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forensicated · 2 months

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Found a rather long list of quotes on an external HD whilst sorting. I assume it's from Sierra-Oscar as otherwise I don't remember compiling it, especially as they're not all the fun ones! So below - the first two pages! Will add more here and there.

*Mickey and Duncan are going to see Santa, who is now rehearsing for Panto* Mickey: "He's behind you!" Duncan: "Oh, no he's not!" Mickey: Tell you what - it is a right laugh at murder….gallous humour me governor calls it Mickey: Good old Debbie with that big fat mouth of hers. Mickey: He held me in his arms…the grumpy old DCI….gruff Jack Meadows the guv’nor….he let me hug him…. Andrea: Really? Tell me more? Mickey: I could tell you loads girl, but I’d have to shoot ya! Andrea: What about Inspector Gold, she’s a right character! Mickey: Well she is a bit of an old dragon…..rumour has it that her and Okaro had an affair….in about 1922… Andrea: *laughs* come off it….she’s not that old….*drinks* Her and Okaro were a couple?! Eva: *walks up behind and slams the evidence bag on the table* CCTV Footage….Alan Shields office… Andrea: I….I better be going…. Mickey: Yeah….see you later…. Andrea: See you later….. *walks off* Mickey: timing….I was in there! Eva: I’ll buy a hat for the wedding….come on….. Debbie: She’s going to MIT? Jack: Do you have a problem with that? Debbie: No - I just…err… Mickey: Don’t kid yourself Debbie….please!!! Debbie: *Scottish accent* Something about the crime scene just didn’t add up, so I thought I’d flutter my incredibly long eyelashes at the DI…I mean I’m so clever! Mickey: Debbie… *Debbie looks round and sees Andrea stood behind her* Mickey: You sticking around? Andrea: Well, I’d love to….but I’ve gotta be somewhere else… Kerry: Oooh - a man!? Andrea: Just a friend! *walks off* Mickey: I thought I was in there! Kerry: You and every man in the place…..where’s my drink? Mickey: So - you’re gonna be training with my squad for 6 months….you reckon you can handle it? Eva: I’ll be showing you up mate! Mickey: Ooh come and have a go girl if you think you’re hard enough!

Smithy: The lido? Reg: Yeah - open air swimming pool….actually that one’s the scene of my triumph as a young man….. Smithy: What triumph? *Reg beckons him on, Smithy sighs and follows* Mr Hipkiss: It’s kids….they get in via the broken security grills…. Smithy: Well perhaps you need to replace the broken security grills…. Smithy: Alright every one, listen up, we’re all really pleased that Des has been nicked, and by us, not MIT….but we need to decide how we’re gonna handle him…so…off the record, no rank *sits down* Phil: Who’s on custody? June: I am Phil: Can you sort out the CCTV? June: Why? Phil: Cos some of us might like to pay Des a visit….you know what I mean… Tony: Well forget it….you heard what the Super said…anything happened to Des while he’s here, and his brief will have a field day! Phil: He killed 6 coppers Tony! Tony: Yeah – and they were my friends – not yours! Nick: And mine….you saying I shouldn’t spit in his food? Tony: Well if you do that Nick, where we gonna draw the line? Nick: *looks at Smithy* Speak freely right? Cool….well personally Tony I’d like to kick his head in….are you telling me that you wouldn’t? Tony: Yes I am…. Nick: Right…. Smithy: Ok…let’s calm down…now Des has made fools out of us for a long time….and I know we’d like to pay him back for that…and we are gonna get our chance…. Nick: Yes we will…. Smithy: Yeah – in a court of law Tony: Hear hear… Smithy: What if Des stands up in court and says we intimidated him? Who knows….he might even walk free…..what would the families of the people who died think of us then? Gary: Scum…. Smithy: Let’s not give him a glimmer of hope…. Phil: Oh come on! Smithy: Nobody touches him, nobody spits in his food….no-one even looks at him funny….while he’s in this nick, we treat him like royalty! Phil: Royalty! Are you taking the mick? June: Well I agree with Smithy….show him we’ve got a bit of bloody dignity – even if he hasn’t…..*all stand up and leave* Polly: Well said Tone…. Tony: Cheers Pol…I’m not too sure Nick isn’t right though! Smithy "But if I am right, and he was raped, he'll need support won't he?" Debbie (under her breath) "Lucky him!"

