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#molly the thing of evil
vannajamma · 9 months
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oldstormyy · 9 months
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molly opinions and impressions.. I feel like you understand her way better than most of rdr2 fans
First impression: oh, I see. there is a lot to unpack here
Impression now: well, tragic characters are my favorite, and especially those who are deeply flawed and digged their own graves by making all the wrong choices, so. <3 Seriously she is my favorite character after Dutch & Hosea
Favorite moment: when she isolates herself. i mean ok let's be real Molly doesn't appear in many cutscenes because she doesn't go out on jobs with the others, but her presence and state of mind are very pervasive in camp i think. i mean, in chapter 3 you can't walk two steps without hearing her and dutch shouting at each other. so my favorite Molly moment is when she's shunning everyone at camp and being shunned in turn, reading a book by herself, talking to Tilly about her love life WHILE Tilly is getting work done, clinging to Dutch as if he's the only thing that can ever make her happy. I also like when she's in a good mood and she gets a little silly :)
Idea for a story: i WISH we knew at what point in time Molly joined the gang specifically, and WHERE. Dutch and Molly met at a slam poetry event actually
Unpopular opinion: i am QUITE sick of the only responses to Molly's character being either "she deserved better :(" or talking about Dutch's faults as a partner, as if that's all there is to Molly. I understand the sentiment but it's all I EVER see. can we talk about how she was insane enough to leave her life of comforts to follow around a bunch of criminals? or about how her character arc actually parallels Dutch's in the way they both isolate themselves and fall victim to their paranoia and insecurity after becoming disillusioned with their romantic dreams?
Favorite relationship: aside from whatever the hell she's got going on with Dutch, I'm obsessed with whatever the hell she's got going on with Karen. I think their interactions say more about Karen than Molly, because Karen is the only one who UNDERSTANDS Molly.... Karen who acts so tough is the only one who's soft hearted and romantic enough to reach out to Molly. Because they are so similar even if they seem to be opposites.... They are in very similar places in chapter 4: both have lost a romantic partner, both have fallen to the bottle and, although in different ways, both feel mocked and ridiculed (Karen leans into the role of drunkard while Molly is losing her mind), although when Karen tries to comfort Molly she's already too far gone inside her own head. and the fact that after Molly gets killed Karen finally loses herself completely........
Molly wip:
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demenior · 5 months
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i literally do not remember if i've already sent an ask but if i haven't i would love to hear about the critrole werewolf AU pretty please! and if i have. then i would like to hear about it again anyway 👐
Check my list of current wips here and send me a title and I’ll post a bit or share some details about it.
The CritRole Werewolf au is a mighty nein werewolf au. I set it in a vaguely modern world, but... in the 90s/early 00's. I wanted it to have some Buffy/Blair Witch/Lost Boys vibes. Like, grotesque and terrifying but with moments of absurd humor and a really bitchin' soundtrack. The Brjeau's are, loosely, the main characters.
Beau and Fjord were the intro duo. They're amateaur ghost hunters touring the country's most haunted locations. They're using Beau's absent fathers' credit card to fund them sleeping in Fjord's work van and get them access to dope shit like handheld video cameras and microphones that Beau uses to prove the supernatural is real. (Fjord films/runs tech. He a) doesn't believe in the supernatural and b) is terrified of it).
They pair up with Caleb- a mysterious dude in a long duster coat with a weird accent who may or may not be a monster hunter, and Veth- who's definitely just some normal housewife who just so happens to hate werewolves and definitely isn't one. They join the team after a scary event where Fjord is lost for a few days in some weird haunted place/sacred temple to some old forgotten wolf god. Caleb and Veth want to make sure Fjord isn't cursed, Beau is thrilled to be proven right that the supernatural exists, and Fjord thinks this is all ridiculous. So what that he's been having some weird dreams? That doesn't mean anything.
(You can see where this is going).
To keep things reigned in, I tried to limit all the supernatural entities to just werewolves (save for Fjord's eventual eldritch horror wolf thing he has going on).
Yasha, Caduceus, Fjord, Veth and Jester are all werewolves. Some of them were born werewolves, some of them were turned. Some were turned willingly, some not(t). Caleb and Beau remain Team Human (though Scourgers are now werewolf hunters, and through grueling training are a weird almost "half" werewolf, so they can't be turned).
