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#so i might be SO far off of the spec
fiona-fififi · 21 days
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If it's true that Tommy’s actually a guest at this bachelor party, and Buck STILL coordinated outfits with EDDIE??
Well, I just think that would be very funny.
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sinquisition · 1 year
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Tierce's taste in women is "Can and will stab him in the back"
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ltleflrt · 2 months
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Figuring out I'm on the ace spectrum was so difficult because I have always been a horny bitch. I knew what sex was at a fairly young age, because I'd asked my mom and she's one of those good parents who'll answer questions like those, and as I grew older and would ask more complex questions, her answers would evolve along with my curiosity and understanding of the world. And I remember having fantasies as young as 9 or 10 years old, even if they were hella vague and nothing close to what sex actually is lol
So as I became a teenager, and all my friends' focus turned from playing with dolls to flirting with boys, I automatically thought I was attracted to boys. And I paid more attention to Cute Boys than I did to Cute Girls, because girls were just nice to look at while boys were People To Have Crushes On. Because of heteronormativity. Looking back on it now, I know there were girls I liked to stare at just as intently as boys, although less often because I wasn't trying to pay attention. And I certainly didn't fantasize about girls because I started reading romance novels in 5th grade, so I was fantasizing about male romantic partners because that was the fiction I was consuming. I didn't even realize fantasizing about girls was possible until I was 17, and I had a few "am I a lesbian" internal crises for years because of it.
So when I did start having sex, I had A LOT OF IT with SO MANY different guys, and eventually a couple of women once I started accepting that bisexuality was real. But it was never really fulfilling. Not like my fantasies were. Not like my books were. I was slutty because sex was fun, I was horny, there were plenty of options so I kept searching for that satisfaction I was craving.
Getting married was a relief (even though it turns out I'm aro-spec too lol) because I was tired of hunting, and even if sex with my husband was meh, at least I had someone around to scratch that itch if I had it, and he didn't mind if I occasionally took care of things on my own because I'd read an especially hot scene in a romance.
I learned about asexuality in my early 20s, but I brushed it off. Couldn't be me, I'm far too horny for that. But I think that comes from the fact that everything you hear about Aces is attached to sex-repulsion or sex-indifference. I wasn't either of those things. I was horny all the dang time. I was fantasizing about sex all the dang time. I figured actual sex was meh because my imagination was so vivid that real life could never match up. Which could be true to an extent, but I think not as much as popular opinion would have us believe. If fantasy was really that much better for everyone, then I think we'd have less incels and unplanned pregnancies than we do.
In my 30s I finally saw people talking about The Spectrum, and I started examining my past, and I figured out I wasn't really attracted to anyone I had sex with. I do occasionally find someone attractive; there are men and women and enbies who make my skin feel tight and give me a little wave of lightheadedness lol... but it's always always the fantasy that gets me really going. If given the opportunity I wouldn't have sex with any of those people. Thank you, but no thank you, I'd rather just imagine it than physically participate in the act with them.
(Ok I might go down on them, but that's less about wanting sex, and more about being able to add them to my Tally. Hell yeah I want to brag about making *insert hot person* have an orgasm. There's PRIDE in that kind of accomplishment lol)
I have a lot of respect for aces that are not horny. I understand it even if I don't share the sentiment. And I feel like most of them understand me even if they don't share the sentiment. There's a solidarity between us.
Until I go into a fandom tag for a character that the aces have glommed onto because they're canonically ace or headcanoned as ace. Good lord, the non-horny aces can turn into downright vicious bastards if a horny ace sexualizes their blorbo.
This post is for them.
Horny aces exist. Please look up "autochorissexual, lithosexual, and aegosexual."
Refer to those definitions in regards to romantic attraction as well as sexual attraction.
Some aces may not fall into one of those definitions, because asexuality is a spectrum, but they may still be horny.
Horny aces are not disrespecting you by enjoying being horny on main. We promise we'll wash the stickiness off our hands before we hold your hands in queer solidarity.
And most importantly: Your blorbo is fictional and does not need to be defended from icky sexuality. They exist in an infinite multiverse, so your blorbo and my blorbo are not the same, even if they appear to be on the surface.
AND:
This post is also for the people who are confused about themselves because they're horny but don't actually feel attraction. You're not crazy, you're not wishy washy, you're not "waiting for the right person to come along" (unless you are, in which case I hope you find them). You're just a thin strip of color on a massive rainbow that holds more unique shades than anyone can perceive at a glance.
You're valid. You're one of us too.
And don't be mean to the non-horny aces. Tag your smut so they can avoid it. (But actually so I can find it lol)
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gaywarcriminals · 5 months
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Rating Scum Villian characters based on how milfy they are:
Shen (Yuan) Qingqiu: an easy 10/10. You can’t tell your disciplesonwife that you wouldn’t abort him without becoming a milf.
Luo Binghe: and on the opposite end of the spectrum, 0/10! He’s just a little baby. He is 1,000 years younger than shizun and he likes it that way! He’s a wife, but an 18 y/o, husband’s-third-remarriage wife— he’s the same age as his husbands kids from the first wife. no milf vibes to be seen.
Liu Qingge: 1/10. Deep down he might have some parental traits, but as-is he is somewhere between weird (autistic) uncle and half-feral farm cat.
Liu Mingyan: 5/10. She’s still in her larva state of milfdom but someday she will be an excellent Mommy.
Ning Yingying: 3/10. Right now she’s baby and she likes it that way, but she has the bite of authority to her, and maybe in the far flung further she’ll spec into the Dommy Mommy skill tree.
Sha Hualing: 0/10. She’s baby, she’s a brat, she’s going to bite you and have a temper tantrum.
Shang Qinghua: 2/10. I have to give him a few points for being Binghe’s daddy, but we all know he’s a deadbeat dad who ran off with his new wife and left his kids alone with their step mom. The closest he gets to being nurturing is homoerotically saving his sexy OC, which is a Whole Different Thing.
Mobei-Jun: 5/10 for them tiddies.
Yue Qingyuan: 10/10. No I will not be explaining.
Shen Jiu: 9/10 because he’s abusive as only a mother can be 💖
Luo Bingge: -10/10. This man canonically has a fuck ton of kids and I don’t believe he knows any of their names. He is simply too Babygirl to parent 😔. SY come pick him up.
Qi Qingqi: 8/10 step on me mommy
Mu Qingfan: 6/10 I believe he can to unspeakable things to you while shushing you with a gentle smile
Tianlang-Jun: 7/10 for breedability, tits, and nephew raising, small point deduction for fumbling his actual son.
Su Xiyan: 0/10. She’s a Daddy, there’s a difference.
Zhuzhi-lang: -3/10 he is so tiny so small he is just a little guy just a snek
Madam Meiyin: 9/10 I fully believe all those succubi are her daughter-wives who she raises and teaches to hunt and comforts them when their prey gets away—
Six Balls: 6/6 six balls.
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inoreuct · 5 months
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i actually desperately need 40y/o zoro with reading glasses. thin wire frames with teensy rectangular lenses perched on his nose as he peers down at one of sanji’s french romance novels to see what all the fuss is about— after so many years with his husband he’s picked up a bit of the language and sanji has a stack of them on the nightstand and he’s bored, alright? sanji has something to wrap up at the restaurant and he might as well. he’s farsighted and squints at everything near him and it makes him look even grouchier than usual and the fact that he’s graying at the temples doesn’t help. he looks terrifyingly severe with all his scars and his frowning, until he smiles— he’s been doing that a lot more lately, and then people realise that’s why he has crow’s feet around his eyes. i need him to have a collection of bottles that he’s fiercely protective over; they’re all empty and the labels are faded to hell, but point to any one and he can tell you where it had been drunk. there’s a beer bottle from the first night he’d sailed with luffy. a sweet rum they’d popped to celebrate usopp’s return. the champagne from when he and sanji had gotten married.
i need 40y/o sanji with long, long hair that he ties and pins and styles differently every day. sometimes he makes decorative sourdough and he matches his braids to the patterns. i need him taking on protégés in his restaurant, guiding a new generation of culinary genius even though teenagers are fucking terrifying and annoying and argumentative, because he remembers being exactly like them and at the end of it they’re good kids. they listen to him (…to an extent). they’re sweet and talented and they do absolutely crazy shit in the process of trying to push their boundaries; sometimes they trip and fall, but it’s fine. that’s how they learn. that’s what sanji’s for, as their safety net and their mentor— he’ll give them shit for it and pick them up anyway, nag them while brusquely brushing off their knees. but sometimes, sometimes, they come up with something extraordinary, and sanji gets so proud he could cry. zeff drops by and nags at him for everything under the damn roof. sanji doesn’t mind it.