Smithy - 'But our clubs just a bit of a laugh, that's all.' Gina - 'Not if Gabriel Kent's behind it all.' Smithy - 'What's your problem with Gabriel?' Gina - 'Cos he's bad news. And you'll find that out in your own sweet time.' Gina: I quoted him word for word. He said you're a homophobe... Smithy: Not at all Gina: ...that you're a disgrace on the service... Smithy: That's not right Gina: ...and - and this is the part I particularly like - that you're probably just trying to hide your own side underneath it all! Gina: *To Smithy* "You've got a couple of keen officers. *Smithy looks puzzled.* Beauty and the Beast?" Smithy: "Sorry Ma'am?" Gina: "PC's Young and Taviner."

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lifeinthethirdlane · 6 months

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Public Domain Horrors

#life in the third lane #natalie #ramona #mickey mouse #winnie the pooh #public domain

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tragedygf · 4 months

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i think watching the bear chrismats episode rn while im high is such a good idea

#ive been wanting to watch this allll day its so good and real #i cant get over the way people keep antagonizing carmy and his reaction to it he is so youngest child hes so me #people mocking him and him immediately getting so defensive bc they’re making him feel small and stupid which is such a experience </3 #oh oh was that a shot ? im not a baby #also would it kill you to pick up the phone?#is so crazy whoever thought to make a whole episode about a christmas 4 years ago and seeing what carmy’s and mickey’s strained and frayed #relationship look like the way carmy’s trying so hard to let go resenting it so much that he cant and mickey ignoring him and belittling him #also don’t even get me started on natalie. that frantic and anxious energy #being so on edge the whole becuse of being concerned everyone telling her to stop (because they don’t get it!!) and making her leave the roo #her mother’s scorn towards her !! shes so cruel to her and the way donna treats every child differently is solejekhrnr #mind u i can barely understand half of whats going on but this is still so crazy

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tudorblogger · 1 year

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Monthly Reading Summary – November 2022

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hotvintagepoll · 7 days

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Propaganda

Judy Garland (Meet Me In St. Louis, A Star is Born, Summer Stock)— Judy is the GOAT when it comes to classic movie musicals. The voice of an angel who deserved so much better than she got. She can sing she can dance she can act she's a triple threat. Though she had a turbulent personal life (her treatment as a child star by the studio system makes me mad as hell like Louis b Mayer fight me ((she was made to believe that she was physically unattractive by the constant criticism of film executives who made her feel ugly and who manipulated her onscreen appearance by capping her teeth and using discs in her nose to change its shape and Mayer called her "my little hunchback" like imagine hearing that as a child and not having damage)) she always goddamn delivered on screen and in any performance she gave. She began in vaudeville performing with her sisters and was signed to MGM at 13. Starting out in supporting parts especially paired with mickey Rooney in a bunch of films (she's the best part tbh) she eventually transferred to the lead role. She is best known for her starring role in movie musicals like the iconic Wizard of Oz (somewhere over the rainbow still hits hard and is ranked the top film song of all time), meet me in St. Louis (Judy singing have your self a merry little Christmas brings tears to the eyes she is that powerful), the Harvey girls (she looks like a technicolor dream and sings a catchy af song about trains), Easter parade ( dancing and singing with Fred Astaire), for me and my gal, the pirate, and summer stock ( with pal Gene Kelly who she helped when he was starting out and he helped her when she was struggling). But she also does non- singing just as well like the clock ( her first movie where she sings no songs and is an underrated ww2 era romance), her Oscar nominated a star is born ( like the man that got away she put her whole soul in that and I have beef with the fact she lost to grace kelly ((whom I love but like still not even her best work)), and judgement at Nuremberg (a courtroom drama about the nazi war criminal trials). Outside of film she made concert appearances to record-breaking audiences, released 8 studio albums, and had her own Emmy-nominated tv series. She was the youngest (39) and first female recipient of the Cecil B DeMille award for lifetime achievement in the film industry. Girl was a lifelong democrat and was a financial and moral supporter of many causes including the civil rights movement (she was at the March on Washington and held a press conference to protest the 16th street Baptist church bombings). She was a friend of the Kennedy family and would call jfk weekly often ending the calls by singing the first few lines of somewhere over the rainbow (she thought of them as Gemini twins).She was a member of the committee for the first amendment which was formed in response to the HUAC investigations. Though she died far too young and tragically she remains an icon for her work and her life. As a girl who didn't feel like i was as pretty as everyone else I have always felt a connection to Judy and I just really love her.