#If I included Molly he would be killed during Fjord's first transformation#to keep things loosely in line with canon events.#caleb would be a reformed hunter who got kicked out of hunting society#bc he started to go hey what if werewolves AREN'T just mindless killing machines?#and astrid n eadwulf blocked him#i have it loosely set in north america#to really keep the buffy slash scooby doo slash lost boys vibes#but then LMAOOO god i started talking about an ukotoa temple#aka some sort of evil wolf spirit temple thing#where fjord gets cursed#and like???? where would you find THAT in north america??? what am i on???#anyways that will need some finessing#but otherwise this is purely an au of no thoughts just vibes#caddy has a fun genetic condition in that he is a werewolf born to werewolf parents#but he actually cannot shift! he's in his lil human form only#yasha is a naturally born werewolf as well and has mostly lived away from humans#veth was of course forcefully turned when her family was attacked#jester met artagan (a werewolf. more like a coyote lmao) and thought he was so neat#she let him bite her so they could play together more#jester acts more like a dog and doesn't get why everyone is so obsessed with violence#(until she gets it)#and fjord is of course cursed and has no control of his cursed form#all the other werewolves are just like... people that also turn into wolves#fjords curse is where the mindless beast myths come from and hes just a big ol killing machine#anyways.... yeah! thats the crittyrole werewolf au#if you (or anyone) wants more#i have about 800 words written that i can share#wip#werewolves#critical role
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ofqueensandwitches · 1 year
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I just realised that Hellcheer is basically just edgier, high school AU, set in the 80’s version of Titanic
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nixtorr · 7 months
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eight and liv but they enable eachother’s murderous tendancies instead of their actual dynamic
#eighth doctor#liv chenka#eight and liv but eight is the same eight who would have killed davros gladly if they were the only victims in terror firma#eight and liv but eight takes more traits from caerdroia’s the nasty one#eight and liv but eight resembles the eight who was like ‘give me the code and i shant break your arm’#gets the code and whomps the guy’s head against a wall in vanishing point#eight and liv but eights character actually makes sense to be like that after de1#im sorry but eight is rarely an optimist. he is however a hopeful realist#‘despair accords with reality but i insist on hope’ and such#he KNOWS the universe is full of evil but#his hope never stops him from doing horrible things. like killing the clock faced people in anachrophobia#in de1 he is faced with his despair after the death of lucie in the face of ww1 and the daleks and the fake reality made to please him#and when he thought molly had died when she fell. he still had hope. he still climbed back up. but he was still ready to jump back down#with the risk of death#he was going to go to the end of the universe to look for hope. he hurt the tardis and himself for it.#thats all good. thats sexy. but why after all that is he so horribly an optimist#why does he believe that the eleven can change after he's been like that since his second incarnation. lumps of rock evolving into flowers#the only nice incarnation of his being the eight but he was like that since he was born and he was obviously struggling#why does he treat dickbag landlord from better watch out like he has any empathy in him before hes literally dragged to hell#anyway. bitchier eight and bitchier liv i think theyd be great together#actually. the amount of bitch liv is is great already
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malepresentingleg · 1 year
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man the wrap effect managed to surprise me by being so good, then had some really bad things along the way and finished in a completely unsatisfying way 😭spoilers ahead:
Firstly, the last episode simply undid everything from the whole series??? what was the point of all these trials if he just ends up "fixing everything" in advance? it doesn't work like that and it made the whole series feel so pointless. (And I can overlook the obvious plotholes of nim not getting pregnant and Alex and Jean not becoming friends with the popular gangs etc, that's. fine.)
Like I don't mind endings that wrap (ha) everything up in a tight little bow, but this just felt hollow.
Especially after the intensity of last episode and how it ended, it felt like we skipped straight to the epilogue without getting actual real resolution for the problems.
And of course, the Jean x Alex of it all.
I mean firstly, I would have been so much happier if she was with Tony (and what was the thing with Kat and Tony that looked like they're going to DATE when Kat is clearly aromantic 😭😭).
But more importantly, ever since we find out Alex raped Jean - I couldn't stand the idea of them being endgame. I LOVED the complexity they handled it with. I loved that, even tho he's (generally, except for some real weird outliers in the writing) a good person, and that what happened wasn't with malice, it doesn't mean it wasn't traumatizing and terrible. I loved that she does like him, but she just still can't forgive him. I kept being afraid she would just give in and be with him and kept being pleasantly surprised she turned him down bc, understandably, she couldn't get passed their past.
Then he undid everything and was good and respectful and I mean, she doesn't even know there was a timeline where it happened but ughhh still! this is what I was scared was gonna happen and it did.
I mean, Jean, my beloved darling sweetheart - for her I wanted that. I WANTED her not to have to live with all this shit, she didn't deserve it. But fuck this is how it is in real life 😭.
And I mean. he could go back to not rape her and then not get with her ....
I hated that his priority during the whole series was to nag her into forgiving him bc he wanted to go back, when she needed him to leave her alone.
I hated that the message (at least how I understood it) was that the whole thing happened because of the evil curse and not because of Alex. Because it was "the wrong time" aka before he's 18, and not because he was mindless to his partner when he should have paid the most attention.
I loved the message from the episode before - YES, you will have to live with this guilt for the rest of your life, just like she has to live with the trauma for the rest of hers!!! Shit is complicated! That's life and it's important to show that, yeah, actions have consequences, and hurting people hurts them!!! And sometimes there's nothing to do but for each of you to move, live your separate lives and try to heal.
But now he's just... off the hook? UGh
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sj-art1784 · 1 year
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Hi! My commissions are open! If interested, DM me on here or one of the listed contact methods! (It would mean a lot if anyone would buy something! Nobody has bought anything yet)
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galacticlamps · 2 years
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‘we see now that kemel is no slave’ coolio now give him some lines, quick, before they junk the epis--
in all seriousness, what a loss. I know this is just the beginning of it, but ‘67 had quite the habit of introducing side characters of color that were frankly really consistently interesting but unfortunately just as consistently killed off, and typically marginalized onscreen before they died too. but even bearing that pattern in mind, it’s hard not to be especially upset about Kemel, who’s around for so much of the story, whose help allows our main characters not only to rescue the new companion in this serial, but also do to so in a collaborative effort that specifically highlights the best of humanity, and who’s already an important person with an existing relationship to said new companion, who’ll go on to become a series regular that never quite gets over her father’s death, which happened at virtually the same time as she was witnessing Kemel’s.
Like, it was all right there! We were even in Victorian England, and he was working for the evil rich guy - it’s not as if he couldn’t’ve been believably stoic and kind of quiet in that context without having to’ve been literally mute, with no lines at all! And then to have all his episodes lost on top of that! And if you listen to any interview with Sonny Caldinez, it’s immediately very clear just how much thought & consideration he put into his work, and wasn’t afraid to speak up on set about how scenes he was involved in were played - so even though he mostly did stunt/monster/extra work on Doctor Who, I’m sure his Kemel was played as much more than a blank-faced background character - which in no way rectifies the pointless lack of dialogue, but absolutely makes it that much more depressing that such a character was relegated solely to visuals, and that those visuals no longer exist.