i need them in their kitchen, in the morning, when sanji’s far too chipper and zoro’s not awake enough, nursing a cup of coffee and half-asleep again at the table as sanji fries their eggs. i need zoro to have one of those old man rocking chairs that he settles into to watch the sunset and drink tea, because sanji’s managed to get him into tea of all things. he’d have never imagined liking matcha a decade ago. i need that rocking chair to be big enough for two so that sanji can curl into his side and thumb through yet another of his novels. i need zoro braiding his hair and falling asleep halfway. i need sanji pulling his glasses off when they slip down his nose and dragging his husband to bed so that he doesn’t bitch about his back hurting the next day. i need them at sanji’s restaurant, teaching the kids about food and liquor pairings— they’re a little terrified of zoro until he squints and pulls his specs out to read the labels, after which they’re running around calling him old man and grandpa roronoa. zoro fumes because for fuck’s sake, he’s forty, not ninety. he’s not old. he brings a bottle of wine three inches away from his face and sanji does nothing to stop the kids at all.
just— zoro with reading glasses. sanji with long hair. doing mundane, boring things that make them happy because they never expected to live this long anyway. zoro’s down to two earrings and sanji has one. their rings are woven straw pulled from luffy’s hat. they have a little motored dinghy out back that franky made for the times they need to go haul their captain’s ass out of trouble (as usual), but none of the crew are ever very far from each other. they stay at sanji’s restaurant in the all blue and occasionally fend off people from their past looking for revenge. or money. or to eat them out of the house and home, in luffy’s case, which then leads to zoro den den-ing the rest of the lot and sighing that they might as well come over for a cookout.
they’ve all gotten older; a little banged up and scruffed around the edges, but alive and well. nami’s making bank as a mapmaker who caters to the wealthy/insurance agent/financial advisor— zoro scoffs and calls her a swindling witch, to which she smiles at him all sweet before stomping solidly on his foot with her red-bottom heel. out of their conjoining workshops, franky and usopp have started a wildly successful demo-smithing company that specialises in custom explosives and bespoke carpentry. robin owns and maintains the most extensive archive of books any of them have ever heard of, and it’s pretty much lauded as one of the greatest libraries of all time; brook does gigs in jazz lounges and bistro bars, jinbei’s a diplomat who’s well-respected for campaigning for equal rights, and chopper runs his own medical practice. luffy, as usual, is doing whatever he wants, which is a little bit of everything. y’know, taking down corrupt governments and all that.
sanji feeds them like he’s always done and zoro brings out the good alcohol to pass around.
life’s good.
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autolenaphilia · 10 months
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The main reason to use Firefox and Linux and other free and open source software is that otherwise the big tech monopolies will fuck you as the customer over in search of profits. They will seek to control how you use their products and sell your data. When a company dominates the market, things can only get worse for ordinary people.
Like take Google Chrome for example, which together with its chromium reskins dominate the web browser market. Google makes a lot of money from ads, and consequently the company hates adblockers. They already are planning to move to manifest V3, which will nerf adblockers significantly. The manifest V3 compatible chrome version of Ublock Orgin is a "Lite" version for a reason. Ublock's Github page has an entire page explaining why the addon works best in Firefox.
And Google as we speak are trying to block adblockers from working on Youtube, If you want to continue blocking Youtube ads, and since Youtube ads make the site unuseable you ought to want that, it makes the most sense to not use a browser controlled by Google.
And there is no reason to think things won't get worse. There is for example nothing stopping Google from kicking adblockers off their add-on stores completely. They do regard it as basically piracy if the youtube pop-ups tell us anything, so updating the Chrome extensions terms of service to ban adblocking is a natural step. And so many people seem to think Chrome is the only browser that exists, so they are not going to switch to alternatives, or if they do, they will switch to another chrominum-based browser.
And again, they are fucking chromium itself for adblockers with Manifest V3, so only Firefox remains as a viable alternative. It's the only alternative to letting Google control the internet.
And Microsoft is the same thing. I posted before about their plans to move Windows increasingly into the cloud. This already exists for corporate customers, as Windows 365. And a version for ordinary users is probably not far off. It might not be the only version of Windows for awhile, the lack of solid internet access for a good part of the Earth's population will prevent it. But you'll probably see cheap very low-spec chromebookesque laptops running Windows for sale soon, that gets around Windows 11's obscene system requirements by their Windows being a cloud-based version.
And more and more of Windows will require Internet access or validation for DRM reasons if nothing else. Subscription fees instead of a one-time license are also likely. It will just be Windows moving in the direction Microsoft Office has already gone.
There is nothing preventing this, because again on the desktop/laptop market Windows is effectively a monopoly, or a duopoly with Apple. So there is no competition preventing Microsoft from exercising control over Windows users in the vein of Apple.
For example, Microsoft making Windows a walled garden by only permitting programs to be installed from the Microsoft Store probably isn't far off. This already exists for Win10 and 11, it's called S-mode. There seem to be more and more laptops being sold with Windows S-mode as the default.
Now it's not the only option, and you can turn it off with some tinkering, but there is really nothing stopping Microsoft from making it the only way of using Windows. And customers will probably accept it, because again the main competition is Apple where the walled garden has been the default for decades.
Customers have already accepted all sorts of bad things from Microsoft, because again Windows is a near-monopoly, and Apple and Google are even worse. That’s why there has been no major negative reaction to how Windows has increasingly spies on its users.
Another thing is how the system requirements for Windows seem to grow almost exponentially with each edition, making still perfectly useable computers unable to run the new edition. And Windows 11 is the worst yet. Like it's hard to get the numbers of how many computers running Win10 can't upgrade to Win11, but it's probably the majority of them, at least 55% or maybe even 75%. This has the effect of Windows users abandoning still perfectly useable hardware and buying new computers, creating more e-waste.
For Windows users, the alternative Windows gives them is to buy a new computer or get another operating system, and inertia pushes them towards buying another computer to keep using Windows. This is good for Windows and the hardware manufacturers selling computers with Windows 11 pre-installed, they get to profit off people buying Windows 11 keys and new computers, while the end-users have to pay, as does the environment. It’s planned obsolescence.
And it doesn’t have to be like that. Linux distros prove that you can have a modern operating system that has far lower hardware requirements. Even the most resource taxing Linux distros, like for example Ubuntu running the Gnome desktop, have far more modest system requirements than modern Windows. And you can always install lightweight Linux Distros that often have very low system requirements. One I have used is Antix. The ballooning Windows system requirements comes across as pure bloat on Microsoft’s part.
Now neither Linux or Firefox are perfect. Free and open source software don’t have a lot of the polish that comes with the proprietary products of major corporations. And being in competition with technology monopolies does have its drawbacks. The lacking website compatibility with Firefox and game compatibility with Linux are two obvious examples.
Yet Firefox and Linux have the capacity to grow, to become better. Being open source helps. Even if Firefox falls, developers can create a fork of it. If a Linux distro is not to your taste, there is usually another one. Whereas Windows and Chrome will only get worse as they will continue to abuse their monopolistic powers over the tech market.
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Pedro boys fashion matrix
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• Masterlist •
This one took me ages to make, and it's probably one of my favourites I've made so far. Which is your favourite category?
Commentary below the cut:
Survival chic
Joel, Frankie, Ezra, Mario
These boys have it tough. Be it an apocalyptic world, somewhere in the Colombian jungle, or on another planet entirely. And yes, I had to add Mario.
Fun fact: all four survival boys wore gloves in the show/movie.
Office basic
Dave, Max P, Javier, Mr. Ben
I do love a shirt and pants ensemble sans suit jacket. I might be biased, but Mr. Ben might have stolen the show with his sexy specs.
Office chic
Whiskey, Javier, Max Lord, Marcus Pike
These are some sharply dressed boys. The tailoring on Whiskey's suit in particular is *chef's kiss*.
Military chic
Javier, Dave, Veracruz, Pero
Pedro boys look good in fatigues, huh? Although Pero does steal the show with his medieval armour.
Extra AF
Oberyn, Din, The Thief, Meemaw
These guys (and meemaw) need no introduction, am I right? Neither does meemaw, with her rip-off Anna Wintour bob and fancy frames.
Comfortcore
Javi G, Dieter, Joel, Charlie
These are the guys you know would be so soft to cuddle with. Except Joel, who's definitely all contractor™ muscle underneath that tshirt he keeps wearing inside out.
Leather mavens
Marcus Moreno, Dio, Zach, Oberyn
The people have spoken - they want Moreno in this matrix, and I’m not complaining! We know these boys look good in leather, but Oberyn’s head-to-toe leather fight look is something else (tragically it proved to be fashion over form).
