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#specifically from a new queer friend
potatopossums · 2 years
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me telling my therapist I'm not a fan of kissing and I've had partners be upset at me for that in the past so I'm always nervous to tell people i want to be close with that, "no, i don't want to kiss but I'm ok with cuddling" — not an invitation for my therapist to say "is that something you're interested in fixing?" and "most people don't think about kissing while they're doing it."
i do. i don't really like it. i don't always hate it. it's just not exactly interesting most of the time. I'd rather not put my mouth on things most of the time. part of it is a bit of germ caution, and most of it is that i don't typically get much out of the sensation (save for very specific circumstances). i also don't like smelling people's breath, good or bad.
I'm aro. I'm a bit ace. I'm fine with where i am. it's not a discomfort that i want to fix. i want to feel more comfortable and valuable to people while existing exactly how i want to. i know i don't want to kiss people. i never have the urge. like ever. unless I'm having sex. and even then, sometimes not. and usually not on the lips. so like. please stop.
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vegaseatsass · 10 months
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Be My Favorite is rewiring my entire brain istg... just unraveling those brain wrinkles and resculpting them in exciting new shapes and patterns
#be my favorite#be my favorite spoilers#what an episode#for kawi to realize it's not just about being kind to himself and fixing the life he wants#but being kind to pear and pisaeng and caring about the life they get#especially worst timeline pear#he has time-ruined her life beyond all belief#will he take responsibility#and like ok ok ok the thing where pisaeng is like you helped me with something big and i'll always be grateful for that#the specifically queer experience of the person who makes you KNOW you're queer#pisaeng knew-ish before kawi. he and his mom have discussed it#but kawi made it firm and unchangeable and something he could no longer hide from or run from#so no matter how much kawi hurts him after that no matter how much he confuses him and pushpulls him#he's that person to pisaeng the person who made everything clear the person who made him brave#ahhh that's so reallllllllllllllll#and praying with all my heart they are very deliberately writing not and notpear and notkwan the way they are#never expecting us to ship it but laying the groundwork so we understand this future#pisaeng was right to friend breakup with not and has stayed right#please if the show does pearkwan it will become my new top ten stars show of all time i'm trying to manage my expectations#because i don't THINK it's going that way#but o! how i want it!#but yeah ships aside just kawi realizing that pear's life going well matters more to her & her happiness#than his life going well#and realizing thusly that that matters more to HIM#than his own successful future#i would like to see it#treat the girl who has been so great to you greatly please#and that guy you're so grateful for? who you feel unworthy of?#stop focusing on what is bad or unworthy about you start focusing on how to support him and his life into something worthy of him#do you see it? my vision??? gah this story has so much potential i'm so hype
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somekindafairy · 1 year
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i really need some trans masculine people in my life, like where do i find them.
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iwantyoursexmp3 · 7 months
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something about the emphasis of swimming and swimming in the ocean in lover boy ch1 is so fascinating to me because if i've learnt anything from this chapter it's that sf is actually a terrible place for swimming most of the time because the ocean is so much colder + summer months are not the warmest months + and so many beaches have deadly rip currents there was like. only one area/beach that came up in my reading as a place locals go to swim and a lot of the time they'll just drive down to other coastal cities. but it's getting to me because part of my diss explored analysis i read about how a lot of queer AIDS narratives involve swimming or being in water or the presence of water because it brings up ideas of cleanliness but also the boundaries of the body and the metaphors of that when a body is amongst water and the physicality of it reinforcing someones aliveness and agency over their sick body. anyway beau keeps thinking about swimming in the ocean + how he hasn't since bobby died and im like these points HAVE to come together at some point like i'm cooking but i don't know what. there is something bubbling on the stove
#like WANTING to swim in the ocean but you can't because of what your would confront about your body + aliveness and consequently#what you would have to confront about your dead best friend. but also you cant even get the catharsis from that if you wanted it#because of the nature of the ocean around you!! so do you actually get control + agency that swimming in the ocean will give you!#also swimming in the ocean (vast / unpredictable / alive) vs swimming in a pool (contained / chlorined / 'approachable')...my lit major ass#also i decided that bobby used to do lifeguard stuff part time and beau would just use it as an excuse to hang out at the beach all day#bobby gives me massive swimmer vibes which is funny cause he's bullied beau for being a 'jock' and being on a sports team in hs#like your ass was probably on the swim team!!! idk i havent decided yet!#literally me looking at tripadvisor forums and shit of sf locals having to break to future tourists that swimming is not really easy in SF#like it is in other parts of california#also it ties in with beau's experience of a local and a lot of the people he's encountering are queer folk who have#moved to sf specifically because of its queer community#despite it being seen as a 'epicentre' for AIDS#actually there's a line i loveee where beau's like 'san francisco and new york are only epicentres for those who want to gleefully measure#their distance from it all' and im like GO OFFFFF#i dont talk about that stuff as much because like I Am Not A Local. but the research is oceanically deep#SOOO Much going on here about placement and the body and your relationship with the space around you um!!!
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beazt · 11 months
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something I don’t really see mentioned or acknowledged at all is that “being in the closet” is a spectrum.
some people are only out to themselves.
some people are only out online.
some people are only out on specific websites or accounts.
some people are only out on a specific space on an account, such as a discord server.
some people are only out irl.
some people are only out when they’re in an area they don’t live in (such as the next city over, or on vacation).
some people are only out to their therapist and/or medical team.
some people are only out at school/uni.
some people are only out at work.
some people are only out to their family.
some people are only out to their friends.
some people are only out to their partner(s).
some people are only out to specific family/friends/partners.
some people express a muted or more “palatable” version of their identity in some or all spaces, not necessarily expressing the fullness of their identity anywhere but to themselves.
some people are partially or fully expressing their gender and/or sexuality, but not expressing other identity signifiers such as new pronouns or name.
or the above but express different versions of these signifiers in different circumstances or spaces.
some people express their identity fully, but don’t correct anyone who is “wrong” or tell anyone the full extent of their identity, with some answering when asked and others not.
some people have come out “fully”, and gone back into the closet “fully.”
some people are stealth, and are very cautious about who they allow (if anyone) to know their full identity.
and most queer people are incredibly complex mixtures of all of the above scenarios, and many more. I can’t possibly list them all.
we cannot meaningfully divide experiences between those who are “in/out of the closet” (full stop) because individual experience is way more nuanced than that. and everyone’s definition of either in/out is going to be different, ranging from “if 1 other person knows, you’re out of the closet” to “unless everybody knows the full extent of your identity, you’re not out of the closet.”
