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#it has been a long fucking day
pookachuka · 16 days
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jenny flint gets a warm blanket some tea a kiss and some love because she deserves a break and i also deserve a break but i cant reallyyy get that so instead beloved victorian sillygirl gets her deserved treatment :)
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honkytonkdyke · 11 months
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vade you're blogging in the archive VADE
JESUS THANK YOU RON 🙏🏼
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myownfavourite · 1 year
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ahhhh I am so tired 
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potionpeddlerpatchy · 2 months
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Crowned Prince Shouto who is so very much in love with you, even if it did take a while to come around after the arranged marriage occurred.
Crowned Prince Shouto whose brow creases and eyes twitch every time people in high court mock how plain you are under hushed breaths.
Crowned Prince Shouto who gets absolutely sloshed at a royal banquet to try and drown his anger when he hears a rumor going around that his marriage is unconsummated due to finding you so repulsive before storming off to find you.
Royal Advisor Izuku who rushes off to try and follow, only to hear a shriek coming from your room. When scrambling to investigate if you're okay he finds his master on his knees absolutely devouring your cunt while your receiving chamber door remains open a crack.
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svtskneecaps · 5 months
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lukewarm take of the evening: y'all care too much about being ""outdated"". fellas this smp moves inhumanly fast. it is ok to CHILL holy shit CHILL. y'all are like "(posts BANGER ART) super late guys sorry" friend i am hitting you with a blanket i am snapping you with my metaphorical towel WHAT DO YOU MEAN SORRY. "(posts BANGER FIC) rip this is outdated now" WHO CARES???? I LOVE YOU, OK. ohhhh woe is us as the fandom at large for having MORE HAPPY PILLS ARC CONTENT oh no how outdated!! how could you be writing speculative fiction about how forever felt during happy pills :( slash SARCASM!! WHAT DO YOU MEAN!!!! THERE ARE SO MANY BANGER ARCS, WHAT, YOU THINK WE'RE COMPLAINING????? FOR GETTING MORE OF THE CONTENT WE LOVED????? oh no we're past the period where everyone thought green gay ninjas were like Dead Dead, my work is now outdated and noncanon :( WDYM. GIMME. A BANGER IS A BANGER IDC IF IT TAKES THREE MONTHS. you think rome was built in a day?? fuck you, baltimore, GIMME. my ass has been cooking a goddamn backflipo family fic since july when it was ALREADY outdated do you think i fear god??? "oh no, you're making an edit of slime's (attempted) egg murdering spree?? how could you, that was months ago it's irrelevant" SAID NO ONE EVER.
save your wrists kidlings ok carpal tunnel is no joke. CHILL!!!!! CHILL!!!!!!!! TAKE YOUR TIME SHEEEEEESH OK LOVE YOU <3
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blended-ice · 11 months
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A fun little sketch. Open wide!
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stuckinapril · 5 months
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still very much have my anxious attachment style at play but i'm getting so much better at being okay w people leaving
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whenmemorydies · 3 days
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Violence and Love in Monkey Man
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Dev Patel's Monkey Man has played at my mind for two weeks now. This is for reasons that I'm able to articulate and for many that I probably have not yet been able to find the words for. This post is, in part, my attempt at sorting through some of my thoughts. My tumblr is all spoilers all the time. If you don’t want that, then please don’t read on.
Violence
Like most places in the world, systemic violence is a scourge in India. Monkey Man does not shy away from this reality and depicts Hindu nationalist state violence and violence against women and gendered minorities in the country to chilling effect.
We come to see this in the brutal rape and murder of Kid's activist mother at the hands of the police, while she tries to shield her child and her land from police and state terror. We see it in the treatment of (largely femme-presenting) sex workers in the two brothels featured in the film, including one frequented by the police and political elite. We see it in the violence and ostracisation meted out against the hijra, or third gender community by individual actors and the state more broadly. We see it in the state-orchestrated razing of an entire community after the land on which it sits is declared a "holy site". We see it in the movement of people from the regions to the city after their land has been stolen and the grinding poverty they face as a result.
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Unlike so many action films, none of the violence in Monkey Man occurs in a vacuum. Even Kid's original means of making money in an underground fighting ring is done against the backdrop of his forced displacement from regional India to the city - a migration pathway that many in the country have been forced to take and which is a direct result of land theft and resource extraction in the regions by local and multinational corporations as well as federal and state governments.
