How to be a Dirtbag Fic Writer
I got to do some talking about writing today and I couldn’t stop thinking about it so here are my full thoughts on the matter of being a dirtbag fic writer.
Being the disorganized thoughts of someone two and a half decades into the beautiful mess that is writing fanfic (and a few non-fanfic things too).
What is a dirtbag fic writer?
I am talking about someone who is not cleaning up anything. We show up filthy, fresh out of rooting around in the garden of our imaginations. We probably smell a little from work. We will hand you our hard grown fruits, but we have not washed them and we carried them in the bottom upturned parts of our t-shirts. The fruit is a little bruised. It’s not cut up or put in a bowl yet. But we got it in the house! It’s here. Someone can eat it.
Why dirtbag it? Because the fruit gets in the house. If you’re hemming and hawing, if the idea you want to do seems to be big or you want it perfect and shiny. If you’re imagining a ten thousand step process, so you’re not taking the first step? Dirtbag it.
How do I dirtbag?
That’s the best part. You just write. Sit down. One word after the other. No outline, no plan, no destination. No thought of editing. Just word vomit. Every word is a good word. It’a word that wasn’t there before. Grammar sucks? Who cares. Can’t think of the perfect word? Fuck it, put in the simplest version of what you mean.
Write the idea that you love. The one thing you want to say. Has it been done 3000000 times? WHO CARES human history is long, every idea has been done, probably more than twice. YOU have never written it before. It’s your grubby potato that you clawed out of the ground and guess what someone can still make it into delicious french fries.
Now here’s the critical part. Write as much as you can squeeze out of your brain. One word in front of the other.
And then I challenge you this: at most, read it over once and then put it into the world. Just as it is. AND THIS IS IMPORTANT: DO IT WITHOUT APOLOGY OR CAVEAT. I challenge you, beautiful dirtbag to not pre-emptively apologize. Do not make your work lesser. THAT IS YOUR POTATO! It has eyes and roots and dirt clinging to it because that is what happens. We are dirtbagging it today. Hell really confused people at do #dirtbagwriter on it.
Dirtbag writes id, base, lizard brain. Dig in the fertile garden of your imagination. What is the story you tell yourself before you fall asleep? What’s your anxiety this week? Your fantasy? What is going well? What do you wish things looked like? Who is the feral imaginary character you’ve been crafting to take your frustrations and joys out on?
But, VEE, I wish to have an editor and an outline, use a cool software like scrivener instead of retching up onto a google doc and making it look NICE and PRETTY!
COOL! DO THAT THEN! IF YOU’RE ACTUALLY DOING IT! You should have a process! That’s cool and healthy and necessary for sustainable writing. But if you’re not writing because all of that seems too much? THEN DON’T.
Did you know fic is free? That we do this from love? From sheer desire? For the love of the game? If you have a process, and the words are flowing, amazing, I love that for you, you don’t need this essay. If you don’t, let us continue.
What does dirtbag writing look like?
It’s messy. It’s a little raw and tatty around the edges sometimes. It’s weird. It’s someone else’s first draft. Maybe it winds up being your first draft, Idek, that’s your business.
It’s jokes that make YOU laugh. It’s drama that would make YOU cry if you read it. You are your first commenter. You are your first audience (and possibly continuing pleasure! If you don’t go back and reread your own work sometimes, you might be missing out on one of your favorite authors cause you wrote it for you! Wait until you’re not so close to it. Years sometimes. Then hey, maybe some of this is pretty dang good actually.)
It has mistakes.
Dirtbags make mistakes, but dirtbags have published pieces. They have things other people can read out there.
What if I don’t get good feedback?
Look, the most likely outcome of any new, untried fic writer (and even established writers trying something new-ish) is that you get no feedback. That’s real. Silence. It’s eerie, it’s terrible, it sucks. I don’t want to pretend it doesn’t. But nothing is not negative. It’s a big fic-y ocean out there and we are all wee itty-bitty-sometimes-with-titty fishes.
You should still do it all over again. And again. And again. You get better at writing by writing. You just do. Nothing else replaces it. If your well is dry? Fill it with new things. Go do something new, read a new kind of book, watch a new film, (libraries have so much good shit, you don’t even have to spend money for so many things if you have a library card), just go for a walk in a new direction. Stimulate yourself. Got a cup of something hot and eavesdrop on conversations. Refill yourself with newness.
And hey, speaking of, do you leave comments? Because you get what you give. You can build relationships with people by commenting and that builds community and community means places to get feedback in the end. Comments are gold. They are all we are paid in. Tip your writers with ‘extra kudos’ or ‘this made me laugh’. And hey, when you go back for a re-read so you can tell them your favorite part? Ask yourself how they made that favorite part? What do you like about it? Tone? Metaphor? The structure? Reading teaches us how to write too!
BUT, okay. Sometimes. Sometimes there is actual bad feedback and people suck.
You know the best part about being a dirtbag? Unrepentant block, delete, goodbye. You don’t own anyone with a shitty opinion any of your precious time on this earth. You did it for free, you gave them your dirty, but still delicious fruit and they went ‘ew, this is a dirty strawberry, how could you not make a clean tomato?” Because you didn’t plant fucking tomatoes, did you? Don’t fight, don’t engage. Block. Delete. Goodbye.
