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#idk it’s like every character plot point was dropped
foundfamilynonsense · 6 months
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Y’know. Anakin was a real asshole in Ahsoka’s hallucination.
Like. She mentions something about what she’ll be able to teach her padawan one day, since all she’s being taught is how to be a soldier, and Anakin’s like “teaching’s not all it’s cracked up to be”
And like. Asshole move. And Ahsoka rightfully calls him out on it. And he goes on the whole “uuuh I was joking. Lighten up.” Literally a complete jackass.
But beyond how he answered the question, it’s a valid complaint Ahsoka is bringing up! Anakin’s teaching her how to live or die. But Ahsoka wants to be taught how to be a jedi.
What happens after the war is over (order 66 never happens) and she now has to navigate a galaxy without a war? The Jedi take teaching very seriously there’s no greater honor than teaching a padawan. And she’s not being accurately taught, so she will not be able to pass anything on to the next generation.
But Anakin brushes it aside because he simply does not respect her or her wishes. Like. He never wanted a padawan, despite teaching being foundational to the Jedi. And he only took ahsoka in because he started to like her and became attached to her. He doesn’t care about jedi legacy, not really. So he brushes her comment off with a joke.
But in the rest of the vision… idk it didn’t feel like we were supposed view Anakin as entirely wrong here. He wasn’t in the right, he was definitely channeling Vader and being an ass, but he was basically the reason Ahsoka survived the fall, right? Bc he was making her choose life? When Ahsoka wins against him it’s sort of like she’s both learned his lesson and moved beyond him. And then for the rest of the season he’s only talked about in positive ways.
And like. That one line ahsoka said was really powerful in relation to the entire point of the show. What does she have to pass onto her own padawan (Sabine) if she wasn’t properly trained herself? That is, perhaps, the only valid plot question asked in the entire show. And it doesn’t get an answer. It’s never even brought up again.
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papercutsmp3 · 4 months
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bro is inquisitive
#thinking of the possibilities of how it could be worse it's funny how you start to get addicted to thinking like a danmei writer#you are like anddd what if this person was (insert a guy who coughed once in chapter 15) anyways#i managed to not get many spoilers bc i hate it but i have always suspected that shi mei had a thing for cwn firstly bc i once saw a ship#tag and was like ?? well that is not uncommon as people ship shrek with chanyeol (im people) but secondly after that scene where mo ran#pinky interrogated him i was sooo 100% sure of it. but then there was nothing much so i let it go. the one mini spoiler i saw was#the enemy on pinterest who replied to a pic of a character saying it was shi mei/other name (didn't look at it) so it was why i knew#he was classically someone else. but even without that his ass was raising suspicion just for the way how blank he was#and i knew it was intentional so i kept thinking who he could be and my guess was xu shuanglin (rest in pieces poor guy)#bc i thought that both of them had the same spiritual essence or something. also the guy in the motel at the beginning who also had water#essense could only be either of them. but this is not the point bc then i was thinking that shi mei was simultaneously mo nian#bc why would he have the reason to be annoyed with mo ran to that extent. and also bc i knew there was a fire and hua binance has face burn#but mo ran chopped his head off bless his souls and good for him so how else can that be worse#he could also be that child of nangong yan who had his mother die bc of mo ran and mom he would also have a reason to try and compare#himself to mo ran in every way and hate him but why would he need to store nangong blood for mount jiao is he is nangong himself#but that would be great for disgusting points bc he would be mo ran's half brother doing all that ??#im just taking a break from throwing up bc of his ass trying to assault cwn every chance he gets and idk anything yet#so it would be interesting to keep guessing his motives as i do not get it yet but also (procceed to throw up)#also his interactions with corpse taxian ?? god tier. taxian is in the middle of diss battle drops his mic after every sentence#the crowd (me) cheers. moving on but i really enjoy insane plot twists i wish i remembered well what i was thinking while reading tgcf#the widely known thing is that i didn't even consider that fu yao and nan feng were fengqing it's my favorite thing bc i wholeheartedly#believed the little guys just loved their generals way too much#00
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pocketgalaxies · 1 month
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I feel like the breakneck pacing and more of a plot focus is a very intentional choice to separate this campaign from others (which I respect), especially because I feel like matt has been doing that slithers in the latest eps thing of interrupting conversations with a new problem more frequently in c3 (or maybe I'm just noticing it more?); and the thing is, I do think these things are interesting ways to drive tension and push characters to extremes, and can definitely work (in fact I think it has worked for stretches of this campaign in the past). However. I feel like we're missing some balance. It's been what, 20? 30? 4 hour episodes since the party had a meaningful conversation, which is such a long time. And I'm not trying to shit on matt or anything, I get what he's doing, but I feel like even the cast are maybe feeling like they're not being given the opportunity to stop and talk? idk it seems that lately every time they do 4sd or a panel or something there's a moment of being like "we haven't talked about this!!! we need to talk about this!!! but when??" you know. Of course I could be wildly off-base since I'm not them, but yeah.
yeah i get you!! i like that idea of pushing character to extremes but i agree i feel it's getting stretched a little too far at this point. we've passed go 5 times over for some of these characters with nothing to (externally) show for it
i think it's a perfect storm of matt imposing a certain amount of pressure on them + the cast responding to that pressure by wanting to move things forward quickly. because i do think when they take rests or travel distances, there is opportunity there to talk and matt provides uneventful stretches of time in most episodes. but i would imagine that the cast feels a need to bypass those opportunities because it will make things feel like they're moving quicker, even though in-game it's still the same 8-hour long rest or 1-hour short rest or whatever it is. i think i would def feel the same way so i most certainly am not blaming anyone, i'm just sad! i feel like things are getting lost!! even in this most recent ep, zhesh given time to work on all these random little upgrades for the party but not a single person asked to talk with another lmao. imogen asking how everyone is feeling in the ep before that and everyone ultimately just focusing on how to get that box open. it's just get the power-ups or the next lore drop and go go go. i'm fuckin exhausted
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tired-night-owl · 1 month
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The freaking theory that the shadow clone is somehow a clone of crosshair bothers me so much you have no idea.
