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#soc day 3
deepspacedukat · 11 months
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Fixture
Tbh this is one of the days of the SOC fic challenge that I’ve been looking forward to the most. I have no excuse for this level of filth, and y’know what? That’s okay. I did mention some Senators in particular, simply because I had ideas for how they’d react to such a situation. Anyway. Enjoy!
DARK THEMES ARE IMPLIED. PLEASE READ ALL WARNINGS BEFORE CONTINUING.
Day 3: Free Use
SoC prompt list here. SoC Masterlist here. Cross-posted to AO3 here.
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Entire Romulan Senate (DS9 Era) x Reader, Praetor Neral (TNG/DS9) x Reader, Letant (ST:DS9) x Reader, Vreenak (ST:DS9) x Reader, Pardek (ST:TNG) x Reader, Sabrun (Nemesis) x Reader, implied Kimara Cretak (DS9) x Reader x Pardek
[A/N: This is smut, so 18+ ONLY, MINORS DNI!!!]
Warnings: ***DUBIOUS CONSENT/NON-CON IS IMPLIED. DO NOT CONTINUE IF THAT TRIGGERS YOU*** Interspecies sex, Human/Romulan sex, captive/captors, free use, degrading language, unprotected sex, fingering, woman on top, oral sex (male receiving), exhibitionism, voyeruism, sexual slavery, cock warming, implied threesome.
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In all his years, Pardek had never been so interested in a Senate toy. There had been a few back when he was first appointed, but for several decades, the position had been vacant. Having a Human was a rarity - one that had not been seen since the Earth-Romulan War two centuries prior.
Pardek wasn’t the only one who was intrigued by this woman. Several Senators - particularly the unmarried ones - along with the Praetor made regular use of her. Typically, their sessions began with her lips wrapped around Praetor Neral’s lok. At first, that choice was obviously intended to degrade her. After all, she had been caught spying for the Federation in Romulan territory. Neral had ordered his guards to drag her in front of the Senate to face her crimes.
“The Federation has grown bold in the past few years, now they even send spies into our space, but no more. We will make an example out of this woman,” Neral said as she knelt in chains between his guards in the center of the Romulan Senate floor. She looked resolute rather than frightened, but that changed a moment later. “However, let it not be said that the Romulan Empire is without mercy.”
Confused murmurs and whispers arose from the Senators who had been eagerly awaiting her execution.
“I suggest that we invoke a substitute punishment in place of the usual death sentence. It has been too many years since this distinguished body has had an outlet. I move, Senators, that we make use of this pretty little Human as was done in the previous century,” the Praetor said as he stood and took a few slow steps toward the woman who now looked utterly terrified. “As we carry the burden of ruling the Empire, she will serve as relief for our stress. Using herself in any way we require to perform at our peaks, she will serve the Empire and be an example of where Humans and other members of the Federation belong: at our feet.”
The vote had been overwhelmingly in favor after Neral’s speech. After that day, there hadn’t been a single Senate session where she’d gone untouched. Men like Neral and Vreenak preferred her mouth for the degrading position that it put her in. The latter never even learned her name, he simply called out a gruff, commanding ‘come here, girl’ when he wanted her.
Vreenak was also part of the reason that she’d learned a few words of the Rihan language. He insisted that she thank him in his own language every time he came down her throat. The Senator claimed it was only polite that she do so.
“After all,” he’d explained to her when she’d dared to look confused at his request, “we could’ve tossed you into the Reman mines and allowed those animals to use you. Instead you are allowed to give pleasure to government officials. That honor is not one that a spy is usually afforded.”
Vreenak had gripped her hair particularly roughly, afterwards, making her yelp in pain.
“Now, what do we say?” His deadly quiet tone combined with his authority in the Senate Chamber made her shake.
“Khlinae arhem, Deihu.” She’d stumbled over the words the first few times, but after several repeat performances she sounded as though she’d been born speaking Rihannsu.
Letant had a routine with her, as well, but he made his enjoyment much more obvious. Since he and Vreenak were close friends, the former would often call her over directly after the latter had finished with her. Whispering sultry little words about how cool and impersonal his colleague could be, Letant sought to give her some sort of gentleness as he took his pleasure.
“Your pronunciation is improving, but I’ve heard enough talk. Come here and give me some of those lovely moans.” Brushing her hair out of her face, he’d tilt her chin up and coax her into standing before him. One of his favorite ways to play was teasing her about how wet she’d become. “You were looking forward to this, weren’t you? Don’t worry. I was, too. These sumptuous thighs keep me awake at night...”