If someone in person, looked you in the eye when you brought them a plate of food to share at a party and they said “Why didn’t you bring me MY favorite? This isn’t cooked well at all.” You would probably write up a Reddit AiTA question about it just to hear five thousand people say they were an asshole. Fic is no different
And hey, when you dirtbag it? You know you did. It’s not your most cleaned up perfect version. So who cares what they think? You might make it more shiny and polished next time! You might NOT.
Ok, but what if I don’t finish it?
Fuck it, post it anyway.
What if it’s bad?
Fuck it, post it anyway.
What if it doesn’t make sense?
That’s ART, baby. Fuck it, post it anyway.
What if what I want to write doesn’t work with current fandom norms?
Then someone out there probably needs it! And what the hell is this? The western canon? FUCK IT POST IT ANYWAY*
*Basic human decency is not a ‘fandom norm’. Don’t be racist, sexist, ableist, fat shaming, classist or shitty about anyone's identity on main, okay? Dirtbag writers are KIND first and foremost. Someone saying you are stepping into shit about their identity is not the same as unsolicited crappy feedback about pairings. In the immortal words of Kurt Vonnegut: "God damn it, you've got to be kind.”
You’re being very flippant about something that’s scary.
I know. I know I am. I know it can be scary. But no risk, no reward and hell, you aren’t using your goddamn legal name on the internet are you? (please for the love of fuck do not be using your legal name to write fic) You’ve got on a mask. You’re a superhero. With dirt on your cape.
That niche thing that you think no one cares about? Guaranteed you will find someone else in the world who wants it. Maybe they won’t find it right away. Maybe they will be too shy to comment or even hit a button. But your dirty potato will stick with them. They will make french fries in their head.
You have an audience. But they can’t find you if you have nothing out there.
Go forth. Make.
You have some errors in this essay.
PROBABLY CAUSE I DIRTBAGGED IT. But I picked this strawberry for you out of my brain, so I hope you run it under some cold water and find the good bits and have a nice snack. Or throw it away. Or use it to plant more strawberries (I know that’s not how strawberries work, metaphors break when stretched).
#dirtbagwriter
Go forth and MAKE
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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you have to be sexy but you have to be sexy in a way that's kind of bloody. you learn this early because you are wearing a ruffled skirt and the snow around your ankles kicks little sand particles against your calves. baby's first catcall. welcome to sexiness! welcome to the eyesore of your own body!
you have to be sexy like high heels. like sculpted eyebrows. like lean stomach and highly treated hair. you have to be sexy like youth is sexy, which means you have to be sexy like boxtox and plastic. a 30 year old can be sexy but she's not going to be bloody, and they like the bloodiness of it. a 30 year old is sexy when she is a whiskey glass and a wooden desk.
but you need to be sexy like an open mouth. you need to be sexy like a bitten apple. like plucked skin and white-knuckling the waxing kit.
so sex is a performance, not an enjoyment. for a while, you just assumed everyone else was also in on the joke - nobody actually likes sex that much, right? like, some men probably do, but why would you? it is like a gender - your gender is sexy. your gender is the performance of sex. you are thigh highs and garter belts. which, to be fair, do make you feel sexy.
part of what does make sex good is that you can tell that other people want you, which means the performance of sexiness is both bloody and wanted, which is good, which means you are winning at having a body. being wanted is the prize. being wanted is the thing you are searching for, not hope. you think you are looking for a soft grave in easy loam, but that is bloody but not sexy. to be sexy you must be bloody like a red open sign. bloody like a handprint. this will make you wanted.
any wanted or unwanted body is subject to supply and demand, which is to say that the more demand, the better you are valued. you must be highly demanded to be valued. this is stated in matter-of-fact by some men. sometimes it is a priest that says it, and sometimes it is a podcaster, and sometimes it is the 45th president of the united states of america.
(if you do not have any experience with being told your value, i want you to grab the nearest bird to you and i want you to crush it into a thin paste in your hand. spit into the center, and then hold your fingers closed tight around it for days and days, long after the rot has set in. feel bones itch inside of your fist. this is only a fraction of what it actually feels like, but it will suffice for a moment.)
good sex feels like you have earned their desperation. you have earned your own value. for a while you operated under the understanding that everyone knew about the power structure, even him. that their desire to take you - the violence of it - means that you must desire to be caught. little prince, guardian fox - you would rather have cut your own arm off. you liked the secret, cunning little voice you keep tucked into a box. you think you are fucking me. i am not even here right now. you are fucking what i conned you into perceiving. this is a painting, not a person. dominion over the body before all things.
so you bend your body like a wheat shaft and learn the steps so perfectly that it almost seems graceful. (if you do not have experience faking your own connection to your body and sexuality, cut each of your articles of clothing just a little bit incorrectly. pour fishbones into each of your meals. this way, you will experience the average noon on a tuesday.)
you have to be sexy like light spilled over a desk, but not desperate. not a noose. you can't be sexy like an electric guitar, you are the acoustic. you have to be on top of the bull but you can't have control over the animal.
okay, okay. the little rabbit of your heart went to sleep so long ago that winter has ravaged your concept of the human soul. there's something very-bad inside you, something that has taken over, a little fetid and rabid animal, angry and hurting and willing to bite first.
oh but even that's a pain that's sexy. open your mouth. be careful not to let the canines show.
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