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#if i never write my stories here's the outline i guess
2demon2slayer · 11 months
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how do their backstories change? like mitsuri literally got rejected for marriage but im gonna assume shes not at marrying age yet- she has a happy family and all, how would that change? or like mui and yui how would they have survived? or like himejima, his religious orphanage got slaughtered. or...how did kanao get out of her situation?
know where some dont change- gonna assume giyuu's sister got slaughtered still, or that sanemi and genya had that whole thing involving their mom. shinobu and kanae got rescued by kanao and aoi i think you said, shinjuro saved iguro from the entire demonic cult, and uzui i bet just left the ninja squad earlier than canon.
okay so i've been waffling on how to answer this for a while now, because originally i was just going to give you every idea i had on character backstories, but now i've started plotting out Actual Fics for some of these? so you're not getting all of the details, but i'll let you have some stuff.
this isn't every character, and it's not even every hashira or everyone in the friend group because i haven't fully plotted out everyone's history yet, so :/ also some characters will have a single line of backstory and others will have whole ass essays. i have thought more about some characters than others and i will not feel shame for having favorites within my own au
without further ado, though, here's some
CHARACTER BACKGROUNDS
uh, general spoiler warning for anime-onlys, although my blog is kind of a walking spoiler warning, so apologies on that front. also spoilers for like . my own au? this is kind of a huge deep dive into the background so.. idk man, this is a lot. i kind of went crazy with this
--
THE KAMADO SIBLINGS
so, obviously, their story starts out the same-ish: with the entire kamado family dying, nezuko being turned into a demon, the two of them being saved by the water hashira and told to train under urokodaki sakonji. just, the water hashira who helps them is makomo instead of giyuu
i haven't actually decided on what happens with tanjirou's final selection, because what happens there heavily informs what happens during giyuu and sabito's final selection. the big question is "does tanjirou kill the hand demon?" if he doesn't, then he at least puts up a good fight before fleeing.
tanjirou goes on a couple missions, meets yushirou and tamayo, receives his task to get blood from the twelve kidzuki, and goes off to try doing that!
at some point he encounters yoriichi (possibly from directions given to him from our favorite demon doctor?) and yoriichi starts teaching him Actual sun breathing
also at some point, tanjirou meets and befriends the rest of the future hashira. i don't really know what the kamaboko squad's adventures look like without the crazy of canon
according to my timeline i have (which is admittedly subject to change), tanjirou becomes a hashira about a year after becoming a demon slayer at the age of 16 after he kills the former lower moon one
several years later, nezuko conquers the sun! and tanjirou, no longer confident in his ability to protect her from muzan and just generally worried about her getting hurt on his continuously more difficult missions, sends her off to go follow yoriichi around
nezuko's still kind of out of it at this point so she doesn't really fight this decision like she might've if she were more aware. she goes with yoriichi and the kamado siblings will spend the next, eh, three-ish years not seeing each other
nezuko eventually does properly regain consciousness and starts sending letters to tanjirou, but eventually stops once she sort of processes the fact that her brother basically pawned her off on some guy. she's ignoring him out of spite now and they haven't talked in literal years
tanjirou meanwhile takes no time at all in cementing himself as The Strongest Hashira, hands down. the others look to him as the pillar of the hashira (heh) and he's basically in charge of them. he handles this leadership role pretty well at first, but as the years go by it really starts wearing him down. he's very tired but he has so much he has to do
and then tanjirou finds two boys at the bottom of mount fujikasane and things start looking up again
THE RENGOKU FAMILY
instead of ruka getting ill and dying, shinjurou gets sick and dies!
shinjurou probably would've made it through his sickness, but he decided to literally work himself to death and performed his hashira duties while ill, which eventually resulted in his untimely death
after his death, ruka ends up picking up the blade and becoming the flame hashira so the seat doesn't remain vacant. she spends her time not slaying demons training senjurou and kyoujurou
senjurou, as the eldest son, feels a lot more pressure to become a slayer and works his little butt off. it takes a lot of hard work, but he eventually succeeds his mama as flame hashira. according to my timeline, he becomes a slayer at 12 and a hashira at 17
after senjurou's promotion, ruka retires and devotes all her time to training kyoujurou. senjurou helps whenever he can! it takes no time at all for kyoujurou to surpass both of them in skill
at some point, kyoujurou also starts training mitsuri on the side before she just starts joining him when he trains with his mom and brother
the two of them go to final selection together and also at the same time as giyuu and sabito!
THUNDER BREATHERS
so zenitsu spends a good year and a half training with kuwajima before he takes final selection and becomes a slayer at 16. he makes friends with the other future hashira and gets dragged into fighting some pretty high level demons against his will
zenitsu becomes a hashira at around the same time as tanjirou, when he's 17 ish. he's not really about it, but you gotta do what you gotta do.
meanwhile, kaigaku . used to live with gyoumei before he did a really stupid thing and got a bunch of kids killed. and he ran away and ended up getting taken in by kuwajima when he was, oh, 12 ish??
zenitsu ended up visiting and basically imprinting on this kid, doing everything in his power to help kaigaku become the best thunder breather there ever was! he's not the best teacher, but he manages to get kaigaku to be able to use total concentration constant by the time he goes off to his final selection
tengen also shows up at some point and tries (and fails) to become zenitsu's tsuguko. the position is taken, though, even if kaigaku's not actually even a demon slayer yet
kaigaku participates in final selection the same year as giyuu and sabito (and company) and when he passes he gets instated as zenitsu's official tsuguko
KANAO & AOI
aoi is actually the one to get kanao out of her situation! and the two of them run away to become demon slayers together!
aoi has her final selection several years before kanao (and company), with the tokitou twins
she becomes a demon slayer and quickly realizes that she kind of fucking hates it, but unlike in canon, she has no fallback plan so she just has to commit to the life of a demon slayer
kanao eventually becomes a slayer too (although aoi told her she really didn't have to if she didn't want to) and the two start working together on missions!
uhh shenanigans happen, i have no idea what stuff occurs in the several years where the kamaboko squad is kicking
kanao becomes a hashira first out of the two of them, at the same time as tanjirou when she's 17
aoi becomes a hashira maybe a year or two later
the two of them set up the butterfly estate, help out sumi, naho, and kiyo, and then later also suma, makio, and hinatsuru
also around the same time they save the kochou sisters from a demon and basically adopt them
INOSUKE.
inosuke is inosuke is inosuke. not a whole lot changes with him other than him getting older
my only real note on inosuke is that at some point he finds out about his mom's history with douma. i do not know how.
THE TOKITOU TWINS
when muichirou posits the idea of becoming demon slayers, yuuichirou doesn't tell him no
the two take a month to learn mist breathing and then another month to kill a lower moon. both of them are offered the position of hashira, but mui turns it down so yuui gets the position
this does mean that yuuichirou has been hashira for the longest out of the current roster. eight whole years as a hashira, from when he was 12 to when he's 20
(edit: lol i forgot about makomo. i always forget about makomo.... yuui's been a hashira the second longest after makomo who's been a hashira for 11 years!)
muichirou is basically an honorary hashira, but doesn't want the rank
THE SHINAZUGAWA BROTHERS
when genya's 15 and sanemi's 8 (yeowch, finally writing down their ages for that makes it kinda hurt worse), sanemi kills their demon mom and genya takes it poorly, calling sanemi a murderer in a fit of anger. sanemi runs away and genya has no idea where he ends up
on the genya side of things, he spends a good year doing nothing but looking for his little brother before he kinda gets recruited by the demon slayer corps who offer to help him look for his brother
genya becomes a slayer and becomes a hashira around the same time as tanjirou (and company) and he sort of. gives up on looking for his brother because he's pretty sure that sanemi's better off without someone like genya chasing after him
on the sanemi side of things, he runs away after his tragic backstory moment and just kills random demons until he's found and taken in by masachika. he finds out his brother's a hashira and comes up with a really convoluted plan to apologize to genya about killing their mom after sanemi becomes a hashira
he learns wind breathing and takes final selection at the same time as giyuu, sabito, and co.
and then sanemi finds out that in the week he was off participating in final selection, masachika got killed by a lower moon
so he's in a ... rough headspace at the start of the story. which is at least partially why he's . like that
THE KOCHOU SISTERS
shinobu and kanae lose their family to demons when they're 12 and 13 respectively. they're taken in by kanao and aoi and move into the butterfly estate! they also start training under both of them
(this isn't really a background thing, but in case i never do anything with it, i have an idea of a line between kanao and kanae when they first meet where kanao asks for kanae's name and then goes "oh, that's kind of funny. because my name's kanao. they're pretty similar, aren't they?" and it helps calm kanae down a little)
kanae takes final selection when she's 14 and becomes kanao's tsuguko
shinobu is discouraged from taking final selection because she really doesn't need to and also she's kind of scrawny so it might be too tough for her, but she goes anyways a year after kanae and in the same year as giyuu, sabito, and co
UROKODAKI'S (OTHER) STUDENTS
makomo passes final selection when she's 12, narrowly avoiding getting killed by the hand demon, and then she becomes a hashira two years later when she's 14
makomo is 17 when she comes across tanjirou and nezuko and sends the both of them to urokodaki
sabito is taken in by urokodaki maybe a year or so after tanjirou passes final selection. sabito is 9 ish
tomioka tsutako dies(?) when giyuu is 13 and after running away from the people he was sent to live with, he comes into urokodaki's care
giyuu and sabito go off to final selection when they're both 15 and it doesn't go… great.
and that's all you get!!!! maybe i'll write more backstory stuff someday but this post is already kinda fuckin long as hell
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dragonmuse · 10 months
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How to be a Dirtbag Fic Writer
I got to do some talking about writing today and I couldn’t stop thinking about it so here are my full thoughts on the matter of being a dirtbag fic writer.
Being the disorganized thoughts of someone two and a half decades into the beautiful mess that is writing fanfic (and a few non-fanfic things too).
What is a dirtbag fic writer? 
 I am talking about someone who is not cleaning up anything. We show up filthy, fresh out of rooting around in the garden of our imaginations. We probably smell a little from work. We will hand you our hard grown fruits, but we have not washed them and we carried them in the bottom upturned parts of our t-shirts. The fruit is a little bruised. It’s not cut up or put in a bowl yet. But we got it in the house! It’s here. Someone can eat it.  
Why dirtbag it? Because the fruit gets in the house. If you’re hemming and hawing, if the idea you want to do seems to be big or you want it perfect and shiny. If you’re imagining a ten thousand step process, so you’re not taking the first step? Dirtbag it. 
How do I dirtbag? 
That’s the best part. You just write. Sit down. One word after the other. No outline, no plan, no destination. No thought of editing. Just word vomit. Every word is a good word. It’a word that wasn’t there before. Grammar sucks? Who cares. Can’t think of the perfect word? Fuck it, put in the simplest version of what you mean. 
Write the idea that you love. The one thing you want to say. Has it been done 3000000 times? WHO CARES human history is long, every idea has been done, probably more than twice. YOU have never written it before. It’s your grubby potato that you clawed out of the ground and guess what someone can still make it into delicious french fries. 
Now here’s the critical part. Write as much as you can squeeze out of your brain. One word in front of the other. 
And then I challenge you this: at most, read it over once and then put it into the world. Just as it is. AND THIS IS IMPORTANT: DO IT WITHOUT APOLOGY OR CAVEAT.  I challenge you, beautiful dirtbag to not pre-emptively apologize. Do not make your work lesser. THAT IS YOUR POTATO! It has eyes and roots and dirt clinging to it because that is what happens.  We are dirtbagging it today. Hell really confused people at do #dirtbagwriter on it.  
Dirtbag writes id, base, lizard brain. Dig in the fertile garden of your imagination. What is the story you tell yourself before you fall asleep? What’s your anxiety this week? Your fantasy? What is going well? What do you wish things looked like? Who is the feral imaginary character you’ve been crafting to take your frustrations and joys out on? 
But, VEE, I wish to have an editor and an outline, use a cool software like scrivener instead of retching up onto a google doc and making it look NICE and PRETTY!
COOL! DO THAT THEN! IF YOU’RE ACTUALLY DOING IT! You should have a process! That’s cool and healthy and necessary for sustainable writing. But if you’re not writing because all of that seems too much? THEN DON’T. 
Did you know fic is free? That we do this from love? From sheer desire? For the love of the game? If you have a process, and the words are flowing, amazing, I love that for you, you don’t need this essay.  If you don’t, let us continue. 
What does dirtbag writing look like? 
It’s messy. It’s a little raw and tatty around the edges sometimes. It’s weird.  It’s someone else’s first draft. Maybe it winds up being your first draft, Idek, that’s your business. 
It’s jokes that make YOU laugh. It’s drama that would make YOU cry if you read it. You are your first commenter. You are your first audience (and possibly continuing pleasure! If you don’t go back and reread your own work sometimes, you might be missing out on one of your favorite authors cause you wrote it for you! Wait until you’re not so close to it. Years sometimes. Then hey, maybe some of this is pretty dang good actually.) 
It has mistakes. 
Dirtbags make mistakes, but dirtbags have published pieces. They have things other people can read out there. 
What if I don’t get good feedback? 
Look, the most likely outcome of any new, untried fic writer (and even established writers trying something new-ish)  is that you get no feedback. That’s real. Silence. It’s eerie, it’s terrible, it sucks. I don’t want to pretend it doesn’t. But nothing is not negative. It’s a big fic-y ocean out there and we are all wee itty-bitty-sometimes-with-titty fishes.  
You should still do it all over again. And again. And again. You get better at writing by writing. You just do. Nothing else replaces it. If your well is dry? Fill it with new things. Go do something new, read a new kind of book, watch a new film,  (libraries have so much good shit, you don’t even have to spend money for so many things if you have a library card), just go for a walk in a new direction. Stimulate yourself. Got a cup of something hot and eavesdrop on conversations. Refill yourself with newness. 
And hey, speaking of, do you leave comments? Because you get what you give. You can build relationships with people by commenting and that builds community and community means places to get feedback in the end. Comments are gold. They are all we are paid in. Tip your writers with ‘extra kudos’ or ‘this made me laugh’. And hey, when you go back for a re-read so you can tell them your favorite part? Ask yourself how they made that favorite part? What do you like about it?  Tone? Metaphor? The structure? Reading teaches us how to write too! 
BUT, okay. Sometimes. Sometimes there is actual bad feedback and people suck. 
You know the best part about being a dirtbag? Unrepentant block, delete, goodbye. You don’t own anyone with a shitty opinion any of your precious time on this earth. You did it for free, you gave them your dirty, but still delicious fruit and they went ‘ew, this is a dirty strawberry, how could you not make a clean tomato?”  Because you didn’t plant fucking tomatoes, did you? Don’t fight, don’t engage. Block. Delete. Goodbye. 
If someone in person, looked you in the eye when you brought them a plate of food to share at a party and they said “Why didn’t you bring me MY favorite? This isn’t cooked well at all.” You would probably write up a Reddit AiTA question about it just to hear five thousand people say they were an asshole.   Fic is no different 
And hey, when you dirtbag it? You know you did. It’s not your most cleaned up perfect version. So who cares what they think? You might make it more shiny and polished next time! You might NOT. 
Ok, but what if I don’t finish it? 
Fuck it, post it anyway. 
What if it’s bad? 
Fuck it, post it anyway. 
What if it doesn’t make sense? 
That’s ART, baby. Fuck it, post it anyway. 
What if what I want to write doesn’t work with current fandom norms? 
Then someone out there probably needs it!  And what the hell is this? The western canon? FUCK IT POST IT ANYWAY* 
*Basic human decency is not a ‘fandom norm’. Don’t be racist, sexist, ableist, fat shaming, classist or shitty about anyone's identity on main, okay? Dirtbag writers are KIND first and foremost. Someone saying you are stepping into shit about their identity is not the same as unsolicited crappy feedback about pairings. In the immortal words of Kurt Vonnegut: "God damn it, you've got to be kind.”
You’re being very flippant about something that’s scary. 
I know. I know I am. I know it can be scary. But no risk, no reward and hell, you aren’t using your goddamn legal name on the internet are you? (please for the love of fuck do not be using your legal name to write fic) You’ve got on a mask. You’re a superhero. With dirt on your cape. 
That niche thing that you think no one cares about? Guaranteed you will find someone else in the world who wants it. Maybe they won’t find it right away. Maybe they will be too shy to comment or even hit a button. But your dirty potato will stick with them. They will make french fries in their head.
You have an audience. But they can’t find you if you have nothing out there. 
Go forth. Make. 
You have some errors in this essay. 
PROBABLY CAUSE I DIRTBAGGED IT.  But I picked this strawberry for you out of my brain, so I hope you run it under some cold water and find the good bits and have a nice snack. Or throw it away. Or use it to plant more strawberries (I know that’s not how strawberries work, metaphors break when stretched).  
#dirtbagwriter 
Go forth and MAKE
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chronologicalerrors · 9 months
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Why Crowley Was an Archangel, And Why it Matters: A Fan Theory
Neil Gaiman has said that Season 2 is a bridging season, setting up what is to come in Season 3, which will be based on a story he and Pratchett outlined many years ago. This season is therefore moving characters into place and establishing facts and mechanics of the Good Omens universe that we need as an audience in order to understand what comes next. It moved Aziraphale back to Heaven, and removed Gabriel and Beelzebub. This season has also been heavy on the references to Crowley’s past as an angel.
Season 2 of Good Omens has been practically inviting us to speculate on who Crowley used to be. If we’d just been given that one glimpse of him in the first scene I wouldn’t make so much of it, but we also saw him return to heaven in disguise and reject an offer of being returned to full angelic status. We have to conclude that there’s been so many sustained hints at this because it will be important next season!
Some of this has already been suggested by others, but GO2 has taken over my brain and I need to write this all out. So, let’s have a look at what we already know about Crowley’s angelic past in-universe, and what else we might be able to guess at from that. 
What’s special about Crowley’s powers?
Crowley is the only demon or angel who is shown being able to stop time. When asked about this Pre-S2, Neil Gaiman said the following:
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We first see him do this in Paris in 1793, and the second time to speak to Adam to avert the apocalypse at the end of S1. The first time was something he did casually, while the second required a huge burst of power – it needed to hold off Satan, after all - and happened at Aziraphale’s urging.
A: Come up with something or… or I'll never talk to you again.
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(GIF from fyeahgoodomens. There’s a collection of gifs of Crowley stopping time through S1 here.)
