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makethosenarratorsfight · 10 months

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UNRELIABLE NARRATORS; SEMI FINALS

*NOTE; propaganda is out of order due to the post length!

Eugenides Propaganda:

the entire plot hinges on a detail he lets the reader (and every other character) assume is true. I don't want to spoil it because it's a really fun reveal but he is lying from the first second he appears on the page and you can't trust him to tell the full truth about ANYTHING related to himself and his goals. he mostly does it to keep his advantage and not have other characters be suspicious of him but it's just so fun when you realise he's been lying the whole time

Kim Dokja Propaganda:

I haven't read orv but he's fucking gotta be from what I've osmosised

He tries to remove his emotions out of the narrative soooo much, literally the most repressed guy ever. Okay so for context orv is about how this guy, Kim Dokja, has been the only reader of an obscure post-apocalyptic webnovel for years and the novel suddenly becomes reality. And at first you'll probably get the weird impression that his behavior is pretty strange for, you know, a literal apocalypse happening in his world - like yes, he is concerned with survival but he doesn't seem all that scared and he kinda treats it like a video game where he has to grind to make himself stronger and he also treats his companions like a party in an rpg. Then there's also the way he approaches the protagonist of the webnovel, from the start he just kind of describes him as a ruthless psychopath and jerk that is unfortunately a pretty useful ally. And also there's the fact that he carefully omits any mention of his past and when somebody asks if he's worried about his family when the apocalypse starts he just kinda... brushes it off? Anyway so yeah, this bastard is definitely traumatized, although I don't know how much of spoiler territory that would be, considering the fact that literally when he first reveals his trauma he's also unreliable about it. And turns out he does indeed, care A LOT about this world and the people around him. Because well, he kinda didn't care to mention that this webnovel that has become reality was like... literally his whole world before it literally became his whole world. Like, it was the only thing keeping him going for 10+ years and the protagonist that he likes to call a stupid jerk was his comfort character who he pretended to be when he felt like he couldn't handle something in his life by being himself. The protagonist is also canonically the person he loves the most according to a prophecy and he literally can't fathom the thought of him dying, even the timeline versions of him that directly oppose him. And I haven't even mentioned the Fourth Wall yet but I feel like this propaganda is a little long already

misreading the intentions of his companion (yoo joonghyuk) so many time.

YOU DON'T UNDERSTANDDD DOKJA IS SUCH A UNRELIABLE NARRATORRRRRR GOD I COULD WRITE AN ESSAY BUT I KNOW YOU LOVE DOKJA TOO BUT OMG HE'S JUST SO AAAAAAAAAAAH

Rest of Propaganda under cut!

he is the worst like actually. he starts the story talking about how normal and average he is. he is not. he is constantly mischaracterizing his friends and he's so good at lying to the readers that you don't even realize it at first. almost every single time he cries we have to be told by other characters because he never says it himself. there is literally a scene where his narration says "i wasn't crying" and then the in-universe entity that narrates the actions of people (orv is really weird and meta) says that he was, in fact, crying. honestly genuinely anything he says about himself (or doesn't say) cannot be trusted. he is just so frustrating. he drives me mad. i love him dearly. but he drives me so mad.

Dictionary definition of unreliable narrator. Does not tell the reader anything and then things happen and he's like oh yeah btw there was also this and this earlier but i just didn't feel like mentioning it. There's even a thing called the "Fourth Wall" that is able to see through kdj's bs so occasionally you get gems like,

Kim Dokja: I didn't cry

The Fourth Wall: [Kim Dokja was crying]

Imagine being so unreliable as a narrator you need a more powerful narrator to call out the actual narrator.

^ same submission, just spacing it out

This goes into spoiler territory, but; Kim Dokja is in possession of a skill called the Fourth Wall, which on the surface seems like it appears because he read the book that reverse-isekai’d into his own. However, as the story goes on it becomes clear that it’s pretty much a souped up version of his pre-existing dissociation. You cannot trust him to be honest about his feelings, his past traumas or his feelings about his past traumas, not to mention his tendency to just outright omit information that only gets revealed later on either when it becomes relevant or when an outsider POV reveals what’s actually happening.

Exhibit A: he says (in 1st person POV) that he’s not crying. The Fourth Wall immediately contradicts this (as it is literally words of the novel) by saying (in 3rd person POV) ‘Kim Dokja was crying’.

Exhibit B: Fails to mention entire actions when it shows him emotionally honest even in the slightest; we had to read from another character entirely when Kim Dokja was being physically affectionate with his companion. It’s so bad that there’s this entire paragraph about Kim Dokja describing himself hiding his eyes in his hands in jerky, weirdly specific detail and just AVOIDING EVERY WORD THAT MIGHT SHOW HE’S CRYING. The brilliance of ORV is that when you re-read the entire thing you get hints that ‘yes, this WAS hinted at the entire time’ but you have to dig it out of Kim Dokja’s repressed, depressed self-hating internal dialogue with your own two hands.

^ same submission, spacing it out (i really should've done this earlier.)

i am a simple man (not a man). i see a tumblr text post with the words “unreliable narrator in it”. i read nothing else. i reblog & tag #kim dokja okay but in all seriousness i’m just going with the musty basic example: so there’s this moment where he sacrifices himself to save this guy. as he lays on the ground bleeding out, he says “hey, you don’t like me, right? you should kill me to get some money” the guy says “no kim dokja i cant do that (going through the five stages of grief except there’s only one and it’s anger)” the constellations (twitch viewers irl) are like omg he (the guy) doesn’t want to kill his companion (kim dokja) and shower him (the guy) with money kim dokja: oh, he’s not killing me for the money. smart!

as i quote a brilliant youtube video (all of omniscient reader’s viewpoint in 6 minutes) “yoo joonghyuk sees kim dokja as a c_____”

yoo joonghyuk: companion

kim dokja: cunt

^ same submission, once again. spacing it out.

Hides his true feelings, tells the readers what he thinks is convenient for the plot and that his own personal feelings don’t matter or are not so significant. Has unreliable thoughts abt his companion and is a liar. And is also an omniscient reader.

Kim Dokja always perceived his companions in this like nonchalant way like “oh yeah we get along but really we’re just fighting to survive (apocalypse setting) it doesn’t run that deep” when they all do genuinely care for him and he does in turn. He just, doesn’t think of it as an equal relationship? Dokja’ll sacrifice a lot for them but will get seriously flabbergasted if they do the same thing, so fricking problematic. Not to mention Yoo Joonghyuk, his “Life and Death Companion” (read: husband). Kim Dokja always seems to think that Joonghyuk has it out for him, which is kinda true, but he is literally blind to the fact that he’s attached to him. Like, it’s so obvious??? Also they have hella sexual tension but that’s another thing entirely

se get some many pov changes where kdj in his pov just assumed things based on what he knew the characters would do. however because of his interference the characters have changed and he wouldn’t know that if it hit him in the face

He's an unreliable narrator because he lies to himself and thus the audience. He literally rewrote his own childhood core memory. If someone says, "this guy is my friend!" He will go through so many hoola hoops in his mind just to rationalize it. Because he fundamentally believe that no one could love him and even if they did they couldn't know him and he's just gonna hurt them. He cries sometimes in canon but a lot of those times it's not even mentioned as crying he's that unreliable of a narrator. No joke, one time this guys he has a gay thing with called him his "companion" to someone who had just killed him (long story) and this bitch thought "oh wow he's doing it for the coins (another long story) he's so smart i wish I'd thought to that. He's terrible. He literally has an exchange with something called the Fourth Wall (an even longer story) where it said "you're crying" and he said "no I'm not" but he was crying. He makes me insane because the reader is supposed to project onto him. He made me see how much of an unreliable narrator I WAS. ORV is just like that tho.

#kim dokja #kdj #orv #omniscient readers viewpoint #once again #if kdj gets this poll blacklisted again im blowing him up #eugenides #the queens thief #queens thief #unreliable narrators battle #unreliable narrators #polls #semi finals

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laurasbailey · 3 months

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hey, sorry to come out of nowhere with this, feel free to ignore! just wanted to get a bit of perspective on the c3 negativity i've been seeing for so long, which i've tried and failed to avoid and has been bumming me out more than i would like. this is my first campaign, it has brought me so much joy and company, but every time i end up reading a deeply negative take i can't really shake off the feeling that they're actually right, cause some of it makes sense to me and i can't unsee that. i know i'm being paranoid about it and truly setting myself up to be miserable and ruin the whole thing, which at this point i might've already done, but i just get sad wishing i could've had experienced the things everyone raves about (like different pacing and a lot of RP) for this campaign, which i'm so close to. do you think c3 is actually, objectively, worse or shallower than the previous ones? is there truth to the criticism (about it being too plot-driven, about the characters making each other worse and not being a good fit for this story, about the cast not being as into it and so on) or is the internet being the internet, and i should basically touch grass? it's not like i would drop it, honestly, i'm just sad thinking about how this story and these characters could've worked out if the "quality" was the one i keep seeing everyone talk about in regards to c1/c2. i know it's not that deep and it shouldn't matter in the long run, i'm just struggling a bit to not give in to the negativity and wanted to get your take on it, as someone's who's navigated this fandom longer! and again, truly sorry for the unprompted rant and thanks in general for being cool and taking the time to make gifs and recaps :)

you said it's brought you joy and company and it's seeing the negativity that's starting to ruin it, which is, honestly and sadly, a common thing that happens in online fandoms. negativity will bring the mood down regardless, because it just spirals into further misery. personally i stopped looking at fandom opinions and i've been a lot happier ever since! half the stuff you've said in here i've never heard before, that's how off the grid i am now lmao.

to answer your question, no, i don't think c3 is necessarily "worse" because, while people are entitled to their opinion, i think that's such a lazy, basic ass way of looking at it. also i just don't think a dnd game with people who are storytellers for a living can be shallow unless that's their goal, quite frankly. are there aspects of c3 i dislike? of course! but the same is true for all campaigns. there were parts of c2 i thought were very weak, despite the entire internet praising it like the second coming of jesus. there are things i think c3 does better than c2, even. and there are things c1 does better than both c2 and c3, and so on.

do i like that most of the campaign has been bells hells vs. a ticking clock? not really, it does mean certain sacrifices are made. do certain characters get on my last nerve? absolutely (but that's not exclusive to c3 lmao). at the same time though, i get the three women front and centre of the main plot, which has never happened before. i get a laura/marisha character romance after watching them have great chemistry for years. i get c1-level stakes and fantastic female npcs/villains, which c2 was mostly lacking. i get ashley full time (!!!) coming out of her shell and being her best and most chaotic self. and i get SO MUCH of the c1 characters? i'm fucking spoiled if you ask me.

maybe some of the criticism is very real and warranted (again, haven't seen it and don't plan to) but at the end of the day, this isn't my game of dnd or yours or any of the viewers'. we are literally watching other people play an improv game where they're crying one minute and making dick jokes the next, you just have to be along for the ride. going into the campaign with certain expectations is really silly and critiquing it the way you would a tv show just doesn't work. also unless these people are friends with the cast and speaking to them irl, how could they possibly know they aren't enjoying it as much like be serious 💀

i'm gonna be so honest here: idk if the people who are constantly spouting negativity are just miserable, but they sure look it! also stupid! why? because normal people who hate something simply ✨ stop watching and move on ✨. sure, hatewatching can be fun if you and your friends are in someone's living room or discord call shooting the shit, but doing it online day after day after day? honestly i just feel sorry for those people. happy people do not spend their time throwing essays worth of negativity up for the big wide world to see! how do i know this? because i was that person in my teens and i was severely unlikeable!

if you've enjoyed something without the bias of someone else's opinion, then you've enjoyed it! but your opinion can also change as the campaign goes, that can also be true! i would be interested to hear the reasons you loved it initially, because i think you'll find that most of that core stuff is present in all three campaigns.

the recent plot of c3 has been more stressful than any plot in previous campaigns, so understandably people have big feelings. my advice: the block button is your friend but so is the follow button! criticism is healthy, find people who deliver it in a way that's not some whiny entitled baby. letting someone else's opinion influence yours will never make you happy.

#anonymous #ask #sorry for the long response!#and some may say 'but you're unlikeable now!'#and to that i say... but now it's a choice 😉#honestly i'm jealous of you - you still have c1/c2 to experience!#each campaign is so different and that's the beauty of it imo

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coeluvr · 11 months

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I think it's different when you go look for it vs finding a spoiler out of nowhere. I'll never forgive google for spoiling me about character deaths when I just wanted to see something else related to them... didn't have a meltdown but made me extremely sad.

I love spoilers and actively seek them out. Most of the time, at least.

But I will never forget how I told a friend I started to play a game. Literally told them that I just started it up and the opening was on and how excited I am, just for my friend--who played it already--to say something like "oh cool, did you know-" and then proceeds to spoil the entire ending to me included with a certain character's death.

That was 15 years ago, and I'm still not over it because it ruined a lot for me, especially about that one character lol

Omg 😭😭 I love spoilers when I want them, which is most of the time, but when I don't want them and get spoiled I just don't watch it. But I'm strange and look up spoilers and the plot just to not watch it and to know what happens.

I'm a grudge holder too, I never forget things 🫡 I jokingly bring up things like that all the time lmao

#coe answers #rkgk-art #did you know I love your art btw #keeping my cool in front of you

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him-e · 3 years

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what did you think of shadow and bone? have you read the books? i only read the duology

Thoughts on Shadow and Bone, now that you've probably seen it?

