This was an early pencil test for Spies In Disguise before we cast Tom Holland, visualizing how well his design worked with the voice. I kinda' liked the funky hairdo of the old design, especially in profile.
SEGUINTE, eu tô obcecada pelo filme "um espião animal" por causa DESSES personagens, eles são super bem desenvolvidos no filme. Porém não encontro pessoas que também gostem deles, preciso de companhia nesse momento estranho de obcessão
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ALRIGHT I'm obsessed with Spies in Disguise, because of the main characters, they're so well evolved. But unfortunately I couldn't find the fandom yet (especially the shippers). Please I need company at these weird over obsessed times
We are really on the precipice of something monumental here.
I've watched a lot of slowburn romance. Scully and Mulder, Booth and Brennan, Castle and Beckett, Tony and Ziva, I could go on. I love slowburn. I love the level of emotional investment that comes from tuning in episode after episode, week after week, month after month, season after season, year after year. Watching years of buildup and pining, growth and development. It's a really special kind of storytelling that only really happens in a week-to-week cable show. There's nothing like the feeling of finally seeing them kiss, or confess, or get together after literal, actual, real world years of waiting.
I've never seen a queer version of it, though. Because queer characters are still a risk, because every show wants to establish it's queer narratives off the bat. Frankly, most queer relationships on TV are kind of insta-lovey. Which isn't necessarily a bad thing! It can be done well. And I know that for a lot of people waiting for a ship to come into fruition feels scary--what if it's baiting, what if the show gets cancelled?
I get that.
But I love this kind of thing, I live for the slowburn. For the aching, the suffering, the waiting, the drawn out tension. No matter how many times I've seen it, I eat it up everytime. And I've been desperate to see a queer version of that trope play out. To get to a place in representation where writers can take the risk of telling that kind of story, in a primetime procedural drama, without it being baiting, without it getting cancelled.
In the movie at some point Pigeon-Lance lays an egg because Walter used the female pigeon genes of Lovey. But, Lovey has a crush on Lance and she cleary does that thing with her neck that male pigeons do to get female pigeons a lot of times in the movie. So my theorie is that the Lovey is transgender or genderfluid, and gay, because Pigeon-Lance is a female pigeon(because Walter used Loveys feather and she is female) and Lovey has a crush on Pigeon-Lance.
Walter accidentally sends him an evite, Killian also does not have a past with the agency, still has his arm and mechanical eye, long story short bad accident, low income, needed money was approached he said yes
Walter accidentally finds his online site he does art commissions, Walter commissions him not knowing he's contacted him twice, Killian believes it must be fate and finds in one picture Walter provided of Lovey a reflection of This Walter Beckett and falls obsessively hard and quick for him.
This might be fate right, who else but an angel with ocean blue eyes would find him in his lonely world, though now he has money, he has been empty on love and oh how easy it is to find people with but a name and a little reverse searching.