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#so i recorded in my phone
mxsquibby · 1 year
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Sped this up because they were playing a stall deck with final countdown. But somehow?? On countdown 19/20 I was able to win. I did not think that was going to happen with only 200 life points left but somehow I pulled it off (I think they forfeited out of anger cause how are you gonna stay for 24 turns and not let me just have the final blow you silly head)
But yeah I’ve never encountered a deck that punishes you & your opponent for summoning and activating cards before. I bet that deck gets them some easy wins if their opponent has no way to banish or get rid of spells and traps but not with me cause the heart of the cards are on MY SIDE. I AM THE ANIME PROTAG (only sometimes lololol)
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lovexmemonster · 4 months
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#1 iruma fans!
that one twitter redraw trend but i made it. love trio
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neolxzr · 6 months
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OK so heres some of my favorite things that were talked about during the enter the florpus commentary thing yesterday:
one of jhonen's favorite things in the whole movie is the writing in zim's kitchen that says "do anything is real?"
they clarified specifically that gir was not lying and he did in fact eat a baby at the crazy taco
gir smells REALLY bad. theres like rotting organic matter in his body at all times. he stinks
zim's human suit is made out of actual human skin
zim is acting drunk on nacho cheese during that scene in his house because richard horvitz recorded it while drunk
they planned to have this whole thing with tak's ship only agreeing to go to moo-ping 10 because it knows tak is there. they wouldve shown her in silhouette during that brief explosion and she wouldve stowed away on the ship without anyone knowing and then wouldve shown up towards the end of the movie, but they decided to cut it out
zim did not need to frame membrane for a crime in order to get him into space prison and likely just tossed the guards like 5 bucks for it. its a shady place. they did specify though that if he did frame him for something, it would have been jaywalking
they pointed out during that scene where zim is celebrating peace day on dib's lawn that zim's reaction to seeing dib was very much genuine and that's just how his brain works. he is genuinely surprised to see him pop out of his own house. (they also described his reaction as like "being surprised to see your best friend")
the ham joke was ABSOLUTELY CRITICAL to the film and at some point jhonen remembered it and was like GUYS. WE ALMOST FORGOT THE HAM
there was supposed to be this joke where it cuts to and from gaz and dib in tak's ship and they would've had to stop at like a warp station or something and theyd be waiting in a long queue of spaceships and the radio is broken in the ship so theyre stuck listening to that one song. then itd cut to them like totally braindead drooling from listening to it for so long. and then a little later itd cut back a FINAL time and theyd know all of the words and both be singing along to it. but this was also cut out so only the last bit remained
when asked "who would win: minimoose or mrs. bitters?" the answer was along the lines of "neither, i think all of us lose in that scenario"
the tallest are just two dudes who happen to be the same height and therefore have to share the same job. they are not brothers and they are also not gay lovers ("as much as you want them to be, they are not. there is no love in this universe")
skooge is in fact alive and lives in zim's basement. they wanted to keep the number of "hey remember this thing from the tv show!" moments to a minimum so he was not mentioned in the movie. but he is there
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petramoth · 8 months
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What’s up everyone, I’m rewatching the Justice League animated series (I will not be normal about this)
I know I won’t be the first to say it but
This is THE SuperBat scene of all time
The excitement, the chest to chest hug, the loving look on Clark’s face, the knowing looks exchanged between the rest of the team GOD I AM INSANE ABOUT THEM
Even my Mom, who knows basically nothing about these characters, walked by during this scene and said “Oh my god, they’re in love! Does no one else see that?”
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Don’t worry, Mom, many of us do indeed see that
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OKAY who wants to hear about why i think nimona challenges amatonormativity? you do! 🫵
one of the main ways this is accomplished is through ballister and ambrosius’s relationship. it’s arguable that it doesn’t necessarily fit the traditional model of romance - not only are they a queer interracial couple, and not only is their relationship ambiguous in the book, but there are certain instances, especially in the movie, that subvert traditional ideas of romance and friendship.
one instance that really stands out to me is when the director asks ambrosius what’s on his mind and he goes on his imagined rant about how arm-chopping isn’t a love language - you know the one. when he mentions ballister, he refers to him as “the man i love, my best friend.” and not just one or the other, but both! the man i love, and my best friend. he places equal emphasis on both the romantic and platonic aspects of the relationship, valuing ballister in both a romantic context and a platonic context without treating either one as more important than the other.