I think the show is alright? It lacks a real wow factor as far as I’m concerned, but it’s enjoyable. It’s especially enjoyable in those parts I didn’t anticipate to like / didn’t even know would be there.

Whereas the main selling points leave a lot to be desired.

The good stuff: the visuals. The aesthetic. The overall concept. Production, casting and costumes are excellent, the setting is fascinating. The worldbuilding isn’t perfect and is sometimes confusing, which is probably due to the show jumping ahead of the books and introducing elements that happen much later in the book saga, but I’m loving the vague steampunk-y vibe of it mixed with more typical fantasy stuff and slavic-inspired lore, the fact that it’s set in dystopian Russia rather than your usual ye olde England.

I find it interesting that in this ‘verse the Grisha are simultaneously superstars, privileged elite, legendary creatures and despised outcasts, according to the context and the type of magic they wield. It’s A Lot, and so far it’s all a bit underdeveloped and messy, like a patchwork of different narratives and tropes sewn together without an organic worldbuilding structure. (there are hints to a past when they were hunted, but how did they go from that to being, essentially, an institutionalized asset to the government isn’t clear yet. There’s huge narrative potential in this, and I hope future seasons will delve into those aspects)

Many of the supporting characters are surprisingly solid. I appreciated that Genya and Zoya eventually sort of traded places, subverting the audience’s assumptions about them and their own character stereotypes, despite the little screentime they were given.

Breakout characters/ships for me were Nina/Matthias, and even more so the Crows, i.e. the stuff I didn’t see coming and knew nothing about (having only read the first book). (I thought the entire Crows subplot was handled in a somewhat convoluted way, at least in the first episodes; it was hard to keep track of who wanted Alina and why, but the Crows’ chemistry is so strong it carried the whole Plot B on its shoulders).

HELNIK. As an enemies to lovers dynamic, Helnik was SUPER on the nose, I’d say bordering on clichéd with the unapologetic, straight outta fanfiction use of classic tropes like “we need to team up to survive” and “there’s only one bed and we’ll freeze to death if we don’t take our conveniently damp clothes off and keep each other warm with the heat of our naked bodies” (not that I’m complaining, but i like to pine for my ships a bit before getting to the juicy tropetown part, tyvm). And then they’re suddenly on opposite sides again because of a tragic misunderstanding - does Bardugo hate high-conflict dynamics? It certainly seems so, because between Helnik and Darklina I’m starting to see a pattern where the slow burn and blossoming mutual trust is rushed and painted in broad, stereotypical strokes to get as fast as possible to the part where they *hate each other again* and that’s... huh. Something.

^That’s probably why I’m almost more interested in Kaz x Inej, because their relationship feels a bit more nuanced, a bit more mysterious, and a bit more unpredictable. (I didn’t bother spoiling myself about them, so I really don’t know where they’re going, but it’s refreshing to see a dynamic that the narrative isn’t scrambling to define in one direction or the other as quickly as possible)

Now, as for Darklina VS Malina... I found exactly what I expected.

Both are ship dynamics I’m, on principle, very much into (light heroine/dark villain, pining friends to lovers) but both are also much less interesting than they claim to be, or could have been with different narrative choices. I’ll concede that the show characters are all more fleshed out and likable than their book counterparts, and the cringe parts I vaguely remembered from the books played out differently. And, well, Ben Barnes dominates the scene, he’s hot as HELL, literally every single second he’s on screen is a fuck you to Bardugo’s attempts to make his character lame and uninteresting and I’m LOVING it, lol.

But yeah, B Barnes aside, Darklina is intrinsically, deliberately made to be unshippable.

It makes me mad, because it’s - archetypally speaking - made of shipping dynamite: yin/yang-sun and moon, opposites attract, COMPLEMENTARY POWERS AND SO ON. And what does Bardugo do with these ingredients? A FUCKING DELIBERATE DISASTER:

^ Placing the kiss so early on (season 1, episode five) effectively kills the romantic tension that was (correctly) building up until that point, and leaves the audience very little to still hope for, in terms of emotional evolution of the dynamic.

Bardugo lays all the good stuff down as early and quickly as possible (the bonding, the conflicted attraction, the recognizing the other as one’s equal, etc) only to turn the tables and pull the rug so y’all sick creepyshippers won’t have anything to look forward to, because THEY’VE ALREADY HOOKED UP AND THAT BELONGS TO THE PAST, IT’S OVER, THEY’RE ENEMIES. This, combined to the fact that she falls for him *without* knowing who he really is, is the opposite of what I want from a heroine/villain ship (it’s basically lovers to enemies, and while that can be valid too, I wanted to see more pining and more prolonged, tormented symbolic attraction to the Shadow/Animus on Alina’s part).

But here’s the trick: it’s not marketed as lovers to enemies - it has all the aesthetics and trappings of an enemies to lovers (the Darkling is, from the get go, villain-presenting, starting from his name), so it genuinely feels like a trollfic, or at the very least a cautionary tale *against* shipping the heroine with the tall dark brooding young villain, and I don’t think it’s cool at all. It makes the story WAY less interesting, because it humanizes the villain early on (when it’s not yet useful or poignant to the story, because it’s unearned) but it’s a red herring. The real plot twist is that the villain shouldn’t be sympathized with, just defeated: there’s a promise of nuanced storytelling, that is quickly denied and tossed aside. So is the idea of incorporating your Shadow (a notion that Bardugo must be familiar with, otherwise she wouldn’t have structured Alina and the Darkling as polar opposites who complement each other, but that she categorically refutes)

Then we have Malina. The good ship.

Look, I’m not that biased against it. I don’t want to be biased on principle against a friends to lovers dynamic that antagonizes a heroine/villain one, because every narrative is different, and for personal reasons I can deeply relate to the idea of being (unspeakably) in love with your best friend. So there are aspects of Malina that I can definitely be into, but it troubles me that in this specific context it’s framed as a regression. It’s Alina’s comfort zone, a fading dream of happiness from an idealized childhood, to sustain which the heroine systematically stunts her growth and literally repressed her own powers, something that in the books made her sickly and weak. But the narrative weirdly romanticizes this codependency, often making her tunnel vision re: going back to Mal her primary goal and centering on him her entire backstory/motivation, to the point that when she starts acting more serious re: her powers and alleged mission to destroy the Fold, it feels inorganic and unearned.

Mal is intrinsically extraneous to Alina’s powers, he doesn’t share them, he doesn’t understand them, he has little to offer to help her with them, and so the feeling is that he’s also extraneous to her heroine’s journey, aside from being a sort of sidekick or safe harbor to eventually come back to. People have compared him to Raoul from Phantom of the Opera, and yeah, he has the same ~magic neutralizer~ vibe, tbh.

The narrative also polarizes Mal’s normalcy and relative “safety” against Aleksander’s sexy evil, framing Alina’s quasi-platonic fixation on the former as a better and purer form of love than her (much more visible and palpable) attraction to the latter. This is exacerbated by the show almost entirely relying on scenes of them as kids to convey their bond. I’m sure there are ways to depict innocent pining for your best friend that don’t involve obsessively focusing on flashbacks of two CHILDREN running in a meadow and looking exactly like brother and sister. LIKE. I get it, they’re like soulmates in every possible way, BUT DO THEY WANT TO KISS EACH OTHER?

Which brings me to a general complain: for a young adult saga centering on a young heroine and full of so many hot people, this story is weirdly unsexy? There are a lot of shippable dynamics, but they’re done in such a careless, ineffective way that makes ZERO EFFORT to work on stuff like slow burn, pining and romantic tension, and when it does it’s so heavy handed that the viewer doesn’t feel encouraged at all to fill the blanks with their imagination and start anticipating things (which is, imo, the ESSENCE of shipping). The one dynamic that got vaguely close to this is, again, Kaz and Inej, and coincidentally it’s also the one we didn’t get confirmed as romantic YET. Other than that, where’s the slow burn? What ship am I supposed to agonize over during the hiatus to season two? Has shipping become something to feel ashamed of, like an embarrassing relative you no longer want to invite in your home?

Anyway, back to Alina/Darkling/Mal, this is how the story reads to me:

girl suspects to be special, carefully pretends to be normal so she can stay with Good Boy

the girl’s powers eventually manifest; she’s forcibly separated from Good Boy

the girl’s powers attract Bad Boy who is her equal and opposite but is also a major asshole

girl initially falls for Bad Boy; has to learn a hard lesson that nobody that sexy will ever want her for who she is, he’s just trying to exploit her

also, no, there is no such thing as a Power Couple

girl is literally given a slave collar by Bad Boy through which he harnesses her power (a parody of the Twin Scars trope)

you know how the story initially suggested that the joint powers of Darkness and Light would defeat evil? LOL NO, Darkness is actually evil itself and the way you destroy evil is using Light to destroy Darkness, forget that whole Jungian bullshit of integrating your shadow, silly!

conclusion: girl realizes being special sucks. She was right all along! Hiding and suppressing her powers was the best choice! She goes back to the start, to the same Good Boy she was meekly pining for prior to the start of the story.

... there’s an uncomfortable overall subtext that reads a lot like a cautionary tale against - look, not just against darkships and villain/heroine pairings, but also *overpowered* heroines and, well... change? Growth?

Like, it’s certainly a Choice that Alina starts the story *already* in love with Mal. That she always knew it was him. The realization could have happened later (making the dynamic much more shippable, too), but no.

#anon #asks #*#sab for ts #long post #darklina for ts #malina for ts #sorry it took me a while but i wanted to see the whole season first

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dappercritter · 3 years

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Godzilla vs Kong: Brutally Honest Thoughts

(Took me long enough, eh? Depending on home video releases be like that.)

So first things first, I have a confession to make: I spoiled the movie before I watched it. I was impatient and they had only announced an HBO Max premiere in the states and a theatrical run in Canada at the time. Afterward, I got heads-up from a friend and immersed myself in the opinions of those lucky enough to see it early. I’m just saying that I have some preconceived opinions that I’m sticking to.

That said, Godzilla vs Kong turned out to be more fun than I expected! But you already knew that. Everyone did. The two kings of movie monsters had their rematch and this time it was with glorious Hollywood SFX powering it this time.

The human story was fun but it’s clear they stopped trying at this point. Team Kong stole my heart, especially Jia. Team Godzilla (although the Conspiracy Crew would be a more fitting term since they spend more time chasing down mysteries than trying to back or understand Godzilla) was more fun than I expected and their dynamic was surprisingly enjoyable. Bernie is actually kind of funny, it's nice to see Madison acting more assertive, and Josh was fine--he was the only sane man of the bunch but he was also the butt of the jokes. Still, all the hardcore conspiracy jokes got old fast and it feels off seeing the daughter of two scientists turn into an edgy conspiracy crackpot. Why not an edgy science major?

Team Apex are fun villains, especially Walter Simmons who's a great megalomaniacal CEO type, but Ren Serizawa is a joke. I like his actor's performance but he's just another footnote. Nobody bats an eye at his last name, although the only heroes he interacts with are Nathan Lind and he just misses Team Godzilla. He really could have just been any other villain, but instead, they had to sully Serizawa’s legacy further while robbing a good actor of some interesting material. (As is, it turns out he was just an egotistical jerk with daddy issues--an easy puzzle to solve on day one--after all...)

However, I still cannot and will not approve of the fact that somebody thought it would be a good idea to make the heroes of a sci-fi story into hardcore conspiracy theorists in this day and age. Likewise, I’m not a huge fan of how they essentially made the Hollow Earth into its own universe complete with a crazy portal and an environment with its own laws of physics, nor am I totally crazy about the huge leap in technology that was made between this and KOTM, or G’14 for that matter.

The monsters as awesome as they are, are the biggest mixed bag in the show.

Kong is at his best in ages, and while I am all for the new heroic warrior character that Legendary have crafted and I acknowledge that making him a worthy opponent for their god-tier Godzilla was going to be a hurdle, I think they did a splendid job. Seeing Kong using agility and acrobatics was a glorious sight to behold, and something about Kong becoming a tool-user and weapon wielder just feels right. It’s a far better demonstration of Kong as a “thinking animal” (*wink, wink*).

I’m much less thrilled about their treatment of his greatest opponent ever. After everything they’ve done to build up Godzilla as the incredible force of neutral good fighting to maintain balance and all the build up to ancient rivalry debating back to a great Titan war--even going as far as putting his name in front Kong’s this time!-- they’ve reduced Godzilla back to glorified bully for Kong. He only gets the minimum amount of sympathy from the cast of his movie before they go off to deal with the conspiracy plot or focus on Kong and the Hollow Earth. Worse still, he is somehow more powerful and more aggressive than ever for a good chunk of the movie which leads to an outcome I’m sorry to say we all saw coming. Somehow, I suspect that the reason behind this was how Wingard cited Godzilla vs. Mothra, vs. Destoryah, and Shin-Godzilla as influences for the monsters scale and story, which while cool and all, are all movies where he was played up as a mostly stoic antagonist rather than a three-dimensional character like Kong. (Though ironically vs. Destoroyah and Shin did a better job of making Godzilla feel more sympathetic and in both of them he was a walking nuclear reactor meltdown.)

Due to the unfortunate time constraints of the three-way deal between Toho, WB, and Universal at the time this was in production, Kong was unable to secure a proper sequel that could develop his skillset like Godzilla’s did. Nevermind the fact the filmmakers completely surrendered to the “nothing matters but the monsters” mentality that a chunk of the fanbase has been spouting since this universe unofficially kicked off almost 10 years ago. (Sidenote: Oh god, I’m turning in an old fart already.) As a result, the movie trips over itself trying to set up Godzilla and Kong’s rivalry as well as building up Kong as a worthy opponent to Godzilla while expanding on their shared lore, and as a result countless plot points set up in in the previous movie and tie-in movie are thrown out the window. I’m sorry to say but in spite of all hopes and illusions of grandeur, it’s safe to this damn thing is a Kong movie with Godzilla as the bad guy.

