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immaturityofthomasastruc · 3 years

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Do you any suggestion for Super Sentai?plz

*cracks knuckles*

Well first off, if anyone wanting to get into Super Sentai watched Power Rangers growing up, I’d check out the series whatever season you watched was adapted from to see how things went there in comparison to how they were in the United States. So if you grew up with the original Mighty Morphin’ Power Rangers, watch Kyoryu Sentai Zyuranger. If you don’t know what the Sentai the season you grew up with is called, I’d check out RangerWiki, which provides a lot of information on both franchises.

I’d also recommend checking out a few episodes of the very first Super Sentai entry, Himitsu Sentai Gorenger. Not all 84 episodes, mind you, but I’d just watch a few to see where Super Sentai got its roots from, because the team football attack gets referenced a lot further down the line. Yes, you read that correctly.

But for individual seasons for beginners, it’s harder for me to answer. Super Sentai has varied aesthetically and tonally across its 45 year run. Some shows are dark and gritty, while others are light-hearted and goofy. Some shows have a vehicle motif, while others use animals for a motif. So the seasons I’m going to talk about will cover all kinds of tones and themes across the years. I also haven’t seen every single entry, so these are the ones I’ve seen that I recommend for beginners.

Denshi Sentai Denziman (1980-1981, 51 Episodes)

Centuries ago, the evil Vader Clan conquered and decimated the Denzi Civilization. In the modern day, the talking dog IC awoke from his slumber when the Vader Clan began their invasion of Earth. So IC recruits five people to become the Denzimen to defend their planet and stop the Vader Clan once and for all.

The first three seasons of Super Sentai were very experimental, but Denziman was where Toei started to get an identity for Sentai down. Not only would the black visors and sculpted mouthpieces become a staple for Sentai’s (and by extension, Power Rangers) suit designs, but this was also the first season to really start a few Sentai traditions. It was the first season to have female villains, the first to use a transformation device for the heroes, the first time the monsters grew to fight the team’s giant robot.

The Denzimen, while not really going through any character development, are still very likable characters, especially Denzi Blue/Daigoro (played by legendary tokusatsu actor Kenji Ohba). The villains are also a lot of fun, a real improvement from the first three villain groups, who were all basically Earth-based terrorist organizations and/or death cults. The Vader Clan is full of villains who are just as entertaining to watch as the heroes, especially Queen Hedrian, played by the late Machiko Soga, who would later go on to play Witch Bandora, the character Rita Repulsa is adapted from in Power Rangers. There’s not that much of an ongoing for most of the series, and it can get pretty goofy at times, but it’s still a really good show.

Choushinsei Flashman (1986-1987, 50 Episodes).

Five infants are abducted by the Reconstructive Experiment Empire Mess to use as test subjects for experimentation, but are saved by benevolent aliens from the Flash Solar System. They all spend the next twenty years in the system developing their combat skills and special powers until they decide to head back to Earth to fight Mess themselves as the Flashmen, despite the warnings of their alien caretakers.

The 1980s are usually referred to by fans as Super Sentai’s golden age, with a string of great seasons thanks to famed writer Hirohisa Soda. Flashman is no exception. While Denziman tended to have more stand-alone episodes, Flashman is more story-driven. Later on, there’s a really dark plot twist that I don’t want to give away. Admittedly, some of the special effects can be dated to showcase the Flashmen’s powers in addition to stock footage being reused a lot, but the action and camerawork are still fast-paced and rarely do the fight scenes get boring.

The villains are the kind you love to hate, and their actors all give great performances, especially the late Unsho Ishizuka (the Japanese voice of Professor Oak) as Great Emperor La Deus. This is easily one of the darker Super Sentai entries, but if you don’t mind that, I highly recommend it.

Choujuu Sentai Liveman (1988-1989 49 Episodes).

At an academy for the finest minds in the world, three of the students feel their talents are being wasted on designing a satellite to conduct scientific research. They soon join up with Great Professor Bias, leader of the Armed Brain Army Volt, who takes them all under his wing as his students and generals. Before they leave, they kill two students, leaving their three friends traumatized. Two years later, Volt begins its plan to conquer Earth, but the three friends of the two victims developed their own technology to fight them as the Livemen in the two years since they last saw their former classmates. Bias’ students have developed their own abilities through mutating their bodies, starting a conflict between some of the most intelligent youths in the world while figuring out what Bias’ evil plan is...

Some Sentai fans consider this to be even darker than Flashman at times due to the themes discussed. Unlike earlier seasons, the heroes have a more personal connection to the villains, and act as foils to them in terms of morality. The show also has some surprisingly deep themes at times, deconstructing the harsh standards the Japanese have for education and the effects they can have on people. Seriously, the main villain, Great Professor Bias, sets up a competition for his generals as a way to advance his plans, treating it like a high academic honor.

This series also has some amazing special effects for the time. This was the first Sentai series to have an animal motif, so they go all out by using one of the most complicated models for his giant robotic lion, a stunning innovation for special effects. It was also the first series to introduce the gimmick of combining two robots, which is a genius marketing tactic when you think about it, motivating kids to buy both robots to combine them. Even putting those technical aspects aside, this is still one of the most iconic Super Sentai seasons, and a must-watch for beginners.

Choujin Sentai Jetman (1991-1992, 51 Episodes)

An elite soldier is chosen for a top-secret military project meant to turn him into the leader of a team of supersoldiers called the Jetmen. After he gets his powers, the satellite base is attacked by the Dimensional War Party Vyram. Not only are the four remaining “Birdonic Waves” meant to empower the rest of the Jetmen scattered across Earth, powering four civilians instead, but the soldier’s fiance is killed in the process. So he has to recruit the rest of the Jetmen and form a competent team to stop the Vyram from conquering their dimension.

A lot of Precure fans view Heartcatch as the best series in the entire franchise, and many Sentai fans view Jetman the same way. It was a huge success in ratings and toy sales, which actually helped to save Super Sentai from cancellation after the disastrous sales and ratings of the previous series, Chikyuu Sentai Fiveman. It also had some elements that made it stand out from earlier Sentai seasons. While I’ve talked about how Marinette was forced to become Guardian against her will while the show doesn’t acknowledge it, this show actually does point out that almost the entire team is a group of civilians with no combat experience. Earlier episodes are not only spent assembling the team, but also training them to better fight the Vyram and pilot their giant robot.

The series introduced a love triangle for three of the Jetmen, and while controversial among fans, was very popular with Japanese mothers, who were rumored to find Gai/Black Condor very attractive and begged Toei to not kill him off. The love triangle, while arguably one of the weakest parts of this show (but still better written than the Love Square), was part of the main theme of the team being more conflicted, showing they weren’t all best friends all the time.

This extended to the Vyram, who also tended to fight with each other over their plans to conquer the Earth. Sure, there was the occasional villain in earlier seasons who tried to overthrow the big bad, but this was the first time we had a whole group of villains trying to one-up each other. The best way to describe the Vyram is if the cast of It’s Always Sunny in Philadelphia were supervillains who were still competent at their jobs.

The series is also incredibly dark, and is often seen as the darkest Sentai has ever gotten. There’s a lot more violence and blood than usual, and a lot more onscreen deaths that aren’t just limited to the villains. Humans are actively killed or hurt in the crossfire, and it shows just how painful this war is. And because of all of that and many other reasons, this is seen as the peak of Super Sentai. If you have to watch a single Sentai series, watch Jetman.

Ninja Sentai Kakuranger (1994-1995, 53 Episodes)

During Japan’s Sengoku Era, a team of five ninja sealed away the leader of an army of Youkai, rendering their kind powerless. In the present day, one of the few surviving Youkai tricks two bikers, who are actually descendants of two of the ninja in the past, into undoing the seal and giving all of the Youkai their powers back. Another descendant of the ninja recruits them into taking on the legacy of their ancestors to fight the Youkai, becoming the Kakurangers.

The 1990s were when Super Sentai was starting to delve more into fantasy elements rather than just science-fiction, and also started to take on a more light-hearted tone. Kakuranger is no exception. It’s a lot more goofy than the other entries, even using comic book-style graphics during its fight scenes. There’s also a narrator who appears to explain the history of the Youkai of the week, a detail I really like. While this show is still unashamedly goofy, it still gets more serious in the second half, but never loses its comedic moments entirely.

Like with Jetman, Kakuranger shows the reality of drafting two civilians to fight a war against the supernatural, with only one of the first three Kakurangers knowing how to fight. That Kakuranger in question, Tsuruhime/Ninja White, is easily one of the best Sentai heroines of all time. Not only was the first female and non-Red to lead a Sentai team, but she was only fifteen years old while the other Kakurangers were in their twenties. Marinette could learn a lot from her, and no, that’s not an insult. Tsuruhime is a complete badass, and a team-up with Ladybug would be the coolest thing ever.

What was I talking about? Oh yeah, watch Kakuranger.

Kyukyu Sentai GoGoV (1999-2000, 50 Episodes)

The demonic children of the Grand Witch Grandiene begin causing natural disasters to bring destruction to Earth in order to revive their mother. In response, five rescue workers who also happen to be siblings are recruited by their estranged father to become a team dedicated to saving lives from the Psyma Family’s actions.

Did anyone ever watch Rescue Heroes as a kid? Imagine that show, but with the intensity turned up to eleven. This show is epic, with amazing action and some of the coolest giant robots in Sentai history. One of their robots is a giant train armed to the teeth with guns. Even putting aside the action, this show does a great job at highlighting all the dedication rescue workers have to their jobs by showing a lot of rescue scenes in addition to having GoGoV fight the Psyma. It even teaches the audience about firefighters from Japan’s Edo Period. There’s really not a lot of shows that explain what rescue workers were like in the past, which shows just how invested this show is in teaching people about rescue workers.

While this wasn’t the first Sentai series to feature a team of siblings (the first being the aforementioned Fiveman), I think it managed to capture the dynamic best. Family is a key theme of the series, with the healthy relationship between GoGoV contrasting with the more toxic environment the Psyma Family has.

This is easily one of the most action-packed Sentai series ever made. It is literally Fire Force twenty years before that anime premiered, and it is AWESOME.

Tokusou Sentai Dekaranger (2004-2005, 50 Episodes)

In the not-too-distant future (Next Sunday, A.D.), the universe has come together to the point where Earth has made contact with several intelligent alien civilizations. However, intergalactic arms dealer Agent Abrella starts to help out the extraterrestrial criminals on Earth, called Alienizers, by providing technology and giant robots to them because he enjoys profiting from crime, and dreams of a world without the police. In response the organization Special Police Dekaranger, or S.P.D., brings together a team of officers to apprehend the Alienizers.

You want to see space cops doing space cop stuff? Then this is the show for you. Admittedly, this isn’t the most story-driven show, but is instead carried by its characters, who go through a lot of development. The Dekarangers have one of the best team dynamics in Sentai history. All of them are very likable characters, and it’s a lot of fun to see them interact. But the best character in the show goes to the Dekarangers’ boss, Doggie Kruger/Dekamaster, a dog alien who becomes a Dekaranger himself, labeling himself The Watchdog of Hell. That has to be the coolest title any superhero has ever had. Dekamaster is another one of the greatest Super Sentai characters ever, taking down a hundred goons in his first battle by himself.

I haven’t even gotten to Agent Abrella, one of the coolest Sentai villains of all time. He’s obsessed with profit and chaos, and he’s easily one of the most sadistic main villains compared to his predecessors. He isn’t some evil emperor who wants to rule the world. He just wants to raise hell and make a quick buck from it. He’s also voiced by Ryusei Nakao, the Japanese voice of Frieza from Dragon Ball Z. That’s another appeal of Sentai, the voice talent. A lot of big-name voice actors have voiced characters, like Mao Ichimichi and Kotono Mitsuishi. Hell, the currently ongoing Kikai Sentai Zenkaiger has Yuki Kaji of Attack on Titan fame voicing one of the main characters.

Dekaranger is easily one of the most popular Sentai seasons out there, as it has a lot of additional material. Not only did the Dekarangers get a theatrically released film like many other seasons before it, they teamed up with two separate Sentai teams, some of them cameoed in the anniversary series Kaizoku Sentai Gokaiger, they got a reunion movie ten years after its finale, four of the Dekarangers guest starred in another Sentai series two years after that, Uchu Sentai Kyuranger, which served as a prologue to a team-up with another Toei hero, Uchuu Kenji Gavan, and then that led into the Dekarangers cameoing in another Kyuranger movie meant to be an epilogue to that series.

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Yeah, this is why I haven’t talked about the Sentai movies in this post. You don’t have to watch any of these unless you really enjoy Dekaranger, which you should at least check out. It’s slow at times, but it’s still a lot of fun.

Engine Sentai Go-Onger (2008-2009, 50 Episodes)

The Banki Clan Gaiark have traveled from their home dimension of Machine World and chosen Earth as their new home, but they have to pollute the planet to serve as an ideal living space for their kind. In response, sentient animal-themed vehicles called the Engines choose five humans to partner up with, the five humans in question becoming the Go-Ongers.

Unlike most of the shows I talked about, Go-Onger is incredibly goofy, and I love it. The characters are all incredibly likable, both the Go-Ongers and the Engines. While Sentai had touched upon the idea of treating the mecha as sentient beings, this was one of the earliest series to actually have their partners talk, leading to some interesting character dynamics. The villains are also really fun to watch. While they’re about as competent as Team Rocket at times, there are moments where you actually feel bad for them, especially towards the end of the series.

It’s also really funny. Granted, comedy is subjective, so you may not find the same things as funny, but there are a lot of funny moments in this show, all helped by the actors giving amazing performances. Go-Onger can get extremely wacky at times, like in Episode 31. I’m not going to say what happens, you should watch it for yourself.

What makes the humor really work unlike the last attempt at a comedy-focused Sentai, Carranger, it didn’t really feel mean-spirited by portraying the heroes as idiots by claiming to be “parodying” Sentai. Yes, the Go-Ongers can be dumb at times, but they still take their jobs seriously when they’re not goofing around. There’s not really much I can say about Go-Onger other than it being a bunch of dumb fun. If you’re in the mood to start off with something more light-hearted, I’d check it out.

Samurai Sentai Shinkenger (2009-2010, 49 Episodes)

For centuries, generations of samurai have waged a war against a race of demons from the underworld called the Gedoshu. After their leader was temporarily sealed away for several years, the Gedoshu begin another invasion of the surface while trying to flood the Sanzu River, which grows through human misery. In response, the current generation of samurai, the Shiba Clan, assemble to fight the Gedoshu as the Shinkengers.

This was actually one of the first Sentai seasons I ever watched, as my first Power Rangers season was Samurai. And yeah, while Samurai is a really bad adaptation, I’m here to judge Shinkenger on its own. Admittedly, there are a lot of qualities that can be chalked up to cultural differences, like the whole honor code samurai have and certain plotlines you’d see in a jidaigeki film. The Shinkengers themselves are all very likable characters, and you can really relate to their struggles of being forced into this war (again, handled a lot better than what’s going on with Marinette). All of them have different responses to their situation. Some of them dedicate themselves to wholeheartedly following their lord (Takeru/Shinken Red) or being more vocal in their hatred of their duties.

The villains are also really interesting. Sure, the big bad is pretty boring, but the side villains are just so twisted they really steal the show. Takeru/ShinkenRed gets a rival who serves as a perfect foil to him, representing the idea of why one fights. Even the concept of the Gedoushu is pretty terrifying. Demons from another world hellbent on causing misery to flood our world with their water, which I must point out, is deadly to humans. They’re not my favorite villain group, but they’re a close second.

There’s also some clever plot twists that happen late into the series that I don’t want to give away. Sure, you might have a hard time getting used to the Japanese culture at first, but Shinkenger is still a great series.

Kaizoku Sentai Gokaiger (2011-2012, 51 Episodes)

The Zangyack Empire invades Earth and because of their army reaching across the universe, they become the greatest threat the planet has ever had. In response, the previous thirty-four Sentai teams unite to fight them. They succeed, but the attack they used to wipe out the battle fleet stripped them of their powers. A few years later, a group of space pirates come to Earth in search of “The Greatest Treasure in the Universe”. While the pirates couldn’t care less about stopping the Zangyack, they still have to deal with them while searching for the treasure, which is somehow connected to the previous thirty-four Sentai teams. Also, the pirates form their own Sentai team, the thirty-fifth Sentai team in particular, the Gokaigers, who have the ability to TRANSFORM INTO ANY OF THE PREVIOUS SENTAI TEAMS.

For Super Sentai’s 35th anniversary, Toei wanted to go big this time. While the previous two anniversary seasons only had movies that paid tribute to Sentai as a whole, this was the first season where the anniversary aspect was in the premise alone.

