what I was talking abt earlier. we have fully looped back around and away from feminism, societally, whereas before it was very Feminism 101 to acknowledge that many parts of existing as a woman in a misogynistic society are painful and upsetting.
not that being a woman is Inherently Negative in a bubble. but that living on this earth, in the conditions we're living in, is hostile to women.
and that gender is a performance. that many of the Staples Of Femininity as accepted by society are things that you have to create and perform and mold artificially and aren't inherent, that COMPLAINING about day to day difficulties of existing as a woman is something that you're allowed to do.
acknowledging these basic, again, feminism 101 things, that something tied to womanhood is more time consuming or more expensive or more dangerous Because Of The Problems. does not CREATE the problems. that when women complain about having to perform femininity, they are not, in fact, oppressing themselves. the call does not come from inside the fucking house.
saying that you HAVE suffered does not fucking equate that you believe you SHOULD have suffered.
like I could talk about this for hours. how braindead and one-dimensional the Takes are getting. "being a woman is looking in the mirror and going fuck yeah i'm a woman" damn. I guess any negative experiences you have by living in a misogynistic world... are your fault if you are anything but positive?
"you don't actually want liberation" we've fully gone back to telling feminists "you WANT to be oppressed" when anything negative about our society is pointed out. it's not real until I say it out loud, I guess, and then I'm actually the one who caused it.
if anybody expresses any unhappiness with how they're treated or the status quo or the language and culture surrounding womanhood and femininity. they've created it, right that second. they invented it just now. it wasn't a problem before somebody complained, right?
also trans women aren't braindead zombies who just follow the flow of whatever cis women around them say. I am pretty fucking sure they are very much aware of pain, and are MORE than aware of the swirling torrent of misogyny and standards of femininity than anybody else. actually. and I am pretty sure someone complaining on tumblr that being a woman means always putting on a performance is going to make someone change their mind about transitioning. also "performing femininity" as a necessity to being treated well as a woman is not fucking NEWS to your Local Trans Woman. I AM PRETTY SURE SHE GETS THE CONCEPT. using trans women as a scapegoat for this braindead perspective on gender politics is spineless, meritless, and pathetic.
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I have a few doubts about how Phoenix could've forged that bloody fifth ace in AA4. I'm not outright denying he did it, but if so it's probably different from how Turnabout Trump framed it.
Let's start with what we know logically about Phoenix and Zak's last poker game.
There were two decks of cards; one red, and one blue.
Each deck had four of each card. This means each deck started with four aces.
The last game used the red deck.
The above point means the fifth ace Orla snuck into Phoenix's hand was a red card, making five red aces in total that game.
Kristoph took the real (fifth) bloody ace with him out of the crime scene.
Based on this and other information we have from this trial, I have two questions:
When did Phoenix forge the bloody ace?
Where did Phoenix get the red ace he used for forgery?
Phoenix said that he picked it up while he was at the crime scene, but this contradicts the evidence!
There were five red aces in play at the time of the murder. Kristoph already took one, and using a blue ace was out of the question. If Phoenix really took a red ace before the police arrived, he would've only had four to choose from.
Yet, all four were still at the crime scene after Phoenix was arrested. They were even submitted into evidence by the prosecution at the trial.
Unless there was somehow an unspoken sixth ace in the red deck for no reason, this tells us Phoenix lied about taking a red ace with him that night. Plus, having forged evidence on his person during arrest and detainment could've ended terribly for him.
He couldn't have forged it before the match since he wouldn't have known he needed an ace card at the time. And his pockets were clean when Zak searched him.
This leads us to believe the forged bloody ace was created sometime after Phoenix was arrested. But how can he do that when he's stuck under surveillance in the detention center?
The secret is Trucy.
(this is where it progressively dips further into headcanon territory)
With Phoenix locked up, Trucy would be the most likely candidate to pull off a stunt like this. As a magician, Trucy is all about illusions, and she's not above using them to get loved ones out of legal trouble.
Trucy's magic profession also means poker cards are a natural tool to have in her arsenal. Cards are her "stock and trade" after all.
As Phoenix put it, it's a naughty magician's trick. One she felt was necessary to save the only family she had left.
Now, here's why I still think Phoenix could've been telling the truth about forging the bloody ace himself. Even if Trucy was the mastermind of this plan, I don't think Phoenix would let her be the one to actually forge it for an important reason.
Apollo.
Him unlocking his latent perceiving ability was crucial for the trial, but it could've also become a double edged sword.
