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hailsatanacab · 7 months

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A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

#dpxdc #batpham #i forget - can we tag the parent fandoms? w/e #immediately alfred's like: while i do appreciate your initiative may i suggest it wait until after dinner?#and danny - who has barely eaten proper homecooked food ever - takes one bite and then absolutely wolfs down the whole lot #after he's finished he's like 'bear with - I've got to add that to the 'Reasons I Would Like to Live Here' section'#danny's powerpoint has tailored sections for each batfam member with lists of reasons why they'd get along #my au thoughts on this is that the fentons disowned danny when he told them he was phantom #and that this is after the ultimate enemy - wherein which he allied himself with the JL to fight against dan #(which didnt really work at all - BUT he knows some of their identities now INCLUDING batman's)#so one of the main reasons why he'd be a great fit is that he knows their vigilante status anyway so they don’t need to worry about secrets #dick just turns to tim like 'he’s your friend. he learnt this from you.'#tim: 'i didn't tell him our identities!! i would never!!'#dick: 'no i know that. it's the stalker tendancies. it's baby tim all over again'#tim: scandalised gasp #they all eat dinner in silence just super subdued and in shock and sending glances to bruce and danny #duke like: 'so i know I'm the last one in the family but like... this isn't how it normally happens right? did any of you make powerpoints?#tim gets all shifty because he absolutely did make a powerpoint he just never actually showed it to anyone #everyone stares at tim because they all know. it was in one of bab's blackmail files she has on him #damian's slide has danny offering to throw down at any time. 'tim says you like to prove yourself with your skills?#how about a real challenge? if i beat you then you have to vote yes to adopting me!'#damian is in two minds about accepting because... 1) look at him damian could take danny in his sleep! but #2) on the off chance that he does win... damian does not want any more brothers #(he takes the bet and its a suprisingly fun fight - and while he'll never say this... he would vote yes even without the wager)#on one of danny's slides there's a picture of ellie: you'll also get my clone sister! two children for the price of one!!#uhhh.... thats it now - I've been having fun with this haha #spent all day with the 'ive lured you here under false pretences' 'danny i live here' line in my head haha #anyway enjoy!!!!!! this was fun #i wanna make these slides so bad

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transboyhalo · 4 months

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The feds propoganda trying to paint the islanders as the bad guys for pressing the island destroying button... girl why was there an island destroying button in the first place!!!

Guys please this post is about a fictional minecraft roleplay server. Hawaii has not been bombed. I am a mere fandom blog. This post has no relevance to real life events.

#text #liveblogging #qsmp #my posts dont usually leave my tiny little fandom bubble i didn't even think about clarifying #but yeah this server does sound batshit from an outside perspective #i'm so sorry if you're coming across this without any context. containment breach

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buggachat · 11 months

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honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue

#ml fandom salt #I suppose #and no amount of adding ''stop telling me to not analyze the media'' on my analysis posts stops people from saying it anyway #and yes. the leaks count. stop telling me that the existence of outdated leaks invalidates all analyses of the completed material #and no. just like every other time i've said this. me saying that i don't care about the leaks is not an invitation for you to try to #convince me to care about the leaks #do i tag this spoilers? it feels weird to. i mean this to be a vague overarching thing about media in general #also of course any ''or maybe the writers are just bad'' arguments ALSO are included in this. YOU guys have been my bane since FOREVER #would you guys consider commenting on fanart with ''umm.... drawing seems pretty pointless lmao'' rude?#i know this is not the first time i've made a post like this and i'm sure it won't be the last

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latehere · 2 months

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consider this: sun prototype that is specifically designed to take care of really young kids, and as a result he's coated with all kinds of soft fluffy materials so as not to hurt anyone

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kaladinkholins · 3 months

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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