I understand that people try to find the answer that is not the most obvious but like isn’t it impossible to clone a clone ? Wasn’t there an arc in the clone wars that implied that they would run out of jango’s DNA eventually and the clone production would stop bc of that…
I guess it would be cool to have crosshair face an evil version of himself but it doesn’t really make sense to me because of what I mentioned above but also bc like the whole point of these series is to prove that every clone is a unique individual… idk it would feel wrong to me if they went into crosshair copycat mode :/
The theories I do like tho is :
if it was Cody that went under the reconditioning program and ensues a tragic death with Rex or something. It will break me but I do believe there’s something big like that that needs to happen for Rex to go into hiding and let go of the rebellion with his old geezers gang like we see in rebels.
Dogma because that would be a cool use of his character after all these years and because I do believe in the fact that the Star Wars team likes to reuse old characters that haven’t really had that big of a spotlight on them. We got to know a bit about him with the Umbara arc and it ended with a good character development but we never heard of him again like not even a mention… suspicious if you ask me or more like an opportunity for a « plot twist » that I could totally see.
Tech because I cannot accept that he would just die like that without having any kind of presence in the batch/the marauder like crosshair’s bretrayal did. We legit only had a small name drop and a glimpse at his googles which leads me to : why would hemlock look for him and only recover a personal item that means nothing to him ? If the techno union held on to echo’s body for years the empire and most importantly, a mad scientist hellbent on research and testing on clones, would definitely keep an individual with such a exceptional mind as tech’s for who knows how long.
Anyway I’m probably wrong because I usually am not that good at predicting stuff that happens in shows but I really don’t think it’s a coincidence that the shadow clones have voice modulators even after we got to see that these « assassins » are always clones. Also, some merch dropped with wrecker’s CT number implying that tech is ct-9902 and apparently it’s been confirmed that the shadow clone is the last episode is identified as cx-2… Coincidence, I think not !!! Merch has never lead me astray from guessing who dies and who’s important before so I will cling to this little bit of info until I am proven wrong XD
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ricky-mortis · 3 months
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I feel like every ship with Ted is a crackship bc this man simply should not be in a relationship (until he’s had extensive therapy at least)
Oh- I mean yeah, for sure. However! I do think that one of the great parts of some of these ships with Ted is his opportunity for growth. Just me personally y’know?
I think that while yes, he is in fact in desperate need of therapy, it’s hard for him to actually get to the point of actually seeking it. I imagine he gets there after a lot of talking things out with his partner, and a lot of getting over his pride. He is very self-aware, he absolutely knows that he is messed up, but he sees his way of dealing with it as reasonable, it’s how he’s learned to pretend he’s content. In reality, he knows he’s not, but- is he going to do anything about it? Hell no. At least that’s his perspective until he enters a relationship that isn’t one-sided or strictly sexual. 
I see him learning how to be loved in a way he’s only expressed outwardly. He hadn’t received these kind of feelings since the whole Jenny incident, and it’s scary. But through this he can get over that fear of being left again, of falling for someone who would just leave him at the drop of a hat before he can really get out how he feels. And then he can see that therapy can actually help him. (Now it has been a good two months since I’ve watched Time bastard so this is all entirely based off of my memory and HCs for him).
But yeah, I just like to think about him and that sometimes, ESPECIALLy within the context of Holy Bastard. I don’t see them as a long term thing, but I definitely see it as a relationship that they both grow from. I have a whole note on my phone about it that’s filled with what is essentially the plot of a fic I do not have the skill nor dedication to write.
All that being said, yeah, Ted definitely needs therapy, but I don’t neccessarily think it has to come before a relationship.
Idk, I don’t think I’m very well-spoken but I think I’m getting my meaning across. I adore Ted and think his character has so much terrific potential. 
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ravel-puzzlewell · 5 months
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Hi! Do you mind elaborating on what you meant by "tiefling politics" on that wotr vs bg3 post? Just curious, ignore if you want
its about the fact that bg3 has a lot of tiefling characters, somehow more than wotr, and huge theme of like hells and connections to demons\devils and somehow manages to say absolutely nothing interesting about it.
in wotr we have examination of tieflings fitting into human society, ostracization and (literal) demonization of them, where even if some of them would want to help in war against hell, they are scared (frex, group of tieflings thieves you save which you can ask to help u and they are like are u kidding me, crusaders will torch us). woljif in particular is a deconstruction of selfish chaotic neutral tielfling rogue archetype, his story both exploring how both he was pushed into being a criminal bc he had no other options, but also interplay with how he then himself tends to dismiss his own agency in being able to decide for himself and choose better, forever excusing himself with "well this is a crappy hand dealt to me", his survivalist attitude of everyone for themselves vs desire for community, how when given a smidge of stability and access to decision making in council, he tries to awkwardly, but eagerly advocate for societal improvement for all tieflings, and this is one of his most sincere moments - and gets laughed at immediately, etc etc. and speaking of community, v interesting intersection between "good" and "bad" marginalized groups of mongrels vs tieflings, with Lann being self-righteous about both his moral superiority and how mongrels "have it worse", while ignoring that mongrels - and he himself specifically - are mistreated literally bc they are mistaken for tieflings.
