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#it really doesn't add much
sonofenki · 1 month
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i still lowkey hate that they dropped this on us at the very end like what in the fried anunnaki bro was this really necessary for the story at this point 😭
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wasyago · 2 months
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various tango doodles
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quadrantadvisor · 19 days
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Alright new Jason Todd headcanons in a dpxdc setting:
Danny is a "liminal" ghost, rather than a "half" ghost. He's alive and dead at the same time. (He's like Jesus Christ (in the church denomination I grew up in), fully ghost and fully human.) Danny, in human form, can go through a ghost shield, because he IS a living human.
Jason, however, is a reanimated corpse. He isn't a ghost, wouldn't have a ghost core, etc, he has a normal human system that runs ON ectoplasm. Jason CANNOT go through a ghost shield, because he is always an ectoplasmic entity. Danny can go through the Fenton Ghost Catcher and be split into a ghost and a human; if Jason went through the ghost catcher, he would straight up die.
(For my purposes I'm gonna say that Jason became an ectoplasmic entity upon his resurrection, but wasn't very stable. Dunking in the Lazarus pit stabilized his system but also poisoned his ectoplasm.)
I do think that Jason could learn certain ghost abilities if he learned to harness his ectoplasm, especially if they detoxed him off the Lazarus waters. He's probably already enhancing his stealth and strength in ways he hasn't really noticed. I think he's held back by the amount of physical matter he's lugging around, so maybe he couldn't fly, but I'm imagining temporary invisibility, or intagibility of like, a limb at a time. Maybe he can't walk through walls, but in a fight he can dodge by instinctively making the targeted part of his body intangible.
#i saw someone call jason a 'revenant' in a fanfic once and that is juicy as hell so I'm stealing that- that's what he is in this au#Jason's ectoplasm does react to other ectoplasmic entities so they can sense eachother#but for ghosts he's fucking weird because he doesn't have a core for them to resonate with or w/e#danny would probably think that he's another halfa/liminal at first but the more time they spend together the more that doesn't add up#so I know that I'm trying to give Jason ghost powers but honestly this whole thing is kind of a bum deal for him#he gets all of a ghost's weaknesses and barely any of the benefits#honestly I'm conceptualizing this as more of a disability than a superpower#discovering that youre less alive than you thought you were and you're technically just a walking talking corpse running on supernatural goo#is fucked up and creepy and upsetting!#and it's something that he would have to come to terms with before he could start exploring what new opportunities it might give him#and i think that's really interesting#it's part of why I love messing with Jason in dpxdc stories so much#danny is fully ghost and fully human and he never feels like he fits in anywhere already#Jason is not quite human and not quite ghost so you can imagine how that would go for him#anyways i think they should be best friends and visit frostbite in the realms to make sure jason is healthy and also they should maybe kiss#and listen to the black parade together and talk about dying and stuff#danny fenton#jason todd#dp x dc#dpxdc#danny phantom#dc#batfam#my rambles
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powdermelonkeg · 1 year
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On the ancient Hyrulean stone tablets
In Tears of the Kingdom, there's a sidequest you get relatively early called Messages from an Ancient Era, in which you are tasked with finding stone tablets hidden throughout Hyrule that contain Zonai-era first-hand accounts of the royal family. There are 13 in total to locate.
You yourself can't read them, and must take pictures of the tablets to take them to Wortsworth, a Zonai Survey Team historian who can read the ancient texts for you.
The problem with this is that he doesn't tell you what the tablets actually say; he reads their ancient Hyrulean as-is, then gives his own take. And it's a take which cuts out so much context from the original text.
Fortunately, I am a nerd.
Unnamed First Tablet
The ancient Hyrulean:
"Ones held y honore als hochmayde to kyng Rauru ond quen Sonia, thaerafter to his suster ond to princesse Zelda. "Her on thaes gret stan ond twelf mo withalle make y endite min time with the hyred roial. "So michte heore remembraunce preserven for the sake of him on whom oure hope raeste."
What Wortsworth tells you:
"It's short, but it's an introduction from a servant to Rauru and Sonia, the founding king and queen of Hyrule. "She also waited on the king's elder sister, Mineru, as well as someone named Zelda, and wrote of their daily lives in 13 tablets. "It couldn't be simpler! "I intend to more thoroughly research what this chamberlain hoped to convey in these ancient tablets."
The actual translation:
"Once held I honor as handmaid to king Rauru and queen Sonia, thereafter to his sister and to princess Zelda. "Here on this great stone and twelve more withall make I ending my time with the hired royal. "So might here remembrance preserve for the sake of him on whom our hope rests."
Account of a Celebration
The ancient Hyrulean:
"So swete the song of kyng Rauru, ond so grete the beaute of his susteres daunce, that wer min eies ond eres captif. "Ond so hende quen Sonias gasen on us alle, so felt y min herte als captif fallen. "Seruantes lyf, tho moche laboursum, han moche jolitee as welle. Longe be the lyf of the roial familie thaere y love so."
What Wortsworth tells you:
"This is an account of a party from those days. "It says King Rauru and his older sister sang and danced together while Queen Sonia looked on. "We think of royalty as austere and reserved, but these nobles amused themselves with song and dance. "But what a vivid recounting of a scene never before related in any history book… "The descriptions of their personalities and expressions make the ancient past feel alive again. "This stone tablet is a first-class find. Well done, dear chamberlain, in leaving behind this account for us. "I'm positively beside myself to think of how this story from the ancient past persevered so long to reach us today."
The actual translation:
"So sweet the song of king Rauru, and so great the beauty of his sister's dance, that were mine eyes and ears captive. "And so had queen Sonia's gaze on us all, so felt I mine heart also captive fallen. "Servant's life, though much laboursome, have much jollity as well. Long be the life of the royal family there I love so."
The Strong Queen and the Receptive King
The ancient Hyrulean:
"Sonia, quen to Hyrules kyng, bi birthe Hylian preesterresse, hirself yborn of londe, nat of skie aboven. "Speken she with open herte, eornest to alle, euen even to the Zonais kyng. "This kyng ythinke it gode aventure so to lerne of the londes folke. To sen his hed ybent to listenen is swich plesaunce."