When we see him stop time this season, in Edinburgh in 1827, it’s also directly at Aziraphale’s request:
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This bit is absolutely key to me, as this establishes that stopping time is something Crowley can do that Aziraphale cannot.
This also seems tied to the crank handle of his Bentley. When Crowley has stopped time to hold off Satan, he is gripping the handle in the same way Aziraphale carried his flaming sword, and spins in when he comes to restart time.
C: I'm going to start time. You won't have long to do whatever you're going to do.
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By itself, this doesn’t mean anything. Until we see the same handle at the start of Season 2, in the hands of Angel Crowley. He uses this to start up his nebula, as a tool for setting time into motion.
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Is this the same handle? It certainly appears this way. Like Aziraphale’s flaming sword, was this a gift from God that he’s managed to hang on to for thousands of years (And it just miraculously happens to fit his Bentley)? It certainly seems that the Bentley crankshaft handle is more than it seems, and that Crowley can use it as a conduit for power – as he needed to when stopping time to hold off the ruler of Hell himself.
The link between this object, a relic from his time in heaven, and his rather unique ability to stop time, suggests that Crowley was once an angel of great power.
What rank did he hold?
We saw Crowley return to Heaven, in disguise, in S2 E6, with events hinting that he was once a very high-ranking angel:
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So, we know for a fact he was above the level of Thrones and Dominions. So where does this place him on Heaven’s organisational chart? My analysis here is metatextual – I don’t think looking at external hierarchies of angels is that helpful to understanding the Good Omens universe, so I will only focus on what Neil Gaiman has confirmed when asked, or has been demonstrated within the world of the show itself.
Good Omens has its own Hierarchy of Heaven, but Neil Gaiman has clarified that the Archangels we see are amongst the most senior personnel in Heaven. This runs counter to many hierarchies of angels (which are often contradictory in and of themselves) but is consistent with the depiction in John Milton’s Paradise Lost as well as Jewish tradition, where the highest ranking Archangels are given the title of “princes” of heaven. “Prince of Heaven” is also a term that Metatron applies to Gabriel in S2 E6.
Of the heavenly entities mentioned in the show, we can infer the following angelic hierarchy:
God
Metatron (NG confirms here)
Supreme Archangel (Gabriel, now Aziraphale)
Other Archangels (Michael, Uriel, Sandalphon, in that order – See NG here)
Cherubim (Aziraphale at the Garden of Eden, when he was the Angel of the Eastern Gate –NG Confirms here)
Thrones & Dominions
Principalities(?) (Aziraphale after the Garden of Eden – NG doesn’t state if this is a promotion or demotion, but it feels very demotion-y)
Other lower-ranking angels (As a Principality, Aziraphale was supposed to lead a platoon of angels into battle in S1 – so there must be many levels below him – see NG here)
Scrivners (Muriel and the level Gabriel would have been demoted to. Appears to be the lowest rank in Heaven, suggested by NG here)
There are likely many other levels in-between these that have not yet been mentioned onscreen. Saraqael, for example, seems lower down than an Archangel (addressing Michel and Uriel as “your beatitudes” before approaching them in Episode 1), but above Aziraphale. You’ll notice Seraphim aren’t in this list, because they’ve not been mentioned on screen – but I suspect they do exist in this universe and are a class below Archangels but above Cherubim.
This doesn’t necessarily mean that Crowley was an Archangel, but confirms pretty explicitly that he was once near the top.
So who was he?
Neil Gaiman has stated that his name when he was an angel was not Crowley/Crawley, and the first scene of Season 2 sees a bit of redirection when Aziraphale tries to get angel-Crowley’s name:
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This is quite deliberate, and sets up his name as something important to be revealed later. However, I can’t see why his name would matter to the narrative, unless it’s something recognisable from biblical canon – or, that it’s not necessarily his name, but his rank as an angel that was important.
There are numerous pointed references throughout Season 2 to Archangels, in such a way that feels like the show is setting up for this to be revealed in the future. The misdirection about Angel-Crowley’s name may have been because Aziraphale was likely to have recognised the name of an Archangel.
More than this, I personally do think, that before his fall Crowley wasn’t just any old Archangel, but the Supreme Archangel. This is based on the following 7 points (you know God likes sevens):
The very deliberate way the camera pans to Crowley’s impassive face after Gabriel says “I’m the only first-order Archangel in the room or, you know, the universe.”
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2. Metatron’s statement, “For one Prince of Heaven to be cast into the outer darkness makes a good story. For it to happen twice, makes it look like there is some kind of institutional problem.”
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While it’s quite clear that we’re supposed to associate this line with Lucifer himself (and yes, I know NG confirms that's who this was alluding to!), it’s interesting that ‘Prince of Heaven’ is a title associated with Archangels in Jewish tradition and very specifically with Gabriel on screen in the universe of the series. That Jimbriel also repeats this line to Crowley in the bookshop specifically feels significant...
3. Crowley also recognises Metatron in the bookshop, where no other Archangel does. Metatron deliberately avoids using his name in this scene, calling him ‘demon’. Which is not inaccurate, but may suggest the Metatron remembers Crowley’s angelic name. It may also explain Metatron’s very dark look at Crowley as he exited the shop – the two of them have some history.
4. It’s never stated explicitly that Gabriel hasn’t always been the Supreme Archangel since the beginning, but there’s enough vagueness in the text to guess at this. When Michael and Uriel are discussing what to do in Gabriel’s absence, Michael and Uriel have this exchange:
M:There is, of course, no question of replacing the supreme archangel. I am the Archangel Michael, you are the Archangel Uriel. U: We aren't in charge. Right now, as of this moment, Heaven does not have a supreme archangel. M: There is always a supreme archangel.
“There is always a Supreme Archangel!” not “Gabriel has always been the Supreme Archangel!” According to some traditions, the Supreme Archangel was the first angel ever created, which would support Michael’s statement: There is always, and there always has been, a Supreme Archangel, since the time of creation. It’s possible that someone else held this role pre-Fall, and Gabriel was appointed as successor after the War in Heaven.
5. The way the other Archangels behave around him. There’s a wariness, but also a strange deference. On being discovered by Saraqael in heaven, they don’t immediately throw him out, but let him watch Gabriel’s trial – even ordering Muriel to show him it. Michael and Uriel then follow him back to Earth without much fuss, giving him quite a look, while Crowley seems to be enjoying himself:
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(This also feeds into why I think Crowley looked so different during the Job segment. He knew he might encounter a few Archangels he’s not seen for a thousand years or so, and so appears in disguise.) 6. The lightening! I’ve seen someone point out that Crowley’s electric temper tantrum in S2E1 mirrors the lightening used by Gabriel to travel to Earth in S1E6. This could be a coincidence of VFX, or it could be a Clue.
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7. That last conversation between Aziraphale and Crowley:
A: I don't think you understand what I'm offering you. C: I understand. I think I understand a whole lot better than you do.
That’s such a weighted statement, and could be interpreted in so many ways. But, viewed in this light, it sounds like a warning from a former angel who used to be very high up in Heaven indeed – and has absolutely no desire to return there.  
Why does any of this matter?
Obviously just theorising here…
The story is setting us up for a reveal here – Crowley’s status as an angel, and who he was before the Fall is clearly going to factor into Season 3 in some way. Why tease us with it so much and so often if it’s not important?
In terms of the narrative, a powerful revelation would be that Crowley used to have Aziraphale’s new job. That it led him to asking questions about the Almighty’s plan and then, ultimately, falling. And that the Supreme Archangel, for one reason for another, eventually turns against Heaven – it happened to Crowley, to Gabriel (after a few thousand years), and then will have to happen to Aziraphale too.
I could be way off here, but at some point the show needs to explain why Crowley is so different from other demons and has powers that no other demon or angel seems to possess. A reveal that he was once very, very senior in the organisation of Heaven, before asking too many questions and being cast out, would serve as a explanation and be a meaningful development to the narrative of Season 3.
I don’t think we’ll necessarily get a name (because we don’t need one) – but I do think we will get a rank or some idea about who he used to be, and that’s what’s going to be significant. TLDR: Supreme Archangel Crowley!?
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minustwofingers · 1 year
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exoplanet p. 4.5
second half of exoplanet part 4!
pairing: ellie williams x reader
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summary: you’ve won the life lottery as one of the few people on earth with parents who gained admittance to the most prestigous safezone in the world after the outbreak. but after a lab accident sends you out to jackson, wyoming, real life hits you fast. it’s a good thing that a hot lesbian finds u. (lol). mean ellie at first, slowburn, enemies to friends to lovers, fem reader asf
warnings: PLEASE READ! mentions of nsfw content (read at your own risk), violence, explicit language. also a lot of angst. ellie is still kind of a dick but not quite as much. 
a/n: haha. isn’t it sooo funny how i said this would come out almost 12 hours later and then i posted it? i need to hit the hay early asf today if im to be frank w you guys so here it is now. i want to thank you all for the sweet and kind messages and comments i’ve been getting—they’ve been fuel for my writing!! also, i’ve got a better idea of how i want to end it now, so i’ve got a pretty good outline for what’s going to happen. expect around 3 more parts (one of which may or may not be an epilogue from ellie’s pov). as always thanks for reading!
part 1
part 2
part 3
part 4.0 (first half of this part) 
playlist inspired by exoplanet!!
wc: 6.5k
tags: @prettyplant0 @666findgod @sawaagyapong @rystarkov @buzzybuzzsposts @addisonnie @galacticstxrdust @parkersmyth @pinkazelma @ariianelle @lu002 @blairfox04 @sparkleswonderland @elliesflower​ 
enjoy x 
Dina’s sudden reappearance in your life was turning into one of the best things you had going on. When you were done with work, instead of loitering about Joel’s home and hoping to run into Ellie, you’d knock on Dina’s front door and spend your afternoons gossiping and trading stories. 
She never asked so explicitly about Ellie again, but you could tell that occasionally she wanted to.
“Guess whose birthday it is this weekend?” asked Dina one day in late April. The Wyoming sun was hung high in the sky, and the weather was steadily becoming warmer. The temperature was stuck at a breezy 60, and a part of you wondered just how hot it would get over the summer. 
Terranova rarely ever got over 70 degrees. Would it be hotter than that? Would you even be here to see it?
“Yours?” you guessed casually, pushing away the ever-present question of how long you’d really be in Jackson.
Dina snorted. “No. Not quite. You just missed mine, actually. I’m a December baby.” 
“Jesse?”
“No.”
“Joel?”
“Nope.” Her mouth popped on the p. 
Your heart thudded. “Uh—Ellie?” 
Her face split into a wide grin. “Yes! It’s her 20th. Isn’t that crazy? She’s ancient.” 
“Wow!” you said, coaxing faux enthusiasm into your voice. 
You and her had kept seeing each other at night, long after Joel had turned in. It always proceeded like clockwork—she’d come knock at your door, you’d fall into her bed, and then you’d leave.
You’d thankfully avoided any of the embarrassing stuff that you’d done the second night—no more unnecessary sensual face touching and whispers of her being a good person. You wanted to, though. There was so much that you ached to tell her, so many words that threatened to spill from your lips that you just barely managed to keep at bay. 
The worst part was the way that nothing had really changed between you two beyond what transpired every few evenings in her room. Each morning, you’d wake up knowing that you were in for another day of pretending like she didn’t know what it sounded like when you whined and begged and told her where to touch you. Like you didn’t know how her mouth tasted.
“I want to get her a present,” Dina was saying. “I do something for her every year, but I want this birthday to be a little different—given that she’s made it two decades and all, you know.” 
“That’s really thoughtful of you.”
Dina’s eyes sparkled. “I know! Do you want to help? If you do, I’ll tell her it’s from you, too.”
“Actually,” you said, wheels in your head turning, “That would be amazing. I have no idea what I’d get her otherwise.”
“Great.” Dina leaned back, nabbing her backpack from the ground and fishing through it until she produced a map. She unfolded it and began gesturing over the marks. “I found an abandoned bookstore in this area outside of the wall.” She tapped on a dot that she’d made, situated a fair ways away from the wall and on the opposite side of the town as the dam. 
“So we’re going shopping?”
Dina laughed. “Yeah. 5 finger discount, too. The only problem is that we might need to kill some baddies to qualify, but once we clear our way, it’s home free.”
“Right,” you said, fear creeping into your bones at the thought of having to fight off the infected. You’d only been on a few patrols since you’d been shot, and each had been totally unnoteworthy. You’d yet to actually shoot your gun at anything. “You—you do know that I’m not actually that good of a patrol partner, right?”
“Don’t worry about it,” said Dina, waving her hand dismissively. “I can take care of us. Plus, we haven’t seen infected in this area for a while. This is a pretty remote area—tough to reach unless you know what you’re looking for.”
“So, when are we going?”
A glimmer appeared in her eye. “Now?”
~
“Where are you going?” 
Ellie stood, her arms crossed as she leaned against the opposite wall. You were grabbing your patrol things, slinging your backpack over your shoulders and pulling on the gray sweatshirt she’d given you.
“Out with Dina,” you said, slightly breathless from moving so quickly. You hadn’t been expecting Ellie to be home—normally she was keeping herself busy picking up extra patrol shifts and helping Joel. It had been an unwelcome surprise to run into her, sour faced and serious while you were trying to get ready. 
“Out where?”
You shrugged, trying your best to look nonchalant. “Dina said she wanted to show me something.”
She was silent as you finished lacing up your shoes, but you could see her watching you from the corner of your eyes.
“I’ll be back in time for tonight, if that’s what you’re worried about,” you offered snidely, hardly realizing what you’d said until it had left your lips. It had been a low blow. It had been nasty. You weren’t sure why you’d said it. 
“That’s not—” She rubbed the bridge of her nose with her fingers. “I didn’t mean it like that.” 
“I know.” You stood up, feeling deflated. “Sorry. I don’t know why I said that.” 
Ellie sent you a tight smile. “It’s fine.”  
You walked back to Dina’s feeling heavy. That was how most of your interactions with Ellie seemed to go nowadays—awkward, stiff, and remarkably unfriendly. You weren’t sure what changed. And she was still fucking you, which didn’t make much sense.
Sometimes it felt like she was distancing herself on purpose. But that had to be wrong, because why would she do that? You obviously liked her. She wasn’t the one at risk of being hurt. 
You and Dina took off by foot as the sun began to set, well-armed with both weapons and navigational equipment. Well—Dina was, at least. All you had was the small gun Ellie had given you. Dina was doing all of the heavy lifting.
The forest was quiet, interrupted only occasionally by songbirds and the sound of wind rustling through the leaves. Spring had hit Jackson suddenly, the underbrush exploding in volume and flowers blooming everywhere.
As you two walked through the woods, chattering mindlessly and generally enjoying each other’s company, you made a mental reminder to return to the forest to pick up a makeshift bouquet of flowers. Ellie didn’t seem like the type to swoon over things like that, but even the most unromantic people could recognize the gesture of flowers. You were sure she’d at least put them in a vase. 
Eventually the path Dina was leading you on opened up to a heavily overgrown street, a small decrepit strip mall hidden away in the shrubbery.
“Here!” said Dina cheerily. She jogged forward, scrubbing the moss off of the door to show a book icon on the filthy glass.
“And you said that there’s no infected here?” you asked, your fingers wrapped nervously around your gun.
“Of course I did,” said Dina. “Do you think I’d take you somewhere that was infested?”
The glass shattered as a body came crashing through the door, thrashing and clicking in a mass of bloody limbs as it took Dina to the ground.
Your finger squeezed the trigger before you could think, sending a spray of gore into the air as Dina forced the thing off of her and stood, panting. 
There wasn’t even a chance to breathe. A piercing shriek cut through the air before three more followed the first, not paying any mind to the jagged edges of the broken door that grabbed at their mutilated skin. 
“Fuck!” Dina’s knife went swinging through the air, slicing and jabbing at the creatures in front of you. They fell in quick succession, but there was more rustling and screaming from inside. Far too much rustling. “Run!”
She didn’t have to tell you twice. Despite the fact that you’d never been a track star in school, you bolted quicker than you’d even known possible. Your backpack banged against your back as you sprinted down the road, ducking into the brush and making a break for it with Dina right on your tail. 
The walk there had taken close to 30 minutes. Your sprint cut that in over half. You and Dina ran in stride, with her lagging behind to send off a few shots to ground the runners that were quick enough to keep up. The clearing you appeared in all the way back in the winter flashed by you in a second, and within another few moments, you were both resting against the wall, chests heaving as you both picked off the stragglers that had come out of the forest to investigate.
By the time the last gunshot rang out and the final infected slumped to the ground, you were shaking uncontrollably, your gun vibrating in your hand. 
“Shit, I’m so sorry,” said Dina, equally breathless though significantly more composed as you two walked through the entrance, getting concerned looks from the people who were manning the gate. “I’ve never seen so many in that store before. I don’t understand. It was clear the last time I went.” 
Before you could respond, someone stepped into your eye line.
“What the fuck did you do,” seethed Ellie. Her eyes were wild, her lip curled in a manner so derisive you began to wonder if you’d ever actually seen her angry before this. 
“Chill, Ellie,” said Dina. “Y/N and I were just going to try and pick something up for your birthday. There were…a few more than what I was expecting. But it’s fine. We handled them. She did great.”
Ellie looked at you then, and you could feel her taking you in. Her eyes rested with accusation at the way that your hands were trembling. “You’re so fucking stupid, Dina. You knew that she’s never done this before. What the fuck is wrong with you, taking her out like that?”
“It was clear the last time I was there!” Dina spoke with her hands, waving them through the air in emphasis.“There wasn’t supposed to be any. I don’t know what to tell you. I didn’t purposefully try to get us killed.” 
Ellie sent her another scathing look before turning her attention to you. “And don’t even get me started with you.”
You blinked. “What?”
“What the fuck were you thinking?!” she snapped. 
Dina sent you a wink and disappeared down the street in the direction of her house. 
“I was thinking of your birthday, actually,” you said delicately. “We were going to get you something from the bookstore.”
“That is not an excuse to go get yourself killed!”
You held up your hands in mock surrender, which looked really stupid considering how hard you were still trembling. “I’m sorry. That wasn’t the original plan. Can we not do this right now? I’m still trying to, uh, process what happened.” 
As if to punctuate your point, the next step you took nearly sent you to the ground, your knees wobbling. 
Ellie’s hands were at your sides in an instant, solid and steadying against you as you regained your balance.
“Sorry,” you said again, lower this time. 
