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#many other people have written great things about these characters these are just my 2 cents
fadelikeclouds · 11 months
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Diving into Tai’s mind: actions do not speak louder than words
First of all, I will say that I was upset with Tai at the end of episode 10. I am fine that Tai didn’t want to talk to Patts outside on the street. He was probably shocked and frightened by Patts angry outburst, and he wanted to put some time and distance between them so that they could cool off and talk more rationally later. What I’m less fine with is that Tai still refuses to say anything after Patts shows up at his door. And yeah, Patts probably shouldn’t have shown up drunk outside Tai’s door, but he is in pain and needs some comfort, and he tells Tai this. So why doesn’t Tai say anything to reassure Patts?
And now we come to the reason I am writing this. I don’t like staying upset at people, so I try to understand them. After thinking about things I am still frustrated with Tai, but a little less so. Here are the results of my musings.
Tai has been struggling with his parent’s divorce for over 2 years now. It’s easy to say that, but what does it mean? He is a romantic, and seeing his ideal of love crumble before him was frightening because it made him doubt the existence of love and happiness. Soulmates guarantee nothing. Love doesn’t last. Families can break apart. That’s a pretty dismal view of the world. Despair is never easy to cope with. He had his faith in love broken, so of course he wouldn’t talk to his soulmate, because why create a relationship that will only break your heart?
Then he sees Patts, and he starts to hope again. But he’s still hesitant. He’s still scared. He knows that there is no guarantees in relationships, soulmates or not. This is how he goes into his relationship with Patts, fighting against his doubts and fears the whole way. Throughout the beginning Patts is patient, kind, charming, and Tai begins to be more open to the idea of a relationship with this soulmate of his. Then the whole situation with Nara happens, and his fears and doubts about love come up again.
He talked with Nara; he knows how much she loved Patts, and he even cheered her on when he didn’t know Patts was her ex. They honestly loved each other, and seeing them kiss makes him question, again, what makes a relationship last. Confused and panicked, he decides to talk a walk to the Doi Mae Pliang in an effort to figure everything out... which doesn’t work. But he talks with Patts after he finds him in the ditch, and after being reassured that Patts does love him and would choose to love him even without being soulmates his mind clears. He knows he loves Patts, and all of Patts words and actions make him believe that Patts reciprocates that love. So he (nonverbally) agrees to officially date him when Patts asks him the next morning. At a glance, what’s the big deal? That’s only natural. This is a romance, of course they’re going to start dating. But as a character, this choice means that he is willing to face all his fears about being in a relationship, a big shift for the guy who ran away from his issues by remaining silent for 2 years. To be clear, I don’t think his fears go away, but Tai has the resolve that this relationship is worth it, that Patts is worth the risk of heartbreak.
And even then, he’s not ready to go the final step and have sex with Patts just yet. That is another level of vulnerability that Tai eases himself into, something that he doesn’t take lightly. In this episode, when he says he’s ready, to him it’s another way of showing how serious and committed he is to this relationship. He loves Patts, and is willing to face all the fears that comes with being in a relationship with his soulmate.
All of this is a big deal to Tai. These are very large steps that he has taken forward as someone who chose to very litterally suffer in silence every time it rained. Now, does he talk about this with Patts? Not in any great detail. That’s part of the problem.
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To Tai it’s not even a question of whether to choose Patts or Lomfon. He loves Patts. All of his actions show just how much Patts means to him. And I think it hurts Tai that Patts doesn’t understand him. Because in Tai’s mind, he’s crossed oceans of fears, fought uphill battles against his skepticism, just to get here. Having Patts doubt Tai’s love makes him feel that Patts belittles all the pain and fear Tai’s endured to get to this point in the relationship. And that hurts because in a relationship, you want to be understood by your partner so that you can share in the joys and pains with them.
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But what Tai doesn’t see is that Patts is in pain right now. Patts is scared and needs some words of reassurancs because he is human. He has his own fears and insecurities. He watched as his last relationship fell apart because he has a “soulmate”, something entirely out of his control. And with the appearance of a second soulmate, having Tai lie about seeing Lomfon, catching them at the perfectly wrong moment to see them kiss, Patts loses it. He’s angry and afraid because again, he could lose someone he loves because of this soulmate thing that he has no control over. That fear grips him, and when we’re like that, we can’t think calmly. Sometimes we need the support of others to help us through the dark avenues of the mind.
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But instead of helping him, Tai feels like he’s said everything Patts is asking him to say, and he’s upset that Patts can’t hear him. And I get that. It’s frustrating when you feel like you’ve been saying something over and over again, and the other person just doesn’t seem to get it. What’s the point in trying to communicate when nothing you say will be understood? It feels as if all your efforts are just futile. But communication is a two way street. Being understood is an important part of a relationship, but it is equally important to try to understand the other person, which is what Tai is missing here. Tai has spoken through his actions, but what Patts needs are words. He needs to hear that Tai does love him, that he does choose him. We say that actions speak louder than words, but at times words are absolutely necessary.
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galedekarios · 25 days
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minsc & gale
recently i've been doing a playthrough taking minsc along during the limited amount of time we do get to connect with his character in the game and i have to say he's growing on me in a way he didn't in previous titles.
i wanted to take the opportunity here to write a short post about his relationship with gale because that, too, is something i found myself enjoying despite the (too) few interactions that we have between them.
minsc's initial thoughts about gale
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Player: How are you and Gale getting along? Minsc: I do not wish to speak of the wizard. Minsc: I could not have said it better myself. - Player Option 1: Gale's great - what's your problem with him? Minsc: He came to me one night with a little book of mischief - full of words and their meanings. Minsc: 'Posterior', he says. 'Can you say 'posterior'?' I refused! Minsc does not need to know the language of wizards. Player: 'Posterior' isn't wizard-talk - it's another word for 'butt'. Minsc: It is an inferior word. Far too long to use in a battle cry, which is where a 'butt' belongs. Minsc: Gale would do better to educate himself in the ways of sword and steel than to throw these pointy words at Minsc. Minsc: Ai, yes. Gale also owns a cat. A cat with wings! That is most unnerving for poor Boo. Player: You should give him a break - he's only trying to help. Minsc: Never! If he is not careful, Boo will shred his books and use them as bedding! - Player Option 2: Did you know that he has an explosive magical orb in his chest that could destroy a city? Minsc: WHAT? Minsc: That is a thousand times more interesting than anything that has ever been written in a book. Minsc: GALE! MY GOOD FRIEND! WHERE ARE YOU? MINSC AND BOO WOULD LIKE TO HEAR ABOUT THE EXPLODING.
they may not start off on the right foot, but with gale's genuine interest in other people's cultures as well as his perception and easy-going nature that changes:
sorcerous sundries
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Minsc: Minsc has never trusted places such as this. Too much of a wizard's power can be simply packaged and picked up. devnote: Grumbling as we make our way through the shelves of Sorcerous Sundries Minsc: Well, picked up by all but Minsc. When he touches the many delicate little jars, oh how the wizards shout and stare! devnote: Revealing that his objection of Sorcerous Sundries is not in fact a deep philosophical belief that wizards have too much power - they just make him feel stupid and awkward when he pokes at their things Gale: Fear not, Minsc. You have a wizard at your side who positively encourages such curiosity. You'll fit right in. devnote: Reassuring Minsc: Obliged, wizard. Should we find our way to a weaponsmith, Minsc will rough you up a little - so that you too can fit in. devnote: Warm, comradely, would genuinely be doing Gale a favour
i feel like it truly speaks to gale's character that he doesn't dismiss minsc here - neither his feelings of inadequacy nor his innate curiosity about the things he perceives as wizardly.
it would've been very easy for gale - the wizard prodigy, the former chosen, to archwizard - to act the part of the haughty scholar, akin to the arrogant wizards that minsc describes in this banter, looking down on him, shouting at him, but gale doesn't.
gale reassures minsc, encourages him, telling him he'll fit right in. it reminds me of the way he treats karlach and fostering her interest in books and reading. another pair of seemingly polar opposites that still find a connection. i do think gale is quite natural at this, despite his long time spent in isolation.
and minsc does appreciate it - his tone changes to one of warmth, one of camaraderie - and i think this is also when minsc's perception of gale changes: from the annoying wizard to someone he sees as a companion and friend.
rashemi traditions
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Minsc: Gale. Minsc worries you might send a fireball up his butt, with all of this stringy hair in your face. Gale: Is that why you keep your head shaved? I assumed it was a custom of some sort. devnote: Curious, referring to Minsc's origins Minsc: Oh, no! Most warriors of Rashemen wear long battle-braids, weighed down with stone. Minsc can show you, when next we camp? Gale: Thank you, but I'm more wizard than warrior. I'm not sure my scalp would stand up to such a plaiting. devnote: Very politely declining
i like this banter for several reasons: i think not only does it show the progression of their relationship with minsc offering to show gale the traditions of his homeland, gale also shows the same curiosity he shows many different cultures and ways of life, same as he does with lae'zel for instance and githyanki culture.
when he declines minsc's offer, he does so politely, without insulting minsc's traditions, putting the onus on himself instead. he's the wizard, not the warrior.
house of hope
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Minsc: Gale! You will perhaps able to explain where Boo has not - what exactly is the difference between a devil and a demon? Gale: A fascinating question, one that boils down to which criteria we choose to apply. Are we speaking about the physiological? Theological? Etymological? devnote: In teacher-mode - up for an in-depth, intellectual discussion Minsc: Eh. Just how-to-kill... -ical. devnote: Non-plussed, echoing Gale's ending every word with 'ical' Gale: Oh. Then for your purposes, they are exactly the same. devnote: Disappointed
this banter genuinely made me laugh. again, i like how it shows the progression of their friendship, to the point of where minsc goes from finding gale annoying to imitating his speech. and gale doesn't put it beyond minsc to have an 'in-depth, intellectual' discussion... even if he is disappointed by the end of their banter, realising that minsc's priorities are... elsewhere.
wychlaran
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depending on your party composition and who you take with you, minsc can also call gale his wychlaran.
The Wychlaran, meaning "wise old women" in the ancient language of Halardrim, also known as the Witches of Rashemen outside their lands, were the spiritual leaders of Rashemen, communing with the spirits and guiding the souls of the Rashemi people.
minsc does use it, too, to describe a special bond and a sense of duty and protectiveness to the people he ascribes this title to. he did so in bg1 with dynaheir and in bg2 with aerie.
elminster
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Minsc: It must be difficult for Gale to imagine great Elminster a-courting. Writing poems. Doing... certain... deeds. Gale: Long before my time, thank goodness. That's not an image I care to dwell on. Minsc: Ugh. It is difficult for Minsc to think of, too. Let us speak no more of it. Minsc: ... Minsc: Of Elminster and the sex, I mean.
another banter that did genuinely make me laugh despite the seriousness of the situation, especially given the bond that elminster and gale share as well, which speaks of paternal feelings on elminster's part that come with a certain sense of responsibility, as well as gale's admiration, but also often exasperation with his former mentor.
on a more serious note, minsc offers great insights in his interactions with gale and gale's story:
mystra and the vremyonni
The vremyonni or Old Ones were an arcane brotherhood in Rashemen. Men that were arcane spellcasters in Rashemen had two choices, exile or to join the vremyonni. Many vremyonni were kept alive for eons by longevity magic. Vremyonni were expert weaponsmiths and magic item creators. On very rare occasions, vremyonni would fight in the defense of Rashemen. Vremyonni used secrets of magic that even the Witches of Rashemen did not use, destructive spells forbidden among the wilds of Rashemen, in case such magic was needed. The Running Rocks harbored secret strongholds of the vremyonni. All vremyonni wore masks.
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Minsc: Gale reminds me of the vremyonni of my homeland. The man-mages of Rashemen. Minsc: While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. Minsc: It is an old custom, not well-observed. In truth I thought it born of caution, after some catastrophe wrought by wizardly men-folk of old. Minsc: Now I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm? Minsc: Though this suggests that Mystra has never tempted a witch into foolishness. Not that I would blaspheme by suggesting otherwise. Minsc: I forget why I began this long and winding story. Yes Boo - we have been spending too long around the wizard.
i think this is a very interesting banter, especially since it's also only marked to trigger if gale agrees to return the crown to mystra.
it's easy to dismiss this banter, laugh it off as just another instance of minsc being minsc, but i think it's important to consider it within the context of game canon and what has been shown to us.
it's a story and everything within a story is there for a reason.
another great insight from minsc comes if gale is pushed towards the crown by the player:
gale and godhood
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Minsc: Who among us has not been spurned by a lover? But a word of advice, if Minsc may be so bold: Minsc: Let the wizard lick his wounds. Write some rickety rhymes, and weep most manfully into his hamster's hide. Eh - his cat's hide. Minsc: But... his boasting is unbecoming. 'Claim godhood', he says? Will this make him any less a man with a half-mended heart?
again, minsc does at times share great insight into other characters and he does so here again with gale:
will this make him any less a man with a half-mended heart?
i think it quite accurately goes straight to the crux of what makes it so very easy to push gale towards godhood: he is hurt. he feels abandoned. by his goddess. by his former lover. both as a mystran and on deeply personal level.
he is drifting, seeking something to hold his head above the water. if it's not the protag's love or friendship, it will be the crown.
anyhow, i never expected to write this when i first learned that minsc would be a companion, but i truly did enjoy him and his interactions with gale in particular.
