#lucía torres | Explore Tumblr Posts and Blogs

the-masked-artist05 · 6 months

Text

Lucía Torres

[How she looks normally]

Lucía is the older sister of Tomás Torres. Her and her brother were raised by their very wealthy parents in the mid 1800s, both parents are no longer alive due to... reasons. Both were corrupt people, and that trait passes onto Luíca and not Tomás.

Lucía was the favorite child of her parents, while Tomás was barely even acknowledged let alone properly cared for by them, mainly being raised by the workmen and maids on his family property.

Due to her preferential treatment by her parents and picking up on their bad behavior, she gained a superiority complex towards her brother and anyone else she deemed lesser than her, be in money or other characteristics. Tomás has disowned his sister both privately and publicly and continues to do so when asked about her.

She didn't live in Blood Moon Lagoon alongside her brother, but lived in a different state entirely. She had her sights on a different town and how to gain from it.

[How she looks with makeup on]

She is a very wealthy woman thanks to her providing multiple types of industrial jobs to said town she was eyeing. She claimed that this will help the town to develop faster and become more self sufficient... And the town itself did develop in the architecture and monetary value, but the people remained poor and overworked.

She was regarded by the town folk and the occasional aristocrat as "greedy", and "two-faced". They were certainly not wrong.

She wore the fanciest of clothing and covered herself in makeup to "fit in" more with the higher class of society. Where ever people were present, she was wearing it. She wanted everyone to do the work for her as never had to lift a finger to do work growing up.

She felt as if she was on top of the world... until one day, a group of poker themed bounty hunters came knocking at her door.

[How she looks due to illness]

She was at odds with this group ever since they arrived at the town. They came due to reports of corruption by the families of the workers. The main one in charge, known and the Ace of Spades, was Kathrine Cawthorne. [I'll explain this group, some of it's members and how each member is placed within it.]

To cut a very long story short, the group was able to take her down along with the worker starting a rebellion against her. During this time, her physical condition worsen thanks to an illness. The workers killed her and ended her reign over them. But before she died, she wanted to destroy Kathrine before she herself goes. She aimed at her fellow colleagues, tried to destroy her relationship with the Ace of Hearts, Cassidy [which didn't work on Cassidy's end but Kathrine thinks she hates her] and even tried to take aim her Kathrine's own family. The threat against her loved one failed to go through and Lucía decided of trying to burn her alive in a building right beside the harbour. This unfortunately did cause Kathrine to catch on fire. This led her to run into the harbour to out herself but ended up drowning. [She was promptly revived by Tempus, this process is explained in this post. In summary for her, she ran off thinking her lover and group hated her due to actions she did out of frustration and stress put on by Luíca and was gone for several years until arriving at Blood Moon Lagoon.]

[[Alright! That's Lucía for you! I have some more ideas for her but I don't want to put it out just as yet. This is just a portion of her design [obviously] but I would like to hear what you all think of her design and what I wrote thus far! Doing the research on her was pretty interesting, with the whole makeup and dress and coming up with a design for her sapphire and gold earrings and lil hat thing [the name just slipped my mind ffs.] It was inspired by some Victorian clothing and style, which I believe she would take some dressing aspects from. Thanks for reading and have a good day/night!]]

#art #my art #digital art #oc #my oc #lucía torres #tomás torres #kathrine cawthorne #wild west #western #i misspelt her name so many times im so sorry ;-;

34 notes · View notes

hearttohaato · 6 months

Text

Encanto OC Event Week 2

Part 2: Tomás Herrera & Others

(Part 1 Here)

The second half of my OC relationship info post - this'll include some info about Tomás's bonds with my other OCs, as well as those background OCs' relationships with each other and canon characters.

@encanto-extended-edition

Tomás in regards to his natal family:

Tomás is the youngest in a family of four, born to Lucía and Horacio Herrera.

Lucía was a schoolteacher and volunteer in the town library, who passed away when Tomás was still a child. Tomás loved and admired his mother, considering her to have been a saint in life. The memories he has of her are fond ones, recalling her as being a kind woman without a bad word to say about anyone. He thinks highly of her optimism and humility, and her ability to make anyone feel understood and listened to.

Lucía as well as Tomás's older brother, Mateo, are both canonically deceased as per the events of the story the Herrera family is introduced in. This leaves Tomás and his father as the last living of their family within the Encanto.

Horacio used to be a mason, having to retire early due to weakness in his legs. Between this and the loss of his parents, his wife, and eventually his oldest son, Horacio sometimes thinks he's cursed - but his one silver lining is his remaining son, Tomás. Horacio has zero qualms about being openly affectionate with Tomás both physically and verbally, and though he's a little oblivious at times, he only wants the best for his boy. Tomás in turn is a loyal and protective son to Horacio, willing to put up with a little embarrassment if it makes his father happy. It doesn't matter how old Tomás gets, he'll always be his papá's conejito.

Art by cringecanto (right)

It's a bit self-indulgent of me, but I'm of the mind that when Tomás marries into the family, Casita springs up a small in-law suite for Horacio so he won't have to spend his days in an empty house. I also am of the mind that in their youth Horacio and Bruno were quite friendly with each other, due to both more or less being underdogs with not a lot of friends between them.

Horacio likely approached Bruno before his wife's passing, just on the off chance he saw her make a miraculous recovery. That isn't what he saw, of course. But though devastated, Horacio accepted the result with as much grace as he could and didn't blame Bruno or his visions for the bad news.

They ended up losing touch when Bruno became more withdrawn and eventually "left", but upon Bruno's return to society their friendship ends up picking right back up where it left off. When Tomás marries into the family and Horacio tags along, he and Bruno spend a good amount of their time having tea and playing cards as old men tend to do.

The rest under the cut to spare the poor dashboards out there!

The Patch:

The Patch, or El Parche, is the group name I use to refer to Camilo's small group of older friends, including Tomás (as introduced in the previous post). They're childhood friends; as a unit and individually they're all well-liked young men within their peers and the community as a whole, decently popular in different ways. They initially were meant to be unnamed background characters whose designs were pulled from random Encantownies, but I accidentally got attached to them and now they all have proper designs and development. Such is my life.--

Cristián Vargas, Rafael Molina, Santiago Torres, Tomás Herrera

Santiago (22) is the oldest not only of the friend group but of his own siblings, of which he's got 6 younger sisters and brothers. He's the designated 'mom friend' by nature, easily slotting into leadership positions and able to keep a handle on multiple goings-on at once. That said he very much is a mother hen type, a bit fussy and prone to scolding his siblings and friends (usually Rafael) whenever they start steering towards bad decisions.