btw if anyone wants me to talk more about mongrels vs tieflings thing, hit me up, i think there was a interesting stuff, even if not properly dramatized
meanwhile in bg3 being tiefling largely means nothing? like the refugees would sometimes like drop a line out loud about how tieflings should stick together bc humans won't help them, but like that's it. the refugees could literally be humans running from war or blue cat ppl from avatar running from capitalism and nothing in the plot or characters would need to be changed. tieflings is just cosmetics for them, like idk its cool to have colorful NPCs with fire eyes and sexy horns. And even companions wise, you know I love Karlach and tried to romance her, but being tiefling is just looks for her, its not meaningful. It doesn't matter for her backstory, she could have been a strong human from poor background who was sold out to idk, underdark. like it sucked bc she was forced to do violence and everyne was an asshole and she couldn't see sun, but otherwise it being Blood War specifically doesn't come into play. and like. Blood War has famously huge effects on ppl with hell heritage! I'm not saying she should have been Valen Shadowbreath with entire plotline about struggling with blood war calling, but like. idk, something?
my point is that tieflings and hell has a lot of lore and like, FLAVOUR in this setting, which were not explored at all. these are just ppl with horns and generic Bad Place.
and then like. devil essentialism. bg3 has central motive of how evil races are not ontologically evil, but like, devils are. sdfghjk. apparentely mind flayers can fight actual mind control if they are V Special, but all devils/demons are evil with no exceptions. karlach was in hell for 10 years and never met a single sympathetic devil. the closest one he had mocks IS Evil when we meet her in game. and I actually liked Raphael (transition could've saved her), but there is nothing particularily interesting about him, he's also straighforwardly evil. this severely limits how interesting interactions with hell are. in wotr there is a wide range from reformed succubus to most evil sadists, with every shade in between, which allows for complex stories, like that that fucked up love between that betrayer dwarf and demoness who seduced him. she's legit evil, but she also has actual twisted affection for him, and he knows she uses him, but he was pushed too far by humans and chooses her anyway. this background story is honestly has more depth than wyll's and mizora relationship, where shes just evil and he's straighforwardly martyr. when mizora offered to have fun wink wink, i immediately knew she's gonna Evil It. and she did. and she didn't even get anything out of it! it was just staining your soul to be evil:3 like ok, but boring tbh.
and like yeah war with hell is central plot of wotr, obviously it has a lot more to say and explore about it, but like. bg3 didn't HAVE to have to include so many tieflings and have us follow their stories through all acts. it didn't have to include hell in "no race essentialism" game if it didn't want to talk about it. it chose to, and when game has big chuncks of content about smth connected by a theme, i expect it to say smth about it? anything interesting? eh.
btw, this is not to say i think wotr's writing is perfect, far from it, i can talk for ages of my problems with that game's writing, but this initial phrase was from shitposts specifically comparng things in wotr to bg3, so
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kurogane2512 · 7 months
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I was so busy simping in ptn that I completely forgot Genshin's 4.1 livestream was yesterday. Anyways, I looked at it's contents briefly and I'm really not surprised that the anniversary is as underwhelming as ever. Feels bad that I had such a high impression of Mihoyo in Hi3 and they have disappointed me immensely in Genshin. I usually don't wanna put ranting here but I don't know where else to share in this format so thank you for keeping up.
Moving to the main point, here's something I noticed 2 years ago when Signora died and in 2 years they have kept proving my point every x.1 version. These are the official posters for every version a weekly boss was released or was the anniversary and a main story update. Tell me if you notice something....different in 2.1
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Yeah, idk anymore wtf Signora's purpose was to be. Apparently, being weekly boss of 2.1, being the supposed mastermind of Inazuma (which she wasn't if you read the story), legit dying in it and dropping the 5* keepsake of Inazuma doesn't make her relevant enough to be on the poster....
Maybe only playable characters get to be on it? But then we have Dvalin, Azdaha and Raiden Shogun being on their posters and even Scaramouche was in 1.1 event poster when he became playable in 3.3 + both posters have his unplayable form. And then this logic is further discarded when you see people like Ayaka on it who barely played a role in 2.1, and Dottore who appeared for 2 acts and happily walked away. I'm very sure Arlecchino plays a similar role in 4.1 quests, especially since she's made to be wanting to save Fontaine.
I'm not hating on those characters, I'm only bitter amd genuinely confused with Mihoyo's unfair treatment of Signora. Everything points to her being a discardable plot device but they still gave her all the lore and resurrection symbolism. Idk, it keeps ruining my fun of the game and I'm no longer playing with the same enthusiasm even tho I admit Fontaine is quite fun and I have played it a bit more than usual.
Feel free to discuss and share your thoughts too, this is a healthy space and I welcome all opinions as long as discussed civilly🥰
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jovenshires · 4 months
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here are some fun lil hints about the universe iwks is set in:
this setting is something i have directly experienced (though not in a long time)
i have used the english to latin function in google translate more than once while plotting this out
i have multiple charts mapping out where the characters are standing in certain scenes
said this before but ive never read an au like this organically in the wild (although i sought some out before i started writing this fic). idk if there's ever been a smosh take on this but i highly doubt it bc its just that niche
i explore a LOT of different dynamics in this fic but i think theres a very good reason to do so here
this is loosely based on some spencer lore he's dropped a couple times but i don't think any of us have ever spoken about AND a video he was in
i made an accidental reference to the suite life of zack and cody while writing this and its too late to change it
this au is a combination of two other aus that are slightly broader but still both also niche
i told my best friend what the plot is and she laughed at me and said "this makes sense for you"
and some other additional thoughts:
every minor character in this my absolute beloved im insane about all of them (specifically jeremy. oh my fucking god cannot wait for you all to meet my nuanced jeremy take)
i have added a special lil detail in the background of this fic Just for mauricio and im giving brownie points to the first person who points it out
(there are also a couple other extra lil easter eggs in here... references to other fics... bonus shoutouts to other smosh affiliates/collaborators... we'll play a lil game of search and find)
every dynamic between Every character is so intricate in this and i genuinely cannot fit all of it into one fic especially not w spencer "unreliable narrator" agnew at the helm so youll just have to wait for the lil ficlet sequel ! <3
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wcbweblog · 8 months
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WELCOME!