As he allowed his hand to wander between her legs, giving her the first real taste of pleasure she’d had all day, he’d pull her off-balance just far enough that she was forced to brace herself on his chest or shoulders. That was a devious, ingenious plan, really. In doing so, he ensured that she was at the perfect angle for him to lean in and latch onto one of her nipples. Some days he’d make her come once before he pulled her onto his lap to fuck her, but more often than not, he felt generous enough to make it twice.
Pardek had asked him about that act of charity one day after the Senate was adjourned, and as they walked together, the younger man had surprised him with his answer.
“She’s no doubt realized by now that she won’t see her home or even her star system again. She’s likely still frightened of us all, and, although some fear can be used to reinforce discipline, I don’t want her to have a coronary on the Senate floor,” Letant had murmured. “Besides, I’ve had a few Terran women in the past. They can be quite enjoyable when properly stimulated. You should try her out, Pardek. She’s wonderfully warm and accommodating.”
There was little the elder Romulan could do but attempt to conceal his blush and hurry off under the guise of being late for a meeting. As he retreated to his own office, Pardek had mulled Letant’s statement over, thoroughly intrigued with the young strategist’s approach to this pretty little Human spy. He had to admit that sex was much more appealing when your partner was willing and unafraid.
The woman’s eyes had flitted his way more than once while she was tending to Praetor Neral’s pleasure at the beginning of each session. He suspected it was due to his seat’s proximity to the man, but that didn’t explain the emotion behind the look that she gave him. Was she afraid of him? But then, she wasn’t afraid of Neral. She hated him, certainly, but he knew what her fear looked like. He saw it every time Vreenak summoned her.
As Pardek watched today’s session unfold from his prestigious seat near the Praetor, Senator Sabrun caught the girl’s gaze after she assisted Letant and summoned her over, offering her a soft smile and one of his hands. Sabrun had only been with her once before, and when a deep green blush colored his cheeks, Pardek surmised that he’d been trying to resist the urge to take her again so soon after their first session.
Several sets of eyes followed her progress as she walked over to him, Pardek’s included. He had to admit that the swish of her nude hips was enticing. What was it about Human women that turned the heads of so many Romulans? Was it their softness? Their scent? Perhaps their eagerness to please their partners?
Coaxing her onto his lap, Sabrun grasped the back of her neck and looked directly into her eyes as she took his lok into her slick, wet slit. The intensity of the moment and each other’s expressions pulled quiet moans from both of them.
Pushing his fingers into her mouth to keep her quiet during deliberations on a legal matter, Sabrun watched her with lust clouding his eyes. She certainly didn’t seem to be afraid of him. Maybe Letant was right and his previous ministrations relaxed her enough that fear no longer possessed her...
He had no idea how long he’d been lost in thought, but when a moan muffled by the fingers in her mouth escaped her, he was brought back to the present just in time to see her riding Sabrun as if both their lives depended on it. Their eyes were locked, and her forehead was nearly touching his. The two clearly had chemistry. Perhaps in a different universe, the two could have been lovers.
She came so hard that Sabrun was pulled along with her almost instantly, and in a flash, Pardek had made up his mind. Once she had recovered her breath and gotten to her feet once more, he met the Human’s gaze and beckoned her over with a wave of his fingers. She looked surprised at his attention, and, honestly, he couldn’t blame her. He’d never availed himself of her services before. With wide eyes, she walked over to him.
The rest of the Senate went quiet when they noted her trajectory. Pardek’s actions and statements were always noted in the Senate given that he’d been a member for over ninety years. When he spoke, it wasn’t rashly or without careful thought, so people tended to listen.
This evening, as he patted his thigh and murmured for her to have a seat, all eyes were on him. Pardek paid them no attention, choosing instead to savor the feeling of her arm slipping over his shoulder to steady herself. His own hands began to roam somewhat slowly, caressing her nude thighs and spreading them for his inspection. Some of the mess that Sabrun had left inside her leaked out of her used and abused slit.
“We shouldn’t let this go to waste, should we?” He asked as he slid his fingers through her folds.
“No, Deihu.” Her voice shook as she spoke. Again, Pardek couldn’t blame her. She knew little of him besides his serious, quiet countenance. His attitude when combined with his stature - he wasn’t a small man by any means - doubtlessly served to intimidate her.
As he pushed some of his colleague’s seed back inside her and curled his fingers experimentally in her depths, she bit her lower lip. The pleasure that gradually filled her eyes made Pardek smirk with pride. He’d had more than his share of sexual experiences over the years, and he was eager to see how well his knowledge applied to Human women.