The interesting thing is that the series was changed last-minute, and it was totally for the better. See, in March of 2011, Japan’s Tohoku Region was devastated by an earthquake registering at a 9.1 on the Richter scale. To this day, it was the largest earthquake ever recorded in Japan’s history, and that’s not even getting into the tsunami it caused the same day. What does this have to do with Gokaiger? In response to the tragedy, several tokusatsu stars including Super Sentai alumni took to social media to encourage kids to stay positive, and even asked some of Gokaiger’s showrunners if they could reprise their roles in an episode. Originally, there were going to be some cameos from past Sentai heroes, but it would only be limited to the ones whose powers would upgrade the Gokaigers’ giant robot. After this, there were a lot more cameos from Sentai alumni in the latter half of the series. Out of Gokaiger’s 51 episodes, 24 of them were tributes to past seasons. And that’s not even getting into all of the cameos in the movies too.

This was another one of the first Sentai seasons I ever saw, and it really helped me get into the franchise as a whole. It manages to explain things to people who haven’t seen certain seasons, while paying tributes to said seasons and making clever homages older fans will understand. Admittedly, the show does spoil the endings of the older seasons like Liveman and Jetman, so keep that in mind before starting this one.

Even outside of the tributes, the Gokaigers are some of the most memorable characters Super Sentai’s had in recent years. While they aren’t exactly evil, they start off not really interested in protecting Earth and care more about getting the Greatest Treasure in the Universe. The only reason they fight the Zangyack in the first episode was because their lunch was interrupted. A team of anti-heroes in Super Sentai hasn’t really been done before. Even then, there’s an interesting dynamic where some of the Gokaigers have more of a moral conscience than the others. And as the series goes on, they start to care more about protecting the Earth, even if they don’t admit it.

It’s just a really good show, and even if it isn’t your first, I’d check it out.

Zyuden Sentai Kyoryuger (2013-2014, 48 Episodes)

When the alien entity known as Deboss invades Earth during the prehistoric era, another bird-like alien named Torin empowers several dinosaurs into the mighty Zyudenryu to fight off the invading force. After a brutal final battle, Deboss was sealed away, but his army of followers was still growing. In response, Torin started to recruit several humans throughout time into the modern day to become the Kyoryugers.

While Gokaiger was the first Sentai I ever watched, Kyoryuger was the first Sentai I watched every week as it aired, so it has a special place in my heart despite its middling reputation. Yeah, Kyoryuger has been criticized for starting the trend of Red Senshi stealing all the screentime, and while that can easily be applied to later entries like Shuriken Sentai Ninninger and Kishiryu Sentai Ryusoulger (the latter basically made Red and Gold the only ones to pilot the giant robots while the others watched), I don’t think it's as bad as everyone says it is.

There is just an amazing cast of characters here. It’s the first Sentai to be composed of ten rangers (while Dekaranger also had ten, three of them were just one-offs), and it does a really good job at balancing them all out. Yes, Daigo/Kyoryu Red does get a handful of power-ups and can be the focus at times, but the other characters all have their own distinct personalities and are just a blast to watch. I’d honestly recommend watching a few episodes of this show to get an idea on how to do an ensemble cast. If I end up doing the whole “tokusatsu has better toy tie-ins than Miraculous” thing, expect me to talk about how Kyoryuger introduces its new characters and giant robots.

And then there’s the soundtrack. Oh my God, the soundtrack. Sentai tends to have banger songs for their seasons, and Kyoryuger is no exception. “Vamola! Kyoryuger”, “Solid Bullet”, “Kyoryu Gold! Iza!”, “Yuuki Bakuretsu”, “Chou Shinka! Kyoryu Beat”, “Houkou! Bragigas”, and “Senkou no Brave”. So many of these songs are incredibly catchy, and I haven’t listed all of them. The show has a bit of a music motif, so it makes sense for there to be a lot of insert songs.

The one major flaw I have to point out is that you kind of have to watch the theatrical movie (which is only slightly longer than an average episode), in order to understand some of the plotpoints for the season’s endgame, but other than that, it’s still a really good season to start off on.

Mashin Sentai Kiramager (2020-2021, 45 Episodes)

The Dark Empire Yodonheim attacks the planet Crystalia, with the king’s brother betraying him and siding with the enemy. The kingdom’s princess is sent to Earth to recruit five warriors to fight the Empire. The chosen five all possess “Kiramental”, a way of weaponizing their imagination, which they use to defend the Earth’s radiance.

Precure fans might remember this being the season where Cure Star met the Red to promote the latter’s season (actually referring to Cure Star as his sempai), and I can kind of see why. A lot of fans have jokingly compared this season to Precure because of the gemstone motif and focus on creativity, with Juru/Kiramai Red acting like a Pink Cure according to some of the comments I’ve seen in Sentai discussion forums.

This is the most recent season to finish as of this post, and it’s already gotten a lot of praise in terms of writing, characters, story, and managing all of these during the COVID-19 Pandemic and having to adapt to losing five episodes in the process. The characters are very likable, the Red is one of the better ones in recent years with him being more timid compared to the more hotheaded ones, and the villains are also amazing, and some of the best in recent years. Episodes can range from funny to tragic to just plain awesome in terms of writing, with seemingly innocent filler episodes being the source of major bombshells and plot twists.

Honestly, there’s not much I can really say about this show other than check it out for yourself.

But these are just my recommendations. If you do some research and see a season you like, I’d go for it. If anyone else wants me to do these for Kamen Rider and Ultraman, I’d be happy to.

Sorry this took so long.

#immaturity of thomas astruc #iota #not miraculous ladybug #super sentai

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sailormoonandme · 3 years

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Why I think Sailor Moon lends itself so well to fanfiction

It’s no secret that there is a very active Sailor Moon fanficiton community.*

Whilst every fandom has its fanfic authors in my experience Sailor Moon fanfiction proportionally forms a far larger part of the fandom than in many other fandoms, the only exception I’ve encountered would be say Harry Potter. I do not for example find as many people posting or discussing fanfiction within Power Rangers, Lord of the Rings, Marvel, DC or Doctor Who circles.

Oh, there are plenty of people who talk about ideas and concepts they have. But there seem to be far fewer actually making stories themselves, or at least willing to post/share them, nor even discuss making them.

Why is this?

Well, I’m sure there is a discussion to be had regarding fanfiction, female authors, female audiences and obviously that’d tie into how Sailor Moon is primarily aimed at (and enjoyed by) a female audience.

But I’ve not really researched that so I don’t feel confident enough to dive into it.

To me though, when we break down the nature of Sailor Moon’s story, I very much feel it practically encourages fanfiction and taps very directly into the sort of things fanfiction writers and readers seem to like.

One stereotype of fanfiction that, in my observations, is absolutely true is that there is A LOT of romantic and/or sexual content. In fact it’s an open secret that professional erotic fiction pales in comparison to the breadth, quantity and quality of fanfiction ‘smut’.**

One might argue ANY story that features romance in it is therefore ‘encouraging’ such fanfiction. But the situation with Sailor Moon is a little different as romance is utterly baked into its foundation. The first story arc, initially intended as the entire story, revolves around Sailor Moon and Tuxedo Mask’s relationship. Between the manga and the anime the love life’s of almost every single major character is touched upon one way or the other. Minako’s affections for Allan. Rei’s disdain for men in the manga and romances with Mamoru and Yuichiro in the anime. Makoto’s sempai and her tragic string of men even vaguely similar to him. Ami and Ryo’s relationship in season 1 and her shyness about anything romantic thereafter. Even side characters like Reika, Motoki, Unazuki, Umino, Naru, Nephrite, Zoisite and Kunzite make their love lives at least discussed.

Then of course you have Haruka and Michiru, who’s relationship also clearly hints that they’ve become physically intimate.

Often with more sexually explicit fanfiction the authors are diving into parts of the characters’ lives rarely even discussed (if at all) in the original canon. Whilst Sailor Moon’s focus upon romance made sex a logical leap, the show plays a Hell of a lot with innuendo, symbolism and subtle hints to the point where it was giving fic authors plenty of ‘ammo’ to work with already.

This of course extends into the realm of queer pairings. Another stereotype of fanfiction (and again, I’ve not really researched this so I dunno how true it is) is that they engage in romantic or sexual stories where the characters have a different sexualities from their (apparent) canon ones. Perhaps the most famous (infamous?) example is Harry Potter and Draco Malfoy. Between Haruka and Michiru, Mamoru and Fiore, Zoisite and Kunzite and implications a plenty in the manga and anime (especially under Ikuhara’s rule) writing the characters as interested in people other than the opposite sex was a relatively easy and believable leap, hardly even breaking the verisimilitude of the canon.

Speaking of verisimilitude, Sailor Moon…didn’t make sense. I love it and adore it but we all know this is true. Even beyond the mindblowing miraculous magic it employed there was more than several instances where characters did not behave realistically or even consistently. Contradictions in the anime especially were rife.

Regardless of what that does or doesn’t say about the canon, for the purposes of fanfiction, this is something of a boon. It enables all sorts of wacky riffs and directions that aren’t going to create too large of a cognitive dissonance for the writer nor the reader.

Want to write a story that wouldn’t be realistic? So what? This was the story where the world almost ends but society is never fundamentally changed.

Want to write a story with elements that’d be anachronistic So what? Our heroes were named after planets that didn’t get those names until thousands of years later.

Want to do a story that unfortunately would contradict a canon fact or canon characterization?...Have you watched SuperS…?

The flipside to the messier parts of the canon is that it equally encouraged some authors to engage in fix fics, to address what they felt were problems with the characters and narratives.***

It’s very much a getting your cake and getting to eat it too situation!

Additionally, the ‘monster of the week’ format for the show enables all sorts of wacky riffs and spins to be imposed on the characters and narrative since these monsters each had their own gimmicks. Body swap characters? Make them shrink? Make them evil? Alternate Universe? Space travel?

Ostensibly anything and everything is on the table for fic authors to work with, just as it was for the official creators of Sailor Moon.

Alongside the ‘monster of the week’ format, the innate concept for Sailor Moon encourages the creation of original characters. There is no end of stories about ‘Sailor Sun’ and ‘Sailor Earth’ of course. But since any planetoid, celestial body or what have you in theory could have a Guardian authors could go nuts, drawing upon real list astrology or simply invent their own planets for whatever story they are doing. So the story is ripe for world building and expansion!

However, things need not go to that scale. Sailor Moon, especially the anime, revolves around the everyday lives of teenaged characters. Their ages means authors have the opportunity to write the characters growing up or having grown up and take them in any direction they like and again not create too much of a cognitive dissonance with the canon. And they can do that by drawing upon their own life experiences fairly easily without having to consider what the first day of college might’ve been like for someone on Middle Earth or whatever.

Furthermore, because romance was baked into the story, there was a greater focus in the stories upon the characters internal thoughts and feelings. This wasn’t strictly about their romantic feelings, but my point is a good 2/3 of your average Sailor Moon episode will be taken up with slice of life stuff before the Senshi go into action.

Why is this relevant? Because that kind of internal exploration lends itself far better to the prose format than action set pieces, especially action set pieces trying to emulate those of a visual format like a manga or an anime.

All the above actively encourages the creation of fanfics but there is aso something deeper going on.

After all, plenty of movies leave room for characters to be expanded. Plenty of manga offer opportunities for world building. Plenty of TV shows make the creation of original characters a synch. Plenty of comic books have contradictory continuity that warrants patching up. And romantic elements are present in the overwhelming majority of fiction, even fiction that isn’t predominantly about that.

What makes Sailor Moon a particular strong candidate for fanfiction though is that it has all those things whilst also having strong concepts, endearing characters and a rich mythology to hook people in the first place.

In other words, the fact that Sailor Moon was good made people love it. And that love I think is the essence of why they wanted to read and produce more of it.

*For the purposes of this post you should understand that by ‘fanfiction’ I’m specifically referring to prose fanfiction, i.e. the stuff you’d find on FFN and predmonantly on Ao3. Obviously audio plays, comics, art, cosplay performances can all fall under the label of fanfiction to one extent or another. And in some cases these are far more prevalent than prose fanfiction.

E.g. there is plenty of fan art in the Marvel fandom and there is a frightening amount of audio based Dr. Who fanfiction.

**Even I know that and I do not typically care for that type of stuff myself.

***Or expand upon characters they felt there was more to do with. I know many people who feel that way about the manga versions of the villains and the Senshi (sans Usagi), the anime version of Mamoru and the supporting cast like Usagi parents.

#My Essays #Sailor Moon #fanfiction #fan fiction #bishoujo senshi sailor moon #bishojo senshi sailor moon #pretty guardian sailor moon #pretty soldier sailor moon #ao3 #fanfiction.net #Doctor Who #Harry Potter #Lord of the Rings #Marvel #Marvel Comics #DC #DC Comics

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kitkatopinions · 3 years

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Roman for the character ask? XD

`Plushie, I love you for sending me this because I was excitedly telling you that I hoped someone sent me this.

I’ve been writing non-published fan fics (with plushchrome/why-i-hate-rwby-now) and we usually ‘split’ the writing by dividing who writes for what character. Our first RWBY fan fic featured Survived!Torchwick drifting towards a redemption arc, and I was writing for him. And almost every single RWBY fan fiction I’ve written since has featured Roman because I love writing for him so much. So this one is going to be good because I’ve worked with this character for literally years now. (Some of my headcanoned stuff doesn’t fit with canon, but oh well.)

My top three ships for the character

Roman/Glynda. Their only on-screen almost interaction was their fight in ep 1 in which Roman acted annoyed at the sight of her and got Cinder to fight her instead of him, but boy golly could these two have one tension fueled ‘once in a dream’ sort of romance. Roman/Neo is something I don’t personally ship, but I do like the concept and every time I see concept art of it, my heart melts a little. Funnily enough, I also like the concept of Roman/Oz, but only as ‘Roman always used to tease him by flirting with him.’ (Honorable mention to two OCs who’d take the slots under Glynda if they existed. XD)

My three least favorite ships for the character

Roman/Cinder is a massive no, considering she’s the one who got him into the whole big mess in the first place and then essentially left him for dead. I mean, it’s clear Roman’s into her and they could have divorced couples energy, but boy howdy, this would be toxic in the not fun way. Pass. Roman/Tyrian is something I just don’t vibe with, I feel like Roman has enough street smarts to not instigate or tolerate any romantic vibes with Tyrian. XD Also Junior/Roman. This is apparently called Crimedads? Roman’s the only crimedad I need, I don’t want anything to do with Junior or his disgusting behavior or his stupid looking club.

My biggest criticism for the character

I feel like my biggest criticism is actually the way he’s been used (or rather, not used) after his death. I feel like it was a mistake to wait to bring Neo back until the sixth season, and to not really delve into her backstory and not paying much attention to Neo’s growth. It makes her feel like less of a character and, by extension, makes Roman’s death feel like a weaker motivation for it and makes it matter less to the audience. RWBY’s attempts to be a ‘slow burn’ often leave a lot to be desired, and Roman as a motivation for Neo is no exception to that.

My favorite thing about the character

He was the perfect villain for the first three seasons. He was more of a comic book villain than something we were supposed to take really seriously. He was a real threat, but he was also fun, colorful, he had a great voice actor, some slight sympathetic vibes, but still an obviously selfish, obviously bad guy that - like Watts - it doesn’t feel wrong or complicated to hate or love or love to hate him. His comic book villain vibes still had a little more under the surface, which was perfect for the looser, kids-fighting-monsters fun romp with deeper stuff under the surface. That’s why a part of me doesn’t mind the fact that Roman died, even though I think he could’ve been used after volume 3. They would’ve had to change some of Roman in order to fit in with the new more serious, in-depth storyline, and it might’ve taken some of the charm away from his character.

A headcanon I have about them

Buckle up, because I can’t pick just one. Roman came from a long line of Huntsman and Huntresses and it was a family tradition thing, but he actually really wanted to be a Huntsman for many of the same reasons Ruby had wanted to be one, even past family tradition. Roman’s Hunter parents died when he was young, and he was raised mostly by his aunt and uncle in Mistral, though his family tradition was to attend Beacon, so that’s where he went to school. His aunt and uncle (also Hunters) died while he was attending Beacon in his second year. He had a versatile skillset and was really into weapons construction and strategy, but didn’t apply himself very well in school and never went on to the two vs two rounds in the Vytal Tournament. He started experiencing depression during his time in school, which only started getting worse after he (for messy reasons that I can’t take the time to explain here,) was basically forced to run away with Neo (five years younger than him) during his last year of Beacon, dropping out and living on the streets and starting a life of crime in his increasingly desperate attempts to support her and take care of her. Eventually, he stopped working for criminal masterminds who he always had problems with and thought didn’t do good enough jobs and became one himself. And this one doesn’t line up with canon, but in my fan fictions, I always wrote Roman to have a passive ‘survival’ semblance that triggered when his parents died, that keeps him alive even in really bad circumstances (and even after getting eaten by a Grimm, in the fic. XD) His semblance kept him alive, but it also slowly shifted his moral code to accommodate what he needed to do to survive, and would block out grief sometimes (for instance, he never fully grieved his parents.) Obviously, this doesn’t fit with the canon where he does die in that Grimm, but boy howdy, it made him such a good character to write for in fan fictions.