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chaoticace2005 · 2 months
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I, Sir Pentious’s, List of Things to Build:
1. Matching PJs for the Eggies
2. Warmachine that will DESTROY the Radio Demon and get the attention of the Vees!
3. New warmachine after RADIO DEMON!!! broke the last one (Include updated death ray??)
4. Parachute built into hat
5. Advanced technology to spy on the hotel to impress Vox An “I’m sorry cake.”
6. Nest for me and eggs
7. New coat for the radio demon?
8. Cannon to protect me from a flying cat, tall slutty spider, and a tiny… bug? Cannon to PROTECT the flying cat, tall slutty spider, tiny bug, and close female friends that share a room together.
9. Portable elevator. Stairs suck.
10. Device to prevent me from being thrown off a roof again.
11. Armor against dismembered arms. Also Niffty?
12. Gaydar? Whatever that is, I’m currently unsure.
13. Thing to kill a roomba with knives.
14. Device to open bottles for Husk
15. Quiet door opener/unlocker
16. Shield so Vagatha doesn’t stab me when I go into her room in the middle of the night.
17. Way to remove pornographic images from my brain.
18. SAFE bug killer for Niffty? So less knives
19. Way to remove Valentino from this plane of existence.
20. A safe, loving family for Charlotte.
21. Cookies for the king!!
22. Mechanical duck to get in the king’s favor!
23. Way to fix Father-Daughter relationship? (They did this themselves nevermind)
24. Protection from Radio Demon??
25. Device to get the cat and spider to talk about their feelings so I can stop third wheeling.
26. New wall? Make it indestructible.
27. Flowers Chocolates A bomb for Cherri??
28. Way to break demonic contracts for Angel (and also Husk??)
29. Hangover cure.
30. Prosthetic wings for Vagatha (nevermind she has her own sometimes? Would she want ones for when she doesn’t??)
31. Reinforcements for the building
32. Battle armor for the Eggies
33. Angel killing bullets, bombs, knives, teeth?? And cards??
34. General uniform
35. A moat
36. Poem for Cherri?
37. Angel suggested I added “the courage to actually ask Cherri out,” which I must say is sadly accurate.
38. New egg bois? Or way to resurrect the old ones??
39. Evil but still angelic clothing??
40. Way to communicate with Hell
41. Gift to show affection for Cherri and let her know I’m alive.
42. Way to show memories from Hell for Emily and Molly to see (a device may already exist??)
43. Family reunion for Angel (Anthony??) and Molly.
44. A way to get back home.
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luveline · 4 months
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hey! would you mind writing sirius black x reader (ole flame or something) when they meet for the first time since azkaban at a meeting for the order? thank you and happy holidays!
thank u for requesting, hope this is OK! ♡
—you and sirius both get to go home eventually, 2.2k. fem
You were still kids when Sirius… went away. You thought he hurt James and Lily, and it didn't matter that you loved him because he was evil and cruel and he hurt the people he loved most in the world, and then you were outposted thousands of miles eastward, your life a shadow. 
Remus sent you letters. You always answered, even when it hurt, but his last was too much to believe. You told yourself that someone forged his handwriting through a curse or some new gimmick, and then a second arrived with a smaller envelope hidden inside. 
No name written on it. No Dear anything to begin. 
Things are different to what you've been told. Please come home, it said. This penmanship was shaken like a hand out of practice, but something felt familiar in the curves and dots. 
If Remus’ letter (and the second smaller one too) were in fact telling the truth, it means you did something awful, and so, for a while, you don't go. 
Please, the next letter says, again enclosed within a larger explanation from Remus, I'm sorry. I just want to see you again. 
Getting home isn't as simple as he might think. You have to picture the destination very clearly to disapparate, and you have no sustained recollection anymore of the places you used to go. You remember silly things, slices of memories; the four of them laughing in a big green field, the sweet smell of hair oil to your left; the beige walls of a rented flat where you'd lay in bed for hours, sometimes days at a time, before things got too terrible to sleep; a string-lit garden that last summer, hands of poker on a glass table. These places aren't real anymore. You can't go back to them. 
Upon your request, Molly forwards you an address and a secret code. 
Trains, buses, trains again. A long walk through a cold street. Some secret this or that. You arrive in the night and a frowning face ushers you in, past a painting sealed away and up the creaking stairs. You spend hours sitting on the end of a bed coated in dust waiting for the sun to rise, your back stiff with nerves. You could slip out before anyone else knows you're here, it's not as if Moody would give you away. But why did you come, if you were going to run straight back to your outpost? 
You don't want Sirius’ betrayal to be true, of course. It took your breath away imagining what it would mean if he hadn't done what you thought. If it's all lies (as it seems to be), if he's innocent as he and Remus claim, it means you turned your back on him and left him to suffer, and he's still asking you to come home. 
A few people stir for breakfast. Molly, who's voice you remember, and some younger sounding ones that may be her children, or perhaps the newer Order recruits. Then comes Remus’ voice. He sounds different. Less Welsh, more tired. Homely anyways as he passes your door with someone beside him. 
“...any day now,” he's saying, “try not to worry.” 
“I do worry. I've worried about it every day for years.” 
You freeze up. 
The stairs creak, Remus’ voice moving further away. “She doesn't need worrying.” 
Sirius must stay at the top of the stairs for a moment. He sounds close. “I wouldn't know what she needs.” 
“Come have some breakfast.” 
“I'll write her again.” 
“After breakfast.” 
“What if she doesn't come?” 
“After breakfast,” Remus insists. “She can ignore you once we've had toast.” 
“I forgot how funny you are,” Sirius mutters. 
Hearing his voice fills you with doubt. He sounds nothing like he used to, no easy confidence to be heard, just fatigue. 