Tomás and Santi are usually on the same page when it comes to caution and forethought, contrasting with Rafa and Cris's more go-with-the-flow attitudes. Santi's compassionate nature makes it easy for him to pick up on what Tomás is feeling without him voicing it, taking it upon himself to either make decisions based on what Tomás would most prefer or urging the others to do so instead. Tomás appreciates Santi looking out for him, feeling it alleviates pressure off of his own shoulders when he's unsure of what to do.

Rafael (21) is the most boisterous of all of them, the beacon of activity and extroversion to balance out his more subdued companions. He's a risk-taker and extremely liberal-minded about topics that usually wouldn't be openly bragged out, often leading to Santi urging him to keep it down (which will inevitably be ignored or expanded upon specifically to make Santi flustered).

His loud and brash personality clashes with Tomás's reserved ways, but the two have a unique bond despite the expected incompatibility; Rafael is not at all discouraged by Tomás's quietness and Tomás isn't put off by Rafael's brazenness. They both think the other is easy to communicate with - Tomás never has to guess what Rafa's feelings are and Rafa likes Tomás's predilection for being a listening ear.

Cristián (20) is far old enough now to have an identity and social circle separate to those of his twin brother César, but when he was a young child he used to be very shy and hesitant to leave his brother's side. When Santi and Rafa became his friends it was the first time he felt comfortable with something (or someone) that was more or less his own - so when his new friends started chatting with Tomás he felt a little threatened. Fears of abandonment were unfounded though, as not only did his friends not dump him in favor of the New Kid, but he very quickly realized why they liked Tomás and ended up getting attached to him too.

As adults they have similar mellow temperaments and get along quite nicely, though Cris's vastly improved self-assurance has made him a lot more laidback and unflappable than the more organized and prim Tomás. Tomás admires Cris's ability to be both steadfast and considerate, unwavering in what he believes in but knowing when to handle situations with delicateness and care.

When Camilo entered the picture and turned the Patch into a five-man-band, all four of the older members collectively decided that he was more or less their joint little brother. Santiago attempts to provide Camilo with proper advice and look out for him in ways an older brother should, which often means trying to make sure Rafael keeps his crude language in check around him. Rafael usually does not, taking a completely different approach to being and older brother and totally enabling Camilo's mischievous nature. Cristián is somewhere in the middle, oftentimes siding with Santi or Rafa purely based on what he think would have the most entertaining result.

Beyond this though Cris is a unique source of understanding for Camilo, as Cris is the only other person he knows who doesn't experience romantic attraction for anyone and has no interest in dating. He could have asked Bruno, of course, but solidarity feels a little better coming from someone close to his own age rather than his quirky hermit uncle.--

Cris, Santi and Rafa are the older brothers to Cecilia, Alejandra and Juancho (the town kids) respectively.

Other relationships to Encantownies include:

Santi and Alejandra have five other siblings, and José (the tall fellow Camilo shifts into near the start of the movie) is their tío. Osvaldo is a tío to Rafael and Juancho, as well as their teenaged sister. Cris's parents are seen bringing Cecilia into Casita before Antonio's ceremony, and his twin brother César is the young man who asks Luisa to help upright his leaning house.

Other OCs:

Claudia Reyes (19) is the young lady with the drum seen during The Family Madrigal, whose family owns the music shop they're playing in front of. Beside her are her brother-in-law on the left and her father on the right.

She's Rafael's long-time girlfriend, on his same wavelength of open-mindedness and free spirit. They've been in a strange will-they-won't-they situation since they were teenagers, with Rafael playing it off like they're not all that serious and just messing around. Everyone knows Rafa's totally full of it and is head over heels for her though, including Claudia who's more or less just waiting for him to finally get around to proposing. They're going to have at least 4 kids together.

She knows the rest of the Patch more or less as her boyfriend's friends, but there's still rapport between them and Claudia's more than welcome to hang with the boys whenever she wants. On top of that, she's also Luisa's good friend who oftentimes will suggest Luisa try out outrageous things in an effort to push her out of her comfort zone.

The town librarian, usually referred to as the Maestro, is an enigmatic yet helpful figure in town whose mission in life is the sharing of knowledge. They can be considered everyone's friend, though like Horacio they have a kinship with Bruno that goes back quite a few years. All perfectly platonic, mind you! Additionally, given Lucía's history of volunteering in the library, the Maestro also is on good terms with the Herrera family and still keeps in touch with Horacio pretty regularly.

And I think those are the most notable relationships to get into for now! Up next will be the AU posts, and... boy, do I have a lot of those. 🫠

#encanto oc event #encanto oc appreciation #encanto ocs #haato art #friend art #tomás herrera #cristián vargas #santiago torres #rafael molina #claudia reyes #encanto librarian #horacio herrera #lucía herrera #also there's hints of my headcanon that camilo (and bruno) are aroace in here

17 notes · View notes

boomgers · 1 year

Text

El peligro en la isla sigue aumentando… “Bienvenidos A Edén · Temporada 2”

En esta nueva temporada, el misterio crece, con la isla llena de nuevas amenazas y sin posibilidad de escapatoria, la rebelión desata una batalla por la libertad mientras Astrid sigue con sus planes del Nuevo Edén.

Estreno: 21 de abril de 2023 en Netflix.

youtube

La serie cuenta con las actuaciones de Amaia Aberasturi, Amaia Salamanca, Belinda Peregrín, Berta Castañé, Lola Rodríguez, Sergio Momo, Begoña Vargas, Tomy Aguilera, Guillermo Pfening, Diego Garisa, Lucía Guerrero, Dariam Coco, Irene Dev, Carlos Torres y Nona Sobo.

#Bienvenidos A Edén #Amaia Aberasturi #Amaia Salamanca #Belinda Peregrín #Berta Castañé #Lola Rodríguez #Sergio Momo #Begoña Vargas #Tomy Aguilera #Guillermo Pfening #Diego Garisa #Lucía Guerrero #Dariam Coco #Irene Dev #Carlos Torres #Nona Sobo #Series #Netflix

0 notes

thecubanartobserver · 1 year

Text

Exposición Post-It 9, Colectiva

View On WordPress

1 note · View note

miracles-and-butterflies · 2 months

Text

Madrigal Friend OCs

As a follow up to the post about partners, here is one on the friend groups. Specifically for the grandkids - I may make one for the adults if people are really that interested.

Feel free to send asks to learn more about them! As this is just a list of names.

I might add to this as I go.

Those with * beside their name are canon character/based off background townspeople.