What I would change about them if I was making a re-write

I know I said that I was glad that the writers killed him, but I might not do that tbh. If I was making a re-write, it’d be more for me than anything else, and I think if Roman had survived, it could be really good and fun. For one thing, he had a connection and some element of personal tension to Ruby and Blake and Neo had some of that with Yang, and that’s something that was lacking later. Roman and Neo could’ve been used to introduce Salem’s castle, faction, etc, and they could’ve been really good as unsure, out of their depth villains that start influencing Mercury and Emerald a bit more as well. But I don’t think I’d go whole hog on any redemption arc and use Roman and Neo as more gray, wild card type characters who are against Salem and have a line of what they think is wrong, but are still dangerous and violent and selfish themselves.

What I I think of their character allusion and what (if anything) I would change about it

Roman’s character allusion to Romeo Candlewick is relatively loose. You can twist Roman into fitting it, as Candlewick wastes his time in idleness until he’s transformed into a jack-ass and then dies of exhaustion. But I definitely think that they mostly leaned into Disney inspired gimmicks like his red hair, hat, and cigar smoking. And more than that, I agree that he’s more based off of the Fox / Honest John Foulfellow, the deceptive conman who tries to trick Pinocchio in the book by pretending to be lame and attempting to kill him, only to wind up really becoming lame and impoverished and hungry. In the Disney version, he’s a more comical conman who expresses some hesitance on tricking kids into going to Pleasure Island and is being threatened into it, but had no problems with other cut throat villainy with no concern over how it affects Pinocchio. He uses a cane (but doesn’t fake a limp,) and his line delivery and body language is kind of close to Roman. Although this is yet another allusion that’s more based on Disney than the original, I think, I tend to not mind this one so much.

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trainsinanime · 3 years

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Counterhottake: Saying „actually Wanda is the villain in Wandavision“ is not the interesting deep intellectual analysis some of you think it is. (This will contain spoilers)

The show actually outright admits that Wanda’s actions are bad. People tell it to each other; people tell it to Wanda, people tell it to Vision, Vision tells it to Wanda, even Wanda herself realises it around the midpoint of the story, but can’t bring herself to end it. But the show is not about that; it is trying to be more nuanced, to go past the old „is this good or bad?“ to „why is she doing that? What drove her to this really bad place, and how can she leave it again?“

That is more nuance than usual for Marvel fare, though in the grand scheme of things, not exactly that much nuance. It’s like mid-range Star Trek TNG nuance. But still, to make sure no pop culture critic is left behind, the show adds not one, not two, but three whole characters whose main job is to say, „actually, it’s nuanced“, with Monica, Darcy and Jimmy.

The show is about grief, about grief leading you to unhealthy places, and about grief causing you to hurt others. And it keeps explicitly saying so.

To be fair, some of the critics seem to have realised this, after this has been hammered in for nine episodes. Good job! But then they come up with clever counter-arguments, like: „Wanda should have apologised to the people of Westview“

Yeah, wouldn’t have hurt. Narratively speaking, though, does it matter? Imagine the scene right after she dissolves the Hex, when all the people are looking at her with fear and anger. Now imagine she’d have mumbled „I’m sorry“ a few times. It would have made no difference. Wanda does feel regret, and she expresses it through her actions, by dismantling her illusion and, you know, her entire family. You know, the characters who actually matter.

Alternatively, we get „Wanda should have been punished“. After all, her lashing out is so huge, you’d almost think it was a comic book level exaggeration, right? And we totally need to take this seriously and literally, don’t we?

This is just another attempt to go „must… force… Wanda… in… clear… superhero… or… supervillain… bin“. That’s not insightful, that’s reductive. Punishing Wanda wouldn’t fix anything, it would undermine the whole show.

See, the show has a clear central theme, and because this is the MCU, it explicitly spells it out:

„What is Meme, if not GIF persevering?“

Or something like that anyway. It’s about how grief can make you do horrible things, and stopping to do that. Wanda needs to learn that retreating into her fantasy world to deal with her grief causes actual harm. And she does. In the course of that, she arguably causes herself more grief, when she dissolves her family, but this time she is kind of okay with it.

Putting her in prison would tell her that people who grieve wrong deserve to be punished. Personally, I prefer the message the show gives instead, where it tells us that people who grieve deserve compassion instead.

There’s also some more in-universe arguments against punishment: For one, Wanda doesn’t need time to realise what she’s done is wrong, she already knows that; and even if she were in prison, we all know she could break out whenever she wanted, which would coincidentally happen to be right at the start of the next TV show or movie that needed her.

Maybe it would have satisfied some incredibly literal watchers if in the post-credit scene, Jimmy had issued Wanda a $500 fine and impounded her Scarlet Sedan, but would that have really been a better show?

Well, yes, obviously it would have been.

To clarify, I’m not saying that the people who say „actually Wanda is a villain“ are wrong, I’m saying that they’re boring and that they miss all of what made the show actually interesting, once all the gimmicks are stripped away.

Now, if you want to be more interesting, there are definitely debates to be had about how the show handles its themes. For example, there is definitely an issue where Wanda never actually learns how to deal with her grief in good ways; she just learns that what she’s doing hurts people, and so she… basically stops.

And while I keep saying that Wandavision is more complex than „good vs. bad“, it is still not actually that complex a story at heart. In fact, it seems like a very literal example of what Craig Mazin (writer of Chernobyl) outlines in his „How to Write a Movie“ podcast episode (there’s only a transcript available). Actually, if you compare Wandavision with the examples in that post, you can make a good argument that Wandavision has about the same complexity, similar theme and almost the same structure as Finding Nemo.

And that is fine. Or maybe it isn’t, that’s for you to decide. But if you just ignore that, then your hot takes will lukewarm at best.

#wandavision

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heckyeahepithetswitched · 4 years

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candaru liveblogs reading her own writing: episode 5

redwood arc let’s go

for some reason I remember spending a really long time on this intro; like, the words weren’t coming out right and I couldn’t even think of an opening scene (not that what I ended up with was great)

...but this whole page is my favorite scene xD

it also took a while but when I realized “wait this is the swap version of my brotp” I knew I just needed to dig a little to find a golden dynamic and then boy did I

these two are idiots and I need to talk about them more often

the change from “preferred extracurricular activities” was changed to “astronomy signs” since... let’s face it... most of Percy’s dialogue could remain untouched and still fit swap!Sylvie, so I tried to find excuses to at least change the flavor to be sleep-related when possible

in another screenwriting book I read about how change in location can make a scene much more interesting

so everybody thank the author of that book for the birth of boxer!Molly (because I wasn’t sure where she lived yet and this was a good vague way to dodge showing her room)

(very mild tw below)

this was supposed to just make her vague and mysterious (like how Ramsey is originally shown in silhouette) but I think I accidentally just made her even more attractive

whoops

not as good as the line “well, I do have an... EYE for these things,” but the joke here is that Zora is an antique.

once again I love lines that are like “wait hold on—” and nope we’re just continuing into the scene, never gonna address that again

it actually took me a while to decide which of Molly’s girls got to take Fred’s role; at first I felt it should be Phoenicia or Trixie since they are her best friends, but later on I knew that whoever it was would have to get themselves stuck in the woods somehow, and since the “car crash” joke isn’t funny without— well, Car Crash— I had to find another way to basically leave them immobile for Detective Sylvester to find. Not knowing much about Trixie and Phoenicia, it was hard to come up with a way to do that without involving a bunch of other people (which I’d then have to get rid of before Sylvie came in), so I ended up going with Death Cap since

1) I needed someone with an epithet,

2) I already had the idea that she had mushrooms that could knock someone out via spores, and

3) Jello was probably joking about the “mushroom girl is the final boss” thing so he’s not gonna invalidate my made-up epithet

...on a related note, “Fiona Boss” is a lame pun on “final boss.” You’re supposed to say it with an Italian mobster accent.

I also decided (...back in the Museum Arc but shhhhh) since there’s no canon voice for mushroom girl, it would be cool to have her be mute.

and I was right. it IS cool. mute characters are awesome.

my beta reader thinks swap!Bugsy and Arnold are more interesting than their original counterparts and... I actually kinda have to agree

then again Bugsy and Arnold are my least-favorite canon characters so I may be biased

this ongoing bit is probably one of those jokes that was more fun to write than to read, but I really did have a fun time writing all their constant bickering

yeah I debated whether or not I was allowed to use this gimmick for a LONG time and eventually decided yeah, heck it

kid!Zora is largely responsible for how involved I got with this fandom; I have literally never been this active in any fandom, ever, with people latching so hard onto the ideas that I put out and then making their own works out of them and continually spinning this bigger and bigger web of fanworks and love for these characters

what was I talking about I don’t remember

So, there’s actually quite a bit to this line! In the original, Ramsey says:

“The make alone is pretty nice. ‘Bout 60 years old— Eh, 65, give or take. ‘Prolly worth at least a few thousand bucks.”

As you’ll notice, Ramsey was correct in his estimation— but Zora is even more accurate, because her Epithet lets her tell the age of an object down to the minute. She rounds to half a year for Molly’s sake. And the use of “pesos” rather than “bucks” (slang for American money) was 1) to imply that different forms of currency still exist in EE, and are slowly merging together like the languages did, and 2) as a small shoutout to the ethnicity headcanons of my Zora friends (before Jello actually confirmed her ethnic makeup publicly).

this is code for “I’ll decide Molly’s motivations to join the BB later”

*puts my hand to the screen longingly*

ms lockhart you’re one of my favorite characters and you weren’t even in the show

I’ve stated this on record NUMEROUS times but I can never say it enough

Eros is Percy’s weird uncle figure

I tried REALLY hard to stick with characters’ canon powersets, but in some instances it was absolutely necessary for them to fulfill their roles (i.e. here and with swap!Percy in the museum). anyway people seemed to really dig Daydream so that’s cool

Mela is a reference to Doctorsleepytime’s blog but he never read the scripts :”)

before I had a deadline it was really hard for me to find motivation to work on the scripts and VP Gorou ended up being my sole biggest motivator because I knew batsy would love him and I also knew batsy would actually read the scripts

thanks batsy

the Banzai Bees all having Howie’s disposition but a fierce loyalty to this big soft donut man is probably one of the purest things in the Redwood scripts, if not the purest

we never actually see Molly go fully feral in the museum scripts so it’s fun that we get to here. in my head she’s got the frazzled hair, the foaming at the mouth, all of it. do not mess with Molly.

to take the place of the mildly-customized Banzai Blasters, I needed some mildly-customized Worker Bees

I ended up using the OCs I created once on a whim

I died when I realized I had an excuse to make mistew wamsey canon

I had to add the Jenga tower because I realized Ramsey never fired a gun for Sylvie to hear hgksdaflghdsf

would you believe me if I told you I almost had Zora turn into a kid (and then continue pretending to be one for the majority of the scripts) to convince Sylvie into letting her go

you all know I hold the highest respect for Mr. Blaber as an incredibly skilled creative writer but even legends make mistakes and this is me calling him out on a poor choice of analogy

yes I see how it’s related because it’s about saving/catching the many vs saving/catching the few but STILL

zora: wait you can be a cop and also a good person?? wack

at first when I realized “wait, banzai VPs are supposed to work in pairs,” I was worried that I’d have to find another character to accompany Gorou

but then I realized having a partner who made him do all the dirty work and never went out with him was the most Gorou-like solution possible

THIS IS ONE OF THOSE LINES THAT’S FUNNY IN CANON BUT THEN THE SWAPPED VERSION IS SO MUCH WORSE

I wanted to emphasize how swap!Sylvie’s just a little bit less pure than canon!Percy. Percy immediately refers to Ramsey as “partner” once they start working together, even though he’s a criminal, whereas Sylvie at this point still very much sees Zora as a means to an end. It’s a small difference, but it’s there.

oh yeah I forgot to talk about how I ended up with an uneven number of characters to swap so instead of doing some weird three-way swap with Howdy, I just gave his role to the cat

and honestly that was one of the best decisions I ever made on the Redwood scripts

#candaru liveblogs reading her own writing #epithet switched

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superman86to99 · 4 years

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Adventures of Superman #505 (October 1993)

REIGN OF THE SUPERMAN! The Reign is over, and Superman does what we’d all do after being dead for several weeks and coming back to life: no, not visiting your parents, making out with Lois Lane.

Or more than making out, since the next page starts with a caption that says “Later...” and lets us know that they both had to take a shower. (NOTE: Check Don Sparrow’s section below for artist Tom Grummett’s definitive take on what happened in that scene.)

Their post-resurrection bliss comes to a stop when they remember a little detail: Clark Kent is still presumed dead. How are they gonna explain his return without making the extremely smart residents of Metropolis suspect that Superman and the guy who looks like Superman but with glasses are actually the same person? Superman’s mind immediately goes into “wacky bullshit excuse” mode and he starts spitballing ideas, like claiming Clark lost his memory, or was carried by underwater currents, or was abducted by aliens. Honestly, I’m pretty sure that last one would work, since there have been THREE major alien invasions in the past few years, but Lois thinks no one would be dumb enough to fall for that sort of thing. Really, Lois? No one?

At this point, Superman picks up some supervillain activity with his super hearing, so he gets dressed and goes there (though it would have been pretty intimidating for the criminals if she’d shown up in that shower rug). A bank uptown has been taken over by Loophole, a S.T.A.R. Labs accountant who stole a gizmo that allows him to phase through walls. When Superman shows up to arrest him and his henchmen (are they all villainous accountants?), Loophole literally puts his first through Superman’s chest, instantly killing him. RIP Superman, again.

Nah, Supes just swats Loophole away and breaks the gizmo, causing him to get his crotch area stuck inside a vault door. Now he has to change his supervillain name to “DickVault”.

(I freaking love Maggie Sawyer, btw.)

After that, Superman goes to one of the areas trashed by his fight with Doomsday and helps clean up the junk that’s still laying around there. It’s then that he finally reunites with his best friend and most valued ally: Bibbo Bibbowski. (Jimmy Olsen’s there, too, unfortunately.)

Bibbo also introduces Superman to the dog he named in honor of his home planet, Krypto -- and it’s Krypto who provides the most significant moment in this issue. The little mutt starts barking at some debris from a destroyed building, leading Superman to examine it with his X-Ray vision and find some kids underneath.

Turns out the kids had been trapped there since the Doomsday fight, leading some random passerby (fine, Jimmy) to wonder if Clark could be stuck in a similar situation. Superman and Lois look at each other... giving Superman an idea and providing the premise for next week’s issue.

Character-Watch:

First appearance of Loophole (real name Deke Dickinson, C.P.A.), who would become a running joke in Karl Kesel’s Superman and Superboy comics. While his phasing powers are tech based, he also has the metahuman ability to somehow convince attractive women to be his girlfriends/henchwomen despite being a balding little dweeb. In this issue he’s dating a blonde named Sheila (who wears a mask, so maybe she’s actually hideous), but I’m pretty sure he had other girlfriends in future issues.

Plotline-Watch:

As I said... holy shit, five years ago: no one draws Supes coming back to Lois after an extended absence like Tom Grummett. This scene is almost a remake of the one from that issue when Superman comes back from his time traveling jaunt. There’s also a callback to Man of Steel #25, when Lois hears a tap on her window and thinks it’s Superman, but it’s just some dumb bird. This time she gets it the other way around:

Don Sparrow says: “There’s a cute visual callback to the last time Superman returned after a long absence on page 18, when Superman is reunited with Jimmy. It’s a near identical pose to Action #643, where Superman returned from exile in space (and in that moment, infected Jimmy with Eradicator-based space sickness, womp womp).” I think he’s instinctively throwing Jimmy up in the air, hoping the cold of space will kill him. Unfortunately, both murder attempts were unsuccessful.

As seen above, Maggie Sawyer wasn’t too convinced that “Fabio” here was Superman at first. That changes when he calls her “Captain” even though she was recently promoted to Inspector, and she’s like “only a dead man wouldn’t know all the precise ranks for the local authorities!”

The surviving non-Supermen are seen arriving at S.T.A.R. Labs for medical care after the Engine City showdown. Don again: “There are some mild continuity issues stemming from Superman #82, which perhaps wasn’t completely finished being drawn while Tom Grummett worked on this one, as Steel’s costume is almost entirely intact, when we last saw it a week ago, it was in tatters. Ditto the Eradicator, who was a wizened husk, and now is apparently a scorched Ivan Drago.” Let’s assume Supergirl worked her clothes-shifting magic on Steel’s armor and the Eradicator’s, uh, hair.

There’s a short scene where Superboy is visited by his reporter pal Tana Moon, who tells him she quit WGBS and is leaving Metropolis. Awww. Goodbye, Tana. Or should I say... aloha?

Meanwhile, Lex Luthor Jr. has a scene with Dr. Happersen where he says he intends to control or destroy anyone who wears the “S” symbol. Basically, if he can’t date them, they should be dead. He also instructs Happersen to help Cadmus’ Director Westfield get in contact with disgraced genetician Dabney Donovan. Get ready for a whole lot of clone-related shenanigans in the near future.

And now, more Don Sparrow-related shenanigans after the jump!