You look down at your hands. Hearing his voice has a new emotion sprouting, too. When you first learned what had happened to your friends, you felt anger like a knife everywhere you went. How could he do that to them? How could he do it to you, be that person, ruin everything you'd loved and made together? But later, when anger faded and grief ached, you'd missed the Sirius you loved. Shamefully, in longing pangs, you'd toss and turn to dreams where things were different. 
Now there's a chance he might still be that person, and you're hiding from him in his own house. 
“There's someone here,” Molly says as you leave your room, her voice nearly too quiet to hear from the kitchen. “Moody's told me this morning.” 
“What?” Arthur asks. 
“Who?” a younger voice says. 
A small intermission of quiet. “Well, I don't know,” Molly says eventually, though she must have guessed it was you from the letter you sent. “But I'll need another loaf of bread. You'd better go, boys.” 
“Mum,” one whines. 
“Come on now.” 
The stairs whimper as you descend, the bannister sticky with old gloss under your hand. Paisley wallpaper and drapes catch your eye as you pass the overflowing shoe rack. There must be more people here than you'd thought. The coat stand is similarly overloaded. 
You can see into the kitchen as soon as you take the last step down. Molly stands wringing a dish cloth between her hands, two teenage boys at the kitchen table. Remus stands near her right with a cup of tea, and when he sees you, he genuinely smiles. 
“Oh, good,” he says, the scar that bisects his lip pulling as he takes a sip of tea. 
The teenagers turn to see you. “Bread, boys! Arthur, you can go with them," Molly says.
Arthur doesn't complain. You falter in the hallway, quiet as the trio of Weasley's leave the kitchen in their slippers to take a quiet exit from the front door. They smile politely as they go, but the boys whisper as the door shuts behind them. You wonder if they have an inkling of who you are, and then you wonder what you might say now they're gone. 
Molly remains, inquisitive to know that you need privacy but also the security of her company. She was always smart like that.
“Come in, then,” Remus says. 
“I–” You clear your throat. “I'm not sure I should.” 
A startle of silverware against china. 
Remus gives you one of his looks. It has tears threatening to well. Why didn't I fight to see him more? you think. Suddenly years have passed and he's changed, but his reassuring glances remain. It's like he's saying everything is fine, why wouldn't everything be fine? Chin up, dove.
Sirius appears in the doorway. Dark circles beneath grey eyes, his cheeks gaunt with hunger rather than the sleek sharpness he once possessed. He's still pretty, if wounded. It's as though you've found an old photo of him that's been smudged with age. He's stepped out of one of your moulding albums to haunt you. 
“Angel,” he breathes, his hand clasped low on the doorway, “you're here.” 
You look past him to Molly and Remus. There isn't a reality nor dimension where they'd let him stay here if they didn't believe his innocence. Remus explained it all in the letter and still you worried if he might have gotten it wrong, and simply believed what he wanted to believe, but it's not possible. Remus loved James so much, he would've killed Sirius himself if he really thought Sirius was the secret keeper who betrayed them. 
So. It's a relief to be home. 
You stare at him. “You look tired,” you say quietly. 
“I'm fine. I am.” 
He seems alright, considering. You'd even say he was handsome with his hair pushed away from his face, a dark shadow of stubble around his mouth, but he looks exhausted.  
You're expecting him to say what you'd say. How could you ever think I'd do it? 
Sirius was prone to similar bouts of pride, or righteousness, justice, whatever you want to call it, but he doesn't bother with that now. He looks at you as though you're the only person on earth, gaze narrowed but eyes wide, pain between his brows as he asks, “What's wrong?” 
Your hand finches up to your cheek to wipe the sudden tear away. “I thought I'd never see you again.” Your Sirius. 
“Don't be upset,” he pleads. 
“How can I not be? I left you all alone for so long.” 
He laughs roughly. “Sweetheart, what were you supposed to do?” 
“Not just give up.” 
“You thought it was me. That's the only thing you could've done. Either of you,” he says, gesturing backward with his hand. “It was hard… to know who to trust, at the end. It's not your fault.” 
You really were only kids together, not half as in love as James and Lily, but that doesn't mean you weren't mad for each other. He looked after you. You would've had a life, you think. 
“You were just gone,” you say, looking down at the floor between you, eyes tracing lines of wood grain. “Everyone. There was nobody left. And I just let you go.” 
“Do you want to come here?” he asks. You lift your head. His hand is barely in front of him, fingers open, palm up. 
It's like taking a stranger's hand for the first few seconds. You keep them low between you both, unfamiliar to each other. But, you find, as his fingers wrap around yours in that selfish way they used to do, squeezing rather than intertwining to make all of them fit, he remembers you.
You step a little closer, your arm to his chest, and look up at him through your lashes. It would melt him like a candle near a furnace, this look. He'd be smug or seething about something and you'd sidle in to stand between his shoes, unsure of what to say but determined to be there for him. It's the same now.  
“What's wrong?” he asks under his breath. 
“I left you all alone,” you repeat. 
“It wasn't your choice, okay?” He smooths his free hand from your elbow to your upper arm. 
Molly says something to Remus. He chuckles and says something in return. Happier to admit it if it's only for Sirius’ ears, you say, “I'm really sorry, Sirius. I miss you every day.” 
“I miss you too,” he says. 
You push your arms around his waist and hide your face in his chest, feeling for the lines of who he used to be, the dip of his spine in his back or the soft cotton of one of his old t-shirts. You regret hugging him at all, until he puts his arm behind your head, a shaky breath released against your crown. 
I'm scared, he'd said. But I don't want you to be scared, okay? Barely twenty, he smelled of the sticky red powder on the end of matches after a night doing things he couldn't tell you about. You could tell him you loved him, and he you, but you weren't to discuss Order business. We'll be okay. 