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hairmetal666 · 28 days
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Eddie stands at the bar, sipping at the whisky in his glass, eyes flickering over the crush of bodies and dark mahogany. He's at a premier party at TIFF, doesn't remember what movie it's for, is supposed to "mingle" according to his agent. And sure, he's charismatic, got a big personality and a loud mouth, but he's not good at networking; resents having to perform when he's not playing a role. Resents it more that he's an Oscar nominated actor, that his work doesn't stand for itself.
And then there's the Steve Harrington of it all. Heartthrob. America's Sweetheart. The boy next door. He's across the room, deep in conversation, but his eyes--they keep finding Eddie, scanning him with unmistakable heat.
They starred in a movie called Dying on the Pass. Played life-long best friends who became elite chefs and opened a restaurant together. The movie follows the dissolution of their friendship as the stresses of pursuing a Michelin Star drive them apart. It was a critical and commercial hit, cue awards noms, and offers pouring in, and--
Steve Harrington is his bed.
They promised, when filming wrapped. They swore it was the last time. They promised--
They basically shared a hotel room during awards season, woke up tangled together every morning.
They spent a torrid weekend in Atlanta after Steve wrapped on a Netflix action movie.
Six months after, they had a quick, furious fuck in the bathroom at a club in London.
Dangerous, stupid, but no one caught them. And here Steve is in Toronto, surrounded by press, staring at Eddie like he wants to eat him.
Eddie tries to ignore it. But every time their eyes meet, warmth pools low in his abdomen, and he wants.
They meet up eventually, pose for a couple of pictures, Eddie trying to ignore the way his skin tingles everywhere that Steve touches. Steve slings an arm around his waist, lets it linger.
After, Eddie goes out for a smoke, the patio blissfully deserted. He's half way through his cigarette when Steve steps out the sliding door, wrapping his hands in Eddie's hair, pulling him into a kiss. The cigarette drops as he grips onto the other man, a whimper slipping from his lips.
He should stop this, they're outside, anyone could see, and Steve isn't out--isn't--he's straight to the entire world, the straightest man alive. And Eddie, he's open about his preferences, identifies as queer, though lately he's been more interested in men--in one man, specifically-- and Steve isn't out, isn't ready to be and--
"Come back to my room?" Steve asks. Their mouths are still pressed together.
"Uh-huh," Eddie answers.
Steve whispers his room number before disappearing back inside. They're in the same hotel, on the same floor, like the universe wants them to keep hooking up. But Steve is being reckless.
Eddie goes to Steve that night with every intention of telling him they need to stop, to slow down, that they're going to get caught and he knows Steve isn't ready, but he doesn't. He doesn't that night and he doesn't two months later when they bump into each other in Venice, or four months after that in New York, or--or --or
It's dangerous, impulsive, too many close calls for them to keep it up and then--and then he's at a house party in the hills, an industry thing, the host is a wannabe big shot producer trying to get in good with the Hollywood elite. Steve is out of town. In Europe filming or maybe Australia for some event or--
Striding through the party, eyes locked on Eddie, and they're in a hallway, in a hallway where anyone could see them, but Steve is kissing him. They're kissing and it's rough and possessive and it stings.
Steve pushes him through double-doors, to the room at their backs, and Eddie wants to protest, to remind him they don't know if it's empty. But Steve is tugging the tie out of Eddie's hair, digging this hands into the now loose curls, and Eddie whines, lets himself be lead.
He's pushed against a table, and in the weak light from the windows, he realizes they're in the dining room. Steve grinds against him, muttering, "missed you so much, baby. God, it's been too long. Need you so bad."
Eddie moans, shifting to press more against Steve. "Missed you too, sweetheart, fuck."
They're kissing and Eddie's high on it, on Steve, can't get enough.
There's a loud burst of laughter outside the door, and reality smashes back into focus.
"Stop," he whispers to Steve.
Steve does in an instant, stepping back. Even in the darkness, Eddie sees the confusion and hurt mingling in the squint of his eyes, his light frown.
"Steve we--this is dangerous. There are people everywhere. Anyone could come in. There's a TMZ guy here, and we--need to be careful."
"Fuck," Steve breathes. "Eddie I--fuck." He presses his hand over his mouth, eyes squeezed shut. "I can't get enough of you, man. Whenever I see you I just--I don't think--I see you and I want you so bad it hurts. Once every few months isn't enough. Hookups aren't enough. And I know that's not what we agreed to, and--"
"Steve," Eddie gently cuts him off. "I'm crazy about you. It hasn't been hookups for me for--" ever, it had never been, but he shakes his head instead of saying that. "But we've been reckless, sweetheart, and I don't want to see you hurt."
"It's not fair to you, though, right? Hiding and sneaking around with me."
"You need time, Steve. You deserve to come out on your terms, when you're ready. And if that means we're not public for a while, then we're not."
"What if I'm never ready?" He whispers. It breaks Eddie's heart, but it's a fair question for a man who got famous as an angelic child star in a series of fantasy-adventure movies before playing a quarterback with a heart-of-gold on the CW for seven seasons. He's always kept up a squeaky clean image, never in trouble, name rarely in the tabloids.
"Then we'll deal with it together."
"Okay," Steve whispers. A smile spreads slow across his face. "I'd like that."
--
Steve Harrington and Eddie Munson are seen around town together often. Getting lunch, at parties, shopping. In an interview Steve says that Eddie's his best friend, they do everything together. There's speculation online, of course, but it's pretty quiet. So, they go to premiers and award shows and events together.
A year goes by and it's easy, light, fun. They're in love.