...at least until HE shows up. Yup, Mechagodzilla. The biggest spoiled twist of the centuries steals the show so the movie can pull a Dawn of Justice. But! It does it much better than the fractured DCEU’s most controversial entry ever could. Mechagodzilla’s inclusion gets a decent amount of build up thanks to Team Godzilla/the Conspiracy Crew, and when he shows up, does he make an impression! At first, I wasn’t sure how to feel about his inclusion or his design, but I’ve come to like this one. He’s basically a kaiju terminator built in Godzilla’s image made purely out of heavy machinery piloted by the best Ghidorah head. It’s a jarring change of pace compared to previous MechaG’s but it grows on you after a while. With the abundance of weaponry stuffed into him, he feels like a fitting update of the original killing machine, and even if his inclusion feels like an easy way out of the big showdown, it’s fun to see him played as a literal colossal heel for the kings to team up against. Not to mention he looks shockingly good with those red highlights. However, one still can’t help but wonder how and why he was made in this universe, or how he feels like pure heavy machinery one minute and then an extra-large Ultron unit the next.

As for the the big throwdowns we’ve all been waiting for... well, we’re still in the mixed bag deparment. While the fights are all exciting and excellently choreographed, and benefit from some more eclectic lighting and cinematograph, I’m sorry to say that as far as the rematch of the century goes they dropped the ball on this one.

Don’t get me wrong, the fights are all great in their own ways, but there’s a drastic change in the feeling of weight and power with the monsters. Godzilla, Kong, and even Mechagodzilla all feel strangely floaty in most of their fights. One moments they feel like true behemoths shaking the very earth with every movement and then it’s like they’re in Godzilla Unleashed, running, jumping, and throwing each other around with speed that feels that almost makes you wonder if the Hollow Earth’s gravity inversion stuff is leaking out into the world. While it’s all perfectly cool, you can’t help but wonder how Kong is able to leap between aircraft carriers and buildings, when Godzilla got the ability to blow a hole through the Earth itself, or how a colossal machine is able to move so nimbly or why it has to be flashing blue all the time.

It’s fascinating and fun but you just can’t help but wonder how we got from almost posthuman disaster and war movies exploring how we’re at the mercy of the ancient almost mythical forces beyond our comprehension, we’ve found ourselves smack dab in the middle of Bayformers meets Jurassic World levels of Hollywood absurdity where anything and everything can and will happen in the name of getting to the monster fights. Although I can’t say I’m surprised given the director’s take on Death Note made some questionable choices with it’s take on the infamous cast while still coming up with some genuinely inspired choices. Still, all things considered we could have gotten worse compared to ther cinematic universes made by WB and Universal.

As for some misc. thoughts to close up this rambling mess:

-The soundtrack is fantastic. A great continuation of the feel of Skull Island’s mixtape with some truly wonderful picks. Special mention goes to the opening and ending songs, and they GOT AN ELVIS PRESLEY SONG IN HERE! YES!!! The three kings of pop culture together at last!

-While this movie didn’t need to be any more overstuffed, it would have been nice if the rest of the Titans didn’t disappear entirely from this movie. I get that Godzilla: Dominion already explained what happened to them all more or less, but it really is a missed oppurtunity that we never got to see another Titan war. Or Rodan attacking Kong to avenge his pterosaur bretheren from days long past. Speaking of which...

-“Save Mothra” jokes be damned, Mothra would have been a welcome gues star, not just to help break up the big fight, but to show off Godzilla’s softer, more protective side. And yes, I want more Mothzilla. Shut up, we deserve it.

-Boy, Monarch sure does a whole lot of nothing up-top, huh?

-The cinematography is a great update but there’s a little too much neon lighting, especially in the Apex HQ and the Hollow Earth throne room. It feels like they’re trying just a little too hard to sell the more futuristic, Hollywood sci-fi feel.

-The score is... great but not that great. Of course, I’ve always had mixed feelings about Tom Holkenburg (AKA Junkie XL)’s music. I liked Kong’s themes, but they REALLY dropped the ball with Godzilla’s theme. Mechagodzilla’s works really well as long you ignore that it’s just Godzilla’s theme in this movie with an ominious choir added in.

-The new Hollow Earth creatures are all perfectly fine. Actually, I thought they were another highlight! Especially the Warbats, Hellhawks, and Doug the Titanus Foetodon Man.

-I want to do a release the extended cut campaign but I don’t think any of us have the energy for that s**t anymore.

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butwhatifidothis · 3 years

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3H and Bleach: Where the Fuck am I

So, I’m finally hunkering down and trying to write out this post lmao. I’ve mentioned here and there how my personal experience with the 3H’s fandom is similar to my experience with the Bleach fandom’s in more than one way, and - look. Like, I get there’s definitely a semi-universal thing that goes on across all fandoms. I don’t mean for this to say that this only happens within these two fandoms, because duh, of course they don’t. But!! This post is partly me wanting to air years long annoyance towards the Bleach fandom that just so happens to coincide with my feelings towards the 3H fandom, sooo... yeah lmao

I’ll probably be skimming over some bits about 3H, since most people who come across this will already be familiar with what I’d be talking about in that regard vs Bleach, so just a heads up

Note: This is gonna talk about Bleach which will spoiler territory (writing this off the cuff so not sure where this is goin’ yet lmao but I know that much), so if you don’t wanna see that then don’t read this post lol, I know for sure I’ll be spoiling something ahhhh... noticeable, lol

Ableism against the mentally ill

Now, most people reading this post will be familiar with the blog and how this very, very much applies to 3H, but for the sake of this post I’ll lay it out anyway with a brief summary

Dimitri and Rhea are both characters within 3H that suffer from severe trauma that heavily impacts their mental state. Both are the sole survivors of a horrific slaughter, with that slaughter redefining who they are and leaving a permanent marker within their minds in some way (Dimitri with having auditory and visual hallucinations, Rhea with having obsessive tendencies towards bringing her mother back from the dead). Specifically in CF, both characters are set up in the plot as antagonists, with both characters having to relive their trauma in some way due to the actions Byleth and Edelgard take against them (for Dimitri, having his home be razed to the ground and everyone he cares for dying around him, for Rhea having someone use her mother’s mutilated remains be used to end her and her race) and express extreme anger towards Byleth and Edelgard before they are killed to progress/end the story

Now, uh, sad shit right? Not exactly fuckin’ happy sunshine rainbows. These two characters are put through the wringer and are then murdered. They are rightfully not the fuckin’ happiest because of what happened to them before and what happens to them within the present story. But we’ve heard it all before: “They were crazy!” “They couldn’t be reasoned with!” “They had to be put down out of mercy because they were too ~far gone~ to live happily!” “They needed to be killed for the good of everyone!” It’s an extremely ableist rhetoric that gets passed around the fandom as though it’s totally fine to directly state that mentally ill people should be put down if they’re deemed a “lost cause.” Especially worrying because. You know. If they are a “”””lost cause”””” then it’s directly and specifically because of actions Byleth and Edelgard take against them.

But how does this remind me of Bleach? What kind of similar extreme, worrying ableism exists there? Well, let me introduce to best girl a certain character with... a reputation, to say the least:

Meet Momo Hinamori.

Holy shit it’s so weird writing this out because I’ve been wanting to for years but have never worked up the nerve to do it lol

It should be noted, in the Bleach verse there’s two worlds out of three - Soul Society and Hueco Mundo, though I’ll only be talking of the former - that deal with “souls” (the essence within a living human). Souls age far more slowly than human bodies do in terms of body, not necessarily the mind (so a teenage soul will likely behave as such for a long while) so keep in mind that I’m going to be using numbers that may seem weird to someone who hasn’t seen Bleach lol. With that out of the way, here’s a similar, if longer for context to those who haven’t seen Bleach, summary for Momo’s character as it relevant to this post:

Momo is a character in Bleach that grows a deep admiration towards Sosuke Aizen, a respected captain of the military force called the Gotei 13. She comes to views him as the most important person in her world due to him both noticing and paying direct attention to her as well as saving her and her friends’ lives during a training mission gone wrong while she was younger. Note that “younger” here means 40 years ago from the start of the story. Aizen would praise her all the time, allow her to sleep over in his quarters, would drape his cloaks over her when she looked cold, and would overall treat Momo as though he was his daughter for most of the time we see them interact in the beginning portions of the show. Note that none of this is sexual in nature, nor is it ever implied to be seen as such. That’ll be important later in this post

To make a long story short, Aizen comes to betray her. He stabs her through the chest and shows and tells her that she never meant anything to him, throughout the 40 years they’ve known each other (which, mind, for a soul Momo’s approximate age 40 years is still a noticeable amount of time), and he was only using her to help bolster his image as a loveable captain so that he can hide his plan from everybody that much easier. He did horrible things to Momo - from setting her alarm clock back to a later time so that she would more likely come across his pinned, bloody fake corpse. to framing her childhood friend for the apparent murder and tricking her into fighting that friend, to far later in the series tricking that friend into stabbing her (hypnosis shit, to sum that up) for literally no stated reason - that ended up mentally breaking her. She couldn’t believe that the last four decades were all nothing but lies and she fell into a deep denial about Aizen’s true nature - someone else made him do everything he did, she must have missed something that would have warned her about Captain Aizen’s unfortunate situation that forced Captain Aizen to hurt her and everyone else. This denial would take the majority of Bleach’s entire runtime for her to get over completely, with her having hiccups in her recovery even as she works up the nerve to fight him.

Now, uh, also not the fuckin’ funnest of times to be had here. The deep, long-running mental and psychological manipulation of what approximates as a teenage girl from a trusted older figure is something that is very clearly horrific and bad of the older figure, right? Like, we’re on the same page here on that?

This wouldn’t be in this post if that was the case. No, Momo was the one constantly on fire for what happened to her. She was one of the most hated characters in the western audience, and there were endless jokes about “lol look at Momo, the pincushion!” “Crazy bitch Momo, better watch out!” making fun of her and her trauma relentlessly. If you managed to find a Momo fan in the early 2000′s you should have also bought a lotto ticket because holy fuck, everyone hated her. She acted in a startlingly real if deeply uncomfortable way in regards to years long manipulation and she was lambasted for it. She didn’t immediately get over decades long psychological abuse and she was called useless, weak, a horrible representation of female characters, stupid - you name it, she was likely called it. To this day I still tense up when I hear that someone likes Bleach and they mention Momo at all because I’m always thinking “does this person think this abuse victim is dumb for being abused?”

Dimitri, Rhea, and Momo are all victim-blamed to a disgusting degree in the 3H and Bleach fandoms. Dimitri and Rhea are always hit with “well if Dimitri hadn’t have fought back against Edelgard/Rhea caused the “”tyranical systems” in the first place, nothing would have happened to them!” and Momo was constantly hit with” well, it’s not Aizen’s fault Momo was so clingy to him, what could he have done!” and I get so fuckin’ mad dude.

But for Dimitri and Momo specifically, there’s one thing in particular that caught my attention:

The “Rejection Theories”

This had my head spinnin’ a bit when I first heard it, cuz I had managed to avoid the theory for a while in the 3H’s fandom, but apparently a sizeable amount of people seem to believe that Dimitri wasn’t just mad at Edelgard in the Holy Tomb because of... you know *waves hand* fuckin’ everything, but that the primary reason for his anger was that Edelgard... rejected his advances to her? And that the dagger he gave to her when they were 13 was a phallic symbol of baby Mitri’s want to have sex with Edelgard? And. Like. What in the fuck are you talking about.

But like?? Bleach did this shit too with Momo?? It was also a sizeable amount of people - not everyone, but a noticeable amount - that believed that Momo was just mad that Aizen wouldn’t sleep with her? You’d see it pop up in fics so often, that Momo would want Aizen to fuck her and she’d “go crazy” when he denied her and Momo was actually just this shallow bitch who wanted a good fuck like... what.

Like, when I first heard the Phallic Dagger take the first thing that came to mind is “wait Momo was also accused of just wanting to have sex with the person who traumatized her wtf”

“Actually it was the perpetrators that should be forgiven because lonely and also some shit about ruling better”

Those in the 3H fandom know how often the “Edelgard was lonely!” line gets thrown by just about every one of her stans. Edelgard was lonely and couldn’t trust anyone, so of course she did what she did! If she had someone near her she could trust she wouldn’t have acted like she does in the rest of the game! Nevermind that she “gets” this in CF in the form of Byleth and still acts just as shittily as she does in the other routes, or how being a little lonely doesn’t fuckin’ mean you get to start war. But anyway, we also hear that Edelgard was justified in doing what she did because her ruling Fodlan would have lead to more peace in the end, once she got rid of the power structures in place now (except that doesn’t happen but whatev I guess lmao)

Aizen? He was lonely too! He was far too strong for anyone to truly be able to understand him, and so he tragically fell down a dark path. If he had known someone who could be considered an equal to him he would have never done all the horrible things he did. And the Soul Society is unjust! It needs to be reformed! So him slaughtering hundreds of thousands of souls at the minimum to harvest all of their power to use as his own is justified because it’ll be used to create a more just society under his rule!