Art-Watch (by @donsparrow):

This issue is another favourite of mine, but I suppose all these issues around the Death and Return are faves when I really think about it. My copy of this issue had the holographic fireworks cover, and it’s a good one. I like that Superman and the Daily Planet are in natural colour, rather than holograms. The cover credit goes Karl Kesel, Tom Grummett and Doug Hazlewood, so I’m not sure what the breakdown was (or if that’s just a handwritten cover credit, just in case?

The story opens with one of my favourite sequences ever, with Lois waking up on her couch, having fallen asleep following the events in Coast City. I love the detail as she opens the curtain, we see her engagement ring, indicating she knows her real fiancée has returned. This sequence is followed up by two pages of splashes of the passionate reunion of the best couple in comics. All beautifully rendered as they float, locked in a passionate, sunrise kiss. Just lovely (so lovely that I am willing to overlook a small colouring error, as Lois has black hair instead of reddish brown for one panel). [Max: I can confirm that they fixed that in the collections.]

What follows is a very cute scene, and one of some debate among Superman fans. There’s no overt evidence of what happened, all we get is a cryptic caption reading “later…”. Again, I give credit for the subtlety of the writers, as they depict this scene in a way that can be read either way: maybe Clark and Lois made love, and the “later” we are seeing is afterglow, or maybe Lois had a shower since she just woke up after sleeping in her clothes. Then, after calling his parents while Lois showered, Clark had a shower himself. I feel like today’s writers wouldn’t feel the need to be so subtle, and might lose the sweetness of this scene.

In previous posts, I’ve talked about my friendship with artist Tom Grummett, and how as a boy, I would wear him out with all my dumb fanboy questions. Once I got older, and our relationship became a little more collegial (just a little closer to collegial, since I in no way consider myself anywhere near his level of skill or success) I would really try not to geek out too much when we would visit. But the one question I had to ask was about this scene, and what their intention, or interpretation of it was, as I was always curious. Once I had explained to him which issue it was (the guy has drawn hundreds, so they might not all spring to mind immediately!) he admitted that his assumption was indeed that they had sex. So there you have it! [Max: Hot damn! Another Superman ‘86 to ‘99 exclusive, folks!]

However you wish to read this scene, the choreography, and facial expressions as they horse around is really sweet and fun, and such a nice, light tone compared to the do-or-die pace the books had been for the last two years or so. Their easy joking, and back and forth banter really do a great job of showing them as a real couple.

It’s a very nice pose on Supergirl as she lifts off, simultaneously spurning Superboy’s romantic complaints.

I quite like the design on Loophole, and his gang. Loophole himself kinda harkens back to the silver age villains of the Flash as Loophole has a unique hairline, is an older man, with a pretty average build, which was rare for villains in the 90s. His gimmick is pretty cool, too, though we immediately see its vulnerability.

The tearful reunion of the now-sober Bibbo and Superman is also a great moment—if anyone rose to the challenge of living up to Superman’s example in his absence, it was Bibbo. I discuss the scene in more detail in the observations later, but the image of Superman whipping away the debris on page 20 is a great visual, with the dust clouds creating great motion and urgency.

On the whole, a great first issue for the return to the never-ending battle, even if it brings us closer to Grummett’s last issue on this title (for a while).

STRAY OBSERVATIONS:

Could Superman referring to the Death and Return storyline as a dream, while stepping out of the shower be a reference to Dallas, and their famous about-face after an unpopular season, where Bobby Ewing emerged from the shower, alive and well, dismissing a yearlong storyline as a dream?

A coy semi-reference to perhaps my favourite line in the first Reeve Superman film on page 8, where Supergirl says “Easy steel, we’ve got you, then later adding, “ok, you got me”.

A little more issue-to-issue dissonance with Superboy reversing himself from the end of Superman #82, where he said clearly that Kal-El was Superman, with Superboy pointing out that legally, he’s Superman and not Kal. [Max: I think he’s talking strictly in the legal sense, since he helps Superman deal with the legal problem on the next issue and all.]

For all the times that Superman has used his heat vision on guns (as he does on page 11), we’ve never seen rounds get burned off, firing on their own because of the heat. There might be an idea there.

An odd sorta-cameo by Erik Larsen’s Savage Dragon, who Superman apparently defeats in the waterfront district. An eagle-eyed reader asked Larsen about it in issue #6 of Dragon’s own book, and he nixed any proper crossover rumours, saying it was just a shout-out from Larsen’s buddy Karl Kesel. Eventually they’d meet in Superman/Savage Dragon: Chicago, a so-so crossover in 2002.

A slightly bawdy joke from one of the Loophole gang, on page 14, as the moll of Deke Dickson calls Loophole a “weiner”.

GODWATCH: A stirring moment when Superman detects the faintest of life-signs, thanks to would-be super-pup, Krypto, and responds “God willing” when someone asks if anyone is alive in that wreckage. The love and concern in Superman’s eyes when he says he’d “rather die” himself than let little ones perish is a tear-jerker moment for sure. Bonus points for the cuteness of Superman heaping praise on Krypto, with the line “if that dog could fly, I’d put a cape on him…”

Question: Does Jimmy know? He comes up with the solution to the Clark problem very conveniently. Maybe he’s smarter than we (and by we, I mean Max) give him credit for? [Max: It was all Krypto! Okay, I’ll concede that maybe Jimmy is as smart as a dog.]

#superman #karl kesel #tom grummett #doug hazlewood #superboy #steel #supergirl #S.T.A.R. Labs #eradicator #loophole #maggie sawyer #dan turpin #sydney happersen #tana moon #bibbo bibbowski #krypto #dickvault #the man whose dick is a vault

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wonderfulworldofmichaelford · 4 years

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Psycho Analysis: Christmas Special Villains

(WARNING! This analysis contains SPOILERS!)

Much like I did for Halloween, I wanted to do a bunch of one-shot or at the very least minor Christmas villains, which presented me with an interesting problem – most Christmas specials don’t really have villains. Usually the main obstacle to overcome in any holiday special is some sort of emotional fault of the main character, a lack of belief in the spirit of the holiday, or something to that effect, and when there is an actual villain, it tends to just be ones from the show at large with a Christmas-related scheme. Like I’m not doing Princess Morbucks or the Kanker sisters for this.

Luckily, There were a few I was sure on, and I managed to scrounge up a few more to deliver five lovingly-wrapped holiday villains. We have:

Mrs. Claus from The Grim Adventures of Billy & Mandy

Ghost Writer from Danny Phantom

Robot Santa from Futurama

Edna Jucation and the Faculty Four from Codename: Kids Next Door

The Woodland Critters from South Park

Here’s the most interesting thing: Despite Christmas stories tending to lean more towards internal conflict and self-reflection, when they do have actual, tangible threats like these, they tend to be honestly and genuinely great. This is in stark contrast to A lot of the villains from the Halloween specials, who tended to just be big scary baddies without much oomph to them.

Actor: Mrs. Claus is portrayed by Carol Kane, an incredibly prolific actress who you may know best as Valerie, the wife of Miracle Max from The Princess Bride. And much like in that film, she manages to be as enjoyable and funny as the guy playing her husband, which is a tall order indeed – in that film it was Billy Crystal, and in the special it’s Gilbert Gottfried.

Ghost Writer is portrayed by Will Arnett of all people. This was post-Gob Bluth but pre-Batman and BoJack, so while not unknown by any stretch it’s definitely weird to go back and see him in a Butch Hartman action cartoon of all places. He does a great job, as to be expected; when has he ever done poorly?

In his first appearance, Robot Santa was voiced by none other than John Goodman. Normally I’d say Goodman would be perfect for the role of Santa, but… this one’s a maniacal robotic serial killer. It’s a wonderfully jarring juxtaposition. After that, John DiMaggio gave Robot Santa a voice for his other appearances, and he does a good job for sure. Obviously he’s no John Goodman, but really, who is?

Edna Jucation is voiced by Candi Milo, and the Faculty Four are played by Dee Bradley Baker and Darran Norris; Baker is the Unintelligible Tutor and Thesaurus Rex, while Norris is Mr. Physically Fitastic and the Human Text. These are all top-tier veteran voice actors, and they do a fine job, but I can’t particularly say they really make any of these characters stand out or be memorable, which is a shame.

As to be expected, the Woodland Critters are voiced by Trey Parker and Matt Stone. Big shock there. Even less shocking is that they are perfectly funny as these depraved animals.

Motivation/Goals: Out of all of these, I think it’s really fitting that Mrs. Claus is the one with the best motivation. As the HEAD head vampire in the North Pole, she has turned Santa into a vampire and put a halt on Christmas because she is overworked and exhausted, having to do all the household chores all year while Santa only works one night. It is absolutely, perfectly understandable that she snapped… but apparently this isn’t even the first time, as Santa mentions at the end this has happened on multiple prior occasions. You think he’d treat her better after the second or third time, but then we wouldn’t have a plot.

I’d say that Ghost Writer and the Woodland Critters are tied for the next spot; both of them have solid reasons for doing what they’re doing. Ghost Writer was just a humble author trying to finish a Christmas story in time for Christmas, but unfortunately this caught the eye of the extremely Scroogey Danny Phantom, who absolutely hates Christmas due to traumatic events caused by his family fighting on Christmas in the past. Danny, in a moment of incredible callousness, blasts the poor ghost’s manuscript to bits and then proceeds to rub it in, which drives GW to breaking the annual truce and using his powers to torment Danny by trapping him in a Christmas story where he and everyone else can only speak in rhyme. It’s honestly hard to feel sympathy for Danny here, but GW does take it a bit too far.

The Woodland Critters, on the other hand, are just utterly depraved… but that’s to be expected seeing as they are the creations of Eric Cartman, inhabiting a Christmas story whose sole reason for existing is to make Kyle look like a tool. In the story, they get Kyle knocked up with the Antichrist. You see, there master is Satan, and they want nothing more than for his spawn to be born into the world. They really just exist as a reason for Cartman to rip on Kyle for being a Jew at Christmastime, as Kyle himself points out in their debut episode.

Edna and the Faculty Four are a bit simple and amusing, as is befitting of a gimmicky villain from The world of the KND. They team up with the Delightful Children because Substitute Teacher’s Day is virtually unknown compared to Christmas, the kind of absurd, wacky reason for villainy you’d expect from a world where some of the most feared supervillains include an evil dentist and a vampire who spanks people. Robot Santa is likewise extremely simple, yet effective: every Christmas he flies down to Earth to punish the naughty – which is everyone except Zoidberg. This is due to a programming oversight that left his standards set way too high, so no one can ever measure up. Except Zoidberg. There’s really not much more to him than that, but really, does their need to be?

Final Fate: Mrs. Claus is redeemed at the end of the special thanks to Billy, who helps her understand the true meaning of Christmas and who heals her husband so that he can apologize. Things seem like they might work out for real this time because now Malcolm McDowell’s vampire is around to help with tidying up, so hooray! Happy ending here!

Ghost Writer gets thwarted because Danny picks up an orange; as Ghost Writer never watched Drake & Josh and thus didn’t realize that “door hinge” is an acceptable rhyme, he was unable to continue writing his story and got beat up by Danny and his rogues gallery and then thrown into Walker’s prison for breaking the yearly truce in the Ghost Zone. At least he got to complete his book?

The Woodland Critters go out when Santa comes in and blasts them away with a shotgun… but since they are technically fictional characters, they show up in Imaginationland to cause problems. Still, it’s reassuring to know they can be taken out with simple firearms.

Edna Jucation, the Faculty Four, and Robot Santa really don’t have any canonical final fate; they just get defeated and then go on their merry way. In Robot Santa’s case, he actually showed up quite a few more times after his initial appearance to wreak havoc, but the Faculty Four and Edna were entirely oneshot antagonists.

Final Thoughts & Score: Christmas honestly fares a lot better than Halloween does as far as I can see. The villains tend to be a lot more thematic, or at the very least they have more personality and thematic function. Halloween doesn’t really have any sort of core themes to work off of as opposed to Christmas, which has a lot of reoccurring themes in works based around it. Still, most of these characters just settle on being funny.

Mrs. Claus and the Woodland Critters are the best of the bunch here, and both earn themselves a spot on the Nice List with a 9/10 each. Mrs. Claus is just a lot of fun, mostly because of the fact she has legitimate grievances on top of being a unique twist on the character. Mrs. Claus as a vampire overlord who commands hordes of vampire elves? That’s the sort of creative wackiness that Billy & Mandy delivered on. The Woodland Critters are just funny, plain and simple, acting as the sort of amusing subversion that could be expected of from South Park in its glory days as well as being totally in line with Cartman’s personality. These are the exact sort of original characters I’d expect from a guy who ground up a kid’s parents and made them into chili, what with their blood orgies and ultraviolence. Amusingly enough, they score a point higher than Cartman did in his own Psycho Analysis, which is mostly due to their limited appearances meaning that they stay remarkably consistent, where Cartman tends to be whatever an episode needs to be, be that hero, anti-hero, or villain.

Next up are Ghost Writer and Robot Santa, who both get 7/10. Ghost Writer is a very amusing oneshot, but it’s honestly weird that out of all the Villains from Danny Phantom, he’s the first one I talked about. You’d think it would be Ember or Vlad or something… at any rate, he’s an amusing antagonist, but he’s also one who it’s hard not to view as being in the right, especially since Danny was just a jerk to him completely unprovoked due to his own personal hangups with the holidays. As usual with fun ideas on the show though he was only ever used once, which is a real shame but at the same time understandable; his gimmick really only works with Christmas, so it would have been weird shoehorning him into another episode’s plot. For what he is, he’s fun.

Robot Santa has a similar problem, not really being able to function outside of Christmas specials, but his few appearances leave him as an amusing antagonist who never really overstays his welcome. He’s not as entertaining or engaging as, say, Mom, but he definitely offers some laughs with his hilarious concept and his ridiculous levels of bloodlust. Points t him for helping out the heroes in the first Futurama movie too.

That just leaves us with Edna and the Faculty Four, and the Faculty Four just manage to scrape onto the bottom of the Nice List with a collective 5/10. They don’t really have much character or personality, especially when compared to the heroic Marvel pastiche that is Elfa Strike, but as brief amusing gag villains meant to pay loving tribute to the Fantastic Four, I think they’re decent. Edna is not so lucky; she’s a bit obnoxious, shrill, and doesn’t really correlate to any sort of Marvel character, which is baffling since the entire episode is one big love letter to Marvel comics. Sad to say, but she’s landing smack dab on the Naughty List with a 2/10. She doesn’t even have a cool gimmick!

I suppose that wraps it up for Christmas special villains. Doing something like this is tough, because it really makes you sit back and wonder what sort of Christmas villains you should put on. Obviously I avoided any theatrical film villains, but that did leave one particularly glaring omission of a villain from a holiday special… a big, green, unpleasant omission. He’s a mean one, for sure...

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homespork-review · 5 years

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Homespork Act 1: The Note Dawdling Tension Plays (Part 1)

A young man stands in his bedroom. It just so happens that today, the 13th of April, 2009, is this young man's birthday. Though it was thirteen years ago he was given life, it is only today he will be given a name!

CHEL: Here we see the first page, and are introduced to our protagonist, ZOOSMELL POOPLORD! Sorry, I mean John Egbert. The joke names used as a running gag, and also the actual names which end up applied to the characters, were the suggestions of the players of the original forum game.

BRIGHT: Homestuck does start out strongly in several ways. It immediately establishes the protagonist and location. It sets the tone it will use, one based heavily on a text adventure computer game. It introduces the reader to the inventory system...

And here the first feature of Homestuck becomes apparent: although a hugely popular and widely known webcomic, it is very slow to get going. The new reader who arrives on the recommendation of others ends up scratching their head and wondering if they’re in the right place.

TIER: In ancient times (so somewhere in 2014/15) I actually attempted to read Homestuck to see what the occasional weird noises the name caused were going on about. I'm very certain that I didn't even make it to meeting any of the other kids I was so bored.

CHEL: Same here. It took me two or three attempts to get to that point. The problem is that the intro is left over from its days as a forum game, in which no one was expecting it to lead into the epic story it became. It worked great for that format, but less well now. And here we start on our first counts.

GET ON WITH IT!: 1 HOW NOT TO WRITE A WEBCOMIC: 2

How Not to Write a Novel lists multiple errors which could be said to apply here:

The Waiting Room - wherein the story is too long delayed Here the writer churns out endless scenes establishing background information with no main story in sight. On chapter 3, the reader still has no idea why it’s important to know about [the background info, in this case how badly John fails at using technology]. By chapter 7, the reader would be having strong suspicions that it isn’t important, were a reader ever to make it as far as chapter 7. Zeno’s Manuscript - in which irrelevant detail delays narrative momentum Any scene can be killed by description of every meaningless component of whatever action the character undertakes. As in Zeno’s Paradox, in which an arrow never reaches its target because it must always travel half the remaining distance, the reader begins to feel as if the end is further and further away.