What Wortsworth tells you:
"This one looks to be about Queen Sonia. It claims that Sonia was a priestess before marrying Rauru. "Despite his status as a Zonai, a people popularly thought to be gods, she would counsel him without any trepidation. "Moreover, Rauru heeded this counsel. "This account gives us firsthand knowledge of the nature of Queen Sonia and King Rauru's relationship. "Rauru found himself unexpectedly charmed by her strong will, and before long, they were married… "Er, that last bit isn't in the text. That's me speculating. "History rarely speaks of a person's character prior to being elevated to royalty. So I can't help but fantasize."
The actual translation:
"Sonia, queen to Hyrule's king, by birth Hylian priestess, herself born of land, not of sky above. "Speak she with open heart, earnest to all, even even[sic] to the Zonai's king. "This king thinks it a good adventure so to learn of the land's folk. To seen his head bent to listening is such pleasure."
The Harmonious Couple
The ancient Hyrulean:
"Oft wys Rauru, kyng of kene blade, weyve his werk real in faver of the hunte. "Ond oft queynt Sonia, quene of kene insight, seke out him and repaire this kyng to kyngly besynesse. "In hir sapience semes she divin, that she cunne him ever finde and for hes folly semes him the mor humain. "Ond the kyng? O, he laughe. Nat him hir equal for hir wit, he kunne. Ond the quen, she laughe to, als even she scolden."
What Wortsworth tells you:
"This is a tale of King Rauru. "Apparently, he would vacate his official business from time to time in order to go out hunting. "I had the impression he was a stricter, more serious king, but I guess he had a lighter side as well. "However, Queen Sonia was always a step ahead. She would put a stop to King Rauru's hunts and bring him back. "We rarely get a glimpse into the down-to-earth side of royalty in this way. It's an important find, to be sure."
The actual translation:
"Oft was Rauru, king of keen blade, leave his work real in favor of the hunt. "And oft quaint Sonia, queen of keen insight, seek out him and repair this king to kingly business. "In her sapience seems she divine, that she can him ever find and for his folly seems him the more human. "And the king? Oh, he laughs. Not him her equal for her wit, he knows. And the queen, she laughs too, as even she scolds."
A Pilgrimage of Light
The ancient Hyrulean:
"The kyng was late y-come this aven, so maked the quene to sharen tales of hir lond, of shirines al grene yglouen. "Of erli daies sinnes Hyrules funding have diverse monstres hir reaume biseged ond assaylled. "Uncesinge in striffe, thei broughte to despeir folkes lyfen. Kyng ond quen ysete thamselue to bringen scurge to ende. "With might of light ond pouere, driven abak ybeen, ond the roial couple made thes shirines to selen him awei. "Thes holi selen ben yclept Shirines of Light. "Gret kyng, grete quen, y thank ye. Ye foughte whan y wer maiden-child, that y kude pes toknouen."
What Wortsworth tells you:
"The subject here is the actions King Rauru and Queen Sonia undertook not long after Hyrule's founding. "With the kingdom established, they were worried for their people, so they set out to eradicate the monsters troubling them. "They created structures called Shrines of Light to seal the monsters away so that they could never be revived. "There's more here about light…and time too… The sense I get is that the two of them may have had supernatural powers. "Though it's part of ancient history, it's a feat those of us living today should still be grateful for. Truly an important discovery."
The actual translation:
"The king was late to come this evening, so made the queen to share tales of her land, of shrines all green glowing. "Of early days since Hyrule's founding have diverse monsters her realm besieged and assailed. "Unceasing in strife, they brought to despair folks' lives. King and queen set themselves to bringing scourge to end. "With might of light and power, driven aback they been, and the royal couple made these shrines to seal him away. "These holy seals been called Shrines of Light. "Great king, great queen, I thank you. You fought when you were maiden-child, that I could peace to know."
The Researcher Mineru
The ancient Hyrulean:
"Queynte Mineru, the kynges elder suster, falles so dep in hir bokes swich that she oft foryetes to eten. "In min wieried wei don y what much y con, but y fer haven that it ben litel avail. "Of late treteth she of 'constructes,' thinges did she make with her hondes as vessel for spirit whan bodi-lich failen. "So, seyde she, might she liven longe, in spiret yhused within this 'construct.' "Though Mineru ne semes to holden ani deceyte… Bi my feith, y kan nat als trouthe thes wordes bileven"
What Wortsworth tells you:
"Here, we learn a bit about Mineru. "It says that she neglected to eat or sleep while making something called a…construct? "It was part of her research into a means of returning to life as a spirit possessing a new body, should her original one die. "To you or I, this sounds less like history and more like some sort of ghost story. "But remember who we're dealing with. They may have had unfathomable powers that made such things possible. "The revelation that Mineru was a fellow researcher makes her feel like a kindred spirit to me, and yet… "The chamberlain who inscribed these tablets treats Mineru with such care and kindness that it warms my heart."
The actual translation:
"Quaint Mineru, the king's elder sister, falls so deep in her books such that she oft forgets to eat. "In my worried way do I what much I can, but I fear have that it be little avail. "Of late treats she of 'constructs,' things did she make with her hands as vessel for spirit when body lies fallen. "So, said she, might she live long, in spirit housed within this 'construct.' "Though Mineru nay seems to hold any deceit… By my faith, I can not also truth these words believe."
The Foreign Princess
The ancient Hyrulean:
"Ful fyn is the weder this morn, ond have y audience with theos princes seyd ben kin bi fer distaunt yeres to quene Sonia. "Bi gras has she been given a name most swete, of Zelda she ben yclept. "In certain folk stered suspecioun, for straunge wer hir garnementes ond sodein wer her aparaunce. "Yet wolde hir contenonce ond bering maked proof of hir right blod and bond to quene Sonia. "Als be Zelda to remainen for a wile with us, y wil mi-self als hochmayde offre ekein hir servis."