WHAT IS ‘WHAT COULD BE WORTH ETERNITY,?
What Could Be Worth Eternity?, or wcbwe for short, is an art/storytelling project of mine! I currently have a comic (very early stage) in-the-works, as well as some writing and other art pieces. In short, wcbwe is what I call the original universe that holds a number of stories and characters I want to share!
OH, SO THIS BLOG IS FOR THAT COMIC?
………not exactly, unfortunately. The comic is still very early in its production, and as the only person working on it, progress is slow going. I think taking the extra time will be worth it in the end, but I’m biased lol. As it stands, this blog is not specifically for the comic in the works, but when I am ready to start posting pages, this is where it’ll happen!
…ALRIGHT. THEN WHAT IS THE POINT OF THIS BLOG? WHY THE COUNTDOWN, IF THE BIG PROJECT ISN’T GOING TO BE READY FOR A WHILE?
Wait, countdown? For anyone who doesn’t know, for about two months, I was doing a… daily, countdown on my main blog, and it ended today, 2023.08.28, the day this blog goes up.
To be honest – the countdown wasn’t for this. In fact I’m writing out this lil intro post the day it’s supposed to go up while at work haha! I am incredibly unprepared. The countdown was to something at work (that never ended up happening, to my knowledge), I think we were supposed to do some sort of… media blackout? Like I said, it didn’t happen, so it doesn’t really matter. But, well, a couple of my moots saw the countdown and got curious, and I thought ‘well I should do something on tumblr, too!’. So here we are. Art blog! Yup, this is an art (and sometimes writing) blog centered around the wcbwe universe. Right now the plan is to update every Monday, but that’s subject to change because I have no clue what my uni schedule is yet XD
YEAH YEAH COOL. GO BACK TO THAT COMIC FOR A MINUTE?
Ah yes. The comic. My pride and joy, should I actually manage to stick with the project. Like I said, it’s still very early in its production; only the prologue and first chapter have been scripted, and only half the prologue has been storyboarded. And it’s going to be a very long comic, so that’s not a lot. I’d prefer to have the whole thing, or almost the whole thing, storyboarded before I start making pages. If you want an estimate? I’d say it’ll be about a year or more before I can start posting pages.
OKAY, SO IF YOU WEREN’T PREPARED TO START THIS BLOG, WHY DO IT?
Well, there’s no time like the present! I need somewhere to organize my thoughts and concepts for the universe, story, and characters, and I’m hoping having a dedicated blog might motivate me to sort out my ideas haha.
*INSERT FANCY LIL PROGRESS BAR HERE*
Wow! What was the progress again? Not to worry! I’ll keep the progress updated here :]
scripted up to chapter 4
21/? pages storyboarded
0/? pages completed
IF THIS IS AN ART BLOG, WHAT KIND OF ART WILL YOU BE POSTING?
In short, anything wcbwe related! Digital art, traditional art, short writing things, animations, concept art, storyboard sketches, etc. etc. Anything I make that has to do with the wcbwe universe will end up on here eventually! Not all of it will be Quality Art TM lol
ALRIGHT, BUT WHAT’S THE STORY ABOUT?
I don’t want to get too into spoilers, especially since I don’t have most of the plot ironed out yet. Up until the comic’s production is further along, the main focus here will be on worldbuilding and designs. With that said – you might be able to put together pieces of the plot with the art provided! I’ve got a couple big pieces coming up that have some kinda major spoilers. I just don’t want to actually talk about the plot things until I know what I’m doing. With that in mind, some art might end up getting retconned in the final production. Though, there’ll be a liiiiiiiitle plot sneak peak at the end of this post. Very small :p (it comes with art!)
ASKS ARE WELCOME!
Idk haha, if you’ve got anything to say, or any questions, drop an ask! It might take me some time to answer or I might want to save it for whatever reason, but I’ll answer eventually! Oh – asks are exempt from the Monday Updates btw! I’ll answer them whenever I answer them :3
…oh yeah I should probably mention. C a t s. (also tags are in the. tags-)
Without further ado – welcome to What Could Be Worth Eternity? Let’s dive in.
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Arceli dies.
And then she doesn’t.
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chemicallywrit · 6 months
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Happy Audio Drama Sunday! What a delightful and spooky Halloween week. As usual, this list is not comprehensive, but this is what stood out to me this week. Some spoilers ahead, in the shape of vibes~
🩸Hemophobia did NOT disappoint. My word. The strange disconnected way the story was told; the fact that the sermons were more coherent and clear than the action; the Extremely Teenage Teens. Man. I cannot wait to listen to this next episode.
🦀 THE SILT VERSES. Every day I think about Faulkner. The person he is. The apostle and the fool. Jeez louise. I can’t tell if he’ll save the faith or obliterate it and take everyone down with him. @thesiltverses
🌊 Modes of Thought In Anterran Literature - is that Felix Trench??? On the one hand, hearing a familiar voice does break the immersion a little, like the most unnerving part of this show is how real it feels; on the other hand, Felix did such a good job, the immersion break didn’t last long. This new character sucks, i love him.