But Lily–
Everyone's going to be fine. I promise. 
“You promised,” you say to yourself. Too quiet for him to hear, but he does. 
“I promised you so many things I'm not sure what one you mean,” he says with a disappointed laugh. 
You pull away, taking his face into two hands. “How do you feel?” you ask, ignoring the tremble working up from your wrists. 
“What?” His eyes are dark. 
“How are you? Did they– I mean, are you okay? Are you sick?” 
“Remus has patched me up. And Cordelia, the medwitch, you know her?” 
“I don't know anyone. I've been away.” 
He nods sadly. “Yeah. Well, you look the same.” 
“I don't.” 
“You do! You look the same,” —he almost sounds happy, his lips curling into a smile— “sweetheart. Sweetheart–” He closes his eyes. 
You push his hair behind his ears. “You don't look the same,” you confess, “you have wrinkles, right… here.” You touch the corners of his eyes. 
“You're still beautiful.” 
“Mm. You can't even see me.” 
“I don't need to see you. I knew you would be.” 
You rise up to kiss his cheek gently. “It's like you're back, like– like, I always felt like you were gone. And now you're home again. You are home, aren't you?” 
He covers your hand with one of his. “You're here, so–” 
You laugh together nervously. “Yeah, I'm here.” 
“I have stuff to do to make it right.” 
“Then we'll do it.” 
“Okay,” he says. He swallows a breath, and wraps you in a surprisingly tight hug. “Did you read my letters?” 
I don't want anything from you. Just to see you're okay. 
“I read them. I'm okay. Don't I look okay?” 
“You look perfect. Just like the last time I saw you,” he says. It startles you how suddenly he sounds like he did when you were young, his flirting drawl, voice velveteen. 
“Not like that,” you laugh. 
He pulls you as close as you can be, rough now, his arms solid around you. “I missed that,” he says, rubbing your back. “I forgot how you sound when you laugh.” 
You've led very different lives. “I didn't forget yours.” 
“You wouldn't. You love having things to hold against me.” 
You stroke his hair. “Maybe a little.” 
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inkskinned · 2 years
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oh, i love the way relationships develop their own personal language of love. when all that joy shows the way they love you. i love when it is a little icon to who they are, to how you get along with them.
my sister takes a picture of a dead bug and sends it to me - this is you. my friend asks me how the move is going; she put a reminder in her phone to check up on me. i put a piece of ice down my friend's back, he returns the favor by holding my phone over my head and making me jump to catch it. jason and i scream-sing green day while going all of 15 miles an hour down country roads. molly is who i go to for a quiet night in with 5 dollar wine.
i go out for dinner with them and have to step outside to take a phone call; when i come back they've ordered my favorite appetizer without needing to be asked. andrew and i have a long-standing tradition of him picking me up to spike me directly into the first soft-looking surface around. i don't even need to speak to my best friend - she and i will just look at each other and have an entire conversation. burst out laughing at 3 PM, high and cackling like we're evil witches. i just moved by myself into a new city - my brother keeps introducing me to his friends that now live close to me. he always says - oh yeah, this is sibling and then pretends to ignore me. for days now, my family has been in and out of my apartment, just tinkering with things; making sure i am settling in nicely.
i usually have watermelon instead of cake for my birthday; kim forces a full yankee candle into the rind so i can have something to blow out and wish on. for 20 minutes on a saturday, all us grown adults crawl into one bed to have a cuddle puddle like we're in high school again. every 20 seconds someone starts giggling, and then we're laughing again. nick calls me from california; we both groan about the price of tickets, agonizing. miranda and i meet up in the city for the first time in years - without discussing it beforehand, the minute we lay eyes on each other, we both strike gruesome little gremlin poses instead of waving. dean always goes for the hug. joe always does a single firm handshake. sometimes i think about my friends and get so happy i just start crying.
oh, how wonderful to live in a world where affection is biologically ingrained in us. how wonderful that affection helps us build our single greatest strength - community. how wonderful that affection is our body's way of saying - thing is good, let's keep. how wonderful, this language, this skein we weave! to show the other person - i might not always say it. but i love that you live in me.
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butchsophiewalten · 2 months
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2/27/24 Twitter Space Recap
Martin, Kyle and Eva held a twitter space earlier today, featuring a short Q&A portion like halfway through! Here's some stuff they talked about:
Martin talks about how "Bon", in his behavior and manner of speech, was inspired in part by Paul Dano's Riddler. "Very unhinged and childish."
The "Wonderland" scene at the end of TWF4 was written by Eva, and Martin talks about how the vision he had for that scene was a lot less subtle, and involved Bon's behavior being much more obviously villainous. But when he shared it with Eva, she came back to him with an idea for a much more subtle and manipulative approach to Bon, which he though was "such a cool vision for [the] character."
-Eva mentions how when writing for "Bon", she couldn't help but get actually upset and frustrated with how manipulative he was being.
-Martin mentions how he's always kind of imagined Bon to be in contrast to Felix, where Felix's behavior is very regretful and cowardly, Bon is just unabashedly a "very, very evil person."
-Eva mentions how the decision to have them voice "Bon" in TWF4 was made only a few weeks before the episode's release. Martin says he'd love to talk about that more, but he's still very attached to the idea he originally had for Bon's voice, and wants to revisit it eventually.
-Eva mentions that a lot of the episode's most iconic and impactful scenes were made "only a few weeks ago". The intro scene with Edd & Molly, The Jack and Felix scenes, and the Wonderland scene at the end were all made extremely recently before the episode's publication. Martin talks about how when he broke TWF4 into 3 episodes, he realized the new TWF4 seemed honestly like it was going to be really boring, and he thought people were going to hate it, so he went back and started adding small scenes to give the episode more interest.