“How many?” Ellie asked. Her voice was softer now, almost resigned. She hadn’t let go yet.
“I don’t know,” you admitted. “After the first three or four, I lost count. They just kept—” You winced at the memory of the wet sound that they made hitting the ground. “They just kept coming.” 
“You did them a favor,” said Ellie, stepping back and to your side as you began to walk forward. Her hand stayed posed on your forearm. “It gets easier.” 
“I don’t know if I want it to get easier,” you confessed. 
“Well, how about you start by never doing something that fucking stupid again.” Her words lacked any venom. “Don’t you ever go out without me again, okay? Do you have any idea what could’ve happened to you?”
You gave your trembling hands a look. “I can take a guess.”
Ellie walked you back to Joel’s house, helping you out of your jacket and unsubtly checking your skin for bites. Or at least that’s what she said she was doing. She couldn’t seem to stop touching you. 
You headed back up to your room to get changed as Ellie shut the front door and was off to finish her work with Tommy. As you leisurely made your way down the hallway, you noticed that something was off—the hallway closet was slightly ajar.
The memories of your first night there came floating back to you, images of Ellie shutting the door before you could see inside emerging to the forefront.
It wouldn’t hurt to look, would it? It was probably nothing. 
Your hand wrapped tentatively around the handle, pulling the door open so slowly that the old, rusty hinge fell silent.
It wasn’t what you were expecting. It wasn’t what you were expecting at all. 
It wasn’t really a closet—there were a few shelves, but no hangers. In their place, there were stacks of textbooks with old, dated covers of the stars, planets, and physics. The back wall was plastered with drawings of constellations and calculations in Ellie’s messy scrawl, reminiscent of the leftover scrap paper from when you sat your physics exams and did your problem sets.
The memory of Ellie staring at your textbook re-emerged to hit you with full force. No wonder she was interested in it. THIS is what she was going to say that she wanted to study when you’d asked her. 
A slow smile crept onto your face as you thought about her upcoming birthday.
You knew what you were getting her now. 
~
Preparing for Ellie’s surprise party was a full day’s worth of work. You and Dina had convinced Maria to give Ellie enough things to do that she’d stay out of the house for the majority of the afternoon. You felt kind of guilty that Ellie was being put to work on her birthday of all days, but Dina just shook her head.
“It’s Ellie,” she said. “She lives to act all macho and patrol and shit. This is probably an extra present to her.” 
You two had located some flour, sugar, eggs, and butter and were hard at work baking a cake. It was tough going without a real recipe, but you’d grown up with a mother who loved baking, so you tried to do it from memory.
The result was a rather lopsided looking monstrosity that you and Dina had attempted to salvage through the liberal application of the thin icing you’d managed to whip up using milk and powdered sugar. It didn’t work, and you two didn’t wait long enough for the cake to cool before frosting it, so it melted in puddles and made the cake soggy.
“Fantastic work,” said Dina, wiping her hands on her front as you two surveyed the final product. “Really incredible, Y/N. You should really consider a career change.”
“Shut up,” you said, snorting. “Ellie’s gonna hate this.”
“She’s going to think it’s hilarious,” Dina corrected. “I’m sure it can’t taste too bad, right?”
You shivered. “Don’t say that.”
The decorations and gathering of presents were thankfully an easier challenge, and before you knew it Joel’s living room was fixed up to look obnoxious as possible, with a tacky “HAPP BIRTHDAE ELLIE” strung up in blood red reflective plastic (you two couldn’t find any Ys) above the fireplace. “Happy 5th Birthday!” balloons filled the ceiling, their gaudy purple color clashing horrifically with the red of the lettering. 
“This is just awful, Dina,” you said. “Ellie’s never going to speak to us again.”
“You need to chill,” Dina responded. “She might act grumpy all of the time, but I know her, and I know she’ll secretly like this.”
7 rolled around quickly, and with it came the guests.
First was the unsurprising Jesse, grinning and carrying a satchel that had a makeshift card attached to the top labeled “Ellie”. 
Next came Astrid, Bonnie, and Greg—all of the patrolmen that were roughly around your age. You hadn’t spent all that much time with them, but they’d always been fun.
Last came a girl you’d never seen before.
“Hi!” she said, extending a hand and looking at you through a fringe of choppy black hair. 
“Hi!” you said, taking her hand and shaking it once. “I’m Y/N.”
“I know,” she said, her eyes crinkling. “I’m Cat.”
“I can’t believe you two haven’t met before,” said Dina, swooping in to stand beside you. There was something written on her face—something that looked kind of like worry.
“I can’t either!” you said good-naturedly. “How do you know Ellie?”
Dina cringed.
Cat just smiled wider. “Oh. Ellie and I go way back.”
“Cat, why don’t you go help me in the kitchen? I need to finish plating some stuff,” said Dina. 
“Sure!” Cat sent you one more winning smile, following Dina with a bounce in her step.
Something felt deeply off about that interaction, but you couldn’t quite put a finger on what it was. You’d never seen Dina so eager to get you away from someone. Maybe it’d just been a coincidence?
You didn’t get a chance to dwell on it further, because Ellie was opening the door. 
“Surprise!” Everyone in the living room yelled upon seeing her. 
Ellie blanched, her eyes landing on you for a moment before she cast her gaze to the rest of the room. “What’s this?”
“Your birthday party,” said Dina, appearing from the kitchen with a plate of crackers and other appetizers, Cat in tow. “You didn’t think we were just going to let you turn 20 without embarrassing you just a little bit?”
“Those are the most hideous balloons I’ve ever seen,” said Ellie, crossing her arms.
“Thanks,” you said, beaming. “I picked them out myself.” 
Much to your surprise, her lips lifted until she was smiling back. “You’re such a loser.”
“Okay!” said Dina, clearing her throat and stepping in between you two. “You two can flirt later. I’ve been slaving away in the kitchen for an entire day. Let’s eat.”
You shut your mouth, blushing uncontrollably as your eyes lifted. Ellie’s cheeks looked uncharacteristically pink and her eyes were fixed on your shoes.
Dinner went by quickly, with everyone trading odd stories about patrolling and their life before Jackson. You learned that Dina had actually been born in New Mexico and that Astrid was from Oregon. You heard all about how Jesse and Greg came across an old mall a few miles out of Jackson that was so full of infected that they could hear them scratching at the doors and clicking even before they were within eyesight of the building. You told some stories about your life in Terranova, about studying and your family. 
“What the fuck is this?” asked Ellie once Dina had reappeared, carrying your sorry excuse of a birthday cake. Time had not treated it well. The first layer was almost entirely slid off, and the cake looked damp from the melted icing.
“It’s your birthday cake,” you said. “We, uh, tried. I don’t have a cake recipe memorized, and it was harder than I expected.”
The candles Dina attempted to stick into the cake kept falling out, the structural integrity so weakened from the melted frosting that chunks were coming off.
“Let’s just pretend that there’s 20 candles,” said Dina finally once the top layer of the cake finally split in half. 
“Right,” said Ellie, snorting. 
Dina led a very enthusiastic rendition of the Happy Birthday song that ended in cheers and hollers as Ellie dramatically lowered her head to the cake and pretended to blow the “candles” out. 
No one touched the cake, but you couldn’t blame them. 
Next came presents. Jesse went first, giving Ellie a satchel that held a bunch of cleaning equipment for her patrol rifles. Dina had found a t-shirt that said “Enemy of the State” in goofy comic sans lettering, and Ellie was unsuccessful in holding back her giggles at seeing it. 
“Dina, this is so stupid,” she said, but there was no venom in her tone, just amusement. 
It was your turn next, so you leaned across the table to place the small box in front of her. 
“Please tell me you didn’t almost die getting this one,” said Ellie, giving you a suspicious look.
“Not at all,” you said. “I accidentally brought it from Terranova.” 
Her nimble fingers untied the flimsy ribbon you’d haphazardly wrapped around the tiny brown box, lifting the lid off and peering inside.
“It’s a…rock?” Ellie frowned, pulling it out and holding it in her hand.
“You got her a rock for her birthday?” Cat asked you from her position to your right, her eyebrows raised.
“It’s not just a rock,” you said. “It’s a moon rock. Like, from the moon.”
Ellie froze, her eyes saucers as she stared at the rock balanced in her palm. “What?”
“I told you I studied astrophysics,” you said casually. “One of my professors let me borrow it because my research supervisor wanted to take a look at it, so it was in my bag. And I never had the chance to give it to him, obviously. So it’s yours now.” 
“Holy fuck.” She turned in over, her fingers running across the surface. “This is…wow. Oh my god.”
“That’s so cool, dude,” Jesse said. “Like, insane. I didn’t even know that those were a thing.”
“There’s only a couple in the world,” you added. “And even fewer that are still reachable. The rest are…well, out here somewhere. Terranova only has a few from our own expeditions and the professors who managed to grab what they had when they moved.”
“This one’s from me,” said Cat, leaning forward and placing an envelope in front of Ellie. “It’s not as cool as a moon rock, but I thought you’d like it.” 
Her fingers slid under the tongue of the envelope, ripping it open and pulling a piece of paper out. 
“Good for one more free tattoo,” Ellie read out.
Cat sat back, looking awfully pleased with herself. 
“Cat was the one who gave Ellie the one on her arm,” Dina explained to you.
 A memory pricked at your consciousness, dating back to your first patrol with Ellie.
An ex had given her the tattoo on her arm.
The girl who had given her tattoo was Cat.
Cat was her ex.
That makes so much sense you realized with horror as you remembered how Cat had told you so confidently that she and Ellie went way back. Of course they did. They used to date.
“Where’d you go?” asked Dina, bumping your shoulder.
“Sorry,” you said, rubbing the bridge of your nose. “Just, uh, tired.”
When you looked up, Ellie’s eyes were on you, her lips slightly quirked.
You looked away, instead focusing on the placemats that Dina had set out. Cat was so different from you—so peppy, so confident, so loud. No wonder Ellie didn’t want anything more than what you had now. Whatever Ellie had seen in Cat had nothing to do with you. 
The night ended with you all sitting on the couches in the living room with Dina mixing drinks so strong that you were wondering if she was trying to kill you. 
“Jesus Christ, Dina,” you said as you watched her pour. “What is that? 90 percent vodka?” 
“I prefer to call it efficient,” Dina corrected. 
It burned going down your throat and you fought back a cough as you placed your glass back on the coffee table. Ellie was right next to you, her thigh barely brushing against yours as you moved.
Cat was on the other side of the room, seated next to Jesse and Astrid. You were internally very proud that Ellie had chosen to sit next to you instead. Her arm rested on the back of the couch behind you, and even though it couldn’t have meant all that much, you couldn’t help but wonder if it at least meant something. 
You were just halfway through your cup by the time you started to feel really and properly sloshed. Your voice sounded tinny in your ears, and from the way that Ellie was laughing at anything anyone said, you had a sneaking suspicion that she was somewhere around where you were.
It wasn’t long before everyone had excused themselves and wished Ellie a final happy birthday—it was getting late and quite a few had early shifts the next day.
Dina was the last to go, saying goodbye and sending you another look as she pointedly stared at the arm rested behind you.
For a few minutes, you and Ellie just sat in silence, hearing the fire crackle and the sound of her softly breathing.
Then she spoke.
“How did you know that I’d like the moon rock?”
“Oh.” You blushed. “Don’t be mad. You left the closet door open the other day—you know, the one with all your space textbooks and everything. It was an educated guess.” 
“So nosy,” she tutted. 
“But you do like the rock?” 
She smiled. “Yes. Thank you.”
You reached forward and polished off the rest of the drink that Dina had made you, feeling the liquid fire slide down your throat and settle in your stomach. 
When you turned back, you could see Ellie staring at you, her auburn hair glowing in the firelight, her pupils blown wide, and her eyes slightly unfocused. She’d had more than one of the drinks that Dina had made, and it was really showing. 
“You’re so pretty.”
You froze. Out of all the things you expected her to say, that was nowhere on the list. The words had left Ellie’s lips like a compulsion, raw and honest. 
She hadn’t stopped looking at you, but her eyes were wider, her cheeks red. She hadn’t meant to say it, you realized. Now she was embarrassed and flustered, and it was all because of you. 
It was the boldness of being tipsy that made you move towards her, pulling your legs up until you were seated on your knees in front of her.
Ellie didn’t move apart from wetting her lips, her eyes darting from your eyes to your mouth. 
When you kissed her, she melted into you. The arm that had been draped over the couch behind you dropped to your back, your own hands sliding into her hair and tightening at the back of her neck.
She gasped as she felt your nails scrape against her, and you took the opportunity to lick into her open mouth, tasting the vodka on her tongue as it slid against yours.
To your surprise, her hands didn’t creep up your shirt or dip below the waist of your pants. They stayed static, one glommed onto your back while the other clutched your jaw as she let you kiss her, over and over again. 
You couldn’t quite put your finger on it, but there was something about it that felt different than your usual nighttime meetups. It felt more—vulnerable, almost, that Ellie was kissing you just to kiss you, not with some other agenda. 
The grandfather clock chimed, indicating that it was almost midnight. You pulled away from her for a second, panting as you caught your breath. A string of saliva suspended between your lips, snapping as you waved a hand through it and flushed.
“Sorry,” you whispered.
She just smiled.
“Is Joel going to be back soon?”
As if to punctuate your point, the front door banged open, the man in question pulling his jacket off and turning to see you both. You’d thankfully managed to get off her lap before he saw. 
“Oh!” he said, his eyebrows nearly touching his hairline. “I wasn’t expecting you two to still be awake.”
“Uh, yeah,” said Ellie, scratching the back of her neck. “We’ve just been…talking.”
“Good party?”
“Yeah.” 
“I’m glad. Tommy and Maria wish you a happy birthday, by the way. Though I’m sure you knew that.” 
“Yeah. Thanks.”
“Well,” said Joel, giving a sigh that only old men could recreate, “I’m off to bed. You two don’t stay up too late, huh? You’ve still got work tomorrow.” 
“Goodnight,” you two chorused. 
Once Joel had disappeared into his room, you turned to look at her.
“That was close.” 
“Yeah.” Ellie laughed nervously, picking at her cuticles. “Um—do you want to move somewhere else?”
Something deep in your chest ached. Sure, you’d be okay with spending another hour or so feeling her hands on you as she made you finish, but a part of you had really liked just touching her for the sake of touching her—kissing her just because you could.
“Sure,” you said. “Just give me a chance to change.”
When you knocked after switching into more comfortable clothes, the door swung open to reveal a significantly more nervous looking Ellie than you’d seen in a while.
“Hi,” you said shyly.
“Hi.” 
You stepped into her, pressing a tentative kiss to the corner of her mouth. When she didn’t react, you pulled back.
“Is everything okay?”
“Do you want to stay over?” Ellie blurted out, her eyes wide and afraid. 
You balked. “Uh, what?”
“You don’t have to,” she said, her eyes dropping to the ground. “I’m sorry. I know we’re not like that. I just thought that—maybe, I dunno, just this once—”
“Yes,” you interrupted. “Please. I’d really like that.” 
“Right. Good. Okay.” She took a deep breath, then laced her fingers through yours to lead you to her bed.
When your mouth found hers again, it was just like on the couch—no intentionally rough or overtly sexual touches, just gentle brushes against your skin and the weight of fingers tangled in your hair as she pulled you further into her.
For the first time since you confessed, you didn’t sleep together. When you two finally tired out, you flopping down on the pillow first, Ellie’s head came to rest on the expanse of skin between your shoulder and your neck, your arms coming around her.
It was strange. For someone so deadly and tough, Ellie suddenly looked so small and fragile curled against you, the rise and fall of her chest synchronized with your breathing. 
“I’m sorry Cat was invited,” Ellie said, her voice muffled from where her face was pressed into your neck.
“What do you mean?”
“I should have told you what her name was. That must’ve been a nasty surprise.”
Her foresight and understanding made your heart ache, deeply. How was it that she could say all these things but not want anything more with you?
“It was alright,” you said. There was no conviction in your tone. “I wouldn’t have expected you to tell me.”
Ellie was silent for a few beats. You knew she was thinking, though; you could feel the flutter of her lashes against you as she blinked.
“How long do you think it’ll take for you to forget me?”
You paused. “What? What do you mean?”
Ellie shifted against you, one of her arms draped over your chest. “I mean, when you go back.”
“Ellie,” you chided, bringing your hand up so you could run your fingers through her hair. “Don’t be ridiculous. As if I’d ever just leave you behind. If I go back there, I’m finding some way to bring you with me. So, no. That’s not even a valid question. I’m never forgetting you.” 
In truth, you hadn’t even begun to consider what you’d do if—when—you were found. You’d been so focused on trying to fit into your new life here that your past had largely just faded into the back, shrinking in the horizon. What you did know, at least, was that even in some dystopian future without Ellie, she’d never be off of your mind.
“Don’t make promises you can’t keep.” 
“I’m not,” you replied, tapping her shoulder. “I mean it. You’re stuck with me.” 
Her diaphragm vibrated as she let out a short laugh. “Oh, the horrors.” 
She fell silent as you kept threading your fingers through her hair, letting your nails scrape against her scalp. The hand that wasn’t draped over your chest had crept up, her thumb rubbing back and forth as she traced the outline of your jaw.
“I’m sorry,” she said suddenly. “I can be such a sad drunk sometimes. It’s pathetic.”
“It’s okay,” you soothed, your other hand lightly dancing up and down her back. “I think it’s sweet.”
She snorted. “You would.” 
Then, after a few more seconds of silence: “You really weren’t jealous?”
“I never said that.” 
“So she did make you jealous?”
You flicked her shoulder. “Fuck off. Of course she did. Happy?”
“Thrilled.” 
A few moments later, she spoke up again. 
“Can you promise me something?” Her voice was deceptively casual.
“Anything.” You’d give her anything she wanted.
“Promise me that you’ll take the first opportunity to go home,” she said softly. “Promise you won’t do anything stupid.”
“I’ll take the first opportunity to go home as long as I get to have you around, too.” 
You couldn’t see it, but you knew she was rolling her eyes. “Not good enough.”
“You want me to leave that badly?” You weren’t sure if you should be hurt.
“Of course not,” she responded. “I just...I don’t expect you to wait around here for me. I don’t want you to. I want you to be safe.”
“I feel safe with you.”
“Will you just—fucking—say you’ll go?” Her voice sounded raw, tired. 
“Fine,” you said. “I promise.” 
