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#still trying to figure out a style for them
helloanthy · 2 days
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🗒️ 24.04.2024 ⋅⋅⋅ 🥀
some notes for 20.09.2023 post and a separate cut out for utena because i spent a very long time rendering her ... the original concept i had in my head for this art was very different. it was just supposed to be a style study of this an official anime prop design art, and i'd thought to draw anthy in a similar pose across from her like in the shown version, but with her wearing her prince outfit from the manga. something something another form of female competition under the patriarchyyy stop pitting 2 girlprinces against each other omg etc (side note, how sick would it have been in an AU where akio made anthy fight against utena in the ring? like i dont think it would hav added more to the story or made it better really ... probably would've diluted the message to be honest ... but everytime i see that manga art of prince anthy i imagine some convoluted black rose arc AU where utenas dodging anthy getting her hair hacked off left and right like himemiyaaa nooo snap out of it this isnt uuu while anthys silent and dead eyed hahaha) but then after i drew prince anthy, the picture looked rather empty ... so i thought to add a few decals or borders in the style of the show & official arts but aaahh ... there was still too much negative space. i had to scrap anthy's prince outfit and put her back in her rose bride dress 😭 man !!! he cant keep getting away this !!! [blames akio the figurehead of patriarchy instead of taking responsibility of my own actions] which made me sad because i was pretty satisfied with the way i drew her pose and legs ! but i had to cover it up 🥲 ... the composition overall looked better though. and then after that it kept spiraling. i just kept adding more and more things until i lost control of this drawing and it plagued my WIP folder for months ... i dont want to try and connect all of it in words so ill just lay out all the pieces for you so you can connect them yourself. and you can experience my art thought process in fraction of erraticity and frustration as i experience it myself. this is a lot neater than what happened in my head though because i bothered to put it in order. honestly if i can make you feel a little bit insane trying to scroll through and read all this than i can make you understand how annoying my brain is when all i wanted to draw was utenanthy girlprinces fighting starting references & inspiration: utena prop reference sheet & manga prince!anthy
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the tower & the lovers tarot
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above: the lovers as depicted in the tarot of marseilles deck, tarocco bolognese deck, & tarocco piemontese deck the lovers (tarot card) wikipedia: The Lovers is associated with the star sign Gemini, and indeed is also known as The Twins in some decks. Other associations are with Air, Mercury, and the Hebrew letter ז (Zayin). In the Rider Waite deck, the imagery for this card is changed significantly from the traditional depiction. Instead of a couple receiving a blessing from a noble or cleric, the Rider–Waite deck depicts Adam and Eve in the Garden of Eden.
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a.e. waite, the pictorial key to the tarot, part III, section 3, no.6: UPRIGHT: Attraction, love, beauty, trials overcome REVERSED: Failure, foolish designs. Another account speaks of marriage frustrated and contrarieties of all kinds a.e. waite, the pictorial key to tarot, part II, VI. the lovers: In the foreground are two human figures, male and female, unveiled before each other, as if Adam and Eve when they first occupied the paradise of the earthly body. Behind the man is the Tree of Life, bearing twelve fruits, and the Tree of the Knowledge of Good and Evil is behind the woman; the serpent is twining round it. The figures suggest youth, virginity, innocence and love before it is contaminated by gross material desire. This is in all simplicity the card of human love, here exhibited as part of the way, the truth and the life. It replaces, by recourse to first principles, the old card of marriage, which I have described previously, and the later follies which depicted man between vice and virtue. In a very high sense, the card is a mystery of the Covenant and Sabbath. The suggestion in respect of the woman is that she signifies that attraction towards the sensitive life which carries within it the idea of the Fall of Man, but she is rather the working of a Secret Law of Providence than a willing and conscious temptress. It is through her imputed lapse that man shall arise ultimately, and only by her can he complete himself. The card is therefore in its way another intimation concerning the great mystery of womanhood. going off of the rider-waite tarot deck: the pictorial key to the tarot—biddytarot's interpretation of the lovers: UPRIGHT: Love, harmony, relationships, values alignment, choices REVERSED: Self-love, disharmony, imbalance, misalignment of values In its purest form, The Lovers card represents conscious connections and meaningful relationships. The arrival of this card in a Tarot reading shows that you have a beautiful, soul-honoring connection with a loved one. [...] The Lovers is a card of open communication and raw honesty. Given that the man and woman are naked, they are both willing to be in their most vulnerable states and have learned to open their hearts to one another and share their truest feelings. [...] On a more personal level, The Lovers card represents getting clear about your values and beliefs. You are figuring out what you stand for and your philosophy. Having gone through the indoctrination of The Hierophant, you are now ready to establish your belief system and decide what is and what is not essential to you. It’s time to go into the big wide world and make choices for yourself, staying true to who you are and being authentic and genuine in all your endeavors. At its heart, The Lovers is about choice. The choice about who you want to be in this lifetime, how you connect with others and on what level, and about what you will and won’t stand for. To make good choices, you need to be clear about your personal beliefs and values – and stay true to them. Not all decisions will be easy either. The Lovers card is often a sign that you are facing a moral dilemma and must consider all consequences before acting. Your values system is being challenged, and you are being called to take the higher path, even if it is difficult. Do not carry out a decision based on fear or worry or guilt or shame. Now, more than ever, you must choose love – love for yourself, love for others and love for the Universe. Choose the best version of yourself. Finally, The Lovers card encourages you to unify dual forces. You can bring together two parts that are seemingly in opposition to one another and create something that is ‘whole’, unified and harmonious. In every choice, there is an equal amount of advantage and disadvantage, opportunity and challenge, positive and negative. When you accept these dualities, you build the unity from which love flows.