What Wortsworth tells you:
"This is another fascinating entry. "If my translation is correct, the Zelda described here is Sonia's distant relative. "According to this, she arrived in Hyrule unexpectedly from another kingdom. It seems she was a beautiful princess. "Her strange clothing perplexed the people of Hyrule, and many were suspicious of her at first. "But this Zelda had such an undeniable air of nobility that those who doubted she was of royal birth were soon silenced. "Note how clearly this conveys the writer's feelings regarding Zelda. "Once it was clear Zelda would be staying, she applied to be chamberlain to the princess. That suggests real admiration."
The actual translation:
"Full fine is the weather this morning, and have I audience with this princess said be kin by for distant years to queen Sonia. "By grace has she been given a name most sweet, of Zelda she been called. "In certain folk stirred suspicion, for strange were her garments and sudden were her appearance. "Yet would her countenance and bearing make proof of her right blood and bond to queen Sonia. "As be Zelda to remain for a while with us, I will myself as handmaid offer asking her service."
The Free-Spirited Zelda
The ancient Hyrulean:
"Princesse Zelda recent comes to sen Mineru, the kynges elder suster. I com eck, for hir to seruen. "Todai cam hit ipassen that Mineru sheued to Zelda construct althergrettest y hav ysen. "Zelda, she much desired on hit to riden, ond ne conne nat y seien coust hir stoppen. Though I dyde protesten. Loudli. "Neuer the lesse she made to sitten heighe upon the constructes sculdres ond to riden like an hors, al ful of grace. "Min lausion, so graunt alredy, dyde grouen al the mor."
What Wortsworth tells you:
"The subject here is Zelda and Mineru. "Zelda apparently visited Mineru often to assist with her research. "I have no idea what kind of thing this 'construct' that allowed people to ride on it was. "But Zelda rode it so well that our author the chamberlain was again impressed by her skill at everything she tried. "That's the long and short of it here. "But more than the narrative, what strikes me is the back and forth between the chamberlain and Zelda. "The chamberlain tried to warn Zelda of the danger, but Zelda pushed past her and rode the construct anyway. 'It's short but so evocative of both the level of technology found in this era and the character of their visitor Zelda. "The 'treasure' found in these stone tablets is the pearls of wisdom and nuggets of personality contained within."
The actual translation:
"Princess Zelda recent comes to see Mineru, the king's elder sister. I come with¹, for her to serve. "Today came it pass that Mineru showed to Zelda construct of the greatest I have seen. "Zelda, she much desired on it to ride, and nay could not I say cause her stop. Though I did protest. Loudly. "Never the less she made to sit high upon the construct's shoulders and to ride like a horse, all full of grace. "My laudation², so great already, did grow all the more."
The Latest Trend
The ancient Hyrulean:
"Facioun nou favereth garnementes adourned with muscheron patrons, ond fer ond wid beon thei wern. "This tast for mucheeron com of the casteles seamestre, who sogte to seuen clethes for princesse Zelda to plesen. "This facioun, Zelda telled to the seamestre, waere in hir treu hom wel loved. "In hir tim werd everichon patrons of bright hewes, in the shap of mucheron. "Anou our hende semestre set herte on thes patrons copien, which sele to mani happi persoune. "Y seche after som for min one but ne coude nat an on yfenden."
What Wortsworth tells you:
"Here we learn something about the fashion trends of that era. "The story's catalyst is their Zelda telling a tailor about the mushroom-patterned outfits becoming popular in her homeland. "Intrigued, the tailor fashioned some clothing in that vein, and it caught on in ancient Hyrule. "Do you know Cece from Hateno Village? Imagine the look on her face if she were to find out! "They say that trends go in cycles, but… I didn't expect mushroom patterns to have been in fashion so long ago! "One last thing about the chamberlain… "Her interest in fashion shows there was more to her than devoted service. She was just like anyone else in the kingdom."
The actual translation:
"Fashion now favors garments adorned with mushroom patterns, and far and wide be they worn. "This taste for mushroom come of the castle's seamstress, who sought to sew clothes for the princess Zelda to please. "This fashion, Zelda told to the seamstress, were in her true home well loved. "In her time were everywhere patterns of bright hues, in the shape of mushroom. "And now our head seamstress set heart on these patterns copied, which sell to many happy persons. "I seek after some for my own but nay could not a one find."
An Ancient Ghost Story
The ancient Hyrulean:
"Of late have y herd it told a straunge ladi walkes around the castel in derk of night. "She ond princesse Zelda semes als twinnes two, but this on nadda ne light in hir eien—mor als a ded thing than not. "When she is asked about thes walkes, princesse Zelda of that ben no-thing remembren. "What monstre, or spirit of derknesse, be this visioun? So afeard y am of min imagenninges that y con nat slepen."
What Wortsworth tells you:
"This one is an ancient ghost story. "My understanding of ancient Hyrulean isn't perfect, but I know a ghost story when I see one. "It's a firsthand account of a ghostly or maybe corpse-like woman who appeared each night looking just like their Zelda. "No matter the era, it seems, people can't resist sharing a good ghost story. "A bit like how there have been eyewitness accounts of our Princess Zelda in the newspaper, even though she's missing… "Could our Zelda be a ghost too? No…of course not."
The actual translation:
"Of late have I heard it told a strange lady walks around the castle in dark of night. "She and princess Zelda seem as twins two, but this one has no light in her eyes—more as a dead thing than not. "When she is asked about these walks, princess Zelda of that been nothing remembered. "What monster, or spirit of darkness, be this vision? So afraid I am of my imaginings that I cannot sleep."