Like. Y’all. Lowkey? I’m so fuckin’ glad Edelgard proved herself to be just as fuckin’ awful with Byleth as without because this shit drove me up the fuckin’ wall back in the day. There was 0 ways to prove that Aizen would damn sure be just as fuckin’ bad if he had an “”equal”” to stand by him than if he didn’t, and I get to kinda be right because without fundamentally changing these characters’ backstories they would not give two flying shits about whether or not they had someone “equal to them” (which is still kinda degrading to think about anyway).

Now, this is where I move away to a different topic lol

A split in the narrative cause divides in the fandom

With 3H houses this is really fuckin’ easy to point at: there’s 4 routes, three consistent stories and one radically different story, and that difference in story causes heavy contention within the fandom. It’s very obvious so I won’t go over it much.

But how in the fuck is there a divide in Bleach? It’s not a fuckin’ Choose Your Own Adventure manga, it’s an anime and manga showing off the characters of Bleach’s stories and interactions (with, you know, plot and shit thrown in).

Well. It’s more accurate to say the anime told a story about the characters, and the manga told... the story about the characters.

In terms of plot, the anime didn’t change much from the manga, but hoo fuckin’ boy, did they change shit about some of the characters. Specifically, they changed a shit ton about three characters: the two main protagonists, Ichigo and Rukia, and another main character, Orihime.

Orihime. Got. Fucked.

The anime would make her far more ditzy and clumsy, her crush (turned growing love later on in the story) for Ichigo during more deeper moments that showcases her feelings for him were downplayed if not removed entirely in exchange for talking or thinking about food, key moments she has with Ichigo early in the manga were cut or deadass changed to something else in the anime, some key moments with her relationship with Rukia were cut, her backstory was watered down - so much of Orihime was fucked with in the anime (her fuckin’ introduction was changed drastically). Meanwhile Ichigo and Rukia were given moments that didn’t exist in the manga, they have filler arcs (remember those lmao) that would be stuffed with shit ton of moments for them that have no basis in the manga, other characters would change their behavior from the manga to reflect a sort of “thing” going on between Ichigo and Rukia.

Look, guys, the anime fucked up so bad the fucking mangaka, Tite Kubo, has said he gets stomach aches watching the early anime because it was that awful. And this divide between the anime and manga’s portrayal of these three character helped spawn the ship war of Bleach: Ichiruki vs Ichihime (oh but more on that in a bit). It tanked Orihime’s popularity because people thought she was the stupid dumbass that would stumble ass first into situations when that wasn’t her character at all. And because the majority of anime watchers only watch the anime... yeah, you can see where this went. So just like in 3H in Bleach you have these radically different tellings of the same characters that drove a big-ass wedge in the fandom

Marketing

Imma be transparent, like I’ve said before I managed to avoid nearly every marketing tactic for 3H so it’s a tad hard for me to speak personally, but from what I’ve been told Edelgard was heavily marketed towards the player base pre-release. She was the poster child of 3H, she got the figma, she was in the spotlight - unless you cleansed your board of 3H content you knew exactly who she was. On top of that, it doesn’t stop in-game - loading screen messages would assume you picked BE, Adrestia is the first option to pick when you want to impress one of the lords in the prologue, the BE class is the first option to pick in choosing which route to play, every character has some moment in the game post ts where they express sympathy with the woman who waged war on them for five years (even characters with no business doing so, like Seteth entertaining the idea that maybe Edelgard isn’t that bad during Myrddin). With all of that good PR for Edelgard in and out of the game it heavily impacted how people saw her, and much of it is used by stans to justify her being a good guy (mostly in the game marketing) despite everything else in the game clearly showing that Edelgard is the bad guy

With Bleach in that regard... you have Ichiruki

holy shit it’s so weird talking about Ichiruki i’m still lowkey nervous about talking about them lmao

With Ichiruki stans, they would cling onto outside material that promoted Ichigo and Rukia together as proof that their ship was going to be canon. Spreadsheets, calendars, poems (some of which didn’t even apply to Ichigo and Rukia’s relationship but they insisted they did anyway), novels - outside material that either wasn’t canon or didn’t pertain to Ichigo and Rukia’s relationship. They would shove it in the face of Ichihime shippers that “see, we have all this stuff for us! We ain’t starving tonight!” when the canon (note: in the manga particularly) would clearly show Ichigo and Orihime’s relationship being the one that leans romantic in multiple significant ways. They would latch onto irrelevant shit that ain’t had nothin’ to do with anything and wave around as a paragon of romance when it literally wasn’t even canon

Just fuckin’ ignoring the creators deadass

Creators and developers of 3H: Edelgard is the typical Red Emperor the only difference is Girl

Stans: that’s just a headcanon

Kubo: Ichigo and Rukia have a platonic relationship and I’ve publicly said this since 2008

Stans, now, to this day: Ichigo and Rukia were robbed

Making people reject what they’re stanning for

I’ve seen a few people express that the more they interact with the fandom and see what her stans are doing, the more they grow to dislike Edelgard despite (some) initially liking or even loving her. To put it simply, the same thing happened with Ichiruki - hell, this happened with me with Ichiruki. I can’t fuckin’ stand the ship anymore because every time I think about it I’m reminded of the absolutely rancid, disgusting things Ichiruki stans have to done to others in the fandom, and even after nearly five years after Bleach has ended I still tense up when someone says they like Ichiruki over Ichihime precisely because of the behavior of the stans, just like I side-eye people who say Edelgard is the best lord. Do they like them because they simply prefer them over the other(s) and they’re not totally fuckin’ bonkers, or are they totally fuckin’ bonkers.

And, like, that’s not fair! I know that! But I can’t help but think that when such a loud amount of people act in such deplorable ways just because someone didn’t like a bunch of lines on paper/pixels on a screen.

To all the nice Ichiruki and Edelgard fans, hope y’all are havin’ a nice day.

Long, crazy ass explanations as to why X =/= X (and if anything actually means Y)

Teacher theory for 3H. How Edelgard totally didn’t hire Kostas to kill Dimitri and Claude and was only thwarted because Claude booked it, but how she definitely actually meant to simply scare away the teacher that was with them so that Jeritza could be pulled from his already existing position in Garreg Mach to teach one class so that Edelgard can kinda keep a sorta closer eye on exactly one of the other classes (and just do shit all about the other one I guess), because Jertiza’d be able to gleam so much from teaching a class for a few hours a day I promise

But for Bleach, you also have one particularly infamous theory positing shit that don’t real, with enough renown to be known by a specific name, and that’s the Lust Arc = Fail essay

To explain what the essay is about, I have to set the scene up a bit. Imagine, you, with your tiny little monkey brain, are watching Bleach, and you get to the part where Main Boyo is fighting against Villain to save Girly. Other Guy is there too - this is important. Main Boyo tries his hardest to fight Villain, but is ultimately shot through the fucking chest with a laser from Villain and dies. Like, for bit actually dies. Girly breaks down, has a straight up mental breakdown because she always “knew” that Main Boyo could do anything, and now he’s been killed and is dead in front of her. She screams out Main Boyo’s name, hysterically begging him to save her and protect her because holy shit the love of her life has been brutally murdered in front of her what the fuck. But Main Boyo, from literally beyond the line of death, hears her pleas and snaps back to life as a monster, with the sentence “I MUST PROTECT” repeatedly running through his head and being the only sentence he ever says while in this form, with him fucking destroying Villain and even going so far as to directly hurt Other Guy when Other Guy tries to stop Main Boyo from utterly stomping on Villain. Girly is the only person Main Boyo does not directly hurt, and when Villain is damn sure gonna fuckin’ kick the bucket that is when Main Boyo reverts back human. Everyone is more than a little shocked at what happened, but it’s clear from how relieved Girly is when Main Boyo comes back safe and sound that while this event fundamentally will change their relationship (and it does), it is still one that is extremely strong and they won’t let it get between them (and they don’t).

Now, when looking at the summary, you, with your absolutely miniscule peanut of a brain, might come away thinking, “Hm, Main Boyo might kinda care for Girly given that he literally rose from the dead to protect her and only her and went back to normal once she was safe” and you poor fool would be oh so wrong, because actually, this is all proof that Mian Boyo doesn’t care for Girly and that Villain actually cared more for Girly than Main Boyo ever could.

Without diving too deeply into the absolute lunacy of the Lust Arc = Fail essay, that was its main premise. That Ichigo, after rising from the literal dead directly after Orihime begged and pleaded that he protect and save her and then going on to protect and save specifically her (as Uryu - Other Guy - is also a friend of Ichigo’s and got his fucking arm cut off by Monster!Ichigo), is proof against Ichihime being romantic in any way and was not, in fact, a fuckin’ giant neon flashing sign that read THESE TWO ARE GONNA GET TOGETHER. It was the dumbest shit ever, but Ichiruki stans, much like Edelstans with Teacher Theory, clung to it like white on rice. It didn’t matter how much it was utterly debunked, it didn’t matter how the base premise was stupid as fuck, they point to it as the pinnacle of meta for their respective fandoms in their respective spaces.

And all of this leads me to um... the one I’m kinda the most worried about?

Stan Behavior

Edelstans are their own unique brand of awful in that that the shit they spew is particularly... worrying (”genocide isn’t bad if they aren’t human and also they kinda deserved it” “imperialism isn’t that bad really” the mentally ill should be put down if they’re deemed ~too far gone~” among other... wonderful takes...), and their behavior is also quite shitty, harassing content creators that go against the Approved Opinions (Ghast) or forcing people to take down fanart and in general infecting nearly every Rhea space with all kinds of disparaging comments no one asked for. They actively make the fandom a worse space, and when they flare up it’s almost always noticeable (again, Ghast)

Bleach?

Oh boy.

Guys. If you weren’t there for the Canonization of Ichihime (2016). You dodged a fucking bullet.

The outrage was out-fuckin’-rageous. Their behavior was some of the worst reactions anyone has ever seen come from the canonization of a ship in a shounen. This includes, but is not limited to:

Someone tearing apart all 70+ volumes of Bleach and burning it in their bathroom

In fact, multiple people tearing up Bleach and burning it, while keeping the Ichiruki moments and taping it to their walls

A Rukia cosplayer, in Rukia cosplay, printing out the final color spread of the end-game couples and their friends lounging about - with colored ink and all - and burning it, while filming herself doing so

Ichiruki porn being sent to Tite Kubo

Tite Kubo being accused of grooming a 15 Orihime cosplayer with no proof

Tite Kubo being accused of lying about his various health issues

Ichigo and Rukia being drawn cheating on their spouses with each other - and some of that also being sent to Tite Kubo

Tite Kubo being chased off Twitter by Ichiruki stans... again

Ichihime shippers getting sent death threats

Ichihime shippers getting called delusional for thinking their ship had a chance before the endgame couples were revealed, and then being called delusional for thinking their ship had any real basis and wasn’t pulled “out of nowhere”

Tite Kubo being accused of hating women because of Orihime being shown in an apron in the last chapter and Ichiruki stans jumping to the conclusion she became a housewife, and then Tite Kubo being accused of hating women because when it was revealed that Orihime has a job in a bakery to pay for college later they insisted what Kubo should have done was have Uryu, who’s a doctor at that point, pay for Orihime’s college instead of having Orihime pay for it with her own money

And mind you, this is only the stuff I’ve personally seen and experienced

I am hoping and praying that Edelstans never get as bad as Ichiruki stans did in 2016, but with how otherwise similar they are my hopes are dwindling more and more. I guess I can take solace in the fact that they aren’t quite... that bad yet? In terms of actions, at least? Their sentiments though are infinitely worse, so like... cool

#what the hell do I even tag this #i guess like #fandom observations #fandom critical #fandom criticism #yeah shit got BAD in the Bleach fandom in 2016 #and I fear what the return of the anime is gonna have in store #things already don't look good in the 3H fandom so like... yeah #wanted to get the Bleach rant off my chest for a long ass while now lol so glad I could do that #again wanna reiterate that this isn't exclusive to Bleach and 3H this is just my experience with them

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pondermoniums · 3 years

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A Rant Nobody Asked for About Stranger Things season 3.

feat. my personal pet peeves.

Disclaimer: when I first watched Stranger Things 3, I massively enjoyed it. I thought it finally captured the 80s aesthetic and vibe with the colors, the neon, and music. I even enjoyed it the SECOND time I watched it, although I was officially aware of some major flaws by that point.

1. The Coca Cola flex.

CocaCola has been all over this show ever since Tommy handed Steve one as a makeshift ice pack after his fight with Jonathan in s1. And then by season 3 it’s just....obnoxious???? And so unnecessary??? Karen Wheeler’s drinking one by the pool in episode one. Billy knocks into someone during his first day being flayed, and a coke rolls over the concrete.

LUCAS DOES AN ENTIRE MONOLOGUE ABOUT NEW COKE.

I mean, Jesus, we get it. CocaCola basically owns Georgia, where a lot of American TV shows are filmed.....but......you’re literally CocaCola. This kind of flex is entirely unnecessary and therefore pathetic.

2. Karen and Billy

Okay, listen. I thought their interaction in season 2 was H I L A R I O U S. But I’m someone who has looked 21 since I was 14, thanks to being an early bloomer. I get it. The cocky prowess of looking older than your peers. Getting to look adults in the eye and get that tiny bit of respect with nothing more than just looking like they do. And, as a writer, the contrast between thirsty, older Karen with young and equally thirsty Billy is an odd pair of puzzle pieces that fit really hilariously - largely because it’s so unexpected, maybe. And frankly, I think it’s one of the first scenes where Dacre’s acting really made my eyes fall out of my head, he did so well.