Eddie's messing around on his guitar, not with any intent just for the joy of it. He's on the loveseat in the office of their apartment--their apartment. Steve is in the kitchen, he thinks, or puttering in the garden.
They haven't talked about Steve coming out; haven't needed to.
"Hey," Steve says from the doorway. Eddie jumps.
"Hey yourself."
"It's Bi Visibility day."
"Is it now?" He's not sure where this is going
"I want to come out."
He puts the guitar down. "You sure?"
Steve nods. He doesn't seem nervous, just calm and steady.
"How do you want to do it?"
He crosses the room, climbing onto Eddie's lap, making Eddie laugh. "Works for me." Eddie gives Steve's ass a playful squeeze.
They start kissing then, Steve snapping pics on his phone randomly as they make out.
Steve won't let Eddie peak as he crafts his Insta post, not until it's done and live for his 15 million followers.
The picture he picked, it's a soft kiss, mouths open but lips only just brushing, noses pressed together in a sweet little bump. But the thing about, the thing that makes Eddie's stomach swoop, is the way they're both smiling, the way it's obvious just how in love they are.
Steve's captioned it with the words "Witness Me" and the bi flag.
He pulls his boy into another kiss, says, "Hey,"
"Hmm?" Steve doesn't pull away.
"Wanna go be visibly bisexual with me in the bedroom?"
Steve hops off his lap, strides across the room, turning to flash Eddie a devious smile. "Thought you'd never ask."
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libraryleopard · 2 years
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The other day one of my friends was like “Where on earth do you hear about all the books you read?” and I’m honestly trying to think about that because I don’t really pay attention to Booktube, Booktok, Book Twitter, or Bookstagram, only occasionally dip back into book blogging, and mostly use Goodreads as a place to track books I want to read or have read rather than searching for recommendations, so I’m trying to make a list of the places I hear about books from besides a few trusted social media mutuals.
Tor.com is one major place I hear about science fiction and fantasy books–they do deal announcements, cover reveals, lists of new releases, and reviews, as well as columns reviewing backlist work. I really like “The Book Queered Me,” for instance, which is people looking back on books that were important to their understand of identity. 
The Book Smugglers isn’t really that active anymore, but they reviewed science fiction and fantasy media, as well as publishing essays and short fiction and I read them religiously for a long time.
Book Riot I read occasionally and they publish bookish news and essays. I forgot I was subscribed to their LGBTQ+ book newsletter for a while and went through the emails I’d been sent earlier this week and that particular newsletter is nice because it highlights a couple books and does a round-up of recent news about queer books.
Austraddle’s book section, especially the Rainbow Reading column, does reviews, interviews, and news related to queer books, mostly queer women. It’s helpful for non-SFF stuff because I’m usually very up-to-date on news in the science fiction and fantasy world but they cover poetry, nonfiction, romance, etc.
We Need Diverse Books is a great resources, of course, and I really like the interviews they do with authors of recent releases.
LGBTQ Reads is an invaluable resource for queer literature–new release highlights, author interviews, lists of books by representation or age/genre if you’re looking for something specific.
Electric Literature is where I hear about more adult lit fic/nonfiction stuff, they also have a column called Novel Gazing in which people write about books that have impacted them and I find that really interesting. They also publish poetry and short fiction but I haven’t read much of that.
The Lesbrary does reviews of books about lesbian and bisexual women, as well as round-ups of new releases. Good resource for keeping up with sapphic books.
Rich in Color reads and reviews diverse YA books and is a good place to keep up with books by authors of color.
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whatbigotspost · 11 months
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🏳️‍🌈Question I couldn’t find a good response to when searching…do people still use “family” to refer to their fellow queers? Is this an old thing? Was it ever a widespread thing or was this specific to who I was around? Is it still a widespread thing now, and I just don’t hear it anymore in my circles?
1999-2005, back when I was first becoming exposed to true queer community (as opposed to knowing individual lesbian or gay folks, the only variety of LGBTQAI+ people I had met to that point) everyone would be like, “so-and-so is family.” Stuff like, “hit up that business, the owner is family.” Or “yeah you’d be fine w/ PDA at that bar. It’s not a gay bar but most of the staff is family.” Or we’d like run into a professional acquaintance and their crew at Indy Pride, get all excited and say to our crew later, “that’s Blah Blah from work! I didn’t know they’re family.”
This was all when I lived in Indianapolis. My queer elders back then were a few lesbians (very close friend’s mom and her roommates and friends) who I’ve since lost touch w/ (outside FB) who are like 55-65 now and they said this all. the. time. So it became how me and my young queer friends back then talked, too. But I never hear it now.
I haven’t thought about this in years and it was so endearing and lovely….maybe I’ll bring it back 😂 I had some major life changes since then (moved to Austin in ‘09 and built a new network where I’m now on the older side of the queers I generally hang with) so I don’t know if this is location or generationally influenced (it’s generally safer to talk plainly now vs. then, etc.)
I’m just curious to know if other folks say this or used to say it.
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The thing about Ice Adolescence being cancelled isn't that it was unexpected. It's the finality of it. There's no hope of a new season, no faint hope that maybe a movie will come out one day, maybe, just maybe. The cancellation of the movie means that this is the end of Yuri on Ice.
At least for me, YOI was one of those shows that you watched an episode or two of and it felt both comfortable and compelling, and then it grabs you by the chin and turns your head towards the screen and doesn't let you go away, and a little voice in your head just goes, "Oh." You hear the theme song and your heart swells. The sounds of skates on the ice ground you in the sport. You look at these two men falling in love and you feel it.
I had a background in figure skating. I was never particularly good, but I spent most of my childhood on the rink every Friday. Watching the series, seeing the movement of their routines and hearing the sounds of the skates and seeing the rinks that looked just like the one I grew up on felt like coming home.