Isabela:

*Mariano Guzmán

*Marta Carrillo

Lucía Desto

Isabela changes the name weekly because she’s Isabela. The Madrigals call them the Green Group because ✨nature✨.

(While Señorita Perfecta, she did have a girl group of friends but ditched them following the rebuild as she found them to be fake and only with her for popularity points. She casually crashes Dolores and Luisa’s friends groups too).

Dolores:

*Lili Iglesias

Eugenia Augado

The Gossipers. None of them picked the name. Isabela did jokingly and it just kinda stuck?

Luisa:

Carmen Garza

Paula Zapatero

Andres Medina-Lanzo

They never really had a nickname. As children they called themselves the Secret Friends Club, Julieta still calls them that (to the embarrassment of Luisa).

Camilo:

Federico Rubio-Torres

Beatriz Basurto

Santino Aldana

Olga Aldana

Ruben Zapatero

*Marco Osma

Nicknamed The Reptile Kids, at Camilo’s suggestion because his symbol is a chameleon. (They were young at the time). Though Dolores has plenty of other, harsher names for them…

Mirabel:

Álvaro Escarra

They don’t have a name because Mirabel thought that would be childish and there is only two of them, so it would be unnecessary. Usually just referred to as AEMM (their initials) if not their actual names by others.

Antonio:

*Alejandra Bernal

*Juancho “coffee kid” Desoto

*Cecilia Rubio-Torres

They are dubbed the Friendly Four, they are the ones who picked the name.

(All of them are kids Camilo has babysat).

#encanto #ask me anything #encanto headcanons #isabela madrigal #mirabel madrigal #luisa madrigal #dolores madrigal #camilo madrigal #antonio madrigal #encanto: the green group #encanto: the gossipers #encanto: secret friends club #encanto: the reptile kids #encanto: friendly four #encanto: aemm

23 notes · View notes

docpiplup · 6 months

Text

Upcoming series: Ena

In September, the filming of Ena began, a biographical series that will focus on the life of Victoria Eugenie of Battenberg, queen of Spain through her marriage to Alfonso XIII between May 31, 1906 and April 14, 1931, after being the monarchy deposed later by the proclamation of the Second Republic. Great-grandmother of the current king Philip VI of Spain, of whom she was godmother at his baptism. Throughout six chapters, the series will tell the life of Victoria Eugenie and at the same time offer a portrait of a time that changed the world, the first half of the 20th century, from 1905 to 1945. Born on October 24, 1887 in Aberdeenshire, Scotland, Ena was the daughter of Henry of Battenberg and Princess Beatrice, youngest daughter of Queen Victoria of the United Kingdom and Prince Albert of Saxe-Coburg and Gotha. Her godmother was Eugenia de Montijo, empress consort of France as Napoleón III's wife. The name of the series comes from what her friends and family called her since she was little, Ena.

The fiction is based on the novel of the same name by Pilar Eyre. Javier Olivares, who was behind the acclaimed Isabel and El Ministerio del Tiempo, will be the showrunner and plot manager for Ena. In addition to Olivares, the script is written by Isa Sánchez, Daniel Corpas and Pablo Lara Toledo. The series will be directed entirely by women: Anaïs Pareto, director of the series as a whole, in addition to four episodes, and Estel Díaz, who will direct two episodes.

“Ena is the portrait of historical moments that seem distant but are not so far away, because without them we would not understand the times we live in now,” Olivares declares in the press release sent by TVE. The writer and screenwriter remembers that Victoria Eugenie “fought to be happy in a bitter time, in which she witnessed two world wars, a civil war and a great pandemic, the tortuously called Spanish flu.”

For Pilar Eyre, author of the novel, she was "an extraordinary woman: cultured, supportive, liberal-minded, modern and very loyal." And she is excited because "finally all Spaniards can know" the story of a "misunderstood" woman. in their time, which they will always consider foreign." It is a fiction co-produced by RTVE with Ena La Serie AIE, La Cometa TV and Zona App. José Pastor, director of Film and Fiction at RTVE, has pointed out that "it is a "RTVE is proud to be able to portray this interesting historical character, from the point of view of two women directors and with Javier Olivares as showrunner, in one of its best series."

The Spanish actress of Anglo-Danish descent Kimberly Tell will play Ena and Joan Amargós will play Alfonso XIII. For her part, Elvira Mínguez will play Maria Christina von Habsburg-Lothringen, mother of Alfonso XIII. The cast is completed by Lucía Guerrero (Beatrice of Saxe-Coburg and Gotha), Raúl Mérida (Alfonso of Orleans and Bourbon), Juan Gea (Álvaro Figueroa y Torres, Count of Romanones), María Morales (María del Carmen Angoloti y Mesa, Duchess of Victoria), Pedro Mari Sánchez (Rodrigo de Saavedra y Vinent, Marquis of Villalobar), Luisa Gavasa (Eugenia de Montijo) and Joaquín Notario (José de Saavedra y Salamanca, Marquis of Viana)

Mariano Peña will play Miguel Primo de Rivera; Jaume Madaula will play the anarchist Mateo Morral, author of the attack committed at the royal wedding; Tomás del Estal will be Emilio María de Torres y González-Arnáu, and Ángel Ruiz will once again give life to Federico García Lorca, a character he already played in El Ministerio del Tiempo, among others.

The series will be filmed entirely in natural exteriors and interiors, like the Royal Palace of Madrid, the Palace of La Granja de San Ildefonso (Segovia), the Palace of Santoña (Madrid), the Palace of Fernán Núñez (Madrid), the Fort of San Francisco (Guadalajara) and the Magdalena Palace (Santander), built in 1911 by the City Council as a tribute to the monarchs and where Ena spent a good part of her summers in Spain, accompanied by the Royal Family. Filming for the series will continue until the end of December.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

So, the Magdalena Palace is going to be an important location during the series as a summer palace, the main filming location in Gran Hotel, and in that series Ena appeared in the episode 3×13, played by Aída Filx.

Apart from that, are we getting an Olivaresverse (XD)? Most likely not, and it's just references about his previous works as a showrunner, but there are connections between Isabel, Emdt and Ena: Michelle Jenner starring Isabel as Isabella I of Castile, then appearing in a couple of scenes in Emdt episode 1×04 and being an important figure in the lore as the foundress of the ministry (& Eusebio Poncela playing as Cisneros in both series, and also he played Cisneros in the film La Corona Partida and the Carlos Rey Emperador series); Alfonso XIII is a descendant of Isabella I of Castile; Ángel Ruiz appeard as Lorca in Emdt in 4 episodes and now he is on Ena playing as Lorca again, we don't know yet how much screentime he will get or which will his role be (secondary character most likely), but it's great to see more about him!