She let out a little whimper as he pulled his fingers from her depths and moved to free his length from his robes. She even reached for it, but he caught her wrist. There was a pause, then. As her eyes met his, he noted that there was no longer any fear. Brimming with curiosity, she tilted her head in askance, waiting for instruction. Silently, he maneuvered her in his lap as easily as he would a toy. Pardek let out a deep groan as she sank down on his lok, one which was echoed by a gasp from her at his size.
Oh, now he understood the appeal!
Looking out at the rest of the Senators as Pardek pulled her back against his chest, she let her head drop backwards onto his shoulder. He had to admit that the sensation of her stretching to accommodate him as her body melted against him was addictive and like nothing he’d ever felt before.
“Good girl,” he breathed against her ear. He held her hips in place with one hand and brought the other between her legs to rub at the little bundle of nerves that the others had taken such joy in discovering. Since the session was almost over for the day, Pardek would use her to warm his lok until they adjourned.
Afterwards, well...there were many possible activities that a man of his experience could dream up for a pretty little toy like her. Given the attention they had already drawn, he suspected they’d have an audience for their activities, as well. Even Kimara was watching them with rapt interest. Hm...perhaps he should invite her to join in...?
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A note for those who are wondering who Senator Sabrun is:
Sabrun was in Star Trek: Nemesis. Since Senator Sabrun wasn't officially named in the dialogue of the film in which he appeared, I'm talking about the Romulan played by John Berg. His Memory Alpha page is here. His character wasn't given a name in the initial script, and he originally had a speech in the film that was later deleted. Sabrun got his name from the Star Trek Customizable Card Game.
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Romulan words:
Khlinae arhem = thank you (inferior to superior)
Deihu = Senator
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absent-o-minded · 11 months
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Jesper and Inej Deleted Scene - Analysis
Scenes get cut for various different reasons, whether it comes down to lack of episode/season placement, running times, not fitting an intended vibe/tone etc. However, that doesn't mean that some resigned part of me will not be upset that this scene was not included, because it instantly became one of my favourites of S2.
So, here are some thoughts:
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A beautiful thing about Inej is that she only lets others know of her presence should she want them too. She is a master of anonymity. Multiple times throughout both seasons, we see this happen. In the very first episode of S1, she lingers by the window, an implicit signal to Kaz that she is present. It also echoes in her choices to be deliberately known of, such as in S2 with the taxidermist, where she intentionally makes her entrance known, instead of slipping in through some crevice. Always, her choices are driven and deliberate.
Throughout both the books and the show, Jesper is constantly spooked at Inej's sudden appearance. He is a character who is constantly in motion, so the art of invisibility is something he reacts to. But this is the first instance where he is not surprised. From the dialogue, "You're not coming back to Ketterdam, are you?", he already anticipated that Inej was leaving. He also, in knowing Inej, knew that she wouldn't leave without saying goodbye.
I think it's partly because Inej wanted Jesper to know that she was there, and what she was there for, but also because this moment was not a surprise. To anyone. Back in S1, Jesper already says "I don't have a say in what you do with your shot of freedom." As much as Kaz gives him slack for being impulsive, for missing the small details, Jesper foresaw Inej leaving way before Kaz did.
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"I was already the looks of the operation, guess I'm going to have to be the heart too."
I love this line so much. I think it captures not only their relationship, but also their positions in the Dregs/Crows as a collective unit. Inej's heart is big enough to swell an ocean. It's repeatedly spoken about in the duology how Inej was the clue to the whole gang. She was the clasped hands, the tape, the glue and the bridge, holding everyone together. This is why everything goes into disarray when she is taken by Jan, and why certain pairs reach their most tense. Her unwavering faith, and her hope, and her rational, is just part of why the Crows survive the broken world the way that they do.
But, this also references that Jesper was very much secure in not being the heart of the operation, because he doesn't see himself fit to be that. Or more so, he doesn't give himself the credit that he could equally be the heart of the operation. He dismisses his contributions under the usual humorous guise, playing his role for laughs. He tries to deflect from sentimentality in the same way that he tries to avoid any emotionally charged moments.
What he doesn't realise is that it's that same humour that breaks the tension, that offers a comfort amidst certain doom, that serves as a catharsis to bracket everything in between. And that in all of his worrying of 'Can they see right through me?', Inej did something worse. She saw him.