I watched the show at age sixteen on my tiny smart phone in the back of the school library, on an anime pirating website that was somehow not blocked by their wifi. I'd refresh the website over and over, because the episodes were always uploaded during the lunch break, and then me and my little group of queer friends would all huddle together to watch the newest episode. We would cheer and cry and get excited over every development. They kissed and we lost our minds. A few times, the one friend who could drive would take us to the only skating rink half an hour away and I would teach them, helping them size rented skates and go from holding onto to wall to gliding across the rink. I met my current girlfriend for the first time during one of those skating sessions. Viktor and Yuri fell in love thanks to the sport, and I met the woman who's currently napping in the bed next to me thanks to them.
Yuri on Ice was such a formative piece of media for me. It felt like something specifically designed for me, the queer, anime-loving teenager with a background in figure skating, with representation that meant the world to me and such a meaningful depiction of the sport I loved. And with this cancellation, that piece of media comes to an end.
Thank you for everything, Yuri on Ice. Ice Adolescence or not, you'll live on through me, and I'll never forget the impact you had on my life. Goodbye, and know that you really did make history.
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johannestevans · 4 months
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Where do I find the queer people?
Making friends and finding social & community spaces as an LGBTQ+ adult.
Originally published with Prism & Pen. Also on my Patreon.
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Photo by Brett Sayles via Pexels.
A friend and I recently went to a Queer Open Mic night after I saw it advertised on the same afternoon. While we were on the way back, she asked about how I’d found it.
“I just feel like you always know loads of queer events that are on,” she said, “and I don’t know how to begin to find them.”
I sat down with her a few weeks later and showed her some of the ways I find events, regular or otherwise, and where I look for others — especially given that on social media in the past few days I’ve seen a few people talking about the difficulty of finding and meeting with new queer people when not online.
I thought it might be useful to put it together here.
It’s quite hard with the pressure on and elimination of many third spaces to go out and easily meet people, and given that most of us use a lot of online socials and dating apps, it can feel difficult to seek out and engage with in-person spaces without knowing exactly what the protocol or format of the event is going to be.
Especially given that many people are still more isolated than they were before the start of the Covid pandemic, and/or struggle with seeking out events for themselves having finished school or university or other more structured environments, there can be a lot of anxiety about attending events or meeting new people. But it’s worth it to remember that pretty much everyone else is in a similar spot, and there’s nothing weird or unusual about wanting to make friends or have social time with others.
I am based in the North of England and generally go between the UK and Ireland. So this guide might be less useful depending on where you are. Obviously, in countries with more repressive legislation on queer identity, community groups will by definition be far more underground. Even in areas where this isn’t the case, some of these suggestions might be more viable than others depending on how densely populated your area is, how accessible different venues and events are, and how active your local queer communities are. So, just take what’s good for you and leave the rest.
Finding Local Queer Community Groups
In your search engine, put in simple search terms — [queer] [group] in [my area].
If you can, narrow your search to websites updated in the last 6 months to 2 or 3 years — you’ll sometimes find a website from six or seven years ago where the events haven’t been running for half that when you were already excited about it.
Search your town, city, or county first, and then widen your search — I normally initially look for Bradford and Leeds respectively, but then might broaden my search to West Yorkshire or even North England depending on the time of year and if I’m more willing to travel for certain events, e.g. looking up summer events around Pride, or specific holiday events if you’re looking at Halloween, Christmas, New Year’s, etc.
Combine:
“Queer”, “LGBT” or “LGBTQ”, “Trans”, “Gay Men’s”, “Lesbian”, “Transgender”, “Transsexual”, “Gay Rights” or similar terms
With:
“Charity”, “Support Group”, “Social Space”, “Community Space”, “Meetup”, “Society”, and similar terms
Swap around the terms and find what language seems to be used in your area — remember that depending on the age group and demographic you’re looking at or for, there might be terms you prefer.
I personally search for a lot of gay men’s groups because the average age tends to be a lot older and focused more on the experiences and social spaces of men who love men rather than general queer spaces, which I find can be a bit too young and fast-paced for my speed.
In general, I find that there’s a loose separation between younger trans and queer social groups, which tend to be a mix of differing identities and ages but with a big emphasis on young adults in the 18–25 area, and then specific gay men’s or lesbians’ groups, which will have a wider swathe of ages and might be a little bit less online.
I understand the fear some people have of these spaces being more transphobic than younger spaces — that’s not personally been my experience, as transphobia and lateral bigotry might happen in any social space, but unfortunately, you just don’t know the specifics of an event or a group until you get there and actually meet and talk to the people.
Some charities or community groups that run a variety of spaces might have specific age or identity guidance on group titles — some might be particularly for younger or older people, be for trans people more than cis people, and some might focus on particular sub-communities, such as BIPOC queer groups or specific religious or ethnic meetups, disabled queer groups, etc.
You also might find meetups that are centred around certain hobbies, professions, or interests — boardgames or Magic the Gathering, Doctor Who or fantasy novels, medical professionals or blacksmiths, etc, depending on how big the area you’re in is and how populous it is.
If you are already a member of an institution or society, whether that’s your school or university, your union, some workplaces, your temple or other religious institution, etc, you might find that there are already events running for you!
Finding Queer Events Online
There are almost certainly queer events on, and they’re probably advertised, but where do you find them?
What’s annoying about the Internet as it exists, corporate online spaces and otherwise, is that most events will be posted in one or two spaces out of hundreds. The good ones will sometimes be hard to find because there’s a bunch of shitty advertising in the way, and because individuals and small charity or community advertisers don’t necessarily know about things like search engine optimisation or how to make a good, searchable post. There will be really cool events that are advertised online, but just aren’t tagged or easy to find.
This means that it’s worth looking often but keeping it casual — glancing through the top page for events that might be coming up or meet some keywords, but if most of what you see is ads, just leave it and move on. Digging through for the good events in busy areas that are also ad-heavy can take ages and might not even turn up much.
If you find socials for local community groups or charities, even if they don’t run events themselves, they might regularly share other local events or cool ones, so it can be worth following them!
Ditto for other queer people in your community — follow local artists, performers, academics, creators, public speakers, craftspeople, or any local community leaders or public figures, and see if they share and boost local events.