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theoutcastrogue · 3 months
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That said, the D&D 3.5 Paladin was bad. It was badly designed, it had bad rules, and in conjunction with the other notoriously bad rule, alignment, it could cause havoc.
Now personally, I never had ANY problems with it in my tabletop games. I played paladins and loved it, and I loved it when other people played paladins, and it was great. But that's because, collectively as a group, we took ONE look at that terrible rule where the paladin's code of conduct prevents them from associating with Evil characters or "someone who consistently offends her moral code", and immediately went, "that's stupid, we ain't doing that, it would ruin the game".
We also didn't love the concept of alignment as a cosmic force, and didn't care for Usually Evil Goblins and Always Evil anything. And when a class's signature ability fully depends on whether creatures are capital E Evil, well that affects storytelling, doesn't it? But we all saw it the same way, and we were happily able to change it without any disagreements. In the end we had a Paladin… similar to 5e now that I think of it: completely ignore the Code's association clause, tailor the Code to personal stance or a specific Order, Detect only fiends and undead and the like, Smite anything you want, Fall only if you really fuck up, and never presume that just because you haven't Fallen yet everything you've ever done is justified and correct and anyone who disagrees with you is objectively wrong.
Basically, there were 2 options in 3.5. You either houseruled and/or handwaved things, and in matters of alignment interpretations erred on the side of "what makes the game go",
OR, you played with Rules As Written, and filled the forums with questions like "should the paladin fall?" (one such thread per week, conservatively), "we got into a fight over the Paladin, what to do?", "is it Evil to pick pockets? because we have a Paladin in the party", "the Assassin uses poison, shouldn't that offend my moral code?", and shit like that. Just... pointless strife, all the time. Again, never happened to me, but I was appalled to read about it, over and over and over.
People got intense with 3.5 Paladins (both pro and against) because it was BADLY DESIGNED and had BAD RULES. Its mechanics forced narrative choices on the entire table, and the only way to make it frictionless was having a party where no one wishes to explore a character's bad side ever, no one does things that aren't bad but WotC branded Evil™ in this or that splatbook, and everyone magically agrees all the time on "what is right and what is wrong" and "what is Lawful and what is Chaotic", which is simply impossible. The most subjective thing in the world (ethics!) was presented as an objective cosmic force, and how you interpreted it would determine how much damage the Paladin deals in combat, and whether the Paladin could keep associating with the party, and if the Paladin is still a Paladin. And all that in a game, let's not forget, whose basic, fundamental premise is "kill things and take their stuff". I'm sorry, this is tremendously stupid. It's the WORST design.
I know that for some people it worked as written, and good for them, but for the many many people it didn't work, well it's obvious why.
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nadinediary · 8 months
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The 7 Dating Bare Minimums from 𝒩adine
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1. Shared Values + Belief
Values are prioritised characteristics that build who we are as individuals and our belief is what forms our world view and lifestyle. I find it easier to build a relationship with someone when your values and beliefs align. I cannot envision a relationship or even casually date someone who I can't see eye-to-eye on the core attributes that form my life and character.
I can understand being lenient on religious and political beliefs when casually dating although for long term relationships, I need to be on the same topic about religion, politics, children, cheating, etc.
2. Romantic (Considerate)
I personally can not be in a relationship or date a person who can’t exhibit romance. Romance to myself isn’t the flowers (not saying I don’t adore flowers), or the chivalrous actions shown in the rom-coms.
Romance is the small intimate actions that show you’ve been paying close attention to your loved one wants and needs. It’s the considerate small things that may take a little more time but are worth it.
3. Chivalrous
Talking about chivary, don’t get it confused, I love a chivalrous man. The door opening, pulling the seat out, making sure I’ve gotten home safe, I’m quite old fashion when it comes to dating. I love it all.
I find it charming when someone is chivalrous to everyone not just when it pertains to myself. If they see someone needing help and step in, I think that's a great trait to have. I don't want someone who just does things out of attraction but rather because of kindness.
4. Well groomed
Personally a man is most attractive when they are well groomed, actively upkeep themselves and pay great attention to their hygiene. This idea that only women get manicures and pedicures is ridiculous. I know plenty of men that like keeping their cuticle healthy.
Every man that has had the honor of taking me on a date or more, has had a skincare routine (even if it's just a three step routine). They’ve all had beautiful nails and I could tell they cared about cleanliness.
5. Adaptable + Resilient
I‘m a first-generation immigrant who has seen poverty and wealth, I’ve gone from living in the scums of rural Nirobei to the upper class Australian suburban area. This is all because of God’s blessing and my family’s resilience.
I need a partner who is both resilient and adaptable when in situations less than ideal. I’m a strong minded individual and hope the same for my partner.
6. Communicative
We’ve all heard about the importance of communication in relationships but not all communication is healthy.
It's important for your partner to be open to hearing you, a lot of people lack listening skills so it's precious when you find someone who really listens and respects you. Trauma can cause people to close up but there are many different ways to communicate from written to spoken, as long as my partner shows they are communicative I don't care.
7. Generous
I come from a generous family, I’m surrounded by generous people and I myself am always ready to give if someone needs. I could not envision any relationship, friendship or romantic relationship with someone who wasn’t as giving.
Generosity isn’t neglecting yourself for other, it's lifting each other up, know when to say no while being kind to others situations. I don't want a pushover, I want a generous partner.
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Sincerely,
𝒩adine.
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ineffable-suffering · 7 months
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INEFFABLE META MASTERPOST
Because I'm slowly losing count and need to organize. So, here's all my self-written metas or ones that I reblogged with my own added theories and commentary! In rainbow colours, naturally.
1 – Aziraphale, I love you. But you lied. And here's why. My most lengthy and proudest meta about the Final Fifteen and why I think Aziraphale lied on purpose. (Also: The absolute darling @esthermitchell-author bravely fought their way through it and wrote up some more interesting points and different takes on what I came up with. If you want to go down a S2 rabbit hole with us, go read it here.)
2 – Why Aziraphale is an unreliable narrator (links below) A three-part meta in which I try to analyse and explain that all of the minisodes in Season 2 are not objective narrations but actually Aziraphale's memories.
Part 1: The Story of Job
Part 2: The Story of wee Morag
Part 3: The Story of the Magic Show in 1941
3 – The Jane Austen Ball and why it was never about Nina and Maggie A meta in which I go into unnecessarily great detail about how the Whickber Street Meeting Cotillion Ball was meant to be Aziraphale's confession to Crowley.
4 – Crowley & Aziraphale were never free (reblog) A reblog of @baggvinshield's post in which I explain why miscommunication is the single biggest ineffable enemy in Season 2.
5 – In Defense of Aziraphale (double reblog) A double try at explaining why I think Aziraphale's POV in the Final Fifteen is just as horrible as Crowley's and why I don't think him "choosing" to go back to Heaven was the only point of his character journey.
6 – The Art of Miscommunication: Ineffable Edition A meta in which i once again explain why miscommunication is the single biggest ineffable enemy in Season 2.
7– Season 2 Bookshop Shot Meta A meta where I briefly loose my mind because of a single bookshop frame in Season 2.
8 – What if it wasn't Aziraphale and Crowley who performed the 25 Lazarii miracle? A mini-meta in which I propose the theory that Jimbriel helped with the miracle to hide himself away from Heaven & Hell.
9 – Things in Good Omens Season 2 I still find weird (reblog) A reblog of @ok-sims and many other great OPs' thoughts on the weird loose strings in Season 2 and what unanswered questions I still have myself.
10 – The Deleted Bookshop Scene (reblog) A reblog of @skirtdyke's video and @i-only-ever-asked-questions' smart thoughts on it, with my own overly-excited 'what that could have meant for the "It's too late" line'-theroy.
11 – The Bentley Handle Easter Egg A meta I can proudly say has been liked by none other than Mr. Neil Gaiman himself about Crowley's Bentley handle that might have existed before the Bentley ever did.
12 – The F*cking Eccles Cakes A meta where I briefly loose my mind because of a pastry. (Addendum: People said very smart things in the comments of the post!)
14 – Re: "You go too fast for me, Crowley" A meta in which I make myself sad by connecting that infamous line to Aziraphale assuming Crowley wanted the Holy Water as a suicide pill.
13 – Trauma-Dumping on your plants: The Anthony J. Crowley Chronicles A meta on why Crowley treats his plants the way that he does.
14 – Demonic Mental Health Awareness Post In which I talk about why I want to get Crowley a therapy voucher.
15 – The Curious Incident of The Flaming Sword in Good Omens A meta on why the Flaming Sword has no deeper meaning. Or does it? (Updated: here's a reblog from @queerfables who did a wonderfully exellent job at calmly explaining all the swordy questions I was yelling about! Consider this meta solved.)
16 – Ceci n'est pas une plume A meta in which I'm a bit of a nerd for language and also explain why learning French and magic the human way says so much about Aziraphale as a character.
17 – The meaning of "I forgive you" A meta in which I explain what both "I forgive you"s mean and why Aziraphale will always fight for what is right until he wins. Also, the lovely @sharksbeerr translated it to Chinese on Weibo!
18 – Memory, or the lack thereof, in Season 2 A little reblog on how memory is a big and unresolved, leaky-bucket theme in Season 2.
Addendum:
The one non-spoiler-y ask I could come up with about S2 that was actually answered by Neil, yay!
Also, this wholesome little post I added to that Mr. Gaiman also reblogged. :‘)
*** This is a work in progress and will get updated every time I post a new meta! ***
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yangsharperavery · 11 months
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my carmy/sydney related thoughts on season 2
i think when digesting this show, it's done more easily when we see who carmy and sydney are as people and how they bring that beingness to their dynamic.
it's interesting to see the takes from people who are troubled by what they saw in this season in terms of their relationship.
i personally thought there was so much fascinating groundwork that was laid.
we knew when molly gordon was cast they were likely trying to introduce a love interest for carmy.
i was not shocked, i was not surprised. i literally expected it.
doesn't mean i wasn't rolling my eyes but i was well aware of what function she would play within the narrative.
but the writing is so sharp that there are a million subtle elements of carmy's character, and what we know about him up to this point, including what was illuminated by the christmas episode.
let's first talk about carmy's choices and behavior where it relates to claire vs sydney and the restaurant.
we know that carmy is awkward, isn't incredibly relationally experienced and has sacrificed everything for his career and specific level of skill.
he'd just been ruminating on expanding his experiences as expressed in the al-anon meeting.
we know this man is intensely grief-stricken and also that he's battling his own mental health.
we also know he's literally been bred from chaos and emotional tumult.
even him not going to his own brother's funeral makes so much sense after that christmas episode.
he couldn't stand to witness what that type of grief had done to his already deteriorating mother.
so he's trying to conceptualize fun.
notice he wasn't trying to conceptualize love or relationships or a partner.
it was literally presented and integrated as fun.
so he runs into this girl he used to a have a crush on and even then, he's not sold because he knows himself, he knows his priorities, his propensities toward self sabotage, etc so he gives her a wrong number.
yet she persists.
so to me, this may seem like a sign to him to give this a chance, do some exterior exploration of something outside of the kitchen and outside of his career and outside of his own neurosis.
so he's just going with the flow. trying to be "normal". not really knowing the content or context of anything. another reason why he wasn't even calling claire his girlfriend.
claire even brings up the fact that they'd hung out so much but didn't actually talk.
which is SPOT on because the audience only actually ever sees them talking about their careers or what they were like as kids/teenagers.
but you know who carmy DOES talk to? hmm, more on that later.
so claire is symbolic of this thing that was pleasant when he was younger, when he was less of this grown conglomerate of anxiety and disarray and sorrow. a part of him that's separate from all of his current worry and fixations and dysregulation.
him saying he loves her so much and that he thinks she's so great actually rings hollow because we, the audience, didn't actually get to see when and where that level of specific emotion or intensity occurred.