Phoenix only had his prodigy daughter for reference as to how strong a perceiver's senses are. If Phoenix ever had to lie about being the forger to protect Trucy, the risk of Apollo seeing through it would've been too much to stomach.
Even after the trial's over, it's better for Apollo to hold a grudge against Phoenix instead of Trucy. He couldn't let their secret sibling bond die before it could start.
So what better way to hide a lie than to make it true? All Phoenix would have to do is put a blot of red ink on a card Trucy snuck in during visiting hours and let her work her magic.
It's a technicality, but at least Phoenix can distract Apollo with a custom-made truth.
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what do you think mulder thinks of diana fowley after biogenesis through amor fati? i don't think we really see anything on screen/in text (though i think it says a lot that he didn't have much of a reaction when scully came to his apartment & instead focuses on scully & their relationship lol)
yeah there’s basically NOTHING in the text but tbh i think finding out for certain that she was working with CSM really kindaaaa snapped him out of some things…mulder doesn’t give a fuck what people do to him, obviously, but it’s a different thing entirely to find out that your ex is involved in something like that. like there are MILES from “my partner makes me feel like shit and is maybe pretty abusive” and “my partner is like 3rd on the call list of a eugenics group that treats women like test subjects”
like, scully was right, diana was monitoring MUFON women and collecting data on them. she was heading up the tests on cassandra. she probably knew the truth about samantha the whole time. just nasty nasty shit.
she’s the villain in the amor fati dream: the dismissive symbol of abandonment that offers another path.
one of the most interesting scenes of diana’s character to me, is in the sixth extinction, when she comes to see mulder in the hospital. and she knows what the effects of the artifact are, that he can hear what she’s thinking. that, therefore, he knows who she works for and what she’s doing. (imagine your ex-husband/wannabe boyfriend/obsession finds out you’re lying to him because he can read your mind….shit is crazy!)
and she tells him that she knows he knows. but that he also knows that she loves him.
and she does love him. there’s no reason to lie about that then, she knows he would be able to tell.
scully knows it without hearing it, that’s how she gets diana to save mulder’s life, ultimately. she comes to her and begs. tells her to please just think of him, who he is, who he was when she met him, who he is now. in the end, because of scully weaponizing how diana feels, diana can’t go through with it. she gives her life to help him.
diana seems to be one of those influences on mulder that’s only really all that significant when she’s close by. it’s like how all the tension in the beginning builds up to him getting in her car when she tells him to, leaving scully, when diana is there instructing him.
i think being able to know who she truly was and her true intentions and allegiances, prior to her death, really goes a long way in the way he responds to losing her.
don’t get me wrong, i think he’s upset. you can kind of see the shock cross his face when scully tells him. but he stays focused on his goal, which is to express to scully how important she is to him, in the wake of how discarded diana always made her feel.
mulder loved diana and grieves that she was killed, he doesn’t have it in him not to, but mostly he…wanted something from her, right? he wanted that approval and “affection” and to please her. he wanted her to believe him. the first thing that she says to disarm him (in the end) when she can tell he’s uneasy, is, “hey. i’m on your side.”
learning who she really is, it’s easier not to crave her approval so badly.
(this is the crux of amor fati’s “last temptation.” it’s diana saying: you’re childish. you are going to fail. your path is not your own. “you have to let go, fox.” and it’s scully countering: we need you. this is who you are.)
(it’s why he responds in the end by telling scully that it’s her that’s the voice of truth.)
and then in death, diana’s not…there for him to want anything from!! so it’s like, again, yeah he obviously feels the loss, this was someone who meant a lot to him for over a decade. but also it’s likeeeeee freeing in a way? it makes things simpler in a way? (he’s able to communicate all of that to scully instantly after hearing diana is gone, after over a year of the tension hanging around it)
if you asked him about diana now, or even a year later, i think he’d be like…damn that’s crazy! 😭😭 mulder doesn’t have an awful lot of object permanence you guys sjdjsjfj
when scully comes to tell mulder that diana was killed, and he says to her, “you were my friend, and you told me the truth,” the language matters so much. that’s what scully called diana, “i know she was your friend,” and he turns it back onto her. you were my friend. you told me the truth.
in my opinion, it’s not that he doesn’t love and grieve diana, but that there’s a freedom in knowing the truth. knowing who someone is, and their intentions. knowing who has your best interest at heart. knowing where you stand in the world, what you want to do.
that’s really what allows for the openness and lightness of s7, in the wake of diana’s absence. mulder’s always seeking, always learning.
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