The truth is that so much in relation to state and societal control is enacted in painful and violent ways on the bodies of the marginalised and oppressed. And I often think about how the horror and action genres are some of the best suited to speak about systemic injustice because of their capacity to make that violence uncompromisingly visible (one recent example is Mike Flanagan’s Midnight Mass which depicted the bloody fallout of the Christian missionary/colonial project in vivid crimson, splashed all over a non-descript maritime town in present-day America). The violence in Monkey Man is no different.
While Kid's realisation of the interconnectedness and heavy hand of the state not just in the violence experienced by his mother, but also by the hijra, and by sex workers like Sita comes later in the movie, we as the audience are given this insight earlier. Recall Kid pointing out to Sita that her tattoo is of a koel, not a sparrow as originally misidentified by the Australian client sexually assaulting her minutes earlier in the film.
Kid goes on to say that he grew up in the forest and woke up to koels singing everyday. Its the longest conversation that the two have but in those brief words, we understand that Sita too has likely been displaced to the city from the regions, probably under very similar circumstances to Kid. The way this displacement maps itself onto her body is distinctive to how it does so for Kid, with gender playing a large role in this.
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Other factors like caste, class and religion also impact on how the characters in this film experience or perpetrate violence. I would write more on these intersections but then this post is going to get more unwieldy than it already is.
I will say though, that in India, where fascist Hindu nationalism is being used by government to harm minority communities, steal land and secure populist votes, Patel makes a distinction between revelatory and weaponised faith. Kid is raised in peace by his mother with the former, but as an adult he lives in a world where the latter has taken hold and is being used by those in power to shore up more of that power for themselves.
For me - as the descendant of parents, grandparents and great grandparents who lived through anti-Tamil pogroms led by Sinhalese chauvinists weaponising Buddhism as part of their fascism in Sri Lanka, who like the rest of us, is living in an election year for Hindu nationalist Prime Minister Narendra Modi in India, and who is also frustratingly, helplessly bearing witness as the state of Israel and it’s allies conflate Zionism with Judaism in defence of the genocide being waged against Palestinians - watching this action film make the distinction between revelatory and weaponised faith was profound.
Love
Patel makes it a point in this film to show how Kid's most nourishing relationships, the ones that sustain him - indeed the ones that literally save his life - are those that he has with women and with people who don’t conform to the gender binary. In doing this, we see what Kid is fighting tooth (quite literally) and nail for throughout the film. We see what is at stake - what we stand to lose - if perpetrators get to rule without accountability.
Its also no mistake that these relationships are all tied visually to the natural world in the film: Kid's mother's deep ties to the earth, rivers, trees and roots that she leads him through as a child. Alpha and the hijra's sanctuary, the Ardhanareeshvara temple with its most sacred space being the roots of a holy tree. Sita and her koel tattoo: the memory of the forest carried on her skin while she traverses the brutal reality of the city. Patel is making a point here too. About nourishment of another kind, through our connection with the earth instead of extraction from it. The visuals in the film drive this point home, particularly when contrasted with the industrialisation and poverty of the city.
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Two particular loving relationships that stood out for me were the love shared between Kid and the hijra community as well as between him and his mother.
Alpha, hijra Elder and the hijra community
Keeper of the Ardhanareeshvara Temple and hijra Elder, Alpha becomes a mother-figure to Kid after he is rescued with near-fatal injuries. It is Alpha who keeps watch over him as he recovers, helps Kid to confront the totality of his past memories which his trauma has kept fragmented, and who ultimately leads a veritable hijra army to join forces with him to assassinate some fascists.
Alpha's gentleness with Kid was so moving to see, in particular during the conversation they have about his attempt as a child to save his mother from the fire set by her rapist and murderer. That exchange moved me to tears.
Kid: I failed her.
Alpha: No. You tried to save her. You see scars. I see the courage of a child fighting to save his mother.
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The wider hijra community at the temple also take Kid in and care for him during his recovery. Truly, the scenes at the temple were some of my favourite in Monkey Man. Outside of his memories of his mother, they are the only scenes where we see love, peace and joy on the faces of any of the characters in this film.