Your words were empty. You couldn’t promise her that. She had to know that. But would it matter? If you never had to make that choice?
In retrospect, you weren’t sure when you drifted off. All you remembered was the warmth of Ellie gathered up in your arms, her measured breath blowing across your exposed neck as you felt the slow, marching rhythm of her heart.
~
When you awoke to the early morning sunbeams streaming in through the window and warming your face, Ellie was passed out cold on top of you. A few unruly strands of her auburn hair had ruffled upwards overnight, sticking to your cheek and threatening the seams of your lips. 
You’d never been happier.
As you thought, running your hand gently up and down the length of her spine, Ellie’s breath hitched.
You froze, thinking you must have woken her.
Then she made a quiet snort. She took another deep breath in, whistling as it went. Her next exhale was louder and caught in her nose. 
You did your best not to laugh enough to wake her.
Ellie snored, even though she wasn’t that loud. The part of you that was still intimidated by her was shrinking by the minute. If only you had known in the beginning that after a long day of bullying you she went back to her room to honk shoo the night away, you never would’ve let it bother you.
She jolted awake, blinking rapidly as she pulled away and looked up at you.
“What the fuck are you laughing about?” she said groggily. “It’s—” She twisted in your arms, squinting at her desk. “It’s 6 in the fucking morning. Shut up.” With that, she flopped back down on top of you, laying one arm over your torso so she could shove it the space under the pillow beside your head. 
“You shut up,” you heard yourself say. 
Ellie smacked your shoulder, not even bothering to lift her head. 
“You snore,” you said, quieter this time. 
“I don’t.”
“You literally do. I was there when it happened.” 
She was silent for a few moments. “Really?”
You pressed your lips to her forehead instead as you trembled from the laugh you were doing your best to rein in.
“Oh, god,” groaned Ellie. “That’s so embarrassing.” 
“I thought it was cute.”
“You think everything I do is cute.” 
“And what about it?”
You settled back in, wrapping your arms around Ellie as you tried to drift back off.
“Do you hear that?” 
Her voice was whispered.
“Hear what?”
“That sound.” 
You let go of her and sat up, your eyes unfocused as you tried your best to tune into whatever Ellie was talking about. Out of the corner of your vision you could see her staring at you with big, nervous eyes.
It took you a moment to notice it. No one could blame you, really. It was hardly a rarity to hear the sound of a plane when you grew up in Terranova. 
“That’s a plane, Ellie,” you said, reaching out to cup her face. “It’s fine.” 
“A plane?” She frowned, still blinking bleariness out of her eyes. “I’ve never heard one before. Joel told me that they stopped being used after the government officially fell.”
“That’s not true,” you corrected. “There’s some in—”
A puzzle piece clicked into place, and with it came a sense of underlying dread. But you shouldn’t be dreading it. It’s what you were hoping for after all, weren’t you? What you’d been praying for since you’d arrived?
“Let’s go outside and look,” you said, nudging her side. “I’m sure it’s nothing.” You were hoping it was nothing. 
Ellie followed you, pulling a throw blanket from her bed and draping it around her shoulders like a cape. She looked so cute like that. You wanted to bite her. Not, like, in a weird blood kink way. Just in a…you didn’t know how to describe it. Better leave it there. 
A lump formed in your throat.
Maybe you were wrong. Maybe this had nothing to do with you.
The air was tepid and pleasant against your bare skin as you two quietly opened the front door and crept onto the porch. The town was quiet. No one was awake at this hour, not unless they were down by the stables or doing night watch. 
There was a sliver of pink and orange hanging over the tops of the mountains, no doubt remnants of what had been a spectacular sunrise. There were still snowy caps on the highest peaks. You hadn’t known that mountains could stay so cold for so long until you’d come to Jackson.
The lump in your throat grew larger.
“Shit,” said Ellie, leaping down from the porch and onto the road. “Do you see this?”
The plane was no longer in sight, but the swirling papers that hadn’t been on the road the night before were left as evidence.
“They must’ve dropped them,” said Ellie excitedly, snatching one from the ground and bounding back up the steps so she was next to you. “What do you think this says?”
You smiled sadly. “Why don’t you read it?”
She unfolded the envelope, ripping open the top and dumping the contents out in her hand. 
“Oh.” 
It was a picture of you. It’d been taken months prior at your family’s Christmas party. You’d worn glittery silver eyeliner and curled your hair. The upper half of your body was in view, clad in a rich red fabric that landed right below your collarbones. A string of creamy white pearls were clasped around your neck, matching the teardrop pearls that hung delicately from your ears. 
HAVE YOU SEEN HER?
There was no other text, but you did notice a divet at the top right corner in the shape of a small oval. 
Terranovan security. Of course. 
Wordlessly, you pressed your thumb into the mold, holding it there for a second as the parchment recorded your print.
Then a paragraph formed at the bottom, ink slowly leaking into the paper.
COME TO THE COORDINATES LISTED BELOW AT EXACTLY NOON, MAY 15TH. A LIFT WILL BE WAITING TO ESCORT YOU.
You’d been found. 
final a/n: sorry not sorry this was the original cliffhanger that i was planning for part 4 all along. you guys are incredible for still sticking around and reading even though this is getting lengthy as hell. anyway i hope you guys enjoyed this sort of different side of ellie before we reach the final act. the plot is abt to reach its peak and i’m hellaaa excited to share it with you. okok let me know what you think! it might take me around the same time it took me to finish part 4 to get part 5 out considering how sick i am/how much i have on my plate, but i promise it’s coming :))
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pedroscurls · 10 days
Text
chance encounters | pt. 1
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character(s): Benny Miller, fem!Reader, (very) brief cameos from the rest of the Triple Frontier boys at the end summary: You've lost your way after losing your best friend in a tragic car accident. So, you go back to the one sport that makes you feel closer to him. word count: 1.9k a/n: This story is very personal to me and pulled from some real-life experiences (maybe not exactly, but still). I know I said I wouldn't write anything within this time period with April being such a very emotional month for me, but I've found that this story is actually helping me through my grief. Anyway, I hope you all enjoy and thanks for reading 🫶 warnings: very brief mentions of grief (which will be a reoccurring warning) series masterlist | ultimate masterlist
“Benny Miller. I’m the owner and potentially, your coach,” the man says with a charming smile. He’s tall, broad, built, and you can’t help but notice his deep blue eyes. There’s a sense of comfort that you feel when you look at him. He’s dressed in red shorts and a white t-shirt with a dark cap placed backwards on his head and you can see the dark blonde curls peeking out from underneath it. “Welcome to Miller MMA Gym.” 
“Hi,” you finally respond, saying your name to introduce yourself. Your hand grips the strap of your duffle bag that was placed over your shoulder. You feel slightly out of your element even though this is your comfort zone. Fighting is your comfort zone. 
“Nice to meet you. Let me give you a tour of the gym and then we can sit down and go over your goals and everything else. Sound good?”
“That sounds good,” you repeat. “Thanks.” 
Benny spends the next twenty minutes giving you a tour of his gym and you can tell just from the sound of his voice that he loves this sport and he has put a lot of thought into creating a gym where he can share with other like minded people. There are black mats in the entirety of the building with thick, red outlines at the edges. There are about seven heavy bags lined up along the wall with an octagon cage towards the back of the building. The gym is small, cozy, and it makes you feel like it’s a place where you belong. 
“This is a really nice gym you got, Benny.” 
“I know it’s not as big as other MMA gyms. We don’t have all the fancy equipment, the extra free weights, but I like that it’s small. Plus, I don’t just let anyone train here.”
“Oh?” you ask, brow arching. “So, I’m guessing this is a bit like a consultation?”
Benny nods. “I want to make sure we’re a good fit. This sport…” he sighs. “I want people who are dedicated, who will push themselves to the limit, you know? I don’t want to waste your time and I certainly don’t want you to waste mine.” 
“Makes sense,” you agree.
He removes his sandals and steps onto the mat. You follow him and set your duffle bag down, your feet touching the cushioned mats and your gently bounce on your toes before you sit down in front of him.
“How long have you trained for?” 
“Never actually had a coach or joined a gym like this, if I’m being honest. My best friend,” you sigh shakily. “He used to fight, was an amateur though. He taught me everything I know and always encouraged me to pick up the sport too.”
“So, what changed?”
“He died.” 
Benny offers you a solemn look. He bites the inside of his cheek and nods. He knows grief all too well and he had known the minute you stepped into his gym that there was something lingering within you, something that you wanted to keep hidden. “I’m sorry.”
You shrug. You had grown tired of hearing that. Why would they be sorry? What could they even do about it? It simply frustrated you. “Anyway, fighting’s always been something I felt comfortable doing and I don’t want to join an MMA gym where it’s all ego and trying to one-up one another.”
“I’m glad you said that,” Benny adds. “I’ve been to gyms like that and I fuckin’ hate it. I mean, we’re all there because we love the same sport. It can get competitive and sparring can get really bad… Which is why I like doing these consultations before even making a commitment with someone. I don’t want my gym to be like those.” 
You nod, the corner of your lips lifting only slightly, but as quickly as it rose, it drops. You always had to catch yourself whenever you felt an ounce of happiness or relief. It didn’t feel fair. It didn’t feel right to be happy when your best friend was gone. 
“Well, I want to fight, Benny. Competitively. I don’t know if I can even make it, but I want to try. Fighting is where I feel most at home.” 
Benny smiles. You see his blue eyes light up. Then, he reaches his hand back out to you. “Well then, welcome aboard. I’d love to have you, and I’d love to train you and be your coach.” 
The happiness flutters in your stomach and you force yourself to ignore it. You don’t smile at him, but your eyes - your eyes have always been so expressive. Your eyes soften when you look up at him, tears threatening to spill over, and you reach out to shake his hand. “I’d love that, Coach.” 
“Welcome to the team,” he grins. “Let’s see what you got.”
An hour and a half later and you’re dripping with sweat. You’re leaning back against one corner of the octagon, knees close to your chest as you rest your arms over them, trying to catch your breath. Benny didn’t waste any time assessing your abilities, but you welcomed the distraction and for the last hour and a half, you hadn’t thought about your best friend. 
“We got one more round,” Benny calls out. “Get back up, let’s go.” 
You let out a deep breath and nod, standing. You shake your arms to loosen them, feeling the fatigue slowly begin to settle in. You glance at the time and see it begin to count down. Once the round begins, the sound of a buzzer filters the small gym and immediately, you bring your hands to cover your face, standing in an orthodox fighter’s stance. 
Benny holds out the pads and calls out the following combinations:
Left jab, cross, left hook! 
Double jab, cross!
Right front kick, double left round kick!
Throughout the round, you’re moving in the cage, staying light on your feet and never crossing them. You don’t even notice the way Benny’s smiling down at you, so proudly and full of hope. 
“Alright, thirty seconds left!” Benny calls out. He notices how locked in you are, how focused, and he hasn’t seen someone as motivated in a first session as you. It gives him hope that you’re actually serious about competing. 
Left jab, right body kick! 
1-2 punch, left hook, right body kick! 
Again! 
By the time the round ends and the buzzer fills your ears, you’re breathing heavily, sweat dripping down your temples and the sides of your neck. 
“Holy shit,” Benny chuckles. “You’re amazing.”
“My stamina is shit,” you say breathlessly. 
“We’ll work on that,” he smiles. “Great job today.” 
You remove your gloves and sit back down, leaning against the same corner of the octagon as you begin to unwrap your hands. You see the initials on your wraps and you’re brought back to reality. You bring your hands to stroke your dampened hair back and away from your face, redoing the hair tie to pull your hair into a tighter ponytail. 
“That was– It felt like home,” you admit, looking up at him.
Benny chuckles and extends a hand for you. You take it and stand up, following him out of the octagon. “I’m excited about you, about this partnership. I think you’re gonna be great.”
You look at the time and realize that it’s already way past the normal business hours and quickly, you grab your duffle bag. “I didn’t mean to keep you here longer than you needed to be. I’m sorry.”
“Don’t sweat it,” Benny says softly then adds, “I just realized we didn’t get to the paperwork side of things.” 
“I can come in tomorrow,” you say, draping the strap of the duffle bag over your shoulder. “And however much it is, I’ll pay it up front.”
Benny’s eyes widen. “Whoa, whoa, wait–”
“I’m serious about this, Benny. There’s nothing I want more than to fight and I’m willing to do whatever it takes to do that.” 
“Okay, tomorrow morning. Ten o’clock sound good?”
“Sounds great.” You shake his hand once more and he leads the both of you out of his gym. You look up at the sound of another man’s voice and see three other men - all of different statures - greet Benny with a smile. You don’t spend another second sparing each of them a glance, just now wanting to get home. 
“I’ll see you tomorrow,” Benny calls out. “And I think I’ve got a great nickname for you.”
You toss your duffle back into the trunk of your car and shut it closed. You look over at Benny and notice all four men staring at you, but Benny’s the only one grinning. The other three, you notice, are staring at you with a look of hesitancy and curiosity. You take note that Benny’s the taller out of the four, but there’s another one that’s only a few inches shorter. He’s just as broad and built, the same blue eyes, but hair much shorter and slightly lighter. Then, your eyes veer off to the other two, your eyes lingering on one man in particular with a Standard Heating Oil cap placed atop of his curls. The other man standing next to him is the shortest, but he has just as big of a presence as Benny. His hair is greyer, but you have to wonder if it’s due to stress or if he’s much older than the rest of the group. 
“A nickname is too soon, don’t you think? You don’t really know me yet, Benny.”
Benny shrugs. “Let’s just call it a gut feeling.”
“Okay, so what’s the nickname?” 
“The Warrior,” he grins. 
You chuckle. You actually let out a laugh and for months, you had almost forgotten what it was like to laugh. It’s ironic really, almost like your best friend was taunting you from even beyond the grave. He had always called you his little warrior after everything you had been through and how you had never given up, always willing to fight your way through difficult hardships. But now… Now you can’t even imagine fighting your way out of this grief that has taken over your life. 
Benny then looks over at his friends, not realizing that he had forgotten to introduce them to you. “We can talk it over. I’m open to other nicknames, but it just seems right for you.” 
“We’ll see, Benny.” 
“By the way, these are my–”
“I’ll see you tomorrow, Coach.” You interrupt him, not bothering to spare another glance at the other three men. You climb into your car and start it immediately, pulling out of the parking lot without another look at Benny or his friends. 
Benny turns to his friends and shrugs. “She’s got potential,” he begins. “I think she can make it big.”
“You say that about almost everyone, Ben,” Santiago chuckles. “Is she usually that… standoffish?”
“She just lost her best friend,” Benny sighs. 
“Damn,” Frankie mumbles. 
“And you think that it’s a good idea that she fights?” Will asks. “Emotions and all of that–”
“I think she needs this,” Benny admits. “And we all know how it is to lose someone close to us.”
“Does she–” Frankie sighs. “Does she have anyone else to rely on?” 
Again, Benny shrugs. “I just met her a few hours ago, but something tells me that she might be alone.”
“Fuck,” Santiago adds. “Well, is she any good?”
Benny nods. “Like I said, I think she can make it big.” 
“Well, whatever you need, we’ll be here,” Will says, clasping a hand over his younger brother’s shoulder. “Now, should we all get out of here and go get some drinks?” 
Santiago grins. “Yeah, let’s.” He nods in Frankie’s direction and adds, “Vamanos.”
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theetherealbloom · 1 year
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UNEVEN ODDS — CH. 2
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Chapter Two: Roll Up Your Sleeves
Summary: The Reader is dragged into the Last of Us universe and has no choice but to watch the events unfold or will she be able to change what was already written?
Paring: Joel Miller x Fem!Reader
Warnings: Age-gap Romance, Violence, Angst, Fluff, Guns, PTSD, Depression, Anxiety, Swearing, Reader wants to sacrifice herself, Zombies, eventual SMUT, MY SCIENCE IS WONKY, probable plot holes, rusty writing
Word Count: 4.8k
A/N: Holy shit there are so many of you sjdfhgsk AHHHH thank you so much for all the notes and comments, I appreciate it! Here’s a little bit of info for you to understand a little bit of my thought process. In my outline, the reader is an Enneagram Type 9: The Peacekeeper. (This helps me add a little bit of depth to you so I don’t feel entirely lost when writing) if she seems “passive” or “complacent” it’s cause she wants everything to go smoothly and be without conflict. I’d like to believe there’s a little part of us that prefer to avoid tension, due to the fear of loss and separation from the people or things you love. I’ll go a little bit more in-depth about this in the story as it progresses. Hope you enjoy!
Song: evermore (feat. bon iver) by Taylor Swift
Previous Chapter -> Next Chapter | Series Masterlist
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TLOU WORLD – 2023
BOSTON - NOON
You walk along the ruins of a long-abandoned Boston with an overpowering sense of dread. It feels like the build-up of a song in which you know the tune, the lyrics, and the beat. Strings of violins, drums, and bells ring and thump in your mind, unwanted and uncaring of how you feel. This curse of knowledge you never asked for but which you carry follows you as the four of you approach the Bostonian Museum. Creeper vines and Cordyceps grow on the sides of the building, marked by conspicuous veins and all-consuming every red brick of this once-beautiful structure.
The four of you stand outside the entrance of the museum. Cordyceps consume every part of the foundation, Ellie tilts her head to look up at it appalled, “You’ve got to be fucking kidding me.” You stand next to Joe, using your hand to rub your right eye, and mumble, “Shit.”
“Well, there’s a way across from the top floor,” Tess says while moving to place her hands in the pockets of her pants. Ellie sarcastically replies, “Well, then I guess it’s fine.” Tess reassures her by adding, “We use to take it all the time.”
Ellie answers, “Okay.” Joel leaves your side and approaches a dry vein of the Cordyceps, removing the rifle he stole from the FEDRA guard, he crouches and touches a part of it to check if it was still active. He swings downward, hits the vein with the butt of the gun, and a puff of dust releases from the dead fungi, he stands to walk over to Tess, “It’s bone dry. It could mean they’re all finally dead in there.”
Tess nods, then they both kneel to prepare their flashlights and weapons, just in case. You and Ellie watch them both rummage through their backpacks, “Oh, man,” the kid mutters.
Joel whips out a flashlight and waves it at Ellie, “Marlene pack you one of these or just sandwiches?” She removes her backpack, “Yeah,” and pulls out her flashlight. Joel looks to you, “Catch, hummin’ bird.” That was the only warning he gave you before tossing you the flashlight, “Luckily, I have a spare.”