and even moments such as the first “i love you” and the kiss manage to subvert tradition. both of these things are generally seen as a pretty big deal, especially in fiction - if the characters are kissing or saying “i love you,” it’s usually a moment in which everything changes. a line is drawn, dividing the story into after and now. sometimes it’s dramatic and climactic, with fireworks and a swell of music, but even when it isn’t it’s still seen as a turning point of sorts. now it’s official, now it’s real. but this isn’t the case in nimona. both moments are certainly significant - they do a good job of showcasing the character development and where ballister and ambrosius are on their respective journeys, and are certainly important in terms of representation - but neither one follows the path that most fictional romance does.
another way in which nimona challenges amatonormativity would be the emphasis on friendship! in the tavern scene (in the movie) when ambrosius suggests killing nimona, ballister disagrees and says “she’s my friend.” ambrosius replies with “aren’t i more than that?”, implying he’s more important than a friend - thus upholding amatonormative ideas. ballister becomes angry at that and leaves - challenging this idea and prioritizing his platonic relationship with nimona over his romantic one with ambrosius, as nimona is the one he wants to defend.
additionally, a big part of this scene is the way ballister deliberately rejects institute values while ambrosius unintentionally upholds them. and because the story challenges homophobia and transphobia (and other forms of bigotry) through the lens of the institute, it would make sense for it to challenge amatonormativity too! it’s something that’s become incredibly normalized, to the point that lots of people don’t even know it exists, and this is reminiscent of the institute brainwashing, especially when it comes to ambrosius - he’s been manipulated his whole life and probably genuinely doesn’t understand the level to which he’s internalized institute beliefs.
ballister prioritizes nimona many times, actually. when he tells ambrosius she’s “smart, kind, and quite sophisticated,” when he’s overjoyed to see her again at the end, when he refuses to kill her and saves her instead. over and over, he proves how much he cares about her, even when this involves directly going against what ambrosius wants - which, of course, is really what the institute wants. a core tenant of amatonormativity is the false notion that romantic relationships are more important or valuable than other types of relationships, but ballister actively goes against this!
to conclude, as a story that at its core is about identity and challenging societal beliefs, nimona defies expectations and traditional ideas of what it should or shouldn’t be. it’s possible that amatonormativity wasn’t what the creators had in mind, but the story still manages to challenge it with grace and elegance. just like its main character, nimona refuses to conform to what others want it to be.
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jula483 · 3 months
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still in shock after being 4 rows away from David Tennant for 2 hours on Monday, January 15th 💖
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redraine57 · 1 year
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Flexing in a dress is healthy for your soul 🖤
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reinanova · 1 month
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the look on reid’s face when he watches morgan take out the big gun on the jet in season 5 episode 19 omg
put him down as scared and horny
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(a super low quality gif that i made bcuz it was important for you to See TM)
Bonus:
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tyttetardis · 3 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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yeoldenews · 4 months
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A mother's word for word transcription of the imaginary phone call her four-year-old made to Santa Claus in 1911.
(source: The Harbor Beach Times, December 22, 1911.)
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Through some outrageous case of serendipity I found a recording of another phone call this same child made 60 years later. Though I have to say his choice of conversational partner is a definite downgrade from the first call.
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danny very briefly breaking character in the background of the final battle of pillows & blankets is so funny to me
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fluentisonus · 1 year
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Sulu's iconic outfit in Star Trek III/IV :)
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fantasykiri5 · 7 months
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Erm
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something i've been thinking about:
Wally is set up as a sort of "main character" by the whrp. he's said in the site's description of the show to have introduced the main theme/lesson of the day's episode, and then the rest of the neighbors join him on his escapades. but then we have our first glimpses of everyone's actual dynamics and characters through the audios and you look at Wally and its like
first of all, thats an npc. second, nearly everybody else has severe main character syndrome
but its fascinating how Wally is just kind of... There. he doesnt talk much. he doesnt contribute beyond a couple of lines. its more like he joins the others on their shenanigans. he fades into the background. he's off to the side while everyone else holds conversations & leads the moment
Wally, despite being described as Thee character, is borderline background.