They might boost special interest events that are of interest to you if you follow people who share certain communities or interests. If, for example, you have an interest in lolita fashion and follow queer lolita dressers in your area or in areas you can travel to, they might post events that are of interest to them and maybe to you — whether that means specific lolita events, other clothing and fashion events like gothic or steampunk markets and shows, or even anime cons or renaissance faires or whatever.
Obviously searching on social media can help — looking for keywords like “queer event” or “LGBT social” on one site or other can be especially good if it’s a site where you can localise your search results, such as Facebook or Instagram.
With that said, Facebook and Instagram are increasingly difficult sites to use given how much they’re overwhelmed by sponsored and corporate posts as well as spam and bot posts. So, it’s generally worth it more when you focus on either events in smaller and limited areas, such as small towns, or when you’re looking for crossing over of different areas of interest, such as particular queer hobbyist or interest groups. When you start looking for broader spectrum events in a busier or more populous area, you can get inundated by spam and copy-and-paste duplicate ads that have all been promoted. But it’s still worth it to have a glance and see if anything is up at the top!
Sites and apps like Eventbrite or TicketSource, or equivalents in your area, will often let you search for specific events . As with social media, these sites can have the same problem of sponsored events coming up first, and annoyingly you can’t block particular event providers or organisers to make sure they don’t show in your search results if they’re not your thing.
Use every option that comes up and see if you can cross search where you can — pick a particular location or area, click on free or paid events, pick events at certain times, pick a certain kind of event, add in tags like LGBTQ or similar if it’s a site that allows it, etc.
If an event comes up that you like the idea of, note it down, then look the organizer up on social media and see if they run or share other events.
Looking for local tourism sites will let you search for other local events as well — especially if you live in a city or regularly visit one, they’ll often have a What’s On page or a Visit [Blank] website or equivalent, and you can search through that — most of them will have cultural events or a specific LGBTQ section you can glance through.
Here’s the Visit Bristol site, for example:
What’s On in Bristol — VisitBristol.co.uk Click here to find out What’s On in Bristol!…Get the latest information on the latest Events, Festivals, Carnivals…visitbristol.co.uk
For obvious reasons, sites like most of the above will focus on paid events, especially evening and party events. Pub quizzes, drag events, bingo nights, balls, drinks offers, parties, etc.
These events aren’t for everybody — and if they’re not for you, focus on events that take place, if not in cafés and restaurants, then in libraries, universities, museums, and other public buildings.
Queer Events Locally Advertised In-Person
Wait, do people still do that?
Look for poster and notice boards in:
Libraries, museums, community centres, university lobbies
Vintage and alternative clothes stores, music venues, etc
Your temple, church, or other religious institutions
Gay bars, queer cafés, LGBTQ centres, queer bookshops
Doctor’s offices, GUM clinics, and sexual health clinics
Anywhere else you see a noticeboard with events showing!
Also look on flag poles or in windows around your local gay bars or businesses if you have any, generally around the gay village if there’s one to go through.
How do you know the events are good? How do you know they’re legit?
How old does the poster look? Do you see many copies of it around?
Look for dates for the event(s) they’re advertising on the poster, and then look up the venue the events are meant to happen at. Do the dates match? Is it a regular event? Is the event showing on the venue’s website or social media?
Is the event run by a local group, collective, or charity? When you search them, do they have socials or a site of their own? Do they seem active?
If a local queer poster gives you socials, check those socials out — do they have any followers you’re familiar with? Do they post their venues publicly and have defined and public meeting times? Do they seem to have active and engaged commenters? Is there a face or faces behind the social media, or are they anonymous?
If an event is run by anonymous people, or if it seems like they don’t have many followers on social media or very active ones, that might be a bit more suspicious — ditto if an event just gives you a phone number but not any further identifying info.
It’s not inherently suspicious for a queer event to be at an undisclosed location, because of course people do want to ensure some safeguarding and vet people before they come, but if it’s an undisclosed location in combination with anonymous organising, that might be a bit suspicious, and should probably be avoided.
Finding Queer People in Specific Hobby or Other Community Spaces
You don’t have to go to queer-specific events to meet other queer people — any hobby or community you can think of, there’s probably queer people in attendance.
If you’re in a busier or more populous area, say there are 5 events that centre around the same hobby — of those 5, some of them will have more queer people than others, and it might be worth checking them out just to see if you click with anyone there.
My partner and I attend queer-specific board-game evenings that are run out of gay bars or by queer clubs, but pretty much any board-game night is likely to have one or two queer people knocking about, whether they know or would identify themselves as LGBTQ+ off the bat or not.
While there are obviously more open queer people at the queer events, I would say that when we went to a local board-game night run by older straight guys, about a quarter of the attendees were older queer people.
Of my queer friends, pretty much all of them have varied interests and attend different groups or clubs with a lot of other queers knocking about without them being labelled or explicitly queer events — knitting and crocheting, computer coding, electronic music and DJing, fandom, blacksmithing, glassblowing, stand-up comedy, improv, cooking, gardening, board games, cosplay and historical costuming, LEGO, live-action roleplay, tabletop roleplaying games, Magic the Gathering, Yu-Gi-Oh, and other trading card games, poker, burlesque, sports games and clubs, swimming, cycling, fishing, photography, book clubs, bug collecting, birdwatching, weaving, painting, sculpture, pottery, video games, singing, songwriting, poetry…
The list goes on.
Hell, half the people I know seem to go and meet new dates at the local climbing wall, where it seems like all the lesbians and gay guys are crawling all over one another. Another friend of mine attends their local WI, and have met other queer people there.
Other Tips
Remember you can meet people on dating and hook-up apps and that doesn’t necessarily have to be for sex and relationships, whether that’s Grindr, Her, Lex, etc — or you can ask hook-ups and casual dates where they go or if there are local events they think are good or fun. Poly people are particularly useful for this, because they’ll often have a whole network of regular events crossing over and diverging.
If you’re nervous about going to an event alone and you don’t have anybody to go with you, it can be worth checking it out on socials first and see if you have any mutual friends with people that are going — if not, it’s worth heading along anyway, because people might well speak to you before you have to open the conversation with them.