Martin says he thinks those scenes elevate the episode so much, but he was under so much time crunch when making them that he wasn't really taking the time to appreciate them, and was honestly really disappointed with and embarrassed by them immediately after he finished, and was really surprised when TWF4 got such a positive reception. He brings up the Jack scene specifically, saying he thought it was so shit when he first finished it, that it didn't turn at all like he imagined, how he felt like he was just screaming into a microphone as Jack, and how the scene didn't have as much animation as he originally envisioned. He says that he's come around to appreciate it more, though.
-Martin says that between 4, 5, and 6, episode 4 is his least favorite, and that episode 6 is his favorite episode in the series.
-Kyle says he's really insecure about his performance as Charles in TWF4, that he wasn't really used to the voice yet and wasn't really confident in performing it.
-Martin recalls a funny tweet he saw begging for TWF5 to be a slice of life episode, and says that it actually kind of is a lot like that, just not in a wholesome way. He says TWF5 is a much calmer episode.
-He says episode 6 is "such a fucking nightmare", and that it's "a very traumatic moment for these characters", and is a turning point for one specific character. He specifies, though, that it doesn't mean the episode is going to have a lot of analog horror jumpscares or anything.
-Martin mentions that in 1974 Charles is divorced, but is very recently divorced. He says that Charles and his wife (who the thinks is named Emily, but doesn't remember exactly) divorced "a few months before everything goes down", and that if Charles didn't go missing, they probably would have resolved things between each other. Probably not that they would have remarried, but that they absolutely love each other and would have stayed close as friends.
Martin specifically contrasts this to Felix, saying that Charles is a very selfless person who can recognize that this relationship he's in is bad for both him and his wife, and is willing to take the steps to separate but stay friends, where Felix would never have done that despite being in a genuinely very similar situation with Linda.
-Kyle says that his favorite dynamic between any of the characters in The Walten Files is the dynamic between Charles and Susan, and Martin says that their dynamic is very endearing. He says that "they really care for each other", and that they're "the bestest of friends".
Martin mentions, however, that he was really afraid that after episode 4, he was going to start seeing people shipping Charles and Susan. He says he definitely wrote them to be just like a good platonic friendship.
-Martin starts talking about Jack & Felix's friendship. "Felix & Jack, to me, I've always wrote them as people who seem very social and friendly, but are actually very isolated people, in their own way. So, Jack, I think the only person Jack is completely and entirely honest with is Rosemary. That's the only person that knows Jack very well. And Felix is just, Like, someone that doesn't- people wonder, like, 'oh, how could Jack not know about Felix's addiction if they've been friends for years,' and I think that Felix would definitely be the type of person to try his hardest to hide it from Jack.... Felix looks up to Jack. To me, Felix sees Jack as this person that he would love to be. So, even if there's some love there, some affection, there's also a lot of envy. That Felix is trying his hardest to be on this person's good side, so he would not tell Jack about this."
-Kyle mentions that a personal pet peeve of his is when people come up with ship names for characters for are married, like "Jackmary" or "Homarge". He says that Jophie gets to be an exception, because they aren't married, and Martin jokes that they could get married and still be Jophie, as "Sophie Jophie" and "Jenny Jophie".
Kyle and Eva joke that if Sophie and Jenny got married, they would do rock, paper, scissors to decide who's taking on the other's last name, and Kyle asks Martin who would win. He says Jenny is "great at rock, paper, scissors." Martin says "Yeah, I think Sophie would change her name to Sophie Letterson if they got married... I think she would not like to be reminded of the last name of everyone that's missing, y'know?"
-"Does "Bon" ever reveal his own motive for his actions in the series, or is it never explained?" "He doesn't try to hide it, to some people, but he doesn't reveal it. He's not like your classic kind of villain, and goes 'ah, yes, my plan is doing this and to do this'. I think something I've kinda learned is that actions speak more than just outright saying it, y'know? It would be really boring if Bon just, like, sat down and explained what he was doing. I think it's more fun to see him actually go through his plan and keep you guessing, until it's really clear what he's trying to do."
-"Do we have any small videos on Chris, or will he have any mentions in the episodes?" "Ah, I think he's mentioned- He appears in photos, but not mentioned. The little I can say of Chris is that I think he's someone who knows how to, like, turn a situation in his favor. He's a real go-getter kind of character, and I think it's a really- the dynamics he has later on in the series with the main characters- they're all really interesting. I really like Chris... I really love this character. I think, uh, there's still a long way to show it- there's a design we have for Chris that's one of my favorite designs we have for a character in the series, it's so cool. It's, uh, the design you see in episode 2, where he has like, the caretaker outfit, uh, he has a different design later on, and I really love that." Eva chimes in, asking, "Oh, is that the 1982 design?", to which Martin responds. "Yes. I fucking love that design... I can't wait for people to see his role in 1982, because, uh, it- it's way different than what people think it is. I think people just think 'Oh, he's just like one more employee', but- augh, I can't say anything."
Eva responds saying "One thing I will say is that people- Obviously, there is no like, "correct" understanding of Chris at the moment, because we know nothing about him, but I think a lot of people seem to be very, um, have a very different expectation of who he is." to which Martin says "He's silly. I-I- think Chris is a really good blend of a silly character, but also a very serious character when he needs to be. I think Chris is very similar to Charles in a lot of ways, just less naive in some aspects."
-Someone asks for a Charles fact, and Martin says that he's someone that will always put his daughter first before everything, and Martin likes to think that he would bring Lily to work a lot, and that everyone would make time to play with her, even if they were working on something important. He adds that it'd be funny if Felix ended up telling Lily that Santa didn't exist, or something like that, on accident.