You’re short of breath as you hear the nickname he gave you. Miraculously, caught it with both hands, and without even thinking you wink, “Thanks, cowboy.” Thankfully, no one says anything about your quip directed at him.
“Okay, so… more ground rules.” Tess announces and turns to Ellie,  “We’re gonna go slowly. If we come up against anything you get behind us and you stay there, okay?” The young girl nods and wears her backpack, “Yes.” Tess brings out her handgun and flashlight, positioning her hands in a way that she can use both. Ellie glances at the gun she’s holding, “I have a spare hand.”
Joel is unamused by what she is insinuating, dryly replies, “Congratulations.” He walks forward with determination, he pokes his head through the door to do an initial check before turning around to nod at the three of you to signal it’s clear. Reluctantly, you follow them inside, your mind has kicked into overdrive, trying to figure out a way to get past this with zero casualties. If you sacrifice yourself, would that change the ending? Would it buy Tess a little more time? This might be your grand attempt to do something right and kind without assurance, without the promise of an afterlife.
Flashlights dance and shine around the walls of the abandoned museum, you watch your step and try to calm the beating of your heart as you look at the artifacts left behind. You navigate through the hallways and come across a corpse of an infected deceased. Joel shines his flashlight on the fungi, “Yeah, cooked.” Tess exhales, “Finally, some fucking luck.” Ellie steps a little closer to investigate the remains of what was once human, Joel continues, “I guess we should’ve gone this way in the first place.”
You were so caught up in trying to ground yourself in the reality of all of this, that this is actually happening, that you forgot to at least warn them about the Clickers they were about to face in a couple of moments. Just as Ellie was about to turn a corner, you whisper loudly to her, “Ellie wait!”
Too fucking late. “Oh shit,” Ellie exclaims with wide eyes, and Joel makes a move to inspect what she found. A dead bruised, bloodied, young man slouched against the corner. Ellie’s eyes were full of shock, “What the fuck did that?”
Joel and Tess look at each other knowingly, and you finally decide to speak up, for her and theirs, “Whatever you’re about to say or hope for, don’t bother.” The three of them turn to look at you and you decide to continue in an audible whisper, “I wasn’t sure if I could or should warn you, but we need to stay quiet from now on.” You gather your courage to look directly at Joel with an unwavering stare, “It’s exactly what you suspect it is.”
“Are you saying an infected did that?” Ellie whispers to the three adults, and she resumes, “Because I’ve been attacked by one and it wasn’t like that.” Joel looks at you and he can see the way your face twists, your lips curled downwards, and your eyes show your remorse and guilt, he whispers to everyone, “Okay, from this point forward we are silent. Not quiet. Silent.” Ellie looks at him concerned and confused, “What?” But Joel shakes his head, “No. No questions. Just do it.”
This is it. You think to yourself as you will your feet to move, continuing, you follow Joel and Ellie up the stairs with Tess trailing behind. You remember when you could cover your eyes to the scary moments of the show, you could press pause, or fast forward, not needing to witness and feel the distress and panic.
The quiet creak of each floorboard of the steps as your boots land on the rotting wood, it groans all of your weight and dust falls from the ceiling. You all stop silently, waiting for any indication of an infected discovering that all of you were in the museum. After a moment, Joel looks back at you, a silent way of asking if it’s okay, you throw him a bone and give him a tiny spoiler, then you nod at him. And all four of you continue up the stairs.
As you make the first landing of the steps, you shine your flashlight to meet a horrifying view. Multiple corpses of people who were infected with Cordyceps lay on the wooden floors. It’s unspeakable and all-consuming, the silence overwhelms your system, there is a sudden tightness in your chest, and feel a part of your mask slip, your eyes shift and move to look at the pile of bodies. Organs and parts that were once human, were scooped out and transformed into fungi.
Your mouth opens silently, quivering as you do, and you lightly shake your head. Joel steps over the rotting fungi, just as you were about to grab Ellie and warn her about what she couldn’t see, you were too late. Again. A satisfying crunch could be heard throughout the building and you squeeze your eyes shut in fear for a moment then you reopen them. Joel whips around to look at Ellie with annoyance, the kid gives him an apologetic look.
Thankfully, you managed to make it up the steps with no more issues. Joel slowly opens the door to Independence Hall, and the wood gives a quiet creak. He quickly scans the area before deciding to nod at all of you, telling you it’s clear.
With your foresight and knowledge of events that had already happened in your time, you decide to act accordingly and give a hard shove to both Tess and Ellie inside the Hall and quickly follow after, gravity takes place and parts of the museum collapse, pieces of wood and cement block the doors. You were trapped.
Tess and Ellie push themselves off the ground, but you take a little longer to get up. You scraped your arms and hands, and the pain in your head came back. Joel quickly and quietly helps Ellie up then realizes you haven’t moved yet. He immediately makes his way to you, lightly shaking you to get up, you blink back the blurry black spots that are forming in your eyes and stand up with his help, both of his hands on the underside of your forearms.
You squint and slowly look up at him, and for what felt like a second, you see the worry that lines his face. Concern and need to protect you, even though you’re just a stranger. The moment doesn’t last long, you hear the familiar sound of screeching in the room adjacent to you. Flashlights shine in the direction of the noise and you hold your breath as all of you walk backward, keeping your eyes on the monster that emerges from the shadows. The twitchy movements are followed by the croaky noises of the infected, it tries to navigate, searching for its next prey. And on queue, the other Clicker screeches, indicating that there are two of them. This is no longer a museum, it’s a fucking horror house and all of you are in for the worst experience of your life.
You are now surrounded by predators, and prey, playing a twisted game of hide and seek. You press your back against the glass of the cabinet, Tess to your right, Ellie to your left, and Joel being the farthest left. He gestures to his eyes and ears, quietly mouthing, “They can’t see, but they can hear.”
The creature groans and croaks, clicking sounds from its throat. It’s right behind the glass, your eyes drift to the monster and see its jerky movements. You bring your eyes to look at Joel, he lifts his pointer finger to his lips, indicating to be incredibly still and silent. Fear is the darkness and the unknown, a hard-to-shake feeling, it overstays its welcome and leaves you panting.
Tess watches the monster make its way around the corner, limping and shaky. Ellie closes her eyes to try and control her breathing, and you get yourself ready for the fight you never wished for. ‘Why is it always so fucking dark?’ You wonder inside your head, The Clicker comes into view, and you hear an audible gasp come from Ellie. Shit.
The creature turns in your direction at full tilt, mouth wide open with its yellowing teeth, and gives the loudest high-pitch screech. Joel sprays bullets into the Clickers’ chest, but it fights back, he looks in your direction and yells out, “Run!”
The second clicker begins to sprint toward you and Tess shoots at it but the bullet misses. Tess grabs Ellie by the arm and drags her away, while you run with them. The four of you get separated, Tess trips and so do you and Ellie, she yells out to tell her, “Run… Run!”
Ellie crawls her under a table and finds her way out, while the Clicker runs after Tess. You are now at a crossroads, Joel is running at the other end of the exhibit while Tess heads in the opposite direction. You swiftly make a split-second decision and duck, right behind Ellie under the table, however, you do not crawl away, instead, you wait for the Clicker to run by you and quietly get up to follow after Tess. This is your chance to make things right, to ensure she doesn’t get bitten. Will this cost you your life?
You grab an ax hanging from the wall and run to the other side of the room, you hold it with both hands and feel the sweat coating your skin. You turn a corner and see Tess pinned up against the wall, the creature feasting on her neck, your heart drops to the bottom of your stomach, and you let out a scream, “No!”
The creature quickly turns and shrieks at you, angry for interrupting its meal, now it begins sprinting towards you, and the adrenaline pumps into your bloodstream and system. The anger starts to flare in your chest, the silence grows louder along with the ringing in your ears. You stand unwavering and with the courage that has been asleep for so long, it awakens at the right time.
Aiming directly at its head, you throw the axe with everything you have. It lands on a portion of its mushroom-infected face. Yet, it only slows the creature down a second, screaming and swinging its long mutated arms, and tries to locate you, but, it hears the commotion in the other room, loud pops of a revolver can be heard and you assume it’s Joel killing the other Clicker.
The abomination of what once was human turns and screeches at Joel and Ellie, it scampers towards them and you feel the pulse in your veins like a fighter, you fight the fear and let the rush take over, you sharply glance at the handgun Tess had dropped during the chaos and without hesitation, you pick it up and pray it still has some bullets in the chamber.
This was a skill you wished you never had to use. All those days in the range were just a precaution, the world is not kind to women, and you learned to protect yourself just in case. It meant only using a gun when you or the people you loved were in danger.
Using one hand, you swiftly remove the safety with your thumb, aim, and shoot at the head of the Clicker. With three loud pops and then a fourth one for good measure, the monster falls to its knees and on the ground.
Dead.
Blood oozes from the infected’s head, and you stand there watching the crimson splatter grow larger. Tess appears from the archway and takes in the vision before her. You turn to aim the gun at her, your fight instincts kick in, still high from the adrenaline, and you stand there breathing heavily.
Joel yells out your name. You blink once, then twice. A beat passes, and you don’t register Joel approaching you in a calm slow manner, his arm stretched out with his palm facing you, treating you as if you were a frightened animal, now he places his hand on top of yours, a touch so gentle you barely register it. Carefully and steadily he takes away the gun in your hand and turns the safety on before handing it to Tess, which she slowly takes, while you let it happen.
Your vision is blurry and tries to swallow away your guilt. You were too late. You couldn’t save her. Joel says your name again, he’s in front of you now, his frame covering and protecting Tess, but he has replaced the gun you once held, with his hand. Ellie watches the events unfold from the side, not wanting to create any more noise or movement. He squeezes your hand and whispers, “It’s okay… It’s okay.”
It’s not, but his voice brings you back anyway. You look to Tess, your eyes full of sorrow, and your voice quivers as you speak, “I’m sorry. I’m so sorry.” Tess nods knowingly, she swallows her pride and sadness to say, “It’s okay. You tried… um, thank you.”
Her words completely snap out of your trance, and you see the world a little clearer now. You nod back at her, then bring your eyes to Joel, who is still holding your hand. His eyes dance around, observing and taking note of every detail of your face. You’re the first to break the staring contest, realizing that Tess doesn’t have a lot of time. You step back away from him, dropping his hand, “We should get going.”
Joel turns to Tess, “You all right?” She nods, “Twisted ankle, but yeah.” She limps over to Ellie, “You all right?”
“Well, I didn’t shit my pants, so…” Ellie says and pulls up the sleeve of her jacket to reveal a bite from the infected. “You fucking kidding me?” she exclaims and turns to look at Joel, “I mean if it was going to happen to one of us.”
Tess stays silent at that, glancing at you to keep your mouth shut. You give a discreet nod in response, Tess calls out to Joel, “Hey. Let’s get the fuck out of here.”
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Joel pushes the window up and opens, stepping out onto the roof, Ellie follows and you do too, leaving Tess for last, who plops down to rest her ankle, “Fuck.”Joel kneels and opens his pack to give Ellie a bandage, “Put this around your arm.” She takes it and says, “Thanks.” You watch as Ellie makes her way to a wooden plank, makeshift bridge, “Over there?” Joel glances over while continuing to fuss over Tess, “Yeah, I know it looks scary.”
“That was scary. This is wood.” Ellie states and proceeds to walk across the wood plank to get to the other building’s roof. Joel watches in disbelief and hollers, “Just wait there. Give us a minute.” He turns to look at you, “Can you go make sure she’s…” You only nod, knowing that Joel and Tess need to talk, you look at the wood plank they call a bridge and mumble to yourself, “If the way I die is falling from a high place, so be it.” 
You walk across with no problem and catch up to Ellie, “Hey,” you say as you stand by her and take in the view. “What happened to you back there?” Ellie asks, the wind blowing strands of hair away from her face. You huff, “I don’t know. The adrenaline took over, I guess.”
You both stand in silence now, then you can hear the heavy footsteps of Joel walking up to the right of Ellie, she merely glances at him and then turns back to see the State House in the distance, glittering under the sunlight. “Is it everything you hoped for?” Joel asks her, Ellie blinks but answers him, “Jury’s still out. But, man you can’t deny that view.”
You hear Tess approaching from behind, eager to keep moving, “Come on, let’s get there before it’s dark.” She turns and then climbs a ladder down, letting out a groan of pain no one question or brings up. Joel nods at Ellie to follow Tess which he does, you look at Joel as Ellie climbs down. And you held his gaze for a moment, then look to his broken watch, before climbing down after the young kid.
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Leaves crunch with every step you take, Tess lightly limping ahead, she turns to look at you, and you could only stare back. Tess looks straight ahead once more, and you can’t help but wonder about the violence of the dog days and what could get you through this. You see the State House from a distance, a hauntingly beautiful sight, creeper vines growing on the pillars and sides of the edifice.
The group decides to hide behind an abandoned car near the state house, and immediately could tell that something was very wrong, “Where the fuck are they?” Tess harshly states, Joel, shakes his head and decides to go check the truck parked outside by the steps of the ruined State House.
Joel walks over cautiously to the door of the truck, he swings it open to aim his rifle at it, only for the seats to be empty. Joel sees the blood splattered on the sides of the door, and turns to mouth at you all, “Stay back.” He rounds the side of the truck and notices a recently deceased, he continues to the back of the truck, swinging the giant blue metal doors, to confront no one.
You follow Ellie and Tess as she demands, “Joel, what the fuck is going on?” Joel shakes his head, “I don’t know.”
No longer wanting to play along, you look down to see a trail of blood up the steps and into the State House, you hear someone call your name, but say nothing as you walk up to the doors of the building. You push your way through, briskly walking to the center of the structure, and you take a good look at the multiple dead people scattered on the ground. You shake your head and close your eyes, “Fuck.”
You hear the three come in after you and they notice immediately what happened, Tess goes into a panic, “Okay. I mean there’s gotta be a fucking radio or something, right?” She proceeds to open the kit boxes that contain nothing but supplies, searching for anything that could help them win.
“Who killed them? FEDRA?” Ellie asks, and you reply, “No,” you nod to the man on the ground, Joel rolls him over with his boot and you continue, “One of them got bit. The healthy ones fought the sick ones. Everyone lost.”
Joel’s nostrils flared as he stared at you, “You knew? You knew and didn’t even bother to warn us that this was all for nothin’?” You raised your chin, “They were already dead hours before we got here.” His jaw clenched while you stood, fists clenched by your sides, and rolled your shoulders back, glaring at Joel.
Joel calls out to Tess, “Tess, what are you doing?” She ignores him and approaches Ellie, “Where did Marlene say that she was taking you?” Ellie responds unsure, “Uh, I don’t know. Just west.”
“Just west. Fuck. okay. Well, I mean, one of them’s gotta have a map on them, right?” Tess then goes to search one of the deceased Firefly’s pockets, “Joel, can you help me?”
“No.” He fumed, “Tess, it’s over. We are going home.”
“That’s not my fucking home!”
You let the exchange happen, while you move to one of the kits to retrieve a handgun, some ammo, and a small first-aid kit, and steal a backpack sitting on top of the chairs to shove all your supplies inside. Then, you hear Tess say the words you knew would happen, “I’m staying. I mean, our luck had to run out sooner or later.”
“Fuck.” Ellie whispers, “She’s infected.”
Tess sighs, and Joel’s eyes hardened and narrowed into slits, “Show me.” She takes a step forward and whispers his name, only for him to take a step back. Tess then steps back, anguish splashes across her face, then pulls the collar of her shirt and jacket, to reveal the growing infection on her neck, “Oops, right? And don’t bother taking it against her,” Tess gestures to you, “She did everything she could to save me, but I guess fate had already cut my string.”
Joel takes in a breath of disbelief while Tess looks to Ellie, “Take your bandage off.” Which she does to reveal no evidence of infection, just a new scar on her forearm to add to her collection. Tess makes her way to Ellie and holds her arm, “Look. Joel? This is real.” She drags Ellie closer to him, “Joel, she’s fucking real.” Her grip suddenly becomes twitchy and she wills her hand to stop shaking and hides it behind her back, she stares directly into the eyes of whom she once loved, “I need you to get her to Bill and Frank’s.”
Joel is shaking his head as he replies, “No.” But Tess continues to speak, “They’ll take her off your hands. They’ll handle it from here.”
“No… I can’t. They won’t take her. They’re not gonna take her.” He says and you watch each part you knew to unfold, Tess whispers to him, “They will because you’ll convince them. Yes, you will. I never ask you for anything. Not to feel the way I felt…”
“No.” He stubbornly states, but Tess lets the tears stream down her face and exclaims, “Now, you shut the fuck up because I don’t have time.”
He grants her request and listens, “This is your chance. You get her there. You keep her alive and you set everything right. All the shit we did.” Joel shakes his head as Tess begs, “Please say yes, Joel. Please.”
Despite the somber mood, a screech from one of the corpses has come to life and taken its revenge on the living, Ellie screams out, “Oh, fuck!” But your reaction time is faster this time, and you no longer hesitate as you walk towards the parasite, remove the safety of the gun and shoot it point blank in the head. Joel comes up behind you, and takes notice of what you’re staring at, the Cordyceps patch has awakened the rest of the infected and you hear the croaks and shrieks from outside of the State House.
Joel runs up to one of the doors to check how many are on the way, he shuts the door and locks it after making out the horde approaching. “How many?” Tess asks, Joel walks past her, “All of ‘em. Maybe a minute.”
Tess takes one of the rifles off of the floor and uses the butt of the gun to remove the lid on the fuel barrels. She pushes it to the floor, and the clear yellow liquid pours out of it and coats the floor. You help and do the same to the other barrel, knowing how this will end for Tess. “What are you doing?” Ellie asks, watching you and Tess scatter grenades on the ground, “Making sure they don’t follow you.”
Tess then approaches Joel, breathless and shaking, “Joel. Save who you can save.”
He clenches his jaw and his nostrils flared, angry, confused, upset, everyone he ever loved leaves or dies. He stares at her, soaking in her image as much as he can, and then he makes his decision. He quickly grabs Ellie by the arm and drags her away, her protests can be heard as it fades away around the corner, she punches his arm to try and break loose but he’s much stronger, “No! We’re not leaving her! Get off me, you fucker!”
Tess says your name and you turn to face her, “You weren’t lying? About the whole different universe thing?” You can only shake your head in response, hoping she can see your heart breaking into pieces.