Related posts:
Pedro boys hair matrix
Pedro boys facial hair matrix
How long will Pedro boys survive the apocalypse
Pedro boys chattiness matrix
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literary-illuminati · 4 months
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An Arbitrary Collection of Book Recommendations
(put together for a friend out of SFF I've read over the last couple of years)
Cli-Fi
Tusks of Extinction and/or The Mountain in the Sea by Ray Nayler. They’re pretty different books in a lot of ways – one is a novel about discovering a certain species of squid in the Pacific might have developed symbolic language and writing, the other a novella about a de-extinction initiative to restore mammoths to the Siberian taiga – but they share a pretty huge overlap in setting, tone and themes. Specifically, a deep and passionate preoccupation with animal conservation (and a rather despairing perspective on it), as well as a fascination with transhumanism and how technology can affect the nature of consciousness. Mountain is his first work, and far more substantial, but I’d call it a bit of a noble failure in achieving what it tries for. Tusks is much more limited and contained, but manages what it’s going for.
A Half-Built Garden by Ruthanna Emrys. In a post-post-apocalyptic world that’s just about figured out how to rebuild itself from the climate disasters of the 21st century (but that’s still very much a work in progress), aliens descend from the sky and make First Contact. They’re a symbiotic civilization, and they’re overjoyed at the chance to welcome a third species into their little interstellar community – and consider it a mission of mercy besides, since every other species they’ve ever encountered destroyed themselves and their planet before escaping it. Awkwardly, our heroine and her whole society are actually pretty invested in Earth and the restoration thereof – and worried that a) the alien’s rescue effort might not care about their opinions and b) that other interest groups on earth might be more willing to give the hyper-advanced space-dwelling aliens the answers they want to hear. Basically 100% sociological worldbuilding and political intrigue, so take that as you will.
Throwback Sci Fi
Elder Race by Adrian Tchaikovsky is possibly the only thing I’ve read published in decades to take the old cliche of ‘this generic-seeming fantasy world is actually the wreckage of a ruined space age civilization, and ‘magic’ and ‘monsters’ are the remnants of the technology’ and play it entirely straight. Specifically, it’s a two-POV novella, where half the story is told from the perspective of a runaway princess beseeching the ancient wizard who helped found her dynasty for help against a magical threat, and half is from the perspective form the last surviving member of a xeno-anthropology mission woken out of stasis by the consequences of the last time he broke the Prime Directive knocking on his ship tower door and asking for help. Generally just incredible fun.
Downbelow Station by C. J. Cherryh is, I think, the only thing on this list written before the turn of the millennium. It’s proper space opera, about a habitat orbiting an immensely valuable living world that’s the lynchpin of logistics for the functionally rogue Earth Fleet’s attempt to hold off or defeat rebelling and somewhat alien colonies further out. The plot is honestly hard to summarize, except that it captures the feel of being history better than very nearly any other spec fic I’ve ever read – a massive cast, none of them with a clear idea of what’s going on, clashing and contradictory agendas, random chance and communications delays playing key roles, lots of messy ending, not a single world-shaking heroes or satanic masterminds deforming the shape of things with their narrative gravity to be seen. Somewhat dated, but it all very impressively well done.
Pulpy Gay Urban Fantasy Period Piece Detective Stories Where Angels Play a Prominent Role
A Master of Djinn by P. Djèlí Clark stars Fatma el-Sha’arawi, the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities in Cairo, a couple of decades after magic returned to the world and entirely derailed the course of Victorian imperialism. There’s djinn and angels and crocodile gods, and also an impossible murder that needs solving! The mystery isn’t exactly intellectually taxing, but this is a very fun tropey whodunnit whose finale involves a giant robot.
Even Though I Knew The End by C. L. Polk is significantly more restrained and grounded in its urban fantasy. It’s early 20th century Chicago, and a PI is doing one last job to top off the nest egg she’s leaving her girlfriend before the debt on her deal with the devil comes due. By what may or may not be coincidence, she stumbles across a particularly gruesome crime scene – and is offered a deal to earn back her soul by solving the mystery behind it. Very noir detective, with a setting that just oozes care and research and a satisfyingly tight plot.
High Concept Stuff That Loves Playing around With Format and the Idea of Narratives
Radiance by Catherynne M. Valente is a story about a famous documentarian vanishing on shoot amid mysterious and suspicious circumstances, as told by the recovered scraps of the footage she was filming, and different drafts of her (famous director) father’s attempt to dramatize the events as a memorial to her. It’s set in a solar system where every planet is habitable and most were colonized in the 19th century, and culturally humanity coasts on in an eternal Belle Epoque and (more importantly) Golden Age of Hollywood. Something like half the book is written as scripts and transcripts. This description should by now either have sold you or put you off entirely.
The Spear Cuts Through Water by Simon Jimenez is the only classic-style epic fantasy on this list, I believe? The emperor and his three demigod sons hold subjugated in terror, but things are changing. The emperor, terrified of death, has ordered a great fleet assembled to carry him across the sea in pursuit of immortality. The day before he sets out on his grand pilgrimage to the coast, a guilt-ridden guard helps the goddess of the moon escape her binding beneath the palace. From there, things spiral rapidly out of anyone’s control. The story’s told through two or three (depending( different layers of narrative framing devices, and has immense amounts of fun playing with perspective and format and ideas about storytelling and legacy.
I Couldn’t Think of Any Categories That Included More Than One of These
All The Names They Used For God by Anjali Sachdeva is a collection of short stories, and probably the most literary thing on this list? The stories range wildly across setting and genre, but are each more or less about the intrusion of the numinous or transcendent or divine into a world that cracks and breaks trying to contain it. It is very easily the most artistically coherent short story collection I’ve ever read, which I found pretty fascinating to read – but honestly I’m mostly just including this on the strength of Killer of Kings, a story about an angel sent down to be John Milton’s muse as he writes Paradise Lost which is probably one of the best things I read last year period.
Last Exit by Max Gladstone – the Three Parts Dead and How You Lose the Time War guy – could be described as a deconstruction of ‘a bunch of teenagers/college kids discover magic and quest to save the world!’ stories, but honestly I’d say that obscures more than it reveals. Still, the story is set with that having happened a decade in the past, and the kids in question have thoroughly fucked up. Zelda, the protagonist, is kept from suicide by survivor’s guilt as much as anything, and now travels across America working poverty jobs and sleeping in her car as she hunts the monsters leaking in through the edges of a country rotting at the seams. Then there’s a monster growing in the cracks of the liberty bell, an in putting it down she gets a vision of someone she thought was dead is just trapped – or maybe changed. So it’s time to get the gang together again and save the world! This one’s hard to rec without spoiling a lot, but the prose and characterization are all just sublime. Oddly in conversation with the whole Delta Green cosmic horror monster hunting subgenre for a story with nothing to do with Lovecraft.
Some Desperate Glory by Emily Tesh is a story about aliens destroying the earth, and growing up in the pseudo-fascist asteroid survivalist compound of the last bits of the human military that never surrendered. It stars a heroine whose genuinely indoctrinated for the first chunk of the book and just deeply endearing terrible and awful to interact with, and also has a plot that’s effectively impossible to describe without spoiling the big twist at the end of the first act. Possibly the only book I read last year which I actively wish was longer – which is both compliment and genuine complaint, for the record, the ending’s a bit messy. Still, genuinely meaty Big Ideas space opera with very well-done characterization and a plot that does hold together. 
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butterflydm · 2 months
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more WoT s3 spec - what we know vs what we're guessing at
I've been poking at what we know about s3 vs what we can reasonably guess, so I wanted to break that down a bit.
So there are a few things we know just about the structure of how the show has worked so far: we know they shoot in blocks of two episodes each and that each of those blocks is going to have the same director for both episodes. Because of this info, we can make some guesses at where specific episodes may land. We also have some casting info (wotseries.com being a great resource here).
They tend to have a major reveal in the fourth episode - Nynaeve being incredibly powerful in the One Power in 1x04; Selene being Lanfear in 2x04.
What we know for certain:
Rhuidean & the Waste will appear (Rand & Egwene's storyline).
Tanchico will appear (Nynaeve & Elayne's storyline).
The Two Rivers will appear (Perrin's storyline).
Rand and Perrin will each get focus episodes akin to Nynaeve having "What Might Be" and Egwene having "Eyes Without Pity" in s2.
We have four episode titles: "To Race The Shadow"; "A Glimpse of Crimson"; "Goldeneyes"; and "He Who Comes With The Dawn".
Sea Folk are confirmed for S3.
Potential leaks include:
Mat, Min, and Thom all being part of Nynaeve & Elayne's storyline in Tanchico. Big change for Mat & Min, but matches canon for Thom. And since show-onlys have only seen Thom with Mat and Rand, it would make sense to use Mat to re-introduce us to him.
Reports of the actresses reported to be playing Morgase and Elaida seen at a castle which is almost certainly in Caemlyn (Andoran banners spotted), most likely for the first or second episode due to the timing.
An actress playing Maigran (one of the Aiel from the Rhuidean glass columns sequence) is listed under the director who is being used for eps 3 and 4.
