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#narnia susan
archibald-2017 · 2 months
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Something something being the awkward sister that feels like a complete failure and inadequate in comparison to her much more confident sister.
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On the Subject of Susan
I'm going to be a little blunt and my words may seem antagonistic here. But no hate, please. I'm just trying to analyze and provide my analysis based on the very simple facts. Now.
I've never quite understood the anger at C. S. Lewis for how he ended Susan's tale. Mainly, I suppose, because I had the whole story.
Everyone gets angry that Susan is "banned from Narnia" because she likes lipstick and nylon stockings and being a teenage girl in the 1940s, but no one seems to understand that that's not quite how it went, much less that Susan still has a chance.
Let me work backwards a moment and explain the latter. You see, to quote Lewis himself, in a letter to a girl called Marcela in 1955,
"...Haven’t you noticed in the two you have read that she is rather fond of being too grownup? I am sorry to say that side of her got stronger and she forgot about Narnia... ...She is left alive in this world at the end, having been turned into a rather silly, conceited young woman. But there is plenty of time for her to mend, and perhaps she will get to Aslan’s country in the end—in her own way. I think that whatever she had seen in Narnia she could (if she was the sort that wanted to) persuade herself, as she grew up, that it was ‘all nonsense’”
Now, there's a lot to unpack here, but first and foremost, my point is quite simple. "Perhaps she will get to Aslan's country in the end-in her own way." It was always meant to be open ended, for Susan. Narnia is not forever closed to her, unless you and she choose so.
"But Peace!" I can hear you saying, "There's that whole 'too fond of being grownup' phrase!" Why yes, yes there is, how clever of you to notice. The whole point of the latter portion of Susan's arc is that she chose that- lipstick and nylons and "being grownup"- over Narnia. She grew and she chose to forget Narnia.
After all, what sort of modern teenage girl (in England, during WW2) would be so interested in medieval times and what they probably explained to their friends to be a good old game of pretend? No, no, she can't remember Narnia right now - she's going to the cinema with a few girl friends, she's going to a party, she's focusing on everything but there and inevitably, after pushing it away for so long, Narnia let her be.
You see, C. S. Lewis was a very Arminian (and yes, I spelled it correctly) Christian theologian. And while I'm sure most of you here on this hellsite would like to ignore that, it is relevant to how Lewis wrote his fiction. After all, it's at the core of his basic beliefs, despite his being a staunch atheist in college and into his adulthood, and despite what you may like to think, it crept into his writing even when he did not intend it. For example, The Lion, the Witch, and the Wardrobe is called an allegory for the story of the Resurrection, despite Lewis' arguments to the contrary. He insisted that it be seen as what it is, very heavy symbolism. Very heavily used Christian symbolism, that is all over the Chronicles whether you like it or not.
Let me explain why this is relevant to Susan, what Arminianism even is, and how that term applies here. Susan is, so to speak, a symbol of an atheist left behind, after all of the Christians she called family died. In a situation where you regard Christianity as true, she is left on Earth while they have gone on to heaven. And this doesn't mean that the gates of heaven are closed to her, quite to the contrary! They would be closed on the day she died insisting that Jesus Christ was not Lord, plain and simple. She has a choice to make, so long as she is alive.
Now, to Calvinist theologians and Christians, Susan never had a choice. Either Aslan, the God symbol here, chose to bring her in, or he didn't. Calvinists believe in a thing called predestination, the concept that every believer that would ever be brought to heaven is chosen specifically by God. Arminianism declares the opposite. It's a whole thing in Christian theological circles, but that's irrelevant to this discussion. In any case, the core of Arminianism is that you and I have a choice in whether or not we believe in God, and in whether or not we go to heaven.
To an Arminian theologian, God, or Aslan in this symbolic case, can influence our choice, Susan's choice, up to a point. Once we reach that point, once Susan forgets, God, or Aslan, steps back. He accepts our choice, allows Susan to forget. It's up to us, up to Susan after that.
Lewis was an Arminian theologian. He made the point, repeatedly, in his theological works, about people having a choice.
He repeats that point with Susan.
One last thing, before you go. You see, there was another letter about Susan, after The Last Battle was released. He'd been asked if he ever intended to finish Susan's story.
This was his answer.