so off rip i don't believe him. i don't think about it in the context of if or when he and sydney explore anything, because it feels patently untrue to me.
and completely separate from sydney.
it's not earned. it's not rooted. it's not tacitly valid.
it's fine. it's a good time. it's some laughs and conversation and sex and a nice, normal person he has fond, nostalgic memories of.
and i think it's written that way on purpose!
so him professing this to other people feels like this way to continue digging a hole of his own distraction, his absence, his lack of attention to detail.
i completely understand the frustration that many feel about interpreting this like carmy was essentially choosing claire over sydney.
carmy was trying to have an unfamiliar and different experience and didn't have the depth perception, the self awareness and the internal regulation to recognize he was doing it to the detriment of something so deeply and irrevocably important to him.
as soon as sydney brought it up, he got defensive but then moments later recognized his errors and apologized.
she told him she didn't want to share his attention.
he told her she was absolutely correct and that she deserved his full focus.
what's fascinating about this part is they aren't even explicitly talking about the restaurant.
she says "me" and "i", he says "you".
uh. wow.
now even in the context of JUST the restaurant this is saying ALOT here.
him instantly apologizing and agreeing with her requests means a substantial amount.
carmy isn't an ass because he stood sydney up for the palate cleanser. or even because he went absent when he shouldn't have.
carmy is deeply troubled and wounded and suffering and he was grappling for something else to feel or do or think about besides what he's ALWAYS thought about and done and fixated on.
that's why he's unreliable, that's why he's haphazard and emotionally or energetically messy. he's coping.
that's why he knows he makes mistakes all the time. because he feels like he's a screwup in a lot of specific ways in his life so he's used to it.
he's not being malicious or cruel or even unkind to sydney.
and this isn't an excuse. it's a reason. it's what all the information we have about him up to this point is providing us.
and yes, his timing is godawful.
but he trusts this person so implicitly because he knows how talented and capable she is.
carmy does not know HOW to be a partner, of any kind. where would he have learned that? where would that have been modeled for him?
"this is what you wanted originally and i'm giving it to you."
so let's transpose the way carmy and claire are presented with how carmy and sydney are together.
he literally can't WAIT to hear what sydney has to say. about literally anything.
at any given time.
"say more please."
all he wants to do is listen to her talk. he wants to know everything about her. the personal stuff too, almost especially.
he listens to her so closely. in the first or second episode she loses her train of thought and he repeats everything she just said.
i don't even think it was restaurant related.
he brings up her mother not once, but twice.
he feels like he should have known that sydney lost her.
he wants to pour into and believe in her because he does. he already does.
he's ready to apologize to her because he knows what a mess he can be and often is.
he knows what his anger can do. he knows how he was conditioned and raised in the industry and he doesn't want that at all for her, least of all from him.
especially after she walked out last season.
he's hyperaware of it. he calms down instantly both times she does the sign for sorry that HE taught her.
he has this propulsion to NEED to know what's happening with her in the very moment something occurs.
he did it last season when she quit on the spot and he kept trying to talk to her when she was leaving.
he did it this season when she was frustrated and trying to say goodnight after carmy was actively telling everyone goodnight and to go home, yet he tried to talk to her when she was leaving.
"what?"
"i'm saying goodnight."
he was repeatedly ushering everyone out but because of the look on her face, carmy's like wait, "what's that about, what's happening?"
he can't stand it!
same with them outside last season when he brought her food and asked what was wrong.
if something is up with her, he reacts immediately.
if she's peeved, he wants to know why right away, he wants to know what to do to make it better, how to approach it, what to say, he goes out in search of that information in the moment it's happening.
sydney is his soft place.
he feels very anchored and tethered to her and i believe she feels the same with him.
sydney is his respite. his peace. the thought of her literally calms and stills him.
her being energetically seats him.
we saw it penetrate his seismic and consistent panic in real time.
that was clearly displayed for all of us to witness.
he doesn't want to be cruel or unkind or anything other than present and communicative with her.
i'd venture to say he actually doesn't want anything more than that, besides maybe the restaurant to succeed.
now sydney is in her "i have something to prove" era.
she is so driven and so determined but she's also a realist and is inundated and surrounded by all this proof that what she's doing may be foolhardy.
at the very least, it's incredibly risky. it's a jump.
and someone deeply ambitious and creative and tuned in and focused like sydney has such fear of failure.
because she knows what it often means for someone like her.
that's why she overextends herself so continuously.
she's often had to and she thinks it gets her closer to the opposite of failure.
she was not only aware of the gaps carmy's absence was leaving but also planning this tasting menu with a MILLION things on it because something was gonna be the star because it MUST.
and i think the carmy absence flares a bit of abandonment as well, like he's left her in a lurch.
she has feelings about that.
she finds out why he did, and TRIES not to have feelings about that.
that's confusing and she's already beyond stressed out so she tries to stuff it.
her success is so tied to her identity because she's worked so hard to get where she is and still feels like she's not where she wants to be.
so she wrestles with worthiness and worry and the financial climate of affability for restaurants. she's riddled with what if she can't hack it?
she has evidence of that being true in the past.
she has evidence of her past failures and those are what keep her up at night, not the infinite possibilities of her future successes.
and that's also why she picked carmy.
because she was always going to pick the best.
she was always going to follow the career and moves of the standout in the industry.
of the person that made the best meal she's ever had.
so if he's anal retentive or jumpy or doesn't call about changing the structural elements of their restaurant while it's happening, she deals with it because she picked him.
she chose him. and then he chose her.
(and then she lightweight chose him again when she came back)
so that's why when they're talking he so often checks in by looking her in the face, scanning her expression. he instantly picks up on something being off or wrong or him being "shitty".
or why when they're under a damn table, despite being peeved or annoyed with his disappearing acts, she lets out the most vulnerable, softest admissions about the perceived necessity of her contribution and future failure.
or why he responds with "i couldn't do it without you" so instantly, so rapidly, it's like it's etched in him. that's the quickest response he'd given to anything she said to him the entire season, she barely got the words fully out before he was verbally soothing her.
then he STAMPS this by saying "i wouldn't WANT to do this without you."
there was such an unexpectedly, viscerally aching quality to that exchange.
it's honestly searing.
i'm sorry are these wedding vows or are we talking about opening a damn restaurant?
or the way he says "you love taking care of people" to her when she talks about making sugar food.
that's also a stellar mirrored moment because i've seen a few people, i believe @eatandsleepwell is one, talk a lot about how that's one of carmy's main drivers and internal tenants.
they see so much of themselves in each other.
the buried parts, the unknown parts, the odd parts.
the parts they wanna work on. the parts they wanna exalt.
they are so similar. they are also quite different.
they have reflected one another in the narrative since s1 ep1.
they exist so flawlessly within the others interstices.
she wordlessly hands him pepto for his stomach.
he tells her he won't let her fail.
the pulsing undercurrent of sydney and carmy is pretty fucking palpable.
there's people on social media who weren't convinced or didn't ship them last season that have suddenly completely seen the vision.
whether the writers actually go there or not remains to be seen.
i don't necessarily trust that they will or won't to be honest because i know there are so many moving pieces and variables and factors.
ships get bypassed and messed up all the time.
i don't watch any shows for ship guarantees but i know how writer's rooms work.
i'd venture to bet that at least 1/3 of that room DOES have an interest in seeing something happen between carmy and sydney, (maybe even 1/2).
or at the very least the option to have it explored.
different people write different episodes, the showrunner/creator can scratch or add whatever.
scripts are TIRELESSLY edited and shortened.
yet there is alot that makes the final cut that points to the potent carmy and sydney marrow.
him giving her the captain reigns before they served for the first time, her saying 'let it rip'.
to me, sydney walked into that failing sandwich shop with a mission that day, they locked eyes and immediately fused.
something happened to the both of them in that moment and they largely don't even realize or can adequately reckon with its magnitude yet.
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welcometothejianghu · 1 month
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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 重啟之極海聽雷/Reunion: The Sound of the Providence/The Lost Tomb Reboot/this thing has too many names
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Reunion (I'm just going to call it that) is a 2020 action drama about the most specialest little babygirl in the tomb-raiding world, his two husbands, and the cadre of assorted weirdos they pick up as they try to follow a set of directions left by a dead (?) man in the thunder.
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Imagine if someone showed you the Mandalorian, and you were like, gee, that was a neat little sci-fi one-shot! because you'd never heard of Star Wars. That was basically my experience watching this show, having no idea that the Lost Tomb franchise (DMBJ) was even a thing. Turns out that not only is there a whole big continuity out there with these characters, but that Reunion takes place a few years after the main story's resolution. Don't worry, though -- Reunion doesn't spoil you for that resolution. It doesn't spoil you for much, period. Look, DMBJ has a weird relationship to endings, okay?
I have written a more thorough where-to-start guide for DMBJ as a whole, so if you want to consider other entry points, well, that information is there for your consideration. Yet it is my opinion that this is the best entry into the overall franchise, and a fun thing to watch just in general, and I'm here to make my case for both of those.
The rest of this rec will assume that you have no familiarity with the DMBJ series. That's okay; you don't need any. All you need is to trust my five reasons you should watch this.
1. Old Man Yaoi
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As you begin this show, you are introduced to the Iron Triangle. That's them in the picture up there. Left to right, you have: Xiao Ge, magically tattooed immortal hottie who just got back from ten years in [scene missing]; Wu Xie, our protagonist, who's just a little guy and it's his birthday; and Wang Pangzi, the literal best.
(And yes, Wu Xie is in his 30s and Pangzi is in his 40s, which is not technically old man anything, but ... look, if you watch, you'll see why I think I'm justified in calling it that.)
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They are extremely married. They are a disaster trio of disasters so disastrous that no one else should ever be subjected to their chaos. They're going to make sure lots of people are, though, don't you worry about it. Sometimes those people even deserve it.
However, because the show (tragically!!) decides that Xiao Ge has somewhere else to be like 95% of the runtime, most of the relationship you get to see is between Wu Xie and Pangzi.
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I'm saying this now as an old gay nerd who just this year celebrated her 15th wedding anniversary: I have never, never felt so represented in media as I have watching Wu Xie and Pangzi interact. There's a little wake-up song they sing together near the end of the show, and it just ... it packs so much character development into thirty seconds. These boys have been living adjacent lives for so long that they've made up their own little shared songs about the mundanities of daily living. That is just what happens when you marry your best friend and then decide to get old and weird together. Ask me how I know.
Look, if you want to know whether this show is for you or not, watch to the end of the first episode, to the part where Pangzi flips over the table. If your heart is filled with joy (as it should be), keep going.
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Love makes a tomb-raiding syndicate family.
2. A fun-filled action-packed romp of nonsense!
If you're familiar with Hellblazer canon, this will make sense to you: Reunion is Dangerous Habits. If you're not familiar with Hellblazer canon, try it like this: Reunion is a terrible place to start because it plays on your extant affection for a character who gains a terrible status effect almost immediately. It's a also great place to start because it throws you right in the action with measurably high stakes and gives you a reason to build that affection very quickly.
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I'm also going to warn you right off the bat: The plot of this show got cut to ribbons by censors.
See, the DMBJ books, being books, are allowed to get away with supernatural shit! So you've got zombies and ghosts and curses and monsters and immortality and all your other standard ooky spooky semi-urban fantasy trappings. But the DMBJ adaptations, being live-action, are heavily regulated in their content. This is why, in the early Reunion episodes, our heroes are menaced by human-looking creatures that are actually ancient mannequins made of leather that are piloted, mecha-style, by evil clams. Because evil clams are more scientific than zombies. I guess.
So yeah, the plot of this book already had to get mangled into a more "science"-compliant shape even before it made it to filming. The real problem is that a whole lot more of it got cut after it was all filmed and put together. I have read an explanation of what the actual storyline was supposed to be, and yeah, if you know what you’re looking at, you can see (and hear) the scars where major elements got hacked out with a weed whacker.
Therefore: You cannot expect this plot to make sense.
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But that's okay! You're not here for the plot to make sense! You're here to watch some characters you love run around through ridiculous and sometimes beautiful labyrinths, trying to solve puzzles you're never given enough information to understand, all in search of the resolution to a mystery that had half its guts torn out before you got to see it -- and you are here to love it. If you have ever laughed and cheered your way through a Mission: Impossible film without pausing to care too much about the plot holes it’s dodging left and right, you are in the correct frame of mind to appreciate this. Just believe that whatever engaging nonsense the show tells you is correct for the time being and go with it.
You cannot watch DMBJ and care about the laws of physics. You simply cannot.