Tess hums and gives you a small smile, “Take care of them for me, please? Especially Joel. Stubborn as a mule but you’ll learn to love him, just like I did.” You decide to grant the woman her dying wish, you nod and whisper, “Goodbye, Tess.”
You turn to run and didn’t look back, pushing out of the wooden doors, while tears stream down your face slightly obscuring your vision. But you manage to catch up with Joel and Ellie, as you did, the blast from the State House is sudden and loud. The smell of burning kerosine fills the air and you turn to look back at the raging fire, Joel turns and points his rifle at the area, ready to shoot just in case, only to hear screeching and the infected burning on the steps of the building.
You stare and one-half of your senses silently wish Tess would walk out, but you can no longer rewind, she’s gone. Ellie pants, trying to catch her breath, tears rimming her eyes and Joel lowers his rifle to turn away from the roaring flames. You and Ellie turn to watch his lone silhouette walk away from you both.
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A/N: WELL that’s the end of Episode 2! Lowkey was fighting invisible demons to get this chapter edited and out bcs I wanted to improve on describing movement, anger, sorrow, etc. IT WAS EXTREMELY DIFFICULT T^T but I hope I didn’t disappoint ya’ll <3 ALSO YEP MHM TAGLIST! Send me an ask so I can add ya! It’ll stay open for a tiny period of time so send away :D
I’m proud of you for doing the right thing by trying to save Tess! Even though we all know you secretly admire Joel and would have chased after him to ensure his safety with Ellie. hehehehehe 
Yes, the reader only knows everything up to Episode 3, meaning she has no clue about the rest of the show! She knows (most) parts of the video game but alas we know Television series like to change things so she’s lowkey fucked lol
I LIVE FOR YOUR COMMENTS ya’ll crack me up and have the best reactions. Thank you for your support and love. I’ll try and get the next chapter out soon!
-Grace
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Previous Chapter -> Next Chapter 
Taglist:
@memento-mora @elijahssuit @tartiflvtte @lillylilly2 @kyuupidwrites @amethystwonders11 @syd-vixious @themysticturtles @kidkrow666​ @soulofapatrick​ @ponyboys-sunsets @superflymaterial @chaotic-imposter  @vainbimbo @eva-stark @loki-an-idiot @littleshadow17 @undermoonlightwalk @afternoon-evening @notmysunnydale​ @mac5323 @slurmp69
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Note
Hey! I've written a first full outline and a few scenes (YAY) and I'm kinda worried that the readers will catch on that I actually have a favourite character. I'm attached to all of them, but this guy is Special - he has traits I really like, an arc I'm excited to write, he's bit of a self-insert, bit of a wish fulfillment, the whole thing. How can I hide my fondness from the reader? If I let it shine through too much, it'll kill any charm this character is supposed to have :(
Hiding Character Fondness from Reader
Here are some things to be aware of:
1 - Keep the Plot on Track - One of the biggest tells that the author has a thing for a character is when the plot seems to shift in favor of the character. Not only does this character slowly elbow their way to center stage, but the plot seems to completely shift course in order to highlight their conflict/adventures. So, make sure you stick to the plot you had in mind and keep the character's role as you originally envisioned it.
2 - Avoid "Author's Pet" Armor - Another giveaway that the author favors a character is when the character has immunity to every bad thing that happens in the story, even when it makes no sense. They're the one character who emerges from battle completely unscathed (or with superficial injuries), they always draw the long straw and luck is always on their side; and if something bad has to happen to a character, it's never this one.
3 - Avoid "Author's Punching Bag" - Conversely, sometimes author favoritism plays out by treating the character like a punching bag. I guess this results from a hurt/comfort perspective, where the author enjoys putting the character through the wringer because it creates an opportunity for them to be comforted by another character. But when it's the same character who's hurt over and over again, with the rest of the cast seeming to be armored against trouble, it has the same effect as being the one character that's never hurt.
4 - Avoid Special Snowflake Syndrome - Consider all the characters in your story. If your favorite character is always the one with the skills, knowledge, experience, connections, to solve the story's problem and/or save the day, that's a problem. Not only does it make them overpowered, but it means the spotlight will always be on them because they're the one everyone else has to rely on all the time.
5 - Avoid Complete Lovability - This is a big one... there are few people who walk the planet who are genuinely without flaws and are universally loved by everyone who knows them. Real people, most of the time, have flaws. Someone can be the nicest, most generous person in the world, but they could have bad breath or be chronically late, or really stubborn about trying new things. Flaws don't make a person bad, they just make them real. But we all have our pet peeves, too, so if you know someone who is chronically late, they might get on your nerves and not be your favorite person in the world. We want that for our characters, too. They should have believable flaws and not give everyone they know heart eyes every time they walk in the room.
Happy writing!
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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!
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rowenablade · 6 months
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Okay. Okay. Okay.
I saw it coming. I hoped it wouldn’t go there, but I did see the writing on the wall. I feel safe to admit here that I’ve spent the past week or so prematurely grieving for Izzy. I’ve cried. I’m embarrassed to admit it but I have.
Was I hoping DJenks and Co would pull out something totally unexpected and subvert the payoff they were clearly setting up? Yes, of course. Did it hurt when that didn’t happen? Yes. But I don’t think any of the creative team on this show were trying to hurt me.
We should have gotten a longer season. Moments should have gotten more space to breathe. I absolutely agree with that and if there’s any villain in this story, it’s Max and the current era of streaming greed we’re in. All art is inevitably stained by the context in which it’s created. This is not new.
Perhaps I’m just old and sentimental, but I don’t have it in me to be angry. Stories that make me cry don’t make me angry. I get angry when stories make me feel nothing. I get angry at the shrink-wrapped Disney Marvel shows where I can’t remember a single goddamn plot point after absorbing a whole season. I get angry when I’m treated with contempt. I’m a Game of Thrones fandom refugee; believe me when I tell you that if I felt betrayed, I would admit it.
Here’s the thing. My theory is, this was always part of the plan. I’d bet good money that if you go way back to DJenks first outline of what this story was going to be, Izzy’s death was always at this point, to give Ed the turning point he needed. You can say Izzy is a person, not a narrative device, but that’s not really true. He’s not a person. He’s a character, and characters have their place in the narrative. My guess is Izzy’s place was always this.
What I think wasn’t planned? Was the blossoming of his character that we got. I think all the love that got poured into the character was thanks to Con, and the cast, and the fandom. And I think when the writer’s room was given this task of killing Izzy off, because that was always his fate, they moved heaven and earth to reassure us that they had grown to love him as much as we did. All those moments where he touches joy, where Con’s warmth and humor shine through? I don’t think those were planned from the beginning. I think Izzy’s death was, and that’s why for some, this hits a bitter note.
Was it done perfectly? No. Art is rarely perfect. I’ve never created anything I consider perfect. There’s always roads not taken, details missed, viewpoints that were too far into your peripheral vision for you to take in with more than a blurred glance. I’m grateful that the writers tried to soften the blow of Izzy’s death for us. I understand if you feel they failed, and that the failure makes it worse.
But I’m not angry.
I still love this show, and the fandom that’s sprung up around it. I’m going to write so much fic. I’m going to feel so many things. I’m feeling them right now, with us.
I’m here if anyone needs to talk. Let’s all try and be gentle with each other; we’re fragile. And that includes the cast and crew- vent here in our safe space (ship), but I really hope we don’t see the creators getting hate for, at worst, failing to create the art they wanted.
I invite you to grieve with me, but please do it gently. I’m fragile.
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writingdotcoffee · 11 months
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Writing Challenge: Fast Drafting
Fast drafting, or vomit drafting, is a pretty self-explanatory approach to writing. You try to get the first draft down as fast as you can. Contrary to what the name suggests, it's not all about speed (or, well, indigestion).
In this post, we'll go over the benefits of fast drafting and why you should try it at least once.
Why Fast Draft?
Although you write faster than usual when fast drafting, speed isn't the point. For most writers, speed isn't a concern at all. Who cares whether it took you three, six or nine months to finish your book?
The problem many writers face is getting bogged down and never finishing at all. You probably heard the stats before. Nine out of ten writers who start working on a book will never finish the first draft.
Often, the issue isn't time or energy. These aspiring authors are paralysed by self doubt, second-guessing everything.
I still remember my first attempt at writing a novel. I spent weeks writing and rewriting the first few paragraphs — about 700 words. And that's it. I never got beyond that.
It starts by going back to edit stuff — rephrasing a few sentences here and there. Any bigger issue you can't fix right away will gnaw on you. Suddenly, you've got this feeling simmering inside of you that the story won't work.
You go back to your outline and start moving things around. Maybe you killed the sidekick too early? Isn't the build-up too predictable? Ugh! The whole thing is a mess, and you don't want to be working on it anymore.
How Fast Drafting Works?
The goal is to keep your mind focused on making progress. You don't want to give it a chance to second-guess anything until you've finished the first draft.
It's surprisingly difficult to do if you haven't done it before.
Your first draft will be a mess. All first drafts are. But you will have to ignore that and keep ploughing ahead. Your inner perfectionist will be in agony.
To stay disciplined, many writers don't allow themselves to fix anything. Mistyped a word? It stays in. No exceptions.
Editing is a slippery slope. You fix a typo here and there. Next, you're fixing the odd structural issue, moving a few paragraphs around. Before you know it, you're outlining again, wondering whether you should rather kill the sidekick in chapter 24.
That said, a messy first draft can be a blessing. Instead of seeing your first draft as this seemingly polished thing, you see it for the mess that it is. No matter how much you edit during the first draft, it will never be perfect.
When you start editing, you'll fix the typos and obvious issues. That will help you get into the flow and be ready to tackle the big things next.
The Editing Lock
Writing Analytics (the app that I built) has a thing called the editing lock. When you enable it, you won't be able to delete anything from your draft.
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Every time I use it, I'm surprised just how much I go back to edit stuff. It's so helpful.
It was a suggestion from one of the readers of the blog a while ago (massive thank you 🙏).
If you'd like to try it, the app is free for everyone for the first two weeks.
The Challenge
Spend an hour or more this week fast-drafting a story. Come up with an idea and stick to it until the end — no matter what. Put the editing lock on if you're struggling and crush all the self-doubt that comes up with a steamroller.
I set up a challenge where you can write along with me (and others):
https://app.writinganalytics.co/challenge/646c860be7b6ddfbda016a9c
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steddieunderdogfics · 3 months
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This week's writer's spotlight feature is: @pearynice! With twenty-eight Stranger Things works, they've written twenty-seven fics tagged with Steve Harrington/Eddie Munson!
Nominated by @hotluncheddie, they recommend the following works by peachesandpears:
Talk to Me
Personally
Starched Collars
In your eyes
they are so lovely and so talented!! so many short and sweet pieces - that so often seem to touch and soft squishy part hidden away within me, put a little bandaid on it <3 - @hotluncheddie
Below the cut, @pearynice answered some questions about their writing process and some of their recommended work!
Why do you write Steddie?
I’ve always loved the “opposites attract” trope. While Steddie is the first ship I’ve ever seriously written for, in the past this dynamic has always been my go to (ie: destiel lol) but Steddie specifically because I think Stranger Things is a great show with compelling characters, and that Eddie and Steve deserve a happy ending. And for me that happy ending will always have them with each other.
What’s your favorite trope to READ?
I love AUs. Love seeing the little blorbos in as many situations as possible. I love being able to see how writers take what we know about these characters and make it into a whole new story. (But especially a soulmate AU. I loveeee a soulmate AU.)
What’s your favorite trope to WRITE?
I think anyone who follows me can probably guess hurt/ comfort and fluff. I LOVE making these boys suffer and then smooch about it. 
What’s your favorite Steddie fic?
AH okay I will scream about this fic until I’m blue in the face (I actually submitted an ask to this blog about it because I think it’s criminally under-viewed!) it’s As the World Falls Down by daeneryske on Ao3. I read this MONTHS ago and I still think about it all the time. It’s long but god I wish it would never end. I want to tattoo it on the inside of my eyelids.
Is there a trope you’re excited to explore in a future work but haven’t yet?
Yes!! I can’t say much because it’s for my Reverse Big Bang but they both contain tropes I’ve never worked with before and I’m so so excited to be writing both of them!!! I’m already having so much fun! And a goal of mine for 2024 is to broaden my writing horizons a little and explore tropes and topics that I haven’t yet, so I don’t really have any specifically in mind but that is my general plan!
What is your writing process like?
Very chaotic. I almost never write an outline. It’s pure vibes baby. And when I DO write an outline I almost never follow it (whoopsie) I feel like as I write the plot comes to me, and outlines tend to pigeon hole me so I can’t get myself out of writing slumps.
Do you have any writing quirks?
Maybe my overuse of italics?  I also don’t really know how to describe it but sometimes when I’m writing heavy action scenes/ emotional scenes I’ll start and stop sentences before they’re complete sentences. Like: “Steve says nothing. Sits down next to his father and looks over his shoulder.” I don’t know if that’s a writing quirk or not lol but that tends to be how I structure my sentences.
Do you prefer posting when you’ve finished writing or on a schedule?
Definitely after I’ve finished. Once I’m on a deadline I psych myself out.
Which fic are you most proud of?
That’s such a hard one, because I think I’m proud of a lot of my fics but for very different reasons. I think if I had to choose, I’d pick Blood of the Covenant. It’s one of my more recent fics, and I had toyed around with a Wayne POV fic for such a long time before writing because I wanted to get it right. It was hard to find his voice but I think in the end I executed it well.  
How did you get the idea for Talk to Me?
Well besties I dunno how personal we want to get here, but the inspo for this fic (and tbh a lot of my hurt/ comfort fics) is just based on my own experiences. Growing up my mom did not have the capacity to tend to the thoughts and emotions of her kids, ergo me pushing that shit into a Steddie fic. Obviously what I wrote as Steve’s experience and mine are not directly parallel, but that is how I got the idea.
When writing Starched Collars, what was something you didn’t expect?
That was my first heavy hurt/comfort fic that I wrote, and I remember being really blown away that people could relate so heavily to Steve’s experiences. I remember I had some comments saying that they felt really comforted seeing their own experiences reflected within Steve, and I just never expected my writing to be able provide that for someone. 
What inspired Personally?
Well, again, we’re getting a little personal (babum tss)- but how I wrote Steve’s mom reacting to him mentioning the sunglasses is definitely how my own mom tends to react when I express any kind of negative emotion around her. In this case it was a lost parking stub instead of sunglasses.
What was your favorite part to write from Talk to Me?
The COMFORT- that’s always my favorite part. Making it better! (Although it is also a little fun leaving the angsty cliffhanger- but I will ALWAYS make my fics have a happy ending.) But also I’m a little in love with the idea I had that Eddie likes to rub on Steve’s stomach until he falls asleep. I thought that wrapped up the story very nicely.
How do/did you feel writing Personally?
It was honestly very therapeutic. I don’t think I’ve ever word-vomited out a fic more rapidly than I did for that one. I wrote that in my notes app in one afternoon, read through it once or twice, and posted. It was a relief to get all of that out in writing, and then even better to see that other people found comfort in what I had written. 
What was the most difficult part of writing Starched Collars?
When I was first drafting the fic I was going to have Starched Collars and In Your Eyes (the kinda sorta sequel) be one in the same. I spent a long time trying to balance the two narratives, before I realized it was just too much to fit into one fic. Having both detracted from the other’s story too much, and eventually I had it just focusing on Steve. I think this was the best move but I spent so long trying to strike that balance before I scrapped it.
Do you have a favorite scene and/or line from any of your fics?
I don’t know if I can name any one scene or line as explicitly my favorite, but the final scene of Because it’s Steve it’s absolutely a favorite. That whole fic is very special to me because it reflects a lot of my own thoughts/feelings/experiences on being demi, and that final scene is just exactly how I experience my demisexuality. (I’m not sure how long this can be, but I’ll insert the passage here): 
And they’re still in this disgusting bathroom. There’s still a toilet behind Eddie’s knees, but when Steve’s mouth meets his, it doesn’t matter. Because one of Steve’s arms wraps around his middle, his fingers dip into the spaces between his ribs, their chests touch, and it all feels so good. Because it’s Steve. And it’s still Steve who kisses him, still Steve who licks into his mouth, still Steve who nearly sends them both stumbling into the disgusting toilet. And because it’s Steve it’s so funny that Eddie can’t stop laughing, and there’s a blush high on Steve’s cheeks as he tells Eddie to stop it. But then Steve kisses him again. Asks if he wants to go and find Robin and Nancy. If he wants to dance. With him. 
Do you have any upcoming projects or fics you’d like to share/promote?
YES. So Because it’s Steve is now a series: Demi/Virgin!Eddie, with all of Eddie’s firsts with Steve. This is very smutty but it’s also like, the sappiest, most disgustingly fluffy smut I’ve ever written. I would say it’s “schmoopy” but I was outed as an Old Lady on Discord because apparently no one uses that word anymore. ALSO- and maybe this is still too far away BUT I am working on TWO Reverse Big Bang pieces and… you guys… my artists are so talented and kind and their brains are so big and so far I’ve gotten along with each of them so well and I am already so excited to post these and we’ve only just begun. I cannot wait until we can make our visions into an entire fic!
Outside of these questions, Is there anything YOU would like to add? 
YES- whoever nominated me for this (I don’t know if that’s something they’ll tell me??) THANK YOU- this is so sweet. I feel so honored that someone thought of me as deserving of this. There are so, so many authors you could've chosen and you chose ME! That’s just- insane. Thank you.  And to anyone who has said they found my hurt/ comfort fics relatable in any way, I rain all of the platonic hugs/ forehead kisses/ handshakes/ high fives/ nods of the head upon you. ❤️✨
Thank you to our author, @pearynice, and our nominator, @hotluncheddie! See more of @pearynice's work featured on our page throughout the day!
Writer's Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!
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silverofthunder · 2 months
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☆ watcher in the night ☆
Papa Emeritus IV x GN Reader
summary: You nodded slowly, trying to get all of this – the whole moment – to fully sink in while you studied the painted face of the man. His expression was soft, in a way, and he seemed curious, though you could also sense the danger underneath all of that.
content: 2.6k words, mystery (kind of), drama, fantasy, some feelings i guess, i don't even know, SFW (i think?)
!! mentions of blood and killing !!