👻 Palimpsest!!!! New palimpsest!!!! Easily one of my favorite single-narrator shows, and this one is set in the 1920s, which is one of my favorite historical periods. They’re also very good at a horrible subtle twist, so I can’t wait to hear more about this ghost.
😈 Kakos Industries is literally always good, but I really feel for Corin being like “PLEASE leave me alone on Halloween.” Man, this show is funny. Why isn’t it more popular. Please listen to Kakos Industries. They’re on hiatus, there’s no better time to catch up. @kakosindustries
🍔 Mayfair Watcher’s Society always knows how to get to me. It’s like, the absolute corruption of the Normal into something horrific and wretched is the point of the show, especially when it’s something you always suspected was messed up. Like a fast food job. I shudder.
🌲HALLOWOODS JEEZ. Mx Wellman did in fact try to kill me. I survived. I WISH SOME OTHER FOLKS HAD. @hellofromthehallowoods
❄️ Red Valley. Man alive. One of the things I love about this show is how there are no real heroes, but this season from the POV of the villains—the architects of the apocalypse, in a lot of ways. Creeps. It’s delicious. Today’s episode, watching Clive finally reaping what he sowed, was absolutely glorious. @redvalleypod
🦷 Welcome to Night Vale - HOBOY. Idk if the return of Kevin is going to be a plot point, but it’s the perfect idea for a Halloween ep. Chilling work as always, Kev! It’s also fun to listen to him seethe about his loss of power.
🅿️ Podcube is always a delightful treat, but this week had a fantastic little bit of sound design, which I’m told is this sound designer’s first attempt at such a thing. He did a great job! I love this show, everyone listen to PodCube. @podcube
👑 Malevolent: We’re Back To The Horrors. I’m honestly relieved. Arthur having friends and family is so scary, I keep waiting for something horrible to happen to them. And now something has! Which is not to say more terrible things won’t happen, but i feel like the other shoe has dropped. This is not a criticism at all, Harlan is so good at this.
🌞 I finished Fall of the House of Sunshine this week and…it made me cry? This goof goof show made me CRY? It really is just You Make Your Own Meaning The Musical, isn’t it? If this show had to have a moral, then “even if all you can do is something small, it matters” is a pretty good one. The fact that there was a moral at all is pretty miraculous. I’m going to go listen to the soundtrack a million times now.
🧛🏻‍♂️ Re: Dracula is coming to an end in just a few days and here is a secret: i haven’t heard these last few eps yet. Tal and Stephen finished working on them while I was in the thrall of New Job, so I get to hear their excellent sound work new with you. I am so excited for the final showdown, let’s GO. @re-dracula
🧟‍♀️ The Dead premiered this week! Go subscribe to it, it’s about to get REAL WEIRD. We did some table reads for the next story this weekend (and we have one more today!) and if you think zombies on a plane are scary…
Go check it out!
Now that all is well on the job front, I hope to get back to recording Inn Between soon, because I Want It To Exist. If you want to help us out or you just like what I got up to today, please drop by my ko-fi!
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slayerkitty · 6 months
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Narrative Frameworks in Only Friends
Something I have been tracking as part of the ongoing discussions about Only Friends is the use of the narrative framework for each episode.
So, I’m making this list specifically for tracking purposes, to note which framework was used for which episodes, if they repeat, and what they may be paying homage to. The goal is to update it every week. Due to suggestions, I am also tracking the end credit scenes, as well as any specific visual or audio formats used in the episodes.
Frameworks so far:
1. Voiceovers: gives the audience specific insight into a characters thoughts and feelings; also a great way to provide exposition. It’s more of an audio than visual framework, as we don’t always see the character doing the voice-over because it plays over other scenes.
2. “Talking Heads” (is there a better descriptor for this?): The characters talk directly to the camera, interview/documentary style. We get to see exactly how they feel about a given moment because they are reacting to it at that time. Audio and visual. Homage to Love8009 (per P'Jojo).
3. Social Media (ft The Artist Formerly Known as Twitter, Instagram, and Facebook): Not as insightful as the other two frameworks but does give context and a way for interaction, commentary, and exposition on a given plot. Visual. Probable homage to Together With Me, one of the first spicy BLs starring our kings, MaxTul.
(Side Note: I was re-watching some scenes from Never Let me Go and realized P'Jojo uses yellow text on the screen in it too. So maybe he just likes the yellow text or maybe it means something, idk, idk.)
Discussion: It appears the frameworks are dead. Long live the frameworks. We barely knew ye.
Honestly, part of me is glad they dropped them all together. One episode without them, maybe two, before bringing them back would still work. Bringing them back now does not work. The show has moved beyond them at this point. As sad as it is that we didn't get anymore of them, I'm still glad for what we did get.
I am willing to be we'll get some kind of framework next week because it's the finale and will feel like a book end to the premiere. Potentially, I could see the voice over coming back. But if we don't , we don't.
Episode 1
Framework: Voiceover
Title: What’s Your Role in a Bar?
Narrator: Mew
Visual Moment: Yellow title cards listing everyone’s “roles” as well as the month and days of the week
End Credit Shot: Mew sitting on the floor in front of his fish tank
Episode 2
Framework: Talking Heads
Title: M.F.M. My Favorite Man
Narrator: Everyone
Visual Moment: The talking heads scenes
End Credit Shot: Ray driving
Episode 3
Framework: Social Media (Twitter and Instagram)
Title: What Am I to You?
