Back to my M*A*S*H texting au bs… here’s whatever this is.
Hawkeye’s Contacts:
Beej 🤨
Brother in Crime 🤝🏻
Major Baby 🫡
Worm Eater 🪱
Charles Emerson Winchester III 🧐
Dad 🩺
Dad II 🎣
Dad III 🐴
My Son 📡
Shnozz 👃🏼
The Good Father ✝️
Sidney 🧠
Cute As Hell 👩🏻⚕️
Dysentery on Legs 🤮
Colonel Crazy 👁️👄👁️
Keeper of the Alcohol 🍸
In order of appearance we have: BJ, Trapper, Margaret, Frank, Charles, Daniel Pierce, Henry, Potter, Radar, Klinger, Father Mulcahy, Sidney Freedman, Nurse Kellye, Igor, Colonel Flagg, and Rosie
I may change some of these as I do more if the cast and as I rewatch the show.
If you have other ideas for Hawkeye’s contacts please let me know as I’m not 100% happy with them yet (mainly Margaret, BJ, Sidney, and Trapper).
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i'll never get over the way brooklyn 99 woobified the literal NYPD what the hell was that. and everybody ate it up with a spoon too
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what do you mean this isn't them
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The fact that MASH is set during the 1950s and yet Hawkeye’s hair looks like That is so funny to me.
His hairstyle was very normal for the 70s (and still very normal by modern standards) but in the 50s it would have been considered ridiculously, outrageously long. Which makes it feel like he deliberately grew his hair out to a ridiculous length just to spite the army.
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The sensation of waking up next to you ❤️💙
+bonus doodle:
…and they mimir’d happily ever after the end. ❤️
(ID under cut!)
Miles is roused from sleep by sunlight shining on his face. Slowly, his eyes adjust to the light, until finally, his scope of awareness broadens to a body he had been sleeping on.
Page 2
Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.
Miles looks up to the figure that holds him, and upon seeing, his eyes widen in recognition.
The bottom panel of the page shows minimal details of a window shedding light onto the bed and blankets as seen from a higher view in the room.
Page 3
On the other side of the bed, Phoenix rests, his head propped by the headboard. His hair is messy from sleep, and his expression is thoughtful. The light of the morning highlights his features.
The sun shines through the blinds of the window.
Phoenix finally notices his observer, and turns to look at him.
Page 4
Phoenix takes Miles’ hand in his, and lifts it to gently kiss the ring on Miles’ finger. They both move to share a kiss, and their hands shift to hold one another. Miles’ ring sparkles in the sunlight.
Page 5
They link their fingers as they kiss, and the morning creates a quiet atmosphere around them.
They part, but remain close, their fingers fully interlocked. Phoenix greets “Good morning,” with a tender, loving expression as he looks at Miles. Miles’ own expression is soft, unguarded, and fixed on Phoenix.
Page 6
Phoenix and Miles settle back into their shared bed; the morning sun illuminates them. They both smile softly, seeming happy and at peace. Miles rests his head under Phoenix’s neck, and his hand on Phoenix’s chest. One of Phoenix’s hands rests over Miles’ own on his chest, while his other hand holds Miles closer, revealing a matching ring of his own. Both rings shine softly in the sunlight.
Bonus image
A small simple drawing of Phoenix and Miles having fallen asleep again while holding each other as in the final page of the comic.
End ID.]
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based on my own thoughts but also cultural osmosis since i haven't seen half of these shows at all or in a very long time
good people / assholes axis seems self-explanatory to me but change / stasis axis is based off a mix of the themes but also cast dynamics but also plain and simple Vibes. you understand
other sitcom enjoyers sound off! i don't consider this finished in the slightest
edit 7/19: i updated the chart to include some more shows and change some placements
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