First Look! The last few months I’ve been working diligently on designing & directing an upcoming production of Samuel Beckett’s “Happy Days” — Opening March 17th at Chicago’s City Lit Theater. The set, the mound that’s slowly consuming the protagonist, was made exclusively of recycled materials. Her world consists of collapsed materials, musique concrete, isolation & electricity.
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It’s not
the ruby grapefruit bikini top that grab’d me
nor the roll’d jean shorts
with pockets exposed beneath
clipping those flamingo stilt legs
past me on sidewalk.
It was when our eyes met
connecting for just an instant
sliding slowly into our next steps
both of us inhaling a tiny weightless breath.
Our mutual feet settled
her smirk materialized
motivating me to initiate—
“Hi”
—Jon Dambacher @jondambacher, from Caramel freckles on her olive cinnamon skin
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A LOOK BACK -- Contributor List: In Parentheses Magazine (Volume 3, Issue 2) Fall 2014
A LOOK BACK — Contributor List: In Parentheses Magazine (Volume 3, Issue 2) Fall 2014
IP Volume 3: In Parentheses Literary Magazine (Fall 2014) / Artwork by Eugenia Loli
IP Volume 3: In Parentheses Literary Magazine (Fall 2014) / Artwork by Eugenia Loli
Front Cover The cover image by EUGENIA LOLI is inspired by the Dionysian Mysteries. Eugenia is heavily influenced by the ancient Greek mythology and stories.
EUGENIA LOLI is a filmmaker and a modern vintage collage artist.…
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Stuck between
trying to get them to be yours
while being unabashedly your own.
Jon Dambacher
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Serious Squareness: an exclusive interview with Lorenzo Semple, Jr. on the creation of TV’s Batman
Holy unexpected delights! I opened my Tumblr inbox the other day to find a message from @jondambacher, and, well, let me just turn it over to him:
Screenwriter Lorenzo Semple, Jr. celebrates a birthday today (March 23rd). The following is an excerpt from a number of long interviews I was blessed, honored & ecstatic to conduct in 2008, for Lorenzo's biography I was writing.
To the King of Serious Squareness, I celebrate you, I thank you, I wish you a Happy Happy Birthday.
Jon Dambacher: I have a quote from Dozier referring to you as "the most bizarre thinker I knew."
Lorenzo Semple: Good.
JD: Have you ever read that?
LS: I think I have, now that you mention it.
JD: What do you think he means here?
LS: I don't know what he means. He obviously meant it as a compliment but it's... I don't know what he meant. I just could think of off-the-wall things. When he showed me, as I've told you, when I was living in Spain writing plays with a family, he sent me a cable to come up and meet him at The Ritz in Madrid there in the garden of The Ritz, he had a very strange face, as he pulled out of his pocket a "Batman" comic book. Said, "Would you believe it, this is what ABC has given us to do, because they'd owed us one, can you believe it? He was... Was so disdainful of it. I, uh, in all honesty, I took one look at it and thought of it and said, "I know exactly what to do." I'll go home and I'll write it." That was the only discussion about "Batman." The only discussion. As I say I wrote it, Bill loved it, he gave it to ABC, they thought it was excellent, but they were dumbfounded by it because there was nothing like it. All those things like, "Pop!" and "Bam!" were all written into the script.
JD: That's awesome! Did you guys just share some crazy sense of humor together--is that how you were able to create this amazing...
LS: Yeah! It's not really that crazy once you get the note of it, you know what I mean?
JD: Okay.
LS: It's all out of that same... That dead serious nonsense, you know what I mean? Adam was actually perfect for it and Burt in his way, too. You know, they'd be chasing somebody and Robin would say, "Park here, they just went into that building..."
JD: And there's "No Parking" signs...
LS: "No Parking" sign, right! That kind of thing. All these come out of the same level of dead serious, squareness, if you want to call it that. Dead seriously square. That was... Which isn't that bizarre compared to modern movies, you know, like Charlie Kaufman and things.
JD: Right.
LS: It wasn't too bizarre. Bill probably thought it was bizarre but we've both recognized he was a sophisticated guy. He recognized it as being funny. He didn't mind me thinking up all these things like Bat-Shark-Repellent or whatever it was when the shark had him by the leg...
JD: Right, the Shark-Repellent-Bat Spray.
LS: I guess you could call that bizarre thinking. To me it's all a part of one type of thinking; do you know what I mean? Bizarre isn't quite the word, I'd say imaginative.
JD: Okay. We were talking about favorite lines from that film specifically, one that's stuck with me over the years--I've always wanted to meet the man who wrote the line, "Ah, a thought strikes me--so dreadful I scarcely dare give it utterance!"
(Lorenzo breaks out laughing.)
LS: That's very funny, I agree! I agree! That's the kind of thing we've been--you know, that pompous squareness actually. Very good hearted. Adam was a very sweet guy. A very nice guy himself and Batman, you know, nobody was killed in it and there's nothing--except the name--in common with the Batman franchise, the Warner Brothers ones. The people who say, "What do you feel about those movies" always expect me to say something, I say, "Actually I don't like violent movies particularly and I stay away from them." The Batman I wrote has nothing to do with these movies--really has nothing to do with each other... My Batman is more in the spirit of the comic and the very fact that millionaire Bruce Wayne, that's all you have to say... The fact that you refer to him as Millionaire Bruce Wayne, I mean...
JD: The Millionaire Philanthropist.