Narrator: Nick and Boston
Audible Moment: Nick listening to the TopBoston sex audio
End Credit Shot: Nick listening to TopBoston sex audio
Episode 4
Framework: Voiceover
Title: Emergency Contact
Narrator: Ray
Visual Moment: The flashback of RayMew is in 4:3 ratio; meaning it looks like recorded footage versus a memory, yellow text onscreen indicates flashback
End Credit Shot: Ray driving (repeat from episode 2)
Episode 5:
Framework: Voiceover
Title: The Extra Hour
Narrator: Sand
Visual Moment: Intro and Outro are animated; black and white (made me think of the Take on Me MV by A-ha but I’m open to suggestions on what this might be referring to)
End Credit Shot: Sand driving his motorcycle
Episode 6:
Framework: None
Title: Happy Fucking Birthday
Narrator: None
Audible Moment: Ray listens to the TopBoston sex audio; Mew plays the TopBoston sex audio for Top
Visual Moment: Top draws Mew sleeping/gives Mew a book of drawings he did of Mew 
End Credit Shot: Top in his bathtub alone looking angsty
Episode 7:
Framework: None
Title: After Effect
Narrator: None
Visual Moment: Mew setting the drawing on fire; Boston’s sex tape; the “super zooms”
End Credit Shot: Mew sitting on the floor in front of his fish tank (repeat from episode 1)
Episode 8:
Framework: None
Title: Save Me
Narrator: None
Visual Moment: Facebook party invite/everyone’s reactions to the invite; Everyone’s costumes at the party
End Credit Shot: Boston looking angsty at the hostel
Episode 9:
Framework: None
Title: The Return
Narrator: None
Visual Moment: Boston’s photo of Atom; Top recording SandRay kissing, BOEING (I had to, lmao)
End Credit Shot: Top in his bathtub alone looking angsty (repeat from episode 6)
Episode 10:
Framework: None
Title: Redemption
Narrator: None
Visual Moment: The “I will never leave you”/“I will never love you” neon sign; Boston’s photos of Atom; Nick’s photo as Boston’s lock screen (I’m fine!); Boeing’s Instagram
End Credit Shot: Ray driving (repeat from episode 2 and episode 4)
Episode 11:
Framework: None
Title: Move On Move In
Narrator: None
Visual Moment: Boston taking pics of Nick/Atom
End Credit Shot: Sand driving his motorcycle (repeat from episode 5)
If anyone can think of anything else to add, please let me know! If you would like to be tagged in this post or any other meta, let me know and I’ll add you.
Tagging the Ephemerality Squad: @lurkingshan, @waitmyturtles, @wen-kexing-apologist, @chickenstrangers, @ranchthoughts, @twig-tea, @clara-maybe-ontheroad, @distant-screaming, @thatgirl4815, @elizabethsebestianhedgehog
Tagging @sandrayy by request
Apologies to anyone I forgot!
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thatgirlonstage · 3 months
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Re:zéro asks!
What do you think would be the most interesting/hilarious crossover Subaru could stumble into. Either pre-canon or canon (or maybe even IF story), because he gets into situations, regardless of the timeline.
What ships do you like?
Do you ship rezero characters with characters of other series? If you do which ones?
And lastly, do you think Subaru deserves à vacation?
I don’t really do/think about crossovers so much unless I get particularly inspired for some reason—I’ve had some AU thoughts about Re:Zero but I’ve never really bothered considering crossovers for it. Subaru is a difficult character to transpose out of his setting & original plot without doing a LOT of work vis a vis how you manage his character arc. Though actually precisely bc of that maybe the most interesting crossover to me would be if canon Subaru got a glimpse of himself if he had been dropped in a more traditional isekai (I don’t know nearly enough about classic isekai to pick one though) and the kind of person he would’ve become if he was just handed a bunch of awesome powers and people who think he’s cool without ever being called on his shit (the absolute worst version of himself). Relatedly, to your third question, nah I p much never ship characters outside their franchise. Even if they don't directly interact I need them to at least exist in the same/similar enough context or interact with some of the same people in order to get the shipping tickle in my brain. Again unless something particularly inspires a crossover idea, but even then, I will at most do like, bullet point ideas that are mostly meant to be funny to me. I almost never read crossover fic and I’ve never written it.
On ships in general… okay look. I am a) multishipper galore and always one good piece of fanart from being interested in whatever ship idea you want to pitch to me, but b) not primarily into this show for ships and c) at most poking the Re:Zero fandom with a ten foot pole for pretty fanart and usually staying well away from it except to make posts for my own amusement and like six of my friends. I can’t go in the Ao3 tag for it. Every time I do I start wanting to stab things. My current strategy to make re:zero fandom for myself by slowly luring all my friends into watching re:zero is having a shockingly good success rate but yeah the fandom at large is…… holy lack of reading comprehension Batman.
For whatever it’s worth, just as, things I will yell the most about while watching, I am deeply invested in Rem and Subaru in whatever configuration of relationship you want to put them in, I like Rem/Ram because I’m me, and idk that I really know enough about Satella to have Thoughts but I am So Normal about Satella/Subaru Jesus fuck the love love love love love you bit. (NB: I’m anime only with this series so far, please no spoilers.) Emilia/Subaru do make me soft, Subaru and Otto should queerplatonically own a cottage and 37 pets together, and Crusch/Felis are a t4t couple and I shan’t be told otherwise. Actually the ship I’ve probably Thought the most about though is Julius/Subaru. Why did they put in a loop where they speedran an enemies to lovers tragic boyfriends arc. What was that about.