Natalie Wood (West Side Story, The Great Race)—She went through so much shit which I know can be said for all these women but Natalie really was a star and her death often overshadows her career and life. She could make you cry, but she also had the capacity to be incredibly funny which I think is lost on people.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Natalie Wood:

Judy Garland:

Judy's voice alone qualifies her for at least top ten hottest HOT VINTAGE MOVIE WOMEN. She was a truly incredible swing singer, with a stunning voice on top of her technique. Her short dark hair looked incredible in just about any style. Have I mentioned her swagger? I can’t do it justice with words. She had swagger. She was funny as hell, and clever too. Incredibly charming and cool. I adore her.

Her eyes, her voice have bewitched me

I mean how can you beat the one and only Judy? She's beautiful, her smile is contagious, the way she sings with her whole body. You can't help but love her.

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Beautiful woman, love her singing voice. And she can do everything between happy or silly and angry or heartbroken

#natalie wood #judy garland #hotvintagepoll #fuck that old woman #ladies 4 #Youtube

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redwiccanrobin · 1 month

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I see it.

#shameless #shameless us #yellowjackets #gallavich #lottienat #ian gallagher #mickey milkovich #lottie matthews #natalie scatorccio

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anxious-black-hottie · 9 months

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B.A.P.S. (1997)

#B.A.P.S.#Natalie Desselle #mickey #halle berry #nisi #martin landau #mr. donald blakemore #90s #my upload #mine #mines

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thepermanentrainpress · 2 years

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UNDER THE RADAR: JULY 2022

July’s Under the Radar brings new releases from Josh Bogert , Burning Juniper, Madame Daley, mekel, Fairything, and Jonah Ocean.

1) Josh Bogert - “Dreams”

Bogert is my local go-to fix for fresh pop/electronic that makes me want to dance, and “Dreams” is no exception. It is a reflective piece after the loss of a partner – “about finding a happy moment within a more tragic story.” Details of moments from time together that seem insignificant (“you’re still getting ready in my bathroom mirror”) draw empathy towards the narrator; we’re privy to the love shared. Self-produced, his use of keys, guitar and production is uplifting while beckoning to days past. His tone is excellent in carrying the song’s ebb and flow, and while amplified by the final cut’s production, I can also see it being performed well in a stripped down acoustic setting.

The music video (directed by Mark Gustov of Creation Station) was shot in Tofino, the perfect west coast, lush scenery for Bogert’s dialogue. “Dreams” is about a special location, person, and chasing a feeling that can never be replaced.

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Written by: Chloe Hoy

2) Burning Juniper - “She Changes The Weather”

Feel lost in starry and downcast eyes, it’s not a difficult feat in “She Changes The Weather.” Like an ode to growing apart and the deviation that can’t be ignored in a relationship, out emerges the bittersweet indie rock cut. It’s reminiscent in few words, a tad lethargic but oh so sentimental in sound. Framed by “guitar-driven, post-punk hooks,” it is well-paced with hollered vocals that swell in anticipation. The impact of another is felt beyond a separation, continuing to alter our environment and the way we see the world. I sensed both resentment and appreciation, although the former may take precedent.

I can hear the reproach in the words – a connection to the music and each other years beyond the band’s young tenure. An impressive debut and showcase of awareness, there’s much promise for the South East London rockers.

Written by: Chloe Hoy

3) Madame Daley - “Annie, Sing Your Heart out Anyway”

What do you get when you mix a theatrical show-tune approach to music, with the gut and heart of a voice like Duffy or Pat Benatar? You get Madame Daley, the intersection of glam, rock, and feminist empowerment. Celebrating the release of Classic, her first EP, comes the release of the track “Annie, Sing Your Heart out Anyway.”

