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comradekatara · 3 months

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okay, so I did just spend the entire day watching NATLA. I had no choice but to watch this all in one sitting with my friends because I knew that if I attempted to watch it alone, or in increments, I would simply never get past episode 1. and I was right. it, of course, sucked so bad. I intend to write an actual, articulate review of the show as a whole when I have time, but for now, here is a list of the notes I jotted down on my phone (including some quotes from my friends as we watched), cinema sins style (pluses indicate details I actually liked, however minuses are far more frequent; points I considered especially significant are bolded).

– NO COLON to signify the central tension of the entire show!!!

Episode 1:

+ Love Aang’s eyebrows, just a very cute kid in general

+ opening fight scene kind of serves

– Sozin does NOT

– This clunky exposition is so strange considering they clearly already assume we are familiar with the entire show

– What’s going on with Kyoshi (ie, where is Roku)

– Where is Katara narrating????

– Hideous fonts

+ AANG SO CUTE <3 (he’s giving Dewey!)

– He can just fucking fly without his glider I guess?

– Airbenders saying wow at airbending (ding!)

– Aang’s uggs

– Sky bison…… L (update: I lowkey came around on Appa, but only bc Momo was so fucking busted he looked incredible by contrast)

– Gyatso’s mustache L (update: many such cases going forward)

– What’s going on with the accents???

– Aang cannot fucking act for shit I’m so sorry to this adorable baby boy

– Depicting a literal genocide as an action scene. Fucking awful

– Aang actually trying to head back during the storm defeats the whole point of the whole inciting incident of his entire arc????

+ Waterbending Avatar State sequence in the storm actually looks cool

– I hate White Sokka

– I hate shein Katara

– They do NOT act like siblings

– I hate White Sokka

– Where is Katara I miss you baby girl

– ZUKO’S SCAR IS AWFUL

– Katara has no agency or passion or rage or emotion whatsoever?!!?!?

– Acting is SO BAD

+ Clunky exposition works for Zuko because he does have a propensity for monologuing all his intentions

– Sokka, however, does NOT

– How can Sokka be “the last man” of the Southern Water Tribe if there are like. Dozens of other guys only ever so slightly younger than him just standing around.

– Kanna just saying Katara’s monologue because Katara is a nothing

– WHY DO FIREBENDERS KEEP ATTACKING AT NIGHT

– Clunky ass exposition “he had to grow up fast” give me a fucking break

– Who the fuck is this white guy

– Katara has no motivations at all?? She’s just chopped liver I guess

– The cadence of every actor is so bad

– They can’t decide whether they want to be the cartoon or their own thing and instead they’re just nothing

Episode 2:

– KANNA JUST GIVES HER THE SCROLL?!?!? KATARA DOESNT GET TO SHOPLIFT. OR DO ANYTHING

– MILF ALERT!!!!

– I hate you straight nepobaby suki

– She’s so fucking weird

– White Sokka has a bad face and a good body. He should have a strikingly beautiful face and a scrawny, malnourished body. L

– Aang being afraid to airbend makes no sense

– Where is Sokka’s fucking Kyoshi Warrior feminization!!!!

– Sexist ass show

– STOP IT KYOSHI STOOOOPPPPP #NotMyKyoshi

Episode 3:

– This one rebel leader guy is giving Katara more than Katara

– Why are the colors so bland

– Sokka being scientifically minded makes no sense bc that trait (which, um, is actually quite crucial to his character) hasn’t actually been established at all up until this point (or retained beyond this one episode)

– This guy is giving jock who happens to be good at engineering, when Sokka should be a NERD who HAPPENS to be good at FIGHTING

– Azula and Mai are NOT GIVING

– Azula should present as sure of herself and incredibly poised. It’s actual crucial to reflecting how she has been shaped by abuse

– And Mai should be razor sharp (both physically and figuratively) and not give a fuck about any of this!!!

+ Katara hitting herself in the face was funny

– Redemption for beautiful Jet (my friend: “I love seeing a beautiful man die”)

– Freedom Fighters are GIVINGGG

– How can Kya “watch the sun rise every day” if they literally live in the South Pole

– They don’t understand Sokka’s daddy issues AT ALL. The simple fact that he’s actually communicating them is egregious

– The first time Katara actually gets angry is for Jet. But not even for the right reasons.

– The first exchange that Katara and Sokka have that makes any sense is in ep THREE (of 8)

– “Sokka was right. You are the bad guy.” WHO WROTE THIS 😭😭

– Jet is only going after the corrupt and collaborators…. So, um… he’s literally right???