LS: The Millionaire--thank you! The Millionaire Philanthropist. I had forgotten that. Just the fact that you'd refer to anybody like that--if you're sophisticated it shows immediately--it's ironic at best.
JD: That squareness.
LS: You're right. That's what I mean. The squareness, exactly.
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excerpts from Jon Dambacher’s Green, from the archives, National Poetry Month
The following poems are from Jon Dambacher’s upcoming book of “green” poems: "Jon Dambacher (green)" A Jabber Publication, 2013. A poetry collage of two families that include an American WWII soldier, a French socialite, their liar & cheat of a son, a shy East LA girl, her angry cabdriving brother, & a murder. Bio: Jon Dambacher is a writer living in Los Angeles, Ca. His previous works of fiction are "Gyratory Jabber," "Sour Candies," "A Strange, Sickly Beauty" and "Anchored Disorder" a small book of poems with fellow LA writer Cliff Weber.
“Want me to call you one?”
the prostitute asked
sitting on the busbench behind him.
Several taxis had already past
when they’d slow, aiming for his arm,
they’d see her and dash off.
“Guaranteed
they’d stop for me,” she says
“All men stop for me.”
He walked a block east
to get away from her
one stopped rightaway.
She cried out to him
from her busbench,
“Can I get in there wit’ch’you?”
He called to her gently,
“Not tonight, baby”
“That’s too bad,” was her response.
Home in the bedroom bathroom
Zest bar suds bubbling, his wife asks,
“Why do you always wash your hands twice?”
via Blogger http://bit.ly/2GxDCcN
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Life Quote – “Who is that person you dream of, standing beside you at night, in dim lit kitchen, making tea before…” Quote and Saying about life “Who is that person you dream of, standing beside you at night, in dim lit kitchen, making tea before bed?” - Jon Dambacher
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“I like me.
I like what I am
. I am very loving & forgiving.
Though often around peopled,
I have inadvertently been alone
most of my life.”
Jon Dambacher - @jondamb
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Three Poems by Jon Dambacher
Three Poems by Jon Dambacher
Walnut Creek
cactus outside Motel
Night Window sign when illuminated
thinwhitewalltires flat
in old unmaintain’d sportscar
park’d in the space
before Dr. Pepper vending machine.
I reverse back out into the street
I’ll find another place to stay
or just keep driving.
Walking a quiet street of singlestory homes
most with white picket fences
greeting…
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I’m excited to announce — Hundo4u Productions presents the Chicago premiere:
“Pounding Nails in the Floor with My Forehead” by Eric Bogosian
Starring Donterrio Johnson
Directed by Jon Dambacher
Sound Design by Carl Wahlstrom
A Limited Engagement, Oct. 16th & 30th at the Pride Arts Center
For tickets: https://bit.ly/2L6Ku42
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A man slit his throat tonight.
It came thru the walls
sounding like a sharp guttural
—yipe.
There was something firm in the sound
split tomato about it.
–Jon Dambacher @jondambacher, from A man slit his throat tonight
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I smile
far from shore
paddling gently into late night water
cloudless medium cool breeze
stars up here in the mountains close crisp & clear
remind myself
It’s not about who isn’t here
it’s about who is.
—Jon Dambacher @jondambacher, from Late California summer
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I walk all Michigan Ave under hat & glasses
to coffee shop for warm beverage & bite
continue on to Art Institute where depression is cured
around polished stone floors of exhibits or in bookstore
—Jon Dambacher, from On days of grey & cold
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I’ll say this for the cat:
he’s a persistent sailor
walking from the corner of the bed
with his eyes claws & shoulders
he wages the waves of the blanket
as I get back into bed
my knees sway & ruffle below
giving him a challenging voyage
determined to reach his desired destination.
The cat comes straight toward me
not because he’s in danger or worried
the obstacle of the blanket ocean is just fun
but every night my chest is his chosen spot.
He jumps up
over crotch & somehow knows where not to step
this guy creeps to my ribs
gets his face right up in my face
his pale green eyes with gigantic pupils
looking me down
looking like he’s making a theatrical entrance
prepared to give a lecture.
What’s funny is
most of the time he sits there
in Egyptian postcard fashion
holding court while unabashedly staring me down.
As if it’s understood that I am to be lying here
waiting to listen to him give the day’s report.
But he’s also completely aware
we can’t speak to one another.
He’s unaccustomed to being
something other than center of attention
he makes himself more clear
& he leans down & headbutts me in the chest
dropping his hammer & saw after a long day’s work
I get him to lie down
he knows every night this is my time to type.
Still he squeezes his little head out
beneath the horizontal iPhone Notes
peeks up at me like
Hey Dipshit
You wanna pay attention?
Give him a rub on the head
let him know I’m not ignoring him
I whisper
Dude
I’m working
He shoves in closer
telling me
Unt’uh!
Not No More You’re Not!
—Jon Dambacher @jondambacher, I’ll say this for the cat
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She lazily turns pages of a book on Rembrandt
& I walk around the bookcase
so when she looks up she might face me
she might look in my eyes & be consumed with passion.
—Jon Dambacher @jondambacher, from On days of grey & cold
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Flowers purchased last night
kept in water
now stick straight up from my lap
in a canteen of water
held between my legs.
Man in sportsteam t’shirt
unattractive frumpy baseball hat
round silver metal frame eyeglasses
sat at same light in the next lane
peers thru window & shouts
Oh my God
Are those for me?
—Jon Dambacher @jondambacher, from Brisk Valentine’s Day 6:30am
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