19 notes · View notes

supersymmetrys · 29 days

Text

QUE LOS MUERTOS AQUÍ ES DONDE TIENEN QUE ESTAR . . .

An introduction post for my Camp Nano WIP!

Title: Neon Bible

Genre: Horror

Status: First drafting

Setting: Mexico, 1950s

POV: Third Person

Warnings: swearing, alcohol use, violence, and mild sexual content.

Synopsis:

A small town in Mexico is divided when the child of the Ríos family, one of the most important families in town, starts claiming to hear voices and see things that aren't there: half the town believes it must be the devil's work while the other tries to find a medical solution. The situation escalates with the arrival of a foreign guest, who clashes immediately with one of the most beloved and respected men in town.

Tag: # wip ; neon bible

Pinterest Board: Here

Spotify Playlist: Here

Characters: (will add the links for their introduction posts in the future)

Felipe Ávila Reyes: (27, he/him) An agoraphobic and devout catholic, Felipe is a school teacher who spends most of his free time at the town's church, either praying or helping Father Posada with the mass. Father Posada is the one who asks for his help with the Mabel Ríos case. Dr. Sebástian de la Torre: (25, he/him) A young Spanish doctor asked by the Ríos family to take a look at their child, Sebastián likes to do things his way, trusting only logic and science. Cassandra "Sandra" Ávila Reyes: (29, she/her) Félipe's older sister, unlike her brother, Sandra isn't catholic and instead practices santería, much to her brother's dislike. Maribel "Mabel" Ríos Juárez: (17, she/her)The youngest child in the Ríos family, Mabel scares the whole town with a sudden and strange behavior, claiming to hear voices in the dark and screaming for no apparent reason. Lucía Juárez de la Cruz: The matriarch of the Ríos-Juárez family and the one who's most concerned for the daughter, Lucía is the one who calls for Sebastián to help her family. Alejandro Juárez de la Cruz: Brother of Lucía and uncle of Mabel, he lives with her sister's family in the Ríos family house and is the one in charge of Mabel most of the time. Alba Gracián Ríos: Felipe's fiancée, and a relative to the Ríos family.

Taglist (ask to be added!) ; under the cut

@ofgoldenfools

#writeblr intro #wip introduction #wip intro #wip info #writeblr #writeblr community #writers on tumblr #writerscommunity #writers #writing wip #wtwcommunity #camp nanowrimo #camp nano #camp nano 2024 #nanowrimo #wip ; neon bible

10 notes · View notes

noneun · 5 months

Text

Cristina Torre Cáceres

Si mañana no te contesto las llamadas, mamá.

Si no te digo que voy a cenar. Si mañana, mami, no aparece el taxi.

Tal vez estoy envuelta en las sábanas de un hotel, en una carretera o una bolsa negra. (Mara, Micaela, Majo, Mariana). Tal vez estoy en una maleta o me perdí en la playa (Emily, Shirley).

No te asustes, mamá, si ves que me apuñalaron (Luz Marina). No grites cuando veas que me arrastraron (Arlette). Mamita, no llores si te enteras que me empalaron (Lucía).

Te dirán que fui yo, que no grité, que fue mi ropa, el alcohol en mi sangre.

Te dirán que fue la hora, que estaba sola. Que mi ex el psicópata tenía motivos, que yo fui infiel, que fui puta.

Te dirán que viví, mamá, que me atreví a volar muy alto en un mundo sin aire.

Te juro, mami, que morí peleando. Te juro, viejita, que grité tan alto como volé.

Se va a acordar de mí, ma. Sabrá que fui yo quien lo jodió cuando me vea en el rostro de todas las que le van a gritar mi nombre. Porque sé, mamá, que no vas a parar.

Pero por lo que más quieras, no ates a mi hermana. No encierres a mis primas, no prives a tus sobrinas. No es su culpa, mamá; tampoco fue mía. Son ellos, siempre serán ellos.

Lucha por sus alas, por las que me cortaron. Lucha para que sean libres y vuelen más alto que yo. Pelea para que griten más fuerte que yo. Que vivan sin miedo, mamá, tal como viví yo.

Mamita, no llores mis cenizas.

Si mañana soy yo, mamá, si mañana no vuelvo, destrúyelo todo.

Si mañana me toca, quiero ser la última.

Di seguito, la traduzione italiana della poesia:

Se domani non rispondo alle tue chiamate, mamma.

Se non ti dico che non torno a cena. Se domani, il taxi non appare.

Forse sono avvolta nelle lenzuola di un hotel, su una strada o in un sacco nero (Mara, Micaela, Majo, Mariana).

Forse sono in una valigia o mi sono persa sulla spiaggia (Emily, Shirley).

Non aver paura, mamma, se vedi che sono stata pugnalata (Luz Marina).

Non gridare quando vedi che mi hanno trascinata per i capelli (Arlette).

Cara mamma, non piangere se scopri che mi hanno impalata (Lucia).

Ti diranno che sono stata io, che non ho urlato abbastanza, che era il modo in cui ero vestita, l’alcool nel sangue.

Ti diranno che era giusto, che ero da sola.

Che il mio ex psicopatico aveva delle ragioni, che ero infedele, che ero una puttana.

Ti diranno che ho vissuto, mamma, che ho osato volare molto in alto in un mondo senza aria.

Te lo giuro, mamma, sono morta combattendo.

Te lo giuro, mia cara mamma, ho urlato tanto forte quanto ho volato in alto.

Ti ricorderai di me, mamma, saprai che sono stata io a rovinarlo quando avrai di fronte tutte le donne che urleranno il mio nome.

Perché lo so, mamma, tu non ti fermerai.

Ma, per carità, non legare mia sorella.

Non rinchiudere le mie cugine, non limitare le tue nipoti.

Non è colpa tua, mamma, non è stata nemmeno mia.

Sono loro, saranno sempre loro.

Lotta per le vostre ali, quelle ali che mi hanno tagliato.

Lotta per loro, perché possano essere libere di volare più in alto di me.

Combatti perché possano urlare più forte di me.

Perché possano vivere senza paura, mamma, proprio come ho vissuto io.

Mamma, non piangere le mie ceneri.

Se domani sono io, se domani non torno, mamma, distruggi tutto.

Se domani tocca a me, voglio essere l’ultima.