But it should have ended there.

I’ve been to a LOT of public pools in my day (I’m 26 but hush), and I have NEVER seen older women thirsting over the lifeguards. Ever. It’s predatory - an attribute most women understand all too well - unprofessional, and just downright gross. Their whole interaction in s3 is for “the male lens,” which Hollywood really needs to figure out by now is outdated, predatory, disgusting, and not good writing.

3. Glossing over Billy Chugging Chemicals

Bouncing off of #2, is Karen’s total negligence of Billy’s condition. Many people have pointed it out before, but a row of mothers being completely ???? about Billy’s condition is a raging red flag of bad writing.

(Also that it was written by men, because women are hard-wired to be super aware of other women - a tactic of living on guard in a man’s world all the damn time. So you can always count on a mother, grandmother, or a brave teen/20-something to be the one to walk up to a person who doesn’t look well in order to check on them, even if you’re complete strangers. It’s happened to me, and I’ve done this for other people.)

These women literally stare at him for every shift of work he has, and they.....don’t do anything????

Karen WALKS IN ON HIM DRINKING CHLORINE. It actually took me the second watch-through to realize what he was doing in that storage room, and god, my heart just broke. It’s the only time we actually see a glimpse of Billy making himself flayed like the others. It’s so fleeting (maybe because we already get so much pain from his plot, and we do see what happens with the other flayed people) but it’s also one of the reasons, I think, that we have a whole fanbase ready and eager for his return.

We didn’t get a good glimpse of him poisoning himself to the point that he has to rely on the MindFlayer to stay alive. I’m not saying any of us want that, no way, but that’s my personal headcanon: in s2, Will was super protected and therefore capable of being separated from the Flayer. All of the Flayed IMMEDIATELY low-key drowned themselves in ice water to lower their temperature, and then chugged chemicals. They all die twice.

4. Billy. Just......Billy.

This poor boy’s plot was so pointless. It’s a special thing: creating such a good character and then doing fuck-all with him. The moment you realize his only purpose in season 2 was an introduction is....the beginning of a lot of disappointment. And no, he DIDN’T serve as an antagonist for Steve, because what happened? He slowed Steve down.

That’s it.

He doesn’t keep Steve from helping the kids in the tunnels. He doesn’t break him and Nancy up. He doesn’t gloriously out Steve’s bisexuality to the town by being his shameless lover.

He literally does nothing except just......be there? Looking gorgeous and providing a juxtaposing characterization for Max. That’s all. Billy’s treated like an accessory.

Then we arrive to season 3 and....I guess the only justification for his plot is sort of classic Greek tragic hero. He’s the new Keg King whose hubris makes him stand too long outside the warehouse, and thus, his downfall.

But here’s what’s wrong with that: Steve Harrington.

We were so spoiled with good writing for Steve. Steve had an incredibly refreshing and valid character AND redemption arc. Frankly, all the good writing goes to Steve in this show, so we expected the same writing to go to the other douche bag king of the show.

And we didn’t get it.

5. 80s Bullshit vs. Modern Audience

You can tell they’re trying to straddle the line between, “this is how people talked back then,” and, “this pertains to a modern audience.”

Example: Mike saying to Will, “It’s not my fault you don’t like girls.”

I know they did multiple takes of this scene with different variations of this line, and that’s the one the editors settled with. Regardless, I know I am not the only person who screeched with rainbow pride for Will’s sake. And it’s not the first time they’ve touched on very hot modern topics. Hopper touches on homophobia in season 1 - a fact I completely missed until I read an interview where the actor, David Harbor, mentions it, himself. Then I rewatched season 1 and realized, sure enough, he reacts poorly when Joyce tells him that Lonnie calls Will a f*g. It’s not even fatherly, “that should be my son, how dare he.” It’s straight up, “this kid might not be worth finding if he’s gay.”

Of course there’s the more obvious occasions where Steve calls Jonathan a queer and Neil Hargrove should come with his own neon trigger sign. Slut is a term that’s carelessly thrown around (as high schoolers are wont to do, sure).

But the thing that’s bothered me the most is Steve saying to Billy, “Were you dropped too much on your head as a child, or what?”

Maybe it’s just me being extremely sensitive to mental health stuff (also, WHY does Steve ironically get all the triggering lines? lol), plus he says it very soon after we finally know why Billy behaves the way he does. Just.....*long sigh*. I hurt, okay. Some parts of this show really hurt, and I don’t like “it was the 80s” as an excuse.

6. Lucas and Kali or, the Diversity Check Marks

One black kid. One. Then they gave him a sister. Cool. Somebody give these people BLM awards.

*eyes roll so hard my cat chases them across the floor*

You know what this reminds me of? The East Asian actor who trended in movies like The Goonies and Indiana Jones.

The only thing that even remotely makes this small drop of diversity okay, is that they made Lucas a major player in The Party, and cast a dope actress to be Erica Sinclair, and likewise made her a linchpin in the Scoops Troop plot.

But touching back to #5, you can’t use “it’s the 80s” as an excuse, nor can you say, “it’s white bread Indiana.”

BUT but but but Kali!!!!

You mean the character in one episode? Two, if you count the opening of season 2.

Listen. For all the bipoc folks who wonder, “Do white people realize how.....WHITE everything is?” as a white person, I can absolutely say:

Yes. We. Do. Fucking. Notice.

• • • • •

Well. That’s all lol If you made it this far, I’m sorry and thanks lol

Tip your artists and comment on fics because lord knows that where my seratonin comes from.

#ponder ponders #stranger things #billy hargrove #steve harrington #a sprinkling of #harringrove #i could probably find more things to nit pick #but these have been the biggest ones #might delete #rant

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marukrawler · 3 years

Text

bakugan battle brawlers liveblogging episode 35 (long post ig)

- suspiciously foggy out today

- for a moment i was like, don’t tell me the person bathing in light and waiting at the top of the stairs is runo but ITS JOE

- this is irrefutable proof u guys they’re endgame

- joe beat the final boss and now he’s going to reunite w his bf

- season 1 is over roll credits

- you don’t say

- i will say tho. . .where is runo

- not me unironically shipping it

- i think she’d rather not see joe and dan making heart eyes at each other but that’s just me

- that’s the last thing i wanna hear

- IT IS

- omg the kids are setting up wyvern and drago

- what is their first meeting going to be like

- DAN PLS

- remember when dan got pissed that drago didn’t like his nickname in ep 3

- good times

- I THOUGHT DRAGO WAS GOING TO BE IRRITATED AT DAN BUT HE SUDDENLY BECAME SO BASHFUL WHEN WYVERN USED HIS REAL NAME THE INTIMACY OF IT ALL

- PLS YOU NEVER ASKED IF HE HAD A NAME PRIOR TO CALLING HIM DRAGO

- but like. . .do other bakugan have names or is drago the only one w the Privilege™

- THEY’RE HAVING COUPLE’S BANTER IN FRONT OF THE KIDS OH NO THEY’RE SO CUTE I LITERALLY CANNOT HANDLE IT

- I MEAN

- MY BOI IS SWEATING

- way to spoil the fcking mood shun

- or not im sure joe has nothing but good news rn

- lmaoo TOLD YOU

- glad he admits it, i don’t think i’d be able to take him hiding the truth the entire episode lol

- oH MY GOD?? chill bruh

- it’s not like drago isn’t ALREADY EVOLVED so he’s on the same playing field as u guys anyway???

- THIS ENTIRE EXCHANGE THO

- tho i will say tho. dan’s trial?? isn’t really that terrible when you consider his friends had to face against their sibling, their past self and their dead mom. so really. beating your friends is the least taxing trial imo.

- omg???

- THE PREDATOR FAM

- PLS YOU CAN ACTUALLY KICK DRAGO’S ASS FOR ONCE, BELIEVE IN URSELF

- TALK UR SHIT GIRL

- i am LOVING this competitiveness, especially between these two

- PLS I HOPE SHE GIVES HIM A RUN FOR HIS MONEY AT LEAST

- oh shit we’re just not even going to bother w other bakugan, its straight up drago vs golem

- efficient!

- i never understood why she wants to be on top of golem during a battle ITS DANGEROUS

- THE FACT THAT ITS A PLOT POINT TOO?????

- unreal

- the fact that we don’t see these two after s1 is a travesty

- is this fr the only way they can create tension in this fight. not bc julie’s strategy is actually a challenge for dan to figure a way out of but bc. . .if he uses an ability, julie’s going to get hit w it too. . .

- should’ve known it was too good to be true 😭

- also how come drago’s getting beat tf up by golem and he has yet to lose

- why isn’t julie the protagonist

- ok i somewhat get it. but that means marucho, shun and runo should also be in the same situation when dan fights them or im calling bs

- or ig it’ll mean that dan was never taking julie all that seriously when it came to brawling which. i personally don’t think is the case.

- i love how drago only moved to avoid golem’s hit at the end when dan finally decided to be serious. like bro. . .you could’ve avoided ALL those hits 😂

- this fight blows, i take it back when i said i liked it being time efficient

- why does dan have a fusion ability card and julie doesn’t?? she legit only had grand impact as her trump card??

- I MEAN

- PLS STOP THIS FIGHT’S ALREADY KILLED ME

- also i refuse to believe dan has the strength to carry julie, you seen this boy’s arms??? twigs

- she’s fr about to finesse this boy and im all for it

- OK I TAKE IT BACK YOU DON’T PLAY DEAD IN FRONT OF A GUY WHO’S ALREADY LOST HIS MOM THIS JOKE IS NOT FUNNY ANYMORE

- im all for this height difference

- even HER arms are thicker than his, there’s no way he could carry her

- can’t believe he’s gonna punt marucho next across the field

- ok bruh u dont gotta put on a show too

- maybe its bc i just watched nv yesterday but the lack of 20+ ability cards being played in a single round makes for seemingly slow paced rounds lmaoo

- i hate how marucho’s fight is already infinitely more interesting than julie’s

- she literally played (1) card and that was it. im so salty

- HOW IS DRAGO FIGHTING BACK AGAINST ANGELO AND PREDATOR WHEN THEY GOT 800Gs COMBINED AND HE ONLY GOT 450??? THIS IS BULLSHIT

- THE BITCH W THE HIGHEST POWER LVL I HOPE??? BUT THAT’S NOT HOW IT WORKS IN THIS SHOW

- not dan talking about how his fight w marucho is making him excited and pumped and this is the type of battles he’s been looking for, meanwhile he was just concerned about not hurting julie in her fight HSDNSDDFHSD

- IM SO PISSED

- so drago can withstand attacks from 2 bakugan w almost double as much power as him, enough so that water refrain stops working so dan can use his 2 dumb abilities but when drago has a 50G advantage, he can instantly take out his opponents w one attack?

- why aren’t we making wyvern evolve I DON’T CARE FOR DAN AND DRAGO’S JOURNEY ANYMORE

- THIS BITCH IS SCARED

- he saw julie and marucho both lose and said ‘haha not today’

#bakugan #aisha watches bakugan battle brawlers #liveblogging #episode 35

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riathedreamer · 3 years

Note

Sorry for the essay I'm about to submit. I haven't watched any rvb0 yet, but I think the change in direction may be for a few reasons; 1- buying time so they can figure out what to do with the OG RVB cast without rehashing the same stuff, doing justice to their characters AND appeasing the fans who demand a Red based season (am one such fan).

[continuation of ask] 2- To attract new fans into the series. Ye Olde RVB jokes and running gags were considered typical, if not an accepted form of comedy for it's time. Whilst some people will be able to see it as a product of it's time, those jokes definitely will hit wrong with a younger audience now, and We've had the opportunity to grow and change ourselves and our opinions alongside the show. The action heavy stuff has a broader, if not safer appeal, so bringing in new fans will be easier. I miss the dumb idiots playing in a box canyon, and I agree that rvb shouldn't be driven by action. A bunch of idiots with guns and fuck all else to do is the very basis of the show, but those idiots have outgrown their sandbox and the writers seem to be reaching the end of their idea rope on giving them shit to do. Don't be scared to express your opinion here either, you are definitely far more polite about it than some others I've seen. [end ask]

It’s pretty funny to receive this ask today, because literally spent hours preparing a review of Zero today. A review I of course won’t post until after the entire season is out, because I cannot judge anything before that, and I will of course revise due to this and so much of it still needs to be written, but there are main problems I could address already now, or at least prepare a draft for. So pardon me that I copy paste part of the review here, I just like some of the points I made, and then I don’t get to rewrite thoughts I’ve already had.

It makes sense to have more time to prepare for a quality season. I do not know if that’s the case. I hope it is. I get wanting new viewers, but I feel like this doesn’t necessarily means *more* viewers because people interested in the new season are literally being told they don’t have to watch the previous seasons, while fans who prefer the old style of RvB are being told this season is not for them. So if the Reds and Blues ever return, the people interested in Zero are gonna be so confused, I suppose. Urgh. No reason speculating about that until we know. As for the old humor – yeah, I get that, but I feel like there’s starting to be a great divide between “RvB” and “Zero” and that worries me. So if it’s just to make time for planning a season with Reds and Blues, I keep asking if Zero is necessary.

