Eddie is a horrible, awful, absolutely despicable human being.
But in his defense, tele-therepy should be illegal for anyone as loud as Richie Tozier.
Eddie wasn’t trying to overhear Richie’s session, honest! But the laundry room is right next to Richie’s office, and when Richie wears his headphones, he has an even harder time controlling the volume of his voice than normal, allowing Eddie to hear just about everything said on Richie’s side of the conversation.
Eddie was in the process of switching over his whites from the washer to dryer when he hears him, muffled but unmistakable, in the next room.
“I mean, I can’t just tell him,” Richie says. And after a beat, totally scandalized and kind of bitchy, answers, “Uh, he could hear me?”
Eddie snorts to himself at that, tossing a pair of briefs into the dryer.
“He doesn’t,” Richie says now, matter-of-factly. “He won’t.”
Eddie tries to hurry along the process a little, beginning to feel guilty about ease-dropping, but the next thing he hears gives him pause, despite himself.
“I don’t want to ruin what we have with my stupid feelings. I just got him back, the last thing I want to do is push him away again.”
Methodically, Eddie shakes out a dress shirt, slower and quieter than usual. For….no reason.
“I’m not ‘using negative self-talk’,” Richie gasps, offended, “I’m being honest with myself, which is something you told me I need to practice in my day-to-day, Julie.”
Eddie rolls his eyes, absolutely siding with Julie on this one. Richie has the worst habit of going down doom spirals, concocting ridiculous and unfounded hypothetical scenarios to talk himself out of believing anything that could make him feel joy.
It’s infuriating, especially because Eddie knows he does the same.
“You’d understand if you met him,” Richie continues, sounding sad and almost…wistful? “There’s no way Eddie could love me back.”
Eddie immediately slams the dryer door shut and bolts from the room, not even turning the dryer on in his haste to get as far away as quickly as possible, overcome in a mixture of guilt, shock, panic, and, he flushes, excitement.
Holy shit.
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What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭
So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.
With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.
Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.
But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.
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Hi! i just started reading your confessions comic and i am OBSESSED!! and i didnt want to spam you by rbing all of your posts so i am going to write my Thoughts here :3
First of all i just wanted to say how much youve improved over the course of making this comic!! the lineart is so much Smoother and neater, the shading is so PRETTY, i love how youve done the backgrounds, whether you actually draw them or put flowers or something else behind the characters, and the layout looks so much more proffesional and puts the focus on the right things!! ALSO your anatomy has improved sm and i love all the wild expressions!!
Also i LOVE the teal colouring with pink accents, its such a pretty combo and its kinda like your trademark now!!
And obviously the whole story is so GOOD. i love how you cranked up the Idiot Meter to 1000000 bc YEAH theyre IDIOTS!! I loved the whole Clownbug part with ladybug discovering chats in love with marinette and being ANGRY abt it, its one of my favourite flavours of love square, and pt 6 of the comic was also SO entertaining!! miscommunication my beloved <3
I also love the first panel of pt nine, its just so pretty!! and ofc the shenanigans with the design contest, it feels v realistic and you absolutely NAILED mari's character!!
And the bee miraculous akuma is GORGEOUS!! it looks v menacing but also rlly cool and i would KILL to see the full design
i also love the way you showed marinettes progress with the jacket!! the montage of them bonding and working on the jacket is so cool <3 (and the shoulder gag is rlly funny lksdjhghjkgfdkjh)
FINALLY the jacket itself is just. BEAUTIFUL. the design on the back is absolutely stunning, and i love how you incorporated the miracle box and roses (did mari draw inspiration from chat? 👀👀) and the pink inside is so cute!! and the paw mark w marinette's signature!! (also i see you have a weakness for bomber jackets and you are RIGHT they ARE the pinnacle of fashion)
and buttercup reveal my beloved!! the blush!! the awkwardness!! the wild expressions and gestures!! i LOVE IT!!
also, i love all the small details!! like how you shaded marinettes palms as hearts, its so cute! <3
Anyways im just REALLY exited to see where youre going with this comic!! <3
omg omg omg okay I woke up to this, immediately read it FIVE TIMES IN A ROW, and have spent all day trying to figure out how to reply to so many lovely compliments 😭😭😭
THANK YOU SO MUCH OBVIOUSLY it means the world that you read every part and then took the time to type this up! This comic is such a labor of love for me and I'm always trying to work in a lot of fun and cute little details/moments so when people notice and point out those things it makes my heart SWELL WITH JOY. (If you like the hearts on her palms, part ten has some hidden hearts as well heehee)
When I started this my only goals were to scratch my lovesquare itch and get comfortable drawing again after being out of the habit for years. I had, idk maybe ten followers and did not expect anyone to read it or that I would actually manage to draw more than five parts or so AND NOW HERE WE ARE lol. I am so happy that you can see an improvement in the art, not just in how the characters are drawn but stuff like backgrounds and the visual storytelling as well. I hope to get better and better with each part!
Reading your comments about the characterization makes me wanna screech with happiness because I LOVE. THESE. IDIOTS. SO MUCH it is ridiculous!! RIDICULOUS! And as much as I adore leaning into them being incredibly stupid, it is important to me to show how much tenderness lies at the heart of their interactions. They are so, so stupid because they’re so, so sweet. Confessions is very much “journey over destination” because I just want to indulge in as much insanity, humor, awkwardness, confusion, affection, devotion, and partnership I can manage to tease out of their relationship in one story.
The color palette btw was a complete and total happy accident! Sometimes a thing works because you put lots of thought and effort into it, and sometimes a thing works because you fell on it. The color palette is an example of the latter but THE JACKET is an example of the former, haha. The amount of time it took to develop not just the meaning of it but literally the physical design (gotta look like something Marinette might actually make, gotta be something that I can draw a bunch of times, gotta be something that [spoilers redacted], gotta be something that fits over Chat’s shoulders, gotta be something that actually looks good, omg.) I have a whole post about it already but still more to say because I always have more to say! this is so much rambling I’m sorry
One of the big challenges I’ve had in trying to make a comic is figuring out how to balance what to say, what to show, and what to imply. The jacket is first and foremost exactly how Marinette presents it, a means to hopefully reach Adrien and deliver the card from his classmates. The specifics behind the design are more implied. Marinette pours a week of blood sweat and tears into creating this jacket, and as far as Chat Noir sees, she is single-mindedly focused on that task. But we all know she’s ALSO carrying the responsibilities and concerns of being Ladybug. Losing the Miraculous is obviously like... the biggest thing, a terrible and invisible weight that she carries alone!
Except not, because Chat Noir is there. He’s there for Ladybug, he’s there for Marinette, he’s a constant presence in her life and his support allows her to move beyond the shame and horror of losing the Miraculous. Marinette embroiders the symbols of the stolen Miraculous centered around the ladybug and surrounded by irises (sorry they aren’t roses!), and it looks like a topical show of support for her local superheroes; Ladybug embroiders the symbols of the stolen Miraculous centered on the ladybug and surrounded by irises and it’s a promise to her city that she’s going to get them back. (That she stitches the symbol of the cat in the left-hand side of the lining so that it zips over the wearer’s heart might mean something too but that was... more subconscious.)
ANYWAYYYYYYYYYYY I hope that my long-winded rambling comes across appropriately as a sign of JUST HOW THRILLED I am to have received this beautiful thoughtful ask. Hopefully the behind the scenes talk was fun to read haha. I am so honored and I hope you continue to enjoy the story!!
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