“I could not write that story myself. Not that I have no hope of Susan’s ever getting to Aslan’s country; but because I have a feeling that the story of her journey would be longer and more like a grown-up novel than I wanted to write. But I may be mistaken. Why not try it yourself?”
Well, my people? Now that you've heard what I had to say (and say through quite the essay, my apologies), why not? Go, do what you do and tell her story for yourself. The author has encouraged fanfiction, so go on! And don't worry about Christianity and symbolism too much. It may help you understand how and why Lewis wrote what he did, but unless you're determined to have your tale in his style and overlapping seamlessly with canon, it's unnecessary. Unless you choose to make it a part of your life, you don't have to be concerned about it.
Feel free to ask questions, and I'll answer to the best of my ability, with Google by my side!
Also, I nearly forgot. There are absolutely other problems with Susan being the last of her family, left alone in the aftermath of WW2. This is not the place to talk about those, however, merely to help you understand why she "is no longer a friend of Narnia" and to remind you that there's always hope.
Oh, and besides that, don't forget that I'm talking about the books and not the movies thank you very much, while The Lion, the Witch, and the Wardrobe was absolutely perfect to canon the other two were not and I'm not going to consider them in this post. I do appreciate them, but when dealing with book canon they're both nos.
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arcadialedger · 11 months
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Growing up is thinking I was a Susan because I was an introverted academic type who was into archery and realizing I’m a Lucy.
Susan’s story… it’s so tragic. I believe there’s a way to keep a logical, level head and also not stop dreaming.
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liridi · 2 months
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Once there were four children
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supernovasilence · 1 year
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Ok we all talk about the Pevensies' trauma at returning to Earth at the end of The Lion, the Witch, and the Wardrobe and their trouble readjusting to life there again but think of all the funny/good parts too
They return from the country, and their mom is surprised when all her children hug her at the station. Even Peter, who thinks he's all grown up. Even Edmund, who went away surly and withdrawn. She doesn't know her children haven't seen her in over a decade.
They miss their dear Cair Paravel, but they absolutely do not miss its chamber pots. Indoor plumbing is amazing.
It takes a while to remember how modern technology works, though. How many heart attacks did the siblings give their parents or the professor because they walked into a dark room only to turn on the light and find the children sitting there in the dark. (They were by the window! There was still plenty of light from the sunset! They would have gotten a candle in a minute!) The kids sheepishly remember oh yeah electricity is a thing.
(Edmund has a new electric torch in Prince Caspian. He was so excited to get that torch. Almost more excited than you'd think a kid his age would be, and his parents expect Peter at least to tease him, but the siblings all agree light in your hand at the touch of a switch is terrific.)
Suddenly getting really high grades in some subjects and terrible in others. Their grammar, reading comprehension, spelling, vocab, even penmanship? Amazing. History and geography? They don't remember anything. One time in class Susan forgets Earth is round and wants to die.
Also they can never remember what the date is supposed to be because Narnia uses different months and years. They can estimate time really well by looking at the sun though, and Edmund at least can always tell which way is north etc without thinking about it (again, using the sun)
Okay but how many times did they go to pick something up or reach something and realize they are so much shorter and less muscled than they expect? It's a common sight to see Peter climbing on counters to reach a top cabinet, grumbling about how he's High King this is demeaning. (No he never takes the extra five seconds to grab a stool. He will climb that shelf.)
Peter and Susan being delighted because they are no longer almost thirty. (In a few years Edmund and Lucy will tease them about being old and their parents will not understand.)
Lucy doesn't have to deal with periods anymore for a few years yet. Susan might not either. Heck yeah
Lucy loves to climb into her siblings' laps and be cuddled. In Narnia she eventually she grew too big, but now she is small and snuggleable again. Peter is her favorite, and if she's upset, he'll tickle her and tell bad jokes until she's smiling again, but really she loves cuddling with all her family. She grew up without her parents; how many times did she just want to crawl into her mom's lap and her mom was a world away? Imagine the first time she realizes she can now. Or, imagine one day, a cold and grey sort of day, when the rain is pattering against the windows, and it sounds like the rain on the windows of the Professor's house, that first day they went exploring. It sounds like the day they played hide and seek. It sounds so like the rain on the windows of Cair Paravel, that if Lucy closes her eyes she can imagine she's back there, having tea and chatting with Mr. Tumnus before the fireplace of her room, and soon the rain will stop, and they will go out on the balcony and wave to the naiads and the dryads and the mermaids, who have come out to enjoy the rain and visit one other on the banks of the Great River winding past Cair Paravel down to the sea.