Community groups will often have icebreakers or sessions where people swap names, pronouns, and basic introductions, and that can ease the way into getting used to the space.
If you see somebody else on their own who seems nervous to talk to people, they can be good to approach and say, hey, I also don’t know anyone here, what brings you here? And so on. Remember, other people are pretty much always in the same boat as you.
For me, one of the biggest anxieties about going to new events alone is the fact that I’m disabled and dependent on public transport, and that combo can make it tough on me if I get to a place and it’s inaccessible or just not my speed, and then I have to sort of immediately turn heel and leave, but wait ages for a bus in the meantime. I’ve missed more than one event I was really excited about just because transport didn’t line up for me.
Some considerations to keep in mind when you look for events:
Is the event free or paid? Is this clearly marked? Do you need to buy tickets in advance?
How recent is the posting about the event? Is it posted on a web page or a social media page? Are there recent comments or engagement on the entry? If there is a contact for the event, is it active and responsive?
Is this event regular or recurrent? Is it for a special occasion, and does it have sister events or concurrent events?
Is the event exclusively online, exclusively in-person, or do they change between the two formats? Would you prefer to attend online before you attend in-person?
Do you want to go to a closed and more private group — for example, one that has you message them for the time and location, seems to have capped attendee limits, seems to have a regular community. Or do you want to attend a more casual event in a larger, open space where people might not notice as much as you come and go? Is it going to be very crowded or more spaced out?
Where is the event located, and will you be comfortable in that venue? Is it in a community building such as a charity space, community group, religious institute, school, or university? Is it in a café, restaurant, pub, bar, club, or late-night venue? Is it an explicitly or dedicated queer space? If you are not out to other members of your community, will going into this space reveal that you might be a member of a queer group?
Is the venue age-restricted, and will it require ID? If you must provide ID, will providing your ID in a dead name or in a different gender presentation to your current one be anxiety-inducing or a potential problem for you?
How accessible is the venue to you? Is it walkable, on a regular bus route, or does it have appropriate parking for you? Does it have ramps or elevators? Is it well-ventilated, and does it have a HVAC or other air filtration and purification protocol? Is masking enforced, and/or are masks provided? If you might be watching something together, is there a hearing loop, will there be subtitles on a screening? Is there a first aider at the event? Does the venue serve food or drink, or provide refreshments?
If you are attending alone and have specific needs or requirements, or might need to leave abruptly, is there someone you can let know at the event, such as a first aider or community leader? Are there regular buses, a taxi rank, or online taxi access if you need to quickly head home? Have you let someone else know where you are going, just as a safety concern?
Is the event activity-based, or is it a space where people just sit and talk? Would one or the other of these feel more natural or comfortable to you? Do you have to bring your own activity, such as with a craft or knitting circle, or are supplies provided, such as boardgames or a screening?
Does the group or host for the event(s) have social media? Do they advertise the regular events on socials, or have a newsletter, or some other helpful reminder system?
Most community events will be free, but if it’s an activity group or society, or if it’s a private event, especially one where they buy equipment or supplies, there might be an up-front ticket or access fee, a membership fee or a collection jar or similar — most events will tell you in advance if there is a fee or if they might request a donation.
Most importantly, like… Have fun.
If it sucks, hit the bricks — there’s no obligation to stay anywhere if it’s not fun or doesn’t satisfy you in the way you were hoping.
There’s always other events out there, and you’re very unlikely to truly be the only gay in the village, even if it sometimes feels that way. Good luck!
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novelconcepts · 11 months
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There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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route-to-eutopia-if · 6 months
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Route to Eutopia - New WIP IF
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DEMO(28K) I CHARACTER DOSSIERS I PLAYLIST (TBA)
You have one year left to live.
But are you afraid of dying? Probably not. Since you don’t even know how to live your life. You have been hidden away from public eye since young. And the only friend you have is an Alter, humanoid species born to only serve other people and nothing else. Alters live so ‘people like you’ could live.
That makes the two of you. Alive. But never here. Never lived.
If opportunities arise, would you take a chance to change it? Only you can answer.
In a world where feeling nothing at all is better than letting your emotions rule over you, your choice to break those rules and make a change will paint a new shade of history that no one ever could. 
Hidden behind shut doors to live your quiet life as a secret child of Bastien Palmer, Sole Leader of Eutopia paradise, you never experience anything except for repeating the same old routine your entire life. You are the existence which should not be known, not just for the reason that you are the byproduct of your father and his secret lover. But also because of your frightening ‘Alter-like’ eye color, most of it is silver like any Stargaze–but nevertheless… tinted shamefully by crimson streaks.
You are told to stay away from public eyes for the sake of Palmer’s reputation in which you feel obliged to. However, your life of peaceful solitude will never be the same again after tonight…
Route to Eutopia is a violent dystopian loosely-conceptual interactive story where you are a bystander surrounded by The Chosen One of your own choice. You are to designate whether this story will head towards the direction of mutual peace between Alters– a human-like species believed to be plagued by uncured disease since birth– and Stargazers —a group of survivors whose ancestors once lived on a faraway planet before an inevitable disaster occurred and forced them to flee into another dimension, or towards a doom fate that cannot be reversible.
To be noted; RtE is a heavily-relationship based game (not necessarily in platonic/romantic sense) each of your interactions with any character will determine the tone and purpose of their motivation. Any choice you have chosen, make sure to embrace the consequences of your action at your own expense.
With that being said, it is also worth mentioning that you don’t need to engage into a romance or specific relationship with any character to complete the story.
RtE also rated 18+ for strong language, suggestive contents, disturbing topics such as racism, sexism, discrimination against queer people, explicit descriptions of violence, murders, drug use and sexual behaviors of certain characters with optional intercourse scenes.
Setting
RtE takes place in a post-apocalypse society where the concept of time is lost and any history known was only speculations at best and rumour at worst. Trying to maintain their sense of utopia, Stargazers built and operated their space colony as a temporary base for self-preservation (in which only fews know details about) called ‘Eutopia’. 