(fonte)

#Cristina Torre Cáceres #poesia

9 notes · View notes

witchys-art · 1 year

Text

Some stuff about my "Haunted Michael AU" Part 2: The Aftons and Emilys

More about the AU uwu

William Marcus Afton (1948 - 1994)

Born in London to a neglectful family

Has a younger sister

His mother died two years after his little sister was born

Moved to Utah when he was 17 years old with his father and sister

Met Henry in university

Met his first wife at age 19

Had Michael at age 21

His first wife died three years after Michael's birth

His sister married Henry

Married his second wife at age 25

He didn't care for Michael, because he had him at a young age and "a child would put a threat to his plans for life"

Same with Elizabeth, but he actually cared a little about her

He adored Evan, he was his pride and joy (he was still a little neglectful to him tho...)

Opened Fredbears in 1980

He was a neglectful dad as well, that's why he didn't say anything to Michael about bullying Evan. He tought that Evan would eventually "man up" and stand for himself...he didn't.

When the bite of '83 happened he was livid

He was pissed at Michael, that was the first of many many times he would raise his hands against Mike.

When he killed Charlie, his target was actually Sammy (if William couldn't have his little boy then Henry couldn't either), it just so happened that Charlie was outside the restaurant and he took that chance.

When he noticed the puppet acting weird he realized Charlie´s spirit must have being doing something to it (that's how he discovered remnant)

Thought that if he could get more remnant, he could bring Evan back, so he built Baby and the funtimes.

When Elizabeth got yoinked by Baby he finally snapped, he couldn't bear to look at the funtimes, especially Baby.

The day of the MCI he was angry at all those kids enjoying the party, when he spotted Susie. He wasn't taking remnant for Evan or Elizabeth anymore, he wanted to be immortal.

When he sent Michael to Circus Baby's he knew damn well that he was sending him to his certain death.

He went to the abandoned Freddy's to see if he could get more remnant infused parts to become immortal.

Got springlocked at age 46 (hahah, get springballed peepaw)

Little detail, he didn't put on the suit out of fear of ghosts (since all ghosts were with Michael), he saw the spring bonnie suit, put it on just to rejoice in the "memories" and since the building was leaking and the suit had been rotting there for ages without any maintenance at all, the suit failed and killed William

The rest of the story is the same

Isabella Marie Afton Emily (1950 - 2030)

William was overprotective of her

Met Henry at a university party and fell in love with him instantly

She was 27 when Sammy and Charlie were born

Loved her children a lot

Also loved her nephews and niece a lot

Supported William after Evan passed away

Was completely devastated when Charlie was killed

Divorced Henry and left the country, taking Sammy with her

Raised Sammy on her own after moving back to London

Died of old age 5 years before security breach happens, she was 80 years old

Henry Emily (1950- 2024) 74

Was born and raised in Utah

Fredbears used to be his dad's old pizzeria that he inherited and then rebranded to be Fredbears

Was a doting father and loved Charlie and Sammy to the moon and back

Was absolutely devastated by Charlie's death, blamed himself for not being there to save her.

His wife divorcing him and taking Sammy with her only made his depression worse

He was framed for the MCI and ended up going to prison for 30 years.

When he saw Michael for the first time after getting out of prison he felt bad for how life had treated him

His plan to burn FFPP was not only because he wanted to end William's reign of terror and free Elizabeth and Charlie but also because he didn't want to live anymore. (He didn't care if Michael didn't want to die, he wanted to end it ALL)

Lucía Torres Afton (1948 - 1972)

Michael's mom

She was born in México, but had started living in Utah two years before meeting William

Met William at age 19 on a park and fell for him instantly

Had Michael at age 21

Loved his baby boy so much

Taught Mike a little bit of spanish

Would sing him lullabies in spanish

Was in a car accident at age 24 and died, leaving William to raise Michael alone

Margareth Scmidth Afton (Born 1952)

Born in California

Met William (and Michael) on a dance festival Isabella forced her brother to attend

Started dating him soon after and married just one year after meeting him

Really tried to be a good mom to Mike

Had Elizabeth at age 23

Had Evan at age 25

Discovered Michael's love for art when she found a bunch of doodles he made and tried to strike friendly conversations about them with him

Chided Michael a lot about bullying Evan, but never raised a hand against him

When Evan died she was devastated, but never blamed Michael

Couldn't even bear to look at Evan's room after his death

Elizabeth's "disappearance" (William told her she disappeared, didn't tell her she actually died) completely destroyed her.

After the MCI happened she started suspecting William had some involvement in it

She started getting really scared of him and filed for divorce

Tried to gain custody over Michael but lost the case.

Left Utah, never to be seen again

Charlotte Emily (1977 - 1984)

Sweet baby girl

Michael, Elizabeth and Evan's cousin

Sammy's twin sister

William killed her on the day of her 7th birthday

The kids that left her outside of Freddy's were the same kids that bullied Evan and caused the bite of '83

She defended Evan when Michael bullied him

Felt a grudge towards Henry for not saving her from William

Joins Michael after the bite of '87, worried that he would do something harsh after what happened to Jeremy

She is the one who convinces Evan to join Michael

Recoiled in horror when she saw Springtrap

In the end she forgives Henry for not saving her when he burns FFPP

Charlie IS in the pizzaplex, just not posessing any animatronic, she is IN THE WHOLE BUILDING

Samuel Emily (Born 1977)

Charlie's twin brother

He was William's original target, but was in his father's office when Charlie got locked out of Freddy's

Didn't really get an explanation from anyone about what had happened to his sister

Didn't want to leave his father but had no choice

After FFPP burned he was the only succesor to the original owners of Freddy's and became the CEO of Fazbear

Evan Christopher Afton (1977 - 1983)

Inocent baby

Was really spoiled by William and Margareth (making Michael angry with him)

Liked to hang out with Elizabeth and the Emily twins

The Fredbear plush was a gift from William (William installed a camera and a walkie-talkie inside and told Evan that this Fredbear was "special" and that "he can talk")

Evan, being a small child, believed it all

Evan's Foxy plush (the one with the ripped head) was Michael's

Evan actually looked up to Michael, despite the bullying, he thought that his big brother was "cool" and "tough"

The bite of Fredbear happened during his 6th birthday

He was scared of the endoskeletons, not the suits

Also because of his nightmares (fueled mainly by Michael and his friends scaring him with the masks)

Held a grudge towards Mike for a while (for the bite)

He didn't want to join Mike, but Charlie insisted

When Evan saw that Michael was actually trying to fix William's deeds and save everyone, he forgave him

Felt horrible when he saw just how many lives William ruined (he even felt guilty about it)

When he saw Springtrap he thought he was going to faint (even if ghosts can't actually faint...)