For the Hero's Sake
The ancient Hyrulean:
"Sith hire founding has Hyrule swich hardshippe ysene, but that is onli smale moment of time. "Mineru, the kynges elder suster, seyes of this kyngdom that hit ne mot nat awaren aye be ycaccht, nat evenforth fer futur. "Princesse Zelda tells hire that this futur be wrat alredi, that a champioun bith from the skie comen. "Bitwene the two, thei imaked to finden a wei this champioun in that distaunt time to ohelpen. "Her min treuthe, sogte thei to up-reisen the Temple of Time, into the skie to warden hit onyenes ivil. "Al dyden so in fer distaunt dai, our kingdom mighte be safed. "In min herte y woot y helpen mot, ond y asked of Mineru, canst yow devyse the menes to upreisen in the skie thaes stane. "Min wordes iseie nat enow, but thei thaes memorie safen, of the roial familie, heigh in the skie for that future time."
What Wortsworth tells you:
"That one is all about the feats that Zelda performed for the sake of the hero. "The details are unclear, but essentially, the chamberlain trusted in Mineru and Zelda's predictions and wanted to help. "She put forth the suggestion to Mineru to build a mechanism that could make her stone tablets float in the sky. "Which I take it are the very tablets you found, Link? But it doesn't end there. "If my translation is correct, it suggests that their Zelda worked with Mineru to raise the Temple of Time into the sky! "The idea of the Temple of Time—a grand edifice built in that ancient era—being lifted to the skies to await a hero… "Although given the appearaance of the sky islands after the Upheaval, perhaps it's not so far-fetched as it seems. "What must it have been like for the chamberlain to live through such miraculous times?"
The actual translation:
"Since her founding has Hyrule such hardship seen, but that is only small moment of time. "Mineru, the king's elder sister, says of this kingdom that it nay may not aware it be caught, not even for the far future. "Princess Zelda tells her that this future be wrought already, that a champion be from the sky comes. "Between the two, they made to find a way this champion in that distant time to help. "Her my truth, sought they to up-risen the Temple of Time, into the sky to ward it against evil. "All done so in far distant day, our kingdom might be saved. "In my heart I want to help more, and I asked of Mineru, can you devise the means to uprisen in the sky these stones. "My words I see not now, but they these memories safe, of the royal family, high in the sky for that future time."
The Day the Land Rose
The ancient Hyrulean:
"Swich wondrous sight y hav bihelden that ne con hit nat justil be described. "The Temple of Time y sawe, ond al londe yheld it, reisen to the skie, both ferful ond majestatic. "As princesse Zelda itold mi, in fer distaunt future comes a champioun to that place, the hope that Hyrule safen. "For that champioun be hit that y thes grete stane inscriben. "The kynges elder suster, Mineru, sendes nou thes stane to the skie, that the champioun mought hem ireden."
What Wortsworth tells you:
"This is an eyewitness account of the day the Temple of Time floated into the sky. "It's a landmark discovery for the history of Hyrule. It may be one of the top 10 most important discoveries of all time! "Even among all the breathtaking displays of power we knew of from the era, to raise the land and its buildings into the sky… "That was a feat impressive even to those accustomed to wonders. You can tell as much from this account. "Zelda predicted that a hero would appear in the land they raised into the sky and that he would save Hyrule. "The chamberlain took this on faith and wanted to know how she could help. "So she inscribed these records on the stone tablets that Mineru sent into the sky. "Give me a moment. I need to view these accounts as a historian and not get so swept up in personal sentiments…"
The actual translation:
"Such wonderous sight I have beheld that nay can it not just be described. "The Temple of Time I saw, and all land held it, risen to the sky, both fearful and majestic. "As princess Zelda told me, in far distant future comes a champion to that place, the hope that Hyrule is safe. "For that champion be it that I these great stones inscribe. "The king's elder sister, Mineru, sends now these stones to the sky, that the champion might him read."
A Parting Resolve
The ancient Hyrulean:
"Rauru, Hyrules kyng. Sonia, hir quen. His elder suster, Mineru. Ond eek princesse Zelda. "Al whom y served, ond loved. Al whom thurghhon. Alon kerv y thes wordes upon this stan. "This stan, ond al thritene, serven als roial families recorde, min werk final, ful-wroht for al age. "Mani the mark made bi thes much biloved peples—som eth-sene, som unsene. "Whan y make remembraunce of hir markes, fele y flaume of hope, though ful small, within mi. "Hit be als though thes markes som graunt design describen. "I ne con nat met princesse Zelda hir lov for hir londe. What mor than, ask y, can y do for Hyrules peples. "Let min lyf lede mi fro hennes-forth an answere ful-worthi to this questioun."
What Wortsworth tells you:
"It seems this is the last of the records. "The royals whom the chamberlain served so faithfully were gone, one by one… "It's heartrending to read. Her pain comes across so clearly in her words. "What's less clear from these entries is the cause of all these partings… "Well, each new mystery is an opportunity to do more research. If I keep digging, someday I'll unravel it."
The actual translation:
"Rauru, Hyrule's king. Sonia, her queen. His elder sister, Mineru. And the princess Zelda. "All whom I served, and loved. All whom they're gone. Alone carve I these words upon this stone. "This stone, and all thirteen, serve as royal family's record, my work final, full-wrought for all ages. "Many the mark made by these much beloved peoples—some as seen, some unseen. "When I make remembrance of her marks, feel I a flame of hope, though full small, within me. "It be as though these mark some grand design described. "I nay can not meet princess Zelda her love for her land. What more than, ask I, can I do for Hyrule's peoples. "Let my life lead me for hence-forth an answer full-worthy to this question."
And that is all thirteen slabs translated.
¹ "Eck" has no apparent equivalent, but can be guessed to mean "with" from context.
² "Laudation" might not be correct; failing to translate "lausion" in English, I turned my switch to French mode, and the word that took its place was "admiration." "Laudation" was the closest related word with similar letters.
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general-cyno · 6 months
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apparently it's the 15th anniversary of zoro's sacrifice in thriller bark (not sure if manga or anime though) so yknow. time for more zolu of course
one of the many things about zoro and luffy is that despite how their approach to certain situations might differ at times, they're still pretty similar at their core, sometimes to a comical degree (see: their definition of what a hero is back in fish man island arc). and this understanding of how the other works is what leads to moments like jaya,
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this little one in water 7/enies lobby,
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and follows consistently all the way to wano arc.
