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#secondary characters I guess?
linterteatime · 2 months
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Some silly with the the goobers and also a quick reference sheet I made
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fromtheseventhhell · 7 months
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"Arya wouldn't have been able to survive in KL" is really one of the dumbest fanon takes where you can tell someone only believes it because they like the idea of Arya and Sansa being "exact opposites and perfect complements" (even though it goes against the books). Actual evidence from the books to back it up? Never anywhere to be found despite how confidently people make this claim.
And not only does it severely mischaracterize Arya and ignore what she's been through, it also ignores her importance as a political hostage. The Lannisters weren't searching for her, and lying about having her, for no reason. They needed her because having only one Stark after executing Ned put them in a poor position to negotiate. So Arya would have been more than capable of handling herself (thoroughly shown in her Harrenhal chapters) and the Lannisters would've done everything in their power to keep her alive but, somehow, she wouldn't have been able to survive? It's truly one of those takes that falls apart if you think about it for more than two seconds but apparently, that's too much effort for some people.
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sonknuxadow · 8 months
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i think i do want amy and rouge to be in the next sonic movie, especially if its gonna be an sa2 adaptation, but i cant help but worry that if they try to introduce shadow AND rouge AND amy in the same movie then at least one of those characters (most likely amy. tbh.) isnt gonna get the amount of screentime and development that they deserve. especially considering in the game timeline amy was introduced much earlier and by sa2 was already an established character while rouge and shadow were the newcomers. and then theres also the human characters who are gonna be making the cast a lot bigger than it was in the game so more people to divide the screentime among. like what if amy is in sonic 3 and she gets like 5 minutes of screentime and her big moment with shadow is given to another character again
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clamsjams · 5 months
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oh okay so when I ask if melissa would be omega roiers alpha drag persona in the discord months ago i get fucking crucified, but now everyone’s doing it and no one bats an eye
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drusilla-carstairs · 1 year
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I am not even a Kit/Ty fan, but since we all know they are endgame for TWP, I have to say it:
I do not want to see any love triangle shenanigans with these two. They can have other love interests. They can date other people at different points in the series. But not ONCE do I want to see any “waffling over who to choose” nonsense. No “pick me” drama. No avoiding feelings by dating a third party. No Matthew-Cordelia-James or Simon-Clary-Jace mess. They won’t be able to pull it off like Herongraystairs. No one can. CC needs to stop it now
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hahniana · 3 months
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It's actually a little fascinating to me how much Chilchuck has enamored the Tumblr tag with the anime.. unless he was always popular and I just missed it somehow
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devilsskettle · 4 months
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there's a trope i've noticed lately where there is a relationship dynamic between two main characters that has clear homoerotic subtext so they give one of the characters a same-sex relationship with a different character because the story is NOT about a queer relationship but if they didn't make one of them queer, too many people would accuse them of queerbaiting
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aj-lenoire · 3 months
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apparently the reason may december is being snubbed during awards season is because a lot of actors REALLY didn’t like what it had to say about actors who take on the roles of real people, and the idea that a bunch of former theatre kids might be sensitive about criticism of the industry they work in is, to me, just so shocking
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strangefl0wer · 7 months
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a girl grows up hurt. she is not angry. she is sad and forgettable. she is the kind one, the one who forgives. her brothers are angry. it is not her story.
a girl learns to be strong. it will not be spoken of. she is pretty. they tell her she is. (find me when you turn eighteen). she will not be angry. the righteous grief of her brother will be lost on her. it is not her story.
a woman exists to be ogled. look at her, as she shows everything. that is her character, can't you see? it's a personality. (it is not). if nothing else, appreciate your eye candy. she dies and even those supposedly her friends do not linger. it is not her story.
a girl is forgettable. she is shy, but she loves the boy. that makes her worth something, right? her end would not matter, because her beginning did not. it is not her story.
a woman is hurt. she is damaged and coping in all the wrong ways. it's a joke. she pulls herself back together. but, forget that. she loved the boy after all. it is not her story.
a girl loves the boy. what else do you remember about her? it is not her story.