A comic about a kid failing to master a video game inventory system is mildly amusing once, but not when it drags on this long, and it’s not particularly fitting for an epic adventure involving the fate of universes. Well, that’s not quite fair; introduction to mundane life and slow revelation of the magical goings-on works fine for books like the Harry Potter series. But, to take Philosopher’s Stone as an example, multiple different odd things happen over the course of Uncle Vernon’s regular boring day, increasing in scale until it’s very clear something strange is going on, and establishing multiple aspects of the wizarding world, e.g. owls, their fashion, the existence and disappearance of a mysterious villain, the fact that the wizarding world is supposed to be secret.

John fucking about with his sylladex and putting up movie posters for page after page doesn’t tell us anything new. Failing to use the sylladex once would be enough to get the point that magical video game inventories are a thing in this world and John’s not very good at using them across, and then we really ought to move on, and we can already see the posters on his walls so we don’t need to see him hanging more. Possibly we could have needed the latter in a purely text format where we couldn’t see the walls, or in a comic without text description at the bottom where attention would need to be drawn to them on-panel. Admittedly, it does establish him picking up the hammer, which becomes relevant, but we don’t need a full page each for both the action of him picking up the hammer and the action of him hanging the poster.

… Who hangs a poster with nails, anyway? His walls must be in a hell of a state.

For that matter, that’s another HNTWAN entry or two:

The Second Argument in the Laundromat - a scene which occurs twice NEVER use two scenes to establish the same thing. We do not, under any circumstances, want a series of scenes in which the hero goes to job interviews but fails to get the job, or has a series of unsuccessful dates to illustrate bad luck in love. This works in the movies, where three scenes can pass in thirty seconds, but not in a novel. The Redundant Tautology - wherein the author repeats himself If you have made a point in one way, resist the temptation to reinforce it by making it again. Do not reexpress it in more flowery terms, and do not have the character reaffirm it in dialogue […] This point is worth repeating; don’t reiterate. HOW NOT TO WRITE A WEBCOMIC: 4

Additionally, people with a lower tolerance for “lovable clumsy dork” characters are going to come to hate John before the comic’s even started, though it’s probably best that people who are going to hate the main character learn that quickly so they can leave. I can understand not wanting to lose the forum game which originally spawned the comic, the other people involved would probably not be pleased, but perhaps it would be better saved as a side story and trimmed down when the comic proper was released. At least they could be compressed down by showing multiple failures and multiple poster-hanging actions on single pages.

One other minor gripe might be the neologisms, such as “sylladex” meaning inventory. I found it fairly easy to pick up and it does make the tone and narration nicely distinctive, but it’s a level of extra complication. How Not to Write a Novel has a couple points on excessively baroque wordplay - do you guys think it’s worth giving it a point for that?

BRIGHT: Possibly not in this case - wordplay is a feature of HS and this one is at least made fairly clear. There are plenty of offenders later on as I recall though...

CHEL: Okay, seems fair. In this case it is more of a feature than a bug. It does establish the narrative voice and add to the video game theme. However, the movie posters also bring up an addition to our third count.

Plus, a black president? Now you’ve seen everything! WHITE SBURB POSTMODERNISM: 1

A reference to the song “White Suburb Impressionism”, by IAMX…

"IAMX - 'White Suburb Impressionism" (Watch on YouTube)

… this count goes up whenever characters behave in a way which suggests they’re, well, white and suburban (or wealthier), despite any attempts to present them otherwise. This would have passed without comment, but Hussie later tried to claim he’d always intended the kids to be “aracial”, so any reader could project themselves or their preferred headcanons onto the kids. As we’ll show you, we don’t believe him, or at least don’t believe he succeeded. That would probably be difficult to pull off, anyway. Race affects a lot more than features on a stylised sprite.

FAILURE ARTIST: Now, I can’t quite put my finger on it but John’s and Dave’s opinion on black presidents in movies (that it’s a gimmick ruined by Obama’s election) feels like something that would only come out of a white mouth i.e. Andrew Hussie’s. Not the most egregious case of implied whiteness but still worth noting.

CHEL: The point of the joke here is not 100% clear, and that’ll be a thing which comes up later as well. See, I agree that’s Dave’s opinion, but I thought the point was that John genuinely didn’t know there was a black president at the time of writing because he’s already been established to be not exactly a genius and so far he’s been focused on movies and video games instead of real life. Maybe I’m underestimating him, though, since admittedly not very much of him has been shown at this point and it’s been a while since I read the whole thing. I’m not going to start using the ARE YOU TRYING TO BE FUNNY count here, though, because here Hussie clearly was trying to be funny. It just isn’t clear to me what about it was supposed to be funny. That’s probably my autism talking, though. Jokes are hard. I agree that it sounds like a white kid’s opinion either way - even the dimmest black American kid would know Obama existed, and so most likely would non-black people of colour.

Anyway! Things pick up a bit when John, under the username ectoBiologist, starts chatting to the second character to be introduced, currently known as turntechGodhead, though the second topic of conversation is a reference to a 1989 movie which, as time goes on, will be familiar to fewer and fewer readers. Luckily, the writer realises this, and the content of the conversation makes the reference sufficiently clear without falling into As You Know dialogue.

FAILURE ARTIST: Namely, their conversation is about a scene where - pardon me for being gross but it’s in the comic - a character accidentally ingests urine instead of apple juice. John and TG are surprised the character knew it was urine but I find it weird that someone with working smell would not know what it is. Urine has a distinct odor.

CHEL: Well, be fair. According to the drawings, the characters in question don’t have noses!

FAILURE ARTIST: On a more pertinent note, this conversation is an edited version of one Hussie and a friend had. Perhaps Hussie was TG? TG is practically an Author Avatar for Hussie. Sure, Hussie literally appears in the comic later, but TG seems to fit his true personality better. We’ll see how that affects things for better or for worse.

BRIGHT: This is also the reader’s introduction to the Pesterlog. This is one of those things that seems like it should be out of place in a webcomic - it’s just a page of two people talking to each other in chatlog format, with no other information - but the Pesterlogs actually work surprisingly well.

FAILURE ARTIST: When I first read Homestuck, I didn’t know you had to click on the Pesterlog to open it. I just sat around wondering what amazing conversations they were having. I’m not the only one I think who made that mistake.

CHEL: Yeah, I think I briefly had the same problem, but I don’t remember for sure. Possibly more attention could be drawn to the button.

TIER: I would've probably ended up in the same boat if the friends that recommended I read Homestuck didn't specifically tell me not to accidentally overlook them!

CHEL: That’s not exactly a writing error, so I’m not sure it falls under our jurisdiction, but it’s a point that ought to be brought up. The Pesterlogs do work well once the reader actually sees them, anyway. It’s actually pretty interesting to see how much information can be conveyed in a conversation without falling into As You Know Bob. Let’s check what points are introduced in this first one, for example:

- John really loves what he got for his birthday, a Little Monsters poster. From this we know he’s not spoiled (this is how you do it, Meyer) and easily entertained, and likely has a good home life, as he’s so happy and grateful about a gift from his dad.

-turntechGodhead has apple juice in his closet. This establishes his odd home life, and gets explained in more detail later.

- Some things about the personalities of both kids. John is enthusiastic and a joker, TG is mellower, sarcastic, rambles a bit, and at least plays at being cool.

- John really wants to play the SBURB Beta, a game mentioned earlier which is late being released. TG is less keen, again trying to be cool about it.

- Said game got “slammed” by critics, despite the fact that we learned earlier from John’s SBURB-logo calendar that this game has been hyped to hell and back and must be popular, with merchandise and reviews being released before even the beta version of the game is out. Something weird is going on; someone really wants a lot of people to play this game.

Not bad considering a total lack of body language reference or narration. Das Sporking’s seen authors using traditional narration do worse!

FAILURE ARTIST: The (adult) critics of Game Bro get into shenanigans that prevent them from playing the game they reviewed. Perhaps there’s something in the game that prevents itself from being played by adults, just like how adults can’t pilot Evangelions in the anime Neon Genesis Evangelion.

CHEL: Not sure. Doesn’t one of Dad’s online friends play it, or at least get caught up in it, later on? Though that part’s obviously supposed to be a joke… Maybe instead it’s a built-in way to stop anyone who might be listened to warning others what it does?

As established earlier, said beta is late; this is a reference to the originally planned launch date of the comic, three days before it actually ended up being released. Also, there’s a pun you may have missed in the background. The programming files on John’s desktop include the phrase “^CAKE”. The ^ symbol is called a carot. Get used to noticing those. It’s pretty amazing how many references, self-references, puns, and recurring themes are worked in, and people such as revolutionaryduelist have made semi-careers picking them all out. We won’t bother with all of them or we’ll be here all century, but we’ll pick up on any obvious ones.

FAILURE ARTIST: Hussie majored in computer science so there’s lot of computer science in-jokes in the beginning.

BRIGHT: Something I just noticed: One of the other files on John’s desktop is ‘TYPHEUS’. It even has a Denizen icon! Probably something that has been brought up plenty of times before, but still nifty on a reread.

CHEL: Typheus and Denizens will come up later in the comic.

TIER: When he feels like it, Hussie is immensely good at foreshadowing later events in pretty subtle but solid ways. It's stuff like this that makes times when he does fumble look worse than they probably are in comparison.

#homestuck #review #let's read #reread #literary critique #sporking #homespork #homestuck meta

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carrotwine4captainhops · 5 years

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Major Character Death as a creative writing tool

I’ve always been interested in the craft of writing. I’ve been mulling over the way Major Character Death is used as a tool in fiction for awhile, and after watching the extremely problematic death of Quentin Coldwater, (and the self-congratulatory responses of the show’s producers who apparently believe they invented the concept) I thought I’d give you the the high school level compare and contrast MCD essay you didn’t really need or want.

Before I start, I want to be clear that MCD as a tool is not a bad thing by itself. Many, many fiction authors use it in a very calculated way, and as long as it serves the story well, they’re doing their job. Many essays and books about the craft of writing discuss its use because it is just another tool in the creative writer’s tool box. When done well, it makes you cry in a good way; when done badly, the death feels like a cheap gimmick to force an emotion without doing much work as a story teller. The latter is definitely what happened with the season finale of The Magicians.

If season 4 of the magicians had been a novel, it would have been sent back for major revisions before publication.

The first MCD that came to mind while watching the season 4 finale of The Magicians, wasn’t technically an MCD, but may as well be: the ending of the Golden Compass trilogy. The two protagonists have recently fallen in love, and make the difficult decision to return to never see each other again as a way to save the multiverse from the damage caused by traveling between worlds. They won’t even be able to contact each other, and will have to live out their lives as if the other had died.

It was incredibly painful to read (it’s the first book I cried over), but it was beautifully written and a very logical conclusion that the author set up from book one. The books are about (among many other things) the failures of adults and authority when they make selfish decisions, and by choosing to put the health of the universe above their own happiness, they made the bravest, most adult decision they could. It’s a message about the hope that younger generations can fix the things that their predecessors broke if they’re brave enough. The Magicians almost had a similar message.

The second MCD I thought of was that of “Wash” from Firefly. Like a lot of other fans of the show, I got angry at this death in the movie Serenity (essentially the series finale of the TV show). Wash was the comedic relief and voice of optimism in a dark and dystopic show. While Quentin was clinically depressed, and, in the words of Margo Hanson, ”moderately socially maladjusted”, he also acted as the voice of hope to his peers. Both characters were the emotional core of their shows, which was a big reason why they were chosen by their perspective creators as the deaths that would be most felt by the audience. They both got a funeral scene, to really drive home how much the other characters (and by extension, the audience) would be impacted by their death.

In Wash’s case, having his death be accidental impalement during a crash didn’t feel entirely satisfying or necessary. It felt like a lazy way to make the audience sad and motivate the rest of the characters to Really Get That Baddie… BUT, this cheapness is balanced by the symbolism of an outlaw pilot literally dying at the helm of the ship he loved while trying to save the world. It also didn’t send any problematic messages to the audience. Wash was not the protagonist or a “self-insert” the way Quentin was; he wasn’t suicidal or part of an underserved minority group (and make no mistake, by making Quentin sexually fluid/bisexual, the producers signed themselves up for a more thoughtful treatment of his death, if it had to happen.)

The message from Wash’s death is one that is very familiar to readers of genre fiction MCDs: simply: “not everyone lives” and “people who put themselves in high-risk situations sometimes die”. Both of which are painful but fair messages to absorb.

This same tactic was used again by Whedon with Agent Coulson in The Avengers. As an optimistic “plot-armor-free” side character who had become a fan favorite, he was given an entire arc in the movie that the audience wasn’t expecting, made to be even more loveable, and then killed off in a long emotional death scene which was then used in the third act turning point of the movie. Whedon made it clear in interviews that the whole death was coldly calculated to squeeze emotion from the audience, and up the stakes in a way that a large body count couldn’t. It upset a lot of fans, it wasn’t perfect, but it was well done and fitting for the narrative and made the movie stronger, and, again, he wasn’t a member of a minority group. (And as a side note, a different creative team knew how popular Coulson was and managed to resurrect him for his own TV show and managed to do it in a way that wasn’t flip-his resurrection had consequences that lasted at least until season 5, the current season).

There is no mitigating balance to Quentin’s death. He was suicidal from day one of the series, and he left via (a purposefully plausible) suicide. His first question, once he realizes he’s dead, is not, “Did the plan work?” or “is Eliot OK?” (the friend he’d been working so hard all season to save) or even “is Julia/Alice/Josh/all my other friends ok?” These are questions that would be plausible and fitting in a character who’s journey has about helping friends and the world out of tough situations. But no, the first thing he asks is “did I finally kill myself?”

With one sentence, his character returned to the self-centered, timid, low-confidence, suicidal mess he’d been established as within five minutes of the show’s pilot. He had no self-realization until after watching his own funeral, at which point he happily and peacefully goes to heaven. At best, that’s heavy-handed symbolism. At worst, it’s erasing all of his character growth and making his entire story pointless, while sending the very dangerous message to the audience.

The writers stated in interviews that they made his death all about suicide on purpose, and now (as of this writing) they continue to refuse to grapple with how problematic that is.

Another MCD that seemed to do the same thing was Tris from the Divergent series. Like Quentin, she was the protagonist. Also similar to Quentin, her arc was almost too on the nose: she was born into a clan literally named “Abnegation” and indoctrinated from birth to sacrifice herself for her community. She wasn’t even allowed to look into mirrors in case she caught even a smidgen of self-regard. And how does her story end? By her sacrificing her life to get the “big baddie” and save her friends and family.

Like Quentin’s death, a lot of her character growth appeared to be erased in the last few chapters of the book. Prior to Book 3, Tris had been learning to question her upbringing, to think for herself, that it’s ok to look for happiness for oneself, and that selfishness takes many forms, not all of them bad. When she makes the decision to kill herself in the end, it left a bad taste in my mouth. The plot didn’t require her death, (for example, there were other characters who could have gone in her place, and as a leader at that point, the more difficult decision probably would have been to send someone else on that mission and learn to live with the guilt). Her death and the manner of it, seemed to say, “just kidding, actually the only way to realize your self-worth is to is sacrifice your happiness and entire self for your community.”

Sound familiar?

Quentin Coldwater was just starting to learn (and because he had an audience, to teach) many of these same things. For three and a half seasons, we see him form strong friendships (when he thought he couldn’t); help people (when he thought he was useless), pursue romantic relationships (when he thought no one could love him); he lives an entire lifetime with Eliot during a quest on alternate timeline, where he’s shown having to make the difficult decision every day, to stay alive, to keep working on the tedious and almost hopeless task of completing the puzzle to finish a quest, and then it turns out that the answer to the puzzle all along WAS that daily struggle. Later, in season 4, he tells us that he hopes to be a dad (again) someday; he shows more and more confidence in his magical abilities every season. All of that was erased by the way his death was written.

Even with the uneven messaging of Tris’ death, there is at least lots of room for interpretation. I believe the author was trying to show her final sacrifice as a way of reclaiming part of her upbringing that wasn’t toxic. The character went through a rebellious phase during book one, during which she seems to reject all parts of her former life, even the good ones, right after leaving the Abnegation community for the hedonistic clan of Dauntless. It would definitely be good growth for her, as part of self-actualization, to accept the good parts of her upbringing. I don’t necessarily believe that’s the message we get at the end, but we at least have the possibility. Not everyone has reacted negatively to the way Quentin’s death was handled, so maybe there is more possibility of interpretation than what I see. I’m willing to be proven wrong, but nothing I’ve seen from critics or the showrunners statements has yet convinced me.

Another (highly speculative), parallel I couldn’t help but make over the last few days, is between the Magicians showrunners’s treatment of this MCD and Joss Whedon of a decade ago. His recent fall from grace has finally allowed more critical examination of his past works, but I remember how, at his peak, he could do no wrong. He was the voice of hollywood feminism. He was lauded by critics, peers, and fans. Any voice that questioned him was mocked, dismissed, and even harassed. Anyone else remember when critics call “Dollhouse” a feminist show? None of that has not aged well, has it?