+ The fight between Aang and Zuko is actually SO GOOD and understands their dynamic (sidenote: they’re the only kids who are actually giving their original characters at all)

+ Aang reading Zuko’s diary is so fucking funny

+ I love you Danny Pudi <3

Episode 4:

+ I love the interior of Bumi’s palace. Statues of Flopsy

– Omashu is in India now I guess and also everyone in the world lives here

– Bumi’s hat!?!?

+ The nomads sound like Fleet Foxes

– Katara and Sokka are literally switching roles in this tunnel

+ This one Earth Kingdom soldier is really serving.

– The fact that he’s ostensibly framed as in the wrong here though is INSANE

– Zuko is supposed to be ten here 😭 that’s a grown ass man with a BA in Econ

– Sokka’s necklace is plastic

– Katara and Sokka being like “we never used to fight at home” ……. WTF!?!?

– KATARA WOULD NEVER SAY THAT TO SOKKA SHE WOULD BEAT HIS ASS INTO THE GROUND EVEN IF HE WAS RIGHT

– Adults keep being so mean to Aang :((

+ Zuko’s hair is great

+ I like that Bumi gave Aang his bison whistle(?)

– Bumi’s anger is….interesting

Episode 5:

– Canonically 13 year old Zuko is also a grown ass man

– “How was I supposed to know she was a Fire Nation soldier” ummmmmm maybe due to your INSTINCTS and CONSTANT PARANOIA

– They keep alluding to escapades offscreen without actually depicting any of their grounded bonding moments so we have no reason to care about any of these characters whatsoever or their relationships with one another

– Sokka good with kids and names??? Preposterous

– Zuko kinda gay asf

– Zuko calling someone an idiot and Sokka never once does . Sounds fake

– Oppressed peoples are just a mouthpiece for oppression instead of real human beings

– Instragram ass makeup

– Aang isn’t having any fun

– Aang feels like he has no agency whatsoever because he only ever does what the adults around him tell him to do and never does anything of his own accord. Let him have a sillygoofy time!!!

– Constant clunky exposition and no understanding of its own narrative… it’s truly like if ATLA … was LOK.

+ JUUUUNE

– Hitting on Iroh for #feminism

– “I always thought I was spiritually attuned. I don’t know how he got in here though” is actually so Katara. Finally an actual Katara moment

– Wan Shi Tong goofy asf Guardians of Ga’Hoole ass CGI monstrosity

– What is with Sokka’s fucking white people references (all you need is love, bye bye birdie, etc). White devil I need him dead

– Sexy Kitsune for the furries

– Fox accuses him of making jokes to deflect “What? I don’t do that” WELL. HE DOESNT IN THIS VERSION!!! (Alluding to a character trait that they don’t actually depict is crazy. He literally says everything he’s feeling at all times in this and barely ever says anything witty. It’s like they’re TAUNTING us.)

– Kya sounds like she’s from the Upper East Side

– Why won’t they let Katara DO anything!!!

– Too economical with their storytelling leads to no real depth whatsoever

– Putting Katara’s flashback in Book 1 undermines the whole point of TSR

– I HATE YOU WHITE HAKODA

– If Sokka is so bad at ice dodging in this then why did they give him the mark of the wise ??????? None of this scene makes sense

– Why is Sokka CRYING (he doesn’t DO that)

– Koh looks so bad

– Aang doesn’t actually know how to fight Koh he’s just such a wooden actor that he happens to get away with it

– First Roku mention????? Lmfao

– Gyatso talking to Aang is so wack but at least he’s being nice to him

Episode 6 (aka the best episode by far):

+ Zuko just drawing an eye on the page is so real actually

– Azula’s flames aren’t even blue

– And she’s not mysterious or imposing at all!

– I HATE the makeup in the show

– The pacing is AWFUL and STUPID, no consideration as to WHY information is revealed when it is narratively/thematically

+ Okay he’s really giving Zuko lmfao

+ Ken Leung has made Zhao feel like a real person (but no one else is doing that ???)

– Low-budget fantasy C-dramas have costumes one million times better than this.

– What is with Iroh’s obsession with boats

– Quirked up old man Roku

– Zuko flashbacks don’t read as significant because his scar is nothing and he’s the same age

+ Aang and Zhao scene is great

+ I’d follow Zhao into battle

– Other friend: “This is the best episode so far and it’s because Katara and Sokka aren’t in it”

+ Blue Spirit mask actually looks like a theater mask

+ Using the original Blue Spirit theme!!