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Do not, however, let me give you the impression that the shoddy plotting is accompanied by equally shoddy performances. A major part of this show’s incredible watchability comes from how the cast is shockingly good. There are some serious heavy hitters among the actors. A major part of why this Wu Xie and Pangzi are my favorite together is the incredible chops both Zhu Yilong and Chen Minghao have, to say nothing of their real-life affection for one another. (See that scar on Wu Xie's neck? That scar is there because Zhu Yilong commits to the bit.) Effortlessly charming Mao Xiaotong turns potentially irritating wunderkind Bai Haotian into a perfect precious weirdo baby. Wu Erbai's entire second-season character arc could have been unintentionally comedic, but veteran of queer cinema Hu Jun sells even the undignified moments as relentlessly tragic. And of course Baron Chen absolutely kills it with...
3. This giant fucking loser
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This is Hei Xiazi. That's not his name, but it's close enough. Allow me to do a dramatic reenactment of my watching his first scene:
[camera pans over to him]
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me: Ugh, I recognize this kind of wannabe badass character design. I hate his type. He's self-important, hyper-masculine, and just a big jerk, and the show thinks he's soooo cool. Barf.
[thirty seconds later]
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me: Oh no. I was so wrong. I love him forever now.
This is because he is (as indicated above) a giant fucking loser. Yes, he's a good fighter who knows lots of things. He's also a wet potato chip of a man. Sure, he can get you into a headlock, but he can also annoy you into submission, and that's honestly more fun for him. My wife has used the phrase “Vash the Stampede-coded” to describe him. My wife is not wrong.
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And the kind of ridiculous thing is, being such a loser is what wraps back around to making him cool again. He's a loser because he just doesn't fucking care. His masculinity is the opposite of fragile. You tell him to wear a dress and makeup, he'll do it -- and sure, he'll complain, but only because he enjoys complaining. He has no dignity. He’s tits-out. He's gender. He's the worst and also the best.
Hei Xiazi is a major character in the other installations, to the point where he and his boyfriend (more on him later) even have their own movie. But of course, I did not know this on my first watch, so I kept expecting the show to explain his whole deal. It does not, but you don't really need it to. He sees better in the dark. He doesn't age. He's a thug for hire. There, that's all the bio you need.
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One of the things that makes him great is that he is the least sexually threatening person ever. Across all the properties he's in, he spends a fair amount of time with women -- sometimes in very close quarters -- and they are perfectly safe around him. I actually wrote a whole post about it once upon a time (warning for tiny spoilers for a series that isn't this one) wherein I claim that not only Xiazi but Reunion in general is the television equivalent of the shirt that says I RESPECT WOMEN SO MUCH I DON'T HAVE SEX WITH THEM.
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That said, this loser does get a sort-of romance plot here -- and honestly, I find it very cute! It's not even the only instance in this series of a bisexual guy in a long-term same-sex relationship getting a girlfriend, and I like that other one too! Look, the handle of my DMBJ sideblog is @katamaricule because I joked that Wu Xie treats polyamory like a katamari, and if you don't move fast enough, you're going to be rolled right up into his gay little cuddle puddle.
This is not a show for exclusive ships; this is a show for inclusive ships. The Jiumen Association is a polycule. You don't even have to know what the Jiumen Association is to know it's true.
4. The power of friendship
This show has a lot of characters.
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I'd say the supporting cast is divided into three categories: characters who have been in previous installments, characters who have not been in previous installments, and characters who probably should have been in previous installments (or at least mentioned) but who were only created for Reunion so we have to pretend like we've known about them all along.
There is no way to tell which is which -- which is part of my argument that this series makes a good entry point to the franchise.
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Take Huo Daofu. Huo Daofu is a brilliant doctor masquerading as a donut stand operator who treats Wu Xie with all the cold disdain of a man confronting the person who left him at the altar years ago. On the one hand, yes! We do know Huo Daofu from a previous series, and we've known he's both a doctor and a bitch. On the other hand, oh, we have no idea why he's like this about Wu Xie, and we probably never will. The show just treats it like it's for an excellent reason, and you know what, from what you know about Wu Xie, it probably is.
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Consider also Jiang Zisuan. One of the show's principal antagonists, Jiang Zisuan turns out to be the brother of ... well, let's just say it's someone whose having a brother really should have come up before this. It has not come up. (And that's even before we get into the issue of his surname.) His stated identity as that person's brother is so bizarre that my favorite interpretation is that he isn't actually that person's brother -- all the flashbacks we see are just his delusions about a relationship he's completely invented. But there's no way you'd know how fucking weird this is on your first run.
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Then there's our friendly little support himbo, Kanjian, who shows up to all occasions with two tickets to the gun show and not a thought in that beautiful head. (His name just means "vest," which is par for the course when it comes to the author's naming conventions.) He was a lot more menacing in the last series (where they kept putting sleeves on him, geez), where most of what we learned about him is that you can loan him out to other tomb-raiding families. Now he's a golden retriever with great aim and a slingshot. It's an upgrade.
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The trick is, you cannot be surprised when someone shows up and the show treats them like you should know who they are, even when there's no possible way you could know who they are. I mean, for heaven's sake, Liu Sang arrives in the middle of an obvious beef with Pangzi, the origins of which are never satisfactorily explained, while also having a giant do-I-want-to-fuck-him-or-do-I-want-to-be-him crush on Xiao Ge, which is also never satisfactorily explained. Whatever, you just roll with it. He's got good hearing, a bad attitude, and questionable taste in idols. Now you're good to go.
(I should throw in a special note here that Liu Sang is many, many people's little meow meow, and not undeservedly. For a fuller explanation of why that is, please consult this other post I made.)
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Part of the fun of this big cast is the adorable interactions you get. All the characters have appropriately big personalities, and the show loves letting people you wouldn’t expect bounce off one another. It’s not your typical action-hero show where nothing happens without the protagonist in the room. There are lots of exciting combinations and tons of charming dynamics! Unlikely friendships form all over the place! Enemies become allies! Allies become friends! Friends become friends with other friends! Some friends become enemies again! You'll need a scoreboard to keep up!
This is not to say the show treats all its characters perfectly or equally -- one of the precious few main female characters doesn't even get a real name, for heaven's sake, and the less said about the brownface racism, the better. It is, at its heart, a dude show for dudes made in China, with all the troubling decision-making that implies. Where it does deserve credit, though, is in understanding that its supporting characters are actual people with personalities apart from their function in Wu Xie's narrative. Sometimes the show just asks "what if [random character A] and [random character B] had to interact?" and has fun considering the answer! Which is almost always a delight to watch, and sometimes even breaks your heart.
5. Amazing rewatch value!
And by this I mean the experience of watching this show is remarkably different once you have any understanding of the rest of the DMBJ universe.
For instance, there's a point where two characters are scuba-diving past some submerged coffins, and one character tells the other whose coffins they are. Working only on information Reunion has given you, you're like, oh, that's where they buried the guy who built this creepy place, that's a little weird. Once you recognize that name from other series, though, your reaction is far more, excuse me, they did WHAT to WHOSE corpses?
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Or another point where a character you've already met is on a train, and there's a handsome gentleman who just happens to be riding with her. He hands her his business card! Aw, that's sweet, he seems like a nice guy! Well, no, Xie Yuchen is not nice, but he is one of our allies, and he's Hei Xiazi's boyfriend, and a lot of what he's doing hits real different when you have a fuller grasp on why he's doing it and for whom. (Honestly, a major reason to watch Reunion first is so you're not fully and appropriately upset by how your black/pink gays merely have one teeny tiny scene together.)
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From the way the series treats the persistent absence of Wu Sanxing, Wu Xie's third uncle, I absolutely, 100% assumed that he was a completely new character to this installment of the series, an extremely long-lost relative that we've somehow conveniently managed to never talk about before now. So imagine my gobsmacked surprise when I went to watch a different series, set much earlier in the timeline, where the opening scene prominently features Wu Sanxing as an actual character in the present-day narrative! ...Well, sorta. Look, there's a lot of fuckery with his identity in earlier parts of the story, and fortunately you need to know none of it to understand Reunion. But when you do, it suddenly makes a lot more sense why Wu Xie talks about someone who was a major part of Wu Xie's adult life like he died when Wu Xie was nine.
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AND THE FLASHBACK SCENE WHERE A-NING GETS KILLED BY THE SNAKE, AND YOU'RE LIKE, OKAY, AND THEN YOU WATCH ULTIMATE NOTE AND IT WASN'T LIKE THAT AT ALL look, I know there are kinda reasons for this, different production companies and all, but seriously, what the fuck
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All of which to say is that the experience of watching Reunion the first time is, hey, this self-contained romp is a lot of fun! The experience of rewatching it after watching any of the other DMBJ installments is a transcendently wonderful head-clutching avalanche of one moment of recognition right after another.
And here's the thing: You will watch more. Reunion is a gateway drug. If you are interested enough to make it through all 62 episodes, you're going to be interested in watching more. Which is great. The English-speaking fandom needs more people. Come down into the tombs. It's great down here. We've got snakes and arguably unintentional homoeroticism. Join us. Join usssssssss
Are you ready for an aventure?
There are a couple different ways to watch the first half, but there's (weirdly) only one way to watch the second, so for both of them, I'm going to send you straight to iQiyi: Season 1 (32 episodes) and Season 2 (30 episodes).
And just so you’re ready when Reunion is done, here’s how you find the rest of the DMBJ series, in the absolutely non-chronological order in which I, personally, think you should watch them:
The Lost Tomb 2 (AsianCrush, YouTube)
Ultimate Note (iQiyi)
The Mystic Nine (iQiyi, Viki)
Sand Sea/Tomb of the Sea (Viki, WeTV, YouTube, also YouTube)
Also, there's a lot of movies and side series and other pieces that are worth seeing, and even a couple of full series I've left off the list, and you can just slot them in wherever. And maybe we'll get Tibetan Sea Flower someday? Look, hope springs eternal.
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They're so perfect. Perfect triangle. Perfect boys.
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mikkaeus · 11 months
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house md hilson fic rec - medium to long fics (10k+)
Other house rec lists: short fics | episode tags | postcanon | infidelity trope (all of these are mutually exclusive apart from the infidelity one) // Edit: I added the longer postcanon fics to this reclist as well because this one got the most traction!
These are all House/Wilson unless otherwise stated. Before we get into the fics, here are some of my fave authors that have written several house fics.
fourteencandles: im literally in love with them . 10/10 writing no notes. also long fics?? hello???
ictus: this author has the range! from emotional to fluff to funny. very smooth writing. all of their fics have different vibes which was fun to read. they’re all very good. 
Transformatron: fics that are transcendent and porny, all featuring a d/s undertone or theme (wilson as the dom)
Namaste (livejournal / ff.net): Some short fics, some much longer ones. Mostly gen focussing on H&W friendship, with some fics on canon pairings. Interesting character studies and discerning prose.
In order of length. *faves, ***underrated faves
*Brain Damage by fourteencandles (8k) (Ok I know this isn’t over 10k but I wanted all of their fics on one post and it’s close enough so.) This was brilliant. Like a real episode of House, with Wilson as the unfortunate patient-of-the-week, with bonus House/Wilson. Characterisation was bang on, and the plot was original and engaging and had a satisfying conclusion. Love to see House taking care of Wilson.
Down to the Water + Bound for Home by blackmare (~10k) Aftermath of season 4. House and Wilson go on a road trip. Quiet and sad and fragile, with excellent writing. This fic appears to have been fairly well known in lj days but I don't think a lot of newer people know about it.
*A Smaller World by fourteencandles (10k) The thing between them works, if Wilson doesn't push for more. God I’m so soft. I have so many feelings!!! In love with this established relationship hilson, still a little precarious, but with Wilson adapting, and House willing to put in effort.
*What's Past by fourteencandles (10k) The guy who used to have Wilson's job comes back for a visit, and it turns out they have more in common than Wilson ever knew.
*Touch Therapy by nomad (10k) It's not that House needs the human contact. It's just that when you're sharing an apartment, these things happen sometimes. Light hearted and funny, canon divergence from when Wilson’s staying on House's couch in s2. This is pretty much the homosexual waters have started flowing in House's direction post. Excellent dialogue.
***not another medical drama series (10k) by captainharkness Retelling of season 1 with House and Wilson as an established relationship. Great slice of life stories! Ongoing. The first is H/W POV, the second is Cameron, and the third is Chase. My favourite is definitely the second one (someone else’s story). I adore seeing H/W through the ducklings’ eyes. 