The Magicians producers, riding high off of critical acclaim of Quentin’s homosexual romance in Season 3x05, had ample chance to make the braver choice: to allow a queer suicidal boy make the choice to keep fighting every day despite how hard it was; To break rank with 99% of other TV shows and allow his homosexual romance to be explored and given the same consideration as the hetersexual romances. Instead, they made him kill himself and be happy about it, literally saying in interviews that he had nothing left to live for. Without even addressing his feelings for Eliot. They buried yet another gay, all in the name of a shock-value gimmick, and they think they’re being “revolutionary” and that anyone critical of their choices is “just sad”.

There are about a thousand different ways season 4 could have gone that would have made the writers’ intended message less problematic, more impactful, and more satisfying, and none of them involve a MCD OR a trite “happily ever after”. Consider, for example, that Zelda could have completed her redemption arc in some kind of sacrifice similar to quentin’s. Everett was much more her “big baddie” than he was Quentin’s, it’s just strange that she never got to really confront her mentor-turned-enemy. Consider that, since Quentin’s main focus and motivation all season was to get Eliot back, that he actually succeeds, but, their reunion and relationship is strained. If we must push this idea that “magic comes from pain”, think how much more painful it would be to be to have Eliot finally confess his love to Quentin, but now Quentin is unable to pursue that relationship because of all the trauma he’s suffered at the hands of Eliot’s possessed body all season. Consider that he finally breaks under the strain and excuses himself from further questing, which would easily allow Julia, Kady, or Alice to get more screentime. (I mean, this is just stuff off the top of my head. For a hundred other ideas, check out Archive of Our Own).

They did just about everything wrong with this particular major character death, and I don’t think their choice is going to age well in the years to come.

#cw: suicide #cw: self harm #the magicians #spoilers #season 4 #meta analysis #writing about writing #words about words #major character death #quentin coldwater #bury your gays

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waywardnerd67 · 5 years

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Fangirl Dreams: Night Out

Summary: After being apart from Jensen and Zac for several weeks, they are all back home for just the night and (Y/N) wants to spend it with them both. Their night out ends up threaten the perfect little world they had carefully protected for the last six years. Characters: Jensen Ackles, Zac Levi, Reader Pairing: Jensen x Reader x Zac Warnings: Fluff/Smut Word Count: 3445 A/N: As always this is unbeta so all mistakes are mine. Likes, comments and reblogs are splendid and I will love you doubly for them! Enjoy!

Check out: Fangirl Dreams Masterlist

(Y/N) stepped off the plane seeing Clif waiting for her, “Did you have a good flight?” he asked.

She nodded, “Yeah just long. Where is Jensen or Zac?”

“Jensen is at home already and Zac’s flight is delayed. Up to you if you want to wait for him or not. Jensen was going to order food for dinner.” He explained grabbing her suitcase from the turn aisle.

(Y/N) nodded, “I want to wait.”

Clif chuckled, “I figured you would. Come on, we can go wait in the car and I will come back in for him.”

She followed him out to the car stretching her legs out in the backseat. The last six weeks had been a whirlwind for the three of them. Once Jensen and Jared announced the ending of the show, (Y/N) made the decision that her character also needed to come to an end which played well into what the writers were building up in the series finale. Shooting her last few scenes with the guys were emotional and then she immediately had to leave for the second half of her book tour overseas.

It had been four weeks since any of them had seen one another in person. She felt as if she were missing two of her limbs without Jensen and Zac. Thankfully, they had two whole weeks together for Christmas before Zac would have to go back to Los Angeles for the big premiere of Shazam. Jensen and her would have a few weeks after that until he had to go back to Vancouver leaving (Y/N) alone in Austin.

She felt the cool air filling the car as she peeked open her eyes smiling widely seeing Zac climbing into the backseat. She sat up instantly wrapping her arms around his waist before he could even shut the door. His strong arms wrapped around her as she relaxed for the first time in weeks.

“I missed you.” He whispered against the top of her head.

“Me too handsome.” She squeezed him a little tighter not being able to be close enough to him.

Arriving home, Jensen was impatiently waiting outside pacing along the driveway of their house. When he saw the two of them get out of the car he pulled them both into a hug. The weeks apart were particularly tough on Jensen who was not used to being alone for so long. Clif helped bring in all their bags then left for the night.

They all sat around the living silently eating Chinese food and absentmindedly watching the movie on the TV. Seemingly they were all lost in their own minds as they adjusted to be around one another again. (Y/N) sat up turning off the TV to catch their attention which it did.

“I want to go out tomorrow night.” She announced as Jensen and Zac both looked at her.

“Um, okay. Who do you want to go out with?” Jensen asked placing his food on the table in front of them.

(Y/N) squared her shoulders getting ready for the push back she was about to get, “Both of you. I want to go out on a date with both of you.”

Hazel and olive eyes stared at her widely before Zac spoke up, “Gorgeous as much as I would love that we can’t. If we do then I have to be the third wheel, the friend.”

They had all gone out before in public, but Zac was always the one who drew the short straw. Keeping his distance from her and acting like the best friend. Seeing how sad he would look at the end of their outing always broke (Y/N)’s heart.

“Zac’s right, pretty girl. We can’t just simply go out in public without risking what is really going on here.” Jensen’s even tempo voice had her standing up in front of them.

“Seriously? Guys we live in a day and age where guys can turn into girls and vice versa. There is every sexual type out there being celebrated and supported. You really don’t think our fans our society will not be able to comprehend how one woman could be full in love and committed to two men.” She ranted feeling like a mad woman.

Jensen looked over to Zac who was leaning back in his seat, “Dude you’re not considering this?”

Zac shrugged, “She has a point. Our society is opening up to all possible things. It would be nice to go out the three of us together. Dress up, wining and dining the night away.”

“Have you two lost your minds? We’ve kept this secret for six years fearing the fact we would all lose our jobs and possible future jobs. What has changed?” Jensen said as (Y/N) knelt in front of him.

She held his hands tightly, “These last four weeks is what changed. Four weeks without seeing you two and it nearly broke me. I can’t go through that again. We already don’t get to spend enough time together and I don’t want to spend the time we do have together hiding from the world. Jensen I just can’t do that anymore.”

He looked over to Zac who ran his hand through his hair, “I’m with her man. I’m sick of hiding and honestly, I want to be able to tell people I’m happily committed to (Y/N). Instead of having to dodge the question constantly.”

Jensen sighed deeply before looking back to (Y/N), “Before we go out in public, I think we need to tell our managers and publicists. Just to be prepared for any backlash.”

(Y/N) climbed into Jensen’s lap hugging him tightly and kissing him, “Alright, I agree to that, but can we still go out tomorrow night please? We need to get out and blow off some steam.”

She watched as he rolled his eyes, “Zac make the reservations. We are taking our girl out on the town tomorrow.”

The next day, Jensen was the first one to call his manager and publicist alone in his office. Zac and (Y/N) were putting up the Christmas tree when he walked out flopping down on the couch.

“How’d it go?” she asked nervously.

“Surprising well. Apparently, we’re not hiding it as well as we think we are. There are a lot of rumors floating around we are in a relationship together. Mostly though, fans just think it is cover-up for Zac and I being together.” Jensen explained as (Y/N) started laughing.

Zac bent over slightly running his hand over his ass, “You wish you could have a piece of this Ackles.”

Jensen began making gagging noises covering his mouth as if he were going to throw up. (Y/N) started laughing even harder as Zac acted like it hurt his feelings. “Seriously though, they seemed okay with it. They did tell me for us not to go out in public yet until we decide to go public. Then I stopped listening as they started naming off magazines and reporters.”

(Y/N) walked over sitting next to him, “I’ve actually had a thought about that. What if I wrote a book about the last six years of our relationship? The story of how we all became an item, how it’s worked for us and throw in some candid pictures of us.”

Suddenly, both of them were looking at her panic on their faces, “I don’t about that (Y/N).” Jensen said as she looked over to Zac.

“Yeah gorgeous. It’s one thing to say hey we are what we are and that’s that. A tell-all book will be complicated.” Zac said sitting on the arm of the couch next to her.

She sighed getting up walking towards the stairs, “You don’t think I’ll write our story to my best ability. This isn’t some kind of money gimmick for me. I just want people to know the whole truth without making any assumptions but whatever if I’m not good enough then I’ll forget it.”

Zac called out, “Wait…”

Just before Jensen said, “(Y/N), we don’t…”

“Forget it. I’m going to go upstairs for a little bit before we attempt to go out in public for the first time.” She said leaving before anything else could be said.

(Y/N) knew she was overreacting, but she could not help it when they both shot the idea down. She had been working on the book for months now writing so many important moments throughout their relationship. However, she needed them not only to be on board but be apart of the process. There were many things that only the two of them knew that had a much impact on their relationship.

As she laid on her bed with her eyes closed, (Y/N) heard the door open and close. Feeling the bed dip down in front of her she opened her eyes to see bright hazel ones looking at her. “Hey.” He whispered.

“Hey.” She said sniffling as Zac ran his hand down her arm coming to rest on her hip.

“You know that neither of us were saying that you’re not good enough, right?” He asked as she looked away studying the design on his t-shirt.

She shrugged silently as he pulled her closer to him, “Come on (Y/N), you know we think you’re an amazing writer.”

“I know, but it hurts more when you tell me to not write about something that literally means everything to me. Our story, our lives, you and Jensen are the center of my universe. I won’t be sorry for wanting to share that story with everyone.” She said looking up at him as tears threaten to fall down her face.

Zac brought his fingers over her cheek then moved a piece of her hair behind her ear. “You shouldn’t be sorry for it. We just want to make sure it is done in a way that doesn’t give the wrong impression. We don’t want to make this a publicity stunt. It has to be done in a way that shows the fans we are coming out to them honestly.”

(Y/N) rested her hand against his chest tracing the lines of the design silently gathering her thoughts. “I’ve already began writing the book.” She whispered.

“What?” Zac asked as she looked up at him seeing the panic in his eyes.

“Don’t worry, no one knows about it until just now when I told you. I began writing it months ago. Our story is so unique, and I think it will help others who may be going through the same thing. Honestly, it’s been the easiest piece I’ve ever written but it’s missing two chapters.” She looked right up at him as his eyes widen.

Zac shook his head, “Oh no. Gorgeous, I’m an actor even a singer sometimes but writer. No, I leave the Shakespeareing to you.”

(Y/N) sat up cross legged as Zac propped himself up on his elbow, “There are certain parts of our story that only you and Jensen know. I’m not saying you have to write but I need you two to tell me your sides. Like the trip to you two took to Nashville one weekend together then afterwards Jensen proposes to me. How was that decision made between you two? When did you decide to move to Austin and why? Stuff like that Zac is what’s missing.”

He looked down at the mattress for a moment before sighing, “You know it will be like pulling teeth from a man with dentures to get Jensen to agree to this.”

A spark of hope struck inside of her as she launched herself on top of him, “So you’ll be apart of it?” she asked as he laughed.

“Anything for you, gorgeous. Now it’s almost time for our reservations so you better get that fine ass in gear and get ready.” He said kissing her then getting off the bed, “I’ll talk with Jensen about the whole book thing, promise.”

“I love you Zachary Levi.” She said as the most breathtaking grin spread across his face.

“I know.” He said laughing as he walked out shutting the door behind him.

An hour later, (Y/N) was walking down in a simple black dress, flats and her (Y/C/H) hair straighten flowing down her back. Her breath was taking away from the two men waiting for her at the bottom of the stairs. Jensen was in plaid suit with a white button down shirt and dark green tie while Zac had on a navy suit with a black button down shirt the first couple of buttons undone. They looked like they were getting ready to walk down the red carpet.

Jensen helped put her coat on as Zac held out his arm for her to hook hers with. Jensen then did the same thing, “Are you ready pretty girl?” he asked.

She swallowed the nerves trying to choke her as she nodded, “Y-Yep.”

At the restaurant, Jensen sat across from her and Zac as she looked at him curiously. “We have to start somewhere, and Zac is always sitting across from us. His turn to sit next to you.”

The small gesture meant everything to her as she smiled at him. Once drinks and dinner were ordered it was as if nothing was different between the three of them. Conversation flowed freely about their separate adventures. When dessert came, (Y/N) sampled for each of their plates. Zac’s hand squeezing her thigh as she let out little moans of approval.

“Now you know what I go through with her.” Jensen chuckled.

“It’s like sitting next to a constant porno playing with her. Moans and whimpers throughout the whole meal. I’m dying here.” Zac said dramatically as she slipped her hand over his hard length just like she would do when Jensen was sitting next to her.

Jensen smiled seeing Zac’s surprised face, “Ah but you are rewarded for sitting next to her.”

“Fuck. Me.” He whispered as she continued to stroke him.

She grinned up at him, “That’s the plan handsome.”

After dinner, they walked to a nearby bar that had live music playing. So far that evening none of them had been recognized or at least approached by fans. The bar was loud with customers and the music thumped throughout the place.

After a few drinks, (Y/N) dragged both men up on the dance floor. Facing Jensen first she held onto his shoulders as they sway together to the beat. Zac’s hands covering her hips as she pressed her ass against him. Being sandwiched between the two men, feeling their bodies and the music playing around them had (Y/N)’s knees getting weak.

The next song she turn to Zac to dance with him while Jensen said he was going back to the bar for a drink. “You know I’ve only ever liked dancing with you.” He said into her ear as she pressed herself more against him.

Looking up into his glossy eyes she could not help herself to push up capturing his lips. At first his body tensed up gripping her tightly, but then she felt him deepening the kiss relaxing against her. When they broke apart she grabbed his hand pulling him towards Jensen.

“Come on, we need to get home now.” She said as the two men laughed following behind her.

Clif was waiting for them as the three of them climbed into the backseat. Not caring if he saw or not, she straddled Zac’s lap kissing him and grinding her hips against him. One hand pulling at his hair as the other reached down stroking Jensen’s hard cock through his pants.

“Shit (Y/N)…” he hissed as she broke the kiss with Zac to lean over to kiss Jensen while Zac kissed down her neck.

They barely made it in the door before the two men were stripping her out of her dress. Clothes were being thrown in every direction as they walked up the stairs to their bedroom. Jensen pressed her against the wall his large hands gathering her breasts as his mouth covered one of her nipples. Her hand ran down his body until her fingers wrapped around his length pumping over him slowly.

“Shit!” she cried out feeling Zac lifted one of her legs over his shoulder running his tongue over her slick lips.

Jensen was now pushing his hips against her hand as he sucked and licked her nipple. “Fuck I need to be inside of you.” He grunted stepping back from her.

Zac, however, was not letting her go anywhere as his mouth worked over her aching mound. Her finger tangled into his hair as she grinded herself against his face. “Shit Zac!” she cried out when he pushed two fingers deep inside her.

Jensen came back over to her his hand brushing against her breasts until he tugged and rolled her nipple between two fingers. “Come on pretty girl the soon you come for Zac the sooner you get us both where you want us. Come for us (Y/N).”

Her body began shaking as her orgasm hit her pulling Zac’s hair tightly crying out his name. “Damn gorgeous, I’ve missed the taste of you.” He said standing up as she held onto him.

“Pretty girl, where do you want us?” Jensen asked holding himself in one of his hands.

Trying to catch her breath a memory flashed before her mind bringing a smile to her face. She shakily walked over to the bed getting on all fours in front of them. She heard each of them mumbling curses watching her getting into position.

“Jensen front, Zac back just like the first time.” She said both men groaning at the memory.

Jensen held his cock right at her as the tip of her darted out over her lips flicking over it. She looked up at him seeing his rigid body as he kept himself in control. She nodded giving him the okay as he pushed his thick cock into her mouth. “Fuck, fuck, fuck.” He chanted.

Running her mouth along his shaft a few times she came off with a small pop looking back at Zac who was stroking himself. “What are you waiting for handsome? It’s not going to fuck itself.” She said making his eyes widen briefly before darkening.

Lining himself up he gripped her hips snapping against her throwing her body forward a loud moan escaping her lips. Jensen’s hand fisted into her hair as he would push in her mouth, Zac would pull out of her. It felt like hours as they kept a steady pace driving her mad. She pushed herself hard back against Zac surprising him unable to speak from Jensen’s cock stuffed in her mouth.

Jensen chuckled, “Dude when will you learn that you won’t break her. Let’s give her what she wants.”

The moment both men thrusted into her at either end she felt like her body were burst. Both chasing after their release Jensen fucking her mouth as Zac was pounding into her from behind. The way they filled her in every way possible overwhelmed her in all the best ways.

Jensen came first as she gagged on his cock deep in her mouth, “Fucking hell! Fuck!” he yelled feeling his legs trembling. He gently pulled out of her mouth sitting laying down on the only empty space of the bed breathing heavily.

(Y/N) could feel her own orgasm starting to spreading, “Oh god. Harder Zac fuck please I’m almost there.” She called out lean down to start meeting his thrusts.

He was grunting as he snapped his hips roughly against her. “Shit I’m c-coming!” She felt his cock twitching deep in her sparking her own release as she cried out his name repeatedly. He pumped into her a few times riding out his release before pulling out of her.