In this dystopian paradise people’s sole purpose of living was fixated on surviving. And in order to do that, the whole population creates a solid ground rule not to let themselves ‘feel’ about other emotions that do not serve for public favors. Hence, you will be challenged to adapt to several situations and handpick the best flavor of your actions based on the emotions you have learnt or developed from your surroundings.
Who do you play as?
For now, you will be playing as a secret child of Bastien Palmer, the leader of Stargazers who already has a wife and two other perfect children, your younger sister and brother. Ones you have never interacted with nor you ever get the chance to.
MCs subjectively considered a white sheet which you can paint anything on by your preferences. Explore the world full of colorful emotions or bottomless pit of numbness by your own choices. 
But remember, Eutopia is a place where everything goes according to one simple rule ‘To survive’ hence the marriage between a man and woman will be set as the norm and only truth, and someone who will state otherwise must face and suffer the ugliness of social standards accordingly. However, I do not encourage any transphobic/homophobic behavior of the characters in this story. Please kindly be assured of that.
There might be a chance where you can start off as other characters, that is, however, still a subject-to-change matter as of now.
Introduction to the Chosen Ones [ ROs]
**Please be aware of mild spoilers below**
Vegaris (M/F) 19 Star-crossed lovers or Nemesis route, The Rebel.
They would do anything to survive, even if it means to betray the only person who trusts them deeply… like you.
Vegaris is an Alter who has so many sides hidden behind closed doors. Unpredictable, cunning, hot and cold are the words that describe them best. Due to their traumatic childhood (much like other Alters on Eutopia), they have a deep-root hatred for Stargazers. Although they were brought in by your family and treated almost the same as one of your father’s own kids. They still witness the unfairness of being an Alter in society and never afraid to point the wrong in other people’s doings. 
Their usual mask, however, is one where you cannot crack open that easily. They always remain calm and composed in front of you, and only show their fangs when circumstances arise.
Dana/Darren Regency (M/F) 22 Childhood friends, Forbidden route, The Face.
For a person who seems to be easy to read as much as an open-book, they sure talk with silence better than with their own voice.
A poster girl/boy for Regency Academy. Your former childhood friend (for some unknown reason, they're trying their hardest to avoid you) and an only child to the Head of Deans at Regency, Sandalphon. They are the precise image of how one should raise a Stargazer. Being a honor student. A model citizen. And a perfect ideal partner. They are assigned to be married with the most capable genetic-wise fiancé. As popular as they appear to be to the public, their private life (as private as it can be) is still a gigantic loophole for most imprudent reporters trying to catch even just a glimpse.
It seems like what they are trying to avoid is not just you, but the entirety of Eutopia.
Sandalphon Regency (M/F) 40 Age-difference, Single-parent route, The Pacifist.
Do you believe in something just because it's true, or it becomes the truth only when you believe in it?
Sandalphon is the most powerful influence among the deans of Regency. A group of people that has control over governing matters even beyond that of Bastien Palmer, the President. For Sandal, they are anything and everything people could ever ask for in a Regency. Kind, generous, well-versed with every branch of knowledge in the universe. Never wrong in anything. And never judge anyone based on their bias.
If only people knew the truth, they’d probably beg to differ.
Maybe they are just good at hiding beneath that gentle facade, maybe a calculated mind with strings to pull works best with neutral suggestions... who knows?
One more hidden character will be revealed in the demo, Into the Madness route, The Savior.
[ Classified info. ]
**There will be two sub ROs and flings to be introduced later in the story.**
More info will be announced.
Demo 1st update : 24/01/2024 Chapter 1 (28k codes excluded)
Datalog is completed roughly til the end of the story. Coding and polishing will certainly take time. Any more updates will be announced solely on this blog.
Reblogging is appreciated. Thank you!
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doctorprofessorsong · 25 days
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I don't even attend this school, but I did sit in on the class last night and what a seriously gorgeous way to tell a story about someone who is bi and who is percieved as straight because of assumptions the audience makes. Is there ANYTHING more relatable for a bi person? I literally started a new job and want desperately to be seen but people are almost certainly assuming I'm straight because of the gender of my spouse.
The episode last night wasn't an left turn from prior characterization. It was the natural arc for a character who has been connecting with and experiencing attraction and feelings for more than one gender (apparently since season one per the article I read).
There is something affirming specifically about a story where a character is percieved straight by the audience (including queer fans who have been screaming queerbait under the assumption he's straight tbh) is revealed to be bi. Not in some huge OH MY GOD crisis moment (which may happen and I'm here for that later), but in a scene where his flirting with a man comes to a natural conclusion of a date and a kiss.
The story has done something beautiful. It's said (in the words of Misha Collins) "you're not crazy" and (in the words of Mark Hamill)  "If you think [he's] gay, of course he is."
What a gorgeous affirmation of subtext. What a beautiful illustration of the experience of being presumed straight. CHEF'S FUCKING KISS and I am popping bottles for all my besties.
Which unfortunately brings me to the fucking discourse on my timeline. I am not a fan of comparing queer media. I think it's a bullshit practice. Enjoy the stories and shows you love and shut the fuck up about other shows is my motto.
But if we MUST and we apparently always must: Bi Buck isn't some loss for Bi Dean Winchester or other queer headcanons. It's a fucking win. Because this story says from its soul: the subtext is real. The interpretation is valid. He was bi the entire time. You don't have to be part of the audience that presumes a character is straight. You can lean into those interpretations because they are valid and real.
Discourse over, I again want to scream about how happy I was to witness that with my friends who are fans. An absolutely gorgeous bit of storytelling and a rich and beautiful win for the list of canon bi (and a man which is rarer) characters. I am consensually kissing you all on the lips this morning.
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larsthefishoil · 5 months
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As I'm actively reflecting on the new hbomberguy video, but more specifically James Somerton, certain things are clicking into place with resounding clarity.
I've watched Somerton's videos for years. At first I thought he was kinda overly dramatic, and had outdated stances on how little lgbtq+ was seen in modern day. He always seemed to talk like we are still living in the danger of the 80s with staight/cis people's apathy and hatred. In truth the phobias have just shifted in how they present and things have genuinely improved in a sense.