But all of that is secondary to my desire to watch Subaru get the shit beat out of him 😂 which, to your last question—does he DESERVE a vacation? I mean, sure, boy’s been through the biggest boatload of trauma one can imagine and he’s not a bad person even if he’s an asshole with a lot of baggage to unlearn. Do I want him to GET one? Absolutely not, that boy was made in a lab for me to squeeze him like a stress ball
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thrilling-oneway · 7 months
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I'd give you 5$ if you post that draft
you didn't even need to bribe. it's not actually in the drafts of this blog so i'll write a better version
i've said it a billion times before: tsukasa is the comedic relief weirdguy, the devs basically will do anything with him so long as it's funny.
so starting with that valentine's day vlive in 2021. during the MC part of that he gets jealous that rui has been getting chocolates and tries to brag that he got lots of chocolates too but then immediately reveals that he got friendzoned by multiple girls. his voiceline that year is something about how he catches everyone's attention on vday and year round bc he's a star or something like that but anyway that whole interaction there seems to suggest he's straight lol.
however.
he's REALLY oblivious. played for comedy ofc but i see a lot of people interpret this as him being somewhere on the aro spectrum (probably not what the writers intended but fair instance of accidentally coding a character as smth). examples include: not understanding why Akito doesn't want to be seen at PXL alone with Toya in an Akito's initial 3* (second story), literally says "thank you" when Asahi basically confesses to him and completely misses the point (he actually did seem to nearly get this one for a second), and he doesn't understand why Rui's friends are impressed that he's friends the incredibly attractive Shizuku (Tsukasa is the only not-gay-coded male character who isn't attracted to Shizuku, probably because they're childhood friends. or if you want to view him as being aspec, then that works too). also when he mentions that he's friends with guys in his class who are cool and popular and good with women, Hibiki says that he was in a class with one of those guys in 1st year and is amazed that tsukasa is in that crowd now, emphasis on the "tsukasa's friends are good with women part". tsukasa's just confused about that because of course they talk to girls a lot they're in the same class.
also he usually rewrites a lot of romance plays to remove the romance. he rewrote R&J to just make it focused on the action (which is probably because he likes playing action heroes more than anything else), and he got rid of the romance plot in little mermaid because he didn't felt it was needed (this one is justified in-universe as they do fun shows for small children and don't really need the tragic romance, and also from production standpoint like you don't do that because fandom). so yeah that could again be read as him being aspec if you want but i don't think the writers intended it to be read that way, especially the R&J one that was purely for comedy.
all that said, this is an idol game, which generally run on the rule of thumb that every character is some flavour of queer, even if it's just for fanservice (i don't play enstars but from what i do know of it it falls a bit on that last point). anyway you can probably tell where this is going but he gets ship tease with rui sometimes. vast majority of this is from Rui's side but there are things like Oki ni Mesu mama
Tsukasa: Waiting for the "1, 2…" signal, holding hands with you is an act of courage for me
or that one part in pandemonium where he drops his persona for a brief second when he's impressed by rui's plan that was very much put there on purpose, or that Tsukasa and Airi's cheerful carnival team name from that event is "swayed by their partners (相方, aikata)" and when you consider that Shizuku and Airi are heavily implied to like each other, and have canonically been on a "date", that was also a Choice.
idk whether to count KING because justified by them being actors and the fang motif in the song... vampires kinda homoerotic it makes sense that the dance routine was that. also i'm not sure if the connect lives are even canon, especially the wxs one since tokishun broke character and the 4th wall.
yeah i dunno. the writers kinda just do whatever they want with him. interpret any of this how you will i'm just recounting shit from the game.
oh hey it's longer than 300 words now
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problemswithbooks · 7 months
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It’s so obvious hori only has no problem with killing off non lov villains, if it’s hero or lov they all got ridiculous amounts of plot armor. stain getting killed off by afo is exactly what I expected, how else can hori show that afo is not just a punching bag for every damn hero of every level? look! afo can actually kill someone super easy!
sorry, just can’t find this exciting
Yeah, I totally agree.
As I said in my previous post I always expected Stain to die (or just be forgotten about/thrown back jail). I was never someone who thought my fav would have a happy ending. In most media I consume my favorite character is usually a low level villain that gets killed, so I'm more then used to it. Him dying isn't my issue--it's how lazy and little story impact it had.
Some of my other favorite characters that have died have been Greed, and Kimblee from FMA, Nnoitra and Tesla from Bleach and Han'nya from Rurouni Kenshin.
All of these had deaths that either matter plot wise or were given emotional impact. None of these characters are particularly big players when it comes to screen time, especially Han'nya and Tesla who were essentially side-kicks. Yet, their deaths are given a decent focus and/or effect the plot/themes of the work.
Hori did try--I will give him that. He did have Stain think something somewhat sentimental and sort of pray, but it's just not really enough. All might wanted to save him, sure, but after he gets killed, All Might is then the main focus and his death is pretty much dropped. It doesn't effect All Might and why should it when Stain wasn't really given much personality besides 'crazy guy' even right before he died.
And I saw that someone said in my last post, I was jumping the gun and Stain could be alive--which, yeah, I guess Hori could pull another Gran Torino and hand-wave him back from what clearly looked like his upper body being turned into mush, but why would he?
The reason I think Stain is super dead is because he's so unimportant. Hori has given him zero story value. Even him helping the Heroes with Info was rendered pointless because Star reset the clock for them. Nor has he done anything to expand his character past 'insane murder man'. Heck, I'd argue he actually had more nuance when he first showed up then he did in his last chapter, that continued to paint him as an All Might obsessed weirdo (which isn't me saying he shouldn't hold AM up as an ideal, but maybe not have him remember his scent and sniff rocks--he could have just watched and seen which blood was AfO's).