-Someone asks for a Brian Stells Fact. Martin announces, with a lot of fanfare, that Brian's type of women would be "middle-aged single mothers", and that he definitely would've tried flirting with Rosemary after Jack's disappearance. He then posts this drawing to Twitter:
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-They keep joking about Brian trying to hit on Rose, saying that he'd show up at the Walten household before Jack's disappearance, and that Jack would meet him at the door with a shotgun. Martin jokes that Jack would shoot a perfect outline around Brian as a warning, and that he's actually a really good shooter, and that there would be "more on that in episode 5."
-"If there's one thing we can say about Chris, it's that Chris is like a more mature Jesse Pinkman. He-he has like that silliness. He's like the season 4-season 5 version of Jesse."
-Martin says he got approached by a company that's currently producing the Harmony & Horror VHS tape for Battington, wanting to make a similar VHS of episodes 1-6 of The Walten Files, but it couldn't be done because of the amount of copyrighted material in the series. So Martin pitched an idea of an entire 10-episode season of a Showstoppers cartoon in the style of the merch videos to release Direct-To-VHS. They say that after the tapes have sold, they'll release the entire series to YouTube. They all seem very enthused and excited to work on it.
-"I have this idea that CyberTelly should be like the lawyer of the Showstoppers. Whenever they fuck up, he cleans everything up behind the scenes, and that's why everything goes back to normal the next episode."
-"Susan or Linda Thompson fact?" "I think the only other person Linda talked to when she was leaving was Susan. Because they were good friends, so she definitely wanted to say goodbye to her."
-"What was the hardest scene to animate in TWF4?" "The hardest scene to animate was probably, um... the Felix scene, when he's on the river. Most of the other scenes are in very dark places, so that saves a lot of time because I don't have to add that much detail to everything. But with the Felix scene it's so lit up, it's in the middle of the day. Augh, that was such a pain in the ass to animate, so yeah."
-Martin says the planned Showstoppers cartoon would consist of 10 11-minute episodes, and that there's going to be a lot of recurring characters, and a lot of characters that had to be designed to fit in with the style of the series.
-Someone asks what would be Rosemary's favorite character she designed, outside of Sha. Martin answers that Sha was definitely her favorite, but next would definitely be Billy, because he's always imagined that she really loves clowns. Her ranking of favorite characters would go: Sha, Billy, Bon, Boozoo, and last would be Banny, because she's just Bon but Purple.
-"I think Edd would be a very mischievous kind of fellow. And he would try to like, do a lot of pranks and stuff like that. I think between Sophie, Edd, and Molly, he'd be the most rebellious of all. He'd be very, like, 'Augh, stupid house! Stupid fathers!* I'm grounded!' and, uh, Molly would be more like, 'No! Edd! You can't do this, you can't blow up the school, that's not right!'" (*My Note: By 'fathers' Martin definitely means 'parents'. This is a really common mistake to make when speaking English and Spanish is your first language, and is a slipup he's made in Spaces before.)
-"Was Molly a feral child?" "Nah, I think she was very behaved."
-Martin says that Rosemary's sister's name is Laura Peony, and that she's intended to appear in Season Two. He says that Rosemary and her sister don't really speak too much, and that Rosemary doesn't like her family that much, and doesn't speak to either her sister or her mother.
-Kyle asks Martin to list a favorite drink for everyone in the Walten Family. Martin complains about this question, saying that it's so much work, and asking how the hell he's supposed to know that, but spitballs some answers anyway. He says that Jack would like Ramazzotti or Wine, that Sophie would probably like Mojito, that Rosemary would like Champagne, and that Edd & Molly are too young to drink :( .
Kyle chastises Martin for his interpretation of the question, and tells him to pick non-alcoholic answers. Martin says that Molly would like Pepsi, and that Edd would like liquid mercury. He also jokes that Jack would have a gallon of root beer in his office.
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shadowbrightshine · 3 months
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The animation in wf4 feels a little like paper dolls but in a different way than you might think.
The way they move around makes it feel like the very people in the story have been weathered by the passage of time for a vhs tape. Like they're made of a digital material that's deteriorating along with the tapes.
Like they're very bodies are developing glitches and losing fidelity. I know it's also the style but the way they also move similarly to the animatronics reminds me that practically everyone in this is dead, and either possessing one of the robots, or somewhere else, or gone.
It's jarring and off, just like everything else. They're being janked around by their own demise that we can only interact with after the fact.
And I love that Felix isn't a William type.
He's not evil. He's someone with a terrible drinking problem. He wasn't good to his wife. He lied to his friend. He buried his friends children and lied about both the deaths and his problem with alcohol.
But he isn't malicious or evil. He's a man who went through an awful accident as a result of his own bad decisions. He feels awful about it. He's haunted by it. And I think that makes it scarier. This series doesn't seem to be a bunch of planned events by some mad man or a big plot.
Molly and Edd aren't like Cassidy. They aren't vengeful ghosts or special. They weren't killed to further anything. They're elementary schoolers who got in a car accident because their dads friend was drunk driving. They want to find their sister. They want to help people.
Bon is such a mystery to me. I have no idea where that is going.
The things that scared me the most were the voice acting and the build up to Susan, and some of the faces.
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bonefall · 3 months
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I kind of feel evil for asking this, but how does the fact that Brightheart is considered the hottest molly in the forest while Cloudtail is considered rather ugly affect their relationship? (Also the love the Better Bones Au!)
I think in other couples, it might, but for them it doesn't. Y'know? Other cats might be shallow, or insecure that they're considered so unattractive while their mate is "out of their league," but that's simply not Cloudtail and Brightheart.
You see, a short king like Cloudtail only has a certain amount of floorspace with which to store their confidence. In a tall guy, it spreads all out and gets thin. In a boy who is short? It's concentrated. Absolutely distilled to its purest essence. You cannot divide him. This man is a carbon molecule, and babey, Brightheart is 6 electrons.