+ This episode actually slays

– Their commentary on narrativization is solely relegated to Zhao and no one else gets to participate in this thematic conversation, not even KATARA

+ I love the sassy gay scribe

+ LADDERS SCENEEEEE

+ Zuko canonically having good handwriting is so real

+ Aang and Zuko conversation is great

– Why does Aang keep assuming Zuko is compassionate and wounded when he hasn’t displayed any compassion, remorse, or pain

– Iroh stepping into the Agni Kai goes against his whole character

+ Ozai kind of rules tho

– WHY IS ZUKO ACTIVELY FIGHTING OZAI!!!!!!!!

– Zuko’s backstory makes no sense

+ Zuko’s thotty little collarbone

– Ozai’s scene here undermines the whole point of Zuko’s banishment

– Such bad dialogue it’s crazy

– How do the 41st division not know why they’ve been on this boat for the past 3 years when every piece of dialogue in this show is otherwise expository as fuck

– What’s the point of Gyatso leaving. They don’t explain it at all

Episode 7:

– The NWT is so grey and underwhelming. My favorite location in the whole show. Can’t have shit in Netflixworld.

– BECAUSE AANG JUST HAS VISIONS OF THE FUTURE NOW I GUESS

– PAKKU AND YUE LOOK SOOOOO BAD

– Yue looks like a Euphoria character in a party city wig

– This isn’t how Azula fights!!!

– I hate what they’re doing with Azula so bad

– Mai sucks too

– Their journey doesn’t feel earned at all because they didn’t hang out or learn anything or do shit

– Why is Yue in the kitchens if she’s a princess

– And why is she WATERBENDING

– Why isn’t she repressed!!!!! She shouldn’t BE “ordinary”

– Why is Sokka explaining his duties!!!! He doesn’t SAY SHIT!

– Why isn’t the guy playing Hahn playing Sokka and vice versa (I’m so fucking serious)

– YUE’S A FOX????? WHAT

– All the offscreen battles where we’re supposed to assume character development actually happened. Sure.

– Hahn being nice and respectful to Sokka makes no sense

– MILF Yugoda! (How would she know Kanna. Update: I guess that doesn’t even matter here )

– THEY DONT UNDERSTAND YUE OR HAHN OR WHAT PATRIARCHY IS. AT ALL

– Kuruk is too serious and Roku is too playful. It should be the reverse. Playing into racist tropes :/

– His eyes are way too blue I’m sorry to this man

– They all look like they know what iPhones are.

– Yue is so annoying . L

– This whole Yue Sokka scene is the most annoying thing I’ve ever fucking seen in my life. And entirely antithetical to their whole deal

– “My friends” this “my friends” that, except they never actually hang out. They just keep calling each other friends but they never actually show it in a believable way.

– They want to be edgy but they actually never fucking shut up about the power of friendship like we are all five years old. I think when they said they were “appealing to a Game of Thrones audience” what they really meant was just that they are also bad, incredibly misogynistic writers who depict sensitive topics without any care or nuance.

– I actually like the Fire Nation boats

– Zhao is working with Azula??? She wouldn’t KILL THE MOON

– Azula would never ask Ozai to do things she would wait for his command at all times!!!

– Since when is Sokka wise and emotionally mature enough to hold this conversation with Katara, and why isn’t Katara being impulsive. This fight is so planned out; all the excitement is lost.

– Her completely blank expression as Pakku humiliates her. I hate you SHEIN KATARA!!!!!!

– This fight is so dull and lame whereas in the original that fight scene literally changed my life as a kid????? #NotMyKatara

– “The Legend of Aang” EW

– Why isn’t Aang waterbending at all. Book 1: “talking about water in completely abstract, hypothetical terms”

Episode 8:

– Iroh telling Zuko how to break into the North Pole is undermining the one moment where he actually demonstrates his intelligence as an independent person

– Stupid ass liberal feminism I hate you

– So they are sexist but also not. Makes sense

– What the fuck is with this moon backstory shit. Who needed that

– Zhao going to the Fire Temple instead of Wan Shi Tong’s Library for info on the moon completely undermines the point about the role of knowledge in imperialist conquest

– Kuruk looks like a Star Wars force ghost

+ THEY KILLED MOMO (kind of made me laugh a lot, so… points for that I guess)

– But they could only feature him for all of five seconds bc they don’t have the budget to constantly animate his mangy rat ass

– Why is Yue helping MOMO instead of ACTUAL HUMAN BEINGS

– They want me to believe that White Sokka has compassion for that little rat when I simply do not believe that this man cares for anyone or anything or even has a soul.