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Also witness this moment of delight below as the hijra at the temple appreciate a fine ass man channelling his righteous anger and fucking up a punching bag full of rice. I note that the music during this training montage is simply stunning. Ustad Zakir Hussain's rapid fire tablas punctuated by each of Patel's landed punches and kicks and then followed by Jed Kurzel's achingly soaring instrumentals (listen to "The Kid" from the movie's score) were just *chef’s kiss*.
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Another favourite moment for me was when Kid decides to go back to the underground fight ring one last time and not throw his matches (as he had been doing prior). He bets on himself and when he inevitably wins his fights, he takes the money and gives it to the hijra, ensuring that they can continue to live at the temple without fear of being evicted. We love to see a man who literally pays his rent.
Neela, his mother
Kid’s first teacher and the center of his life as a child. In almost every memory we are shown of her, Kid remembers his mother walking through a forest, sharing her ecological and religious knowledge with him and in doing so, positioning him within the wider world.
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GIF by dailyflicks
We watch as he takes this understanding with him forward through the remainder of the film. His conversation as an adult with Alphonso as they drive through the city in the latter's tuk tuk is emblematic of this. "They don't even see us", Kid says of the elite who frequent the club where he has just gained employment, "they're all up there living and we are stuck in this."
His mother showed him what it was to live: to be still and in concert with the world and the Divine around you, to be loved fiercely, and to thrive as a result. This is in stark contrast to what Kid has had to learn to do in the city: to survive, to merely exist. He is never depicted resting or at home as an adult. He's always working, hustling and planning for the next thing, his next step. When he loses his village, his land and his mother as a child, Kid also inevitably loses his sense of home. It’s no coincidence that the tracks “Home” and “Mother” on the movie’s score sound almost identical.
Later at the end of the film, we see Kid close his eyes, having done what he set out to do. The last thing he sees is his mother, smiling at him in the forest. Her face is the face of God he gazes at before he succumbs to his injuries. This devotion to his mother is not just that of a child to a parent. Its also deeply tied to his Hindu faith which calls on its followers to honour the Divine Mother, the supreme feminine energy, Aathi Parashakthi, in all her manifestations including in those who mother us.
The movie ends with Kid’s deep, revelatory faith - instilled in him by his mother - and with the death of the man who weaponised that faith for power and wealth. It left all of us in the cinema seated in stunned silence even as the credits began to roll.
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To describe Monkey Man as simply a revenge film does it an absolute disservice. This is not revenge. It is defence borne out of deep love for community and righteous opposition to injustice. Seeing hijra warriors dressed as Kali, the goddess of destruction, dealing death blows against fascists while spinning in the most beautiful lenghas was exhilarating (I literally screamed “YESSSSSSS!” at the screen when they arrived). Seeing Sita take out pimp Queenie got me cackling and yelling “whoooop!”. Seeing Kid, a masculine character act to defend women and people outside of the gender binary, from further systemic harm without any ulterior motive was absolutely unreal to witness on the big screen. Seeing a person of faith act in deep connection to that faith without judgment against anyone but those who perpetrate harm made me feel hopeful in a way that took me by surprise. Kid acted out of love and respect. I would argue that Sita, the hijra and Kid all acted out of recognition of a shared humanity.
And at a time when folks from marginalised communities are being subjected to horrendous violence worldwide, both interpersonal and systemic, watching the oppressed take their perpetrators out…and I mean out (see: a rapist and murderer getting bludgeoned to death with a glittery high heel and a fascist, self-proclaimed “holy man” being stabbed in his third eye by the blade he hid in his own “sacred” pathankal/paduka), well, it was cathartic to see.
Am I saying violence is the answer to systemic violence? I think the answer to that question is context-specific. Non-violent resistance has a place, but it’s by necessity a performance and requires an audience. What do you do when no one’s watching? What do you do when the people who are watching are doing nothing to stop your suffering? What then? These questions are what many liberals refuse to grapple with because the answers are too uncomfortable for their polite sensibilities. But if you keep your foot on someone's neck long enough, you should expect them to fight back, by any means necessary. In Monkey Man, we have an action film where we get to witness that resistance in all its visceral glory.