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the tower (tarot card) wikipedia: The Tower is widely associated to danger, crisis, sudden change, destruction, higher learning, and liberation. In the Rider–Waite deck, the top of The Tower is a crown, which symbolizes materialistic thought being bought cheap, downcast. a.e. waite, the pictorial key to the tarot, part III, section 3, no.16: UPRIGHT: Misery, distress, indigence, adversity, calamity, disgrace, deception, ruin. It is a card in particular of unforeseen catastrophe REVERSED: According to one account, the same in a lesser degree also oppression, imprisonment, tyranny (the wikipedia included a.e. waite's upright meanings, but i have no idea where they got the reversed meanings) going off of the rider-waite tarot deck: the pictorial key to the tarot—biddytarot's interpretation of the tower: UPRIGHT: Sudden change, upheaval, chaos, revelation, awakening REVERSED: Personal transformation, fear of change, averting disaster The Tower shows a tall tower perched on the top of a rocky mountain. Lightning strikes set the building alight, and two people leap from the windows, head first and arms outstretched. It is a scene of chaos and destruction. The Tower itself is a solid structure, but because it has been built on shaky foundations, it only takes one bolt of lightning to bring it down. It represents ambitions and goals made on false premises. The lightning represents a sudden surge of energy and insight that leads to a break-through or revelation. It enters via the top of the building and knocks off the crown, symbolizing energy flowing down from the Universe, through the crown chakra. The people are desperate to escape from the burning building, not knowing what awaits them as they fall. [...] The best way forward is to let this structure self-destruct so you can re-build and re-focus. [...] with a card like The Tower, you have no choice but to surrender to the destruction and chaos, no matter how unwanted or painful [...] After a Tower experience, you will grow stronger, wiser and more resilient as you develop a new perspective on life you did not even know existed. 
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infant stars taken by NASA hubble used in the background overlay of akio's tower star birth | cool cosmos: Stars form from the simplest of building blocks - huge clouds of gas and dust that permeate the Galaxy. [...] While these big clouds of dust and gas lay dormant for many millions and perhaps billions of years, eventually some of them are disturbed. This can happen gradually, maybe caused by the approach of one of the Milky Way's spiral arms as it slowly sweeps around the center of the galaxy, or it can be a sudden event, like a nearby supernova explosion that blasts a shockwave through the cloud. Either way, a small increase in the pressure and density of the cloud forms knots in the gas and dust that eventually collapse under their own gravity, pulling more and more of the surrounding material in, and forming the stellar "seeds" known as protostars. From Protostar to Star: As the clouds collapse, they start to rotate, and, like a spinning skater pulling in her arms, each of these seed protostars begins to spin faster the more it collapses. The material falling towards the protostar flattens out into a rotating disk of dust and gas encircling the central core. The protostar warms up, as the potential energy of the material falling in is converted into kinetic energy, but it has not yet ignited to form a fully-fledged star. For the next few million years, the protostar's gravity pulls in more material from the surrounding cloud into its disk. That disk transports the gas and dust onto the protostar, causing the protostar to grow. The increase in mass causes the gravitational field of the protostar to increase and so even more material is pulled into the disk. The addition of more material, in turn, increases the gravitational field even further, pulling in more material, and so on, creating a feedback loop that keeps the whole process going. [...] The density and temperature of the protostar keep climbing higher and higher, until eventually the core grows to about one tenth the size of our Sun, and becomes hot and dense enough for hydrogen nuclei to spontaneously stick together to form helium, in a process called nuclear fusion. At that instant, the core ignites, and the new star is born. Meanwhile, in the disk, clumps of material have been forming, which are the seeds of new planets. These seeds sweep up material in the disk in a process called accretion, forming the planets of a new solar system. Once the star has started nuclear fusion, the heat and wind from the infant star begin to blast the gas and dust away, creating a cavity in the cloud. As more and more matter gets funneled onto the star from the disk, the star gets larger and larger, causing it to push harder and harder against the cloud and the disk, enlarging the cavity, vaporizing the disk, and halting the growth of planets.