But if Lucy looks out the window, all she'll see is the rain over London, so it's not only a cold and grey sort of day, it's a lonely sort of day too.
Susan and Edmund are playing chess in the living room (and they must have studied with Professor Kirke, thinks their mother, because they certainly weren't that good when they left). Lucy goes over to Edmund, and oh dear, thinks their mother, now he's going to call her a baby and be horrible to her, but instead he picks her up and puts her on his lap without even taking his eyes off the chessboard; it's simply a matter of course.
"Doesn't the rain sound familiar?" says Lucy in a solemn, wistful way.
Their mother doesn't know what that means, but her siblings must, because Susan says, "Yes, Lu, it does,” and Edmund gives her a little hug with his free arm as she tucks herself under his chin to watch the chess match.
(Five minutes later there is a crash from the next room as Peter falls off a counter. Their mother does not understand the words he must have picked up from the Professor, but he's grounded for them anyway. His siblings have no respect for their High King, because they refuse to stop laughing.)
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goldenvulpine · 1 year
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Yearly Reminder that C.S Lewis encouraged his fans to write fanfiction about Susan Pevensie becoming a friend to Narnia and reuniting with her family once again.
Literally inviting his fans to write Susan’s adult, angsty character development with a happy ending.
Do your duty fans. Write that fanfiction.
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The Pevensie children are too old for their age.
Their mom notices, at the dinner table. She sees no nagging children, no stupid fights. She sees Lucy eating and speaking with perfect manners, Edmund analysing the economy and war with concerning skill, Susan being gracious but poised, like a diplomat.
Their father sees it in Peters eyes the first time they get into a fight. When he moves to punish Edmund for speaking out of turn, Peter calls him out on it. When his gaze meet his eldest son's, he's leveled by the war he sees behind it, the tensed muscle in his arm, the knuckles white around his knife. He's seen that before, in other soldiers. He doesn't know how to react.
Other children notice, too. Talking to all the Pevensie kids at the same time is like being the only one left out of a secret, and the way they touch and tease each other speaks of a history far deeper than their polite demeneor lets on. And when they walk they fall in line, as if there is a natural hierarchy between them.
The first time anyone picks a fight with Edmund, Peter comes home with a three week suspension and blood around his mouth. He looks more alive than you've seen him in weeks.
When Susan gets back in the pool after Narnia, she wins all the contests. Coaches can't explain how to beat her, because they don't understand how she's doing it, either. She seems to almost disappear when underwater.
Lucy, always gay and golden-haired, starts dancing, and never misses a step. She moves with an elegance that no 10 year old should have, and all the girls want to be friends with her
Edmund soon becomes the best student in his faculty. He always seems to know the right thing to say, and teachers laud his ability to think through complex problems. His mouth does get him in trouble sometimes, but the boy seems uncatchable, always talking his way through the cracks. And if not?
No one actively fears Peter, but everyone is a little scared of him sometimes. He's tall for his age, sure, but there is something else, some other air that seems to give him an authority far beyond what's normal for a teenage boy. He's nice enough, but teachers can't stand it, and bullies learn very quickly that pissing him off means missing teeth and black eyes.
The Pevensies are not quite inhuman, but not fully mortal, either
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thirstywaffles · 6 months
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Got bored and doodled older Pevensies
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zluty-spendlik · 7 months
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Caspian and co were like "gosh this duel idea is great and all, but how the heck are we gonna get Miraz, whos army is like three times bigger, to agree to it??"
And the Pevensies were all like: "No yeah we'll just send this little shit right here, he can provoke anyone into doing anything, trust us"
While Edmund so-you-bravely-refuse-to-fight-a-swordsman-half-your-age Pevensie just raised an eyebrow, grinning.
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western-woods · 4 months
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I thought there was no Christmas in Narnia? No, not for a long time… But the hope that you've brought, your majesties, have finally started to weaken the Witch's power.