Daley’s vocals are alluring and deep. Accompanied by a constant thrum of the guitar, and slappy, punchy drums, this song is a lesson in pop-rock. It’s a rumbling, heart-felt romp in music. A joyful ode to her “badass” and tone-deaf grandmother, “Annie, Sing Your Heart out Anyway” feels like dancing in your bedroom, screaming your favourite retro tunes at the top of your lungs without a care in the world. The track is so fun to listen to, and possesses a quality I value when it comes to music—the ability to sing along to it. It’s actually a rarer quality than you’d think!

Written by: Alexa Tarrayo

4) mekel - “Would-Be Memories”

Caught in the thick of heartache, and the opportunity to rediscover oneself. mekel – the moniker of Montreal-based Mickey Green – co-wrote “Would-Be Memories” with Eli Garlick after ending a long-term relationship marred by infidelity. Her soft vocals glide over playful electronics, accentuated at just the right moments and easy to get lost in.

The lilting pop tune has a confident delivery despite a bittersweet pulse: “You take the sting out of every lie, then fake a smile for the last time / I’m like a kid waving goodbye to a clown.” It recognizes that some connections are best left in the past. Buy yourself a bouquet of roses and promise yourself forever, instead.

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Written by: Natalie Hoy

5) Fairything - “Desperate & Dazed”

Are you addicted to the playful, sing-song tracks from cartoons like Steven Universe and My Little Pony (Generation 4, obviously)? Then you need to listen to this tune from Fairything. It highlights the best of the bitpop genre, bringing forward simple yet impactful lyrics enveloped with jingly synth and omnichord progression.

I think “Desperate & Dazed” is exactly what folks into this genre will love. It is a relatable piece about, from my perspective, manic manipulation and love-ridden submission. Although the track doesn’t address anyone in particular, it feels like a cry for help against love or life itself. Even so, it's swathed in a cutesy, innocent soundscape that adds to the chaos and hopelessness of the track’s narrative. The track also feels raw and not overproduced. You can tell that this piece means a lot to Fairything as an artist. Those are the best tracks to get stuck in your ear—and trust me, with this one, you will.

Written by: Alexa Tarrayo

6) Jonah Ocean - “Demons”

There’s an alleviating quality in “Demons” despite the darker subject matter. Playing with the concept of duality, the artist finds space to pull in mythical folklore steeped in corruption and death—whilst invoking wonder in an oscillating soundscape. Inspired by his own experience with mental health and isolation during the pandemic, there is an enduring fear and desperation felt (“I just wanna feel alright”). Sonically, the layered synths, vocal harmonies and percussion textures are transcendent together; an effervescent quality that almost made me forget of the pained origins. I like the creativity in an alternative meets electronic genre that is fast-paced and constantly innovating.

"Demons” surrenders to the light and dark, allowing a certain relief in its alluring wake. The Vancouver-based artist’s self-produced debut EP Swimming is due for release this September.

Written by: Chloe Hoy

#Under The Radar #Music #new music #feature #Chloe #mekel #Mickey Green #Burning Juniper #Jonah Ocean #Josh Bogert #Canadian Music #Vancouver #yvr #Natalie #Strut Entertainment #Fairything #Madame Daley #Alexa

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yannaryartside · 8 months

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WHIT SIDNEY, THERE IS NO OTHER SHOE

WHY DO THE BERZATTO SIBLINGS CHOOSE THEIR PARTNERS?

I will kick off this thesis with the belief that Sidney and Pete are Carmy's and Natalie's respective otps. They are destined, romantic partners. This seems to be what the show is pointing at.

I was reading "Sana tus heridas en pareja" by Anamar Oihuela, which explores the possibility of healing your inner child's wounds in a romantic relationship. I do not want to circle around why people select their romantic partners (that shit is quite complex), but the childhood wounds that we have that make us feel attracted to certain personalities or look for love in a certain way, with a particular shape. What are the Berzatto siblings really looking for, that will be healing for them?