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deadheading (flowers) wikipedia: Deadheading is the horticultural practice of removing spent flowers from ornamental plants. Deadheading is a widespread form of pruning, since fading flowers are not as appealing and direct a lot of energy into seed development if pollinated. The goal of deadheading is thus to preserve the attractiveness of the plants in beds, borders, containers and hanging baskets, as well as to encourage further blooming. Deadheading flowers with many petals, such as roses, peonies, and camellias prevents them from littering.
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[...] Ornamental plants that do not require deadheading are those that do not produce a lot of seed or tend to deadhead themselves [...] if the plant bears attractive seeds or fruits, deadheading is normally avoided
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ladybird, ladybug, lady beetle: scientific name "coccinellidae" wikipedia: Etymology: [...] The common English name ladybird originated in Britain where the insects became known as "Our Lady's birds". Mary ("Our Lady") was often depicted wearing a red cloak in early art, and the seven spots of the species Coccinella septempunctata (the most common in Europe) were said to represent her seven joys and seven sorrows. Trophic Roles: Coccinellids act both as predators, prey and parasitic hosts in food webs. The majority of coccinellids are carnivorous and predatory. [...] Cannibalism has been recorded in several species; which includes larvae eating eggs or other larvae, and adults feeding on individuals of any life stage.
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Defense: The bright warning colouration of many coccinellids discourage potential predators, warning of their toxicity [...] Species with more contrast with the background environment tended to be more toxic. Coccinellid haemolymph (blood) contains toxic alkaloids, azamacrolides and polyamines, as well as foul-smelling pyrazines. Coccinellids can produce at least 50 types of alkaloids. When disturbed, ladybirds further defend themselves with reflex bleeding, exuding drops from their tibio-femoral (knee) joints, effectively presenting predators with a sample of their toxic and bitter body fluid.
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despite said being named after the lady virgin mary they are known to be promiscuous breeders, who's habits have been documented to result in epidemics of sexually transmitted infection in large populations, subject to various academic studies
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lyric from lady oscar's theme song "the rose perishes beautifully"
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ok there was more but its been like 8 hours it turns out trying to put my thoughts into words even if its just a bunch of copy pasting is even more annoying than just thinking them im ending this post 😭
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dumbfucksystem · 1 day
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imagine if the shen family was actually a part of the mafia. and shen yuan just never knew.
like his Family is rich and they are all super close. he’s even in contact with some of his distant relatives pretty often, which is kinda cool for him, he’s sure that this isn’t the case for most families so he considers himself lucky to know the extent of his family tree. sure, some of them seem to have lost a marble or two but what family doesn’t have a couple oddballs in their midst, you know?
and its not just sy’s comical obliviousness that contributes to this. his family is well aware that sy is not suited for this life style- especially his siblings. they grew up watching him get himself into all sorts of weird situations and putting himself at a disadvantage simply because he’s too nice. he can try and deny it all he wants (just like how he denies he’s gay- c’mon sy everyone can tell you are not straight) but his sense of justice would only burden him if he were to work for the Family. not to mention his sense of self preservation is absolute shit and they don’t want to have to babysit him his whole life- and he probably doesn’t want that either!
so they send him off to college, help him find an apartment, and basically do everything they can to help him start off on his own, away from the Family. his siblings had to do a whole lot of convincing to let this happen btw- this kind of thing usually isn’t allowed, but sy doesn’t know anything that could be used against the Family, so they make an exception in his case. better for them to not have a deadweight sticking around either is what they say but they all dote on him anyways and refuse to admit they care about him. sy definitely picked up this line of reasoning from them btw.