An actress has been cast to play an older version of Latra and I really like @wheeloftimeofficial's idea that we'll see her as the ancient Aes Sedai who establishes Rhuidean in the glass column memories, especially since the younger actress also has s3 listed on her CV.
We have (unofficially) confirmed castings for Faile & Galad.
Hints we've gotten from interviews & bts info:
In an interview filmed before the actors' strike, Daniel mentions Lan having some really good relationship scenes with Nynaeve, so we know that there's interaction between those characters before their plotlines separate, implying that we will not begin with everyone already all off on their separate journeys, like they were in 2x01.
Also from Daniel, it's implied that there are training scenes between Lan and Rand (could happen at any point, since Lan is likely to be in Rand's storyline the entire season).
From what Josha has said, the show will be pivoting to a more familial relationship between Egwene and Rand next season (which matches the book timing).
Rafe made a point of mentioning that Elayne healing Rand was to flag to the audience that this was a relationship to pay attention to (which implies we'll get at least some movement on that relationship in s3).
Josha also says that there is "way more togetherness" for Two Rivers' characters in s3 than in s2.
In an unrelated interview on screenrant, Rima Te Waita (Sheriam) mentioned that she will not be in s3 but, if s4 is greenlit, she will be in s4.
Josha and Ayoola posted some cute instas of each other after finishing up the South Africa shooting stint near Cape Town, which might be a hint towards our potential AviRand interactions (could also just be the actors being cute!).
Guesses based on book & show knowledge:
It seems likely to me that Gawyn & Galad will be introduced in the same episode as Morgase and Elaida, which I am tentatively going to guess will be episode 2.
I think that Verin, Alanna & their Warders are going to be getting out of Cairhien as quickly as possible. And that they are pretty conveniently set up to head to their TSR storyline.
I am pretty torn about when the coup will happen! I feel like it happening this season feels pretty much a lock because there really isn't any more "White Tower storyline" until the coup happens, and they do already have the set made. But it could either happen pretty early on or fairly late in the season. Maybe episode five? That lets us meet Elaida in episode 2, gives her and possibly Gawyn & Galad time to get to the White Tower, maybe we get some scenes of her politicking in the WT in episode 4, with the trigger being pulled in episode 5 or 6. But another possibility is that the coup happens right away, while all those Sisters are still in Cairhien and we see Liandrin take the lead on something like stilling Siuan and Leane, which would put the White Tower in chaos before Elaida even arrives. There are at least two Black Ajah Sisters in Cairhien, after all, and Liandrin likes to act extra-judicially, and she might want to try to make sure that Siuan is taken care of before anyone has a chance to out her (Liandrin) as Black Ajah. But there is also a chance that it might happen in the finale, so that we can parallel Moiraine & Siuan's 'downfalls'. So really this one is a wildcard for me. It isn't really directly tied to any other specific events in TSR, so it can happen whenever.
We will get the glass columns in episode 3 or 4. In the books, it happened as soon as Rand landed in the Waste, basically, but the show could potentially do Cold Rocks Hold first, depending on how Rand is getting to the Waste. I used to lean towards it happening in ep3, but after learning the leak about Mat being in Tanchico, it made me wonder about ep4, maybe, as that could potentially lead to Mat going through the doorways (just speculation with zero leaks or spoilers to back it up but I like it a lot lol) from Tanchico to Rhuidean either at the end of ep4 or the start of ep5, leaving Nynaeve & Elayne's storyline and going to Rand & Egwene's.
I do keep thinking about Josha saying that the Two Rivers' kids would have "way more togetherness" than in s3, which seems difficult if they all separate by or after ep2 and then don't reunite the entire season. I guess technically it would be true because they don't reunite in s2 until the final moments of 2x08 but feels somewhat underwhelming to mention, lol.
I do still suspect that we're getting Lanfear & Moiraine with the doorway at the end of the season.
So, a tentative outline. Now we leave behind the more solid leaks and knowledge and enter into the wild speculations. Please check out @markantonys' recent post too, she's got some fun speculations!
3x01: To Race the Shadow
"Way more togetherness" between the Two Rivers group than in s2, so says Josha. This is also where we have to be getting the Lan & Nynaeve romantic scenes that Daniel keeps hyping up, lol.
Moiraine and Rand are going to be arguing about his next plans.
Something will happen that makes them realize that Something Is Up in Tanchico -- this might be a first Dream from Egwene that leads them in the direction of the museum? Which also leads to her talking to Amys, which is why she decides to go with Rand instead of going with Nynaeve & Elayne. The big question for me is if they are going to Tanchico because of Liandrin or if they go for other reasons and then run into Liandrin also being there to get the same thing that they're getting.
Now Mat may go into a doorway here as speculated by @markantonys (the room of curiosities) but for this specific outline, I'm going to say that he doesn't, and instead he chooses to go with Elayne & Nynaeve because he's running away from Rand (after the Stabbening). This pulls in something that Mat tries to do a lot in the books but gives him a new motivation that fits his show character.
I think Lanfear is going to warn Rand about the rest of the Forsaken being free but potentially also send Liandrin to Tanchico to try to get the, uh, plot token for her potential use in the future (a girl needs a back-up plan).
Lanfear talking to Rand might be another thing that Rand and Moiraine argue about.
Rand and Egwene are going to have their official 'break-up' and then we'll see their more platonic relationship develop over the course of the season. I also feel like we have to have at least a scene or two with Rand and Elayne to establish them feeling Some Kind of Way about each other, to build on that moment from 2x08.
3x02: A Glimpse of Crimson
Good episode title for a Red Ajah & Andor episode!
I'm going to guess that Rand & co are going to be stopping in Caemlyn (my feelings are similar to @markantonys about us potentially getting a garden introduction between Egwene & Gawyn here, and then having Rand & Egwene meet Elaida & Morgase (and Galad?). Elaida will have her Foretelling about Rand and freak herself out.
Our group hears the rumors about the Two Rivers, and Perrin decides to go investigate. The question is how is Rand going to get to the Waste from Caemlyn? I don't feel like they would introduce Portal Stones as a one-off if they haven't done it before, so I think there's a chance that Loial might go with Rand instead of Perrin, as Perrin doesn't need to go through the Ways to get to the Two Rivers (of course, then they would need to change how the battle resolves in 3x07).
(alternatively: there's always the Lanfear express, I guess, lol)
This could also be when Elayne, Nynaeve, & Mat arrive in Tanchico, and their introduction to the city is our B plot. I don't think they would throw all the plots at them at once and I feel like just introducing Thom first would be a good start for the first episodes in Tanchico.
3x03: Unknown
Rand & co arrive in the Waste, but I'm going to send them to Cold Rocks Hold for now, instead of straight to Rhuidean. This gives Rand and Aviendha time to bond, Rand and Moiraine time to fight, Rand and Lan time to train together, and gives the audience a chance to get to know the Aiel culture in a bit more of a relaxed setting. Then we get an attack by Shadowspawn and Rand gets the reminder that the other Forsaken have been let free and don't share Ishamael and Lanfear's feelings about him.
Another plot will be in Tanchico, involving Nynaeve, Elayne, and Mat investigating, running into Min and/or Egeanin or Tuon taking Egeanin's role. This may be where we get our early encounters with Moghedien (she Compels one or more of our characters to spill the beans to her about their plans) and potentially where she reveals herself to Liandrin & co as one of the Chosen and takes control of their group after playing servant for part of the episode.
We also have Perrin & co arriving in the Two Rivers and getting the lay of the land. This could be a fairly emotional episode for Perrin, due to memories of Laila's death. Maybe when Perrin says goodbye to Laila (putting his ring on her grave/memorial?) and potentially our first sighting of Faile.
3x04: Unknown
Rand goes to Rhuidean and into the glass columns. This is the main plot of the episode and Rand's focus episode of the season.
We get the history of the Aiel here, and learn about Rand's ancestors.
Subplot: Aviendha is told that she is destined to be a Wise One (maybe she accidentally channeled during the fight at Cold Rocks Hold?) and deals with idea that she has to leave behind being a Maiden.
Our Tanchico B-plot leads to Mat entering through the twisted doorway in the museum, For Reasons, and getting his prophecies. Maybe this same plotline leads to Elayne and Nynaeve finding dream ter'angreal, and to Tuon/Egeanin realizing that Elayne and Nynaeve are channelers, and potentially learns that all sul'dam are, and then leaves our main plotline at this time.
3x05: Unknown
When Rand leaves the glass columns, he finds Mat hanging on the tree outside, and saves his life (we've gotten a few different pieces of foreshadowing about Mat being hanged, so I feel like it will happen at some point). Mat says he was just in Tanchico.
We catch up with Perrin in the Two Rivers, with him learning to move past his grief as he gets to know Faile.