Synchronicity by copperbadge (10k) Dead patients, car wrecks, drug overdoses, journalists, Comatose Charlie, and orange chicken. Must be love.
systemic by ictus (10k) Ever since Wilson moved in, House has presented with some inexplicable symptoms. Fortunately, he has a team of talented doctors to aid him with his diagnosis. Season 2 fic! This one is funny and sweet and overall a great read.
Rush Down Darkness by Starlingthefool (10k) House MD/World War Z crossover. Told mainly through interview dialogue from house’s pov. Engaging story. House/Wilson definitely takes a backseat to the plot — there’s no grand getting together or anything. That's not to say it's not about them though, because there were still lots of good moments (good in the sense that my heart hurts). More succinctly, it has the vibes of an established relationship fic., although it isn't technically one.
Defensive Strategies by Milkshake Butterfly (~10k) (lj) In which Wilson is tired of being asked out by women when he's not ready to date again, and naturally House proposes a simple solution: pretend to be together. An enjoyable read.
******Commonplace and True by celestialskiff (11k) It would be a simple story--House and Wilson meet at a medical conference, have sex, and enjoy each other's company--but nothing is ever easy, or simple. Explores Wilson's relationship with House, with women, and with himself. House and Wilson throughout the years — with the version of canon where Wilson has cheated on every wife and girlfriend with House. When I tell you I am FROTHING!!! Pining while fucking?? The way it’s never the right time?? The greed of wanting to have your cake and eat it too? (That one’s specifically for Wilson, our beloved three-wives guy.) The vibes are immaculate. The prose is elegant verging on poetic. I’m eating this fic whole and it will be on my mind always. It is THE hilson fic for me. It is criminal that this fic has been up since 2012 and it only has 200 kudos. Go read it immediately & give the author some love.
***Declarations of Independence by Namaste (ff.net, also on livejournal) (11k) House and winter, throughout the years. I really enjoyed this. Excellent writing. Copy pasting a part of a comment by bedawyn which articulates why this fic is unique better than I can: “So far, I've seen a lot of focus in the fanfic (and the eps) on the pain and the Vicodin, but very little awareness of the practical aspects of limited mobility and the emotional impact of those even apart from the pain. So this was a very nice change.”
***Rule of Three by Transformatron (11k) (House/Wilson/Foreman) Foreman sees something he shouldn't have. And, maybe, wants something he shouldn't have, too. This was well written and super hot, with fun dialogue and descriptions that do justice to the excellent writing of the show itself. Foreman is faithfully characterised in a way that made me sympathetic. Also H/W outsider perspective as a third is such a treat to read. Lower me into my grave!!!!
*Warning Signs by out_there (12k) Excerpt: House looked to the left, staring down at the open box. Wilson knew that expression on his face: House was torn between denying it all and gleefully acknowledging his schemes. Normally, his ego won out and, like a comic super villain, he'd explain all. Wilson just needed to stay quiet and wait. This fic was fantastic. I am disgustingly fond. Superb characterisation. Light hearted and funny.
The Oncologist Trap by zulu (13k) (2007) House subtly seduces Wilson. Somehow.
The Line of Thought by tevinterimperium (13k) House and Wilson pretend to be together to play a prank on the ducklings, which is an extremely plausible scenario. From the perspective of the ducklings. Set sometime after 3x15: Half-Wit.
hail mary by ictus (13k) A post-canon fix it! In the weeks since finishing the show and reading this fic there are times I forgot that this wasn’t canon. It’s such a believable (and well-researched) alternate ending that feels like an actual episode.
Son of Mine by simoneallen (14k) Sherlock is House’s long-lost kid. Usually I’m not a fan of cross-over fics but I enjoyed this one. Established relationship on the johnlock side, getting together on the hilson side.
***hearts turn red by ictus (14k) In my head this is the counterpoint to Commonplace and True. When I found it after reading that one it really was a holy shit two fucking cakes?? moment. The delicious infidelity vibes are similar, but the vibes of the writing are pretty different -- whereas the above fic has a more quiet, subdued atmosphere, this one has more snappy prose and it’s more light-hearted with funny moments as well as emotional ones. It’s not just the infidelity theme that makes me crazy about both of them though; it’s how they play on the great tragedy of House and Wilson. In the author’s own words: In a way they do feel a little bit doomed to never quite be on the same page with each other until the very end of the series and by then it's too late. Of course, in these fics, they’re rescued earlier than the end, but the wretched vibes remain. Also, I’m obsessed with this line: By Wilson’s read, House is somehow simultaneously joking and sincere: Schrödinger’s sexual advance. That is the entire fucking show.
An Inconvenient Truth by annathaema (15k) Wilson helps out Cuddy and reveals something about himself in the process. House freaks out accordingly. Also features banana-colored babies, the men's room, and Skee-Ball.
*at the rind by ShanaStoryteller (19k) An AU where Wilson experiences all the near death moments House has in the show as a series of nightmares. Set between 1.19 and 2.05, but spoilers for the whole show. Protective Wilson!! We love to see it. I also like Wilson’s characterisation here - you can very much see how not-normal he is. We love unhealthy co-dependency.
***Esopus Creek by shaycat (24k) An eighty-year-old widower by the name of Eugene Skinner ventures out one September day in upstate New York for his usual morning activity - fly fishing. His leisurely hobby is interrupted by a bickering pair nearby in the river. That chance encounter with Greg House and James Wilson changes the course of his life. Told from the perspective of the last friend the boys make on their final road trip. This was the perfect post season 8, Wilson-still-dies fic. A sad fic but not a depressing one. It’s quiet and heartwarming, in a bittersweet way. Highly recommend. It has great use of outsider POV — I’m always a sucker for it but it worked particularly well in this case to have the angst but not be drowning in it. Also I just really liked the OC.
***Howler Tone by baffledbear (25k) The calls always happen late at night, and they're extremely sporadic, with weeks, sometimes months bridging between them. They talk on the phone otherwise, of course; about patients, or dinner plans, or carpooling. Typical stuff. But the calls that always end a certain way always start a certain way. Wilson is so repressed but so attracted to House. House is taking as much as he can get while still remaining in relative safety. Together they push a platonic relationship to the absolute limits of plausible deniability. Overall totally realistic within the canon of the show — the natural step up from the gay chicken already depicted. It’s just such a perfect scenario for them! That combined with silky smooth prose, faithful characterisation and accurate dialogue makes this fic is a definite hilson favourite and also a hilson-thesis fic.
*The Open Road by Pun (25k) A fandom classic. Road trip fic set in the earlier seasons. It's good; read it.
*He Won't Tell You That He Loves You by hellshandbasket (25k) [In which Nolan pulls at the Wilson thread, and House can't stop it all from unraveling. Repression is a hell of a drug.] Early s6. Another fandom classic that is worth its salt.
no need to worry (making up your mind) by scribespirare (25k) House makes the mistake of telling his mother he can't join her for Christmas because of his new boyfriend. Somehow, this becomes Wilson's problem. Cute and fun. I put off reading fake-dating fics because I was worried about them being OOC but this one definitely wasn’t!
***Sticks and Stones by Transformatron (25k) (WIP) House has an innovative new idea for managing his chronic pain. Wilson’s not sure he approves - but when has House ever asked for permission? This is such a great concept I am climbing the walls!!! D/s with House as the sub. The story is currently still at pre-relationship stage, with House experimenting with BDSM and Wilson being unhappy with the proceedings (for some unknown reason /s). Also the writing is nice and snappy with some great figurative language that manages to incorporate medical themes impressively well. 
Fresh Feeling by justkeeptrekkin (30k) House is tricked into going on a team-building trip with his colleagues. He does far more bonding with Wilson than anyone else. Funny and well written. The team interactions are very cute.
***Tracking Time by Namaste (37k) (ff.net) A look at House and Wilson's friendship over the years and how it has changed from their meeting through the end of the first season. I don’t usually read long genfics but this one was exceptional. I like Namaste’s take on House and Wilson’s characters. And they are a very good storyteller — one thing that you don’t tend to see as much of in fanfiction is the old adage of ‘show not tell’. The writing in this fic is careful and subtle, and lets you read between the lines, making it so that no part of the 37k words is a drag to read.
*The Body Found by fourteencandles (46k) Wilson's missing. When I tell you I cried... Premium angst & hurt/comfort. Excellent dialogue with some alternating POV (House mainly, but you also get the three ducklings & Cuddy).
You Already Know How This Will End by fourteencandles (46k) What if House had gone to rehab right after/around "Merry Little Christmas"? (3.10) This fic was interesting. It’s told in a series of short vignettes with a variety of different perspectives. It’s not really a hilson fic (or a fic for any ship). It just explores the characters. I did wish for more hilson but it’s a good read (I mean, it’s fourteencandles). The one hilson scene near the end where they hire a hooker in Atlantic City lives in my head rent free. Warning that the ending is rather abrupt and I didn’t find it satisfying, but I think it works for this kind of story, in a way. Messy people and their complicated relationships, with a lot of loose ends left untied, because that’s just what life is. 
***For Every Closed Door by starlingthefool (around 50k?) (lj) Overview of the chapters (14 with 4 interludes and an epilogue) is on the author’s lj (scroll down).  House MD/Dead Like Me crossover.  I love this fic a lot! It’s canon divergence from Season 3. House gets killed in a freak accident and becomes a reaper, remaining in the mortal world to harvest souls, able to interact with people but not be recognisable to those that know him. As the author says, this is an Afterlife!Fic and therefore a deathfic. They also said it’s not depressing — which is true, because it’s more plotty than an angstfest, and there are lots of light-hearted parts, but it is definitely heartbreaking at points. I literally cried all the way through the last chapter. Happy ending though!!! Don’t worry about the cross-over aspects. I haven’t seen Dead Like Me, and as far as I can tell, it just takes the premise of the show. I’m glad I found this fic whilst trawling 2000s livejournal because it’s really a hidden gem. Great plot, dialogue, compelling OCs — the whole package! I got so emotionally invested in the story. I think there were maybe a few parts that were a little unpolished but just keep reading. It’s really worth it. 
*A Modest Proposal and Involuntary Commitment series by ignaz (98k) The one where House and Wilson get married so Wilson can’t testify against House in the Tritter arc.  I have an unfortunate habit of downloading fics and then forgetting to bookmark & comment once I’m done, so I don’t have anything detailed to say about this one, but it’s a classic and a favourite of mine.
Twenty Years of Stealing My Food by hwshipper (100k) A backstory taking place over twenty years, from how House and Wilson met all the way to canon. A reimagining of their fucked up, magnetic relationship, with a straightforward writing style. They get together nearly as soon as they meet and maintain a steady open relationship whilst cheating on their various girlfriends and wives throughout the years. 
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corvid-ae · 28 days
Text
So you want to listen to Main Range?
Great! I know how intimidating it can be to try and start listening, so I’ve tried to compile a guide to the main story arcs. More under the cut (minor spoiler warning)!
Also known as the Monthly Adventures, it’s a great way to get into the DWEU and definitely one I would recommend. It is also accessible, with the first 50 stories available on Spotify, or available to buy from Big Finish or second-hand fairly easily (or, you know, via less-legitimate means).
Main Range involves stories from the Fifth, Sixth, Seventh and Eighth Doctors, and various TV and original companions. If you are a fan of eighties and nineties Who, then Main Range might be for you! My general recommendations for people are to pick a specific doctor AND companion(s) to listen to and go from there. Although, if you’re looking for a first story to try, why not start at the very beginning (a very good place to start) with the Sirens of Time.
While many Main Range stories are stand-alone, there are also some overarching plots, which are actually very companion-focussed. Trying to understand these arcs and listen to them in order can be intimidating for people looking to get into listening, however its probably simpler than you’d think.
To help you out with all of this, I have done my best to write down the stories that are probably best listened to in order, with a bit of an explanation about how it fits into TV continuity if relevant. The order is pretty easy to follow as it is pretty much just in release order. No, Big Finish did not intentionally try to confuse their audience by releasing stories out of order (okay maybe they did just a little). However I have provided the story number in brackets [like so] for clarity.
Also, to be clear, all of the arcs are self-contained, so seperate arcs don't have to be listened to in the order I've written them down in, unless I've specified otherwise (like with the Evelyn and Hex storyline).
Again, it is not super important to listen to things in order. If you are getting bored with a story or with listening in order then feel free to skip things. Maybe you could just skim the Tardis Wiki page for the plot if you like. To help, I’ve also marked any of the super plot-heavy stories with an asterix. Most other stories, especially ones that I don’t mention here are standalone and can be listened to however you like.