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and I was thinking the other day about how their childhoods too kinda mirror or parallel each other's in a way that emphasizes (to me, at least) how special zoro's particular protectiveness toward luffy is, and why luffy relying on zoro that way is just as special.
the specifics of their childhood stories are different but both luffy and zoro have a turning point of sorts that's marked with the grief and loss of sabo and kuina, respectively, which leads them to say these:
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(I cropped the panels, but luffy's also crying here)
it's important to note zoro and luffy had dreams/aspirations before this, to become the greatest swordsman and luffy's secret thing that we've yet to learn about (that ace, sabo and the crew now know). however, losing kuina and sabo is what prompts them to, on top of that, strive to become stronger for other people's sake. for zoro, it's his way to honor his friend and fulfill their shared dream. for luffy, it's to avoid losing the people he loves.
throughout the story, zoro and luffy end up expressing similar frustration and sentiments due to this. there's zoro innerly chiding himself for being too weak as he trains in the aftermath of arcs like little garden, alabasta and thriller bark, where the crew get stuck in situations in which zoro isn't able to help as he wishes he could (the wax cake, the sea prism stone cell, kuma). there's luffy swearing he won't lose a single member of his crew even if it kills him (the davy back fight) and reproaching himself for not being able to save any of the straw hats in sabaody, with the worst of it right after losing ace in marineford.
(and man do I have thoughts about bon turning into zoro, out of all the straw hats, back in impel down.)
anyway. as to why all of this is meaningful - when zoro agrees to join luffy, he mentions that his goal to become the greatest swordsman is all he has. yet as the straw hats go from journey to journey, and with a certain emphasis in luffy, you can see how zoro's view slowly shifts. he's now driving himself to become strong to protect them as well, to the point he's willing to set aside his ambition and offer his own head in exchange for luffy's, if it means he can ensure luffy's life and safety. that's huge. as mihawk inwardly points out, zoro has something, someone he values even more than his ambitions and pride. and it's through his adventures with luffy and the crew that he becomes closer to achieving that initial dream of his.
whenever people wonder why zoro's as loyal as he is to luffy, aside from all the reasons why luffy as a character has earned that loyalty through his actions, I also remember that one line koushiro said to zoro in a flashback: "the pinnacle of swordsmanship is the power to protect what one wishes to protect and cut what one wishes to cut. a blade that injures all that it touches isn't really a sword." while sure, it works in the context of later power ups like haki, imo it perfectly captures zoro's character growth too and what luffy's given him. the current zoro isn't lost or directionless with only one purpose in mind or to live for, bounty hunting as a means to survive. he has a home to return to, people to cherish, to protect and keep getting stronger for, people who nurture him in turn. kuina's death is something zoro couldn't have prevented, and losing people in accidents like those is something that could happen again, but still within the limits of what's preventable - zoro can protect his friends now.
as for luffy... zoro kinda steals the spotlight when it comes to grand gestures of loyalty/devotion and being the MC of the story means luffy fights for different people (both crew and non crew), carrying their wishes and hopes as if they were his own. he gets help and learns from others as well and all members of the crew are important for luffy to achieve his dream one way or the other, but the way he relies on zoro specifically is so subtly meaningful to me. we don't get as much insight on luffy's inner thoughts, still, we do have context.
for someone like luffy, who is at his innermost genuinely terrified of being alone and losing the people he loves, the fact that he trusts zoro to protect and keep everyone safe (even luffy himself) is so good. as shown above, luffy vowed to become strong in the first place to ensure he'd never go through loss like sabo's again and this vow is all the more renewed after ace's death. luffy has to be strong for everyone but... the fact that he can trust zoro to follow his lead even when others might not understand his reasons to do x or y, that he's so unwavering in his faith that zoro will protect the others when luffy can't, entrusting the people he cares about to zoro, whom luffy also cherishes - it's all pretty special. everyone in the crew has their strengths and zoro may not be the only fighter, but all of them, including sanji, fall under his protection whenever it's needed.
it's not only about raw strength though. zoro's also there to set luffy straight and remind him of what's important when the circumstances arise, like in water 7 or punk hazard. and even when they don't necessarily agree, like wrt vivi's situation after the reverie in marijoa, luffy knows when zoro's right and acquiesces (albeit grumbling a little) because, once again, he's also aware that zoro wouldn't just risk everyone's safety. luffy listens to him. and their reunion in wano too, luffy's sheer happiness at the sight of him again, is a very clear example of how much luffy adores zoro even beyond all that.
although luffy isn't aware of what happened in thriller bark (that we know of), zoro's actions are proof of why luffy trusts, has faith in, and relies on zoro as much as he does and why it's so important for luffy to have him by his side, considering how afraid he is of being unable to keep his loved ones safe. this is more on a speculative note, but I can imagine how comforting that must be for luffy - to not shoulder that on his own.
happy anniversary!