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I think that for Inej and Jesper, they are a comfort for one another. Most noticeably because Inej feels comfortable enough to cry in front of Jesper. One of the strongest forces allowing herself to be vulnerable, because she trusts him.
It's also interesting that Inej decides to cover her face, or to obscure her expression whilst she cries, because it suggests that there is still a barrier. Amita mentioned in a panel how Inej's trauma is always at the forefront of her mind, and through choosing to cover her face, it harks back to the repression of emotion that Inej was forced to learn in order to survive at the Menagerie. All of the feigned emotions, the expressions that were purchasable, the proposed fantasy that choked the reality, all of it bleeds through.
You can argue that through being the glue, Inej is given some sort of an unfair burden, but it's important to note that whilst she may be the glue, every other member is a stick that holds her up. They all bat back at Kaz when his reluctance to communicate and stubbornness takes over: "Is Inej going to be okay?", "You know, Inej took some serious damage.", "You might want to keep your Wraith grounded for awhile."
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This scene is just so OJSW''LLDJIOEJ GOD-
Jesper's initial response to Inej standing and walking over to him is just to stand there. He makes no hurried movements to immediately comfort her, nor does he step away to give some supposed space. He stands, staring at her face, to give her a moment of un-broken presence. But also, he is considerate of the temperature of the moment. Perhaps he isn't sure what to do with himself in a moment like this, and for once is worked into stillness. Perhaps it's because he respects Inej's choices, both with her life and with her relationships, and let's her have control over any physical affection. Maybe, he's just trying to prolong talking with her, to savour it.
I just think that her scrunching her fists in his waistcoat and gently tugging him forward is such a brilliant show of their brother/sister relationship. It's childish. It's wholesome. It's an action that young children will do, but it fits so well.
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You know when the found family starts found family-ing? That's the good shit.
Initially, I had to go back through the books to see if I had missed Harij as a character, but then remembered that one of the changes they made for the adaptation is to give Inej a brother. It could've just been added as an additional motive for Inej to go looking for her family, but I think that it's interesting how it changes the relationships of the OG Crows with Jesper, because both Kaz and Inej now have a brother. In a way, Kaz and Inej are grounded on the fact that they are given the same thing worth fighting, even killing for. More importantly though, they both have something to mirror Jesper.
They both see him as a brother. Kaz, in his own cynical and not entirely healthy way, models Jesper after Jordie. He rinses Jesper's impulsivity because he is worried about where it might lead him. He delivers him hard truths to protect him. He loves him, but will never say it outright - "Tell Jesper that he's missed. Around the Slat."
In being taken away from her brother, Inej has followed the same thing. She doesn't say, "But you, Jesper, are my brother too" because she doesn't need to. He is categorised as closely as family. It's ironic, in this scene, because Inej hopes to "reunite" her family, but in doing so, she has to separate herself from her second family.
For both of them, Jesper fills that tiny void. They see their brothers, both the lost and the gone, in Jesper's unrelenting closeness.
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I am....unwell over this screenshot.
Physical affection and intimacy, regardless of its intention or form, is so complex when considering Inej's trauma. "Even now, a boy will smile at me on the street, or Jesper will put his arm around my waist, and I feel like I'm going to vanish."
Initially, Inej doesn't immediately respond. In a sudden burst of decisiveness, or comfort, or guilt, Jesper hugs her tightly. Because of their height difference, he has to physically bend down to do so. And Inej doesn't, or rather cannot, return it without registering it first. (I love the hallucination scene as much as the next person, but I really do feel like it was a missed opportunity to delve into Inej's backstory).
But then, she does. She shows strength in allowing herself to have this moment.
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Inej Ghafa, who once said that she would never miss Ketterdam, now saying that she will miss what, or who, was there.
I just think that this is so lovely in illustrating how close Inej and Jesper are, and how in pursuing her own life and reaching far beyond what was chosen for her, Inej is still anchored in her love for her family.
And again, Jesper deflects with, "Oh yeah. Course you will." because he doesn't want himself to stint Inej's life further. He doesn't want to prevent Inej from going, or for her to be far out at sea, ruminating over how she misses them all. If he had explicitly said, "I'll miss you too", I think that it definitely wouldn't leave Inej's mind. It's too close to his heart to admit that he'll miss her just as much, maybe even more than she could, if that's even possible. Even in the ASOCAS2 Panel, Kit said that without Inej, Jesper would be an emotional wreck.
There is a sort of unspoken understanding that passes between them. She knows that he won't say it back, otherwise it's too real, too fresh, and he'll have to confront the fact that she really is going. He knows that she really means it.