So, I have no idea where this came from. I just started to write and it kind of escalated. This is different from what I've used to write but oh my, how fun writing this was! Let me know what you think. 😊
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The cemetery wasn’t far from your home and one evening you decided on a whim to go there late at night. You took your bag and slipped a pen and a small notebook into it with a smile on your face – you never knew when the inspiration might strike so you had to be prepared. You zipped up your hoodie and grabbed the keys from the small dresser and checked that your phone was in your pocket before leaving your apartment.
It wasn’t that dark outside due to summer and the air felt more chilly than you thought but you didn’t bother to turn back to get a coat. You didn’t plan on staying at the cemetery for long, after all. There wasn’t much people on the move – you saw only a few teenagers hanging out nearby the cemetery as you finally reached the main gate.
You opened the gate, the creaking sound echoing in the quiet of the night. Your eyes took in the surroundings as fast as they could and as you walked along the main path, you started to feel a bit nervous and wonder if this had been a really bad idea. You remembered how it usually didn’t end up well when people visited cemeteries at night in the movies.
With a shake of your head you tried to get rid off those horrible images – it was silly to even think that something could happen. Or technically it wasn’t but you didn’t want to think the worst. Instead you focused on tombstones, their outlines and followed the path until you came to the spot where you could see one of the oldest graves, the big stone on top of a small mound.
You decided to head there and turned right, stepping on to the grass and following a line between two rows of tombstones. Then you took a turn to the left and passed a large tree, almost tripping to one of its roots that was sticking out from the ground. You hissed a curse as you regained your balance, breathed slowly in and out before continuing walking. As you finally reached the grave, you lowered your bag onto the ground and placed your hands on the stone.
It was cold and there was some kind of pattern on top of it as you run your fingers along the surface. Whoever was buried there must have been well-known and notable person.
A sudden rustle made you jump and you turned around, your heart picking up pace in your chest. You couldn’t see anyone and soon there was a sound of flapping and croak, so you suspected it to be some bird flying away. Sighing you returned to your bag and sat down on the grass, leaning your back against the tombstone. You searched for the notebook and pen and took your phone out of your pocket, putting the flashlight on and setting the phone leaning against the tombstone. Then you let your mind wander for a while.
The quietness was a bit unsettling and the chilliness was slowly getting into you, making you regret not getting that coat before coming here. You did your best to focus on the surroundings, the scent of summer night and let your hand guide the words out of your mind, ink them onto the page of notebook.
It wasn’t a story, just some random thoughts about creatures of the night. The one’s who lived in the shadows, had sharp fangs and carried a mysterious aura around them. You weren’t sure if you actually believed the existence of those creatures but it was certainly intriguing thought. A small smile made its way on to your lips as you wrote more words down.
Soon something flew past you fast and you shrieked, dropping your pen and notebook to the ground. Your head turned fast from side to side as you tried to see what it had been. As you couldn’t see anything this time either, you shook your head and picked the pen and notebook up, mumbling some calming mantra to yourself.
You opened the notebook and saw the inkline speading from one word all the way down to the bottom of the page. It called you to doodle something onto it before you turned the next, plank page and continued writing. You could feel your heart beating just a bit faster than it normally would – you couldn’t help it, the sudden noices in the quiet had gotten you nervous and you were kind of waiting for something to happen again.
When the chilliness was getting so uncomfortable, fingers feeling stiff from holding the pen, you decided it was time to leave. You put the notebook and pen into the bag, took your phone, slipping it into your pocket and hoisted yourself up, smoothing out your hoodie and jeans. And just as you were ready to leave, your eyes landed on some figure standing beside the tree on the right. You blinked, hoping it was just your mind playing tricks on you, but the figure was still there.
Your heart missed a beat and you swallowed, staring at the figure. Then it moved closer to you and you could see it was a man.
”Isn’t it a bit late to be out here?” he spoke with a soft, deep voice, taking slow steps towards you. His features came more clear – his other eye was white, face covered with some kind of paint. He was wearing ripped jeans and a shirt that looked like something that was worn centuries ago. You took a step back as he got closer, eyeing to the side and considering just running away.
He stopped moving, eyes scanning you and you just stood there, nervousness stinging within you.
”Who are you?” the words slipped out before you even realized you had opened your mouth.
The man’s lips curved into a smile, flashing something white and sharp, and now you really were sure your mind was just messing with you. You blinked and pinched your arm but the man was still there, and so was the smile on his lips, too. Nothing sharp visible this time, though, and you sighed, but it didn’t really settle your racing heart.
”Just having my night walk,” the man said and you raised your brow.
”On a walk at the cemetery?” you stated and the man chuckled.
”Sí,” he said in another language – Italian maybe? – and took a step closer to you. ”Seems like you were having your own moment here, too.”
You eyed him suspiciously, watching his movements like a hawk. He didn’t look threatening but you still couldn’t be sure… And just like he was reading your thoughts, he raised his hands up a little as if to show he didn’t have any indication of hurting you. Still, it didn’t ease your suspicions much but some part of your mind held a thought that he would have probably hurt you already if he wanted to do that.
”I was just leaving…” you said quietly, trying to keep your voice steady. The man didn’t move or say anything so you just turned and started to walk away. You had to take a look at where the man was left standing after a moment and couldn’t see him anymore. Just as you were about to sigh from relief, you turned your gaze back to forward and stumbled back as the man was now right in front of you.
He grabbed a hold of your arm.
”Careful,” he spoke as you stared at him with wide eyes. His white eye glowed in the dark, the other seeming to slowly change color if you saw correctly. It was dark after all, so you couldn’t fully trust your vision. He seemed to breath slowly in through his nose while a small smirk made its way onto his lips. For a moment his fingers tightened around your arm, you could feel his nails digging into your flesh and it felt way too sharp to be normal. Your heart was beating in your chest rapidly and you pulled your hand away from the man’s hold.
The man shook his head a bit after the contact was lost and let out a small laugh and now you could see the white, sharp fangs clearly. You swallowed, thoughts starting to race in your head.
”What are you?”
It was barely a whisper but you knew the man had heard it. He stepped closer and you were sure now it was time to flee and you tried to take a step back but something stopped you. There was a slight swish of wind and for a moment your felt a bit dizzy and then you felt the man’s hand under your chin as he leaned closer.
You couldn’t be sure if your heart had missed two beats instead of just one but now you were completely frozen. You could move your legs so you probably could leave but for some reason you didn’t… want to.
”I’m sure you already have the answer in your mind,” the man answered finally, voice smooth like a velvet. It seemed to resonate everywhere, making you feel so… strange. It was really hard to describe – it felt like it reached somewhere deep within you and calmed you down somehow.
”The creatures like that don’t exist,” you said.
”That’s what your mind is trying to tell you,” the man said, moving his hand slightly and starting to trace along your cheek with his sharp fingernail, strangely gentle. ”Hate to disappoint but the creatures you’re thinking about are real and I’m one of them.”
He showed his fangs and his non-white eye changed to glow red. It certainly looked real, felt real but also a bit of dream-like. Like two worlds mixing, the lines of reality and fantasy blurred.
”You’ve surely used some… unholy mojo on me,” you stated and the man chuckled.
”Only a little,” he admitted, gently tapping your lips with his finger. ”To make you feel more calm. If you want to go, you can, I’m not stopping you.”
Blinking, you considered what to do. As time passed and you didn’t move, a pleased smile rose to the man’s lips and his finger traveled down to your neck.
”You’re not… going to hurt me?” you asked, hesitant. You had to.
”I could… if I wanted and you could not do anything,” he said straightforwardly. ”But no, I’m not going to hurt you. So don’t worry, you’re not gonna be my meal – unless you want to.”
You nodded slowly, trying to get all of this – the whole moment – to fully sink in while you studied the painted face of the man. His expression was soft, in a way, and he seemed curious, though you could also sense the danger underneath all of that. It was easy to imagine how the predator in him could just take and destroy you, drain the life out of you. But at the same time tthere was this temptation – how it would feel like if the fangs pierced your skin and the blood would rush out of you, feeding him.
You snapped out of your thoughts, noticing the man’s face now being much closer to you.
”Sorry,” he said then, pulling a bit back and you felt some strange energy around you. ”It seems that you are too acceptive of ’my unholy mojo’. And your scent…”
The man didn’t finish his sentence and he really didn’t have to as your thoughts could fill in the rest. You were more surprised by the fact that you seemed to do something to him, too, even though it felt like you weren’t doing anything.
”The thought is intriguing, isn’t it?” the man then asked, flashing his fangs again, and you understood what he meant. You knew you could just lie but you also were pretty sure that the man would know if you were lying so you had no choice but to speak the truth.
”Yeah, it is.”
With his finger the man traced some pattern on your neck, making you shiver. You knew he could feel your pulse while you could hear your heartbeat ringing in your ears. The air around you changed, the dizziness reaching you and causing you to sway a little and soon you felt hands on your sides, steadying you. You blinked rapidly, trying to keep your eyes focused but the intensity of the strange feeling only grew and your eyes fell closed, your hands grabbing the man’s arms.
”Damn,” you heard the man speaking. ”You’re not making this easy. I swear I’m not using my powers that much.”
He sounded surprised and his hold on your sides tightened. You drew in a deep breath before opening your eyes and you were hit by the blurry red-white glow of the man’s eyes. The darkness seemed only to highlight it and your slightly hazy mind thought it looked kind of beautiful.
”Oh shit,” you breathed out in awe.
”It’s so addicting,” the man said. ”Easy to get lost in it and lose your self control.”
His words aroused your curiosity.
”Have you ever lost control?”
The man’s expression changed and he lowered his gaze, his hands leaving your sides and causing the spell to break. You blinked, feeling more grounded again.
”Sí, many times,” he answered quietly and your mind instantly filled with images of faceless people lying dead on the ground, their bodies smeared with blood.
”Are you… afraid that you will lose it again?”
You weren’t sure where the questions came from but the whole situation seemed already so weird you doubted it couldn’t get any more weird.
”Not really. I learned my lesson a long time ago.”
The man’s gaze found yours again and you could only nod as you really had no idea what to say to that. For a moment you considered to reach out to touch him but then decided not to. It seemed that the closer you were, the more it affected to the both of you. The man was right, the feeling was addicting – weird, too, but definitely something you wanted to feel again and again.
And it was like the man had read your mind, his hand reached for yours and as soon as your fingers entwined, you felt the wave of warmth coursing through you. The dizziness hit afterwards but only lasted for a short moment. You had never in your life tried any drugs but you guessed that being under their influence would feel close to this.
”This feels so strong,” the man said, turning your joined hands. ”Reminds me of the time when…” he trailed off, shaking his head. ”It’s not important now.”
You were a bit of disappointed that he didn’t tell more but maybe it was a story for another time. If there woud be another time.
”I should probably leave…” you said and the man gave a you small nod. You really didn’t want to leave but it was night and you needed some sleep. The man squeezed your hand before letting go, the warmth slowly leaving you and the chilliness of the night biting into you.
You stuffed your hands into the pockets of your hoodie and slowly turned to leave. Every step that you took away from the man felt heavy and eventually you stopped, turning back to him.
”Will I see you again?”
”Maybe,” the man answered and even though you could only see the silhouette of him, somehow you knew he was smiling.
”What’s your name?”
”You can call me Copia.”
Copia.
You rolled the name in your mind for a moment and with a smile on your lips, you turned to head home. And as soon as you got home, you changed your pajamas on and went to bed, welcoming the much needed sleep.
The rest of that night your dreams were occupied by a pair of red-white eyes, fangs and painted face.
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samobservessonic · 6 months
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Why do you want to read Sonic the Comic?
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The short answer is because it was my intro to the Sonic series as a whole, but I haven’t reread most of it since I was a kid. But I’ll go into a little more detail about that below the readmore, as well as outlining what I will and won’t be reading for this blog
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Sonic the Comic issue #80 rewired my brain and changed my life
Now, the first issue of StC that I bought as a kid was #80. I should add a disclaimer here that there was a kid I knew back then who recommended me the comics - she had issues #78 and #79, so I probably at least glimpsed those as well. But #80 was the first issue that I had for myself (and I still have my copy!), so that’s the one that gave me my first impression of Sonic
I’m sure StC fans will know why this issue was a big one and even Sonic fans who have a casual familiarity with StC will probably see Super Sonic on the cover and guess that a lot of stuff happens in this issue… and you’d be right! I’ll save the review for when I actually get to this issue in my reread, but the basic premise is that Sonic goes to visit his friend Porker Lewis on the Floating Island (later known as Angel Island in the games), where the chaos emeralds and master emerald are kept suspended above a giant… hole thing that holds their power (kid me didn’t ask questions, adult me still doesn’t). Sonic fell in this hole and got a full whack of their power, turning him into the evil Super Sonic who’s hellbent on destroying the last person who’d been on Sonic’s mind, who happened to be Amy Rose
The story ends on this cliffhanger and I can pin-point this single image as the reason I got into Sonic in the first place
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…Like, look at this!! The art is so cool! What’s going to happen to Amy Rose? Why has Sonic turned into a crazy powerful being who wants to kill her? I have to know more! I have to get the next issue and maybe devote my entire life to this series! Like, Super Sonic looks so powerful and Tails looks terrified of him! But Amy still looks quite calm and collected. Maybe she’s only just noticed Super Sonic zooming into the scene or maybe she’s just composed enough to not be as fearful of him as Tails is. Obviously, even without knowing anything about the series, I could tell that Amy is Sonic’s friend and I want her to be okay. But something about seeing her reaction in this panel made it seem like the “Next Issue: Amy vs Super Sonic!” advertised at the bottom of this page wouldn’t be as one-sided as some might expect it would be And that’s how, on (roughly) 21st June 1996, an 8-year-old who’d just spent their £1.20 pocket-money had their socks blown off by a Sonic comic (Out of curiosity, I looked up where Archie Sonic was at around this time and it was… issue #37! The Knuckles spin-off comics would also be released the month after this. But I wouldn’t know about the existence of either of these until later)
Now, 80 issues into an on-going series is obviously a late point to hop on, but I can honestly say that it never hindered me reading the comics as a kid. Every two weeks I’d get to see Sonic and his friends have adventures and sometimes they’d mention established lore that I might not have known, but it was easy just to write that off as something from an earlier issue and carry on Also, after a certain point, StC started to reprint older stories. Which was both a blessing and a curse, because on one hand it meant that I could catch up with older stories I hadn’t read before, but on the other hand it deprived the issues of newer stories, until the comic would eventually become entirely reprints from issue #185. Even so, I can confidently say that there are probably stories in the first 79 issues of the series that I’ve never read, so I’m looking forward to getting to those on my read-through So, will you stop reading at issue #184? While I intend to read from #1-184, the reprints issues do feature new covers from Richard Elson
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Many of which show newer takes on earlier stories, featuring the green-eyed Sonic of the modern era. So while it’s far away now, I’ll most-likely do a post about these covers to conclude my read-through. Although man, looking at #185’s cover in particular puts me right back into being there as a kid, expecting to see new stories, only to open the comic and get entirely reprints…
Will you be reading the non-Sonic stories?
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Early on in its run, StC featured stories from other SEGA titles of the time, before committing to being entirely about Sonic. While not to diminish the merits of these stories, I just don’t have the same familiarity with most of their source material that I do for Sonic, so I won’t be reading them. The exceptions being probably the Ecco stories (because I did play Ecco as a kid) and Decap Attack, because Decap Attack was still running after I started reading the comic and I remember enjoying it. But I won’t be blogging about either of these in the same way that I will be the Sonic comics themselves, so you won’t have to skim past posts about loads of other series to get to the Sonic stuff
What about the Sonic spin-offs?
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I will absolutely be reading these once I find or make a good reading-order that slots them into their proper place. The above summer ‘96 special was also one of my first StC issues and I remember it fondly
What about the Captain Plunder stories?
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Yep! Captain Plunder exists in Sonic’s universe and I enjoyed his standalone stories as a kid, so I’ll be including him in my reread Anything else?
For a time, StC included game reviews and ofc they also had a fanmail and fan art section, like Archie and IDW. For the most part, I’ll only be including small bits of these that I find interesting or relevant, but I won’t be talking about them wholesale. Though I’m sure that a Sonic comic’s reviews of Sonic games will be worth a look at
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suzukiblu · 6 months
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Hello, I've been following your account for a while and I love your way of writing and your stories are very engaging and original.
I was wondering if you had more of the Mer!AU that you've mentioned on occasion? It's been on my mind since you mentioned it.
Sorry if my English is not very good, it's just not my first language.
Thank you! ❤️ I don't actually remember if I posted any of the prose for that AU, tbh, and it mostly exists in outline form right now so there isn't much to post, but I'm glad to hear you like it so here's the beginning for you, at least!
🧜‍♂️🧜‍♀️🧜‍♂️🧜‍♀️
(also, fyi and credit where credit's due, this AU is a remix of LilliputianDuckling's Luminescent)
Thirteen isn't a kid anymore, so he's gonna get to meet other mers besides One now. He's excited about it, because One is the only mer he's ever met before. And they only ever met because One is his mother. Or that's what Lex calls him, anyway. 
Well, technically Lex mostly calls One "the bitch". But that's when he's talking to Hope and Mercy and the staff, not to Thirteen. So Thirteen's always assumed he was just supposed to call One his mother. 
Thirteen is vaguely aware that he should maybe have a father too, but he guesses One just doesn't want a mate? One never seems to want to talk or hang out and is honestly kind of an asshole, so that'd make sense. Lex used to let Thirteen visit One's tank every now and then when he was little, but One never talked to him or played with him or anything. He just ignored him all the time and usually didn't even look at him.
Thirteen had tried to talk to him anyway and had tried showing off all the tricks and other stuff he knew, because he'd thought maybe if he could be fun or interesting or just cool enough then One would maybe at least look at him a little, but One never had. 
One had just gotten mad, actually. 
Really, really mad, sometimes. 
Thirteen had never understood. The humans all like his tricks–the humans love his tricks. He doesn't know why One gets so mad when he does them around him, or even when he just talks to him. 
One never talks to him. Like, he makes weird noises, sometimes? Whistles and clicks and screeches, mostly. But he never actually says anything. 
It sucks. 
Not that Thirteen even cares. Why would he? Just because One's his mother doesn't mean anything. He's not a kid anymore anyway; he's gonna meet other mers now and he can make friends with them! And they'll all be way better than One, he's sure, and they'll think he's fun and interesting and cool.
They will, he tells himself. He'll figure out whatever it was he did wrong with One and . . . and the other mers will like him. 