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covertblizzard · 2 months
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jaykyle au where they're theatre kids in the same school but they're not the actors jason's the scriptwriter/director and kyle is the prop manager (i don't know the official terms sorry) and they'd probably do an amazing job on the backstage setting if they could stop arguing for 5 whole seconds about their artistic visions and ideas and how "this would obviously work better this way"
#jason todd#kyle rayner#jaykyle#mypost#dc thoughts#vp of the club: maybe we should find some other people to do the job if they can't get along?#pres of the club: no they're both talented af and i want this to be raving success just knock their heads tgt and tell them to play nice or#i'll make them wear the get along shirt again#WAIT ONE SEC DONNA'S THE PRES and overseer she's pissed bcos kyle played the same role last year and he was chill then#wally's vp no 1 and backstage manager and he's thinking of kicking kyle out#dick's vp no 2 and main lead and he's thinking of kicking jason out bcos it's embarrassing and annoying to work with your younger siblings#kon helps kyle with props and bart is one of the actors and kon is jealous af about it he grumbles a little#roy is the fight scene choreographer#i'm trying to think of something for garth but the only thing that comes to mind i'm not sure are fitting enough#actor manager? weapon manager? oooh maybe pet manager if they have animals... human and pet manager???? hr department but including animals#ooooh maybe pet manager if they have animals#raven can play bart's love interest (in play) maybe (wally doesn't like it and neither does gar for very different reasons)#eddie deals with the contraptions they build for this bubble machines smoke machines lowering and raising anything mechanical#rose and cass helps with the weapons stuff they keep fighting too and roy is TIRED#connor plays the villain he didn't mean to or want to but he got dragged into it and he's really hot and gunned in for next years main lead#he doesnt want this#steph and mia are hair makeup costume department but bart and kon love to hangout and help too#jennie-lynn and bart are in-charge of socials#tim pops up a lot because so many of his friends (and brothers) are here and when he does he helps steph and mia#damian too pops up to help with pet management and sometimes prop art#this is much to dicks annoyance jason is already here can his little brothers LEAVE HIM ALONE SOMETIMES UGH#damian (taking cues from talia and bruce loverenemies dynamic and wanting an artist in-law): we should set jason and kyle up#dick: no / tim: hmm / dick: NO#i want to add the yj girls (cassie cissie greta anita) but i know too little about them right now but imagine they're there and the roles#are to be determined
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willowser · 8 months
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aww you know, i actually really do like the idea of double boy dad bakugou 🥺
your first son being a little angel and you and katsuki are both perfectly satisfied, and then maybe another bug comes as a surprise a few years later and he turns out to be a heinous little menace — and katsuki didn't think he'd love having a brat of a child so much 🥺
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utilitycaster · 5 months
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There's this weird phenomenon where the people who are really, really invested in Campaign 3 being The Best try to argue that it's the most closely bonded party. when in fact the absolute strongest material with Bells Hells thus far is them realizing with a shock that they've spent almost three months alternating between "my way or the highway" and smoothing things over to the point that they almost shatter along with Ashton and realize that they absolutely cannot go on a time-sensitive, mission-critical journey to save the world without stopping to take a team-bonding vacation.
And to be clear, this rips, but it feels as though while Campaign 1 and Campaign 2 fans might disagree on their favorite campaigns, they do like their campaigns for what they actually are and simply have different preferences with regards to what kind of story they like. This particular flavor of Campaign 3 fans, and there's a decent number of them, only care about winning on the most kindergarten-ass "all you need is love 🥺" axis (also, shades of the bean-counting/points approach to media analysis) but as a result they put forward an idea of the campaign that's simply not the reality and it's like, do you like Campaign 3? Or do you like the fanfiction version of it you wrote in your head based on the first 10 episodes and into which you have slowly dissolved your brain? There's plenty of valid reasons to enjoy or even prefer the campaign, but it's easily the most dysfunctional party and that's fine!
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mattodore · 11 months
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he had his little movie makeover montage off-screen
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stergeon · 24 days
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> FERDINAND II.
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And so your PLANT shall henceforth be known as FERDINAND II.
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The thought of needing to inform FERDINAND I of his having a namesake makes you a bit ill, but you are already hard at work devising several plausible excuses for the gesture. Something about how you've named it after the one most invested in its naming, or how it is similarly prone to drooling. Yes. Yes, you will be able to deflect quite easily, should the need arise. It has nothing to do with your fondness for FERDINAND or your desire for a substitute in his imminent absence, no—again, you are not so prone to sentimentality. It's about the drool.
Well, anyway. Best to move on with your day and think about something else, lest you grow maudlin or cultivate further affection for the PLANT. May the GODDESS be merciful and never cause you to develop inclinations that could be described as paternal.
Now that your plant has received sufficient care, it is time for COFFEE. You set to making your morning brew. By CHANCE, there happens to be sufficient water remaining in the kettle for FERDINAND I to have TEA, should he wish it.
Per your TIMEPIECE, it is now a quarter to eight. You have made excellent progress on your PRE-BREAKFAST TO-DO LIST thus far: the only remaining task is to remove FERDINAND. You are starting to get rather peckish and would like to be rid of him quickly, but over the past week, you have found that extracting the man from YOUR QUARTERS is a more arduous task than it ought to be.
#007 | << | <- | -> | JOURNAL | HOW TO PLAY | ALL POSTS
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Time for another traditional embroidery mend! This time, we're trying out the Puncetto Valsesiano stitch, which, after I finished this up, I've found, is an entire style of needlelace! For this patch, though, we just did stitch after stitch after stitch, no fancy patterning. (I might do fancy patterning later, to be fair! been reading up on things, and I've got a few smaller repairs to make that would suit it quite nicely!)
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One row of stitches in, and I was thinking, oh this can't be so bad! this is actually quite soothing, all these repetitive actions, and with such a delightful, knitting-like texture!
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This many stitches in, and sure, I'm still having a good time, but mostly, I'm finding out how much thread this takes! Poor razz, @razzmatazic, I thought this was going to be a simple, small patch, so I borrowed her thread to work on this one! You can't quite tell in this shot, but I'm actually about to run out of thread!
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After likely much, much more fuss than was strictly necessary, including accidentally picking a slightly different color of floss because of some mislabeled strands, noticing I'd dropped enough stitches to need to throw some extra ceylon stitching in a gap, and a probably pretty noticable shift in texture because of single vs. double threading, we've got ourselves a patch that, even despite its shortcomings, I really dig the look of!
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Unfortunately, I didn't make this patch wide enough generally, so I've got a few more holes that'll be getting filled by a big 'ol sashiko patch that's going to layer overtop the puncetto, eventually! Stay tuned, I'm just as curious as you are as to how that'll look.
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summertimemusician · 7 months
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Linktober Day 9
Deity
*sneezes after downing coffee* Well irl stuff got in the way so I'm way behind my original schedule for these and for Linktober but here we go with another arguably short one, fuelled purely by self indulgence, headcanons, spite against my linguist essays that kept me from keeping to schedule, severe sleep deprivation, a shout out to the Ender Lilies soundtrack and Majora's Mask soundtrack, and Nintendo for not clarifying anything about the lore so I'm snatching what I can and making it my own lol. Look, when you fíxate so much on details the Zelda team doesn't elaborate on you have to fill in the gaps with what you can.