But the thing that is actually getting to me rn is the misogyny thing. I think he actually injected really shitty thoughts into my brain that I absorbed like a fucking kitchen sponge. He's protectiveness over queer people but specifically gay men from "prevented white women" actually got to me. For over a year, I was walking around occasionally thinking about how "women are sneaking BL manga into their bedrooms and grotesquely drooling."- im not citing someone theres quoteation marks cause its a dumb thought. But i thought this because that's how bad Somerton made it seem.
But the thing that got me out of that head space was this video by talistheintrovert.
https://youtube.com/@talistheintrovert?si=vmpEa_TPP2UE9eQk - here's the link to her homepage on YouTube.
https://youtu.be/08pCrSBw5EY?si=bECaT_xC16IfN5TI - vid about Good Omens
https://youtu.be/zzSlRZhS_qY?si=unQzSbCQUaTqhSbv - Heartstopper vs. Only Friends
sorry for the ugly link I'm on mobile.
I forget their pronouns so I'm using they/them but I might be wrong. I watched a lot of their videos all at once, so a lot of their ideas interlinked between videos to connect points. But they frequently talked about how straight and queer people interact with queer media and the complexities that unfold. Their underlying message was always that an individual's sexuality doesn't matter when interacting with media when it comes to gatekeeping who gets to appreciate queer content. Still most people consuming are queer people, but straight cis people also benefit and that's okay, it's great even.
Talistheintrovert shooed away icky feelings of straight women fetishizing queer men, which was a fear I got from James Somerton!
Idk this is a long post, but hbomberguy's ending soliloquy about trying to find happiness kinda reminds me of the many countless queer YouTube channels- big and small. Most of us aren't clawing for the position of top dog and like Somerton and seem a lot happier dispit of everything going on nowadays.
Anyways, stay safe, be accepting, and cite your sources or else hbomberguy will have to crawl out of whatever hole he hides in for the better part of each year and make a five hour long video about you :/
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tmmyhug · 6 months
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rant incoming abt something i’ve observed for a while
i (american) feel like we need better traditions. so many young and queer people in my experience are completely disillusioned with most of our (western) holidays either because they’re related to religion and that’s awkward for many people or because they’ve become Capitalism Lite or both. it’s hard to really enjoy a holiday when it’s overshadowed by the uncomfortable truths behind all of it.
like, christmas is nice because you get time off but it’s a constant reminder that we live in an extremely christian society that chafes at even the idea of other religions trying to exist (happy holidays vs merry christmas drama). non-christian religious holidays get like zero acknowledgement from wider society. no time off work or school, no decor in stores, etc. thanksgiving is nice bc you get to eat good food, but it’s based on colonial bs. valentine’s day is nice in theory but also an inescapable reminder that our society sees you as sad and lonely if you’re not in a relationship and if you’re not willing to spend lots of money on a partner. then theres smaller ones like labor day which is important but hard to enjoy when you’re reminded of how hard we have to fight for even an inch of appreciation or rest for workers in the us. most of the other minor holidays are subsumed by neverending consumerism and advertisement, such as mothers/father’s day.
and tell me if i’m just projecting here. but there are so few actual holidays that we can enjoy that i think it accelerates the homogenization of the seasons w global warming and the isolation and lack of community everyone is struggling with.
this is part of my theory as to why halloween is so incredibly popular with gen z - it’s doesn’t come with religious or historical baggage, doesn’t force people to spend time with families they don’t like or shame people for not fitting into nuclear family structures, isn’t based largely around buying gifts/spending money, and is an important marker in the season of fall. also this is part of why i think we latch on to stupid little anniversaries ie. neil banging out the tunes. it’s lighthearted and silly and is a grounding landmark for the passage of time and it brings us together to have fun.
all this to say we should really promote more holidays that are just. for fun. or for the passage of time. summer solstice. moon landing day. new years does fall into this category. pi day. star wars day. april fools. i really feel like we should be emphasizing and celebrating these unofficial holidays!! bringing people together and hanging out w friends or going out somewhere specific or making specific foods or something. just a regular tradition that we can rely on. yk? it’s so important
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shadowxamyweek · 2 months
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Art piece is by @lambpaca! Happy Leap Year to all you Lovers
Oh I love this. Friend, again, thank you, thank you, thank you
So there's a silly little tradition that was/is still practiced in several different countries. The tradition was, on the 29th of February, women could propose to men. It is still practiced today, more in jest than anything else, but in my own sphere, I have seen the Leap Year Day become a time when 'unconventional' couples of all stripes get together, both cis and queer.
I always liked this unofficial tradition. My partner and I actually made our plans to get married last Leap Year, in 2020, over text during lockdown. Sitting here, now married to my best friend, I still have a copy of this original print on my phone to remind me of the joy in that moment, as this picture was the thing that started that conversation.
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So it's got a lot of sentimentality for me
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The above was drafted before news broke that Tumblr would be partnering with Midjourney and Open Ai. As such, this beautiful art is now protected by the brilliant people of Chicago University and their relentless work to combat scrapping with Glaze and Nightshade.
There is a certain poetics, to me at least, posting this work now. The whole concept of Leap Year engagements was to go against the norm, pushing back against expectations and current reality as we strive for something better. The reason the tradition is no longer mainstream is because many of us have reached a point in our existence where we do not have to wait to be free.
Many, but nowhere near all. The fight is not yet done. As such, we will continue on until it is, in fact, all of us.
This goes for all aspects of personhood, but now, in this specific case, it also means joy in the freedom of art and artistic expression directly in spite of the companies that would seek to try to steal that from us and profit off of its corpse.
In short, fuck the concept that what is happening is normal. Fuck the concept that we are powerless to change it. Love is Love. People are People. Art is Art. Joy cannot be minted in artificial hands, be it those of societal dictation or designed machine. No matter what happens, the human spirit will prevail, and we will break any shit that stands in our way of achieving happiness.
Thank you again, @lambpaca - This means more than words can say.
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