When FFPP burned he was waiting for Mike to go through the light together

Also I do not believe in the "Gregory is CC theory. I actually headcanon that Evan returns to the pizzaplex in the form of the Daycare attendant...well, mainly Sun

Elizabeth Giselle Afton (1975 - 1984)

Extremely spoiled by her mother

Loved to dance, the best dancer in the whole family (after Margareth ofc)

Would punch Michael if she saw him being mean to Evan

Hated Michael with a passion after Evan's death

She would call him murderer and horrible brother

She was 9 years old when she got yoinked by Baby

Felt guilty about what happened with Mike and the scooper

Screamed of pure horror after seeing Springtrap

Michael James Afton (1969- 1986?)

Born in Utah

William and his mom had to marry when he was born

He didn't hate Evan, he was just frustrated that he was forced to babysit him and Liz whenever his parents were busy (Which was really often)

He actually loved them both a lot but was waay too prideful to show it

He didn't mean to hurt Evan in any way with his prank

He almost fainted after hearing the *CRUNCH* and seeing Evan go limp

Stayed by Evan's side the whole time at the hospital after the bite, apologized countless times and begged Evan to just wake up

Was in the hospital room when he flatlined

Started having nightmares about animatronics after that

Took Evan's little Fredbear plushie as a memento

Ran away from home at age 16

Stayed at Henry's for some time

He didn't want to go to Circus Baby's but got coerced by William, who used Evan's death as leverage against him

The first time he heard Baby's voice he almost had a stroke

He really believed he could free his baby sister and the other kids easily

The last thing he remembers before dying is the scooper ramming through his stomach and seeing his organs and pieces of broken ribs escape his body

Doesn't remember most of the time Ennard used him as a skinsuit, his conscience was coming and going

After Ennard left his body and he woke up, all he could think of was "Revenge Against Father" and "Save those poor kids"

At 1987 he got a job at Fnaf2's location, thats when Charlie's spirit recognized him and joined him.

He was...extremely unsettled about his cousin's ghost just floating around him and talking to him so calmly

The "Odor" thing IS for being literally a corpse, also for nervous sweating

Felt so defeated after finding out William was behind yet another dead children incident (There's the MCI in 1985 and the DCI in 1987)

Also was devastated about Jeremy getting bitten

Got the security job at Fnaf1's location in 1993

That's when the MCI + Evan joined him

Shortly after getting fired, Elizabeth's spirit joined him, after she had a fight against the other spirits inside Ennard

Poor guy is literally being followed by 8 dead kids...at least Evan doesn't resent him anymore...?

At Fazbears Fright he was disgusted at just how his father ended

Released the MCI minus Cassidy when he burned Fnaf 3's location

Opened FFPP with Henry knowing damn well he would burn as well

Held hands with Evan and Liz as they walked towards the light

But then he wakes up and he's in the pizzaplex like, what the hell...?

When he sees Gregory his dad instincts kick in, he goes into "Dad Mode", he knows Gregory is not Evan, but he looks just like him and hes a big softie (He also knows that, if he's back, something went clearly wrong)

Annnnnd that's about it, I might make more parts for other minor characters (like mah boi Jeremy)

#witchy rambles #haunted michael au #long ass post #took me weeks to finally finish this bitch #i want to draw more for this au so baaad #william afton #mrs afton #henry emily #charlie emily #fnaf crying child #fnaf bite victim #evan afton #elizabeth afton #michael afton #fnaf missing children #five nights at freddy's #fnaf #au

13 notes · View notes

mikrokosmcs · 2 years

Text

STARTERS FOR DARK & TOXIC SHIPS

❛ I’ll kill the whole bloody lot of them until you and I are the only people left in this world. ❜

Ryeohee observa el cuerpo tendido a sus pies, manchando la alfombra de su despacho en lo alto de una gran torre de cristales. No era la primera ni sería la ultima vez que esas paredes vieran una atrocidad como esa, que el terciopelo del suelo se manchara de carmín propio de la sangre humana. Kang se mantiene inmutable a su costado, dispuesto a sacar un arma y apuntarla directamente entre las cejas del menor que, día con día, lucía los mismos colores con los cuales Ryeohee lo recordaba. Las personas alrededor del nuevo jefe estaban nerviosas aun por el “nuevo sabueso de la mafia” un titulo que Ryeohee le heredó a Taehwa, y que sabía no iba a decepcionarlo en portarlo. La gente no lo conocía como él, quien se encargó de arrancarle su piel humana a jirones y mordiscos hasta desnudarlo a su verdadero yo, hasta conseguir que la vida que había tenido a costa de su libertad y donde creyó que podía darle un portazo, se destruyera. Hizo una señal a Kang para que se retirara, quedándose solos con un muerto entre ellos y unas fuertes palabras saliendo de la boca foránea, Ryeohee da otro toque a su cigarrillo cruzando la pierna sobre la otra. - —¿Quién es este, mi amor? No puedo reconocerlo, lo has destruido — -se pone de pie para caminar hasta el cuerpo, empujándolo con su zapato y observarle la cara. Intenta ponerle facciones, quizá luciendo un poco como los aun seguidores de a “sangre pura en el Bookmoon-pa” que no lo aceptaban a él como un líder. El mayor vacía la ceniza de su cigarrillo sobre el cadáver, llevando la zurda hasta sostener el rostro del otro entre los dedos de forma brusca. - —¿O he dormido con él y no puedes tolerar que haga lo mismo que me hiciste?

#* ⠀ 🍒 ⠀ ╱ ⠀ dialogue ⠀ 、 ⠀ ❪ ⠀ shin ryeohee ⠀ ❫#* ⠀ 🍒 ⠀ ╱ ⠀ dynamic ⠀ 、 ⠀ ❪ ⠀ ryeohee & taehwa ⠀ ❫#xwishingscar #* ⠀ 🧁 ⠀ ╱ ⠀ verse ⠀ 、 ⠀ ❪ ⠀ i stand guilty; i bleed filthy: born of fire ⠀ ❫#they're back on their bullshit(?)#tw: cabras #s*

8 notes · View notes

the-masked-artist05 · 6 months

Text

Working on Tomás' sister's design. Her name is Lucía Torres and she is an antagonist/villain in Kathrine's backstory. Long story short: she was an extremely wealthy woman who held control over a town thanks to the industrial jobs and developments she gave to that exact town. However, she was notorious for her poor treatment of her workers and others around her who opposed her. Commonly described as "power-hungry", "full of greed" and "two-faced", she would over-work these people to make more money and gain more power.