#blue eye samurai #mizu blue eye samurai #akemi blue eye samurai #blue eye samurai meta #just in case... im gonna tag this as #mizukemicritical #akemizucritical #though this post isnt actually criticising the ship itself but rather fanon's portrayal of the ship and the characters #for that reason lemme also tag this as #wank.mp3 #feel free to disagree of course but please be civil #and if you need to rant about how wrong i am without any convincing evidence kindly feel free to make your own post. peace and love <3 #fandom.rtf #meta dissertations.pdf #shut up haydar #edit: for full disclosure. i do rather dislike this ship. but obviously it's fine for anyone to enjoy it. please do! have your fun!#it's just that as usual! popular fanon and fandom around a ship is what has completely deterred me from any sense of enjoyment of it #it's a shame too because i was very open and even eager for some mizu/akemi romance in the future #but out-of-character fanon + the rudeness of certain fans has definitely soured it for me #but that doesn't mean people can't enjoy it obviously! ship and let ship!!!#plus it has its appeal which i DO STILL see and enjoy!!!!#i would even go as far as to call them soulmates because their narratives and characters are LITERALLY intertwined!!!#but. yeah. my gradual distaste for this ship is indeed very unfortunate.

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lucky-fy · 9 months

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made it gayer

#dungeon meshi #farcille #marcille donato #falin touden #manga panel #yes I was cackling the whole time I edited this #free to use #took the speech bubbles out and made it gayer #by this I mean I changed Marcille’s expression #Falin was already making that face #edit: if you’re going to be a hater on any ship in the fandom; f*ck off. This post is not for you (certified: a multishipper)#if you’re the type to like/reblog posts that go “eww who ships Marcille x Laios.” This post is not for you #if you’re hating on the m/m ships because “it’s taking attention away from Farcille” f*ck off. Shipping is not a competition #as you can see #I am getting TIRED of shipping wars being brewed in the fandom #I thought we were all adults here #why am I seeing Voltron-like behaviour in the main tag #Fy posts

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marypsue · 2 years

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Like for real I am always one to strongly recommend wearing shit that shows off what you like and ignoring anybody who has anything to say about that, but also...you know a white cotton T-shirt and a pack of Sharpie markers are your best friends, right? And a quick trip in the dryer on high heat once you’ve drawn on the shirt will set the colours, right? If you’re feeling adventurous, you can get puff paint in many exciting neon colours. I picked up a bottle of additive to turn regular acrylic paint into fabric paint at my local dollar store, which also has a wide selection of acrylic craft paints. Heck, you can use just regular acrylic paint straight out of the bottle on heavier-duty fabrics, like denim. I have a whole bunch of hand-painted band patches made out of old pairs of jeans. Or you can paint directly on a denim jacket or a pair of pants, if you’re feeling it.

If you want replica merch and your poison of choice is a Hellfire Club shirt, go fully in-universe and paint your own. Stick it to Netflix and Hot Topic. Become ungovernable. Be your own weirdly-endearing punk little freak.

#the diy spirit is my favourite part of alternative music subculture AND fandom and it's often imitated but never replicated #by people who want to sell you shit #it's late and my brain is mush and i should go to bed before i speak with authority on any more nonsense i have only observed from afar #*unwarranted authority

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svsss-fanon-exposed · 2 months

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Exposing SVSSS Fanon: 25/∞

VIOLENCE AS COURTSHIP IS A PART OF DEMON CULTURE

Rating: CANON

A nearly universal trope, especially in Moshang fics, is the fact that courtship is performed through violence in demon culture, and that the misunderstandings between the pair are because of cultural differences. The fact that demons mistreat the targets of their affection is canon, however, it is important for fans to note that this sort of characterization and worldbuilding is rooted in racial and ethnic stereotypes.

This is one of the most-requested topics I've ever written on this blog, and I took a long time to think about how best to approach the subject in a way that both keeps to the intention of this blog (referencing canon & providing quotes) as well as raising awareness to the very real problematic aspects of what is a well-loved and often-used trope in fanon that I don't think most western fans are aware of.

First, the canon analysis:

“If you hold unique feelings for a certain person, how can you make them understand your intentions?” Luo Binghe asked. Obviously, no one dared to tear down Luo Binghe’s facade and expose him directly, but this question was really very…unsuited to the demonic approach. After a long moment, not a single person had answered. In fact, the answer was so simple that any normal human could have given it to you. If you liked someone, you should just tell them. Unfortunately, there was not a single “normal” person on the scene—and aside from Shang Qinghua, there also were no “humans” either. Mobei-Jun thought about it. With the paths his mind was given to take, there was no telling how he had interpreted “unique” feelings. “Beat them up three times a day?” (7 Seas, Ch. 26)

Most of the fandom remembers this passage, and some may think that this is where the interpretation of violence as courtship comes from-- however, that is not the case. This passage might actually not refer to courtship at all-- while that is one possible interpretation, Mobei-jun could also be interpreting "unique feelings" to mean something different than "romantic feelings," since Luo Binghe didn't specify romance directly.