I would feel way better about Zero is it just presented itself as a spin-off, but for some reason, they cling to it not being a spin-off. This confuses me to no end, and so many of the issues would be solved by officially stating this divide from canon material. My main problem with Zero right now is this: [taken from the unfinished, unrevised review] “Zero forces its story into existence by ignoring established content rather than adjusting to it. Let’s call this for the hotdog-too-big-for-the-bun syndrome solely for the sake of the bow-chicka-bow-wow that’s coming now. Bow-chicka-bow-wow.” With this I mean like this story forces its way to exist at the cost of canon content. Examples of this being the sudden new inclusion of AOD which we’ve never heard about before, that sorta takes the place of UNSC, but is so big, but we’ve never heard about it? Another being how the very first lines erase the consequences of the previous season by fixing Wash’s brain damage. It’s literally ignoring established plot with quick-fixes so this new story can work. Another example how I feel like Wash and Carolina are just there for the sake for the new characters. I don’t dig how they’re written, it feels like they are just props the new characters use to build their own story. Carolina’s used to basically introduce and explain the new characters instead of letting them explain themselves, and Wash is just a damsel in distress, holy shit Wash, RvB is never kind to you huh. I just feel like the existing RvB is twisted into something else or ignored, so that this story can exist, and I am left feeling: why?

It’s obvious they wanted something *new* which leads me to another issue for me: [taken from the unfinished, unrevised review] “remember the philosophical question: if you replace all the parts of a ship one-by-one, is it still the same ship when you’re done?” If it doesn’t include the Reds and Blues, if it ignores previous plot, if the old characters feel miswritten, if it values animation over dialogue, if it values fight scenes over comedy, if it wants to be Fast and Furious instead of Red vs. Blue – is it still Red vs. Blue? Because it doesn’t feel like it for me.

As I said earlier, some of this could be forgiven if it established itself as a spin-off, but it won’t despite fighting against the original characters and material. At least, that’s how it feels like to me. We’ve had spin-offs before. With new characters and stories.

Some people say that RvB should end. I can’t comment on that. Some say the Reds and Blues have run out of things to do. That I disagree with. [taken from the unfinished, unrevised review] “I mean, if we were discussing pretty much any other show, I’d probably agree that they were running of out content. But for the Reds and Blues… I think the PSAs nailed it this year! I’m not kidding, I had more fun watching the Reds and Blues discuss how to do laundry than Zero. You could literally give me an hour of the Reds and Blues trying to bake a cake or clear a gutter or simply setting down with an ordinary life, and I would trust them to make it worth the watch.”

I’m not saying Zero can’t be enjoyed. I’m not trying to spoil anyone’s fun. But for me, there are some obvious problems that I simply can’t come to terms with, and I will post my opinion, of course always trying to stay civil. I’m glad you enjoy my thoughts (so far, at least. I hope I haven’t pissed anyone off with this), and as always: I can only speak for myself.

#rvb #rvb0 #rvb zero #rvb critical #rvb0 critical #pls dont hate me for this #ill of course elaborate more in my review #which of course isnt finished until the show #cant judge anything properly until then #my rvb stuff #can be reblogged #why do i feel so scared posting my thoughts on zero

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love-sapphirerose · 3 years

Text

Yashahime: Princess Half-Demon Episode 19

https://www.animenewsnetwork.com/review/yashahime-princess-half-demon/episode-19/.169235

Similar to the last time Yashahime gave Moroha something substantial to do, the insidious stupidity of “Princess Aya's Beniyasha Hunting” can only be truly appreciated if I just describe the events of the story in chronological order. Given the crummy vives that the preview gave off, I don't think anyone was expecting much more than a cheap detour from this episode, but I'll be damned of this series doesn't continue to impress with how little of a shit it gives about being good, or even mediocre, or hell, even functional. And before we dig into this post-mortem, I'd like to field any defenses that people might make about Yashahime being meant more for kids, and thus shouldn't be taken seriously. For one, this is a decades-in-the-making sequel to one of the most popular anime ever, so don't act like the show shouldn't have something to offer for fans whose ages can be counted with more than one digit. Also, y'all know that crappy kids' entertainment still sucks, right? It doesn't just get a free pass for being made with younger viewers in mind. Nobody in their right mind is going to argue that stuff like Avatar the Last Airbender or Steven Universe should be judged at the same level as Caillou, for Pete's sake.

Anyway, “Princess Aiya's Beniyasha Hunting” commits the gravest sin that any work of art can commit, in that it is a completely pointless waste of time that takes the precious minutes of existence that its viewers have been afforded on this earth and just flushes them straight down the toilet. I, dear reader, respect your lives much more than Yashahime ever will, so I'm going to dispense with the “twists” and lay it all out in order: Way back in Episode 1/7, when the girls busted into Hiiragi Dango's place to rescue Towa, they brushed by his daughter, Aya, and got a speck of mud on her kimono. Being a literal psychopath, young Aya then hatched an elaborate scheme to trick the girls and get her revenge: She recruited a band of mercenaries and forced Jyubei to sell Moroha's services as well, and then she established the false pretext of recruiting demon slayers to her father's employment to lure Hisui and his two nameless buddies into fighting the mercs in a big, competitive battle.

These mercenaries are cartoonish morons, and one of them, Lady, is a pretty offensive homophobic/transphobic/maybe-even-racist stereotype, but in one of this episode's few saving graces, it's actually hard to get all that mad about it, because these goofs are pointless and don't really do anything. They spend all night building a wooden façade of a castle on the battlefield for…some reason, and then they all sort of disappear once the firebombs start dropping. No, the demon slayers know that Moroha is the only one that really needs to be taken seriously as a threat, so they recruit Setsuna to aid them, leading to a cousin-vs-cousin showdown for the ages!

Except that obviously isn't what happens, because even though Setsuna and Hisui suck, they're not awful enough to be completely on board with burning InuYasha's kid alive in the middle of a field for the sake of some half-cocked job interview. No, we eventually learn that Moroha and the slayers were in cahoots all along, since they figured they could throw the fight and earn enough cash from the not-actually-real job offer for everyone to profit. Sure, the slayers apparently didn't even tell Moroha about the very real volley of firebombs they'd be tossing her way, but who's keeping track of neglectful homicide attempts amongst friends and family, eh?

It's that throughline of “not telling your teammates the most basic and necessary information” that really sinks this episode, which was already a bummer to begin with. Nevermind Hisui and Setsuna almost turning Moroha into barbecue; the big dramatic turn of the story occurs when Setsuna and Moroha both agree to not tell Towa about the fixed battle because…she's a bad liar, I guess? Except Moroha is the one that lets slip about the battle in the first place, and I don't know why anyone would assume that keeping Towa in the dark would be easier than just explaining that the fight is rigged, nobody is getting hurt, and so on. Even if you bought that silly excuse, the episode still doesn't make any goddamned sense, because once Towa predictably gets mixed up in the fight anyways and mistakes Setsuna's “acting” for real aggression, nobody bothers to just explain what's going on then, either! The episode establishes that Aya can't hear anything they say from her little tower, so why keep up the charade? And how is any of this easier than one of the girls just telling Towa, “Hey, we're going to scam the spoiled daughter of that guy who kidnapped you out of some money by faking a battle. If you want in, cool, but if you can't keep up the ruse, just, like, hang out here this afternoon or something. We'll be back in a few hours, tops.”

It's just so unbelievably lame, and it's the kind of plot that is doubly frustrating because it depends entirely on characters withholding important information for no reason other than to cheaply manufacture some consequence-free drama. Also, remember how the whole setup for the battle was a lie, anyways? Yeah, Kohaku shows up out of nowhere to explain to Aya that he knew the whole thing was a waste of time, except he didn't tell his own crew of demon slayers this because…he wanted them to learn a lesson?

To recap: Aya, a character we've never met, goes to insane lengths to deceive Hisui, a cardboard cutout that we do not care about, in order to double deceive (and possibly kill) Moroha, all on account of that one time she got some dirt on Aya's clothes. Then, Moroha, Setsuna, and Hisui attempt to trick Aya, which ends up being a waste of time since they already fell for Aya's initial trick, and there's a bunch of needless drama with Towa because everyone made a conscious decision to also trick her, even though she probably would have been able to allow the secretly useless and entirely overcomplicated ruse-within-a-ruse to go off without a hitch, if only she had she known what was happening in the first place. Takechiyo even gets in on the action by tricking Towa into thinking Moroha got horribly murdered in her arms. Why? Who the hell knows! Maybe it's because Takechiyo just gets off on psychologically abusing teenaged girls. I'd buy it. Just look at the little creep.

Throw in some harmful stereotypes and a hilariously clunky last-minute scene where Towa gets all tearful over Moroha's safety – despite definitely not giving a crap all those times that Moroha was in actual danger – and there you have it: “Princess Aya's Beniyasha Hunting.” No, Moroha does not transform into Beniyasha. Yes, I'm just as mad about all of this as you are. The only reason this episode is getting a two-star rating is because there's a funny bit where Moroha plays along with the bounty hunters' silly entrance-theme bit. I'm giving it one extra start for making me laugh exactly once. That might be damning Yashahime with faint praise, but with nineteen episodes down and only a handful to go, I'm afraid that faint praise is just about the only good thing Yashahime can hope to earn at this point.

#anti hanyo no yashahime #anti yashahime #anti towa #anti sunrise #anti sessrin

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makethosenarratorsfight · 10 months

Text

UNRELIABLE NARRATORS; SIDE C

*NOTE; propaganda is out of order due to poll length!

Eugenides Propaganda:

Harrowhark Propaganda:

She gave herself a lobotomy and gives completely incorrect flashbacks to the previous book. Things that straight up did not happen. Gaslight gatekeep girlboss.

She’s schizophrenic (confirmed by the author) and also lives in a world with necromancy and ghostly revenants. She’s not just an unreliable narrator for readers, she’s an unreliable narrator of her own internal experience. She knows this and has to work with people around her to compensate for it. Descent into spoilerville below. Seriously Do Not Read if you want to read these books. There’s also the little matter about how she is *not actually the narrator* of a huge chunk of the story that we are initially led to believe is being told from her perspective.

(Spoilers) Holy shit she is THE most unreliable narrator. This gremlin gave herself a lobotomy so that she could forget about Gideon Nav, the most important person in her life (for magic soul-preserving reasons) so half of the second book in the series is spent gaslighting the reader about a book they just read. She comes up with an entire alternate version of the events of the first book in the series to carefully exclude any mentions of Gideon, and any time someone says ‘Gideon’ in front of her she LITERALLY has a stroke and/or an intercranial hemorrhage as her brain overwrites the word with someone else’s name. God occasionally intentionally triggers her memory revision to get out of difficult conversations. She also hallucinates ALL the time (unrelated to the lobotomy). She shows up at her frenemy’s room in the middle of the night (think little kid stumbling to their parents’ room and saying “I frew up”) to ask her to come check underneath her bed for the corpse that’s been wandering the space station. When frenemy checks underneath the bed, frenemy claims not to see anything, and Harrow is such an unbelievably unreliable narrator that it’s an open question in the fandom as to whether frenemy genuinely didn’t see the corpse or if frenemy was just yanking Harrow’s chain. Harrow is also haunted by a literal ghost that fucks up her already fucked up alternate history. Girlie will pick up a piece of paper and read from it the most violent and haunting piece of prose ever composed, when in reality all that’s written on the paper is the elementary school Superman S*. I am NOT joking that is a real goddamn scene. Harrow was created to win this poll. TLDR; she has brain damage and memory loss, she hallucinates, and is also haunted. * https://twitter.com/vestenet/status/1301012651145859072

Girl is so unreliable, she unreliably tells me events I was there for!!! She's retelling the previous book and I'm like "girlie, this is absolutely not how it happened". Also, she gave herself a DIY lobotomy, it has to impact your memory center I guess

She literally had a lobotomy, how can she be reliable

More Propaganda under cut!

Harrowhark is simply the unreliable narrator of all time. Can’t remember shit because of a lifetime of trauma? Check. Maybe lying to yourself and those around you a bit? Most definitely. Being gaslit by the survivors you depend on to orient you to reality? For sure. How about a little bit of canon schizophrenia? She’s got it all. Ghosts? Or something? Spirits that are attached in some way to your body and are not perceivable by others? Sure, sure! But how about spirits that are attached in some way to your body and are gonna use you to hijack others’ bodies and maybe kill God, too? Absolutely. Wee bit of DIY brain surgery? If it would make you an unreliable narrator, friends, then Harrowhark Nonagesimus has been there, been subjected to that!

Okay I don't know that much about this series since I haven't convinced myself to read all of the first book, but this is my blorbo in law so I'd feel bad not spreading propaganda (all of what I'm saying is something I've read, as to prevent myself from straight up submitting misinformation). So all of Harrow's unreliable narration takes place in the second book, Harrow the Ninth. Basically, without her even seemingto acknowledge it, Harrow's brain is very fucked up during this book, to the point where even she's not sure how reliable her narrative is. There's many questions left unclear as a result of her fucked up little brain, like what's real, what's fake, whether we can trust her judgement, whether even she can trust her own judgement, whether her original cavalier is dead or not (Harrow is convinced she is), etc. Let me tell you, I adore unreliable narrators who aren't even that sure if they're reliable. I have yet to eat that trope up here in this circumstance, but this poll might not run again by the time I do, so for now, here's my messed up blorbo in law.