THE WOUND

The Berzatto sibling grew up in a toxic environment, filled with the addition of their parents (drugs and gambling) and whatever strain those would create between the couple. The mother (the most present parent, apparently) was also emotionally immature. She would use insults and threats of harm or self-harm whenever she felt abandoned. Hence, the siblings grew up hypervigilant and afraid of upsetting her in any way . Most people seem to agree that Carmy has Complex PTSD, created during his early childhood but aggravated by his time as a chef. "I have to remind myself that the sky is not falling, not waiting for the other shoe (...) there is always another shoe." I am sure the CPTS can be applied to Nat as well. They never formed a secure attachment to their parents, which requires trust, the knowledge of the parent of the child's emotions, guiding them, and making them feel valued, loved, and secure. The kid can develop because he/she knows their needs will be met. That was impossible in such a dangerous (for a child) and unpredictable environment. Unpredictable and insecure are attributes I want to focus on.

WHY PETE?

I love this man, and the show seems to be putting a lot of effort into making him look, talk, and behave in the most opposite to anybody in the Berzatto family; he doesn't get along (or is approved) with anybody at the beginning, and Carmy only likes him after Pete stood up for Carmy's career. Sometimes, even Nat seems to think he may be too passive or compliant. Like in the finale, it kinda bothered me that he was trying to give her his admiration, support, and approval (which she never received from her family, including Carmy in some instances). She is too busy dreaming about her mother coming in and giving her all exactly what Peter is giving her. It's pretty poetic. She chooses to marry this man for a reason; she loves him for a reason, which is more evident when Pete is crying, and she actually pays attention to him, admiring his transparency and sensibility, again, things that she never could expect of a parental figure. She may sometimes think he is "too passive" or predictable and takes him for granted; because she grew up surrounded by loud men who acted confident even if they were shit, part of her subconscious might be attracted to that reckless behavior. Still, she finds sensibility more attractive in the end because it is too rare for her. She knows that relationships with men like his father and his brother Mickey end up with her feeling like the emotional regulator that she wanted to be for her mom. Ultimately, the keys to her heart are predictability and transparency because they form trust, a secure attachment. And it is funny because those are precisely the same keys to Carmy's heart, but he sees them in a different context.

WHY SIDNEY?

Added to the context of his childhood, the wound that Carmy seems to feel the most is, no surprise, created by his relationship with Mickey. As pointed out by some excellent analysis, Mickey is the father figure in Carmy's life, the closest thing to a secure attachment he could ever have. He describes Mickey in his AA monologue "I thought I was my brother's best friend." Mickey was the person he thought he could always rely on, the one he knew well, and Mickey knew him too. Even though he felt hurt by Mickey cutting him out, when he comes back for Christmas, you can see Carmy hold to the hope that whenever is the time, he could come back, and his brother will be waiting for him. And then, Mickey dies. Carmy didn't know he used drugs or was depressed, the perfect image of his strong, funny, almighty brother crumbling before him. The questions pop out: Why he didn't reach out to me? He didn't see me as a confidant? Why did he lie to me all those times? All that trust was based on a lie. It is not a surprise that Carmy didn't go to the funeral. It could have literally sent in on a shutdown. Later in the show, we hear Mickey's voice echoing in Carmy's mind, "I am right here" "I got you." That is what he thought his brother was: his ultimate support. But he wasn't, not at the end; Mickey lied about how he was feeling, hiding from him the aspect of his life that would eventually vanish Mickey from Carmy's life without warning.

Mickey's suicide was that shoe he was afraid of, the worst possible, the one that made him believe there is always another shoe.

What does this have to do with Sidney?: predictability and transparency. Sidney is the most transparent and constant person Carmy knows now, the one that he actually thinks he knows. When asked to do something, she gives her honest opinion of why she thinks ais a good or bad idea. She also organized, analytical, hopeful, and eager to serve others. She is the one that offers help when Mickey (it seems) didn't accept any form of it. She develops a detailed plan to save his brother's restaurant because anybody in their family is too dysfunctional to do so. A person with actual answers. But most of all, she is transparent, at least to a reasonable extent, usually only forced upon feeling frustrated. She asks him for open and honest communication. She communicates her needs, feelings, and expectations consistently, even when he doesn't want to listen. He gets frustrated because he is too wired but always realizes that she is leading him in the right direction. Christ, she even managed to express her feeling about Claire being in his life (and the impact it had on the restaurant and their partnership) and even gave him commitment advice without revealing that the root of it all was her feelings for him. With her, there is no other shoe because every single thing that has gone wrong between them is something that she previously has warned him about. Sidney always reaches out. She has made mistakes because she is green in season one. Still, in season two, when she has her shit together, Sidney keeps asking him to be his partner and communicating her needs, but Carmy fails anyway. Still, he can't say that she hid things from him that were important to their relationship like Mickey did.