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This sequence of affection only further solidifies the trust between the two, but it also shows that to compensate for his lack of words, Jesper kisses the two places that are most significant - Her hand and her head.
It's this subtle signal that Jesper appreciates Inej most for not what she represents (sincerity, hope, the last ounce of good in this broken band of dolls) but for what she does. The hand that prays and wields the knife. The same hand that holds him. The head that remains hopeful. The same head that rests against him. It's a really beautiful moment. Whether it was intentional or not, we will never know.
I also think that this moment is important for Jesper in terms of trust. He is so often left out of the loop, or doubted before he has even begun, that his trust starts to waver. But, to know that Inej is comfortable enough to let herself be vulnerable, to trust him enough to say goodbye, is a comfort for him. Jesper is a secret sentimentalist. He may use humour as his mechanism, but beneath that, he will cherish that Inej let him properly say goodbye.
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"Where're you going now?" / "To say my prayers"
For once, Inej leaves in the open light, and Jesper watches her go. There are no shadows for her to slip into. There is only the sun, the open of the hills, and Jesper, stood by rocks. Inej's faith is so integral to her character, and I was really happy that this was not dulled down in the book to screen adaptation process.
Jesper just clicks his fingers and nods, looking down at his feet. He would never ask her to stay. That is the arc that is reserved for Kaz, who is initially selfish but desperate, but then grows to actively help Inej achieve her freedom.
The issue is that Jesper is usually the one who walks away. But this time, he is having to watch his closest friend do it. And it's like watching a sister leave.
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It's all shits and giggles until the comic relief breaks down.
Unlike Inej, Jesper waits until she is out of ear-shot, walking down the hill or turned round the corner, for it all to come out.
But even then, it's stifled. It's like he's gripped by his sadness suddenly, like Inej physically leaving opened some repressed emotion that Jesper knew was bubbling to the surface, but was trying to keep down. He suddenly feels the weight of her absence. He realises the potential that he might never see her again. He wipes his hand over his face, he scratches at his neck. Her departure is already itching away at his skin. Everything comes in one big wave, like he was trying to will it into not being permanent, but knowing that it very well might be.
I also think that this ending is great, but Jesper can't use humour to distract himself. After the hallucination scene in Ep6(7?), Jesper comes to and then asks if anyone else's dream was one of "happiness or joy", which clearly, was not the case at all for any of the other Crows. But here, in this secluded part of a hill, Jesper is left out in the open and unravelling.
______________
For me, one of the main appeals of the Crows is their relationships. I love the romantic ships as much as the next fan, and I think that they are so nuanced and well-written. But, I also love the Crows for their fearsome friendships.
Inej has incredible friendships with pretty much every crow which is shown in numerous brilliant moments in the books, but there are some great and (probably) underappreciated platonic relationships like: Kaz and Wylan ("You're letting shame decide who you are."), Jesper and Matthias ("I can hear you, Fahey"), Nina and Kaz ("Talk to me when you've done something about that terrible haircut") etc etc
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atalana · 1 year
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me watching sab season 2, just mentally repeating to myself: it's not an adaptation it's high budget fanfiction, it's not an adaptation it's high budget fanfiction
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honeyxmonkey · 8 months
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Just finished Six of Crows
On to Crooked Kingdom 👀
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whynotcherries · 2 years
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Chapters: 1/1 Fandom: Six of Crows Series - Leigh Bardugo Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Kaz Brekker/Inej Ghafa Characters: Kaz Brekker, Inej Ghafa Additional Tags: Post-Canon, Post-Book 2: Crooked Kingdom, Post-Traumatic Stress Disorder - PTSD, Canon Compliant, POV Inej Ghafa, Captain Inej Ghafa, Fluff, Angst, Touching, Hugs, Communication, Healing, Hurt/Comfort, Literal Sleeping Together, Snapshots, Sharing Clothes, Late Night Conversations, Returning Home, Past Abuse, Cuddling & Snuggling, Forehead Kisses Summary:
“Inej,” he called, his jacket in hand. “Take this."
Kaz Brekker, Dirtyhands, the man with steel armor built thick enough to keep any and everyone out, was offering her his coat. Not privately, not as a contained show of affection, but specifically to be worn as she went down into the public kitchen downstairs -- a room likely filled with members of not only The Wraith’s crew, but of the Dregs, too.
Or, Kaz and Inej removing armor together, told in pieces.