OKAY SO REMEMBER MY GIDEON SUBMISSION? HARROW DOESN’T! SPOILERS AHEAD BECAUSE SHE LOBOTOMIZED HERSELF TO FORGET GIDEON BECAUSE THAT’S A HEALTHY WAY TO GRIEVE AND THEN IN THE ONLY PARTS OF HER BOOK THAT SHE NARRATES (THE REVISED CANAAN HOUSE PARTS) IT’S LITERALLY A ROOM FULL OF GHOSTS HER BRAIN SUMMONED TO DEAL WITH THE FACT THAT SHE CUT HER BRAIN IN HALF TO FORGET GIDEON. she also is a) haunted and b) psychotic, experiencing hallucinations her entire life of both the ghosts haunting her and less supernatural hallucinations- bells tolling, bones rattling, her parents (some of the only dead people NOT haunting her), etc! in the revised history of canaan house that her brainghosts invent, she brings along someone who knows about her psychosis to help reality check her when she tells him go! her caregiver as a child and support when she got older, crux, is a horrible man- but at one point, when someone other than harrow is in harrow’s body and tells him “i am not harrowhark, i am sorry,” his response is simply “aye, you’ve said that before too. who are you then, if not my lady harrowhark?” showing his familiarity with her psychosis and his love for the child he wouldn’t dare see as a daughter. but enough about that lets talk about her unreliable narration! she lies about her feelings of course but she also simply hides the truth from everyone, all the time, compulsively. also literally the entire section of her book that she narrates is a lie she’s telling US about a lie she’s telling HERSELF and no one understands even a little bit of the truth until like the last act of the book. queen.

#eugenides #the queens thief #queens thief #harrowhark #harrowhark nonagesimus #harrow the ninth #unreliable narrator battle #unreliable narrators #polls #side c

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dafukdidiwatch · 3 years

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2021 Housekeeping

Hey guys. Sorry for this blog being like, dead for all of December. A lot of holiday stuff happened and I just got sidetracked with all of that. That aside, I figured since this is the start of a new year I should go over some of the stuff I did throughout 2020. This is strictly dealing with things that I personally did for this blog. I want to keep this a safe-space and not deal with the crap that went on this year, for both you guys and me.

It’s all under the “Keep Reading” because this post is long as hell

Dafuking Films:

For a first attempt I think this went pretty well. 32/52 isn’t that bad, given how I have a real bad habit of just dropping things and never returning to them. Plus with the actual quarantine going on, watching a bunch of different movies people suggested to me was a lot of fun. Some were fantastic and enjoyable. Some people just really wanted me to suffer. But still, good times were had by all. I still have the list of movies that people suggested to me from last year, so I’m still gonna try to go through them all. Maybe twice a month instead of weekly so I won’t burn myself out like before. Regardless, I had fun, so I’m going to continue this.

Website:

Just to get this out of the way. Website was a valiant attempt. Didn’t really give a shit nor cared about the uptake. I Tried. I got tired updating it. If I was going to use it 100% then I would just move from Tumblr to There, which I won’t since all of my good shit is here. So I’m gonna move on.

Newvember:

This was a great idea. I had so much fun doing Newvember. No worries, no commitment. Just reading random shit with no pressure to maybe add them to my already overflowing list of blogs. It also helped me figure out what works and what doesn’t in terms of blogging.

Comic strips comics don’t really work well for me. I mean, the only good things to blog is just the last 2 panels, so I’m sort of only blogging the punchline which ruins the joke if people want to read it themselves. So stuff like Dominic Deegan and Sluggy Freelance probably won’t fly unless they somehow turn into page-format in the future.

Novels and Webnovels are flipping hard for me to figure out on just the logistics on how to blog. Do I give like a page summary on what I read like with The Wandering Inn? Or just do screenshots of the lines to react to like with Detective Pony and A Practical Guide To Evil? I am still working that out so I might not do much written stuff until I find a groove I like.

Interactive Comics get a toss up. I think Homestuck sort of spoiled me a bit here. I’m so used to how Homestuck works that I’m instinctively comparing other interactive comics to it even though I very read an Interactive comic while it was actually interactive. Stuff like Ruby and Awful Hospital unfortunately already has a high bar to jump over just because I like/used to the Homestuck format.

For the liveblogs themselves now that I have time away from them:Dark Science got a cool Cyberpunk vibe to it with a mix of magic-maybe. So it would be cool to read, but probably won’t continue it until the longer blogs like Girl Genius and Order of the Stick get caught up/finished first. Poppy O’Possum is just cute and honestly refreshing to have the main character be a hard-working mom. How to Be a Werewolf is a slowburn of how werewolves work, which I am always a sucker for how lore works. But I don’t really remember too much else from it so I might not revisit it given how I’m not too invested in it. Granted the same can be said for the prologue of Girl Genius and we saw how THAT went. Dominic Deegan is 90s fantasy slice of life, but with like some way old comedy jokes that I can just hear the ba-dum-tsst every punchline. So, yeah that one’s gonna drop. Practical Guide to Evil is a really cool read and I always like fantasy rpg style settings. I like the idea of Titles giving power and having the protagonists be the necessary evil. But again, I have to figure out how to webnovels. Awful Hospital has interesting art, but it isn’t really clicking with me too much so I’m probably gonna drop it. Sluggy Freelance is just wild. Part of it is the random plot things like having asshole rabbits and sci-fi references. Other part is me just saying random shit like how Dirk Strider is living his offshoot life in this comic. Fun read, but I don’t think the strip comics are good liveblog stuff. So will probably drop. A Better Place ABSOLUTELY Slaps. I was down with that since the first comic. Will 100% continue with that (when I get enough space). Blindsprings has an interesting 1800s steampunk magic vibe and I do like the theme of idealization vs reality. Check Please is cute. I’m A Spider is a fun isakai with a cool twist of being reborn as a monster. Not Drunk Enough is just terrifying. Both with the horror and alcohol poisoning.

Basically: A Better Place will definitely be revisited. Poppy, Check Please, Blindsprings, and I’m a Spider will probably be revisited for just short quick sessions. Not Drunk Enough and Dark Science might come back if/when I am finished with longer series.

Either way, I like doing Newvember. So I am going to initiate Ju-New-ne to be the next New-Blog month. So this WILL happen again.

Schedule:

Yeah I believe my time of doing daily blogging sessions is over. It worked well for 2019, but that time is basically over. I probably will try to go for twice a week if I can. It sounds fair enough for content.

Videos:

I am NOT giving up on my Undertale videos. There is more coming. I just got stalled because I lost my art stylus for drawing the thumbnails. I swear to Jegus I am going to Post the entire thing!!! I Shan’t Give Up!!!

Homestuck:

So early 2020 is the time, where after 2 full years I finished reading Homestuck. It was, honestly, a wild ride and wild time. My literal presence on this blog was shaped because of Homestuck from the asks to videos to discord. It was just, good. Nice. Like looking back through a memory book with warm feelings. Having it end the way it did was good, especially with when it ended. I might make posts on how I view the characters overall, maybe make a Final Epilogue Troll Rank/Fav Rank. I will work on that.

And from that, I think that a year is probably long enough for me to revisit Homestuck again. Pesterquest, Epilogue, HS’2, whatever is the next sequel. Hell maybe Problem Sleuth and see what the hell all those references were about. The goal is to be caught up in a bunch of other comics first. Like, gonna gun for 3-5. Once I get caught up (or close to it) then I will return into Hussie’s orange arms once again.

Anyway, that’s a surprise for anyone who actually bothers to read to the end of this. Happy New Year everyone.

#dafukblog #meta #2020 #newvember

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mochuelovelli · 4 years

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ASOUE AU? ASOUE AU. Pt 1 (Characters)

Okay so I just posted a little doodle I did for an A Series of Unfortunate Events AU that I had been thinking about ever since I realized that Esmé was obviously Magica's VA (which was 3 days ago so oop). I don't have all the characters figured out right now (mostly bc quite frankly there aren't really enough adults that act so... neglectful towards the kids in ducktales). I'll list the ones I am pretty concrete on VS the ones I'm unsure or ones that I "reimagined" due to not everyone fitting perfectly in this world.

Characters that are Definite:

Glomgold as Count Olaf: Think about it, horrible actor/cosplayer (yes thats what he is). Both obsessed about riches, revenge and are generally incompetent. Really, Olaf is much more wicked in the ASOUE series imo (bc even tho Glomgold wants to kill Scrooge and steal his money. This anger only extends his wards if he wishes to use them against Scrooge and is less keen on the murdering of kids. Notice I said LESS). Not 100% if I want him to be as...well explicit as Olaf can be at times. Especially his characterization in the Bad Beginning if you know what I mean (pst it's child marriage)

Magicia DeSpell as Esmé Squalor: Like I said, this is a no brainer. She has the stage performance of Magicia with a bit of Mark Beaks Mom (forget her name) mixed in. Probably would downplay her love for fashion and replace it with an obsession with the occult. I would also not have her be obsessed with Glomgold, its more in character for Glomgold to be obsessed with her anyhow. It is also possible bc I tend to believe she is a more compelling villian in canon that she might take the place of Glomgold on the Island in "The End". But I also plan for Scrooges Number One Dime to replace the Sugar bowl so, maybe not.

Doofus Drake as Calmanita Splats: Duh, spoiled brat who is very creepy and probably has parents that want them dead? Instead of wanting to sing all the time he mainly wants to wreak things/people. He still definitely dresses up tho into a hodgepodge of things. It always changes and Glomgold is always annoyed by this but he likes him more than Magicia. She definitely wants him dead just like Olaf in the series (she really hates kids).

Duckworth as Larry your waiter: Yeah not much competition for this role. It was either him or Launchpad. Duckworth is too perfect for this role and he honestly will play a better spy than canon Larry. If I ever write it out a lot of the "fight scenes" and anime-esque "explaining how I fooled you" dialogue will definitely be reworked but still present. I will however not keep out the main theme of neglect or ignorance with the adults, they will still fail in that regard as always but will just not literally stand there and tell Olaf "We finally caught you, now let me explain why we are so smart oh no you set something on fire again". I mean...maybe for a Mr. Poe but not the VFD. Or...SHUSH I should say but more on that later (or in another post who knows?)

Scrooge McDuck as Lemony Snicket (sorta): Okay so OBVIOUSLY we can't have our "Lemony" have the hots for the McDuck siblings mom (yes another thing I must explain oh boy). Scrooge will still be gilted in love by, of course Goldie though I am still not 100% if she should play part of the the role of Kit Snicket (again NOT related to Scrooge) or should she be someone else entirely. Scrooge is basically the reason everything is happening in this AU just like the canon Lemony but writes sad letters to Donald and Della as well as Goldie. As you might of well guessed, Scrooge's Fortune is also the riches the McDuck's have.

Fethry Duck as Dr. Monty: Of course a snake lover will become a marine lover in this AU! Also of COURSE Mitzy will play the roles of the incredibly deadly viper AND the great unknown! Fethry and Dr. Monty not being mentioned by their family but also too enthralled with their studies to care all that much (but seriously thats fucked up ducktales). Totally made for this role. As far as setting goes this will be where the siblings will be underwater first but since the series already has plently of aquatic locals I will probably swap out the Lake Lacamose story with Peru or the Galapagos. Speaking of...

Ms. Quackfaster as Aunt Josephine: For narrative purposes it would make sense that Ms. Quackfaster would lose her edge as a brave and bold woman. For what exact reason I am still trying to figure out. Not sure if I still want to keep the "Ike" storyline, maybe she just got really spooked by FOWL. Maybe some creature from the Galapagos ate her leg or something.

Ma Beagle as Dr. Orwell: This particular role was sort of hard for me to cast due to the fact that Dr. Orwell is older and romantically involved with Olaf (at least its sorta there). I really didn't want to give this role to Owlson bc other than she isn't a bad person, she is also way too young. Ma Beagle already has a similar motivation im canon to want to reclaim Duckburg as Beagleburg so the Terrible Mills plot to frame the B for causing a fire in order to have control over the mill is very in line with Ma. I originally wanted the Beagle Boys be working in the Mill but since I am changing the setting to Egypt, I decided to use the people stuck in the pyrimid (idk what they are actually called) and will either use Amulet, Launchpad or Dijin as Cookie

Characters that are Mixed with others:

Huey Duck as the Narrative Role of Violet B.: I mostly imagined(?) the kid characters in a approximation of set characters from the books/series. For this reason, Huey plays the ROLE of Violet Baudelaire so that he can take the "inventor" occupation. I went back and forth on finding who would have Violet's quirk of using an object to help her think. My mind originally went to Webby since she has a bow and I wanted Huey's obsession with the Incomplete History of Secret Organizations to take the place of his JWG. However I reworked it so that Huey's JWG would act as Violet's ribbon with him having to flip through his beat up (and slightly burnt) journal to find a quick solution or just to calm his nerves. Something that applies to all the triplets and twins is that their last names are changed to "McDuck" mostly bc it sounds better that they are later called the "McDuck Murders" instead of the "Duck Murders" as well as Scrooges edited role in the kids lives. He has a mix of Klaus' social awkwardness and habit of talking at length about his special interests to whoever will listen. Huey is also the one who gets hypnotized in the Miserable Mill ep.

Louie Duck as the Narrative Role of Sunny B.: Pretty sure I swapped Louie and Webby for this role in my first post but whatever. I wanted to confusingly change Klaus' role into a "Charmer" or "smooth talker" (obviously still a work in progress) since I felt that Huey in DuckTales canon was always well researched as well a good mechanic and having two characters who pretty much fit the same role was... redundant. I also wanted to really make Webby's Sunny much more inline with her notorious/abnormal fighting abilities. However, I realized that instead of changing Klaus' role I should just change Sunny's characterization since I would have to rework it anyways since she was a baby. I also got the idea from recently rewatching the series and saw Sunny basically trick her way out of being trapped with the Hook handed man (i.e. Fernald). I will instead make Louie's role as what he functionally is in DuckTales (the guy who can talk his way out of anything). He would probably also say his occupation is "Defense Attorney" or something along those lines. He is also the one who gets captured the most but not by much. However while he still has Sunny's sarcasm, he also has Klaus' inherit skeptism and distrust of adults.