He's like Danny Devito. When does Danny Devito ever stop and lament his appearance? That man is a comedic orb. That's Cloudtail.
Brightheart ironically is the one who's more insecure. The death of her cousin and Bluestar's Dishonor Title, Swifthound, really wrecked her. She has a bad habit of feeling like she doesn't deserve the good things she has.
In BB's Clan Culture, scars are desirable. She feels like she doesn't deserve to have such markers of strength. What she did in following Swiftpaw towards the dogs that night wasn't noble, it was foolish. So walking away from it with trophies that she feels she didn't earn is painful.
In a way, she feels like that with Cloudtail, too. What did she do to deserve him? He supports her in everything she does. He does everything in his power to make her feel better. When she suggests surrogating for their friends in other Clans? He thinks that's great! If she wanted to go on a trip with Cinderheart to the town? He'd cheer! She knows, deep in her heart, if she ever DID want to become a Cleric, Cloudtail loves her enough to let her go.
And that hurts, sometimes. When she struggles with self-worth. She feels like it's not fair she's loved so much.
So... basically, maybe in another couple who was more shallow. But these two have something a lot deeper going on.
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dent-de-leon · 22 days
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can you imagine being Essek and watching this tiefling on a total power trip turn into a 10 feet tall--incredibly ripped??--god and kill the boy you're catching feelings for?? And brand you with some kind of evil cursed hivemind magic you're worried might corrupt you forever?? This thing that your friends swear was once family, but all you see is something monstrous and otherworldly and tearing himself apart at the seams, screaming when all their loved ones call out to him??
Just. the way it must have felt to see Lucien go from that to. Just the most sweet and affectionate little tiefling. Gentle and curious and so full of joy and wonder. He's got the brightest smile and warm eyes and this mischievous playfulness. He runs off at first--startled, scared. But then once he's calmed, the first real word he says other than Empty is Love. And right after that he calls out for his Magician, for this man who did everything he could to save him, held him close and kissed him so tenderly on the forehead--
And Caleb throws his arms around Essek and Veth and just watches the Nein all descend on Tealeaf and embrace him amidst laughter and tears and Molly's starting to smile again and Caleb's so so happy just to see him finally alive and.
In that moment, Essek understands why they came all this way--
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cryptidclaw · 6 months
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Leopardfoot!
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Design Notes:
I havent done a design for this gal in AGES ... yet I tried to keep a lot of the ideas from my old one for this one!
I really liked the idea of her having tortie patches that mimic leopard spots which i had used in my old design, so I've done it again!
Character Bio:
Leopardfoot
Lesbian; demi-girl; she/they
Age as of 1st arc's beginning: 11 cycles, 8 moons; ~64 Hyrs
Age as of 1st arc's end: 13 cycles, 6 moons; 72 Hyrs
Title meaning: -foot = a cat who is light on their feet; a cat who is sure of themselves, and is confident in their actions
Warrior -> Elder of Thunder Order
Mother: Swiftbreeze
Father: Adderfang
Siblings: Patchpelt
Ex-Mate: Star Pineheart
Mate: Fogtalon
adoptive/step kit: Mousebite
Kits: Thistleclaw; Night; Mist; Birdflight (biologically Fogtalon and Sparrowpelt's)
Grandkits: Sky, Shimmer, Shine; Star Tigerclaw; Lynxstorm; Sandstorm; Flint; Poppy
Other notable kin: both the Tiger and Fire descendants are her kin, Fire not biologically tho.
Character Summary:
Leopardfoot was born to Adderfang and Swiftbreeze alongside her brother Patchpelt, unlike in canon she is born a few cycles (years) earlier than Bluefrost and Snowstorm.
Leopard grew up with a very heteronormative ideal of what her live should be as an adult, find a good strong tom as a mate, have kits, be the perfect Thunder Order molly. Because of this, when Star Pineheart showed an interest in her a few years into her adulthood, she agreed to become mates with him, he was the leader after all, it would be dumb to say no to such an honor.
Leopardfoot soon had a litter of kits with Pine, Night, Mist and Thistle. Just like in canon Pine ends up abandoning the Order and his family to live with humans and Leopard is left to raise her kits alone. Leopard was devastated by this, especially after Night and Mist passed due to kitten cough. Due to all of this Leopard grew a misplaced hatred for kittypets which she passed on to her son Thistleclaw, and later her grandson Tigerclaw.
After Pineheart left the Order however, Leopard began to get close to Fogtalon with fog helping her out with the kits. The two of them end up having a slowburn romance and end up becoming mates later in life!
Leopard is a sort of step parent to Mousebite and Birdflight was raised with both Fog and Leopard as his moms!
Leopard retired with Fogtalon and as an elder she spent a lot of time with her grandson Tiger, who would often bring her fresh prey and moss and chat with her about the day's happenings.
Leopard had an idea that her son Thistle was kind of an asshole, but she was never told the full truth of his actions that lead to his death. Nobody wanted to hurt her like that, especially since she was now relaxing and retired.
Leopard was devastated when Tiger was banished and for a long while she was in denial about him being evil. she started to act more old and confused after this too.
within the plot, Leopard is able to give the backstories and motives of characters like Tigerclaw to Fire, though she really only tells these things to him after Tiger's banishment when she became more confused.
...
[Image ID: a digital drawing of Leopardfoot from Warrior Cats. She is laying down with her right side showing and she has a slight frown. She is a slender, long furred, black and orange tortoiseshell molly with green eyes. She is mostly black, with orange patches on her shoulders to mid back, paws and cheeks that imitate leopard spots. She has brownish gradient under where her orange patches are, as well as on her tail./ End ID]
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