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kellystar321 · 5 months
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sissytobitch10seconds · 3 months
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Febuwhump 3: Loss of Life and Limb
Fandom: Grishaverse: Six of Crows and Shadow and Bone Summary: Nina thought that she wanted to be a healer, she really did. Turns out that actual injuries from war are far more gruesome than any textbook ever explained. Warnings: WWII AU, mentions of war, graphic descriptions of injuries, implied character death, minor character death, and inhumane medical conditions Word Count: 1,504 Ship(s): Nina Zenik/Matthias Helvar
Archive link!
She flinched back into herself as she heard another massive shell go off a few meters away from the tent. She hated that the Germans had once again managed to surpass them in terms of technology, that England and America weren’t keeping up their end of the bargain to provide them with ways to protect themselves. She hated the fact that she had gone to school to be a nurse and had ended up dumped into an active warzone where she was performing life-saving surgeries in the middle of a mud pit with people screaming outside the canvas. Most of all, she hated that she couldn’t save them all.
Her thoughts barely had a time to settle in her head so they mostly focused on repeating themselves over and over again. She rushed through the tent so that she could get more of the bandages and the dull garrot that they had been using to cut off the circulation of soldiers that had massive wounds. The items refused to stay still in her quivering hands but she couldn’t bring herself to care.
She rushed back to the bed where she had been working. She put the items down on the cot behind her, though that wouldn't last for very long. Some of the other nurses that didn’t have a patients would be coming to clear the body away when they had the time. She had to focus on the boy that was laying in front of her, blood dripping down the edge of the cot.
“What’s your name, love?” she asked as she readied her supplies. She didn’t have time to wash her hands with soap, not when she could hear another round of ammunition dropping on the battlefield outside. She settled for lathering them with a thick, heavy alcohol that would hopefully kill all the germs on her hands.
“Jesper,” he grunted. He tried to push himself up on shaking forearms, his eyes already darting towards the open flap of the tent. 
That was her least favorite part of this. At least when she was working in the hospitals that were far too packed with civilians and war casualties she had the ability to lock the doors to stop her patients from wandering away. The first week that she had been out on the field, she had managed to actually lose her patient. “Oh, no you don’t!” she snapped as she pushed him back onto the bed. “You have a nasty wound on your leg, I’m not going to let you wander into the war just because you know people on that field. We all do.”
“My friends are out there!” he squawked, indignant and heady with the adrenaline from his wound.
“I know,” she snapped as she pressed him down into the bed with one hand. Her eyes flicked up as she saw another cot being carried into the medical tent. It was something that happened often when they were engaged in battle. People got injured, they had to come somewhere when they had lost too much blood to fight. They came to her and the other nurses so that they could try and stabilize them before they were sent off to whatever poor village hospital had to try and fit all of them in.
She felt her heart stop in her chest when she saw who it was. She would have been able to recognize the head full of blond hair cut to short military length, the shoulders so broad and muscular that they could hold even her girth, and the face so grizzled with loss that it was a travesty not to dwell upon it anywhere. She knew immediately who she was looking at even though she wished that she did not. “Matthias!” she shouted before she realized that it was the wrong thing to do.
“Matthias is in here?” Jesper asked, trying to push himself off the bed again.
His near-escape was enough to break herself from her thoughts. She turned back to him and pressed him onto the cot with one of her hands. She let herself be divided between the other side of the tent where her husband was being tended to and the patient in front of her. 
She knew a lot of the soldiers that were serving with the Allies, but none of them were as sacred to her as the man that they had just brought in. She had traveled all over the world while she tried to figure out what she was going to do, experiencing the life, language, and culture of all others. She had adored it even more when she was sharing the experiences with someone of that country, which was where Matthias had come in. The two of them had met when they were assigned to work together with a married couple during a tour of the countryside. He had apparently only gone on it in the hopes of seeing his old family farm, but had ended up with someone he was nothing like. They had argued and bickered for the first half before they eventually determined that was stupid. After that, they had fallen head over heels for each other. They had only married when they learned that he was going to be drafted, before Nina had even decided to become a nurse so that she could be closer to him and help with the war effort.
He was being tended to by some of the other doctors, people that she knew that she could trust even with her husband. She had to focus on the boy in front of her instead of thinking with the aching, gaping black hole that had opened in her stomach. Nina couldn’t think about losing her husband in the mess that she had fallen into. She had to try and save at least one of the Godforsaken children that had been sent to the frontlines.
“Bite down on this,” she instructed as she placed a clean rag into the mouth of the soldier. They were hard to come by in the mud-slick fields that the tent had been set up in but they tried to make sure that their soldiers weren’t also suffering from a stomach ailment along with whatever injury they had picked up while fighting.