Webby Vanderquack as the Narrative Role of Klaus B.: Like I said in Louie's segment, Webby is changed to Klaus or more accurately the "Researcher" of the group. She is often the one who stays up late, researching ways to get out of Glomgold's schemes. Unlike Klaus though, she has more of the optimism of Violet but might not put as much belief into all authority as Huey might. She still has role models that she looks up to but isn't against bending the rules. She also unfortunately takes Violet's role of becoming "Olaf's bride" in the Bad Beginning. In the story she has always lived with the McDucks but didn't take their name and still had Mrs. B (until she was around 10, she was 12ish when the fire happened). However, she is still in the McDuck Will and therefore Glomgold hatches a plan to use her to get the fortune. She also tricks him by signing her name "Vanderduck" or "McDuck" instead of Vanderquack to make the marriage null in void. She is also a mix of Sunny since she is generally the most physically capable out of the children.

Dewey Duck as the Narrative Role as Quigley Quagmire: Okay honestly after a rewatch, I don't exactly know what makes Duncan and Quigley that different from each other. I'm pretty sure Duncan is the Klaus of his siblings but whatever. Dewey mostly just 1/2 of the reveal that two people survived the fire during the Carnival segment (which is changed to an underground wrestling theme for reasons to be explained). I am fairly certain that during the last part of the Village of Fowl Devotees I want Dewey be the one left behind with Webby and Lena that way we can have more time spent with him and Weblena/ Magicia v Lena drama. Dewey's occupation would be "Comedian/Host/Actor" . He also is the one the adults ignore during the first half and will be the subject of Triplet/only child jokes that the Quagmires face.

Gosalyn Mallard as the Narrative Role of Duncan Quagmire: Okay so like, no she isn't related or adopted by the Quagmires

Lena Saberwing as the Narrative Role of Isadora Quagmire: c'mon both these kids like poetry. Literally I can think of no other DuckTales kid that likes that (other than Webby but that was more of her liking Lena's stuff). She will still have her background as Magica's niece and might take some of the role of Fernald where he gets redeemed by betraying Olaf/saving Sunny. I am unsure by what extent though as she isn't going to be a henchperson of Glomgold or Magica. It might be that she is uses morally questionable ways to get what she wants/needs. Maybe she is "good" but has to commit a terrible act similar to how the Baudelaires have to burn down the carnival.

Characters that I am uncertain about or straight up don't have someone in that role:

Violet Saberwing as the Narrative Role of Fiona Widdershins: Like Fiona, Violet was also originally distrusted by a part of the cast (in this AU, it probably be Webby and/or Louie as Huey catches feelings lol). She is also obsessed with the occult not fungus and has to save probably Louie from losing his soul or something (wip). Violet more than any of the main cast of kids will probably act more like her canon self since she is naturally straight forward and booksmart. She probably gets forced to stay with Glomgold until her and Lena can escape again. Also since I didn't want it to be another underwater local and wanted it to relate to DuckTales17 a bit more closely I thought it be better if they were in the sky. Maybe Violet got the Sun chaser or maybe even the Spear of Selene. Maybe instead of going to look for their dads (since they are dead oof) they come back at The End to tell the McDuck Siblings et all that they might of found something...or someone important.

Boyd as the Narrative Role of Friday: This is definitely more of a stretch as really he is only Friday because in role only because I want him at the Island at The End so that he can save the siblings from whatever organic incident happens since he is still an android. I previously thought he could also fit the role of Fernald since he could go through a redemption arc easier due to him sorta going through one in the show. Its not out of the realm of possibility that Glomgold could have reprogrammed him to obey him (he might still do something similar I haven't figured it out 100%).

Fenton Crackshell-Cabrera as the narrative role of Hector: He probably won't faint as much as Hector but he will have to be pushed by the kids to be confident in himself during the Vile Village (which will probably change to a Capital city since I plan to rework FOWL into this). Maybe its similar to a military academy which makes having a set of rules make sense. Its also possible that Fenton escapes with some of the kids in the Sunchaser by the end of this.

Steelbeak as the Narrative Role of Fernald Widdershins: I mainly chose him because Steelbeak and Hookhanded man both most clearly are shown to be sympathic antagonists. They are still functionally villians, much more so than any of the children like Boyd or Lena who, yeah, have done bad things but in one case wasn't given the freewill to decide for himself or was but when she decided to stand up for herself she was literally tortured and had her freedom taken away (more so than in the beginning since. Steelbeak would, like Fernald, be making a choice as an adult man to be apart of a mad man's troop and was harden enough to commit murder if it meant he could impress his boss. But because he is not related to (by blood or otherwise) any protagonist I struggle to know where to put him. I might still have him defect during the end of what would have been the Grim Grotto ep and comes back with the Saberwings at The End. Maybe he brings Gosalyn back after finding her at some point, maybe he dies somewhere towards The End. Not sure.

Gladstone/Ghost of Christmas Past/News Reporter Lady as the Narrative Role of Mr. Poe/Mr. Poes Wife: wow this one is really confusing. My reasoning behind these picks is because The News lady would be a great pick for Mr. Poe's wife or at least a substitute as she has similar motivations in DT17. The biggest set back for her tho is that she has no reason to be on the Baudelaire case (or McDuck case anyways). Ghost of Christmas past is a bit of a stretch since why the fuck would he be in charge of making sure the kids had guardians? I mainly want him just bc of his motivation (or lack thereof) to do his job and being incompetent at it. Gladstone while making some sense that he also would be uncaring about where the kids go is also a stretch given he is a relative and he while he might not care 100% about their whereabouts he wouldn't lose them like Mr. Poe would simply bc he is so damn Lucky. Its possible to work that against him, maybe in a scenerios like where he drops off the kids but gets whisked away because some rando gifts him a boat. Still unsure.

Mrs. Beakley as either the Narrative Role of Jaclyn S (Mr. Poes Secretary/VFD spy)., Olivia C. (Librarian): I want Mrs. B to have a role which fits her being experienced and competent but also met a tragic demise. I might mix the experience of JS with the fate of OC. Poor Webby.

Justice Strauss as ???: I'll be honest, I am stumped with this one. This is a very important role to fill and I can't quite find an adult character that fits the bill of Justice Strauss. Mrs. B is too smart, Launchpad studying law while ridiculous, is something inline with the show but he doesn't have a DT17 motivation similar enough to Strauss where he's desires can be exploited nor has he really want kids in the same sense as Strauss. Drake Mallard is close since he is an actor but having him work with law is a bit of a stretch, I also think that making him somewhat bumbling is an insult to his character but Strauss is tragic since she WANTS to very much be the Baudelaires guardian but fails so much. Maybe in a safer world she could have been, maybe if they were luckier. She loves them so much, but they run away where she can't find them to at least try to be there for them and is left heart broken by the end. Whoever becomes JS is in for a world of hurt and I'm sorry. Goofy could also be a replacement, maybe Max died for more angst 😬.

Goldie or Daisy as the narrative role of Kit Snicket: This kinda gets really fanfic-y as neither of these characters really fit nicely into this role. Goldie definitely has the skill of Kit and her disregard for the rules but the pregnancy thing is... something. Not entirely sure if I actually want her to be pregnant but I also want a Beatrice II type character (of course she would be named Della II) but again very fanfic-y. Daisy I am more comfortable being the one who gets pregnant, she might take Olivias role as the new VFD recruit instead of Kits more seasoned one. All I know is that if either or both outcomes exist they will die also a Dewey Deanumont(?) Character wouldn't be the father it would of course be Donald or Scrooge depending who gets pregnant.

Jacques Snicket as ???: Another mystery for me. Functionally? Maybe Manny could play this role or even Launchpad (he really is just my go to for any character idk about huh?) Whoever it is will die but wont have a romance with the Olivia character(s). Maybe its Goofy lmao.

This is quite long enough, let me know if y'all got any more ideas. I'll edit this when I can since I am tired of writing. Please comment or reblog for suggestions and the like thx u. And please...Look Away while you still can.

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toooldforfandom-liveblogs · 4 years

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Gravity Falls S02E17 - Dipper and Mabel Vs. The Future

I have been told that "Roadtrip Attraction" is the last stinker of the show so I'm hoping that means plot and Bill (only three episodes left!) If that's the case, with that title, I'm expecting... maybe Bill shows the twins a bad future? I kinda doubt Blendin is going to be back, his story seemed to be over but maybe he's going to return as an ally or maybe to reveal what's going to really happen if Bill is successful?

Many possibilities and all sound fun so let's do this!

Wow, this'd be traumatizing.

The most honest pre-teens I have ever seen.

I like how the joke works both ways, if Mabel is actually agreeing or if she's being sarcastic.

Isn't it a bit late for having a mid-life crisis? But I guess he had no time for that with Stanford gone and now with him back he's going through a literal identity crisis.

oh no, no, bad soos, bed crumbles are the worst

they are so cute when they are not misunderstanding each other

you know an episode is going to have plot when it refers to the episode where _everything_ changed

I feel like I have seen that word before. I'm not sure where though. Also, what does Audi have to do with the end of the world?

The twins are being so good to each to other (Mabel would have _totally_ made fun of Dipper here in any episode before The Last Mabelcorn) that I can't decide if the show is finally letting them grow up or if this is the calm before the storm.

If the show wants to complete the parallel with the older twins, there needs to be a big fight, showcasing how different they are by getting over that fight by actually communicating, something Ford and Stan haven't managed to do.

So far it all looks fine, I guess Dipper could end up missing their birthday party by prioritizing helping Ford? Or Mabel could go full Stan analogue and break something important... something that's already cracked. Oh. Oh no.

oh honey, I wish life was more like a musical

This feels like episode-plot-defining-words. Bill doesn't really have the power to change someone's age but maybe he can show Mabel a future where everything that Wendy is saying becomes true?

I keep saying "Bill this" and "Bill that" but that's because I really want Bill to make an appearance sooner rather than later.

Mabel is going to feel abandoned and it's all because of bad reception. ☹️

I dunno, duct tape worked in that other show.

oh god that's an image I didn't want. What's with this show and flying teeth

NAME OF GAME I DON'T WANT TO SPOIL BUT IF YOU HAVE PLAYED IT YOU KNOW

The most depressing statement made in this show. You can get used to anything. Even giant extraterrestrial vessels buried under your town.

Dermatologists hate this one weird trick to seal up your pores.

That's one bit of continuity I never expected to see again. Good for you Grenda, good for you.

This episode is already making me feel bad for Mabel and there's like 15 minutes left.

The whole thing about Gravity Falls being very contained into a summer vacation gives me all the feels. In real life maybe Mabel would never see her friends again, all her experiences just a memory of a wonderful (and very weird) summer. Now I'm wondering how the show is going to handle the ending post whatever thing happens with Bill.

I also hope this is not all some sort of "surprise party" because it's not okay to break Mabel's heart (and mine) just for that.

Aaaah. Dipper is getting everything he thinks he wants while Mabel is discovering the opposite.

noo, stay away with your bad life experiences

Yeah, Dipper's dead. He's just a big sack of anxiety-related adrenaline.

I guess that's one way to write off someone with an expensive VA.

His birth mark always becomes visible when something important is happening but I have no idea if it's going to be actually relevant somehow or not.

that's a mood.

welp.

I thought _something_ would happen to trigger the fight I think is going to happen but I didn't expect it would be _so_ similar to the older Stans. I guess it makes sense since this way there's no way to misinterpret the comparison they are making.

and welp.

yeah, that's Bill

Interesting. I thought Mabel herself was going to break it. The changes from the older twins are interesting. Unlike Stan, Mabel didn't know what the Rift means for Dipper. But also unlike Stan, she's giving it away on purpose.

well, that's going to haunt me

I expected at least one more episode before this happened so... this is going to be fun.

THE PROPHECY SEEMED FAR AWAY

BUT FINALLY WE'VE REACHED THE DAY

GIVE UP THE PAST. EMBRACE THE STRANGE

EVERYTHING YOU CARE ABOUT WILL CHANGE

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Well.

I know the finale is longer than a normal episode so I thought it'd be all self-contained but the world is already ending and there's three episodes left. Huh.

The episode began so well, with the twins being extremely cute and then it all went to pot. I thought it was all going to culminate in a big fight, with Mabel breaking the Rift by accident, maybe by throwing the backpack or something like that, so she falling for Bill's words is almost a relief. I mean, they fought but I expected something even worse.

I can't blame Mabel, who hasn't wanted time to stop because something that feels magical has happened? And Gravity Falls is _literally_ magic. Bill just knew the right thing to say (and the right person to possess, why was Blendin in the present again?), he's an expert at that. For a second I thought Bill was also possessing Grenda and Candy to manipulate the entire situation but maybe that'd be too much. Anyway, considering Dipper (and his hero, Ford) has fallen for Bill's tricks, I hope the entire thing of who did what blows over instead of pining the responsibility too hard on Mabel next episode.

And I can't blame Dipper for wanting to stay. They are young but studying under someone like Ford is definitely a huge opportunity. I'm not sure it'll actually happen, it feels too isolating of a future for Dipper, but at least it's a good excuse to keep visiting Gravity Falls in the future.

Great episode (especially after the last). After so many weird fights between the twins everything that happened in this one felt wholly justified. Now to deal with the end of the world! Until next time!

#gravity falls #gravity falls liveblog #gf s02e17

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