The "violent demonic courtship" idea actually originates much earlier in the novel, just after the invasion of Qiong Ding Peak:

In truth, Shen Qingqiu didn’t intend to tease; he thought himself very straightforward. The one who’d tampered with Luo Binghe’s dream realm was Sha Hualing. Though she did have some harmful intentions, her underlying motive was obvious. Naturally, she was driven by a young girl’s secret yearning for love. Otherwise, she would have directed her aggressions toward others, not specifically Luo Binghe. Demons were compelled to viciously bully the person they liked. Only if the object of their affections failed to die would the demon accept them. If their target died, that meant they were useless and not worth nursing any lingering affections for. (7 Seas, Ch. 3)

This, in fact, has somewhat more serious connotations than the way I have often seen it interpreted in fanworks-- it is not merely beating up a potential partner, but pushing them to their limits, nearly driving them to death, and it is certainly implied that it is not uncommon for the object of a demon's affections to actually die.

Now that the canonical basis of the idea has been established, let us move on to the second, and arguably more important part of this post: the racism.

I would like to add a disclaimer here-- I am going to discuss this in hopes of raising more awareness in the fandom, but I am not North/West/Central Asian myself, so I will only mention things in brief and somewhat generally-- if anyone who belongs to the affected cultures would like to make corrections, or more detailed explanations, or any other additions to this post on this topic, I greatly welcome that, as I feel it is an important issue that should be addressed.

In Chinese fiction, particularly fantasy genres like xianxia/xuanhuan/xiuzhen, but also in historical and wuxia fiction, there is a pervasive, prevalent tendency for authors to use racial and ethnic stereotypes against Central, Northern, and Western Asian cultures such as Mongolian & Arab cultures in their worldbuilding regarding the North, while stereotypes against Southeast Asian cultures are used in worldbuilding regarding the South. These stereotypes are most typically applied to villains and villainous groups, and are so widespread as to be ubiquitous within the genre. MXTX has used these tropes before-- notably with the Banyue people in TGCF, with adaptations of both TGCF and MDZS including design stereotypes, such as CQL's portrayal of the Qinghe Nie (combining their tendency toward violence and 'unnatural' cultivation method, with design traits typically associated with Northern/Central Asian cultures).

It is worth noting, though, that most authors do not intentionally use these traits as racist stereotypes in their worldbuilding, especially when regarding a non-human species-- in the same way that western fantasy authors use goblin and orc characters and tropes without realizing or acknowledging their racist origins and connotiations, these stereotypes have simply become genre tropes without that direct connection to their origins. Nonetheless, it is still worth noting-- and worth trying not to fall into the trap of leaning into stereotypical traits in fanworks' character portrayals.

Stereotypes include but are not limited to barbaric and brutish cultural traits, association with animals/having animal features, dark or corrupt magical/spiritual practices, certain types of braided hairstyles & other fashion choices, and originating from the far north or south.

Some of the prejudice and stereotyping of Northern Asian cultures likely originates from the fact that in the past, China was invaded and subjugated by peoples from the north (under Mongolian rule during the Yuan dynasty, and under Manchurian rule during the Qing dynasty) as well as having many conflicts with these peoples throughout history. In fact, the Qing dynasty only ended in the early 1900s, so some of this oppression is still in recent memory-- nonetheless, people belonging to ethnic minorities in China are still affected by this negative stereotyping today, so regardless of the origin, racism is still racism and should be addressed, and China today is a majority Han Chinese nation-- even if Han Chinese are considered a minority and affected by systemic racism in other places in the world.

Additionally, many tropes specifically applied to the southern demons, but also used for demon culture as a whole, are tied to stereotypical portrayals of Southeast Asian culture, which is rooted in a long history of Imperial China's invasion and oppression.

All of those stereotypes listed above apply to SVSSS' demon culture. Even in Mobei-jun's name-- 漠北 meaning "northern desert," which is the real-world name for a region in the north of the Gobi desert in Mongolia.

