with them is not antisemitic.
that for Christians like myself in the USA, who live in the beating heart of Empire and Christian Supremacy, it is vital to take care in how we talk about this theology in this current situation, where the oppressors are Jewish. Providing more fuel for Christian antisemitism is inexcusable, and I deeply apologize for writing and sharing a piece that can be used in that way.
Because modern-day Israel is a Jewish state, exploring that Divine solidarity in this context comes with a great risk of perpetuating the long, harmful history of antisemitic blood libel and accusations of deicide. How do we affirm God’s presence with those suffering in Palestine without (implicitly or explicitly) adding to the poisonous lie that “the Jews killed Jesus”?
In wrestling with this complexity, I tried to write this poem to uplift both Jesus’s Jewishness and his solidarity with Palestinians. Jesus was born into a Jewish family, his entire worldview was shaped by his Jewishness, and he shared in his people’s suffering under the Roman Empire. His solidarity with Palestinians of various faiths suffering today does not erase that Jewishness. Nor does it mean that Jewish persons don’t “belong” in the region — only that modern Israel’s occupation of Palestine is in no way necessary for Jews to live and thrive there, or anywhere else in the world.
I also aimed to point out that Israel is by no means acting alone in this attack on Gaza or their decades-long occupation of Palestine. There is a much larger Empire at work, with my own country, the United States, at the helm. Israel is entangled in that imperial mess, and directly backed and funded by those forces — not because of what politicians claim, that we have to back Israel or else we’re antisemitic, but because Israel is our strategic foothold in the so-called Middle East. How do we name our complicity as our tax dollars are funneled into violence across the world, and act to end that violence?
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I'm sorry this post isn't as articulate as I want it to be. All of this to say: I deeply apologize for any hurt my poem caused. I understand how horrific Christianity's history of — and ongoing present — antisemitism is, and how it poisons and warps so much that could have been beautiful. I'll keep educating myself; I'll keep having hard conversations; I'll keep working to uproot antisemitism in myself and my communities.
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I'll close with a list of resources for learning about Palestine's history and getting involved.
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