“What?” Jesper grumbled around the rag that she had placed into his mouth.
Nina paid him no mind as she wrapped the garrot around his leg as tightly as it would go and then placed both of the wooden handles into one hand. She grabbed the bottle of alcohol that she had used to sterilize her hands and then dumped it down onto his wound so that she could clean out some of the grime. Just as she had suspected that he would, he let out a shrill scream into the cloth in his mouth and seized forward.
“I know, I know,” she immediately soothed. “You’re going to be okay.”
They were words that she had spoken a million times before and likely would have to speak a million times over. None of them ever felt like they would come to fruition, it didn’t feel like any of them were going to be okay. Their entire lives, the futures that were promised to them, had been ripped away by people that didn’t even know them. They would never have what they were assured they would get.
She reached for some of the things that she had brought over. She placed the bandages down between his legs and then settled her hands on either side of the break. She forced the bones back to where they were supposed to be, which caused Jesper to release another earth-shattering scream into his rag. She was so glad that she had learned to use the gag so that her patients weren’t biting down on their tongues when she had to set bones or sew skin.
She tilted her head up just in time to see the medic that had been working on Matthias pause. He switched out with another person, who began to plunge their fingers deep down into his chest so that they could find the bullet. While he was doing that, the first one that had been working on him sprang around to the other side so that he could pump the blond’s chest.
She couldn’t let herself think about what that meant, not when she was meant to be saving the life of someone else. She grabbed the ball of surgical sutures and then worked to get the wound closed now that his leg was back where it was meant to be. She paid no attention to the tears dripping down her face at the background idea that she could be losing her husband. This war had already cost her her parents, her mentor, and numerous other people that she had cherished. She wasn’t sure what she would do if it ripped out her heart and left her with nothing but the bleakness of an unknown future.
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sixofclovers · 1 year
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Every time I see your art, I always see it and think wow how gorgeous this is perfect I love this style!
:D I appreciate that sm!! Thank you!
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aresenics · 9 months
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🗣 oksana & aleksei bc i'm greedy .
❛ моя душа. мое все. Как бы я хотел освободиться от хватки, которую Иван все еще держит на нем. Я уверен, что однажды он найдет себя. его братья и я будем вести его до тех пор. а если у нас начнут подводить ноги, мы туда и поползем. ❜ 
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mevmeryem · 1 year
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I finally read the Shadow & Bone trilogy and I am sad, happy, kind of disappointed and curious about everything.
But most of all I feel free and happy that at least I can read Six of Crows without spoiling the original trilogy.
And I fight with my want to write hundreds of fan-fics 'cause I noticed way too many of these little storylines that could've been picked up and were left out after one or two mentions.
No important thoughts, I just need to share it ^_^
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jeanmoreaux · 1 year
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Hi!!! Sorry for this question, I haven’t read SoC in a while™️ and I wanted to ask what makes Kaz and Wylan kind of similar in your POV? Cz I remember him looking up to Kaz in some sort of way but not that they were specifically alike 😂 pls help this aging fan, I’m just curious!
oh, i'm happy to share some of my thought on what i mentioned in this post about regarding wylan as somewhat of an alter to kaz! i'd love to give you some exact quotes and page numbers, but i sadly don't have the time to go back to the text and search for all the details. consequently, my claims will be rather broad and you might have to make up your own mind, on a re-read, if you (dis-)agree with my thoughts on the matter.
first, it's important to mention that, for me, wylan embodies many of the qualities of who we assume kaz rietveld was. he's honest, earnest, a little sheltered, has a firm moral compass and generally believes in kindness/goodness. he's then—quite violently—thrust into this new life, left all alone with no one to lean on. interestingly, both their "rebirths" are closely related to water (there is sure something to be said about the symbolism of water as something cleansing and its important role in baptisms.... also the implications of almost drowning but ultimately making it to shore. it's like a shared metaphor.)
They both then cleverly adopt personas to survive ketterdam's streets and distance themselves from their pasts. and here is were a lot of differences in their circumstance and environment come in. kaz's only option is to "toughen up" and turn into "the bastard of the barrel" & dirtyhands. wylan, on the other hand, continually makes himself out to be this naive ingénue in the criminal world (even way past beyond the point that's true) to fly under the radar. the thing is, since wylan falls in with the crows and has people like kaz around to do the "morally dirty" work, he gets to hold on to many of his qualities that kaz had to lay down to survive. kaz didn't have someone to do that for him.