shen yuan is a little upset and confused that his Family seems eager to send him off (it’s not like they can’t afford for him to live with them after all- both of his older brothers still live in the Family’s massive house and even his aunts and uncles are living there??). he manages to recover quickly though. at least now he can read his web novels in piece without prompting any dick jokes (his cousins had a field day when they found his account with all of his pidw comments…). now he just needs to figure out how to live by himself.
it’s not that sy is incapable of taking care of himself- it’s just that he’s so used to having other people with him that he never understood how much they were doing for him until they were no longer around. but that’s fine, living on your own is just another learning curve and sy is willing to rise up to the challenge. which he did, by the way! he found a job and pays his taxes and even though that isn’t much he still gives himself a mental pat on the back for it. he is still in contact with his siblings, he never misses an update for pidw which he totally doesn’t get excited for and his life is going great.
……until he accidentally eats some expired food and dies.
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howlonomy · 12 hours
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in all the 'trauma siblings' stuff with Clover & Kanako, I keep coming back to thinking about how Flowey engages with this
Like, here's someone who went through an at least similar ordeal of getting a human soul mixed into a monster body, leading to a lethal, traumatic injury, into a rebirth into a new body whose physical and emotional state are all way the fuck out of wack
Except Flowey was shaped a lot by having to go through the traumatic aftermath alone, and lives in the weird space of having experienced unknown years of resets but also is still mentally kind of a child
So I have to think that Flowey sees these kids and that little Asriel part of him is screaming "don't let them wind up like us", but being Flowey he also has no idea how to really comfort anyone.
Leading to sweet moments like Clover collapsing somewhere and before anyone else in their family can even pick up on something being wrong, there's already vines springing up to catch them, because of course Flower would know how to spot weakness in people after years of doing that, but now there's a productive positive use for that instinct and it's nice
But also moments like "Gee how do I cheer up Kanako about that appointment with Alphys... I know! We'll torment her! What a wonderful idea!" Because hey, a little bit of sadism always cheered him up when he was suffering
And he'd probably settle toward a crass & hyperbolic style of comforting people with hit-or-miss moments, like a sort of "Wow clover you ate SHIT just now", trying to get them laughing at the misfortune instead of crying, but obviously sometimes It's Not The Time For That or he reverts a bit back to thinking something really fucked up like "Man, that person was really rude just now, we should kill them and everyone they love" and the kids look back at Flowey like "dude what the fuck"
And everybody's different ways of processing trauma are constantly both helping and clashing with each other as these kids help each other figure this shit out because as much as the adults want to help nobody but these 3 can really come close to understanding how it feels
this has been a big ramble for an ask and not really an ask but I wanted you to have this
THIS IS SOOOO GOOD BECAUSE YOURE 100% RIGHT
flowey struggles with knowing the concept of empathy and compassion but not really. KNOWING it. i imagine he can at least remember how it feels being asriel and during the final boss but. its easy to know what it is and harder to put it into practice when you dont actually feel it
i think youre right in that he would try his best to help but not really know HOW. like it takes him a bit to realize that oh, i can see the weaknesses in people, whatdo i do with this information now that i cant use it to exploit them? what can i do to help instead of harm? what is objectively the GOOD thing to do with this information?
hes still an asshole and a bitch but he cares. hes learning to anyways. even if he missteps a lot the people around him are forgiving and willing to help him on the right path and correct him. i love…. flowey :[
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gammija · 3 days
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that annoying ai RDJ-jon is still on top of every tma related tag, unmarked as ai. so i have to talk about this other post.
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putting aside weird anatomy (why are there pits in her shoulder), the lack of anything approaching a character design aside from 'pretty white woman', how she's half undressed for some reason, and any number of other things - look closer at the background. we're being watched
what's... what are these
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these eyes are genuinely so funny to me. they can't be by the same entity that made the original: a human artist would draw them in a style matching the portrait, and an image generator would either do that, or generate something more photorealistic
so im trying to figure out the thought process here. was it an artistic flair to feel like they 'made' the art? to try and beat the ai allegations? or just to make it more 'tma'-y? did op truly not see the vast difference in style between them and the rest of the image?
or did they just not care, said, 'Meh, im not gonna spend more than 10 mins on this - What am i, an artist?'