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The Pevensies are foreign when they return home.
The streets no longer know them. They do not seem to fit in their own bodies as they stroll the cobbles, Lucy’s hand tucked carefully into Peter’s, Edmund trailing watchfully behind Susan like a shadow. Their eyes are sharp, their smiles crooked, and those who see them cross to the opposite side of the road, afraid of the ancient gleam they see reflected back at them that does not belong in the eyes of a child.
Water murmurs to Lucy when she flits past, and lamplight follows her wherever she goes, even in broad daylight when the lamps are unlit. Their flames sputter into existence when she walks by, flickering at her in a way that seems to whisper I know you. Lucy looks at them with feral teeth and smiles, and vines twist from the cobbles at her feet. She laughs like a wild thing, eyes glowing, but a moment later she blinks and it is gone. Her feet hardly seem to touch the ground at all as she darts through the alleys.
The sky is clearer when Peter walks the streets, clouds vanishing like they were never there at all. His eyes are too much like a lion’s, struck through with gold and filled with a brooding fierceness, yet he laughs as he twirls Lucy around, and claps Edmund on the back as they share a stupid joke, and smiles with Susan when she tells him of the bow she plans to carve. He is all warmth and friendliness, but there is something about his eyes. There is something about all of their eyes.
The sun caresses Susan as she moves about, and she is graceful, too graceful, her hair seeming to be alive of its own accord as she steps lightly along the streets. Her skin is pale like ice, and sometimes her gaze appears almost silver as she stands by the river, gazing into its depths with a distant, siren-cold smile. She is gentle, but her fingers look a little too long sometimes. Her laugh is a little too unsettling.
Trees lean towards Edmund when he walks past, branches scraping his clothing, leaves showering around him. Books and journals and pages covered in notes perpetually fill his arms, spilling from his grasp but never quite falling. His voice is even-keeled, quiet, but there is something wild about it, something unhinged. He speaks of things none have ever heard before, dark hair falling into his eyes, mouth unsmiling and hands perfectly still, and for a moment he seems to be someone else, fangs beneath his lips, dirt on his tongue. He tilts his head just a little too far, sometimes.
The Pevensies are foreign when they return home. They do not fit their bodies. They do not fit the streets. People who encounter them cross to the other side of the road to avoid them, terrified of the oldness they see in the children’s faces. Such depth does not belong in the gaze of a child.
And yet four sets of eyes, ancient and deep and flickering like candlelight, stare out from the children’s faces, and their smiles are sharp, too sharp. Their laughter is a little too wild as they walk, the oldest and youngest hand-in-hand, the middle children trailing each other like shadows.
There is something about those children’s eyes.
There is something about those children.
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narnianskys · 1 year
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The Lion, The Witch, and The Wardrobe
By C. S. Lewis
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do you ever get just a little annoyed because people seem to ignore the books in fanfiction or is that just me?
it was Narnia this time, i have yet to find a fanfic with more than a subtle nod to the books.
i just want Susan/Caspian with the books and Peter and Caspian being friends and Caspian having known about the Narnians still living plz just look at book canon for a moment i am B E G G I N G
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minamorris1857 · 8 months
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Can we talk about how chaotic Narnian battles would feel?? Especially in Prince Caspian. Like, imagine you’re a little Telmarine soldier waiting for the catapults to go and you’ve got all your regiments in nice orderly rows and these two 16 year olds suddenly yell “charge” and the ground opens up beneath you, a mouse with a sword the size of a large pencil takes out your bestie, a griffin drops a dwarf 5 ft away from you and he comes up swinging. As you try to rationalize this, you’re stabbed by a twelve year old with a British accent. Finally, a really freaking big lion shows up, roars, and your entire army collectively pees their pants. At one point in the movie (yes I know the movies aren’t quite the same as the book but they’re still good) Peter says like “we have the element of surprise” like dude, you have drafted the trees I’m pretty sure everyone’s gonna be surprised no matter what.
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tenaciousgeckos · 2 months
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Shakespeare: So, in Macbeth, the forest doesn't actually move, it's just an army holding branches
C.S. Lewis & J.R.R. Tolkien: And we took that personally
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man there’s something bout narnia that just burrows it’s way into your soul and never leaves
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