Because we've already done Cold Rocks Hold, this means that Rand & co can go straight to Alcair Dal at this point.
Aviendha and Rand bond over their lives being dictated by being able to use the One Power and not having any choices about their future.
On the way to Alcair Dal, we meet the traders, who are hiding Lanfear and Asmodean in their ranks, and Lanfear sees that Rand is getting closer to Aviendha and Does Not Approve.
Nynaeve and Elayne worry about where Mat has disappeared to and experiment with the dream ter'angreal that they recently discovered in the museum (might only be one: the twisted stone ring, so that channeling isn't needed for it), and run into Birgitte in the dream. She gives them a warning but they realize that this is the same place that Egwene was talking about in 3x01 and are excited that they might be able to communicate with her.
3x06: Unknown
Another journey into TAR for Nynaeve (maybe a successful contact with Egwene?), and she encounters Birgitte again, but Moghedien too, and this leads to Birgitte getting ripped out of TAR and bonded by Elayne to save her life.
Moiraine tells Rand that he needs to go to Tear, to fulfill more of the prophecies, but Rand is resistant.
The Two Rivers ramps up for the battle.
This would also be a good spot for the coup, imo.
3x07: Goldeneyes
The Battle of the Two Rivers. Potentially Perrin's focus episode as well, as he comes into his own as a leader. I think that it would be good to push any confirmed Perrin/Faile romance forward into the future, so they will still just have some vibes for now.
We get some pieces moving into place for the other storylines: Rand arrives at Alcair Dal; Nynaeve and Elayne make plans to return to the museum.
3x08: He Who Comes With The Dawn
Desperate to get through to Rand and worrying that he is focusing on the Aiel instead of being the Dragon Reborn, Moiraine went back to Rhuidean to try to use the doorway, as when Mat talked about his experiences there, she recognized what he was talking about and wants answers of her own.
Rand announces himself at Alcair Dal, drawing the attention of Lanfear, who makes her pitch to him that We Could Rule Together, worrying that she's losing her hold over him after seeing him getting closer to Aviendha. She tells him about Asmodean and about him potentially teaching Rand so that he can reach his potential.
Inside the doorway, Moiraine gets answers that she doesn't like about Rand and Lanfear (sort of merging her going into the doorway in Tear with her going into the silver rings).
On the Tanchico side of things, we have our big Tanchico encounter between Nynaeve and Moghedien, which results in Nynaeve breaking her block. Nynaeve and Elayne escape Tanchico on a Sea Folk ship, heading towards Tear, potentially bringing Min & Thom along with them.
After talking with Lanfear, Rand is let out of his 'bubble' at Alcair Dal as Couladin declares that HE is the Car'a'carn and he will prove it by leading the Aiel to conquer the wetlands (setting up s4 to be a combo of TFoH/LoC, with a hint of TDR with the destination being Tear instead of Cairhien). Rand realizes that the fake dragons on Couladin's arms were put there by Asmodean and goes after him -- Asmodean Skims back to Rhuidean and he and Rand battle, and Lanfear arrives, puts the block on Asmodean and offers him up as a teacher to Rand. Moiraine takes advantage of Lanfear's focus on Rand to yeet both of them into the doorway while channeling, based on the knowledge that she learned inside, melting the doorway. We see in the Tanchico storyline that the other doorway melts at the same time, leaving them no exit.
And I agree with @markantonys that possibly the most effective stinger would be the reveal that Tuon is the DotNM, but if there is no Tuon in this season, we could have it be a Forsaken (Sammael) setting up shop in Tear, to set the scene for the upcoming season.
It is a lot more cliffhanger-y than our previous season finales and I'm sure that my thoughts on it will change as we get closer and learn more spoilers, but that is my wild speculation for this specific week!
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fras-redacted-shapes · 6 months
Text
Time is weird within the Oldest House
Spoilers for Alan Wake 2 and slight speculation for Control 2
Alright so. According to Estevez, HQ went dark and while she gives no hint as for how long it's been like that, it's safe to assume it's been four years due to how consistent the each Remedy game has been about the years they take place on.
Besides that, nothing is ever hinted at what's going on with the FBC's headquarters.
We know now time loops and spirals inside the Dark Place and that changes done there can bleed into reality (Jesse being told by a psychiatrist Zane is a filmmaker and not a poet, as she remembered him).
From the AWE DLC we know Jesse briefly witnessed Alan meeting Zane ("The Meeting" from now on), which came full circle in AW2.
From this event it's not unreasonable to assume two things:
1. The Meeting happened back in 2019.
The AWE DLC takes place before the ending of Control's and Foundation's story. This can be seen in the reports Emily writes about the new hiss enemies introduced in each dlc.
For the one introduced in AWE her title is still Research Specialist.
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For the one in Foundation, her title is Head of Research. (also she got her Doctorate, you go girl!)
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If this is holds up, Alan's timeline in AW2 has been bouncing back and forth way back from 2023.
Or, if you want a headache, even farther back given his role in Tom the Poet which came out before Zane disappeared. This is the poster in the Suomi Hall in Watery.
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There's no hint yet if this change/addition of Alan writing a novel that inspired the film has made it past Watery and Bright Falls into the real world or was cleared at the end of the game.
This would also mean Ahti has been on vacations for four years.
2. The Meeting happened in 2023.
At the end of AWE dlc Langston says they're receiving an AWE alert from Cauldron Lake that is set a few years into the future. But is it?
What if it's actually the present, my dear beautiful Langston?
This would be consistent with the lack of any visual indication of the passage of time during the main story. There's none. And then, the Foundation DLC ends, and we see Dylan has grown hair and a beard.
Cute. But you know, Remedy has weaponized easter eggs. So no, I don't think Mr. comatose baldy growing a beard is a cute little detail they spent resources on.
We know by the time The Meeting takes place, Alan has not gotten out of the Dark Place yet, hence the alarm has not been activated (it goes off in the FBC monitoring station as soon as Alan/Scratch is transported back to the shore where Saga meets him for the first time).
If this holds up, then the timeline is more or less like this:
Ahti lets Jesse into the Oldest House in October 29th, 2019.
While Jesse is dealing with the Hiss, Alan unlocks Investigation Sector in the elevator.
Alan Meets Zane .
Jesse gets a glimpse of The Meeting.
Ahti gives Jesse his cassette players, goes on vacation.
Alan/Scratch gets out of the Dark Place (September 13th, 2023).
The AWE alarm sounds - and the signal made it into the Oldest House (September 13th, 2023).
Jesse takes down the Projector and deals with the Nail.
Dylan has grown hair.
Between point 4 and 5 more time could've passed, otherwise those are some short vacations for Ahti, it sounds like he's been in Watery for a while.
Therefore, during Control's main story, time was halted or passed very, very slowly when compared to the world outside.
How come?
With Remedy integrating their own alternate version of Quantum Break they might as well start using some of its harder science fiction approach. Alan has already mentioned the Dark Place as Dark Matter in one of his rambling videos. And well, this seems to have been the plan all along. From the chalkboard in Quantum Break:
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There's been no text about black holes or matter density affecting space-time in any game as far as I remember. However, the imagery has been there with the Dark Presence vortex and certain images looking like event horizons.
So this is pure speculation:
The Oldest House is massive, it shifts, it expands and contracts. Could it be dense enough to affect space-time? could it do this on command?
It could be so dense that to those within its walls it'd seem like little to no time has passed, while outside at least four years have gone by.
The entire story is written in present tense in the missions menu, even after a mission has been completed (and the way the collectibles/mission menu was integrated as a world-building element with the Mind Place in Alan Wake 2, I don't think this was meant to be a cute weird little detail even back then).
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Something happened during or after the events in the Foundation dlc, something shifted and now time is passing more or less normally. Or at least it is showing its effects on people.
Alice was seemingly cleansed from the effects the Dark Place had over her memory as soon she was brought inside the Oldest House. It's not unreasonable to assume this effect expands to protecting those within (those that are not too far gone, like Hartman). So the Oldest House would deal with time in its own terms, while the Dark Presence could make retroactive changes to certain details in the reality outside of it, like Zane going from poet to filmmaker.
Dylan's hair growth would indicate a month or two have passed at the very least by the end of Foundation. And from the one Control 2 concept art that has been shown so far, there are orange leaves in the pavement.
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So Remedy could be planning to lift he lock-down during autumn. Autumn of what year? Heh, that's gonna be a fun one to find out.
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As a counterpoint one could point at the game cinematic shots of the Oldest House from outside, they're always set at night across the story. It's just a detail that could've easily be a result of resource constraints. Yeah, not that it implies the story could've happened within one night.
Like with the clocks! You can point out at time being weird inside the Oldest House because none of the clocks are working! Time is literally frozen teehee, static textures on 3D assets, except for uh
Darling's Office in Central Research? Is that-
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IS IT
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IT'S WORKING
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WHY DID YOU DO THIS REMEDY?
