My friend had asked if I knew Miguel's biological father was also named Tyler, and no, I only found out a month after I named him and I was too deep into his character to change. Have a meme about it
The memory will last
Generative Animation by Victor Doval.
1920 x 1920 px.
300 frames
15 seconds
Minted as part on the event RIPHEN in commemoration of Hic Et Nunc (HEN). A platform that changed my life as well as the lives of many other artists and collectors and that was discontinued on the 11-11-2021 giving life to the actual TEIA
Created with custom code using Processing
50/50 edtions at Teia
_Related: Abstract Creatures., Cube
Twitter / Fx(hash) / Teia / Instagram / Society6 / RedBubble
Brooklyn Space Alien Babes Book 2 Has Arrived (SOUND ON) 🔥🔥
TEZOS BOOK EXCLUSIVELY ON OBJKT 1XTZ
500 eds (Collectible Tokens) Airdrop with any purchase from Meta Tron World and Brooklyn Space Alien Babes Collection! Let's GO
Brooklyn Space Alien Babes Vol 2 follows Queen QZ3 and the Infinity Goddesses as they settle into Bushwick after falling from Meta Tron World. Queen QZ3 develops a liking for the locals. While blending in and enjoying this new planet and the local New York neighborhoods, QZ3 explores the harsh world of the homeless and addicted. Follow this fun story filled with everything from ice cream to demonic strongholds. Enjoy this story and learn more about these beautiful and powerful Infinity Goddesses. Make sure you read Book 1 and remember to collect tokens from the Brooklyn Space Alien Babes collection on OBJKT.
A wise old Buddhist nun and a few younger ones came upon a huge boulder. "Do you think that rock is heavy?" asked the old nun. The younger ones replied, "Of course!" The old nun laughed. "Not if you don't pick it up," she said.
This is the Secondary blog for Teia Community the home to teia.art the legendary marketplace on Tezos.
Please follow this account. Only Secondary blogs can add community Members to help manage the blog. 😎 Staying true to our decentralized roots we want to invite more community participation in running our Tumblrs (oh yes, there will be more!). So stay tuned!
This is brand new account and we're just getting started. We appreciate your patience and look forward to connecting with our lovely arts community.
Each week 100 NFTs are minted and randomly airdropped to UNDRGRND Membership Cardholders. To find out how you can be featured as an UNDRGRND Artist check out our Discord.
The limits of our language are the limits of our world.
The NFT space is comprised of mostly English-speaking individuals. Those rising to the top often have the advantage of speaking the language. While the space has adapted and done a good job building communities to support non-English speaking artists, more can be done.
Language barriers often lead to miscommunications, lack of nuance, and worse makes the non-native speaker appear uneducated.
For an artist as thoughtful and intellectually gifted as Hans Kristo, this has been one of the biggest challenges, “I have trouble finding the right language to convey my discourse and views linguistically. especially for non-formal language or jokes, I'm afraid that later I will offend others if I use the wrong vocabulary.”
Thankfully, art breaks down this barrier for many. Hans's use of colorful, child-like animations allows him to communicate complex, philosophical and social issues to an audience that does not speak his primary language. Even so, it still feels as if we are missing some of the nuances.
Delving into topics such as industrialization, over-consumption and Freudian psychology, could provide hours of conversation. Still, because of the limitations of our worlds, it feels as if those of us who do not speak the same language are only beginning to scratch the surface of Hans Kristo’s work (or rather just the tip of the iceberg).
“Before I studied art,” Hans says, “I studied industrial engineering first. I understand industrial matters that always deal with productivity, systems and efficiency, which started in the industrial revolution era. This became the beginning of the emergence of the era of modernism. Because of my background, I seem to be conveying self-criticism to what I had previously understood about modern life (globalism and industrialism) which seems to be packaged so luxuriously on the outside.”
When asked why he represents these ideas like a child’s toy he said, “my work uses a lot of metaphors in expressing visual language. I like literature such as poetry and rhymes as a reader, especially the works of Indonesian writers. This city, Medan, gave birth to many writers. Then why children's toys? I see that what we are experiencing is nothing more than a ‘competition arena’, ‘a game’; and just like when we were little, some are playing by the rules and some are not. It’s a systemic circle. Of course, we can blame anyone. But that's not the solution.”
Hans Kristo’s work goes beyond his limitations to expand his world and ours.