Also feel free to let me know if I miss anything! Happy listening :)
Fifth Doctor:
The Erimem Arc
This takes place after Planet of Fire and before Caves of Androzani, and features the Fifth Doctor, Peri and an original character called Erimem - an ancient Egyptian princess. This is a pretty good arc and one I would definitely recommend. Please feel free to skip Nekromanteia though it’s genuinely terrible.
[24] The Eye of the Scorpion*
[38] The Church and the Crown
[41] Nekromanteia
[56] The Axis of Insanity
[59] The Roof of The World
[69] Three’s a Crowd
[71] The Council of Nicaea
[81] The Kingmaker
[99] Son of the Dragon
[102a] The Mind’s Eye
[104] The Bride of Peladon*
The Key 2 Time
A trilogy featuring the Fifth Doctor and an original companion called Amy which acts as a sequel to the Key to Time. It is set between Planet of Fire and Caves of Androzani. The Fifth Doctor meets Amy again in the boxset Wicked Sisters.
[117] The Judgement of Isskar
[118] The Destroyer of Delights
[119] The Chaos Pool
The Stockbridge trilogy
Featuring The Doctor and Nyssa and set in the fictional town of Stockbridge which was first introduced in the Fifth Doctor’s DWM comics. Knowledge of that is not at all essential however. Set between Time Flight and Arc of Infinity.
[127] Castle of Fear
[128] The Eternal Summer
[129] Plague of the Daleks
The Older Nyssa Arc
This is set between Enlightenment and the King’s Demons and features Tegan, Turlough and an older Nyssa - some years after the events of Terminus.
[136] Cobwebs*
[137] The Whispering Forest
[138] The Cradle of the Snake
[146] Heroes of Sontar
[147] Kiss of Death
[148] Rat Trap
[159] The Emerald Tiger
[160] The Jupiter Conjunction
[161] The Butcher of Brisbane
[172] Eldrad Must Die!
[173] The Lady of Mercia
[174] Prisoners of Fate
[195] Mistfall
[196] Equilibrium
[197] The Entropy Plague*
The Hannah Arc
A very short trilogy featuring the Doctor, Nyssa and another original companion - Hannah - an Edwardian woman. Set sometime between Time Flight and Arc of Infinity.
[185] Moonflesh
[186] Tomb Ship
[187] Masquerade
The Season 19 Gang Arc
Set during the events of Season 19, these stories feature the original gang of the Doctor, Adric, Tegan and Nyssa.
[221] The Star Men
[222] The Contingency Club
[223] Zaltys
[234] Kingdom of Lies
[235] Ghost Walk
[236] Serpent in the Silver Mask
The Kamelion Arc
There’s not much to say about this apart from that these three are probably best listened to in this order? Set between the King's Demons and the Five Doctors (i think) and featuring Tegan, Turlough and Kamelion.
[247] Devil in the Mist
[248] Black Thursday/Power Game
[249] The Kamelion Empire
The Marc Arc
These stories follow the Doctor, Tegan, Nyssa, and an original companion Marc - a man from ancient Greece. It is set sometime between the end of Arc of Infinity and Mawdryn Undead.
[256] Tartarus*
[257] Interstitial/Feast of Fear
[258] Warzone/Conversion*
[266]Ghost Station/The Bridge Master/What Lurks Down Under/The Dancing Plague
[267]Thin Time/Madquake*
Sixth Doctor:
The Evelyn Arc
One of my favourite arcs with some great stories, and maybe where things get a little confusing. This arc features the Sixth Doctor and an original companion, Evelyn - an historian from modern-day England. Set sometime before the Sixth Doctor meets Mel I think.
This arc set up some story aspects which are explored further with the Seventh Doctor’s stories - specifically, the Forge trilogy. There are a few ways you could listen to these but to keep it simple I would also recommend listening to the Seventh Doctor story the Harvest before you listen to Thicker Than Water, and then A Death in the Family once you’ve listened to all the Evelyn stories AND the Forty-Five anthology. This could also be listened to concurrently in release order with the Hex storyline which I’ll outline a bit later.
[6] The Marian Conspiracy*
[9] The Spectre of Lanyan Moor
[11] The Apocalypse Element
[22] Bloodtide
[23] Project: Twilight*
[37] The Sandman
[40] Jubilee
[43] Doctor Who and the Pirates
[45] Project: Lazarus*
[57] Arrangements for War*
[58] The Harvest (7th Doctor)*
[60] Medicinal Purposes
[73] Thicker Than Water*
[100] 100 BC/My Own Private Wolfgang/Bedtime Story/The 100 Days of the Doctor*
[143] The Crimes of Thomas Brewster
[144] The Feast of Axos
[145] Industrial Evolution
[115] Forty-Five anthology (7th Doctor)*
[140] A Death in the Family (7th Doctor)*
You can theoretically listen to the following before or after Thicker Than Water if you want - they are sort of standalone stories with the Doctor and Evelyn:
[78] Pier Pressure
[84] The Nowhere Place
[108] Assassin in the Limelight
The Charley Arc 2.0
This is best listened to once you’ve listened to the Charley Arc with the Eighth Doctor. Featuring the Sixth Doctor and Charley.
[105] The Condemned*
[111] The Doomwood Curse
[114] Brotherhood of the Daleks
[116] The Raincloud Man
[124] Patient Zero
[125] Paper Cuts
[126] Blue Forgotten Planet*
The Flip and Constance Arc
Featuring the Sixth Doctor and two original companions, Flip - a girl from modern-day England - and Constance - a woman from World War II. Set sometime before the Doctor meets Mel.
[143] The Crimes of Thomas Brewster*
[156] The Curse of Davros
[157] The Fourth Wall
[158] Wirrn Isle
[182] Antidote to Oblivion
[183] The Brood of Erys
[225] Vortex Ice/Cortex Fire
[184] Scavenger*
[204] Criss-Cross*
[205] Planet of the Rani
[206] Shield of the Jotunn
[218] Order of the Daleks
[219] Absolute Power
[273] Colony of Fear
[220] Quicksilver*
[231] The Behemoth
[232] The Middle
[233] Static
[263] Cry of the Vultriss
[264] Scorched Earth
[265] The Lovecraft Invasion
The Older Peri trilogy
Featuring the Doctor and Peri from after she marries King Yrcanos.
[192] The Widow’s Assassin*
[193] Masters of Earth
[194] The Rani Elite
Seventh Doctor:
The Hex Arc
A great arc that sort of starts with Evelyn’s arc. I would not recommend starting this until after you’ve listened to Project: Lazarus, but maybe at least listen to The Harvest before Thicker Than Water (no stress if you don’t want to juggle listening to arcs concurrently). Features the Seventh Doctor, Ace, and an original companion from 2020s London - Hex. Set after the end of Classic Who.
[58] The Harvest*
[67] Dreamtime
[74] LIVE 34
[79] Night Thoughts
[82] The Settling
[89] No Man’s Land
[92] Nocturne
[106] The Dark Husband
[115] False Gods/Order of Simplicity/Casualties of War/The Word Lord*
[120] The Magic Mousetrap
[121] Enemy of the Daleks
[122] The Angel of Scutari*
[139] Project: Destiny*
[140] A Death in the Family*
[141] Lurkers at Sunlight’s Edge
[149] Robophobia (side note: this is our introduction to Liv Chenka who is one of the Eighth Doctor’s main companions from Dark Eyes onwards).
[151] The Doomsday Quatrain
[152] House of Blue Fire*
[162] Protect and Survive*
[163] Black and White*
[164] Gods and Monsters*
[181] Afterlife*
[189] Revenge of the Swarm
[190] Mask of Tragedy
[191] Signs and Wonders
Also at some point before or after the Angel of Scutari you can listen to the following as they are standalone stories:
[226] Shadow Planet/World Apart
[245] Muse of Fire
[268] The Flying Dutchman/Displaced
The Klein Arc
An Arc featuring The Seventh Doctor and an original character, Klein - a woman from 1940s Germany. Set after the end of Classic Who.
[25] Colditz*
[130] A Thousand Tiny Wings
[131] Klein’s Story/Survival of the Fittest
[132] The Architects of History
[175] Persuasion
[176] Starlight Robbery
[177] Daleks Among Us
Klein is also involved in the final story of the Daniel trilogy which spans the Fifth, Sixth and Seventh Doctors.
Eighth Doctor:
The Charley Arc 1.0
The best Main Range arc in my opinion. If you listen to anything, listen to this. Featuring the Eighth Doctor and original companion Charley, with another original companion C’rizz in Part 2 of the arc.
Part 1:
[16] Storm Warning*
[17] Sword of Orion
[18] The Stones of Venice
[19] Minuet in Hell
[28] Invaders from Mars
[29] The Chimes of Midnight
[30] Seasons of Fear
[31] Embrace the Darkness
[32] The Time of the Daleks
[33] Neverland*
[50] Zagreus*
Part 2:
[52] Scherzo*
[53] The Creed of the Kromon* (TW for sexual assault in the Creed of the Kromon. Feel free to stop listening after episode one or just read the Tardis Wiki page for relevant plot info)
[54] The Natural History of Fear
[55] The Twilight Kingdom
[61] Faith Stealer
[62] The Last
[63] Caerdroia
[64] The Next Life*
[72] Terror Firma
[75] Scaredy Cat
[77] Other Lives
[80] Time Works
[83] Something Inside
[88] Memory Lane
[101] Absolution*
[103] The Girl Who Never Was*
The Mary Shelley arc
A short arc featuring the Eighth Doctor and Mary Shelley! Yes, that Mary Shelley.
[123d] Mary’s Story*
[153] The Silver Turk
[154] The Witch from the Well
[155] Army of Death
Multi-doctor arcs:
These are mostly trilogies featuring stories which Big Finish probably mostly intended to be listened to together.
The Forge trilogy
Relevant to the Evelyn and Hex arcs - best listened to in conjunction with the rest of their stories.
[23] Project: Twilight (Sixth Doctor)
[45] Project: Lazarus (Sixth Doctor/Seventh Doctor)
[139] Project: Destiny (Seventh Doctor)
The Villains Trilogy
[47] Omega (Fifth Doctor)
[48] Davros (Sixth Doctor)
[49] Master (Seventh Doctor)
The Harvest/TheReaping/The Gathering trilogy
^^^ I’m naming it that because the other name I’d give it would be a big spoiler lol (if you saw me forget the Harvest out of this no you didn’t)
[58] The Harvest (Seventh Doctor)
[86] The Reaping (Sixth Doctor)
[87] The Gathering (Fifth Doctor)
The Brewster Arc
Thomas Brewster is also vaguely relevant to the events of Stranded with the Eighth Doctor but it’s not really important.
[107] The Haunting of Thomas Brewster (Fifth Doctor)
[113] Time Reef/A Perfect World (Fifth Doctor)
[143] The Crimes of Thomas Brewster (Sixth Doctor)
[144] The Feast of Axos (Sixth Doctor)
[145] Industrial Evolution (Sixth Doctor)
The Sorsha trilogy
[165] The Burning Prince (Fifth Doctor)
[166] The Acheron Pulse (Sixth Doctor)
[167] The Shadow Heart (Seventh Doctor)
The 1963 trilogy
These don’t really have an overarching plot as far as I can remember, they were just released as part of the 50th anniversary.
[178] 1963: Fanfare for the Common Men (Fifth Doctor)
[179] 1963: The Space Race (Sixth Doctor)
[180] 1963: The Assassination Games (Seventh Doctor)
The Companions Trilogy
[198] The Defectors (Seventh Doctor)
[199] Last of the Cybermen (Sixth Doctor)
[200] The Secret History (Fifth Doctor)
The Master trilogy
[211] And You Will Obey Me (Fifth Doctor)
[212] Vampire of the Mind (Sixth Doctor)
[213] The Two Masters (Seventh Doctor)
The Daniel trilogy
[237] The Helliax Rift (Fifth Doctor)
[240] Hour of the Cybermen (Sixth Doctor)
[244] Warlock’s Cross (Seventh Doctor) (Klein is in this one if you want to listen to her arc beforehand)
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hana-no-seiiki · 1 year
Note
Lmao hi i saw you wanted hsr requests-
(man, its so weird to request off anon im sorry 💀)
I still dunno which characters to choose so its up to you but how about yandere character and an Aeon of Love whos quick to fall in love and adore, but just as quick to throw away things that no longer interest them?
YOU CARVED OPEN MY HEART, CAN’T JUST LEAVE ME TO BLEED !
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YANDERE AEONS / VARIOUS! HSR x READER
note: this fic is more of proof of concept rather than an actual fic, if you want a more specific scenario feel free to request one through my asks!
warnings: yandere themes, canon divergence.
status: unedited
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I met with the Snowbird once.