STOP-
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(WE GET IT REMEDY, YOU'VE BEEN PLANNING IT ALL ALONG AND WHEN EVERYTHING IS LAID OUT IN CANON WE'LL FEEL SILLY BECAUSE THE HINTS WHERE THERE, IN OUR FACES, ALL THIS TIME)
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Or you know, Control 2 will deal with the main cast enduring years of lock-down and the concept art is actually the end or middle of the game, and everyone exits the building on the year Control 2 releases.
Kind of lame in my opinion, but would make sense I guess.
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Of course, there's another possibility I don't feel like following through:
The Dark Presence succeeded in changing the entire world and only The Oldest House and those inside remained intact. I mean, Dylan's easter egg in Foundation has some images
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(that better not be a frozen ocean NO)
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(NO, do not tell me this is the Huotari Well omg)
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Hiss/Dark Presence became besties
And maybe, count Dylan's cut Hotline call. But that's cut content so strictly speaking, not canon (imagine it gets restored between Alan Wake 2 dlcs and the next Control game haha).
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There are some things that should be brought full circle about the AWE dlc.
Alan is already aware of the FBC thanks to Estevez and Alice.
The sound fx aspect of the Hiss chant is basically lifted from the Cult of the Tree chanting (or you know, if you want another headache, it could be the other way around). And there are hints of verses from the Hiss incantation said out loud here and there. So pre-existing elements to give shape to a dadaist poem attributed to a hostile extra-dimensional resonance complete!
Has he yet come across the information from the FBC, that Hartman became a Taken?
He also kind of knows about the general plot of Control given he wrote a screenplay for an episode of Night Springs that was never produced.
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It became clearer that Alan doesn't write whole new things or realities from scratch (shut up), that he writes from "visions" and vivid "nightmares" he's had. If that screenplay is a vision of the future of the events within the Oldest House, then that could be it.
However we haven't seen him become aware or gain knowledge of Polaris or Jesse herself beyond her extremely brief appearance during The Meeting.
This information has yet to make it outside the Oldest House (as far as we know) and only Dylan and Emily know about Polaris so far. Ahti too, maybe?
Sure, Alan could've somehow glimpsed something through the Oceanview Motel, he's got a door there anyways and he's gone through the Dark Place version of it (the Hotel), but this has not been made explicit like The Meeting.
Maybe The Lake House dlc will clear up that connection.
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I mean yeah, that'd be fitting.
Don't forget one of the cut pieces from Control was The Oldest House opening a passage to Ahti's cabin in Finland, so The Oldest House being able to making an opening to Cauldon Lake is in Remedy's toolbox.
(I also think it'd be fair to see more of Jesse since Alan got a whole new 3D model in Control's AWE)
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I'm missing a lot of things here I'm sure, I put this together more or less from things off the top of my head. I haven't gone through Control in a while so there are probably a more and clearer hints regarding time shenanigans within the Oldest House.
Also, AW2 timeline needs to be put on a wall to make sense of it. It'd look like a spiral, because of course.
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edit 16/04: pouring one out for the bullet theory, you were fun whilst you lasted babes x
okay ive remained sceptical about the 'something in the mouth' thoughts making the rounds but you know what, i love a batshit theory (exactly how batshit, remains to be seen - im fully prepared to eat my words) as much as anyone, so let's take a look.
first off, i truly just thought it might have been a wee bit of slobber. that's fair, right? saliva on aziraphale's tongue, catches the light, whatever. but it's the frame before that one that has me wondering how much weight the theory has:
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because in that first one, just as aziraphale's mouth opens, you can see that there is - what looks like - a dark, round object. it doesn't match the surrounding colour and texture of aziraphale's tongue, and then in the next few frames it catches the light in the same exact spot. the highlight is also curved, in such a way that, yeah, it definitely looks like a metallic object.
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i know im not breaking new ground when suggesting it contains memories. idk if the object itself is:
a bullet from the rifle in 1941 (although i do doubt it; the calibre it would take would be rather unwieldy to hold in your mouth like this? plus: copper plating - this looks to be steel)
a pistol round from the hitherto-unseen derringer (more likely than the above, and in terms of potential significance of s3 would fit rather nicely in with a 1941 spec of mine regardless: potential crowley discorporation but. it's purely hypothetical), or
a ball bearing (which seems like it would just be a bit anomalous in terms of what props we've seen so far, but who knows. and i feel like if any prop was going to be at most risk of being swallowed accidentally, it's this)
but my current favourite is the derringer round so far. which would indicate that if - big if - crowley were discorporated in 1941, he could potentially have the bullet on him that 'killed' him, so to speak, for the time that follows afterwards.
i'll come back to what memories would be contained within it in a sec, because first, there's the question of whether aziraphale accessed them. if this theory is true (im fully taking this all with a pinch of salt, idk how i actually feel about it yet), i think aziraphale probably accessed them right then and there, as soon as crowley kissed him.
as soon as crowley kisses him, aziraphale looked mighty confused - arguably because of the kiss itself (im predominantly in this camp for the moment), but also possibly because he's just been volleyed something in this wild-ass game of tonsil tennis - before he begins to relax into it. potentially, as he relaxed, that could be when the memories first begin to 'play'.
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and then we have the video below - sharpened and at 0.2x speed - that captures after the kiss breaks:
there's a moment, after his mouth presumably is handling around said object and sliding it under his tongue, that his expression clears, and - im sorry, but i'll die on this hill - instead takes on a look of betrayal. it's almost a realisation, a near instantaneous revelation. so let's say he does access the memories during the kiss, has been 'watching' them since the kiss first made contact/the object switched over... what would make aziraphale take on that expression, and react in betrayal and with an 'i forgive you'?
well, i have my thoughts, but let's go back again to the kiss itself. y'all remember this, right?
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it suddenly feels a liiiiittle more deliberate that a) aziraphale would reach for crowley's wings, and b) the camera would capture this particular angle. maybe it's not, but again - humour me a sec.
so in terms of what the memory is? that crowley would place inside said object, would make aziraphale reach for crowley's wings, and result in aziraphale's initial upset and then expression of betrayal? the damning "i forgive you", and crowley's responding look of dejection and resignation, followed by "don't bother"? the memory that crowley would see fit to impart in the context of aziraphale choosing to return to heaven - the memory that would fit the scenes that have come before the kiss?
im wondering if it was the fall.
aziraphale sees crowley's fall, responds in sympathy and sadness in the back touch, but then perhaps remembers now/knows now the potential part crowley had to play in it.
now, it could be crowley's own account of the fall that he watches, sure. but we haven't seen that as a possible mechanic in the show - being able to access someone else's memories. we've only seen gabriel accessing his own. but that doesn't preclude that it's possible. however, that would suggest that crowley himself now can't remember his fall etc, which would be weird and potentially open too many loopholes.
alternatively, as others have put forward and would be logical, crowley accessed the records whilst in heaven and found that aziraphale's memories were incomplete. that, for me, would be the more plausible, because im not convinced that aziraphale does remember the fall. he makes references to crowley having 'been an angel once', and that he remembers 'the angel you were', and frankly it's all a little loosy-goosey. it would make wider narrative sense, too, that aziraphale can't remember - heaven doesn't want dissent to become an institutional problem, after all; so what do you do? you wipe away the crucial information that would give the angels any ideas in rebelling just like the fallen did.
if crowley did in fact have something to do with the genesis of the rebellion in heaven, instigated it or played an active, crucial part in it... and aziraphale can't remember that... maybe that is where the 'i forgive you' originates. and why crowley would reply with 'dont bother'. he attempts to make aziraphale understand why he can't go back, and why aziraphale shouldn't go back either, but all aziraphale can now concentrate on is the part that crowley had to play in it... the part that, for good reason, crowley has kept from him all this time.
again, idk how i feel about all this, but i do have to eat humble pie on my initial reservations about the narrative value of the theory and admit that it's compelling. especially as it would have aziraphale return to heaven with full understanding as to what heaven did in cause of, leading up to, and in response to, the rebellion - knowledge that presumably the metatron does not know he has... dangerous for the metatron especially, when you consider that he may have had a bigger hand in it than aziraphale previously thought.
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ct99r2d2 · 4 months
Text
Omega... The Pilot, a study
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I keep thinking about this moment from the S3 trailer...and how much Tech (but also Hunter and Wrecker) have prepared Omega for this moment, (whatever it entails).
She has had a long journey of pilot training going back to Season 1 and I am SO excited to see it potentially pay off big in Season 3.
Recapping Omega's journey becoming a pilot so far....
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In S1E9 Bounty Lost, Omega does some Piloting trying to escape Cad Bane and Fennec Shand. She was obviously familiar with these flight pods since they were Kaminoan. And I am going to assume that the malfunctioning of the flight pod was because of the abandoned pod itself, and not Omega's doing.