+ Zuko and Aang’s situationship/chemistry is crazy. They’re both kind of slaying actually

– That said, the kid who plays Aang is not a very good actor, he’s just adorable and has big ears and a Dewey voice. And the kid who plays Zuko has the easiest acting job in the show because Zuko is actually so over the top and dramatic that overacting feels authentic to this one character in particular (and no one else).

– Bending fights look stupid and feel thematically insignificant

– This red filter looks so bad

– Why do they keep dragging out fast paced scenes to explain everything so that they’re now boring af

– Hahn is just……. Okay go off woke feminist king. Sure. Why not

– All the exposition is so clunky and slow and undermining the actual point of the scene

– Not only is this not visually interesting, it also doesn’t translate tonally, and the primary actors can’t pull it off

– So NOW Iroh kills Zhao. Okay

– Zhao wouldn’t respect a teenage girl this much, even if she is the princess

– Koizilla looks bad :(

– RIP Ken Leung the Cunt Slayer. 5ever in our hearts </3

+ It’s actually so funny that Ken Leung apparently didn’t even know what he was auditioning for because he was by far the best actor in this show and nearly singlehandedly redeemed it. I love this guy so much.

– Me: “This isn’t a show. This is a farcical simulacrum of real art.” Friend, far more concisely: “This is a fucking joke.”

– Katara and Sokka barely even seem like they care about each other. Look at how they massacred by boy (and girl)

– Yue and Sokka alluding to fucking offscreen WOULD be a slay if they weren’t both annoying as fuck…

– Oh so NOW Katara talks Aang down from the Avatar State. Yeah. I buy that.

– “You’re not just the Avatar you’re my family” really? Because you’ve barely even talked

– The sequencing and pacing of the Siege of the Noth was nonsensical.

– “My daughter always made her own choices” NO SHE FUCKING DIDNT!!!!! THE WHOLE POINT OF HER CHARACTER. WAS THAT SHE COULDN’T!!! Shallow fucking libfem bullshit they MASSACRED my girl!!!!!!

– Why is Arnook comforting Sokka when Sokka should be comforting HIM

– Also Sokka would never express his insecurities to Arnook in the first place. NOT MY REPRESSED KING????

– Why is Sokka giving emotional support and Katara giving tactical support -_-

– They really think that “Gotta let go of the past to have a future” is such a fucking smart line they used it twice

– Conquering Omashu wasn’t a STRATEGY it just happened CONCURRENTLY because their imperialist regime is incredibly powerful … This show doesn’t understand its own politics at all.

– Azula has no poise or swag smh

– Aang doesn’t even know about Sozin’s comet because Roku didn’t tell him…

– It’s crazy that a show written in the 2020s is actually SO MUCH more sexist than a show written in the 2000s.

– TDLR; I hate you capitalism, I hate you Netflix, I hate you White Sokka, I hate you SHEIN Katara, I hate you heterosexual nepobaby Suki, I hate you girlboss Yue, I hate you visibly insecure Azula, I hate you whatever is going on with Mai, I hate you CGI Momo, I hate you wack ass pacing, I hate you clunky, idiotic dialogue, I hate you complete and utter lack of consideration into what made this show great in the first place, I love you Danny Pudi, I love you Ken Leung.

Which, in fairness, is all pretty much exactly what I expected this show would be. But at least actually watching it did indeed verify all my assumptions (although what they did to Katara specifically was even worse than what I had assumed, dear god), so I will be writing up a more in-depth review soon so that I can actually try to unpack why this show is such a dumpster fire, and how that reflects larger trends in media. But for now, all I can say is, I can’t believe I sat through 8 hours of this fucking garbage knowing it would be bad and it was. I’ve been saying this show would suck ass since the second it was announced, and yet it somehow managed to still prove worse than even my incredibly pessimistic expectations. A soulless, shallow, offensive work of profit that cannot even attempt to justify its own existence. I need to kill White Sokka with hammers.

#natla #‘’spoilers’’ under the cut #lmfao #in the immortal words of bloodbenderz: ‘it was bad’

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i-lost-my-heart-in-republic-city · 3 months

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Only villains are allowed to be complex in Netflix's Avatar: The Last Airbender

I had a major issue with the treatment of the original gaang in natla and I think it has to do with character flaws. As in, they don't have any.