((wylan occasionally makes some offhand remarks that hint a potential for violence, or at least an awareness of necessary violence, but he's never actually forced to act violently to save or protect others. there's not really a reason for him to suppress his empathy completely. it's clear, though, that if push came to shove he could stomach what the situation throws at him and deal with it. he's not a delicate flower, but compared to kaz he's lucky enough that he doesn't have to repress his natural tendency for kindness.))
Both characters are also intelligent and curious (they need so understand how things work) and they use that as a way to work around their individual weaknesses (kaz's issues with mobility & wylans dyslexia). for both of them, their intelligence is probably their greatest asset. they also both like a puzzle (mainly because they enjoy the process of solving it). generally i'd say their minds work much alike, which we see especially during the planning and execution of the plan to steal jan van eck's seal or when wylan deciphers kaz's cryptic infos that lead him to his mom—it's just that wylan usually doesn't use his faculties for crime. this also this is also somewhat hinted at by inej (and jesper) in ck when they're hatching out some plan and she goes like "wait, wylan, is that a scheming face?!" which is very much an expression for a look that has only ever been brought up in connection with kaz before that point. an interesting detail, that doesn't have to mean anything but is worth mentioning, is the fact that kaz often trusts wylan with more details than the other crows. whether that be to receive some input or just have a second person look for holes in his plan or out of necessity or some other reason is not always clear, but it definitely means that kaz values wylan's talents and mental faculties.
oh, and ofc wylan is probably just as cunning as kaz when he wants to be. they both can read people motives and intentions pretty well while being skilled in concealing their own (think: kaz in almost every situation ever, also think: wylan's kuwei stunt in soc or his spiel towards the end of ck). wylan's various tricks he uses to divert attention form his dyslexia fall in this cunning behaviour as well, i'd say. like, he knows exactly how to hide that he can't read but at the same time get people to help him without them even noticing (pretending he's too new to an area to understand written direction or claiming he can't read someone's handwriting, not knowing sufficient fjerdan to complete the writing on the map, etc.). if i remember correctly not even kaz figures it out, wylan has to tell him about it.
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Alright so, I need to know your thoughts on the possibility of Johnny's name coming from the song Johnny B. Goode by Chuck Berry. It's something that I personally think, but I wanted to share it with you to get your thoughts on it.
OH HEY YOU KNOW I ACTUALLY LOVE THIS??
i never made the connection before smh but you're absolutely right!!
i always assumed it came from marlon brando's character in the wild one, but i noticed in general that it was kind of a very popular.... "rock'n'roll name" you might say in the 50s and 60s? oh and maybe not only that but popular in those years in general - see also johnny in the outsiders (set in 1965), johnny get angry by joanie sommers (1962), and to put the examples we said before, johnny b goode from berry on top (1959) or the wild one (produced in 1953)
#i love this ure always SO ON POINT with all the little details!!!#like i know i said it before but i will keep saying it the greasers are a clique based on a subculture that has a HISTORY and they aas char#characters are built on that history as well. which is why i dont always like the headcanons that try and explain the rivalry bw greasers a#and preps- like they are nice obvsly and we can do what we want with the material but looking for facts to reason it kind of.... risks miss#missing the point?? bc the rivalry bw greasers and preps is kind of a projection of the class struggle of the adults yknow. like a whole t#thing of ideology- the sons of the working class and the sons of the nobility/old bourgeoisie (nouveau riche is a whole other thing that i#could write PARAGRAPHS on) and maybe they know the exact socioeconomic theory maybe not but they still belong to these two worlds that cann#cannot coexist pacifically in current conditions. and thats kind of the dynamic that has characterized the interactions bw greasers and the#upper classes kids- see the greasers and the socs in the outsiders but also slightly different. bc the socs are still middle class but with#the preps? were talking abt the children of centuries of landowners and tradesman and so forth of the east coast (and east coast is a relev#relevant detail here)#I RANTED AGAIN. one day ill talk about it specifically dont worry i have ranted too much for one time only lol#ty still for the ask!! its always so nice talking w you <3#odyposts
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Jesper actually kills me this reread
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sweetestofchaos · 1 year
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It’s a Monsta X kind of morning. I need a beats, soothing melodies and feeling
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ahndor · 1 year
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the font in six of crows is so much smaller than the font in any of the shadow and bone books
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slugchild · 2 years
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saw about eight perseids tonight!! sat w a blanket on this ww2 airfield so big it lets you see jupiter, saturn and mars in the same glance
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