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thetopichot · 6 months
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My roman empire is the fact that Auron legit KILLED Derek by fucking BEATING the absolute SHIT outta him then straight NAILED THAT MOFO ON THE DESK & then straight up went on a date afterwards & had the most heartwarming moment ever with Rook. I know that's not much, but I think about that shit at LEAST once a month.
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cuoredimuschio · 1 year
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okay, but where's my steddie AU where steve wants to learn to play guitar to impress a girl he's infatuated with and he remembers that munson kid was always hanging up posters for his weird band at school, so he hikes out to eddie's usual dealing spot behind the track and asks (with far less groveling than he really should have) if eddie will teach him how to play, and obviously eddie says no because why would he want to help king steve, but of course, steve offers to pay him, $20 a week, and well, that's the kind of get-the-hell-out-of-this-shithole-town cash eddie really can't afford to refuse, so fine, he'll teach steve to play and they'll spend inordinate amounts of time together tucked away in eddie's room and they'll start to see that they have more in common than they thought and that they kind of had each other all wrong, and eddie will put his hand over steve's to help him get the placement for a tricky chord and it totally won't awaken anything in either of them?? where is it??
edit: i started writing it
#steve x eddie#steddie#stranger things#someone tell me this has already been written because i need it. please.#bonus points if steve shows up to the first practice session empty-handed#and eddie nearly calls the whole thing off when he has the Audacity to grab at eddie's sweetheart as if eddie'd ever let him play her#and he doesn't even teach steve anything that day because rule number one get your own fucking guitar and keep your mitts off mine#but by the end when eddie is deep deep deep in love and it's time to send steve off to woo this lucky girl of his#he offers to let steve take his sweetheart because she's guaranteed to make him look ten times hotter and cooler#and he'll have no trouble sweeping his girl off her feet and maybe eddie's breaking his own heart but it's fine—as long as steve's happy#except steve doesn't seem nearly as happy as eddie thought he would be#he seems sad actually and eddie kind of hates that so he starts to make some lame joke about how steve should be honored#because eddie wouldn't lend his baby out to just anyone and that gets steve to crack half a smile#but then he puts the guitar down on eddie's bed (with all due gentle reverence) walks over takes eddie's face in his hands and kisses him#kisses him like he's been dying to do it for weeks. because he has#because somewhere along the line it stopped being about wanting to impress a girl and started being about wanting to be with eddie#it started being screwing up on purpose so that eddie would grab his hands and show him how it's supposed to be done#and forgetting about lessons entirely and just sitting around and listening to eddie talk or just watching him play#because somewhere along the line steve fell out of infatuation and into love with the last person he ever expected....#anyway idk where i'm going with this
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hellishgayliath · 6 months
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He's having a rough morning :V
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WIFI IS MINE ONCE AGAIN as i sit on a mattress on the floor
#it feels like ive been without it for so long...#it has been... three and a half days... i am Weak....#nah jk i wouldve been find without it for much longer#but boy howdy am i Glad to be able to use my dear beloved laptop again#i am In The New Place i am Beginning To Settle#tomorrow i begin unpacking my own stuff!!! exciting!!!#i cant wait to admire all of my Things!#ohhhh and i finally have a spot on the wall for my combo whiteboard/corkboard....#im still very stressed and i want to lay in a hole but!!#i am doing slightly better than a few days ago!#the weather has been nice... cool and rainy... i am not used to cool and rainy#its also cold and i am - unfortunately - a desert creature#suffice to say i am wearing hand warmers a hoodie and a blanket#absolutely unprompted#the place's last owner Didnt Fucking Clean though#so there have been many spiders. and cobwebs. and general Grime we will have to scrub#like seriously today i was dusting the ceiling. THE CEILING.#had to dust & vacuum the windowsills... gonna scrub my bathroom tomorrow...#theres a large tear in my bedroom carpet too...#ugh and the cabinets are Small so organizing all the spices and shit has been Rancid#stuff has to go out of place and you cant see it all and MY ORGANIZATIONAL SYSTEMS ARE CRUMBLING#sometimes it feels like my adhd and autism are fistfighting but during a move?#lockstep babeyyyy. they are Streamlined. lots of things and lots of sorting & placing and eeheehee#i have also killed most of the freakishly huge mosquitos in the house so! things are better!#that first night was Rough! its better now! this shell is becoming a House!