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Then shortly after that in S1E10 Devil's Deal, while Omega is giving Hera a tour of the Marauder, she tells Hera that Tech won't let her train at flying the ship until she can recite ALL of the ship's specifications from memory.
Omega and Hera then have a nice exchange where Hera tells Omega that flying is only half about spec's but also about "a feeling". I love this so much because while of course she will get the finest education from Professor Tech and the other boys, having this additional not-by-the-book insight on what might make a good pilot is so great for Omega. (maybe we will see this come to fruition in season 3.....?!?!)
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Next in S1E13 War Mantle, Omega is tasked with Piloting the Marauder and stabilizing it close to the mountainside in order to rescue Tech Hunter Echo and Gregor. She only keeps the ship steady for a few moments before Tech comes in to take over, but she got some good practice in!
Presumably she is willing and able to do this because at this point she has been getting some beginner level of flying lessons with Tech. Which means she Also memorized ALL of the ships spec's. (if at this point she Hadn't been receiving flying lessons with Tech yet, then it was probably the emergency rescue of it all and Wrecker would of course be the most encouraging that she take the wheel)
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In the Season 2 opening episode Spoils of War, Tech and Omega with a very obvious Teacher/Student dynamic, suggesting they have been doing this for a significant amount of time and at Least since back in S1E10. Now Omega is studying and memorizing ALL of the ships in the Imperial FLEET. Which idk sounds like a Lot. (But also... I BET this will come in handy in Season 3 maybe?!?!)
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Later in the same episode, it appears that Omega Also gets regularly scheduled Quiz time with Hunter. (which is ADORABLE)
(and yes I translated the data pad bc hyperfixation is a helluva drug)
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Then All of that studying pays off immediately in the same episode when Tech Echo and Omega escape a cargo ship via a cargo container. Which was Omega's suggestion since she knew about the container's reentry thrusters from her studies.
And Tech is even Impressed!
There is a long stretch in Season 2 before there is any more Omega doing Pilot things. But Wow is it worth the Wait!
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In S2E14 Tipping Point, FINALLY a Flying Lessons scene with Tech and Omega 🥹 and it's not even the first lesson! Based on their conversation it is apparent they have had Several lessons.
This is a HUGE payoff all the way back to S1E10 when Tech wanted Omega to memorize the Ships specs before training to fly.
From what we see in this Flying Lesson, Omega definitely knows her way around the ships maneuverability and limits, but she still needs practice with Landing. Tech gives her some constructive feedback and they seem to have a good rhythm with training.
Aaaand Now for some crack pot Season 3 Trailer speculation/theorizing...
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I think this is definitely Omega at this crash site....especially considering the other shot we get of her in a Pilot seat.
I also think all of the subsequent shots in the trailer of that same shuttle type is also Omega piloting the ship while escaping from Tantis. If this is correct, it's clear that the shuttle is hit mid-escape and that is probably what causes it to eventually have to be crash landed.
And then those last two shots on the bottom right...it's a long shot but I think the shuttle shooting at the Troopers could be Omega (but maybe not) and the Doggo attacking the trooper was for SURE at the crash site with Omega and is probably protecting her here, or just going wild at the trooper. either way I support this doggo friend.
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try-set-me-on-fire · 5 months
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It’s only 11:22 pm on Thursday for me but (west coaster who likes to sleep in voice) I never get to kick start the tag train. It’s Fuck It Friday! Here’s the first draft of the opening scene of the cruise ship spec fic I’ve been outlining…
Buck is always surprised at how heavy water is. The way it pulls at his limbs, tears at his clothes, wants to hold him down deep inside of itself — it sneaks up on him. He should have been ready for it, this time. They’ve been out on the ocean for hours, wet salt soaking into him as they worked, frantic, time limit impossible to forget as the wave got closer and closer to the upper decks. The burn of it, too. As he spins, directionless, in the dark, he thinks it’s unfair that he’s going to die with his lungs on fire so far away from any flame. For years, now, he’d thought he’d die in a house. Not his own, probably, but at least it would be someone’s home. He’d get eaten right along with it, inferno chewing through his bones and family heirlooms alike. He thinks he would feel less alone, that way, than he does now. His head gets fuzzy, his limbs unresponsive, time stretches and shrinks. He doesn’t think much of anything at all.
And then he wakes up.
It’s painful, the big ragged gasps he’s taking, and he can hardly see or hear or feel anything around him, except- there’s a hand, on his face, someone is speaking-
“-id, come on kid, breathe for me, that’s it-“
The hand at his face rubs at his sternum, now, easing the hacking coughs shaking right through him. “B-Bobby…”
“Right here, I’m right here, Buck.”
He is, leaned down over him in the dim light of- wherever the fuck they are. Buck can’t even be reasonably sure the light is dim, he might just not be fully processing the world at the moment. It’s- Bobby’s here, looking at him all overjoyed and worried at once, and- Bobby’s here, and Bobby was hurt, Bobby is still bleeding, crimson leaking down his chest, staining his clothes and Buck’s, now, too. “Y-y-you were supposed to go- I told you to leave.”
Buck’s brain is definitely still off kilter, because Bobby laughs, grinning down at him. “Well,” he says, and it sounds sort of echoey, light fading even more. “I never have been a very good listener.” He thinks Bobby might be holding his face again- he thinks Bobby is holding him, and- if he’s dying again he thinks this might be better than a house. As the light leaves completely he can just barely make out the warmth of Bobby pulling him closer, and faint words, rumbling like they’re muffled against his skull, “I’ve got you, kid.”
Tagging @lover-of-mine @rewritetheending @daffi-990 @malewifediaz @jeeyuns @eddiebabygirldiaz @shitouttabuck @alliaskisthepossibilityoflove @thewolvesof1998 @bigfootsmom
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lostsometime · 1 year
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Netflix kept recommending me “Lockwood and Co.,” so I finally gave it a shot, and then had to look up when the books it’s based on we’re written, because holy SHIT is this ever a post-pandemic show. I’m interested now in reading them - published in 2013 - to see if this is specific to the show or if that vibe is there to begin with. The whole thing is so very on-the-nose as far as “fantasy as social commentary” I HAVE to think it’s deliberate. the show is set approximately 50 years after ghosts started coming back and killing people, which people refer to simply as “the Problem,” and the kids at the center of the plot have never known a world without it. But they use the opening credits very cleverly to give a series of worldbuilding snapshots of “how we got here.” You see early headlines about The Problem, and then shots of a rapidly rising death toll. Headlines about the devastating effect it has on the economy, then more death statistics. A headline talking about what you can do to try to keep yourself safe (iron, salt, silver) and headlines about how a strict curfew has been implemented, and still the death toll rises. it’s very well done. the ghosts kill with a touch, but they can also leave victims “ghost-locked,” a not-very-well-explained condition that seems to be like locked-in syndrome, but haunted. It has long-Covid vibes. It’s from a YA-level series, so of course the main heroes are kids, but the in-universe explanation is that kids are the only ones who are ghost-sensitive enough to fight them. There are shots of memorials to “the youth who gave their lives” but everyone keeps going about their business with the understanding that more kids are going to keep dying and that’s just how it is now, calling to mind monuments to “essential workers.” Ghost-fighting is a critical component of the economy, now- but of course, the kids dying on the front lines aren’t the ones who get rich. We see a guy who made his fortune on iron, because it’s one of the only things that repels ghosts, and one character comments “isn’t it a little grim, that someone made this much money off The Problem?” Another notes that “you’d think there would be fewer parties,” what with the plague of ghosts, but no, apparently the wealthy keep on throwing lavish events, tucked safely behind iron and silvered glass. It calls up “masque of the red death” as much as it does the infamous Covid-lockdown parties held at Downing Street. speculative fiction as a mirror for society’s anxieties is one of my favorite things to look into, and I think this is might be right up there with the “invasion of the bodysnatchers as metaphor for communism” and “cyberpunk as metaphor for consumerism” in the annals of spec fic with subtext so heavy it’s basically just text.
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Watched Dead Boy Detectives recently and read some of the comics, putting some thoughts here to get them into words. Minor speculation for the future if we get a second season (which'll be under a cut)
In the comics the boys are younger, somewhere around 12 or 13 I think and their deaths are a little different. The first major plot is actually focused entirely on the school, I like the shift from that and the way they took the cases in the show a lot actually. Although having them meet Crystal in boarding school would've been funny.
I think aging them up was actually the better option, especially if we want more than one season. Actually having them be as young as they were in the comics would've made it so they had to recast every few seasons since dead boys don't exactly age. I think it also allowed for a wider audience, having two main characters as 13 year olds would've been a little young for a lot of viewers to take the show seriously and to tie in with the Sandman show.