In the case of Aang, other characters keep telling him that he can't ignore his responsibilities but when do we ever see him actually do this? When does he seek out distractions to avoid his duties, like penguin sledding, or riding elephant koi, or hiding in a cave? Hell, the reason he gets trapped in the iceberg is changed. In natla he was only going out on a short flight with Appa and gets caught in a storm. In the original he ran away, and it's understandable because he felt alone and out of control of his life. But it is still a choice he makes, to run away from his responsibilities, and he has to deal with the consequences.

In natla there is no choice to run away, it's fully an accident and it takes away his agency as a character. So when Bumi starts blaming him for the war it really rings hollow because it was all an accident. It has more weight when a random fisherman blames him in atla because at least in that version he did make a choice to runaway. Obviously he had no way of knowing what would happen and he never intended to abandon the world to genocide and war. But that's the thing about life, you never know the full consequences of your decisions, and you just have to deal with them when they happen. The war is not Aang's fault, but he did make a bad decision, and it had far reaching consequences. It made Aang's character more relatable and gave him a starting place from which he could grow as a character. He had to learn how to accept responsibility for his actions without blaming himself for the actions of other (i.e. Sozin starting the war).

I feel like in the case of Katara, they stripped her passion and anger. They explored Katara's PTSD but they take away how angry it made her. Anger is a totally normal response to trauma. While letting yourself be consumed by anger is obviously bad, anger can also be channeled into passion and energy to enact positive change. This was a big part of Katara's character in atla, learning how to control her righteous indignation and use it to fight for the rights of other. She has none of that anger here, so there is no character growth and no emotional connection to the character through that arc.

This especially falls flat in her 'feminist arc.' She fights with Pakku but there is no anger, no fire in her. In atla at the end of the fight, even though she was pinned down and had clearly lost, she was still going. She was almost feral. Even though she was worn out, her passion of fighting for what is right still fueled her. She would not give up. So I guess it's fitting natla's unpassionate Katara just falls down at the end of the fight. And they cut out the whole importance of the necklace, which serves as Pakku's realization on how his sexism has negatively impacted his own life. It's this realization that motivates him to reevaluate his beliefs and agree to train Katara. Which needs to happen because having a master's tutelage is what allows her to become a master herself. Alta makes it clear that she excels because of her hard work and determination along with guidance from a mentor. There's none of this in natla. They just start calling Katara a master because 'girlpower' I guess? They certainly don't show how she became so talented. But natla Katara doesn't need help from other people to grow. She's already a master. She's already perfect.

Sokka is also stripped of his flaws as well. Obviously we know he is not sexist in natla. I don't think this is inherently a bad change, but you have to understand how the sexism impacted his character in atla and adjust accordingly. In atla, Sokka's sexism is really the origin of his all his insecurities. He believes there are roles for men and roles for women. Protecting the tribe is a man's job. So when the men go off to fight in the war, he believes he must carry the burden of protecting the tribe as the oldest male. He sets himself up for failure because he places impossible standards on himself. He cannot protect and lead the tribe all by himself, especially not when he is a young child. This leads to him feeling inadequate because he cannot measure up to his own impossible standards or his idealized version of his father (who was an adult and had the support of his tribesmen).

I could still see a way to still adapt atla without the sexism. (For example Hakoda tells Sokka to look after his younger sister. He takes that to an extreme of being overprotective of the whole tribe. And we are back at him failing to met his own impossible expectations again). But natla doesn't do this. Instead it just throws in a flashback of Hakoda saying that Sokka isn't fit to be a warrior. This kind of defeats the purpose of Sokka's own internal conflict about not measuring up to his own unrealistic expectations. Now it's his father's expectation's he doesn't measure up to. This is not a bad story beat in and of itself. It works well with Zuko. But it's not Sokka's character conflict. In alta Sokka's insecurities, internal expectations, and sexism also cause him to lash out at others sometimes. He's not allowed to act so negatively in atla. So again there is no place for him to grow as a character, as he does not have these flaws.

Honestly it seems like they tired to removal all negative character traits from the main characters, which makes them feel more stiff and allows them no room for growth. I really wanted to like this adaptation. And I do think there are some changes they do really well. But those changes are related to the villains and they just drop the ball so hard with our main characters.

#avatar: the last airbender #atla #natla spoilers #natla #aang #katara #sokka

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