Therefore, it is important to remember that though violence-as-courtship in demon culture is canonical within SVSSS' setting, it nonetheless originates from harmful racial and ethnic stereotypes. It would be a good idea for fans to keep this in mind when creating their fanworks, and to treat the topic with sensitivity-- but I will leave any direct suggestions on how to handle this to those who are actually part of the affected groups.

--

(thanks to @flidgetjerome for additional notes regarding SEAsian stereotyping and author intent!)

Also, to be absolutely clear: I am not saying that svsss’ demons are specifically coded as any real ethnic group— it’s only that in many ways the portrayal is similar to the common portrayal of various ethnic groups in cmedia. I don’t believe they are specifically meant to parallel a real life group, unlike for example TGCF’s Banyue— but it’s worth questioning why these traits, why these characters.

#svsss #fanon exposed #svsss demon culture #mobei jun #canon #I don't know if I did a good job addressing the sensitive topics here so please feel free to correct anything I got wrong #or if I've overstepped anywhere #i just want to use the platform i have to bring this to the western fandom's attention since i don't think it's widely known #i will very gladly reblog any additions from fans who wish to weigh in but definitely don't feel pressured to do so

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inkclover · 1 year

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🩸(un)Holy Matrimony🩸

#disappears from the fandom and then slaps y’all with this outta nowhere #*disappears again*#cult of the lamb #cotl #narinder #cotl narinder #true devotion #narilamb #cotl fanart #heya how y’all doing #skskskdkdkd ahhhh it was SUPPOSE to be a tiny sketch #and then it went outta hand #am gonna face plant myself into the ocean—#a a a a a a a #red crown be like ‘aight this ain’t any of my biz’#surprisingly respectful(??)#as much as it can considering it be on Lamb’s head 24/7 ig #inky art #my art

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mizaruwu · 3 months

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"hey! give it back"

"I don't think you should keep using this"

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yourhighness6 · 4 months

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I feel like people who dislike Zuko miss how important his character is, especially to IRL abuse victims. The journey from scared, angry, isolated and abused to confident, calm, loved and accepted while being handled almost perfectly in the context of his abuse is so underrated even while being hailed as one of the best redemption arcs of all time.

#this goes for toph too #I think that he just gets more hate from certain fans #and also his journey is a little more apparent with the redemption arc #anyway both are wonderful characters and I cannot stand the new wave of victim blaming in the fandom #anyone participating in victim blaming on any capacity can actually go fuck themselves #atla #avatar the last airbender #zuko #toph beifong #its important I'm telling you

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paintpanic · 4 months

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CONCEPT: fucked up evil dimension not unlike the mirror world in which every character is the bizarre fandom-ized version of themselves.

#kirby series #i'm poking a little fun at you guys. some of the people in this fandom draw characters Strangely.#i'm not excluded from this i know how off-model i draw the ranza.#why do people draw ddd like that though. is it meant to be hot??? i can't see any other reason one would do it so strangely.#that's enough out of me. no more tags!

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paracosmicessence · 1 month

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this is what coming from sonadow twitter back to sonadow tumblr feels like every time

#sonadow #sonic the hedgehog #sth #sth fandom #fandom #honestly this could apply to any twitter fandom #they’re absolutely insane over there #and then everytime i go to tumblr its like :D ✨#stg there’s a new argument each week #THE SONADOW TOP/BOTTOM DISCOURSE WAS INSANE LMAO 😭😭😭😭#not even kidding that started over a month ago and it’s still going on #definitely gonna chill over here for a bit #trying to convince my sonic mutuals from twitter to move over here (hehehhehehehe barknbite i’ve converted you 😈)

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poorly-drawn-mdzs · 7 months

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Wei Wuxian eats a watermelon. Yep!