and hit post
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cryptocism · 13 hours
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I love the comic book writing sensibility that Frequency has, like how Three and Five's ending is great for the story being told but if it were a published comic it would still leave them on the table for if a future writer wanted to use them.
whats funny is that despite doing my best to keep in line with dc comics/comic writing sensibilities throughout the fic (staying as comics-accurate as possible in terms of continuity/tone/characterization/story elements etc) that particular comic writing reality was one that was like. kind of a genuine anxiety that i didn't know i had until i started writing this thing.
ive said before that in the original concept for Frequency all of the clones (besides Thad) were going to end up dead. whether it was via killing each other or unintentionally being the instrument of their own demise (disney villain style). obviously it changed because creating an entire narrative about this one character's redemption arc and then not allowing any of the other villains to have a shot at redemption felt hypocritical and like. mean. not to mention antithetical to the whole ethos of the story.
but the reason why killing off all the other clones was my first instinct is partially because i had this kinda subconscious recoil to the idea that any of them would actually continue on after the story was over.
like, because i was trying to stick to canon so much, while figuring out the story a thought came up a couple times that basically went like, "okay, well, if this was a real comic, then...". and inevitably i had a realization that if this WAS a real comic, my original clone characters would be canonized, and therefore available to any future writer who wanted to yank them out of their respective endgames and inject them into other stories. which i Did Not Like the Idea Of.
classic "making up a guy to get mad at" except it was more "making up a reality to get anxious about". because obviously no matter how much it sticks to canon, Frequency still exists in a fan-created space.
but! i'd never made up original characters to put in my own fanmade stuff before and was definitely feeling protective. because all those original clones i made had yknow: a story purpose and narrative function to facilitate the actual key characters, Thad and Bart. the idea of them being removed from that context in any capacity, even if it was in the hands of a good writer, made me have this gut "no STOP you're ruining it!!!!" reaction.
they were all made for Frequency, and to foil Thad as a character, i didnt like the idea of Three being brought back as a one-note villain or Jude and Nathaniel getting folded into the wider Flash cast of allies. and none of them were made to be main character material. plus the character roster at DC is already uhh Extremely Stacked i genuinely did not want the takeaway to be "and here's the nEW ADDITIONS TO THE FLASH FAMILY!" because that wasnt the intention
anyway i got over it lol. i still did my best not to leave any loose ends, and have each ending be wholly satisfying on its own, and ideally the oc clones basically continue on offscreen while the true adventures are based around Thad and Bart. but yeah it felt right to leave off on that note (and served the story much better than killing everybody off)
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yuurivoice · 3 days
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Not to tell you how to do your job or anything, and I don't think it's the audience's place to give suggestions when this is YOUR profession, it's just a small idea that occured to me.
But maybe in the upcoming Auron audio you could add a little note on the screen saying that new Auron content is coming soon, and then like do the same with future compilation videos, since they tend to do so well!! Like to let people know that if they like the characters, this is not where the story ends at all and they should stick around. I say this mainly cause I remember you once talked about how the major numbers on the Finn compilation didn't translate to a major increase in subscribers. Really hope this didn't come off as rude, I just think maybe if people think the compilations are the ENTIRE story it might not occur to them to subscribe!
It also might yield no results at all, idk. I just remember I didn't subscribe until multipleeee videos had been recommended to me over MONTHS, mainly because I had no idea that there was a story to be followed.
I've written like three different responses to this but as I yap on I get new conclusions and ideas. This is v3 of my answer lmfao.
Preface: People don't pay attention to shit and unless you are clever or use a hammer, they do not care. They want the content. ESPECIALLY if they aren't familiar with you. This makes any deliberate Calls to Action run the risk of annoyance rather than making a meaningful impact on conversions.
Bonus note: If a video is scheduled to premiere, there's nothing I can add to it at this point without doing a whole reupload, giving Thoo a bunch of extra work, and all that shit. So that wasn't ever an option anyway.
My approach in this current iteration of how I do things is that rather than slob on somebody's knob begging for a sub, they're encouraged to either watch more videos or go to the homepage. My working hypothesis is that you're actually MORE likely to get a curious viewer to drop by your homepage before they subscribe, because they want to see what else is available.
The most recent changes I made to the channel homepage should make it abundantly clear that there are multiple stories, characters, and styles of content to jump into. Making sure that the homepage is great has probably made a massive difference in that regard, without impacting the videos themselves.