I'll put out more info about her at a later date but I want your input on these silhouettes! Which one of these do you like more and/or what would you want me to do to change it?

#art #my art #digital art #oc #my oc #blood moon lagoon #lucía torres #wild west #western

24 notes · View notes

steff-02 · 1 year

Text

Réveil en douceur pour notre dernier jour au Chili. Après un bon petit déjeuner nous voici de nouveau à crapahuter dans la ville. Au programme, dernier petit tour aux centres commerciaux de la Gran Torre, petite balade sur le cerro Santa Lucía et ces magnifiques jardins et après avoir manger dans le quartier “Paris” 💁🏽‍♂️, découverte des “souks” de la capitale. Voilà qu’il est déjà temps de retourner à l’hôtel récupérer nos bagages. À 16h nous prenons le bus qui doucement (si doucement que Dan s’est endormi 😂) nous ramène à l’aéroport. Nous y arrivons une vingtaine de minute avant l’ouverture du Check-in, juste le temps pour réorganiser nos bagages cabines, préparer ce dont nous avons besoin pour le vol et imprimer les étiquettes pour les bagages. En un quart d’heure nos bagages sont enregistrés, nous passons le PDI (Policía de Investigaci��n) et la sécurité de l’aéroport. Nous avons maintenant tout le temps pour aller se détendre au Lounge. Il est incroyable ! Mais si il y avait quelque chose à redire, il n’a pas de vue sur le tarmac…Après s’être servi au buffet, Dan part à la douche. A son retour Stefano part à l’accueil pour demander à son tour une douche, mais il revient bredouille. Toutes les douches sont occupées, il est sur la liste d’attente mais l’embarquement commence dans 45’. Finalement une douche est prête, au pire nous embarquerons un peu plus tard. La salle de bain est splendide, le service est au top! Tout frais nous nous rendons à notre porte et l’embarquement n’a pas encore commencé. Après quelques minutes, nous découvrons notre avion. Malgré le pincement au cœur (GROS pincement au cœur pour Dan) de quitter l’Amérique Latine, nous nous réjouissons de notre vol en business ! Nous attendons notre plateau repas et notre coupe de Champagne, regardons un bon film et sommes prêt pour notre nuit !

3 notes · View notes

diarios-errantes · 1 year

Text

diciembre - 19

Era una gran columna de humo elevada hacia la tarde de Santa Lucía. El cielo, de un color luminoso, parecía ajeno a la desgracia, pero la chicharra de los bomberos retumbaba hasta el puerto de Castries. En el centro de la ciudad se quemaba lo que alguna vez fue un cine y ahora era un predio ocupado por una variedad de negocios (una tienda, un restaurante, una agencia de viajes). Desde el barco lo veía arder.

Ese día, hasta entonces, no me había inquietado el hecho obvio: que la vida periclita. Lo aceptaba como de costumbre, sin sobresaltos. Venía del otro lado de la isla, de sus montes verdes y humeantes, sus ensenadas pristinas, socavadas por las olas del vientre de la tierra. Había hundido mis pies en la arena volcánica de la bahía de Soufrière, a la sombra de los Pitones, cuyo verdor totémico se mostraba aún más profundo bajo la llovizna del mediodía. El mar tibio apenas se erizaba, y de las yolas de los pescadores colgaban nasas traslúcidas como la lluvia. A la vera de la playa yacía un cementerio. Era un terreno a cielo abierto, sus crucetas carcomidas por la salitre. Me pareció hermoso, tan o más hermoso que el cementerio Magdalena de Pazzís, encallado entre el agua y la muralla de San Juan. El mar más allá de las tumbas le quitaba toda dureza. Recordé unos versos de Walcott: “el amén de las aguas mansas, el amén de las aguas mansas, el amén de las aguas mansas”.

Llevaba una semana atravesando las Antillas Menores, reconociéndome en ritmos, resonancias, descubriendo un mundo que a medida se ensanchaba más sentía mío. Primero, por el oído. En el vértigo de los mercados, entre el patois y el creole y el papiamento, los pregones de vendedores dominicanos me devolvían la lengua materna como una fruta a ser rodada en mis labios. Las calles eran idénticas a las que yo conocía, pero con las claves cambiadas: de las ventanas de los carros brotaban dance-halls de Jamaica, zouks de Martinica, socas de Trinidad. De juma en una playa de Barbados, mi padre resolvió también pasear su temple. Encendió la bocina portátil y recorrió medio Bridgetown con sus tórridas bachatas, sus guitarras láseres relampagueando a todo volumen. No era un gesto desafiante. Era como si dijese: esto podría ser casa, esto igual lo conozco. Imaginé una cadena atando el archipiélago, imaginé la música como una marejada que venía y retrocedía a nuestros pies, a la orilla de las islas, una serpiente inmaterial zambulléndose en el aire, reventando en las caderas.

Ahora no era ruido, sino humo, lo que ataba al archipiélago en mi memoria. En el puerto de Castries, la gente se apelotonaba para ver el siniestro. Decenas de niños, recién salidos de la escuela, correteaban, comentaban el espectáculo. Pequeñas motas de ceniza caían del aire para manchar sus polos blancas, meticulosamente planchadas. Era evidente que el fuego había sido controlado: el predio fue evacuado, la calle acordonada. Las llamas no habrían de esparcirse. Pero el daño estaba hecho. Procuré la fecha: 22 de noviembre de 2019. Hace un año, en noviembre, bajo el mismo cielo luminoso, yo había salido al balcón de mi casa en Carolina, Puerto Rico, y vi con espanto cómo una enorme columna de humo se elevaba sobre los techos de mi urbanización.

El incendio no llegó a mayores, aunque ardió hasta el día siguiente. Una planta de reciclaje que cogió candela. Esa tarde salí a caminar. Hice muchas fotografías. Una en particular me pareció ominosa. Cielo azul, típica casa de urbanización, y aquella torre de humo negro en el fondo. En la acera, una nevera mohosa y dañada. Alguien había pintado encima de ella: “P.R. LIBRE.” Quedé perturbado. Aquella escena torva y banal reflejaba, para mí, el estado anímico de las cosas. La de los desastres acumulándose en el fondo hasta estallar de una forma que no puede ignorarse. La de un mundo vulnerado, un Estado descompuesto. La de mi realidad colonial. De pie en la popa del barco, mientras nos alejábamos de Santa Lucía, volví a tener la misma sensación. El Caribe era también eso: aquel simulacro, aquella torre de humo. Aquella certeza de que la vida es acechada.