I am not saying that if they get together, Sidney will be able to predict their problems because that's impossible. She has relationship issues, too (I am talking about that tattoo, damn, I can't wait for season 3), but so far, he knows she intends to tell him her needs; that's who she really is. I think he recognized that nature of her early on in season one and then developed a hyper-awareness of Sidney's demeanor, too afraid of losing his most solid connection, and this time, is not based on a lie. I think that when, in the future, he starts to feel her hiding things from him (possibly about her past), he going to be really mortified, like, "You got me, and I got you, so why are you not letting me know the things I need to know so I can get you" type of thing.

THE FIGHT THAT IS COMING

But this has a dark side. Carmy thinks she is solid and trustworthy and that whatever he asks of her, she will find a way to do, so he relies on her to have the space to deal with his mental turmoil. Carmy is not there for her when she solves problems or confronts the mobs in the front. He is dealing with the chaos in his mind and his family. I am not saying that is bad; teamwork is power. Still, like, dude, he had known her for 3 whole weeks and decided to go to an overdue AA meeting in "Brigade," leaving her to deal with the consequences of the job environment created by Mickey. In that whole speech, "I hold you to a higher standard", I know he meant that in the context of work because they both have been in that environment of strict efficiency, but the standard could also be personal, "I think you are solid and trustworthy so I need you to be" is probably what Carmy is thinking. Didn't somebody else notice this tendency to show Carmy taking breaks after he knows Sidney is handling shit?

In "Brigade," right after seeing her in control of the kitchen for the first time and hiring her, he goes to take a smoke break, and in "Sheridan," when she has set up this fantastic set for cooking and selling outside, he also goes to take a smoke break and give Marcus a pep talk, like seriously...they were saying something here. Trusting Sidney, because she has proven efficiency in every imaginable circumstance has given him (a break) a space to feel his feelings. You don't have that when you grow up in a toxic household. This is also the reason thinking of her calms his panic attacks. And the reason he gave himself a chance with Claire (lol, your trust in your future wife is the reason you can get a girlfriend).

Managing a business like this is difficult with a sound mind. It requires discipline and clarity. And Carmy has too much emotional baggage that was going to try to escape any other way. He looks for healthy spaces for it to do so but has yet to learn the core of his issues. He is applying medicine without closing the wound (THERAPHY). That's why he says, "I wouldn't even want to do it without you; you make me better at this." No joke, Sidney is his walking stick, emotionally and in the workplace, the whole reason he was able to go this far.

He praises her for her efforts, usually afterwards, when everything is calm. She likes that because she admires him (and has a crush on him). But damn, man, a million things could have gone wrong even in season one, and I wouldn't have blamed Sidney. And the dude exploded because she made a computer error in the to-goes? You had it coming. And then, season two happens. Carmy is a ghost in the restaurant, again, dealing with the chaos of his mind, emotions, and a fucking childhood crush. And what Sidney does? She handles it, she lets him wonder and solve his shit, and the restaurant is saved for her, with the help of everyone, the redemption of Richie, and the leadership of Nat. Carmy puts her in the second most powerful position, something she has never done before, without almost no support of guides, not about detecting good staff or creating a menu from scratch. She takes her motivation from Coach K and "adapts on a dime" because "she has to," in her own words. Again, that's her journey, being able to trust herself and believe in her potential. But what would happen when she cannot be his walking stick anymore? He already knows he failed, but what if Sidney has her own baggage to deal with in season 3, something she feels so ashamed of that she doesn't communicate with him? Would the need to be her support force him to look at his self-sabotage, so he can be someone predictable and transparent for her? Man, I LOVE THIS SHOW. That was a long one. Thank you for reading.

#sydcarmy #jeremy allen white #ayo edebiri #the bear fx #carmy the bear #carmy berzatto #natalie berzatto #my otp #michael berzatto #there is no other shoe

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