Playlists are horribly underutilized in this niche in particular, and on lots of YouTube channels really. So I made sure to try and nail that down. Still need to get the channel trailer locked in but tbh I don't know how effective those really are in 2024.
All of that being said, a ~15 second welcome intro at the start that explains what the compilation is and invites viewers to sub/explore the playlists would probably be the easiest way to accomplish that without intruding on the listening/viewing experience in a way that feels desperate or pander-y. That in conjunction with the end screen prompt would probably be the easiest way to do it.
I don't feel like that immediately turns massive hit videos into untapped wells of subscribers that I missed out on, it could help contextualize things a little more and who knows, maybe it WOULD be a big deal. Hard to say!
The context for me not immediately being like OH IT'S A SLAM DUNK HOW DID I NOT THINK OF THIS is because I run a very lucrative business converting viewers to patrons and I have very minimal in-video notes about hearing the spicy bits on Patreon. People often figure things out for themselves if they're motivated enough, and you run the risk of chasing them off if you come across like a desperate ass hoe. lmfao
I appreciate the ask, but also can assure you that I've spent several hours mulling over these very specific issues and I've considered just about every angle. If I had included every little detail and wrinkle of information I was cooking up in the various iterations of this answer it would be a mile long. So trust me. I've thought about it in great detail, have worked with people on it, workshopped things and much more!
Y'all got me yappin' up a storm on here lately. lmfao
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starfxkr · 3 days
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lamb's first red carpet isn't for acting but one of the other girls got her in and this is a big deal both for her AND her family back home!! everyones wondering who the new girl is and how she got this mirror palais dress??? her shoes don't match well because she's still figuring her style out but kitten was able to pull some strings for the dress and she starts showing up in their campaigns everywhere after that. her controversy is not with the general public but her family. when she left she changed her number and no one was able to get into contact with her at all and here she is on tv??? after 3 years??? her dress is a big scandal with the church and her dad starts doing sermons talking about "the devil took my daughter" and when people find out her background tht makes her cooler to them tbh.
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fox shows up in this gucci rtw 95 look with the rick owens slouch boots and her signature miu mu glasses. her makeups super simple and her look is envied by future film girls everywhere. her controversy of the night is her getting into beef with an up and coming director and her derogatory remarks about marvel movies and when someone asks her about "woke" movies and "forced diversity" she keeps pushing them to explain what they meant and laughs in their face when they don't have an answer. they try to brie larson her but her league of twitter lesbians wont let that happen.
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pastel0rchid · 2 days
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Serendipity (2)
Din Djarin x Modern!F!Reader
Word Count: 2.0k
Warnings: Minor talk of injuries, one curse word, being picked up
A/N: This story does start off in Mando's POV, but when you see "---", that means that the POV changes back to normal. Thank you to everyone who supported the first chapter! Until next time my friends! <3
Previous Chapter .~.~. Next Chapter
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The Mandalorian watches the woman holding the Child collapse due to the bullet to her shoulder, his blaster still aimed towards the group of three that were chasing after her. Once the shot was clear, he disposed of them quickly before they could even think of training their blasters on him. Their bodies fall to the ground in satisfying thuds.
The crowd around them grows as they begin to trickle in from the sound of the blaster fire, whispering amongst themselves at the carnage that had just unfolded. Mando knew he needed to get himself and the Child out of there… fast.
He rushes towards the woman as she goes unconscious. From the pain or blood loss, he wasn’t sure. The Child was still wrapped tightly in her arms and positioned in a way that his head was cushioned during the fall, even at the expense of her shoulder wound (which was seeping out blood and quickly beginning to pool around her).
The Child looked up at her with a worried look, his hands reaching up as far as they could and tugging on the collar of the long-sleeve she was wearing, soft whines leaving him in his own way of trying to wake her up.
“Kid. We gotta go.”
He reaches down to pull the Child from the unconscious woman’s grasp, only to be met with the Child’s whines rising in volume and his little claws digging deeper into the collar of her shirt. He had never seen the kid act like this with anyone before. Not with Cara or Peli, or even with himself.
With the crowd increasing and the threat of guards or other bounty hunters coming to investigate, he didn’t have the time to try and pry the Child from the woman. He sighs deeply at this realization and decides to take the woman with them instead of struggling with the kid.
He would just drop her off at the next skug hole planet he could find.