As always can be read as romantic or platonic, technically in a LU context but not explicitly in it by itself.
The Lord of the Mountain liked hearing people sing.
In a way, it wasn’t a surprise, Hylia and the Golden Three each had their ballads and symphonies and minuets, each splendid and with cuts of their divinity in it, Farore was fond of lightning and forest alive minuets, and you could swear Farosh sparked just a bit brighter when one would him the beginnings of the Minuet of the Forest near their spring, Din was fond of boleros, fiery and alive and howling with the echo of flame touching earth that made a shine run through Dinraal’s scales, Nayru, in contrast, was much fonder of blizzard and river quiet serenades, the songs of contemplation at first snow ringing clear when Naydra curled around it’s spring, content to be free of Malice.
And of course Hylia had her ballads and lullabies, perfectly fitting to her display of divinity, of honey days and vast bird like wings, of ambered summers to come and to pass and dazzling solar storms of starlight and sunlight sparking through the human form of her descendants and heroes. So in a way, you weren’t surprised at all that the Lord of the Mountain – Satori, with a familiar touch of londsleite divinity, the hunt of the woodland beasts and diamondscar adoration for the Hero of the Wilds, similar in glory to the Light Spirits petrichor and vermeil fondness for the Hero of the Twilight – liked to listen to people sing. What you were surprised was how it attempted to follow along, it’s head across your lap the second you sat down in the clearing, a gentle hum on back of it’s throat, an owl’s cry and a cicada’s humming and faintly, chirring purring as presses it’s faces into your hands, a gentle request for petting.
It was adorable, even with the faint notes of the chill of clear spring water on winter and the livewire feeling of magic, like holding your hand too close to a flame but not quite touching it.
A low chuckle brushes against the back of your mind, a feeling like biting on ice, the prowl of a wild beast and the build up of lightning and light used to create his blade, the amused affection of a warrior reconvening with their brother in arms, you think you see the bone ivory of the Deity’s hair on the side of your vision, though you know he’s not physically there, ‘He likes you.’
You hum, gently patting behind it’s ears, pushing through the chill, gracefully not mentioning the burning with a smile at the mythic being’s faint chirring, birdsong and the wind through cherry blossoms that sparkle like rose quartz, “Well I quite like him too, I can see where it’s gentleness comes from.”
The ghost of a touch over your hair, the caress of lightning striking over your skin and the hair on the back of your neck pricking up and the crisp cold of winter, the chill of the ending and the flame of a new dawn, of new days, the phantom of magnolias and spring water on your tongue. The fragrance of pine, daffodils and blood soaked lilies on ashen fields on your senses, gentle and careful, marking but not claiming, ‘Only because it’s you, beloved. It’s not something easily given.’
You sigh, shakily composing yourself, you let yourself relax into the phantom sensation. Of hopes and dreams and healed suffering, of the divinity of hunt turned into protection and lightning given form, of tangled timelines and crystalized memories, “I know. It does not change my opinion, either way.”
To be the subject of a god’s care and regard was dangerous, after all. For the human and the deity in question, you know the stories from your world well, of the effects of Hylia on First and Sky, of Twilight and the personification of the Twilight Realm and the spirits of his land, of Wild and clawing from death’s embrace into that of the wilderness.
Knew how the fact the Fierce Deity’s mere proximity causing pain on those who changed him into hunting for hunt’s sake into protection for the sake of someone else cut deeper than even the ever encroaching entropy all beings must one day face. It was no wonder the Song of Healing was his creation, to want to ease the burden.
You gladly grant him some peace, in turn, even if it wasn’t much. It’s the least you can do, for always having his ways of watching over your heroes.
“Join me? We can make a duet.”
You feel more than see him shift, ephemeral, fleeting, gentle against the edges of your existence, as foreign to Hyrule as your own, sparking over your spine as you feel ozone and rust on your teeth. Satori is humming again to match the rumble of thunder in the man’s voice, the heralding of songs of war and elegies for the dead, ‘Of course, though I’m afraid I do not know many songs, besides…’
“It’s alright,”, you smile faintly, there’s a white ocarina in his hands, as he leans, a spectre against your side, “I’ll teach you some of my own, though you’ll have to forgive me if I don’t remember all the lyrics.”
‘It would be my honor to learn.’
You think he smiles, from the fluttering of something ancient and long forgotten against your side.
You sing to Satori and the Chain, a small respite of familiar and forgotten tunes, the Lord of the Mountain hums along. The Fierce Deity’s song cutting through any nightmares that may ail your heroes for another night.
When the dawn of a new day comes, the feeling of divinity against your skin feels just a bit more obvious, sinking into every crack of your being like a shroud, falling over your boys like a veil, reflecting the breath of eternity over Hyrule.
(First gives you a look that’s half exasperation, half understanding. Sky pointedly sticks to your side as Time looks you over, markings deep with vibrant color. You shrug with a helpless smile as you feel the lightest brushes of Hylia’s fond days of gold and starlit summers days against the Lord of the Mountains warm, luminous affection and the Fierce Deity’s smug, but content lonsdaleite smile.)
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moongothic · 2 months
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I do kinda wonder, considdering how much Luffy hates being alone... On those first levels of Impel Down, did Luffy stick to Buggy as if they had been glued together, not because he trusted the clown (let alone liked him), but because Luffy hates being alone and being with Buggy meant he wouldn't be alone?
Like think about it, Luffy didn't give a damn when he ran into Buggy, it wasn't a Happy Reunion like it was with Bon-chan
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"Oh, it's Buggy" vs "You're alive!!"
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And while we know Luffy is at least A Little Stupid, Luffy does have pretty good instincts when it comes to making judgements about people, and he has emotional intelligence when needed So between Luffy not really liking Buggy when they reunited in Impel Down, and Luffy even currently thinking Buggy is a loser, it seems unlikely to me Luffy like, wanted to team up with Buggy when they ran into each other. But Luffy did understand he'd have a hard time getting to the bottom of Impel Down by himself, and he knew Buggy would be mostly harmless in this situation. If anything, the clown could maybe help him along the way, even if only a little. And yeah, at least he wouldn't have to be alone if Buggy came along.