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bootlickerhawks · 1 year
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You were asking who Bakugo lost to and it’s Tsuyu, and yes I am also shocked even though I voted her
poor kid can't catch a break 😭 first he gets curb stomped by Shigafo and now the Extras are teabagging his corpse
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wr0ngwarp · 3 months
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human contradiction
a symbolic piece of jet set radio art that is so mired in headcanon/au stuff that the symbolism has no basis in canon and its halfway to nonsense. this is a picture of Beat
i actually had this art sitting around in my files for like half a year because i felt, like, Embarrassed to post this. but life is too short not to embrace the ouroboros of hypfix bullshit and i also want it out of my to post folder
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bwaah
i dont even remember why i drew a bwaah of the Purely Metaphorical Cabbit Beat. whatever. bwaah
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cloudysfluffs · 7 months
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what if i made sa//m and m//ax tickle art..............has anyone in this community other than me played those telltale games even <////3
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br1ghtestlight · 6 months
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extremely smart bob's burgers fan realizes just now that season one is 13 episodes and season two is 9 episodes and if you add them together thats 22 episodes because the first two seasons were produced to be one regular season rather than two extremely short seasons. only took me like eleven months
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beneaththeshadows · 3 months
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I thought of doing something nice for this year's Valentine's Day, so here's a poll with rare pairings from F&B (I decided to choose a Targ/dragonrider and a non Targ/dragonrider, just to do the cliché "hold on me" pose). Whoever you people chose as the winner, I'll draw them on a little (romantic) dragon trip
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adaines-furious-feast · 10 months
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I know nobody cares but this can’t live in my head
I have an OC. I’ve never had an OC for a fandom before but this is maybe the best character I’ve ever made so I thought I’d share her here because I have nowhere else to share here. 
Dottie Cruller. This is long. I’m sorry.
Dottie, or Doughrethy Cruller, is the daughter of Lady Donetta’s younger brother. She is a person shaped doughnut. Her parents both died in a boating accident when she was six and she was adopted by her aunt and uncle – mostly because they couldn’t get her aunt’s inheritance if they abandoned her.
Dottie is 15 at the beginning of the campaign. She is a bard with a love for history and really learning about the politics of the world. Her favourite question is “how would everyone react to this”. So her bardic inspiration comes in the form of “remember in xyz battle when this thing happened”. She’s the kind of nerd that really admires the cool kids, so she really likes the princesses, but she also asks for plausible deniability when they’re up to something because Queen Caramelinda is her favourite person. She gets an acceptance from the queen that she doesn’t get from her aunt and uncle.
Dottie is disabled. She needs a walking stick and has chronic pain. It’s really a role of the dice at the start of every day as to whether that’s going to limit her movement or not.  
The original idea or trope I was playing on for Dottie was the “we must sacrifice someone pure and innocent to succeed” kind of thing. It dates back to Ancient Greece and is still used today. But what if that sweet innocent sacrifice had the strongest will to live?
I have mentally played the whole ACOC campaign with her which I know is not how this works but I tell myself stories to get to sleep and this is one of them.
So Dottie starts the campaign with very low self-esteem, mostly because she is frequently reminded that she is not part of the royal family and if she doesn’t make herself useful she will be thrown out. But as, first, her bardic inspiration is useful during the ambush – her uncle tells her explicitly to stay in the carriage but that doesn’t happen – and then in Comida where her understanding of the political map of the world comes in useful she starts to get more confident.  
She is also... very good at lying. Because she’s always thinking about what other people think, so she’s great at masking. That and she grew up in close proximity to the best liar in Candia, though didn’t realise his biggest lie until too late.  
So after the tournament, she makes a show of going to the Cathedral to pray partially because she does believe in the Bulb and wants protection, and partially because she knows how this will look to people. After her truly miraculous survival in the Cathedral ambush, she does multi-class as a cleric, though not a healer. Dottie is all about trying to understand the world and her place in it.
Dottie believes she is unlovable. Not only to her aunt and uncle – her aunt has never been cruel to her, but she’s never been loving either – but to anybody. And especially to the Bulb. Because when you’re six years old and your parents are both killed in an accident, you’re told that the Bulb needed angels, the Bulb needed them close to it, they’re in the loving embrace of the Bulb. But when you were also in that accident, and didn’t die... well, doesn’t that mean that the Bulb doesn’t love you? You’re not even good enough for the Bulb. And while, when she was six and sitting after her parents’ funeral pondering this, a very nice citrus yellow lady told her that wasn’t the case and she was lovable, that fear always been internalized in her. Then, after battle after battle where she really should have died, but didn’t, it feels more and more like not even the Bulb loves her.