He places his arms under her knees and around her back, carrying her bridal style with the kid still against her chest. He looks around at the crowd, who start gasping and pointing at him. He quickly finds a small gap to run through and heads back towards the Crest.
What was supposed to be a quick stop to gain more supplies had turned into this… and The Mandalorian didn’t enjoy it one bit.
You jolt awake with a sharp gasp, your body trying to sit up only to tense and groan at the sharp pain that shoots through your shoulder. Your body lays back down onto the soft material you had been lying on with a soft grunt.
You expect to find yourself back in your living room, having slept wrong on your shoulder, and that’s what caused your shoulder to throb in pain. You expect your mother to ask why you woke up with a pained gasp and your father teasing you about falling asleep during the movie.
The metal walls surrounding you in the small space you had been placed in and the only sound being the rumbling of an engine quickly proved you wrong.
As you lay there silently, your mind running in circles to figure out what was happening, you finally noticed the small bundle curling up beside you.
You maneuver your head to get a better look at whatever was lying beside you, finding that it was the child. His eyes were closed, and his ears drooped in his sleep. Soft sounds came from him as his little hand gripped the shirt that you were wearing.
Wait… you weren’t wearing a shirt earlier… you had been wearing a sweatshirt…
The black material of the shirt was coarse against your skin and a bit too big for you, hanging ever so slightly off your shoulder. Thankfully, though, you still seemed to be wearing your sweatpants.
Your racing heart thunders in your ears as your hands explore the sensation of the shirt placed upon you. You cringe when your fingers run over the wound on your right shoulder, feeling the rough bandage material even through the shirt.
The feeling proved to you once again that you weren’t dreaming.
The silence in the room continues for a few more minutes before the door to the room slides open, the sudden sound causing you to jump. Your shoulder throbs at the harsh movement, and you hiss out in pain.
The Mandalorian looms in the doorway with his thumbs positioned in the loops of his belt, his helmet tilted down to look at you. Your gazes remain locked, at least you believe so with the way the visor of his helmet is directed at you before he gives a small ‘hmph’ as a way to start the conversation.
“Your shoulder was bleeding pretty bad.” His voice was monotone, and you couldn’t help but compare it to how he sounded on the show, even though your heart was still racing at his unexpected appearance. Your eyes remain on him as he slightly adjusts his position to lean against the doorframe, his visor now directed at the Child who was beginning to stir against your side at the noises.
“The kid wouldn’t let go of you… couldn’t take the chance of us getting caught.”
You remain silent, your mind still reeling on the fact that the Mandalorian and the Child were real, that you had been shot in the shoulder, and you were nowhere near home. A sudden wave of hot tears fills your eyes at not only the pain that still throbbed in your shoulder but at the realization that you wouldn’t see your family.
The Mandalorian visibly tenses at the sight of your watery eyes, clearly not knowing how to deal with this situation.
“Listen, I have a job I need to do. Then, I can drop you off at whatever planet you want.” His voice was slightly apprehensive, trying to sound as soothing as the modulator in his helmet would allow him to.
Placing your hands onto the bed, you slowly begin to force yourself into a sitting position, grimacing as your shoulder sends a sharp stab of pain through your nerves. You couldn’t tell him the truth. Trying to explain that you weren’t originally from this universe and that he was just a character where you were from?
You knew he wouldn’t believe you. He’d probably think you were crazy.
You honestly think you’re going crazy.
Looking back over at him, you find that he’d straightened his posture when you began to sit up and now notice that something was in his hands. The Child suddenly coos at your side, your gaze snapping down to find his little body moving from a laying position into a sitting one. His round eyes stare up at you before crawling into your lap.
“He would cry if I tried to move him away from you,” The Mandalorian suddenly says while observing the scene before him, “Why is he so attached to you?”
At his question, you quickly hear the sharp tone of protection in his voice, and you understand why. A strange woman whom they’ve never met before and the Child is suddenly drawn to be with her all the time? It’d strike you as odd, maybe even concerning.
Keeping your gaze on the little baby in your lap, you bring up your left hand to wipe away the tears in your eyes. A concerned sound comes from the child as he reaches a hand up towards your face. You lean down to his touch, his little claws gently running over your cheek as his dark eyes take in your features.
When his hand connects with your cheek, a warm wave of calm and a hint of worry washes over you.
Your eyes glance up to the Mandalorian, whose visor was trained on you, and his grip on the box tightening as if he were waiting for an attack.
“I don’t know.”