I think that might be why Luffy decided to give the treasure map to Buggy
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Like yes, Luffy may have been naïve to think Buggy wouldn't ditch him as soon as he got the map instead of keeping his end of the deal, but also. Maybe for Luffy the risk of getting ditched was a better option than not trying and being alone anyways.
Maybe Luffy chose to give the map to Buggy because of that, so he wouldn't be stuck alone.
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creauchiergh · 14 days
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anyways. WHAT THE FUCK WAS THAT.
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happyk44 · 2 months
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Thinking about pastel goth Hazel and then remembering there's other goth subcultures and I'm doing a quick search bc im not v familiar w/ them but from a few glances of the different fashions:
Hazel: Pastel goth/Gothic lolita
Nico: Emo goth
Bianca: Mall goth
Macaria: Pin-Up goth
Melinoe: Nu-goth
Zagreus: Glam goth
Hades: All his clothes are just black or dark-coloured, what the fuck is an "aesthetic"/Corporate goth (for meetings. Or to make his nephew realize he's bisexual)
There's a lot of subcultures and I am not good with fashion and trying to find examples (especially for men's looks) of the various subcultures was. hard, but I think it's pretty good rep of my various headcanons on how they dress!
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ofdarklands · 3 days
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level 90 at last!
so! about black mage
i've been thinking how to describe playing black mage, and i think the simile i used this morning in chat works well enough:
black mage feels like trying to run with a pot full of boiling water in my hands. with other jobs i feel light and agile, but black mage plays like how seeing emet selch as solus run would feel. look at that guy go. i didn't know spines could do that! you can hear his knees crunch, also
mechanically, it's really not nearly as bad as i feared it to be, even though i don't think i'd managed to figure out a decent rotation myself on the first or even third try so, thank you internet people for the guides!
anyway, the boiling pot wheezing trot sensation is not unique to it, though it is the most noticeable of all the casting classes i've played. i'd say rdm>summoner>whm>>blm in increasing awkwardness
so, while i acknowledge that blm is an optimizer's paradise to get the Biggest Booms, probably, playing it feels like it's almost fighting against the game instead of flowing with it and due to that it's just not very enjoyable, for me. it's got the same inflexible rotation that makes dragoon my least played class despite it being very canon for mitr'a
and from a physical perspective my fingers are not very precise on the keyboard, so i tend to fuck up the routine by accident quite often and then i have to correct it or start over and eeeehhhhhh. and my can't-remember-to-click-despair situation. dunno what the problem is with that one, to be quite honest. brain said no i guess :( that one's on me
woops this got longer than i thought so have a readmore
the good:
aforementioned big damages, when i manage to keep the rotation on track. sadly not as much of a plus for me, personally, but it's relevant still
against one enemy, getting immersed in the rotation can be pretty fun, until the 5 aoes come, the boss leaves the arena, and i sigh deeply while creakily running around, not casting
lasso spell goes brrr. it's got a very funny sound effect, in my heart
the 'return to leylines' spell is also great. i've used it mostly to instantly dodge when there's more than 2 sequential aoes. you can play around with these two spells
shoutout to the simplified job gauge for letting you actually understand anything about it. sure it's 3.5 things to keep track of, but for 2 of them you get informed about their readiness with convenient sounds and flashing borders so whatever
big staff to hit people with
cone hat funny
big lb meteorites. very good very cackling
the bad:
moving feels heavy, even when using the instant cast abilities. i keep lagging behind the group even in normal content, and sometimes clicking the right person to yeet to can be a bit hard in alliances or wall to walls. this class needs to do some cardio
clicking fire IV 3 times, then 1 fire I then fire IV 3 more times is. very boring. sorry. rotation 40 years long and rigid like the brutalism. the funnest parts are the thunder procs and the ice phase before going back to fire and the occasional instant cast. oh you sneezed and misclicked and dropped your fire badge thingies on the floor? sorry idiot you get to start over from the top, but sadder this time
this one i only noticed here at the end, but i feel it's very important, maybe more than the rotation: the best and biggest animations it has are the ones for the ice spells, which you use the least. xenoglossy, foul and flare are also good. amplifier, manafont and triple cast feel nice and dramatic to use. paradox i just got but it's also nice with the color mix. the rest i don't even remember, had to go cast them on a dummy. it's fireballs and fire columns it's all fireballs! the blm animations have a lot of boom but they need more heft, if that makes sense? more flying shit going from you to the target, shit shrapneling from the target, rings of fire, fiery eldritch runes, anything. if rdm can shoot 50 explosive roses at a guy for some reason and drk can summon shields of runes, blm can do something fancy also. casting a finisher skill called 'despair' should look like i'm sucking their souls out through a straw
also more casting positions. summoner has a lot and they're pretty different! they got floating symbols and shit. blm has 'slightly crouched' and 'staff held high' in variation 1 and 2, and that's about it from what i can tell besides the selfbuff ones. add some evil runes at least. the paradox wide armed one (i think you float a little?) is a good addition though
anyway, final verdict: it's a good class, but it's very rigid and inflexible to get Big Damages, which is not an exciting exchange, for me. i prefer to be nimble and do less damage but have a more varied and forgiving rng based rotation. also more utility skills! i miss peloton or having a group shield or heal, or even rdm's rez; makes me feel actually useful instead of being just a giant cone hat that produces flamethrower on command. i don't think i'll play it too often, i'm afraid, even though it's a perfectly alright class, and i'm sure i'll get better with time
HOWEVER. if dawntrail allows blm to throw meteorites outside of lbs i might reconsider. they can be small! even magical molotov cocktails if we must. but i want physical flamming objects to hit my enemies and i want to see the animations do that with some flair. just ole fire and spite booms and a couple icicles is not enough. i want to flatten them
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