#texto

2 notes · View notes

miracles-and-butterflies · 1 month

Text

Dates of Birth

Mainly for my OCs’ birthdays. But includes the canon ones, just for reference.

Brackets are for the Madrigals and bold are canon/confirmed birthdays. Italics are for the friends groups, as they don’t have individual tags, so you know where to find more about them.

(Alma - 1st January 1875)

(Pedro - 22nd June 1875)

(Félix - 11th November 1896)

Alfonso Hernandez - 15th July 1899

(Julieta, Pepa & Bruno - 17th October 1899)

(Agustín - 19th June 1902)

Lili Iglesias - 30th September 1927

(Isabela - 7th August 1928)

(Dolores - 31st August 1928)

Mariano Guzmán - 12th October 1928

Lucía Desoto, Green Group - 13th April 1929

Eugenia Augado, Gossipers - 9th September 1929

Marta Carrillo - 26th February 1930

Carmen Garza, Secret Friends Group - 8th April 1930

(Luisa - 14th November 1930)

Paula Zapatero, Secret Friends Group - 4th February 1931

Andres Medina-Lanzo, Secret Friends Group - 19th January 1931

Federico Rubio-Torres, Reptile Kids - 11th September 1933

Sandino & Olga Aldana, Reptile Kids - 27th July 1934

Marco Osma - 23rd November 1934

(Camilo - 28th December 1934)

Beatriz Basurto, Reptile Kids - 31st January 1935

(Mirabel - 6th March 1935)

Álvaro Escarra, AEMM - 31st March 1935

Sera Velasquez - 10th May 1935

Ruben Zapatero, Reptile Kids - 5th December 1935

Alejandra Bernal, Friendly Four - 6th February 1944

Cecilia Rubio-Torres, Friendly Four - 12th March 1944

Juancho Desoto, Friendly Four - 20th December 1944

(Antonio - 21st May 1945)

#encanto #encanto ocs #encanto: the green group #encanto: secret friends club #encanto: aemm #encanto: the gossipers #encanto: the reptile kids #encanto: friendly four #mariano guzmán #alfonso hernandez #lili iglesias #marco osma #sera velasquez #marta carrillo

8 notes · View notes

burakrevista · 2 years

Text

Teatro: La boda de la hija del Presidente de Juan Mayorga y Juan Cavestany

La boda de la hija del Presidente de Juan Mayorga y Juan Cavestany, con dirección de Adrián Cardoso, se presenta en Hasta Trilce (Maza 177 - CABA) todos los lunes a las 20 horas.

Por Dana Babic

Se casa la hija del Presidente y la fiesta congrega a personalidades de distintos ámbitos. Desde políticos, empresarios, artistas, diplomáticos extranjeros, hombres y mujeres de la alta sociedad y miembros de la iglesia hasta empleados de seguridad, del catering y choferes.

Se especula si habrá o no reelección del Presidente, hay tres posibles candidatos que, durante toda la fiesta, van a intentar lo imposible para destacarse y ser elegidos.

Como en toda parodia no faltan la ironía y el humor para reproducir actos cotidianos dentro de nuestra clase política y social actual. En este caso, humor político, absurdo. “Lo llamaría más bien ácido. Un humor con cosas reales que pasan y que no podemos negar”, comentó el director Adrián Cardoso en una entrevista.

Cada uno de los actores representa a distintas figuras, es admirable la rapidez con la que cambian su vestuario. Pasan por el escenario: mozos bailarines, choferes que saben todos los secretos, mujeres bellas que chusmean en el baño, un cura, ministros, la madre de la novia, y un poeta que le escribe discursos al mandatario. Por citar algunas de las personalidades a los que este elenco maravilloso les pone el cuerpo.

Con treinta personajes sobre el escenario, en un lapso de 75 minutos, la agilidad y destreza que manejan los protagonistas es fantástica. Pero, además de sus parlamentos y los diálogos, hacen uso del lenguaje gestual que combina movimientos y gestos muy necesarios de destacar. Es un gran trabajo el que realizan Cristian Sabaz, Ariel Gangemi, Miguel Haddad, Diego Blanco y Juan Cereghini.

El escenario cuenta con poco mobiliario. Además de actuar, Miguel Haddad es asistente en escena. Lo único que queda fijo es el hermoso piano de cola que suena durante toda la obra gracias a las manos del pianista, compositor y conductor de radio: Alejandro Weber, quien también oficia de maestro de ceremonias.

Desde que el público entra a Hasta Trilce está participando de la puesta en escena. El espacio desborda de arte e invita a quedarse tomando algo en su bar.

youtube

La boda de la hija del Presidente es una obra impecable desde la dirección hasta la actuación, pasando por la música en vivo.

Los que vayan a verla se encontrarán con calidad, profesionalidad y risas aseguradas.

Muy recomendada.

SOBRE EL DIRECTOR

Adrián Cardoso es actor, director y productor teatral - Estudió en (E.T.B.A.) de Raúl Serrano. Se perfeccionó en Puesta en Escena con Rubén Szuchmacher, Lorenzo Quinteros, Salvador Amore y Julio Ordano. Como director presentó: “BRGS y AMARILLO” de Juan Mayorga; “Cápsula de tiempo” de Pablo Albarello; "La Vajilla" de Patricia Suarez; "El Petiso Orejudo" de Julio Ordano con 6 años en cartel y ganadora de premios (2011 - 2017); "Cinco Pétalos" de Lorena Basar y Adrián Cardoso; "El Centroforward murió al amanecer” de Agustín Cuzzani; entre otras.

FICHA TÉCNICA

Dramaturgia: Juan Mayorga y Juan Cavestany

Intérpretes: Cristian Sabaz, Ariel Gangemi, Diego Blanco, Juan Cereghini, Miguel Haddad, Alejandro Weber.

Vestuario: Sabrina López Hovhannessian

Asistencia de vestuario: Lucía De La Cuesta

Escenografía: Magdalena de la Torre

Coreografía: Marina Svartzman

Fotografía: Nacho Lunadei

Diseño gráfico: Diego Blanco

Diseño de Iluminación: Ricardo Sica

Asistencia de Producción: Flor Montanucci y Sofía Ganzero

Asistencia de dirección: Arks Callocunto

Producción general: Domènica Teatral

Dirección: Adrián Cardoso

Prensa: Más Prensa: Analía Cobas y Cecilia Dellatorre

Duración: 75 minutos

Entradas: Alternativa Teatral

#teatro #obra de teatro #reseña teatral #reseña de teatro #actores #argentina #hasta trilce #teatro independiente

2 notes · View notes