You cringe at how meek your voice sounded and the mini crack that happened when you spoke. You clear your throat, realizing how dry it felt from unuse. You silently wonder how long you’d been out.
“He came up to me in the market, I just-” “How did you know he was with me? I was nowhere near you when he disappeared from my side.”
He interrupts you, his modulated voice becoming harsher, and you feel like you are in an interrogation. You definitely were based on everything that had happened.
Your heart begins to beat wildly in your chest at his tone. He was a bounty hunter. You knew that he would figure out if you tried to lie. You sit up straight, the child in your lap looking between you and the Mandalorian with a little frown on his lips.
“I…” You take a deep but shaky breath as your mind spins to try and figure out what to say, “I’m not after him, I promise.”
Really? That was the best you could come up with? You quickly try to fix the mounting questions probably built in the Mandalorian’s brain at your words.
“Mando, I’m not a threat to you or the child. I-”
You’re interrupted by a sudden beeping from elsewhere, the Mandalorian looking behind him towards the source before training his visor back on you. He steps forward, his stature imposing in the confined space as he grabs your left arm.
“I’m not leaving you alone down here.”
That is all he says before he carefully forces you to stand, grabbing the child from your lap and holding him in his other arm. The child looks between the two of you again as Mando begins to drag you over towards a ladder. You could hear the door of wherever you had been shut behind you. Your right shoulder throbs a bit, and your legs detest the sudden movement after lying down for so long.
His visor looks between the ladder and you, his focus mainly on your shoulder. Wherever this ladder led was where the beeping sound was coming from. Without a word, he points a finger at you and then at the floor, a direct order to stay put before he ascends the ladder with the child.
Confusion etches across your face as you watch him disappear for a few seconds, the sounds of rummaging around happening above you before he reappears and descends the ladder. The child was no longer in his arms.
The beeping continues, the sound starting to become an annoyance to you.
Silently, the Mandalorian picks you up before climbing the ladder with you in his arms. The shock of suddenly being picked up causes you to grip the shirt under the shoulder pads of his armor, a soft gasp escaping your lips. His show of strength causes fear and a twinge of something else to shoot through your veins. It was almost effortless to him.
“I can climb by myself!”
“You’d be slow. We don’t have time for slow.”
His words shut you up. Your eyes are wide as they stare up at him as he climbs into a familiar place. You have seen this on the show. It was where all the flight controls were, but you couldn’t remember the name of it.
Your dad had told you once before.
The Mandalorian sits you in one of the chairs, the baby already buckled in another. Your eyes are filled with wonder as you look around at the different gadgets and gizmos. Now you understand why the Child kept wanting to flick the buttons.
After sitting in the pilot's chair, the Mandalorian hits a few buttons on the control panel. Your eyes finally look out of the main window, first noticing the vast amount of space that you are in. After giving yourself time to take in the sights of the stars, your gaze is drawn to where the ship is heading.
Your heart stops for a second.
You know what this place is. It was at the beginning of episode 6. The last episode you watched with your dad before ending up here. This was the episode where Mando gets betrayed at the prison.
Fuck, you were smack dab in the middle of season 1, and you had half a mind to tell Mando to turn his armor-covered butt around.
But the ship had already landed by the time the realization set in.
Taglist: @aheadfullofsteverogers @amyg1509
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caramelcorgi · 1 year
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I just think they‘re neat
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bubbeebear · 2 years
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Good for them!
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ferronickel · 1 month
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A bunch of webcomic Ralseis! I've been wanting to do fanart for all of these comics for a while and I've got an upcoming page of my comic that requires a mix of styles/shading, so I thought this would be good practice!
Eldritchrune by @lynxgriffin
Looking Glasses by @ferronickel
The Chara Timeline by @lilybug-02
Reconnecting by @purplebehittindifferent
Twin Runes by @akanemnon
Flat colors under the cut because I think you can see some of the stylistic differences better without shading.
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spring-maidens · 5 months
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12.12 - alles gute zum geburtstag, liebe ariane!
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babygirlkaramatsu · 8 months
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hello, my fellow karamatsu comrades.
⛔ BLMATSU / PROSHIPPERS DNI!! ⛔
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kokoasci · 7 months
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lu guang style test
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heldenherzchen · 7 months
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"want anything from the shop?" — "cornetto."
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ohno-wallace · 1 year
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Oh they think they’re so slick, sneaking around the palace walls like that.
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