& whats even more interesting, within his individual secret audio files and interactions - he's almost chatty. not only that but the way he talks is more confident and faster paced. he's taking initiative. he can be kinda pushy. when talking to the qa/whrp/Us, he acts more like the character his descriptions portray. he acts more like a person instead of a puppet waiting for his next cue
I cant tell if - when around the neighbors - his tepid milk behavior is a purposeful act or if he's masking. and if he's masking, is it deliberate or involuntary? and in regards to both, why is he acting so different? It could be tied to what he's trying to accomplish. if he's trying to "restore" Welcome Home, it would make sense for him to act as he does around the neighbors - he wouldnt want to clue them in that he knows so much more than he's letting on, would he?
but then that begs another train of thought - what if he isn't acting or masking? if there is a time discrepancy between Wally's interactions with the qa/whrp/Us & the more 'official' audios, that could explain the difference in behavior. we could be getting glimpses into "future" (read: current) Wally, who's had much more time to figure himself out since we can safely assume he started out as a blank slate. we could be seeing a more experienced Wally than the one seen with his friends.
of course that line of thinking loses some merit when considering the 14 "bug" audios. or it could lend to it... if we're seeing a more experienced Wally but his friends are only seeing what he allows them to. it's still him, just... a carefully curated version.
in general it could really tie into the themes of identity and change and being other, to me. when you're so different - or you feel so different - that you can't bring yourself to be your most authentic you around your friends. when you feel like you have to hold back and be who you think they expect you to be, or what would be most palatable. most normal. will they accept you as you really are? there's always the fear and terror that the people you consider closest to you won't. or when you're so scared of change that you'll shove down & lock away parts of yourself so that you can keep things as you are. because once they know you've changed, so will they. and really, do you want to even accept that you've changed? what if that's what scares you most of all - that you're different, you've metamorphosized, you can't go back to the way things were because you yourself are no longer the person you were before. there is no reversing this no matter how much you try or pretend
#its just so fascinating#the whrp: wally's The Guy!#wally (with his friends): the most lukewarm dude ever#then he's alone or alone with home and its like Hi My Name Is Wally Darling & Welcome To Jackass *off-tune guitar riff*#bbg has ✨problems✨#and like - im giving all of his stuff a re-listen to make sure im not misremembering or completely talking out of my ass#but his phone call? the way his VA is delivering the lines seems So fuckign different than in the shared audios#his tone is flatter. he sounds more sure of his words and himself. he Sounds like he's in control and knows it.#immediately going from that to a shared audio where he puts more inflection in his voice & doesnt talk much#and when he does talk its slow. meandering. his lines are more befitting of his audience surrogate role#which only makes me feel more like he's acting/masking (again: if that time discrepancy does indeed exist)#which - as someone who kinda compulsively masks around Literally Everyone no matter how much i want to Not - it kinda hits hard!#i suspect that he Is masking instead of acting. he's The Most Autism as we all know so it would more than fit#and that could add an extra layer if it's automatic and he can't turn it off. or if he doesn't want to turn it off#but also acting... a misplaced attempt to protect his friends and world? not feeling like he can share his 'true' self? augh#wally darling you make me unwell. i want to dissect you#wh speculation#welcome home speculation#homebogging#and then listening to his little record audios#he starts out talking like he does in the shared audios and then slowly gains confidence until he's speaking more like he does in the call#just. wally not being talkative in the neighborhood to the point where everyone's like 'yeah wally isnt much of a talker'#vs him chatting away to the qa/whrp/Us#of course it could be because he has to carry the entire conversation on his own#But. but. you can still carry a one sided conversation and be hesitant or awkward or um. missing the word rn but short-sentenced#brief? succinct? concise?#wally's fully trying to make conversation with someone he knows can't reply. which is interesting#so many ways to take that. well. three#maybe he doesnt feel listened to in his day to day life / he feels more comfortable and can relax / hes been alone for a long while#anyway there may be more ways to take this but this is all my tiny poppyseed brain can reach atm
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raytorosaurus · 1 year
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ok things i Don't miss much about the early shows
having to find every single fucking ray image myself
having to scroll past one hundred "THEY ARE NOT BEATING THE ALLEGATIONS 💀" "IM GOING TO DIE" "I KNOW WHAT YOU ARE" posts every time gerard stood close to frank for every one post about ray hugging, nuzzling, and/or kissing one of the others that night (as he did at least once literally almost every single night)
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uhbasicallyjustmilex · 7 months
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oh you know. just blokey hair caresses.
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