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cursedluver · 7 months
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hi, if anyone is able to caption/image desc this i would be very grateful💖just a piece from the heart about how i’m really trying to embrace taking care of myself lately and see it as a pleasure and not a chore. my needs are not a chore to others, they shouldn’t be to me💖
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variant-archive · 7 months
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Autocosm: a plural network of selves, each existing in their own dimension/reality/universe, all of which share a soul and/or a sense of "self"-ness with one another. There is a central self, called a metasoul or metaself, from which all other selves, called lunen, are derived from in some way.
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Extended definiton/extra notes:
The metasoul exists in a realm called the soulscape, which functions similarly to a headspace or paracosm, in that it can vary in size, structure, visibility, stability, etc. It can also have different areas or be split into multiple connected realms.
The metasoul's consciousness extends to all lunen, and they are able to sense, feel, and remember everything their lunen do. Metasouls do not do anything equivalent to "fronting" but their presence in the lunan's consciousness, and the lunan's awareness of their presence, can vary. They may or may not be able to communicate outside of the soulscape. Not all lunen know they are a part of an autocosm, but the metasoul is aware of all lunen.
Lunen may or may not be aware of one another and cannot communicate directly. However, there is an inherent connection between all lunen that drives them to become aware of one another, and possibly experience parts of one another's lives in a manner akin to memories. Lunen may be able to communicate with each other in the soulscape, via the metasoul relaying messages, or not at all.
The soulscape can be accessed by lunen through various methods, such as meditation, reality shifting, dreaming, or other altered states of consciousness. The metasoul may also "summon" a lunan to the soulscape, and some lunen may be able to access it without effort or be connected to it at all times.
Beings other than the metasoul may inhabit the soulscape. These are called habitans. Habitans can be of any appearance, personality, or level of sapience. The origins of habitans vary; they can be created by the metasoul, spontaneously form in the soulscape, or originate from somewhere else. Habitans may or may not be considered part of the autocosm. They are not a part of the "self" the autocosm is based on, but they do inhabit it nonetheless. Not all soulscapes have habitans.
Autocosms may have different origins, although a spiritual aspect is inherent due to the concept of souls being integral. This spiritual aspect need not be focused on or considered important to the identity, though, and other aspects (such as psychological) can be present. Lunen also have different origins; they may be created willfully by the metasoul, be split off from them, spontaneously emanate, etc. (Do not use -genic terms unless you also identify as a system, I coined -genesis as an alternative term grouping for non-system alterhuman origins, you can coin those as you see fit).
As the concept mirrors aspects of many other alterhuman and plural identities, it is possible for autocosms to identify with those as well. Autocosms can be systems, lunen can be godshards/othershards, metasouls can be archetropes, soulscapes can be hearthomes, habitans can be thoughtforms, etc. The only identities autocosms incorporate inherently are plural and alterhuman. However, as they are variations of one self, it is common for lunen and metasouls to be kin with one another.
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Oh my stars, this is the most complex term I've ever coined. I'm so happy to finally be able to express my alterhuman identity in a more specific way though, so it was well worth the time and effort! If you have any questions, feel free to ask me, and feel free to message me if you think you might be part of an autocosm. I know that it's a lot lol and I can do an FAQ later if needed. Feel free to repost on pluralpedia, termora or other applicable wikis, just don't change the definition (you can include parts of the extra notes on the wiki page however you want as long as it isn't inaccurate though). I'll be posting flags/defs for lunan, metasoul and habitan soon :3
(Also, I need help with an image description again due to my insistence on a weird flag. Sorry about that, I just don't know how to write descriptions for complex flags in an accessible manner).
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belinhagamer999 · 7 months
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Personal age regressor
[PT: Personal age regressor /END PT]
A type of age regressor that isn’t like other age regressors that acts like a stereotyped or the common vision of being a child, but in its regression is about things or behaviors that are personal to their own childhood.
Personal age regressors sometimes don’t always like things like toys, babycore, play games, because they didn’t use to do it as kids.
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[IMAGE ID: a horizontal flag with 4 stripes in order from top to bottom, pale lime, baby blue, baby violet, and lilac /END ID]
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pluralityterms · 4 months
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-Encrypted
-Encrypted is a plural suffix that describes whether a member's functioning/roles/similar is based in trauma or not. For example, a member who is trauma-encrypted may tend to hold trauma responses, memories, or have roles that relate to trauma, while a member who is endo-encrypted will tend to have more non-trauma oriented roles.
All plural origins can be added to the front of the suffix to describe how a member functions, and a member can have multiple -encrypted terms describe them.
This can be taken as an alternative to emotional part, apparently normal part, and mixed part.
Related Terms
Trauma-encrypted is for members whose roles and/or functioning are related to trauma. This may present as being a trauma holder, or a protector of the system specifically for traumatic situations.
RAMCOA-encrypted is for members whose roles and/or functioning are related to RAMCOA trauma.
Endo-encrypted is for members whose roles and/or functioning are not related to trauma. This may present as being disconnected to the body's trauma (if the system has trauma) or being someone for the system to just hang out and talk to (for non-traumatic reasons).
Neuro-encrypted is for members whose roles and/or functioning are related to neurodivergence or mental illness. This may present as holding symptoms for a disorder or having roles specifically to take care of symptoms of a disorder.
Multi-encrypted (or mixed-encrypted) is for members who fit multiple encrypted terms.