That was all it took for me to be captured within their spell.
To wish for the ability to fly with their holy being once spring came.
An impossible dream that was.
Yet still its honeyed promises of seeing the snowbird once again lured me into this path.
This path of love and despair.
— Pope of the Philian Church.
DATA BANK
DATA LOG 01 - I
[Y/N]. The God of Philandering. Snowbird. The Great Majesty of Romance. Their Wintry Excellency. Avem In Perpetua Fuga.
Aeon of Philia.
Some might call them the Aeon of Love but does love really come with a massive fear of commitment and the ease of which they left their significant others? Many scholars that studied the Aeon think not.
Their fickle, almost apathetic nature however did little to dissuade people and other gods alike from falling in love.
You see, [Y/N] was an expert, quite literally the best, when it comes to persuasion and seduction. In contrast to IX whose presence creates madness, theirs made the normal human being almost fall to their knees in religious fervor. Only those blessed by other Aeons could ever hope to escape or endure such an overwhelming aura.
The other gods themselves weren’t completely immune to their charms. One cannot help but be curious as to how a singular being was able to attain the infatuation of such powerful existences . . .
. . . and who exactly that singular being is.
In any case, as one would expect from an Aeon of Romance, the [Y/N] faith is never short of passionate poetry.
Here’s one I found in the General of Xianzhou’s office of all places. Perhaps he might be a follower of theirs? It is quite laughable to think of the great Jing Yuan dabbling in literature when avoiding duties.
“Your love scorched my mind.
Tortured my soul.
Hollowed my body.
But in this pain,
Thoughts of your presence and light,
Dull the blade you sheathed within me.
I await your return,
and your claim over the heart you’ve carved out of me.”
DATA LOG 2 - ADORETH
Perhaps those scholars were being a bit too harsh. A god of love must have extremely high standards for their partner. Perhaps those partners were simply foolish, delusional to believe they’d be enough for them.
It is a popular theory that all Aeons used to live peacefully amongst one another until the Great Majesty of Romance threw the world into chaos. The youth nowadays have written several essays alluding to their idea that it was what jumpstarted paths such as the Destruction and Elation. No evidence of such happenings have come out so far.
In my opinion? If anything the Aeon of Elation, Aha would be the bringer of chaos not the other way around. I suspect that the bias and warnings taught to the masses against worshipping or even studying [Y/N], has led to this kind of popular belief.
DATA LOG ? ¿ ? - THEE
Why ?
Why is it that they won’t come back ?
I have devoted my entire life to clearing their name. I have spent countless nights agonising on the proper words to use when describing their Wintry Excellency.
Why then would they not praise me ? Why then would they not grace me with their presence once more ? Was it all a mirage ? A tantalising dream made to inflict pain on my soul?
. . . Perhaps it is because I have chosen the wrong path.
. . .
Yes.
Yes it’s all my fault.
I should have devoted my entire life to worship not just studies.
How moronic of me !
A god of love would never be so cruel. No.
They are simply waiting. Waiting for the day, I come to them.
That was where everyone else was wrong. And I . . . will be right.
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©️ hana.no.seiiki - yun | 2023
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coolshadowtwins · 2 months
Text
SVSSS YQY Fan Fic Round up!
Ok, I finally have them all together! Please enjoy these fanfics, and if you have any to recomend that's not on here, feel free to say! I'll add it later!
First off, The YQY Weekend 2023 AO3 collection and The QiJiu Week 2023 I'm going to recommend as the entire pages! Great places to go find a fanfic to enjoy! Some might be double recomanded, but some should be unique!
Mouse On The Thorn by Lbhs_left_tiddie
On a mission, Yue Qingyuan comes across an omega child, who shares a name and a startling resemblance with his favourite shidi. Shen Qingqiu, however, denies knowing such a child, and make it very clear he wants nothing to do with him.
Without any family or home, Yue Qingyuan instead offers to take care of the child.
Palimpsest by Azzandra
Yue Qingyuan has one giant blindspot as a sect leader, and that's Shen Qingqiu.
But now a curse has made him forget Shen Qingqiu, and that changes some things.
gather jewels from graveyards by formerlyknives 
When strange rumours reach Cang Qiong, Shen Yuan is a little slow to investigate.
He lives to regret it.
The number children by Angry_gremlin_commando
Ten-year-old Mobei Wu, fifth son of the current Mobei-Jun, gets stranded in the human realm after one of his uncle's murder attempts. There he meets fifteen-year-old Yue Qi, fresh out of Lingxi caves and on the way to rescue Shen Jiu.
It turns out even ice demons aren't immune to Yue Qi's Big Brother energy. (This author has a good number of stories to check out! Go look at them!!)
A smile for the master, a snarl for the wolves by Angry_gremlin_commando
Shen Qingqiu and his young disciple Luo Binghe qi-deviate at the same time and swap bodies. It makes them understand some things about each other.
To Plant a Garden by SweetTiramisu
Yue Qingyuan spends so long beneath the earth that he becomes a part of it. Perhaps Shen Qingqiu will plant a garden in him.
Written for Qijiu Week Day 2: Touch Starvation.
bite your way to safety by AMereDream
The Geese come at a time that neither Shen Jiu nor Yue Qi considers ideal. They make it work. (This author has so many good fics! Go read them! This is just the one I chose to put on this list!)
You Were You, And I Was I by MissMegh
Shen Qingqiu and Yue Qingyuan qi deviate and turn into their teenaged selves. They don't know who they become. They don't remember the worst moments of their lives. They only know they're together again.
Pretty soon everyone on Cang Qiong Mountain knows they are, too.
Our Sect Leader Is A Baby! by dryingmangoes
Yue Qingyuan gets deaged. Somehow this changes everything.
for day 2 of qijiu week blessing/curse
Treading Well-Worn Paths by mofumofu
After Shen Qingqiu married Luo Binghe, Yue Qingyuan thought his role in the man’s life was over.
However, as he carried the child-sized lord of Qing Jing Peak in his arms, he was grateful for this unexpected opportunity to bond with the person he cherished most.
Shen Yuan, meanwhile, wondered desperately where the hell he was.
hey, share the weight a little by Tossawary
Shang Qinghua is miserable as an outer disciple of Cang Qiong Mountain Sect, doubtful that the plot will ever begin, when he finally runs into his first character. Yue Qingyuan is only a boy in desperate need of a helpful friend. Well, why shouldn't Shang Qinghua be that friend? A little investment now when they're young and Shang Qinghua might just be able to survive this world with the support of a sect leader.
It's definitely not because he's also in desperate need of a friend.
(He's definitely not expecting love.)
you're my number one by pennydaniels
Yue Qingyuan is granted a chance to have his heart's deepest desire made real by a mysterious goddess living in a small sect's private temple.
The Evening by kat8cha
Yue Qingyuan wakes up, he gets dressed, he goes to work, he goes to the gym, he goes to a party.
He pays people to tell him what to wear, people to tell him where to be, people to tell him what to do, and pays for someone else's engagement party.
A broken mirror restored by bunnyfication
Yue Qingyuan is hit over the head with the realization that he could ask Shen Qingqiu to marry him, Shen Qingqiu's suspicious mind cannot make sense of the sequence of events. Yue Qingyuan would never, would he? What is this, mind control??? (it's happiness, but neither of them has ever felt it before).
nobody, nobody told me by AMereDream
“Qingqiu-shidi,” he started. “Are you al—”
Xiao Jiu tugged, surprisingly strong for someone who had collapsed out of nowhere less than an hour before. Yue Qingyuan followed, partly out of surprise and partly because it was Xiao Jiu; of course he’d go wherever Xiao Jiu wanted him to be.
He found himself being dragged onto the bed, only the thin sheets separating him from Xiao Jiu's body. His breath caught in his chest, and he clenched his eyes shut.
Xiao Jiu's bony elbows dug into his chest, his thin — too thin, having skipped too many meals even for someone who didn’t need to eat — shoulders curved to meet Yue Qingyuan’s body.
His long hair tickled Yue Qingyuan’s face. He smelled like the honeyed soap he washed his hair with. Yue Qingyuan inhaled covertly, deep and greedy.
 
One morning, Shen Qingqiu woke up a changed man. Yue Qingyuan is left trying to figure out what happened to make him so relaxed and affectionate.
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So like, a while ago I did a little update on the Brink fics, and I figured it was worth giving a kinda sad update on my other Fable fics as well.
At this stage, there are no plans to continue or finish Your Skin Beneath My Teeth (the second book in the Blood series).
I know this is probably disappointing, because I know a lot of people really loved the Vampire AU. But from a personal writing level, I’m just sort of unhappy with the direction of the books, and I don’t have the time to commit to rewriting them. I’m not invested enough in my own story, and while that’s a shame, I don’t know if there’s much I can do without just giving myself time to stew on it.
There’s also a logistical side to things as well. Fable is coming to an end in less than a month. I feel like it’ll probably take me months to finish the Brink series still first, which are the fics I’m personally more passionate about. And at a certain point, I don’t want Fable to be the only thing that consumes my writing for the next year+. Not to mention the time I want to dedicate to other SMPs and creative projects I’m involved in, like Cantripped, Bound SMP, and Terramortis, with even more stuff in the works.
On top of all that like… I’m just a guy, ya know. I’m a full time student, work part-time most days of the week, commute between 2 major cities regularly, and I have other things that just deserve my time more.
Don’t get me wrong, I’ve been in fandoms for years, I know it’s shitty when fics you enjoy never get an ending. But I hope that like, people get where I’m coming from with discontinuing it, I guess.
Besides, there is, technically, an ending for Blood. I’ve had the ending written since the end of the first book (it’s just getting there that’s the problem) and so if people would like, as some sort of closure for the story, I would be happy to release that here on Tumblr or on my Kofi or something. Maybe I’ll make a follow up post with a poll.
I might as well mention that there is likewise no plan to “finish” the Band AU, but since that was always a collection of one-shots, there was never really a plan or end for any of it. It was always kinda disjointed without an end in sight lol.
I’m not saying that I’m NEVER going to go back to these fics. Just that it’s unlikely. But who knows, maybe someday I’ll crawl out of the dirt to finish them-
If you did only follow my Fable fics for the Blood books though, I’m sure some elements of my other fan works might appeal to you, if you want to give them a go! The horror/contemplations of humanity are the key theme of Brink, and the mystery/thriller, high stakes political conflict mixed with interpersonal melodrama is the focus of Cascading Skies, my new Bound fic. And of course those and so many more things are just key elements to like all of my storytelling my canon characters lol. But if none of that ticks your boxes, it was great to have y’all along for the bloody vampire ride :D
Anyway this was me getting sappy about setting aside a project I worked really hard on lol. Sometimes you gotta do that and sometimes that’s okay, and that’s an attitude I struggle with but am getting better at. I know don’t owe y’all any kind of explanation for this, I could have just stopped and let it die, but I wanted to give one. More for me personally really; I needed to say something about it publicly to like… fully cement in my mind what I decided on a long time ago. Anyway, catch y’all later when I’m not incredibly tired, and hopefully with a more silly goofy post ✌️
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ineffectualdemon · 2 years
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I understand that there are young people on here around age 13 that are new to both Tumblr and AO3 and you're confused how it works because it's very different to other social media and websites you've used. I have a 13 year old. I understand the confusion
And I know on the surface the pro censorship stance of: "ban stuff that has paedophile and incest" seems reasonable
We all agree that stuff happening irl is bad! So why should stories be different?
And there are reasons it will not work especially not for an archive like AO3
1. Content about those subjects ≠ favourable. There are a lot of published works, famous works, that cover these topics in your local library. They cover these topics to challenge people to stop ignoring that these horrible things happen. To raise awareness, to give victims a voice, to help victins know "that wasnt normal and that shouldn't have happened to you". And those stories are extremely important.
Yes some authors write it to just write it. But if you throw out those stories you also throw out the important ones. And a story that seems to be romanticising to one person is something important and supporting to another
Also a lot of the more "for fun" underage content on AO3 is written by teens exploring their own feelings which will get more into later
2. As soon as people start censoring they start twisting what comes under the objectionable content. I have seen people argue that a relationship was paedophilic because one character was 18 and the other was 17. Which is silly. Or that a relationship between two adult characters was paedophilic because there was an age gap. It becomes ridiculous really fast which means...
3. ...any and all lgbtq+ content will be censored as our existence is often seem as inherently sexual when it's not. We're already seeing that happen in the real world. But queer people just existing is enough for people to want to censor us. We know this because it has happened many many many times. People call for censorship and the first thing to get censored is any mention of being anything other than straight and cis
Censorship laws and rules have always been used as weapons against the community.