Dottie’s birthday takes place during the trip back to Castle Candy, and is forgotten by everybody. Which is understandable given, you know, a war just broke out. And she doesn’t mind too much. But a Sweet Sixteen has got to be important in Candia. So when she gets back, and finds in her chambers a box with a label wishing her a happy birthday in what looks like Queen Caramelinda’s handwriting, she’s so sure this is a good thing. Except for the watersteel razor blades under the box lid. She doesn’t die, but is unable to cast magic until someone else uses a staff gifted to her by Captain Chedder – for saving the life of a cheese sailor – to do a greater restoration.  
After Jet’s funeral, Caramelinda reminds her quite bluntly that Dottie’s not her daughter. A conversation with Jack is the first time since her parent’s funeral that she’s said aloud that the Bulb doesn’t love her. At this point, Dottie doesn’t know if her aunt is alive or not. She’s assuming the worst because everything else is the worst. At that moment, her entire family is dead. The only family she has by law is an uncle who is a traitor and has told her for the past 10 years she doesn’t matter and the royal family will just throw her away. And while her head knows that’s wrong, she’s now wondering if maybe he knew more than she did. She knows the Rocks are hurting, but now she’s wondering if maybe she doesn’t matter as much as she thought she did after all.
When it comes to Saccarina, Dottie doesn’t immediately flip to her side, but given she feels distant to the Rocks and is trained to be a political advisor, she happily sees a role for herself beside the new queen and accepts her as the queen. Dottie also doesn’t feel like she would stand out as being “broken” in Saccarina’s court. It wasn’t that the Rocks were abelist, but she didn’t see people like her there. She does in Saccarina’s marudas. However, Dottie doesn’t spend much time with Saccarina, as she’s captured in Buzzybrook. She’s unable to move fast enough to get back to the portal.
She finds out that her uncle has told everyone that she was kidnapped by the Rocks, and he is very worried about her. She begs Grissini not to take her back there, and actually manages to win him over when she saves his life during an ambush that is quickly foiled, but there’s not much he can do. At Castle Candy, Calroy plays the role of worried guardian for all of five minutes, long enough for Grissini to leave, before placing Dottie in the care of the church, where she’ll be an assurance for them that he plays his part of the bargain.  
Dottie has not spent the past 10 years learning how important it is to be two faced to fail on the final exam. She dutifully plays the part, and actually manages to get the nuns fooled long enough to catch some gossip, that her uncle may be trying to sweeten the deal – no pun intended – with a certain gluten-filled emperor with a marriage. Dottie considers going along with it. She hasn’t heard anything about Saccarina in this time and for all she knows they’re all dead. Being close to the emperor wouldn’t necessarily be a bad thing. She sends a Sending spell to Grissini, disguised as a prayer to the Bulb, asking for advice. His advice comes on the night of the siege on Castle Candy, before the Rocks troops have been spotted, when he comes into the tent where she is being held and tells her in no uncertain terms that this would be terrible and while that loaf of bread is a war hero he would be a terrible person to have to spend any amount of time with.
Dottie wouldn’t play a major role in the siege. She is one person – two with Grissini. But she does take Grissini out of the fight against the Rocks, so that’s good. The only grudge she really has at this point is against her fucking uncle, but confronting him doesn’t go so well and he manages to escape. At least until the King finds him.
This is the first time Dottie learns about Cinnamon, and is horrified. She becomes even more horrified when she learns about how Cinnamon got so big, mostly because this is going to be pretty hard to smooth over politically. But Dottie still pledges herself to Saccarina after the battle. The Queen is going to needs someone who knows how to sweet talk people and, while she doesn’t intend to be quite as deceitful as her uncle, she learned how to be manipulative from the best. If you’re going to upend an entire religious system, you’re going to need someone who knows how to talk good.  
Does Dottie ever get over her belief that she is unlovable? Yes, because Grissini shows her that isn’t true. He is the first fatherly figure she has had since she was six and, even though she’s almost an adult now, she welcomes having that fatherly figure in her life.  
She also gets the title of Marquesa of Muffinfield when her aunt is found dead (whether the wound is self inflicted literally or just metaphorically is never determined). It’s something that Dottie held at great importance after the escape from the castle because she was not going to let her fucking uncle take her birthright. That anger at him was the only thing that kept her going.
Anyway, that’s Dottie. Nobody has read this long, I know, but if someone has, I hope you like it. I love her, she’s the best character I’ve ever written. I love the idea of having a character who is every part the trope of “innocent sacrifice” who keeps living and is convinced that god hates her because she keeps living. I also love Grissini’s character, and mourn the alternate universe where he ends up an ally, because I think it could have happened.
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scribefindegil · 1 year
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i am simply holding a small sign that says "Let Shinra Have A Good Day"
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