We need to go back to using sailing ships full time like immediately. Yes it would take longer to get places but the Aesthetic is unmatched
Like there is nothing sexier hthan this
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i don't really like when people say dungeon meshi is accidentally good autistic representation, because while i understand not wanting to make conclusions without explicit confirmation from the author, there's always the weird assumption that non-western authors somehow don't know about things like neurodivergency/queerness/etc. (on top of the assumptions that east asian authors are somehow more naive or oblivious to "western" social issues).
given that dungeon meshi started being published in 2014, it's not really a "work belonging to its times"—it's as contemporary as any other media we discuss on this site, which means it should be fair to assume it engages with contemporary topics (and at the very least, you shouldn't say that the representation is accidental with so much confidence)
but anyways, the chapter "perfect communication" in ryoko kui's "terrarium in a drawer" is some of the most straightforward autistic representation I've seen, and from now on I'm going to assume that laios's character writing is absolutely intentional in that regard:
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I need non autistic people to realise meltdowns are a real debilitating thing that has a serious effect on your mental and physical health NOWWWWW!!! The way its been trivialized and lessened pisses me the fuck off. It's not a tantrum and it doesn't come from "being too weak-willed" it's painful and it's embarrassing AND MOST OF ALL IT'S INVOLUNTARY!! Don't claim to be an ally to autistic or disabled people and then make fun of people who have meltdowns. Literally get the hell out of my sight
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It's honestly crazy that discussion around testosterone HRT skews so much towards the beginning stages of it (to the point that you have dozens of guys thinking their transition is "failed" if they don't pass by like a year in lol) and what the initial changes of the first couple of months to years look like, like the classic laundry list of those early basic changes like bottom growth, voice drop, etc, when IMO literally none of that compares remotely to the depth and intensity of the long term total masculinization you start to experience like 3-5+ years in.
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You should draw that girl with missing teeth. You should draw that girl with a crooked nose. You should draw that girl with a double chin. You should draw that girl with fat on her body. You should draw that girl with a buzz cut. You should draw that girl with large eyebrows. You should draw that girl with a lazy eye. You should draw that girl with large nostrils. You should draw that girl smiling with gums. You should draw that girl with body hair. It's enrichment for her, treat her right
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A murder mystery film set in a medieval village. After an outbreak of plague, the villagers make the decision to shut their borders so as to protect the disease from spreading (see the real life case of the village of Eyam). As the disease decimates the population, however, some bodies start showing up that very obviously were not killed by plague.
Since nobody has been in or out since the outbreak began, the killer has to be somebody in the local community.
The village constable (who is essentially just Some Guy, because being a medieval constable was a bit like getting jury duty, if jury duty gave you the power to arrest people) struggles to investigate the crime without exposing himself to the disease, and to maintain order as the plague-stricken villagers begin to turn on each other.
The killer strikes repeatedly, seemingly taking advantage of the empty streets and forced isolation to strike without witnesses. As with any other murder mystery, the audience is given exactly the same information to solve the crime as the detective.
Except, that is, whenever another character is killed, at which point we cut to the present day where said character's remains are being carefully examined by a team of modern archaeologists and historians who are also trying to figure out why so many of the people in this plague-pit died from blunt force trauma.
The archaeologists and historians, btw, are real experts who haven't been allowed to read the script. The filmmakers just give them a model of the victim's remains, along with some artefacts, and they have to treat it like a real case and give their real opinion on how they think this person died.
We then cut back to the past, where the constable is trying to do the same thing. Unlike the archaeologists, he doesn't have the advantage of modern tech and medical knowledge to examine the body, but he does have a more complete crime scene (since certain clues obviously wouldn't survive to be dug up in the modern day) and personal knowledge from having probably known the victim.
The audience then gets a more complete picture than either group, and an insight into both the strengths and limits of modern archaeology, explaining what we can and can't learn from studying a person's remains.
At the end of the film, after the killer is revealed and the main plot is resolved, we then get to see the archaeologists get shown the actual scenes where their 'victims' were killed, so they can see how well their conclusions match up with what 'really' happened.
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