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b0tsbby · 6 months
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No cause I feel like the Ghosts were definitely killed off too fast (and I mean mmm, with that 6 episode limit, I kiiiiinda wanna blame big corpo for that writing fault of CL but anyway) and should have had more time together but what actually chokes me up is that DESPITE THAT, despite Dolph knowing these people for a maximum of like 10 days they’re all a part of what he’d consider his dream life and I just think that- *crumbles to the floor*
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fully-caulked-wagon · 1 month
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I fucking despise gen alpha slang dude, you don't even understand.
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!!! FLASHING LIGHTS WARNING!!! [IM NOT FUCKIN AROUND!!]
REACHED THE CUSP OF 'THIS MAY NEVER BE ABSOLUTELY FINISHED N IF I DONT SHOW IT NOW, IT WILL NEVER SEE THE LIGHT OF DAY.' SO HERE, A PROJECT IVE BEEN ORBITING AROUND UHH SINCE 2021 OR SO.
#jrwi fanart#jrwi show#jrwi riptide#gillion tidestrider#cw flashing lights#LOOORRD OF LIGHTNING SAAAAVE ME!!!!#RAAAHHHH I LOVETHIS SONG SO FUCKIN MUCH AND I LOVE GILLION SO FUCKIN MUCH RAAHHHH!! RAAHHHH!!!#BUT YES YES I HAD LIKE A WHOLE OTHER HALF TO THIS SKETCHED OUT BUT IT WONT FINISH COOKIN FOR A MILLION YEAARS!!!!#MAYBE SOMEDAY.....#ANYWAY. this is my first time actually syncing audio to my animations. normally i domnt know howww.#i animated it all in fire alpaca AND THEN i mixed everything in a pirated movie maker. it kinda uh. sucks. but its WHAT I GOT BAYBE!!#i relaly like how i animate swishy hair... i was inspird by eris from sinbad. i can only HOPE i got on that level w the watery flowyness#LIUGHTNING IS HARD TO ANIMATE TOO. I WATCHED ALOTTA VIDEOS ABSORBED MINIMAL TUTORIALS AND UHH I THINK I DID OKAY!!#better than bad!!! but i can still do better. eventually. ugh. FLASHING LIGHTS TOO HUH? U LIKE ANIMATINGB FLASHING LIGHT?#U LIKE MAKING THE BLACK N WHITE FLICKER RLY FAST UNTIL UR EYES BLEED OUT UR SKULL?? YEAAAHH YOU DO!!!#im also vry proud o the title cards i made at the beginning teheheheh. dependign on where riptide goes i MIGHT change it#BUT HEY THEORY TIME? I HOPE ONE OF THE GODDESSES COMES DOWN TO PILOT GILLIONS BODY SO THEY CAN BEAT THE FUCK OUT O THE OTHER GODDESS#WHO IS ALSO IN SOMEONE ELSES MORTAL BODY. GODS COMING DOWN TO WREAK HAVOC OVER PETTY DISAGREEMENTS OOOGH HOW FUN!!#GOOD ON YOU CHAMPION!! YOUR VESSEL HAS BEEN TRAINED TO BE STRONG AND HARDY. PERFECT FOR CHANNELING DIVINE ENERGY.#OHHHH WHAT A PERFECT WEAPON YOU ARE. NOW GO AND IMMANENTIZE A WATERY ESCHATON#PARAGON OF OCEANS WRATH I WANT TO SEE YOU DROWN THE LAND. DESTROY!!! EAT!!! BURN!!! RAAAGHH I NEED GILLION TO GET MORE POWER!!!!#ALSO in other news i uh. actually posted this onto twitter forever ago but forgot to post it here bc i can only post it from pc and BABY!!#IM NOT ON THE COMPUTER OFTEN! NOT ANYMORE!! NOT ANYMOREE!!! IM FREE BAYBE!! i used to be so miserable. sometimes i think abt that.#ANYWAY. pls enjoy. just this much took so long. i love makin the lil guys move.... ouh.... hava good day if u get the chance to.
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edwardbonnets · 2 years
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6/1/2022: WE FUCKING DID IT Y’ALL 🏴‍☠️🏳️‍🌈✨
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