I'm really interested to see where they go from here, if they've decided not to use the school at all and how they handle Crystal and her parents. In the show so far we've only really seen the one glimpse of them but they have a bit more depth (like a tiny bit) in the comics and I do wonder if we'll see anything like that or if they'll be just as absent if we get a season 2. A few of the separate big bads they deal with in the comics come from the school, I'm leaning towards that being mostly left behind because of what we saw with Simon, in the comics he was definitely not someone who was ever going to be redeemed or make peace.
I'm putting the rest under a read more for season 2 spec that some people might not want to see (primarily a bit about Niko and where she might be)
So, my first thought is the Neitherlands. Idk how much it shows up in Sandman comics because I haven't gotten to those and is pretty big plot wise in the 2014 DBD run.
The Neitherlands is where a few different characters are trapped, namely 2 friends of Crystals, Hana and Rosa. In the original comics Rosa is taken as a child while with Crystal on a rollercoaster and Hana is sacrificed so her body can be stolen by a demon. Neither of them are exactly what happens to Niko but we don't really know what that charm did and I'm willing to entertain the idea because of it's connection to Tragic Mike.
Now, the thing that made me think of this at all is the most striking feature of the Neitherlands, snow made of bone. In the comics it appears without color, but the main defining feature from the beginning is snow made of bone. I could be entirely off base, but in the comics they are able to rescue and return people from the Neitherlands.
The question about that, is that in the comics the bodies are still alive. Rosa in a coma and Hana possessed by a demon. If Niko is in the Neitherlands while her body has died what does that mean for her return?
(other slight connection between the Neitherlands is that slightly more walrussy Tragic Mike has a direct path in his shop that allows him to go to the Neitherlands. Direct path as in like, him drowning for a while I think, but it works for him. And he did give Niko the lucky charm)
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ghosthunterbuck · 1 year
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a fraction of everything
(buddie) (1.2k words) (6x14 spec) literally forgot that i wrote this like 3 weeks ago so uh enjoy some brief eddie dating spec that does not jive with the current bts
“What’s wrong?” the man sitting across from him asks, not unkindly. 
“Nothing,” Eddie replies automatically. Everything. 
The man smiles and shakes his head. “Not nothing,” he says gently. 
Eddie sighs. “It’s not you.” He flinches internally. 
His dinner companion laughs, throwing his head back and exposing the long column of his neck. In another life, Eddie might think he was beautiful. He might fall in love with him the same way–
“I know it’s not me,” the man says, and fuck, Eddie can’t even remember his name. “So who is it?”
The love of my life, I’m pretty sure. 
“My best friend,” Eddie blurts, surprising himself far more than the man in front of him. 
He hums an acknowledgement. “Been there,” he says knowingly. Cody! That’s his name, Cody. 
“No, I mean… my best friend he– he died about a month ago,” Eddie says quietly. 
Cody’s eyes widen in horror. 
“No, no!” Eddie scrambles to correct. “I mean yes, he died, but he got better.”
“He… got better?” Cody asks weakly. 
Eddie scrubs his hand across his face. “He’s in my will. Father to my son if I’m the one who kicks it.”
Cody blinks several times, digesting. “So you’re, what, looking for another parent?” he ventures. “Accounting’s a pretty safe career,” he jokes. 
“No,” Eddie says. “See that’s the thing. I should be, right? Because I nearly died too, and he risked everything to save me, and it turns out I’d do the same for him so I’ve got to have another plan, right?”
“I’m not sure dating is the most expedient way to get that done.”
“I know,” Eddie says with a wave of his hand. “That’s not– I don’t know why I’m telling you all of this, I’m sorry.”
Cody gives him a half smile that should probably set off butterflies in his stomach, but instead just makes him miss another smile, one that’s a little more familiar. “Listen, you buy dinner and we’ll call it even.”
Eddie appreciates the out. “Thanks,” he says genuinely. 
“So if you’re not looking for another parent,” Cody asks, “what are you looking for?”
“I just want to feel–”
“A fraction of what you feel for him?” Cody interrupts. 
Exactly. 
“No, no I– that’s different. He’s different,” Eddie protests, not even convincing himself. 
“I’ll say,” Cody says with a shrug, leaning back in his chair to scrutinize Eddie. “You’re not being fair,” he observes. 
“I know,” Eddie says, “I’m sorry.”
“Not to me,” Cody replies with a shake of his head. “To yourself. Or to that best friend of yours. Where is he right now?”
“Watching our– my kid,” Eddie says with a wince. 
Cody grimaces. “Let me ask you something, Eddie. When he died, how did that feel?”
“I don’t know how to answer that,” Eddie says. 
“No,” Cody muses, “I guess you wouldn’t. Let me ask you something else, then. If your best friend wanted to know how you felt, would he have to ask?”
Eddie is silent for a long moment. “No,” he says finally. “He already knows.”
“Listen Eddie, you’re great. So we’re going to skip dessert,” he says, putting his fork down. 
Eddie’s mouth falls open and he quickly snaps it shut. “I don’t think…”
“We’re going to skip dessert,” Cody repeats meaningfully, “and then you’re going to go home and tell your soulmate exactly how you feel about him.”
Eddie chokes on his own spit. “I never said–” he splutters. 
Cody waves him off. “You didn’t have to. It’s written all over your face. That thing you felt? I’ve felt it too. Only my best friend didn’t get better. So you’re going to go home and stop being too chickenshit to live a life that makes you happy, okay?”
“I think my therapist would like you,” Eddie says faintly. 
Cody laughs. “Good, you can tell him all about me in your next session.”
“I, uh, I probably will.”
“Now pay our tab and go,” Cody says. “And do me a favor.”
“Um, sure,” Eddie says. 
“Text me some time, let me know how it goes.” Cody smiles, wistful and a little sad. “I love a happy ending.”
When Eddie gets home, he finds Buck sitting at the kitchen table, brow creased in concentration as he stares at the crossword in front of him, too engrossed to have even noticed Eddie walk in. 
“Hey,” he says softly. 
Buck jumps and swears. “Warn a guy!” he exclaims. “You want me to have another heart attack?”
Eddie fixes him with an unimpressed look. 
Buck sticks his tongue out. 
Eddie snorts. “Real mature, Buck,” he says, sitting down at the table next to him and hooking their ankles together. 
“How was the date?” Buck asks, “You’re home kind of early.”
Eddie smiles. “It was good, really good,” he says, surprised to discover he really means it. 
“Ah,” Buck says, voice almost imperceptibly strained. “So I take it there’s going to be a second?”
“Nope,” Eddie says, popping the ‘p’. 
Confusion paints itself across Buck’s face. “Then what was so good about it?”
“He helped me realize a few things,” Eddie says softly. 
Buck’s gaze snaps to him. “He?” 
Eddie bites his lip, then nods. 
“And you… realized something?” Buck asks tentatively. 
Eddie hums. “I realized he isn’t what I’m looking for,” he says. 
“Oh,” Buck says quietly, looking away. 
“He’s not what I’m looking for because… I already found that,” Eddie says in a rush. 
“With… with one of the other dates?” Buck ventures. 
Eddie shakes his head and huffs out a soft laugh. “No you idiot,” he says. “With you.”
For a moment, the sound of a pin dropping would be as loud as a sonic boom. 
“Me?” Buck whispers, looking up at Eddie with shining eyes. 
“When I–” Eddie swallows harshly and takes a deep breath. “When I got shot, I thought I understood what you went through. Between the ladder truck and– Shannon, I thought… but I was wrong, Buck, I was so wrong. I’m sorry. But when you–” 
“When I died?” Buck prompts gently when Eddie doesn’t continue. 
“Yeah,” Eddie breathes. “It was different. It was so much worse. I was– I’ve never felt like that in my life, and I never want to feel that way again. And you know me,” Eddie says softly. 
“I do,” Buck confirms. 
“I pushed it down, and anything that reminded me of it. And as it turns out, everything I feel about you reminds me of it.”
“Eddie,” Buck begins, but cuts himself off when Eddie shakes his head. 
“The only thing that shatters a person like that,” Eddie says slowly, “is loving someone so completely that the idea of a world without them is impossible.”
“Yeah,” Buck says, closing his eyes. “Yeah it is.”
The room fills with silence, but it’s not the oppressive kind, merely contemplative. 
Eventually, with a soft, wet laugh, Buck says, “that was some date, huh?”
Eddie chuckles softly. “I think I owe the guy a beer,” he agrees. 
Buck bites his lip. “I think… I think maybe I do too,” he says quietly. 
“Yeah?” Eddie asks. 
Buck ducks his head and smiles. “Yeah.”
Eddie stares at Buck for a long moment. “I’m going to kiss you now,” he says finally. 
Buck meets his eye and nods. “Sounds good to me,” he says roughly. 
And so, Eddie does.
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