There's very little reason to bring him back in, especially since he has no Quirk and would be super injured. The only reason to have him pop back up alive is to save All Might again and get a slightly better death scene. But then the one we just watched is rendered even worse because it was a waste of time.
And I guess Hori could just say he survived at the very end, but again what would be the point? To go back to jail? I don't see anyone but the main LoV getting off scot-free, so this would only make the situation look worse, since Stain actually tried to the Heroes (twice) and gets prison time, meanwhile the LoV who were helping AfO up until the very last minute get nothing. It would be equally weird to have him just pop up at the end and get a panel saying he was also rehabilitated when Hori never painted him as anything but a crazy killer. Like it'd need a bit more of an explanation, then i think Hori wants to spend time on.
IDK, I just think he could have given Stain's death a bit more oomph--mainly by giving a little flashback to his childhood. It would have helped with the theme of villains having been kids once, while also showcasing how much AM mattered to him.
But I guess we'll see how things go. Maybe Hori will surprise us and have Stain do something in the vestige world because AfO stole his Quirk. I doubt it but who the hell knows, Hori is unpredictable.
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wereoz · 2 months
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YAY when i saw u tagged me my mouth literally dropped open THANKS @belleandsaintsebastian
last song: dancing barefoot!! was so obsessed with that song around… 2022? and about every other time i encounter it
currently watching: twd & the mentalist!! love twd sm i love long series and how they become homey and i love thinking abt constant underlying messages which twd is RIFE with. i am watching this season quite infrequently tho just cuz i don’t enjoy it as much as the others and i have been angry ranting abt it tbh………
the mentalist is quite frankly…… bad. 😭😭 WELL actually idk…… like it has strong points and obviously something abt it hooks me cuz hello i’m on s4 but in s1 & 2 i was like thats so cliched and annoying and that’s literally just police brutality so….. but in s3 i was enjoying parts & building little fantasy worlds abt it in my head & oh my god im obsessed w teresa lisbon & i LOVED the finale because it had DRAMA!!!! but then all the drama surrounding one plot avenue is just SUCKED OUT (imo) in the beginning if s4 so??? and one plot thread was just left so like thats annoying….. and the main guy at the last few minutes of an episode was literally told. i’ve diagnosed u with aspd (well. he said ‘psycopath’ i think but then when he lightheartedly asked a coworker he used the term ‘anti social personality’ so) and its like…. a joke basically so…… thank u very cool. literally that one house autism GOTCHA moment i had flashbacks
currently reading: love and marriage by monica ali, i got it from my english teacher cuz she brought in her favs. it was funny cuz last minute she was like oh no i forgot!!!! theres a lot of sex!!!!ask if u have questions i’m ur pshe teacher!!! very earnest & giggly shes great. i like it so far and the style of writing, im VERY interested in where its going, so glad i’ve found a book i enjoy sm
‘how far we’ve come’, for a competition…… ough i need to pick that up again before time runs out.
fever wake, very interesting to read, especially cuz i always read it before bed , all hazy and tired lmao
lesbians guide to catholic school, just for the mandatory 10 mins reading at my school in english. don’t really like the writing style, but i find the main character, yamilet’s, unique relationship w her family SO interesting. being the second favourite just bc shes a girl, how she reconciles her love for her brother with how frustrating that is, homophobia from beloved family members, and her dad being deported all interest me a lot
current favourites: …..always hot chocolate & whipped cream, my binder!!!!! oat biscuits, pasta, painting in acrylics & just working in my gcse sketchbook in general, collaging, imagining scenarios & fic scenes in my head especially w music, listening to music to and from school, when i make people laugh, that i’ve become more social and less afraid to talk to people,
no pressure tags <3 : @gayfilmbro @preordainedplace (again!! no pressure esp for u!! cuz ik were not mutuals but i love ur blog & art <3 and with it being so hard to find anyone posting abt one deranged movie released 13 years ago it feels like were locked in the same cage already lmao) @1985houndsoflove @thelastdaysofrocknroll @thepunkmuppet @doctorgregoryhouse @pnt03prcnt
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cursedvibes · 6 months
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the way so many people talk about the manga in general... like. if you're not having fun you don't have to force yourself to talk about it.... there's criticism that's rooted in enthusiasm for the material and then there's constantly posting about how Not Engaged you are. like i respect the hater lifestyle but some people could perhaps. be more slothful about it. idk. that was so ironic and im sure gege really felt that negative energy. now say something beautiful and true
Yeah, I mean there's plenty to criticize in JJK, I talk about the stuff I don't like as well, but there's a difference between that and just constantly complaining every week how you don't like what's happening, you don't care about the characters, you might not even know the characters or remember what they are about (and that's not Gege's fault it's not that hard to keep up) or the major goals of the protagonists and antagonists. At that point, why even continue reading when you don't know or care about what's happening? What's left to enjoy? Just drop it and wait till it's over if you're curious about the ending instead of pushing yourself through something you don't like for the sake of having something to say. Just watch the anime or stick to HI and Shibuya if you like those parts more can't relate do something that's actually entertaining to you. These people clearly don't even read the chapters or just go by Myamura's quick summaries (that aren't even always correct) of the leaks.
The current plot of csm doesn't interest me either and the only character I really care about is Asa. It wasn't fun to read anymore, so I dropped it and maybe I'll read the rest whenever the series is over. Same with Naruto. I skipped basically all of the 4th Shinobi War arc until Madara showed up. Why would I waste my time raving about how much I don't like something, when I can spend it more productively. Not to mention that I don't think fans of the series would appreciate me constantly posting in the tags how not moved I am by current events in a story.
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