#poorly drawn mdzs #mdzs #wei wuxian #nothing out of the ordinary here. Just good fandom fun #Watermelon discourse has been going on and I want to let people know where I stand.#This came about because I wanted to experiment with translating the (traditional) PD-MDZS style to a digital format #and while sitting there thinking of what to draw...my inspiration came to me.#This is the equivalent of sneaking vegetables into the spaghetti sauce but its important to get your gotdamn veggies #I'm not very good at organizing my thoughts (evidence: the tags of every post on this blog).#but please do not look away from this moment in history. One person cannot solve it and no one expects you to.#Even if it is just spending time doing some research on the situation and history. Or boosting posts that are more articulate #Any action helps! ANY action! Everyone has a different level of capacity for this and that's okay. Anything is fine. Dont let it be nothing #Anyhow. did I like doing this digitally? Yes but its mixed. It was faster but also spark the same joy I usually get while drawing #I will have to get over it very quickly though. You will all see why in a few days

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pettson · 6 months

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i could make a comment on how tess being overlooked in the tlou fandom is because of the misogynistic views on older women we have in this society where any woman over 35 is not considered sexy anymore and therefore loses her worth, but do i want to

#it's a tale as old as time #do we need to talk about it #or should i just walk away #like what i keep thinking but don't really want to bring up #is how sad it makes me that most of the fandom seems to want to ignore tess #because they prefer picturing joel with a hot 25 year old #this maybe comes from me realising the amount of age gap dbf type of content that is out there #and obviously i don't need to engage in any of it and i can block the tags #but sometimes just the sheer amount of it #has me a bit worried for the future of our society #tess servopoulos #the last of us

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royalarchivist · 7 months

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Cellbit: Yeah, [Bobby is] our son.

Roier: What?

Cellbit: He's our son, no? Or not? Am I not?

Roier: I mean… he's already dead. [...] By the time we got married, he was no longer around. So in theory, in theory-

Cellbit: But in my heart, he is my son.

Roier: Oh, that's fine, in your heart, yes. In your heart, yes. But actually-

Cellbit: He could have been my son, he could have been.

Roier: But actually, he is my son and Jaiden’s.

Cellbit: Yes yes, definitely, of course.

Roier: [Smacks him] Exactly. Well, you're the step-father, you know?

[ Full Transcript ↓ ]

Cellbit: Hey Tina, have you met Bobby? I don't think you did, right?

Tina: I met him a little bit earlier, he's so cute!

Roier: Aww

Tina: I told him I like StarBobby.

Cellbit: Yeah, it's our son.

Roier: What? But-

Cellbit: He's our son, no? Or not? Am I not?

Roier: I mean... he's already dead.

Cellbit: That's true, that's true.

Roier: By the time we got married, he was no longer around.

Cellbit: That's true, true.

Roier: So in theory, in theory-

Cellbit: But in my heart, he is my son.

Roier: Oh, that's fine, in your heart, yes. In your heart, yes. But actually-

Bagi: Am I the auntie?

Cellbit: He could have been my son, he could have been.

Roier: But actually, he is my son and Jaiden’s.

Cellbit: Yes yes, definitely, of course.

Roier: [Smacks him] Exactly. Well, you're the step-father, you know?

Bagi: So I don't think I'm your auntie, sorry. Unless you want to!

Cellbit: Yes, fake dad, fake dad. Fake father.

Roier: But it's ok. It's ok.

Cellbit: It's ok, it's ok.

Roier: It's this dumbass' fault he died anyways.

#Roier #Cellbit #Guapoduo #Bobby #QSMP #Saw people straight up lying about what they said during this exchange so this is just me slapping down the receipts #Roier's right though! At that point in time he and Cellbit weren't married nor did they have that kind of relationship #If Bobby hadn't died maybe Cellbit COULD'VE been some kind of guardian to him #But Bobby is; and has always been; Roier and Jaiden's son #As a side note #With how involved Roier is in fandom stuff #I'm sure he's seen how frequently Jaiden gets left out and/or replaced with Cellbit in family art #So whether this is his gentle reminder to fans or just him establishing a boundary in a relationship: Roier is based #And it's a disservice to his and Cellbit's characters to take their words out of context and/or purposefully misinterpret them #Cellbit understood where Roier was coming from and explained how he saw things #(''I could've been'' ''in my heart'' etc.)#and Roier explained his perspective #(''We weren't married yet'' ''He was already dead by then'' ''Jaiden and I are his parents'')#Communication is the foundation to any good relationship!#and Guapoduo do it well. Usually #The fandom could learn a thing or two from QSMP; aka ''Communications SMP''#Bagi in the background going ''I'm an auntie? :D'' then ''oh no I'm not your auntie'' then ''Haha UNLESS?'' is so funny

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