The three of them laid there blissfully exhausted as each man curled into either side of her. “I would say that was a successful first outing.” She said once she could breathe halfway normal.

Zac and Jensen both held up their thumbs silently entwining themselves around her. The next thing (Y/N) knew there were buzzing and ringing echoing throughout her ears. She woke up to see her boys still sleeping peacefully. Reaching over Jensen to grab her phone she saw a ton of missed calls and text messages.

Opening the first message she saw from Jared and she shot up from the bed. “W-What’s wrong?” Zac mumbled as Jensen groaned.

“We have a problem.” She said showing them both the linking Jared had sent her.

“Oh crap.” Jensen and Zac said at the same time just as their phones started going off again.

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#fangirl dreams series #fangirl dreams: night out #jensen ackles fanfiction #zachary levi fanfiction #jensen ackles x reader x zachary levi #jensen ackles fluff #zachary levi fluff #jensen ackles smut #zachary levi smut

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saintarchie · 4 years

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Remember A Day

Me: The year is almost over, this is a good time to start playing that game. My Life: Here’s 58,000 fucking other things that need doing before Christmas. Me: Oh.

Anyway, now that’s done, let’s check out Ringabel’s future diary gimmick.

There’s actually a lot to take in: In addition to the journal itself, it seems all of the relevant information about the game’s characters and mechanics are kept in here. Probably wouldn’t hurt to familiarise myself.

[several minutes of reading later]

OK, let’s move on to the journal itself. It seems to be written from Ringabel’s perspective, but he doesn’t remember any of it and the events described mostly haven’t happened yet. Assuming they prove to be accurate, the most likely explanation would seem to be that he was either given the book by a future version of himself, or that he is the future version, but doesn’t realise it thanks to his amnesia.

As for what the book actually says, here’s a quick summary:

9/20: Ringabel admires a picture of Edea and longs for the chance to meet her. He also watches a new ship, named the Eschalot, being towed into wherever he was at the time.

9/26: Ringabel crosses the Norende Plateau, en route for the capital, uneasy due to the lack of a weapon. Upon arriving, he is unable to stay at the inn and so lets himself into the empty house next door.

9/27: While exploring Caldisla, Ringabel is “volunteered” to join a local boar hunt with Owen. It goes well enough that Owen offers to set him up with better accommodation when they return.

9/28: Following the hunt, Ringabel becomes more ingratiated with Owen, but still keeps a certain amount of distance, allowing the people at the inn to go on believing their incorrect assumptions about why he came to them.

10/03: The new routine Ringabel had settled into is upset when a bright flash and violent ground tremors occur, apparently heralding some great cataclysm back in the direction of the Norende Plateau. Ringabel can’t figure out what’s happening, but of course the audience already knows that it’s Madoka’s birthday the Elric brothers burning their house down Norende falling into a chasm.

10/04: Signs of the destruction of Norende wash downstream, and Ringabel helps the locals investigate. Turns out, it was he who found Tiz and brought him back to the inn.

10/07: While Tiz convalesces, a badly damaged ship arrives in the port. The seas are rotting and un-navigable, stranding this ship’s crew and passengers. Among the latter group is Agnès, who has a lot of questions about the events of four days earlier. Ringabel tells her about Norende.

Of course, these are all things that have now happened. The next set of entries, however, are still to come:

10/25: The Sky Knights are defeated by the Vestal et al, who comandeer their airship, apparently taking Edea captive in the process.

11/13: The writer travels to Ancheim in search of the Vestal. This is interesting because it suggests that, assuming Ringabel is still the narrator of these events, that he did not take part in the capture of the airship. Since the current Ringabel has joined the party that’s about to head off and do that, it implies that either something will happen to separate him from the group, or that he is trying to subvert the pre-ordained narrative from the journal. In any event, he is unable to find Agnès in Ancheim and is pointed towards the Yulyana Woods.

11/23: At the palace in Ancheim, Agnès appears to be fomenting a rebellion against the king for reasons that aren’t entirely clear, although they have something to do with an evil sigil she’s carrying. The narrator is unable to get close to her because of the crowd.

12/08: The narrator expresses relief that “they” haven’t come to wherever he is, as their presence would complicate matters in some way. In their absence, he begs for “her” help but the book doesn’t say what for. Later, aboard his ship, he notes that Florem is a place where women live in chaste humility, peacefully co-existing with nature and rejecting conflict. He notes that “those two” would react badly to this description.

1/31: Nyx’s avatar awakens at the summit of Tartarus, bringing about the end of the world. Wait, wrong game. The narrator receives his first contact from “them” in three weeks, a brief message simply noting that the Vestal has entered the Sacred Flower Festival. He doesn’t seem to know what this means.

3/07: The narrator returns to a fortress for the first time in four years, wondering what “they” intend to do with such a large sword. He restrains the urge to attack his guide. Despite complaining about the properties of mythril and orichalcum being common knowledge that everyone already learned at school, he still makes a note of them in the journal. The fort’s interior appears unchanged, and there’s a map of it that I assume will be useful later on. At the top of the fort, he dismisses the guide, just as somebody with a giant hand greets him.

3/17: The narrator is annoyed about having to defend some brat from being tortured. This came about as the result of a stand-off between him and an odd couple made up of a fat guy and a weakling. After “old man battleaxe” intervened, the kid ended up in the narrator’s care. The child is an eight-year-old orphan who ran away from a forced labour detail and so ended up “here”. Where that is isn’t specified, beyond the kid and the narrator having to share a room there.

3/19: The narrator reluctantly allows the child to accompany him on a journey... somewhere. Wherever it is, there’s a secret tunnel into some magma caverns. During a break they are caught by Edea, who demands that he let the boy go. Despite his exhaustion, the narrator has the boy hide and prepares to fight not just Edea, but Tiz and Agnès as well. So if it is Ringabel writing all of this, it appears that he ends up at odds with the rest of the party. In the midst of their battle it seems that the ground becomes unstable, leading to him having to pull Edea to safety. While she’s grateful for the help, neither she nor the other two are prepared to let this thing with the kid go. It’s all rendered moot however, by the narrator falling into the magma himself.

4/24: The narrator doesn’t initially know that that’s what the date is, but it’s written in the in-game menu, so I assume he added it afterwards. Anyway, he has improbably survived his magma bath and is being “fixed” by someone who doesn’t seem all that concerned about his well-being for reasons that seem to stem from an incident that’s not in the book. Oh maybe not, actually, the fixer is described as a pig, so it might be the fat guy from earlier. More painful reconstruction follows, after which, someone else tries to question the narrator about a letter he’s received. “Bring the orphan to the inn of origin.” The questioner assumes that this is a code of some sort, but I’m assuming that it is literally what the writer wants him to do with the boy. Of course, it’s been over a month since he actually had the boy, so the letter writer is working from outdated intelligence. Anyway, the questioner tries to get something out of some other letters they’ve intercepted, but the narrator’s not up to it, catching only a few key words like “earth crystal” “grandship” and “engine room”. After some more time passes, he’s released into civilian care, and within a week is fully healed.

6/16: The narrator reflects on the fact that “his” predictions are coming true. The first is a pillar of light that can be seen over the sea to the south, while the second has yet to happen, but stopping it depends on the narrator’s ability to stop Agnès et al from doing... something. He reflects upon how that trio came to be, and his feelings towards Edea, before signing off his final entry.

So yeah, a lot going on, or at least will be going to have been going on at some point in the past/future. Time travel is complicated. I’m assuming it’s time travel, anyway. Will be interesting to see how much, if at all, we end up deviating from the version in the book. The deal, as far as I can tell, is that the party is/was/will be convinced to do something, possibly under false pretences, while Ringabel is convinced to stop them. As for who’s right and who did all that convincing, I guess I’ll find out as I play through it. Airy’s absence from the diary narrative is interesting, though. Presumably that version of Ringabel didn’t see her much.

Now I look, there’s a bunch of notes that he’s written about people/things that are probably worth commenting on. Think I’ll leave that for tomorrow though.

#archie plays bravely default

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dcarevu · 5 years

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Batman TAS: Mad as a Hatter

“Why don’t you go do something useful like… Oh, go jump in the river.”

Episode: 27 Robin: No Writer: Paul Dini Director: Frank Paur Animator: Akom Airdate: October 12, 1992 Grade: B

I was in high school when Tim Burton’s version of Alice in Wonderland showed up in theaters, and like almost everyone I knew, I could not have been more excited. I really loved the Disney version, and considering that the man involved with Beetlejuice, The Nightmare Before Christmas, Batman, and more would be giving us his take on it right as I was starting to move toward my emo-scene phase, it was a dream come true. Even now, on paper, this seems like the perfect recipe, doesn’t it? But I think most of us can agree that it just didn’t meet expectations. The first time I watched it, I wouldn’t admit to myself that I wasn’t a fan. It was dark, and strange, and Tim Burton + Alice in Wonderland. Everything I wanted! As a developing emo kid, I was supposed to like it! The reason I bring this up is because Batman the Animated Series being fused with Alice in Wonderland seems like another fantasy-combination that would have no way to turn out subpar. Mad as a Hatter is an episode that, for the most part, actually gets a lot of praise. Alas (or, for the sake of the pun, Alice), maybe the idea seemed a little bit too easy, making it easier to over-shoot, missing the mark. This is another episode featuring a crazy set-piece at the end, but it is also another episode that was handed to Akom. Christ, why. Of all the episodes. All the episodes. Why is it some of the ones with the highest reliance on visuals? This episode involved not just complicated, creative visuals, but incredibly weird ones as well that needed to be animated just right to not look like subjects from one’s fever dreams. You wanna know how that turned out? Well, I heard an, “Oh my god!” from Char as the walrus and the carpenter made their appearances. While that did make me laugh quite hard, and Akom definitely got the weirdness down, it should have looked like intentional weirdness. Beyond the animation, the story is actually decent. It is Paul Dini, so what can you really expect. But even here, I would not call it A-level material. Some strange dialogue/delivery choices, and other leaps of logic/strains on the suspension of disbelief take away from it and leave me feeling extremely neutral.

Okay, so after that paragraph above was written, I went and took the screenshots from my DVD. I was surprised. The DVD looks so much better than the Blu Ray here. This was the case with The Clock King too, and I fear it is starting to seem like a pattern. I think it all comes down to the Blu Ray release looking too clean, and way too bright at times. Because of course, the DVD is in lower definition. Shadows are lightened so that we can see all of the imperfections of Akom’s drawings. Smudges and dirt are removed, giving the people a plastic look at times. It’s not the way the show was meant to be watched (as I said, probably VHS would be my preferred way of viewing if that were feasible). This puts me in an interesting spot, because I paid near $100 for the set, and also, some episodes look absolutely phenomenal. But is it worth it when some look like absolute crap? The great-looking shows look godly. The mediocre-looking ones look horrible. I was ready to tear into how Mad as a Hatter looked and rip it a new one, but now I do not think that would be fair. No, the animation here isn’t perfect. But it’s passable. And I think that’s worth something given the frequency at which I complain about Akom. At this point, I have watched up to Robin’s Reckoning. From here, I honestly might start using the ol’ dvd’s again. It’s unfortunate, but if I go back to specific episodes that I love later on, then I’ll use the Blu Ray. Remember, I am watching these with Char who has never seen the DCAU before. I want the series to make the best possible impression, and even with the best plot ever, a bad-looking episode can make a disappointing episode. Merely getting the episodes at a higher definition, but leaving them dirty and dark would have been my preferred solution. Anyway, back to talking about the episode itself (and yes, this does slightly affect how I see the episode. At first I was giving it a C. But I think I’ll have to bump it up to B territory).

We start with episode with some cute-ass mice, only to then be introduced to a face that a mother would have a hard time loving. Jervis Tetch, aka The Mad Hatter, is a character-design, alright. I think I know what they were going for, though. He has this kooky look that makes him stand out from every other character. He certainly looks like he could play someone from Wonderland. But the problem I think comes from Akom (ironic given that last paragraph, huh?). This design could probably work, but he has such an odd model, so I think they had a tough time animating him. Or maybe he simply does not translate to movement very well in general, and there was a problem the moment his model sheet was created. Regardless, he can be pretty tough to look at sometimes. Other times, though, he does have that level of whacky which I would hope would be in an episode based on Alice in Wonderland. But we see that Jervis is working on some mind-control technology while also being smitten for a girl that works in his office named Alice. Unfortunately, Alice has a boyfriend, and like many sociopaths in real life, Jervis is not okay with this, taking matters into his own hands. First of all, her name being Alice is kinda stupid, and Char agrees. It takes parallels a little bit too far, and Char noted that it would have been more subtle if her name were something like Alycia. Alice is one of the only people that Jervis feels is nice to him, so if we follow the most sound of incel-logic, she owes him her heart, mind, and body. Not only is she nice to him, but, again, her name is Alice. And it would not surprise me if this were a main factor of why Jervis is into her. He has an Alice in Wonderland poster in his office, he takes her to a theme park of sorts that has a section which is themed after the book, he owns a Mad Hatter costume (or perhaps he obtained this from the park), he quotes the book regularly, etc. He is clearly obsessed. When we reach the point where he mentions that it is one of his favorite stories, it’s like, “Wow! No kidding!” He is not quite wired into reality, likely developing this obsession at an early age to escape from life’s burdens. But Wonderland has burdens of its own.

Jervis ends up using these mind-control cards that he created (another Alice in Wonderland-related thing) to make people basically do his bidding. He first uses them on two thugs attempting to rob him and Alice, forcing them to climb up on top of a bridge and jump into the river. Batman catches notice of this through a police broadcast, and to my surprise, the show mentions a possible suicide in progress. How often do you hear a family cartoon like this use the word “suicide”? I think this is the only time I have ever heard it, despite references occasionally popping up in shows like Spongebob. He then uses more cards on his coworkers, Alice’s fiancé, and Alice herself, creating an army of Alice in Wonderland-themed warriors to defend him from Batman when Batman finds out what’s going on and sets after him. He wants Alice all to himself, and is willing to do whatever possible to obtain her. The final battle takes place in the theme park, the big set-piece of the episode. It’s got some great looking background paintings that 100% capture the tone of the book. It is a shame that the animation done by Akom couldn’t hold up to Radomski’s work. We have moments such as Batman balancing on top of the walls of a playing card maze that I wish stressed me out a little bit more. But because of how stilted the movement is, Batman never really seems like he is having a tough time keeping balance, even though we clearly see him struggling. The fight scenes could also be much better, with more impact felt. The odd costumes that most everyone is wearing makes for some really distorted-looking characters, and it’s clear that not a lot of time was spent making them look quite right. At the same time, though, between the subject material, the gimmicks, the overall surreal nature, and the background art, it is still a lot of fun to watch, even if it is in a more campy way. It is not an episode to be taken extremely seriously. This can be a problem with Batman. The tone can fluctuate greatly from episode to episode. At the beginning, it did not matter as much. Right away we had varying quality and seriousness. I mean, we went from On Leather Wings to Christmas With the Joker. But now we are getting gothic masterpieces like Two-Face, so episodes like Mad as a Hatter feel jarring as hell. It is an episode I enjoyed more on second watch as I gathered screenshots. I loosened up and let myself have fun with it.

The Mad Hatter fails to be a sympathetic villain like I feel they might have been going for, but I do enjoy him being so delusional and sociopathic. When Alice mentions her boyfriend, he gets this scary scowl, and you know at that moment that this is no character you want to root for. When Alice’s boyfriend temporarily breaks up with her, rather than attempting to comfort her and being upset over her sorrow, he jumps for joy because he has a chance to finally swoop in (the epitome of an Internet “nice guy”). When she gets back together with her boyfriend, turned fiancé, he squeezes a bouquet of roses in frustration so hard that he bleeds. I think they were able to get away with this portion because maybe the blood could have passed off as liquid from the flowers? Which doesn’t really make a lot of sense, but for the sake of the blood being included, um, sure. It was definitely rose-goo, guys. Not blood at all… And he also blames Batman for why things ended up the way they did, even though Batman had virtually nothing to do with anything until the very end. He decided to mind-control everyone because he was being a spoiled little piss-baby who could not let the girl he supposedly loves be happy. Char did not care for the character, and jokingly mentioned that he was appropriating the Mad Hatter, doing things that he would never do. Like some batshit crazy super-fan who feels sooo connected with a character, but actually doesn’t understand them at all.

Not a perfect episode, but a grower.

See? Cute-ass mice!

Wow, I didn’t realize that we were watching Attack on Titan. (Joke inspired by Char).

The poster on the wall matches the title card/an actual illustration from the book. It’s actually a pretty dope poster.

A variety of shots showing Jervis’ face. See how inconsistent it is? It is a little similar to the Pokémon Drilbur, where it only works 2D. Adding an element of 3D illusion (such as movement) causes it to fall apart.

Oh, sure, go and rob them right after you see Batman drive by. That’s always smart.

“Please, Mr. Hat. Go easy on us.” The delivery here was wicked funny. It was so monotone, and sounded like he was faking.