(he really, really hopes they'll like him)
Thirteen's not ungrateful or anything, but Lex is so busy, and Hope and Mercy are both really busy too, and he's never really worked too closely with any of the other trainers and One's never liked him no matter what he tried, so . . . so he's just alone a lot, is all, and the idea of meeting new people is really . . . is really . . .
It'll go better this time, he promises himself. The other mers will like him, and he won't be alone so much.
(and it won't be like it was with Fourteen, either)
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chaifootsteps · 3 months
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Studio Anon here, after a while of lurking/doing my own thing. Luckily my emotions are much more in check and I’ve strayed from Viv stuff for a bit to relax and hang out with my loved ones! Coming back and seeing Viv throwing a hissy fit, Raph wanting to look/act like Angel (my goodness-), and somehow people still defending episode four is… really comedic, actually.
Everything is awful but man, somehow it just keeps getting worse!
Anyway, just writing my own general feelings on this and the ideas I had for a rewrite long before everything went to hell. I never really was interested in HH until maybe Helluva Boss’ trailer dropped. I found it strange that HH wasn’t even out yet but somehow this ‘spinoff show’ was already made and posted in the public. I thought it was really weird tho, considering HH is owned by a company now, technically, while HB is sorta just there? I only watched since it’s animation and I felt like I had to support it.
Buuuut the longer I had to stare at HB’s ugly designs (and seeing the new ones for HH) I simply wasn’t interested anymore.
I guess I dodged a bullet because jesus it just gets worse.
I don’t know how, genuinely, Viv is a shit artist and writer? She went to a prestigious art school for as far as I remember and got her shows made and animated. I’m studying myself, and god knows I’d want my stories out there! It’s clear that Viv has some idea of what she wants to do, but that’s the thing-,
All she had were concepts (also publicly displaying her fetishes in the public, which is also its own can of worms).
I know in my right mind I couldn’t send people out to work on my stories since they’re heavily in development- even then my character designs are complicated as shit so I wouldn’t dream of anyone animating. Viv’s style being the way that it is + her general palettes being Just Red makes it hard to focus on or do anything with.
I also don’t know how Viv is able to just show off her rape fantasies out there and I’d rather not talk about it (sex-repulsed and all), but the general lack of focus and priority in gay ships is really disgusting.
So, as a writer, I made a general outline of what I’d make Hazbin Hotel and/or Helluva Boss be about.
Redemption is an easy theme to work on for both. ‘Sins of the father’ as a trope could work too. I’ll just use HH for now, as this post would be lengthy should I cover both.
General worldbuilding; due to Lucifer’s habit of toying with human life, comparing them to nothing more than insects, God punishes him and Lilith (who could’ve been some kind of angel too? I know she’s from a different religion entirely, so let’s say she was a random angel) by sending them to Hell to deal with the worst sinners. He and the princes of hell (how do they not address this in Hazbin?), scorned and disgusted by Heaven, try to be controlling over their own citizens. Mimicking/acting out their anger towards God by playing God in their own rings. They’re evil and horrible leaders. Lilith makes Hell feel like a home for her and Lucifer at least, bearing a daughter to restore some humanity within the Pride ring.
So Pride, at least, is less threatening now that Lucifer has a daughter.
The other princes could then ‘rightfully’ call out Lucifer’s behavior, maybe serving as some antagonists for Charlie as she tries to convince them to bring their sinners in for redemption.
So TLDR; the princes and Lucifer have internal problems that Charlie would try and resolve somewhat since she believes in redemption.
Going off to the main story, Charlie is told of Heaven being evil and awful for what they’ve done to her parents and believes it until she meets V (or Ex-Overlord Vaggie in this rewrite). V was recently cast out of the other Vs and was maybe slated to die in the extermination until Charlie unknowingly saved her from her fate. Maybe we could even get a hint of V being an angel/exterminator before with one hesitating to kill her off. The two talk and when Charlie mentions Heaven being an ass, V could tell Charlie about Heaven being good, eventually causing Charlie to start thinking about redemption, and start the hotel.
V is given more thought in the story as Charlie’s love interest and the gateway to her learning more about the two sides. Charlie is so used to Hell being the way that it is that she never considered redemption until she hears and talks to V more. The two try and kickstart some sort of redemption but V is hesitant in getting redeemed and asks that, since Charlie is the princess of hell, they could ask Lucifer for a sinner or two to redeem.
Very loose from here, but after some talk, Lucifer gives them a rundown hotel to make their own, the Vs find out and gets Lust Sinner Angel down to take them out, but is charmed by the idea of redemption. Nifty, Alastor, Husk, and Sir Pentious are all from different rings and it takes Charlie a lot to convince the princes and to try and reconnect them to Lucifer, who seems to be caught off guard with how much Charlie is willing to give this a shot. Lilith on the other hand gets suspicious of V, which could lead to Lilith exposing V of being an exterminator and, “Messing with our daughter’s head so she’ll get killed in the next extermination!”
So drama with the parents, the princes, and struggles with redemption.
It all crashes down on Charlie and the Hazbin crew as they’ve began to grow closer on one another, V especially. The other princes could then be more empathetic (they aren’t as prideful as Lucifer, and Lucifer might love his wife more than his kid tbh) and try to reconnect with Lucifer in the same way Charlie connects to the other ring sinners.
Slowly but surely, the crew better themselves, and before the next extermination, the Angel Gabriel (ain’t he the whole Angel with the flaming sword?) flies down to see Charlie doing her best. Drama here, tension there, V is the first to get ‘redeemed’. Uh oh, angst!
V, after all this time, doesn’t want to be redeemed if that means she can’t stay with Charlie, which is why she was hesitant. Lucifer and the sins come in, try to kill Gabriel or something and there’s signs of a war, but Charlie stands her ground and tries to find some way to get both sides to work together on something, at least.
So. Purgatory.
I haven’t been mentioning Lilith much but she very much loves her daughter, and having enough pride in her (Charlie) ideals to make things better, to give people a chance at redemption, reminds her of her angel days. That peaceful life.
So she agrees.
The Hazbin crew get to work with her in purgatory, V gets to be all happy and cute with Charlie, and everyone learns to try and be better.
There. That shouldn’t be too hard. Maybe a little complicated but those are my surface thoughts. What do you and the others think?
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scribble-dee-vee · 3 months
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Writeblr Intro circa 2024
Hi writeblr!! Sooo, I've been around here since about 2014. (Yes, I am ancient.) However, I've been dormant for the past 4-5 years. Blame college and a brief stint on Twitter. Now that I'm active again, I thought I should make an updated writeblr intro so ppl know my Deal. Basically, I want to engage with other folks who write fiction (esp original SF), and that's a little easier if I have a clear post that outlines what I do. Here to make connections and hear about your blorbos :)
About me
Hi, I'm Vee! They/them, 23, 💖 🤍 🧡
I do journalism/comms in western New York
My literary jam is feminist/adult SF and gothic lit (OG or modern) 🥀 ⚔️ 🌙
Enthusiastic about gay people, body horror, and sociopolitical allegories
I cook, run, play tabletop games, and occasionally draw. Other than that, I'm mostly writing (for work and for fun)
If you were on pre-2020 writeblr, you likely know me from my eight billion daily tag games. (I still like tag games and appreciate u for tagging me. I have also gained adult responsibilities and better mental health, so I respond very slowly now. <3)
Always happy to get asks or dms, tho as I've noted: I may reply slowly.
Sometimes open to beta read! I only read one longer project at a time, but it's always super fun :)
I tag very consistently – happy to tag triggers for followers/moots
Fun fact: I love mushroom hunting and worked as a mycology TA. #cottagecoreera 🍄 🧚‍♀️ 🌱
About my creative writing
I write,,,, feminist/adult SF with gothic leanings (surprise!)
Longform and short! Trying to do more short writing this year, and I'll likely share a bit on Tumblr. It's easier to clip a short story than a 150k novel, god bless.
The Aesthetic: moral g(r)ays, Victoriana, androids/cyborgs, Women™, monstrous femininity, incessant Hamlet/Frankenstein motifs, extremely boring socioeconomic worldbuilding, evil queens and/or dilfs, psychosexual witchcraft, probably a cat. Also, an ominous, plot-relevant letter laced with anthrax from your unhinged and brilliant ex-wife. Open if you dare.
Major projects
I'm going to be writing some short work this year, but these are the longer projects that I have going in the background. If I reblog blorbo-related text posts, they probably have something to do with these.
Let me know if you want to be added to any project-specific taglists 😎
Heart of Lead – Series
The big one
Perpetually evolving
Never ceasing
Pls send help I can't stop adding shit
5-book gothic fantasy epic that I'll definitely publish one day but probably no time soon! My bastard child, my wicked firstborn, my greatest love <3
Character-oriented political drama set in a pseudo-Victorian, dystopian oligarchy where everyone's heart is made out of metal. It's about coming of age and discovering queer identity in a world that is absolutely fucked. God is an extraterrestrial lesbian who gives ppl very traumatizing magic powers. There are cyborgs, shapeshifters, and morally gray women in STEM. It's tight as fuck idk what else what to tell u.
Book 1 is about achillean monarchists, and book 2 is about sapphic anarchists. There are only two genders, I guess.
At this point, I've drafted most of the books at least once. Working to refine a lot of raw material atm!
Tag: "heart of lead tag" or "hol tag"
Lost Letters – Book
Aka the current active HoL WIP, and book one in the revised series structure
Length: 80k as of now; around 120-140k when the first draft is finished, I presume.
Genre: adult fantasy, gothic, noir detective drama?? um?? If you want me to frame it in BookTok terms (why?) it's a dark academia villain x villain tragic romantasy. Hrgh.
Summary: Cyborg soldier goes to college, joins a shady socialite frat, and falls in love with the jilted heir-apparent to the throne. Hilarity ensues.
(By "hilarity," I mean a militant revolutionary faction and a tragedy of Greek proportions.)
POV characters: Charles (the cyborg), Dale (the heir), and Cecelia (Charles' sister, a junior detective, the love of my life and potentially the Chosen One???)
This book is twisty and dark and immensely fun to write.
I'm about halfway through the first full draft! Hoping to share snippets and vaguepost about my children here.
Tag: "lost letters tag" (also "hol tag," tho that one's less specific)
The Last of Mortal Tourists – Book
The next longform project on the docket!
Length: a standalone work that will hopefully fall on the shorter novel/novella spectrum.
Genre: literary SF, cyberqueer, psychological space quest
Summary: The consciousness of a dead coding genius, trapped inside a spaceship, seeks a new planet to sustain their sister, the last surviving human, after the destruction of Earth.
If you're here to get wildly philosophical about gender and the myth of essential self, this is the story for you! That's why I'm writing it, lol. 🏳️‍⚧️ 🚀 🤖
This one started out as a short story (100% finished) which I want to expand.
POV: Archer Alto, the coder. Spaceship? Human? Soul?
Supporting Cast: Pandora, the last human, and Abby, a holographic impression of Archer's childhood consciousness
Tag: "the last of mortal tourists tag" or "tlomt tag"
If you read all this way, you get a whole bouquet of flowers that are certainly NOT poisonous: 🌸 🌹 💐 🥀 🌺
<3
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thehistoriangirl · 1 year
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HI I JUST CAME FROM AO3 I READ YOUR VIK/READER STORY AND I THINK ITS AWESOME AND I HAD TO TELL YOU
Also, didn't knew that requests were open, can i request a Vik/reader oneshot where Vik finds us crying and comforts us?
Have a good day/afternoon/night AND ALSO I LOVE HOW YOU WRITE OK BYE
Hi! Omg thank you so much 🥺🥺🥺 I'm so glad you enjoy them <33
I'm sorry for taking so long 😭 I found it more difficult to do than I thought it'd be jkfjhdjf but I hope you like it :3
You, My Solace
Viktor x gn!Reader----1.4K------SFW
Tags: Established Relationship| Angst & Comfort| Domestic Fluff
The living room was dark when Viktor entered the apartment you two shared. His footsteps echoed on the wooden floor, with no light in sight as he walked further in. With no sight of you either. Furrowing, Viktor considered the possibility of being home too early, that at any moment, you would be leaving your coat messily over the couch to plant yourself in front of him for a welcome home kiss.
Though the clock hung on the wall marked 8:06 PM when he peeked his head in the ajar door, looking at the amorph figure huddled in bed.
Viktor smiled, feeling the fluffy carpet around the bed as he walked over, the mattress dipping under his weight. One of his hands enveloped your ankle, giving it a playful pull.
He was expecting you to unveil your face from the blanket, looking at him with sleepy eyes, a slow smile expanding on your lips.
Instead, your body lay there with no reaction. Upon further inspection, Viktor heard you sniffling against a pillow.
“My love?” Viktor whispered, unsure how to proceed. “What’s wrong?”
Your movements under the blanket made it ripple. Viktor extended his arm to turn on the lamp on the nightstand, but your voice came with a broken tune to stop him with a weak: "No." Then, a pause. "…please."
It was shame, then. The passing memory of the issue about turning in or off the light the first time you made love washed over him, recognizing a tiny fragment of your feelings even if he couldn’t read your face.
Viktor rested his hand on your hip. “Do you want to talk about it?”
Your answer came too stretched out in the silence that Viktor was starting to think it was better to go to the kitchen and make you a hot beverage.
“I didn’t get the job,” you said, voice plain. Viktor felt his heart pool at his feet, and then slip between the creaks of the floorboards. “Because I guess I’m not as competent as I thought.”
He climbed into bed, ignoring that his leg brace pressed painfully against his knee as he moved to lay next to you, spooning the outlines of your body while only putting one hand over your shoulder.
“Love…”
“No,” you cut him, and Viktor winced. “I don’t want your pity.”
He retreated his hand. “Do you want to be alone for a while?” Viktor could do that, he knew you needed your time to unwind just as he did, from time to time. But even so, part of him felt stiff with anxiety about leaving you on your own while you were like this.
You hipped, the dam starting to break in the shaky threads of your voice. “N-no...” The blanket slipped out your face when you looked at him, with puffy eyes and trembling lips. His heart squeezed painfully. How long have you been crying? "N-no, please."
“Come here,” he muttered, hugging your torso as he cradled you on his lap, your head in the crook of his neck so Viktor could easily pepper your face in kisses to try and, if not dry your tears off, at least to give you the confidence you needed to cry in front of him, knowing that he’ll never judge you.
Your arms tangled in his shoulders, and you smell the familiar essence of him, with the detergent of his clothes matching yours, the burned oil and melted metal from all his working hours in the lab. It grounded you, your eyes closed so everything else would fade away.
“You aren’t inadequate, my love.” Viktor kissed the top of your head. “I’m sure there’s a job for you.” His eyes were shiny even with the lamps off, with only the dimmed light of the streetlamps below. “Rejection hurts a lot, but you shouldn’t take it personally.”
“But I failed—”
"Many things are out of your control. That you don't get the wished result out of them doesn't mean you are the problem." He stopped, dragging you into a more comfortable position now that his right leg started to cramp. "Remember what you always said to me when my prototypes don't work?"
As you shook your head, the rebel locks of your hair brushed his neck. You had a very good memory, and for the way you were biting your lip, eyes avoiding him, Viktor thought that you had never been a good liar.
"It's alright. I'll remind you." His thumb was warm against the wet streaks of tears down your cheeks. He looked at your lips swollen from crying for so long. "Your worth isn't quantifiable in your successes," Viktor muttered, his lips brushing your forehead. "You shouldn't feel less worthy just because you failed."
His shrug made you rest your head on his chest instead, the gentle rhythm of his heart soothing your palpitating headache. “I didn’t understand it at first, but you’re right. I’m more than Viktor the inventor; and you’re more than your job, too.”
You looked up at him, the hand cupping your cheek and meeting yours as you started to dry the tears away with harsh brushes of your palm. Viktor took your hand gently, fingers interlacing. "Please be kind to yourself, my love. It's alright to cry, too. I just wanted to remind you that you're worthy, but you can cry until your heart feels a little lighter, yes? I'll be right here if you want."
His gentle words formed a knot in your throat. Part of you wanted to stop altogether, to point a hand at your reflection in the mirror to mock how childish you were behaving. The other echoed with Viktor’s voice, filling with warm your stomach, pulling the pilling up feelings out in a trembling jaw.
Your vision started to get fuzzy, a sob leaving your lips as you hide your face against his vest, not caring that the outline of his buttons would get marked on your cheek. His hand rubbed circles on your back and whispered words moved the hairs around your ears. Half the time you were too caught up in your cries that you didn't hear them correctly, but as they started growing fainter his loving words made you put him closer.
“I’ll help you try again,” he was saying. “I’m sure that if we tried again enough times, we’ll get somewhere. Yes? Yes, like when you test theories in the lab… But for now, you shall rest. You deserve it. Have you eaten something?”
You shook your head again, your cheeks hot from shame.
"Then I'll cook something. I think there are some leftovers from yesterday's dinner, isn't it? I'll go serve us a plate." He smiled, trying you on the bed without disturbing you. You started to push the blanket away as if you wished to stand up. "No, no. It's fine. I can do it alone this time."
“I think… I think I would like to keep my mind busy,” you commented.
Viktor nodded. “Of course. Then let’s go. I think we can prepare some hot cocoa. What do you say?”
A small smile started to tug the corners of your lips. “With some cookies?”
He chuckled, happy that at least you were starting to develop an appetite. "With some cookies, yes. Shall we?" He said, his hand extended to you once he was standing again.
You nodded, your hand taking his as you propel yourself out of bed, with the blanket pooling at your feet. You walked out of the room, turning on the lamps in the living room and the kitchen. The blanket that cocooned you all evening was now thrown on the couch, used as a refuge for your cold feet as you cuddled in it after eating.
All the feelings pouring out of you made you feel exhausted now that your mind was somewhat clearer. Viktor was hugging you as you turned your head toward him, half-hiding his neck.
He was reading something about bioengineering from a book, the seal of the Academy library on its cover. Even if you couldn’t understand what he was saying, you relish in the soft cadence of his voice that reverberated in his chest, and then all over you.
Your eyes slowly closed, eyelids fluttering, trying to fight against the sleep clouding your mind.
Viktor kissed the top of your head. “Goodnight, my dear. I love you.”
You tried to say: "I love you, too," though your lips barely moved with a long 'mmmm' sound. But it didn't matter, because Viktor knew to read all your little noises, your body language, how your eyes seemed to write down all the answers you couldn't dare to say out loud.
He looked down at you, a gentle smile on his lips, his golden eyes twinkling like stars that would assure you that tonight would be filled with only peaceful dreams…
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