Flags below the cut, trigger warning for potential eyestrain.
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The trauma-encrypted flag.
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The endo-encrypted flag.
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The multi-encrypted/mixed-encrypted flag.
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The neuro-encrypted flag.
All flags have the colors from their origin counterparts
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mourningsaint · 6 months
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Lacriboy/Dacriboy:A gender relating to being a tearful boy, or a crying boy. . . Made mostly for oneself. . .
It is unknown to oneself if this gender has already been coined, but if so then please do inform him. . .
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tyhi · 8 months
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hey @kyra45 is this a scam ask? pic under the cut
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no ID because tumblr copy paste is hell and my technology is failing. I'm very sorry.
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xrinsu · 9 months
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blue little guy :) will add ids later
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mintytrifecta · 7 months
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[image description: the bugs bunny in a tuxedo "I wish all (blank) a very pleasant (blank)" meme edited to say "I wish all of my Jewish followers a very pleasant rosh hashanah". In front of Bugs there is a jar of honey, a stack of apples and pomegranates. In front of bug's mouth there is a shofar.]
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cadaverkeys · 5 months
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SLEEPSOMNIA!
A short comic about comorbidity rates between autism and various sleep disorders, from autistic people's own reports and accounts of their experiences.
I originally made this for #asdcomictakeover 2023, but my schedule was woeful and I didn't get it finished until many months after autistic acceptance month. But I figured I should have it somewhere on the internet before 2024 rolls around. Thanks for reading! Please understand that I'm just one person and I'm by no means a medical authority. This is not a diagnostic tool, but it does highlight the reality that many autistic people face with chronically disordered sleep patterns. I hope it can help for autistic people to seek help and feel understood if they fall into these comorbidities.
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mega-angry-cloud · 8 months
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Review for a text-to-speech app 💀
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thatadhdautisticqueer · 9 months
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Important Post (maybe?)
So I don't make posts often, I normally just reblog, but I thought I should post this in hopes that someone who needed it sees it. For the record, this is a posts about books (specifically how to check for breast cancer). This applies to everyone, not just people that are born afab that haven't had top surgery. Everyone needs to do this (if they can).
So, I actually got this little thing from Hot Topic for free, so if you're at a hot topic and you see one, I would suggest grabbing one or two.
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If anyone could add an image ID, that would be great. Also, @official-boob-posts, this is a post that is about boobs.
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belinhagamer999 · 7 months
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Androgynegreenpresentic gender
[PT: Androgynegreenpresentic gender /END PT]
A presentation related gender for people who present or want to present androgynous and at the same time have a xenic presentation or gender expression related to the color green.
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incorrectinfinity · 1 year
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Just wanna be clear because I have a feeling something like this will happen
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Hey if you're reading this please don't thirst for Nas in my notes, I understand that some people have crushes on him and that's fine it's just that that stuff makes me a bit uncomfortable, thank you! ^^'
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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anistarrose · 17 days
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Imagine, for a moment, that your internet just stopped loading images one day. Your dash might look pretty different (and less usable), but at least you can still make posts — whether about your internet situation, or about completely unrelated topics.
Then, imagine that one or more of your posts blew up, to the tune of hundreds if not thousands of notes. Imagine people started adding images to your posts.
Imagine your post circulating almost entirely in the form with four or five images attached, and with everyone in the notes laughing about those images — except you, who started the post in the first place, who can't even see those images because you're trapped in Tumblr's loading gradient hellscape.
You're excluded from any further conversations on your own post, because someone added a mystery image with the caption "don't leave this in the tags," but you have no idea which set of tags it is, and can't tell if it's one of the good takes from the tags or one of the horrible takes from the tags. You're excluded from the Tumblr users playing with JPEGs like dolls. You can try to guess the contents of the images based on people's reactions, but it's hard. And no one adding images even seems to notice the irony.
This is, of course, a real problem plaguing Tumblr users with regularly slow internet. And it's also a huge, insidious problem plaguing blind and low vision people who rely on either screen readers, or image descriptions in combination with enlarged text on their device.
People with disabilities around comprehending images, people who have images (or gifs) disabled due to photosensitivity, and many others are also affected.
If you add an image to a post without either alt text, an in-post image description, or even both for maximal inclusivity, you don't know if OP — or the person whose tags you're peer reviewing, or whose reply you're screenshotting — will actually be able to see it. From their perspective, you might just be shoving a mystery rectangle in their face, expecting them to be able to guess — or responding to them without them being able to know.
Imagine being on the receiving end of that expectation constantly. Imagine how isolating that must feel.
We need, collectively, to stop making assumptions that everyone we interact with online will be able to access, physically see, and mentally process images. The assumption that disabled people are vanishingly rare and statistically shouldn't really need to be considered is an assumption of structural and/or implicit ableism.
Write image descriptions. Write image descriptions for every image you post, if you're able — but if you have limited energy, or you're still learning, you should at least start trying your absolute best to describe images you add to other people's posts. If you're starting a conversation, even an online conversation, you should make your best effort to be accessible.
So: Write IDs, especially if they're as simple as just text, like screenshotted tags (link to guide). Write IDs even if you think the best ID you can write is too short, or too incomplete (link to post explaining why even "bad" IDs help).
Write IDs in general (link to a huge compilation of guides). Challenge ableist assumptions and inaccessibility.
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snobgoblin · 1 year
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alt text by @orphanbird95
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