I quite like this facial expression. His smile reminds me of the Cheshire Cat.

Batman + Taco Bell

I love the panic in Batman’s voice as he tries to stop them from jumping off of the bridge. It shows how concerned he is with keeping them safe.

They were able to animate this shimmer pretty damn well. Then again, how hard could it be?

A very subtle recreation of the illustration/title card.

I don’t think the background here quite comes together, the composition is off. Still neat to look at.

A close-up of the illustration.

Now this is an ugly facial expression. Gross! And it’s not like this was a quick frame. It was there long enough to notice.

This shot has a lovely glow to it. It looks quite nice.

One of the only times they were able to get away with blood. Um. Oops. I meant flower-goo! It’s flower-goo, guys! The blood drips right onto Billy’s face. As if a hit were put on him. Awesome detail.

“Oh, do be quiet!”

Bruce whispers “Congratulations.” in such a goobery way. I love it.

The shadow of the plants shifted in some wonky-looking ways. Also, when the Mad Hatter and Batman both arrive on the scene, she says, “This is getting too weird.” But she says it so nonchalantly. Not the best delivery.

Very sloppy-looking drawings of their faces. These costumes, though.

Cool impact here. He just decimates that wood. I’m not sure if Storybook Land has the safest costumes.

This is some enjoyable stuff right here. I had a lot of fun with this portion.

“Off with his head!” I should have counted how many times this line was said.

Perfect example if how cool the painted visuals are paired with some mediocre animation. Hell, I’m pretty sure Batman’s run was recycled for two of these stills.

Gee, I wonder which cards are going to move. Great Mad Hatter, pose, though. This is what I wish he looked like all the time!

The looming Jabberwock ends up falling on him, ending the adventure through Wonderland.

There’s no reversing the damage, Jervis. You’ll never talk with her again. Was it worth it? Also, his hair totally changed color at one point. Um... Maybe he dyed it?

Char’s grade: D Next time: Dreams in Darkness

Full episode list here!

#dcau #dc animated universe #mad as a hatter #batman #batman tas #batman the animated series #btas #mad hatter #alice #alice in wonderland

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hazyheel · 5 years

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Monday Night Raw Review 4/22/18

Night started out with a promo from Seth Rollins and Triple H, who hugged for some reason, despite beating the shit out of each other at Wrestlemania two years ago. Rollins is apparently from Iowa, so he got a huge applause. They talked about how Rollins beat Lesnar at mania. It sounded like they said that Rollins stomped his fucking head in, with the swear and all. They then talked about who Seth’s opponent will be at Money in the Bank. The best of the best would be competing for #1 contendership throughout the night. Samoa Joe, Rey Mysterio, Drew McIntyre, Miz, Baron Corbin and AJ Styles came out to confirm that they will be in the triple threats, with the winners of the two matches going on to a final in the main event.

Grade: B. I was actually into this. The whole “Seth vs. The World” was a cool story to tell. Everyone cut a little promo, and while it was painfully obvious that the Raw writers aren’t as good as Smackdown’s, they were still fun. It made me actually feel excited for the episode.

The first of those triple threats was right away. Rey Mysterio vs. Samoa Joe vs. AJ Styles. Styles and Mysterio had a good back and forth, with both selling their asses off for the other. At one point, Joe hit an awesome samoan drop off the top rope.The finish was really exciting, with Mysterio hitting Joe with a 619, only to get caught out of the splash with a powerbomb from Styles, then another powerbomb onto Joe, followed by a Style’s clash onto Joe. Styles then hit a Styles Clash to Mysterio onto Joe. AJ then pinned Joe for the win.

Grade: B-. A bit of a spotfest, but it was still fun. The selling in this match was actually crazy, they all made each other look awesome. Fun match, with a surprising outcome. I definitely didn’t think Joe would get pinned, but he has been. So we may see another AJ vs. Joe feud in the coming weeks.

Next match was Billie Cay vs. Naomi. The IIconics cut some annoying promo about Starbucks or something, it doesn’t matter. The match was quick, but I liked it. Naomi kicked Peyton Royce off of the apron while hanging Cay up on the top rope, before pinning Cay with a powerbomb cover.

Grade: C+. I liked this for what it was. But it was too quick to give it anything above this. Still, I wonder what this will lead to.

They showed a promo for Bray Wyatt’s new character. They then went right into the next triple threat, Miz vs. McIntyre vs. Corbin. Heels ganged up on the faces quickly, with Miz attempting to use his intelligence to outsmart them. The heel alliance did not last long. Oddly enough, Miz is still using Daniel Bryan’s moves, which is odd to see with Miz as a face. Match came to an end when McIntyre nailed Miz with a claymore, but Corbin then threw McIntyre out of the ring and got the pin.

Grade: D+. Yeah, boring fight. Finish was creative, but Corbin didn’t need this win. Styles vs. McIntyre would’ve been awesome. this was really just a babyface in peril type match.

Sami Zayn was out next, going to war with the crowd about how he didn’t change, they did. He said that his time away was the best time of his life. He was thrilled, but when he started coming back, he felt anxious and sad. Because of all the fans. He says they are responsible for his shortcomings. He told the locker room to take a vacation, to get away from the fans. He then told everyone to go to hell and walked off.

Grade: B. Simple heel work, same stuff as last week.

Cedric Alexander came out for his debut, squaring off against Cesaro. The two had pretty good chemistry, with Alexander selling like crazy. Cesaro was channeling his old singles prowess. Alexander attempted to go for power moves to match Cesaro, but he was just not as strong as the heavyweight. Alexander hit a cool little combination of dropkicks, and then a Michinoku Driver for a near fall. However, as Cedric went for a springboard move, Cesaro intercepted with a European Uppercut for the win.

Grade: B+. Good match, but it was a little short. Still, very good for a TV match. Finish was surprising, but it made sense. I’d love to see these two go at it again, and since Sheamus is injured, no reason not to push Cesaro. A singles feud with these guys would be awesome.

Backstage, the Usos talked about the tag team competition on Raw, showing good charisma with a bad script. The Revival squared up with them, and that is a match that I need in my life. The Viking Raiders then came out, no longer the Viking Experience. They took on the Lucha House Party, but just beat them down before the match. I Guess their finsiher, the pop up powerslam, is the Viking Experience now. Then, backstage, Ryder and Hawkins were interviewed about their feelings on the tag division, and they just said that they will fight Erik and Ivar when they earn it.

Grade: C. A strong C, but not quite a C+. These segments were basically all to show how strong Raw’s tag divison is, and I am excited to see how things shake out in the coming months. But at the same time, this was all tease, so I can’t rate this any higher.

Becky Lynch finally had her first match as a double champion, against Alicia Fox. Before the match, Lynch cut a promo in front of a super hot crowd. Lynchwas pretty heavily scripted, but she snuck in a couple of her own bits. Becky’s promos have kinda sucked since they tried to script her as a tweener, rather than as a cool heel. Lacy Evans then came down to the ring, cutting a very condescending promo about how the Lady will teach the Man a lesson. Lynch told Evans not to mistake her happiness for contentment, and Alicia Fox came down to the ring. She looked like she was randomly spazzing as she walked down, and I love it for no reason. The match was simple: Lynch destroyed Fox, and Fox was just doing her best. Lynch was able to lock in the disarmer to end an odd match. As soon as it was done, Evans got in the ring and nailed Lynch with two woman’s rights.

Grade: C-. All the stuff between Evans and Lynch was fine, but the match was pretty bad. They were just very awkward together, and there were a lot of botches in the match. Luckily the promos were good, and I am actually looking forward to the match between Lynch and Evans. Should be pretty good, and the story is developing in an interesting way.

Baron Corbin talked about himself backstage, saying that he will run straight through Styles, and then through Rollins to become the universal championship. I actually was unsure of who I wanted to win, but if Styles and Rollins had a series of matches, that would be phenomenal (no pun intended).

Next was Ricochet vs. Robert Roode, who changed his name because... I don’t know. He has a moustache now, so that is cool. But I’m fine with it, because he is finally heel on the main roster. Corey Graves loudly exclaimed that there will be a spike in pregnancies in the midwest, and it was hilarious. He also continuously yelled at Michael Cole and Renee Young for messing up Robert’s new name. In the actual match, Roode was being very tricky throughout the match, countering Ricochet’s high risk offense with simple leg sweeps and such. Ricochet did hit an awesome moonsault off the ring post, as well as a GTS type move for near falls. In the finish, Ricochet missed the 630 senton, and Roode threw him face first into the turnbuckle and hit the Glorious DDT for the win.

Grade: B+. I actually really liked this match, but it wouldn’t have been a B+ without the awesome commentary for this match. It was just so absurd and funny. They had some good chemistry, despite working a slower pace.

Then, there was some fucking thing called the firefly fun house, with Bray Wyatt. I think it was supposed to be creepy, maybe. I don’t fucking know. Maybe this is a face turn, I am like 85% sure it was. This was terrible. Why the fuck did they do this? His gimmick wasn’t the fucking problem, it was his booking. This gets an F. I don’t normally grade shit like this, but it deserves all the hate that it will get. If they make it work, great. But right now, Wyatt needs to leave the company. He is misused, and I hate this. But lets see where it goes.

And finally, the main event. AJ Styles vs. Baron Corbin for #1 contendership to the Universal Championship. Styles was selling for Corbin right out of the gate. Corbin was hitting several high impact moves, with Styles fighting from behind for most of the match. Styles did lock in the calf crusher for a bit, but Corbin fought out. However, Corbin went for a move off the top rope, but Styles dodged it and Corbin crashed onto the top rope. Styles then hit the phenomenal forearm for the win. After the match, Rollins came out, and they shook hands.

Grade: C+. I am actually super into Corbin’s heel work right now, a sort of meta heel, where he is getting both real heat and bad heat. AJ actually pulled a half decent match out of Corbin. Plus, this is a dream match that I have wanted for years now. Seems like a win win. I want to see what they do with Corbin in the next few weeks, because he is actually pretty fine and he is a good heel.

Overall Grade: C+

Pros: 1st triple threat; zayn promo; alexander vs. cesaro; ricochet vs. roode

Cons: 2nd triple threat; stupid ass Wyatt shit

#hazyheel #wwe #wwe raw #raw #monday night raw #wwe monday night raw #wwe review #raw review #wwe raw review #monday night raw review #wwe monday night raw review #pro wrestling #pro wrestling review #seth rollins #baron corbin #samoa joe #drew mcintyre

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whovianfeminism · 6 years

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Whovian Feminism Reviews the New Target Novelizations

I fell in love with the Target Doctor Who novels in the year between when the Classic episodes were taken off of Hulu and when they were finally put back up on BritBox. Trying to catch up on all the stories I hadn’t seen yet — and re-watching some of my favorites — was becoming an insurmountable financial burden. DVDs for individual stories regularly cost anywhere between $15 and $40 (and some out-of-print DVDs could go for as much as $90 on Amazon or eBay). I started combing the local second-hand bookstores to find cheap used DVDs, but oddly, I rarely found any. What I did find were stacks of Target novels — $2 each, or three for $5, and suddenly I had a handful of stories previously out of my reach.

Even though the Classic stories are available for streaming again, I still love collecting and reading the Target novels. So when I heard they were reviving the imprint for novelizations of the modern series, I was ridiculously excited. Instead of waiting for the U.S. release date, my family ordered three of the novels for my birthday from Amazon UK: Rose by Russell T. Davies, The Christmas Invasion by Jenny Colgan, and Twice Upon a Time by Paul Cornell. I read them all in one weekend and then re-read them all again. Each is a delightful novelization that could entirely stand on its own and be appreciated by someone who has never seen its on-screen counterpart. But for those who have already seen the episode, each novelization brings a renewed and deeper appreciation for the on-screen story.

First up was Rose. It’s a hefty novelization that diverges fairly significantly from the on-screen story. The original story is there, to be sure, but Davies has slipped in a few more plot twists to keep even devoted re-watchers on their toes. He’s fully enjoying having absolutely zero time or monetary restrictions to build his new story — to be honest, I’m not even sure he was given a word-count limit. And yet, it never feels tiresome. There is genuine dread and horror at what the Nestene Consciousness is capable of. And even though the reader will likely already know which characters will live and die, there are enough new characters introduced to create a real sense of concern about whether your favorites will survive.

Davies also goes on significant and lengthy digressions to explore the lives and inner thoughts of these characters. Surprisingly, it’s “Mickey the idiot” who comes out looking the best. Significant care is taken in Rose to explore Mickey’s life and how it influences his world view. He still has his flaws — he’s not the most attentive boyfriend, and he doesn’t react particularly well to the Doctor — but far greater qualities are revealed. Mickey is a man who has lived and suffered and lost most of the people he loved most, and yet all of those experiences have just made him kind. His life in the Powell Estates doesn’t feel stifling to him like it does to Rose, because to him it offers stability and the opportunity to make a new family. He opens his home to anyone who needs one, including three of his friends who don’t feel safe or welcomed in their homes.

Those three friends include a gay man, a trans woman, and another male character who doesn’t explicitly state his sexuality, but does take his first tentative steps towards a relationship with the other man after surviving the Auton attack. And Mickey welcomes them all with open arms. Davies could have left out several pages of additional material and rested on his laurels, and yet he went out of his way to add new characters to make this novelization explicitly, unapologetically queer.

Next up was Colgan’s novelization of The Christmas Invasion. Personally, I think Colgan is one of the most quietly devastating writers working on Doctor Who right now. I rarely walk away from one of her books or Big Finish audios without feeling deeply upset about something she’s written (in the best way possible!). And The Christmas Invasion gives Colgan a lot of tragedy to work with. By the time that Harriet Jones orders the destruction of the Sycorax ship, you see a fuller impact of the invasion and how many lives were still lost despite the Doctor’s intervention, and the victory over the Sycorax seems even more hollow.

But Rose’s own personal tragedy is the focus here. It’s easy for those of us who have sat through regenerations multiple times to have our empathy for the companions dulled, and The Christmas Invasion is easier than most to mock. After all, the Doctor told Rose what was going to happen to him right before he regenerated. But Rose doesn’t just have to come to terms with what physically happens to the Doctor. She has to work through her own fears and insecurities about how their relationship will change, and whether she’s just permanently lost one of the most important people in her life. It’s another form of grieving, and Colgan handles Rose’s grief beautifully.

But by far the most tragic scene was right at the end, when Rose leaves with the Doctor again and Jackie is left alone, desperately bustling around her empty apartment and creating as much noise as possible to hide her own sadness. Perhaps this just reflects my own guilt as a daughter who left her mother and travelled very, very far and doesn’t call nearly as often as she should, but damn, that hit me hard.

Finally, there was Cornell’s novelization of Twice Upon A Time. This was actually the first of the novelizations I read. The bittersweet joy of Peter Capaldi’s departure and the pure exhilaration of Jodie Whittaker’s arrival were still so fresh that I couldn’t wait to experience them all over again. And, oh, it was so good. I’m not exaggerating at all when I say I literally sobbed at the end of the book. But thankfully, Cornell kept me laughing all the way through.

Twice Upon A Time’s ending is a tear-jerker, but at its heart, this is a classic multi-Doctor story, full of humor and merciless mocking of each of the Doctors. Every single joke set up by Steven Moffat gets knocked out of the park by Paul Cornell. An anachronistic VHS becomes the Dalek’s missing Master Plan. An off-hand joke comparing the first Doctor to Merry Berry becomes an entirely new side-story about her friendship with the Third Doctor.

One of my greatest disappointments with the televised Twice Upon a Time was that Bill didn’t get a satisfying arc of her own. She existed largely to facilitate the plot, or to assist with the Doctor’s emotional labor towards his regeneration. But in his novelization, Cornell gives Bill the happy ending with Heather that she deserved, full of adventures and cats and love.

But it’s the regeneration scene that keeps pulling me back to this book. The interior monologue that Cornell creates for the Twelfth Doctor as he decides whether or not to regenerate is so perfect for the moment. It reflects not only on Capaldi and Moffat’s tenure on the show, but also on the pivotal importance of the moment that’s about to come. This is a Doctor who feels trapped in a never-ending cycle, moving from battlefield to battlefield, gaining and losing friends along the way. And he’s doing it all from “basically the same model of body,” because he’s “one of those stuck-in-a-rut Time Lords.” He knows change is necessary, but doubts how much he’s really capable of.

The Doctor’s upcoming regeneration isn’t just a curiosity or a gimmick, it’s necessary, and vital, and a validation of the Twelfth Doctor’s decision to regenerate. The Thirteenth Doctor proves that change is possible, and that even the Doctor can still be surprised by something new and delightfully unexpected.

“Rose” by Russell T. Davies, “The Christmas Invasion” by Jenny T. Colgan, “The Day of the Doctor” by Steven Moffat, “Twice Upon a Time” by Paul Cornell, and “City of Death” by James Goss are currently available in the U.K. and will be released in the U.S. on June 19th. Or, if you’re impatient like me, you can order them through Amazon UK.

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