It doesn't matter if they say it will be different this time. They always say that and it's always a lie
4. This is purity culture 2.0 and purity culture messes you up. When I was 13 I read a magazine at my church that was aimed at young teens. It told me that feeling sexual desire as a teenager and handling those feelings alone meant you were definitely going to grow up to be a paedophile and a rapist and that messed me up so bad.
Obviously what the magazine said was not true . It is perfectly normal to feel desire and attraction as a teenager (also normal not to. Asexuals are valid) and having those feelings doesn't make you a monster
and even though my feelings were normal and I wasn't hurting anyone I had such shame and guilt and it really fed into my self loathing and depression and self worth for a very long time. It led to me hurting myself in many many ways. And I know many other people who were hurt by purity culture. Made to feel shame over the smallest thing. I don't want anyone else to experience that
And censoring fanfiction will do that. Telling teenagers that they morally degenerate for writing fanfiction and exploring their sexuality in one of the safest ways possible is damaging. Writing for self expression including sexual expression is healthy and very normal
It's definitely not something to shame someone for
-
All of this to say AO3 will remain uncensored because it is an archive, not a curated list. It has a great filtering system that allows you to filter out just about anything and a careful reading of the tags will also help you.
A lot of authors who write more intense fiction put more trigger details in the author notes so you can make an even more informed choice or tell you how to skip any specific scenes
It is one of the best websites for avoiding content you don't want as long as you know how it works.
Now I'm not an expert but I am willing to answer any questions on how to use AO3
I know it can feel like everyone is looking down on you but I promise I'm not looking down on you for not knowing
On that I will also say for Tumblr it's pretty easy for you to filter out tags now and filtering out stuff you know will upset you makes your life much nicer
Anyway I hope this helps explain why people are so anti censorship
There are more reasons and I could have gone more indepth but I only have so much energy but I truly hope this helps
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heyclickadee · 7 months
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Saw another “why would Tech even be interested in Phee” take out in the wild, so here’s a partial list of Phee’s many attractive qualities, because the double standard of every other character vs Phee is exhausting:
(Quick disclaimer—this isn’t me saying anyone has to like the ship. You don’t. It’s fine. Don’t ship things you don’t want to ship. Dislike the way it’s been written in the show if you want. Ship these two with other people or with no one if you want. I don’t care. This is just me being tired of people being weird about Phee):
1. She’s smart. She can improv her way through dealing with death traps and she’s got an area (areas) of expertise that Tech knows relatively little about. That makes her interesting. Also hot.
2. She’s gorgeous. Look at her. She’s ridiculously pretty.
3. She’s a great storyteller. Yeah, she changes her stories every time, but that’s at least part of why Tech is paying attention, because he notices that.
4. She’s a stone cold badass. And she’s a FUN stone cold badass. Disarmingly charming stone cold badass.
5. She’s a remarkably good person. She steals artifacts so that refugees can hang on to a bit of their culture in diaspora. This seems to be what pushes Tech from, “Oh, she’s interesting,” to, “OH. SHE’S BRILLIANT AND I MIGHT BE IN LOVE.”
6. She’s not nice, but she is kind, and that’s honestly a quality that she and Tech share. Phee isn’t soft, she’s not going to talk in therapy speak, she’ll push a little hard sometimes, but gosh darnit if she isn’t the person who would always stop to help someone with a flat tire (or respond to finding out some friends are broke, jobless, and on the run by immediately taking them back to her secret refuge so they can rest and recoup).
7. She’s incredibly direct and unafraid to speak her mind and…okay. This is going to get long. And I know some people will disagree with this, and that’s fine because everyone is different, and wants different things. But. Speaking personally from my point of view. The fact that Phee gives as good as she gets would be a really reassuring quality to have in a partner. I see a lot of myself reflected in Tech, but one of the many, many ways in which we’re very different is that I’m a consummate people pleaser, and Tech is very much not. At all. I don’t think he has a people-pleasing bone in his body.
But, here’s the thing—about half of my people pleasing comes from being terrified that I’ll say or do something that inadvertently hurts someone, and that person won’t just tell me or give me the chance to explain or make things right. And for how that relates to dating, I had people—friends and family—keep trying to set me up with incredibly shy men through most of my early twenties, no matter how many times I objected, because they had this perception that I was soft, wishy-washy, and needed to be treated with kid gloves. And…no. I’m opinionated as hell. I’m relatively confident about certain things. I just shut down my ability to project any of that because I was terrified of running roughshod over people without meaning to. But when I’m around someone who I know is willing to disagree with me, who I know will explain why, and who I know will push back if I take something too far? About 90% percent of my people pleasing and social anxiety evaporates. I know I don’t have to walk on eggshells around them—and that they aren’t going to walk on eggshells around me, either. They’re going to be direct about their issues and treat me like a freaking adult.
And, honestly, the fact that Phee doesn’t walk on eggshells around Tech (who also gives as good as he gets—Tech isn’t soft, nice, or shy and retiring; he’s confident as hell and he should be, because hot damn)—is. I don’t know. I like that she’s direct, and that she will recognize and pull back if she’s gone too far. This is projecting a bit, but, speaking personally, I would rather be with someone who treats me like an adult and tells me what’s up even if it’s uncomfortable than someone who never, ever tells me when they’re upset because they’re afraid of hurting my feelings and just lets me stew in social confusion all the time.
8. She can more than hold her own in a fight and she carries a sword around. That’s hot, I’m sorry.
9. Phee’s fantastic with Omega. She talks to her like she’s a person, she doesn’t ever shut Omega down, she’ll tell her stories, she’ll joke around with her, and she’s generally very respectful while also not holding her to the same standard she would if Omega were an adult. She’s even a little protective of Omega, even though Omega isn’t at all her responsibility. I think the moment that took Phee from ‘cool’ to ‘fantastic’ for me was towards the end of ‘Entombed’ while the Deadly Giraffe of Death was collapsing; Phee’s right there trying to shield Omega alongside Hunter. And. Like. Omega is Tech’s baby sister, he’s probably going to notice that how Phee treats her. Massive points in her favor for this.
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nanowrimo · 11 months
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5 Techniques to Help You Write Your Novel
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Every writing project is unique, and the methods that help you draft one novel may not work for another. If you’re getting started on a brand new project this Camp, NaNo Guest Vee James has some suggestions for different techniques to help you explore your story. It took a few NaNos before I realized I was developing different techniques each time I sat down to the challenge. I think we all do this naturally, but it helps to step back and observe the process. If you’re strictly a pantster, you’ve been working on the story ideas in your head. If you’re a planner, you’ve set to paper the story concepts, characters, and an outline of what you are about to produce on paper. Some people take a hybrid approach to NaNo. Granted, the basics remain the same: butt in chair, accomplish the hourly/daily goal, and allow yourself to tell your story.
I discovered that each unique novel presented particular challenges, and I had to adapt my style and writing techniques in order to explore the story and keep the production happening. Some of these came from writing instructors and wonderful podcasters. Some came from “how to write” seminars and workshops. Others grew out of a feverish search for “more words.”
Here are five techniques I’ve found that helped me advance writing projects:
1. Research
It was a surprise to me to discover the concept of researching for fiction. I initially thought, “Just make something up.” But there are so many ways to broaden your approach. Plumb your memory, take a course in something related to the story, talk to an expert, and ask lots of questions. You could even become like the character in order to feel what they feel. If you’re writing a western, go ride a horse.
2. Write Scenes Out of Order
If you have a premise, you’ve already got scenes in your mind. Don’t wait until you get to chapter 18. Write that scene now. You can always revise it when you catch up to that point and it gives you something to develop toward. To expand on this technique, when you’ve written the scene, ask yourself, “What happened just before this?” or “What does this scene lead to?”
3. Put disparate characters together and have them have a conversation
Often, we write secondary characters who take a more subdued role in the plot. But what would happen if your protagonist’s best friend had a conversation with the main antagonist? Or if the antagonist’s agent of destruction came upon the protagonist’s love interest? In my experience, these conversations frequently produce more depth in your secondary characters and almost always it’s something you weren’t expecting.
4. Play with Genre Tropes
What have you chosen to write? Urban fiction? SciFi? Fantasy? You already know what your reader expects you to write, and what the plot ahead holds for them. How can you twist it? Sometimes the simplest thing you mentioned in chapter one can be the linchpin of a great plot twist.
5. Study Film
It’s no accident that some of the most astounding stories have been told through film. Quite simply, movie companies invest heavily in every aspect of their production and hire some of the best writers around. Yes, it’s a visual medium and has some advantages over prose. But the main lesson with movies is in the structure of the stories they tell. Here’s a good example: when I was writing a fairytale novel, I wanted to stay true to the classic story structure. One afternoon I was watching the comedy, Galaxy Quest, taking careful notes on the structure. I realized the story structure mapped very closely to what I was doing in the fairytale. It was comforting to see this, and it also gave me some ideas on how to approach the ending.
Most importantly: NaNoWriMo is a thrilling if exhaustive experience, and I urge you to immerse yourself in it completely. Write with utter abandon, delve deep for concepts that will give you the next 2000 words, and try new things like you’re a Mad Scientist in a hurry. We all know that what you end up with is a messy creation. But you will find you have given yourself a great gift.
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Vee James is a cross-genre author who loves to write comedies, fairytales, and YA supernatural. He participated in NaNoWriMo for ten years in a row, writing over a half-million words, and it led to nine NaNo novels plus two more non-NaNos. Out of this work, he’s published four novels, with a fifth nearing completion. If interested, visit his site at www.veejames.com and leave a message. He loves to talk to writers of all kinds. Vee's photo by A. Roger Hammons Photo by Daniel Álvasd on Unsplash
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olderthannetfic · 2 months
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You know what obnoxious thing I keep seeing in fandom I wish would stop? This absolute need some people seem to have for their ship to be Representation in some way. Shipping is just imagining scenarios between two characters! You don’t need it to be a Special reason or whatever? I have a ship that is popular and people make weird vague comments about how the fandom is racist because both of them are white and there are other ship options that have poc so the white ship being big is a reflection on how racist the fandom is but the thing is…
Look I’m going to be real with y’all the fandom is for the game Detroit: Become Human and let’s just say the two major black characters are basically stereotypes written by a neocon lib boomer in a story that itself is imho…let’s call it tone deaf and corny af rather than overtly racist but yeah. Black folks on twitter regularly mock this game for good reason. It is very much a boomer white man’s idea of the civil rights movement but with robots. The robots sing actual slave hymns. The main character is essentially a light-skinned Martin Luther King Jr (dubbed Markus Luthur King by blktwt lol) and the religious allegories of him as a savior figure are very on the nose. It is bad lol. It’s not that I wouldn’t want to explore the black characters but the fandom is full of young white people singing the praises of this writing while patting themselves on the back about it which is genuinely uncomfortable to be around. Just my 2 cents but the virtue signaling and insane policing around those two characters makes it unbearable to interact with their content it is deeply sanitized and you WILL get death threats if you attempt any nuance or are critical of the (kinda racist imo) way they were written in canon.
The worst part of this is that Markus has a popular ship with a character a lot of people read or interpret as a more soft or femme gay man and you know what zoomers hate? Femme gay men. So obviously this is made to be ‘problematic’ in some way because these people can’t just admit to being femmphobic/homophobic themselves.
Sometimes it’s easier to stick with the boring white characters in the background because they aren’t being closely guarded by stupid reactionary people who are used to flashing their favorite fictional poc characters as tokens of their own goodness and virtue.
--
The pinnacle of this game is that moment when the black lady lectures her son about why they need to run the robot underground railroad to Canada.
I watched some playthroughs. Unsurprisingly, I liked the buddy cops with the good development, not the cringey activism plot with too many foils and not enough development of any single relationship and not the the Women Care About Babies plot.
But if I were going to do something fannish with Markus, I'd write him having a fucked up relationship with his mentor's son post game—the surrogate son who thought the guy was great and the estranged son who knew he wasn't but who has also done a bunch of shitty stuff himself.
It's especially hilarious when tryhards think the problem is not enough people shipping Markus with North as if the slashers are going to be into 1. het and 2. yet another unnecessary traumatic sex stuff backstory for a lady.
Even worse, half the whining isn't even about that Nines fanon nonsense being more popular than Markus: it's about how Markus/Connor would be better than Hank/Connor because old people are ew.
Sorry, children, a lot of people are here to thirst for Clancy Brown and because they'll turn up for any Caves of Steel ripoff. Other Connor ships were never in the running.
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